Podcasts about cult classics

The Exorcist III (1990) kicks off our Devils & Dicks triple feature! We dive into William Peter Blatty's underrated horror sequel that trades demonic possession for police procedural tension - well, mostly. Lieutenant Kinderman (George C. Scott) investigates a series of brutal murders that match the M.O. of the Gemini Killer, who died in the electric chair 15 years ago. His investigation leads him to a psychiatric ward and a mysterious patient who claims to be both the Gemini Killer and Father Damien Karras. What We Cover:Director's Cut vs. Theatrical Cut: The battle between Blatty's vision and studio interference.Brad Dourif's bone-chilling performance and how he almost lost the role to Jason Miller.THAT jump scare—the famous Nurse Keating hallway scene that's considered one of horror's best.Why the forced exorcism ending works (or doesn't).The confusing K-name pattern and what it means.George C. Scott's intensity and whether he should've been kinder, man.Celebrity cameos you probably missed (Samuel L. Jackson! Patrick Ewing! Larry King!).The dream sequence with Fabio and whether it's too much.The Debate:Is The Exorcist III better than the original?  We discuss why this film's dreadful tone and procedural approach might actually make it superior, even if it doesn't have the cultural impact of Friedkin's classic. Behind the Scenes Drama:We unpack the production chaos—how Jason Miller's health issues led to Brad Dourif's casting (then recasting), why Father Morning was added for the theatrical cut, and whether the director's cut ending would've been more powerful. Eight Official Reveals:From Father Kanavan's confessional booth murder to Mrs. Clelia crawling on the ceiling, we rank all eight monster introductions and pick our favorites.Next Time:We continue Devils & Dicks with Se7en (1995) - David Fincher's masterpiece of detective horror! Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Cultists, there's a handful of remakes that eclipse the original in the public consciousness. Phillip Kaufman's Invasion Of The Body Snatchers is certainly one of those.  Kaufman moved the setting into the urban heart of San Francisco and gave the Cult Classic the vibe of a 1970s paranoid thriller. Giving us some of the most iconic images of 1970s genre cinema. Please join us for the Dissection Dissection Topic https://www.imdb.com/title/tt0077745/?ref_=ext_shr  https://www.amazon.com/gp/video/detail/B079FD6B27/ref=atv_dp_share_cu_r  Unholy Sacrament  Pink Pineapple - Sour IPA, Evil Twin Brewing https://untp.beer/qnO26   Vault Of Darkness  M*A*S*H* (Altman, 1970) https://www.imdb.com/title/tt0066026/?ref_=ext_shr  https://www.amazon.com/gp/video/detail/B008IGAITQ/ref=atv_dp_share_cu_r  The Mighty Nein (Huo, 2025) https://www.imdb.com/title/tt26453092/?ref_=ext_shr  https://www.amazon.com/gp/video/detail/B0FQM934V8/ref=atv_dp_share_cu_r  Go Go Penguin https://gogopenguin.co.uk/   #invasionofthebodysnatchers, #invasionofthebodysnatchers1978, #thebodysnatchers, #bodysnatchers, #phillipkaufman, #podpeople, #donaldsutherland, #brookeadams, #jeffgoldblum, #kevinmccarthy, #veronicacartwright, #leonardnimoy, #theyrehereallready, #yourenext, #theseedisplanted, #terrorgrows, #theygetyouwhileyouresleeping, #youllnevercloseyoureyesagain,  #bewareofthepodpeople, #jackfinney,

Today's Sports Daily covers more on the NFL Australia game next season and where it might get moved to, an absurd NBA All-Star Game idea, update to the Mark Cuban story, and will a cult classic sports movie get a bump after yesterday?Music written by Bill Conti & Allee Willis (Casablanca Records/Universal Music Group)  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Released in 1985, Tuff Turf is an underrated 80s teen drama that blends street gangs, high school romance, rebellion, and punk rock attitude into one unforgettable cult classic.Directed by Fritz Kiersch (Children of the Corn), the film stars a young James Spader in his first leading role as Morgan Hiller, an intelligent and rebellious teen from Connecticut who is forced to move to Los Angeles after his family loses their business. Struggling to adjust to his new environment, Morgan quickly clashes with a local high school gang known as “The Tuffs.”Things escalate when Morgan falls for Frankie Croyden (Kim Richards) — the girlfriend of gang leader Nick Hauser (Paul Mones). As tensions rise between rival teens, territorial pride, jealousy, and violence push the story toward an explosive showdown. Along the way, Morgan befriends the eccentric and fast-talking Jimmy Parker, played by a very young Robert Downey Jr. in one of his early film roles.Tuff Turf captures the raw energy of mid-1980s teen cinema, combining elements of romance, action, and coming-of-age drama with a distinctly neon, punk-inspired aesthetic. The film also features appearances by Donald Fullilove (Back to the Future) and includes music from The Jim Carroll Band, adding authentic 80s grit to its soundtrack.Though it received mixed reviews upon release and earned a modest box office performance, Tuff Turf found new life on VHS and cable television, eventually earning a reputation as a cult favorite among fans of 80s teen movies. Today, it stands as a fascinating early chapter in the careers of both James Spader and Robert Downey Jr., long before their rise to mainstream fame in films like Pretty in Pink, Less Than Zero, Iron Man, and television hits like The Blacklist.For fans of classic 80s movies, teen rebellion stories, retro nostalgia, and early performances from major Hollywood stars, Tuff Turf remains a hidden gem worth revisiting.If you are new to the podcast then please consider following us on the platform that you love, we can be found most anywhere that you listen to your favorite podcasts. Please leave us a rating and review if you listen on iTunes and a 5 star rating if you listen on Spotify. If you like what you hear then please share the show with your friends and family. If you would like to help support the podcast by donating a small amount or any custom amount you choose then please visit the following link:https://retrolife4u.com/supportThis is not a membership or anything just a way for you to help support us without paying a reoccurring monthly fee when you feel like you are able to help.If you have any questions, comments, suggestions for shows or you have a question you would like us to read on air then email us at retrolife4you@gmail.comYou can find us on social media at the following places:FacebookInstagramTik TokYouTubeRetro Life 4 You Website

Send a textWhat is eventising and how does Rocky Horror use events to keep its fans engaged in the fandom? We chat about the experiential element of Rocky Horror Picture Show, particularly the sense of expression and belonging that cult followers feel when they participate in a midnight screening of the film.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Thirty years ago, a modest Canadian documentary called Project Grizzly turned into an unlikely cult classic, winning over high-profile admirers such as Quentin Tarantino. Directed by Peter Lynch, the film follows Troy Hurtubise — an unconventional metalworker and amateur inventor who survived a near-fatal grizzly bear attack as a young man. Determined to face a grizzly again, Troy sets out to build a bear-proof suit of armour from a mix of scrap metal, rubber, hockey equipment and duct tape. But what Peter ultimately captures on film is something more complicated: a portrait of a man whose bold dream slowly becomes an all-consuming obsession. Three decades later, Peter sits down with guest host Talia Schlanger in the Q studio to look back on the film and its enduring legacy.

If you liked a movie, you'll love the same thing again, only bigger and more of it! It's a theory we test with 1982's Grease 2! After that, no one is impressed with Dan right now after watching 1984's Surf 2!Email: info@channel-37.comTwitter: @WHXN37

From her first job right out of high school on a USO tour through Asia during the Vietnam War to Maude to screen queen classics, Adrienne Barbeau has costarred with snakes, rats, bugs, Swamp Things, a man-eating ape and Batman!Adrienne joins us to talk about iconic roles, larger than life co-stars (like Rodney and Reynolds) and how at 80, she's doing everything BUT riding into the sunset.At 19, she moved to New York City with a clear promise to herself: She would give theater her absolute all and settle for her backup plan, if need be, only at age 25. By then she was starring on Broadway as Hodel in Fiddler On The Roof with costar Bette Midler as Tzeitel.Adrienne shares firsthand stories from the birth of Grease (MUCH edgier at its inception), where she originated the role of Rizzo. She recalls the electric audience response during previews, and how, fueled by that enthusiasm, producers pushed forward despite harsh critical reviews. From there, Adrienne was discovered by Norman Lear and offered the part of Maude's daughter Carol in the first All In The Family Spinoff.  She found Bea Arthur to be an artist who exemplified collaborative grace,  always putting the show ahead of any individual performance.Adrienne opens up about her curious relationship with Burt Reynolds… in fact, a psychic saw her dating a man who was laying on a bearskin, even before she had met him or he had done that! She then shares stories from the chaotic set of  Cannonball Run, where she was trying to take the work seriously while many cast-mates were mostly taking alcohol. We talk about her collaborations with John Carpenter and George A. Romero. We delve into Cannibal Women in the Avocado Jungle of Death (which turns out to have surprising literary roots in Heart of Darkness). We play a sizzling round of IMDB Roulette and hear about Adrienne's latest project, the short film Oddities.The episode closes on a meaningful note as we say goodbye to Fritz in his final episode as co-host, and welcome Lisa Arch, who will be joining Weezy for our next episode.In current media--Weezy: Song Sung Blue, in theaters and streamingFritz: Marty Supreme, in theaters and streamingPath Points of Interest:Adrienne BarbeauThere Are Worse Things I Could Do by Adrienne BarbeauAdrienne Barbeau on WikipediaAdrienne Barbeau on IMDBAdrienne Barbeau on InstagramAdrienne Barbeau on FacebookOdditiesAdrienne Barbeau Amazon Author PageSong Sung BlueMarty Supreme

Send us a textLet's do the time warp again! We couldn't resist watching the most popular cult classic of all cult classics - Rocky Horror Picture Show! This episode, we chat about how we first got introduced to the film, it's stage origins and how it became popular.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Red Sonja (1985) was chosen by Dave, and it represents one of the most high-profile attempts to expand the sword-and-sorcery boom that followed the success of the early 1980s fantasy epics. Produced by Dino De Laurentiis and directed by Richard Fleischer, the film was developed as a companion piece to the popularity of Conan-style fantasy cinema, drawing inspiration from the Marvel Comics version of the character rather than directly adapting Robert E. Howard's original prose stories. The production was mounted as an international co-production, with a sizeable budget for the genre and a clear goal of building a new fantasy franchise centered around a female action lead — something still relatively rare in big-budget fantasy filmmaking at the time.Filming took place primarily in Italy, using large-scale practical sets, location shooting, and practical effects typical of mid-1980s fantasy productions. The movie featured a mix of established stars and European genre actors, and leaned heavily on physical stunt work and elaborate costume design rather than visual effects, which were still limited for fantasy filmmaking at the time. Despite heavy promotion and strong name recognition tied to the wider sword-and-sorcery trend, the film struggled critically and commercially on release. However, over time, Red Sonja has developed a cult following, particularly among fans of 1980s fantasy cinema, and is often discussed as part of the era's broader push toward larger-scale, effects-driven fantasy storytelling.If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryIn an age of dark magic… one warrior will rise to defy it.Forged by tragedy and driven by vengeance, a lone fighter sets out across a brutal fantasy world where tyrants rule and power is taken by force. With steel in her hand and fire in her heart, she will face impossible odds, deadly warriors, and ancient forces that threaten to consume everything.Red Sonja — where legends are born… and only the strongest survive.Fun FactsRed Sonja was Brigitte Nielsen's film debut, launching her short but memorable 1980s action-fantasy career.Arnold Schwarzenegger appears in the film as Lord Kalidor, rather than Conan, due to character licensing and rights issues.The movie is based primarily on the Marvel Comics version of Red Sonja, not directly on Robert E. Howard's original literary character.The film's fantasy score was composed by Ennio Morricone, one of the most famous film composers of all time.Arnold Schwarzenegger later joked in interviews that he used Red Sonja as a way to punish his children — by making them watch it.The film has become a cult favorite among 80s fantasy fans, despite its mixed reputation on release.Several weapons and props from the film were reused in other European fantasy productions during the mid-1980s.The movie was heavily marketed through fantasy magazines and comic-book advertising, targeting existing genre fans.Red Sonja is often grouped with films like Krull, Beastmaster, and Ladyhawke as part of the mid-80s fantasy boom.The character of Red Sonja has continued to appear in comics, reboots, and reboot discussions for decades, keeping the film culturally relevant.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

It's the second instalment of our Cult Classic Calendar and we've chosen Howard the Duck! Howard is a sarcastic humanoid duck who's pulled from his homeworld to Earth where he must stop an alien invasion with the help of a nerdy scientist and a struggling female rock singer. Is this truly a Cult Classic? Tune in to find out what we think! We hope you enjoy this review of Howard the Duck! If you'd like to unlock bonus episodes from Talking Back every month, then check out our page on Patreon! Check out Tim's Youtube Channel Demo Dash! You can also support Talking Back by sending us a Coffee at Buy Us a Coffee!  Please consider leaving a 5 star rating and review on Apple Podcasts! This helps make our Podcast easier for listeners to find.  Feel free to drop us a line on Social Media at Instagram, and Facebook. Or drop us an email us at talkbackpod@gmail.com. This podcast is part of the BFOP Network 

We wrap up our SCARYTALES triple feature with Guillermo Del Toro's war-torn journey through the horrors of fascism. The Pale Man sees you, but fantasy frees you, and it turns out that the real monsters are the fascist fuck-heads we met along the way as we travel back to Francoist Spain in 1944 to meet Captain Vidal and a fairy-filled forest in PAN'S LABYRINTH. Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

*Originally aired August 29th, 2025 In this bonus episode of Selective Ignorance, Mandii B is joined by A-King and Jayson Rodriguez for a dynamic deep dive into the world of Black cult classics—films that continue to shape culture, conversation, and identity across generations. The episode kicks off with an introduction to the concept of Black cult classics [00:00], before unpacking what truly defines a “classic” in this space [02:52].Together, they examine the cultural impact and the power of representation in film [05:53], while also spotlighting the role of actors and directors in pushing stories forward [09:04]. The discussion explores how genres within Black cinema have evolved [11:55], touching on the controversial legacy of Blaxploitation [14:44] and Eddie Murphy’s groundbreaking influence in the 1980s [17:44]. The conversation then shifts to the 1990s, celebrated as a golden era for Black films [21:05], followed by a lively debate on quality versus cult status [23:49]. After reflecting on how these dynamics continue to shape the future of Black cinema [27:04], the trio engages in a spirited comparison of “hood films” and “love films” [40:02], before branching into discussions on other genres like comedy, biopics, and more [42:48]. Romance and dramedy emerge as critical forces in shaping narratives around Black love and identity [46:32], while Tyler Perry’s controversial reign in Black film becomes a focal point [50:13]. This naturally leads into a comparison of Spike Lee and Tyler Perry’s distinct legacies [54:40], and a spotlight on the new generation of filmmakers such as Ryan Coogler and Jordan Peele [01:01:14]. The group also unpacks the complex role of slave movies in Black cinema [01:07:22], questioning their place in shaping narratives of identity and history. Finally, they close the episode on a playful note with a game of “How Many Black Movies Have You Seen?” [01:09:47], blending nostalgia, critique, and cultural appreciation. This episode highlights the enduring impact of Black films and the ongoing journey of representation, storytelling, and ownership in Hollywood. “No Holes Barred: A Dual Manifesto Of Sexual Exploration And Power” w/ Tempest X!Sale Link Follow the host on Social MediaMandii B Instagram/X @fullcourtpumps Follow the crew on Social Media @itsaking @jaysonrodriguez Follow the show on Social MediaInstagram @selectiveignorancepodTiktok @selective.ignoranceX/Twitter @selectiveig_podSee omnystudio.com/listener for privacy information.

Episode 55 – Suzanne Sheldon Suzanne Sheldon can be found on Twitter @425suzanne and on Salt and Sass Games Support us on Patreon Find us on Twitter @CultClassicPod Find us on Instagram @CultClassicCallbackLinsae Find more episodes at boardsalivepodcast.com/category/cult-classic-callback Theme song "Ghost Run" by Jean-Marc Giffin @JeanOfmArc

The fifteenth episode of our season on the awesome movie year of 1971 features our future cult classic pick, Tom Laughlin's Billy Jack. Directed and co-written by Tom Laughlin and starring Laughlin, Delores Taylor, David Roya, Clark Howat and Julie Webb, Billy Jack was at one point the highest-grossing independent film of all time.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/billy-jack-1971), Howard Thompson in The New York Times (https://www.nytimes.com/1971/07/29/archives/a-misguided-billy-jack.html), and Stuart Byron in The Village Voice.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at

Cult Classic status doesn't happen by accident—it's engineered by obsession, scarcity, and a helluva lot of Weird. We set out to map that journey and name the films from the last decade that might evolve from overlooked curiosities into midnight fixtures, using clear criteria: underseen on release, minimal awards heat, fervent fan energy, and a distinct voice that invites rewatching and debate.If you're searching for the next cult classic to champion, this guide gives you a map, a shortlist, and the logic behind the love. Listen, share your picks with us, and help build the crowd that turns hidden gems into legends. If you enjoyed the conversation, subscribe, rate, and leave a review to keep this series thriving.

Return to Oz might be marketed as a fantasy sequel—but rewatching it as adults reveals something far darker. From electroshock therapy and abandoned children to the Wheelers, Princess Mombi's Hall of Heads, and the terrifying Nome King, this Disney film feels more like a full-blown horror movie than a family classic.In this episode of How I Met Your Monster, we continue our Scarytales triple feature by breaking down Return to Oz through the lens of monster introductions, childhood trauma, and nightmare fuel imagery. We explore why this movie terrified so many of us as kids, how it stays unsettling as adults, and why it might be Disney's most disturbing film.We also dive into behind-the-scenes facts, Walter Murch's direction, the film's connection to the original Oz books, and how Return to Oz embraces darker fantasy in the tradition of The Dark Crystal and Labyrinth. Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Mark Bluestein of Alamo Drafthouse St. Louis returns to Mostly Superheroes to talk cult classics, repertory programming, and why older films often outperform new releases. From Twin Peaks and The Evil Dead to D&D nights, Kevin Smith stories, and the power of moviegoing community, this episode pulls back the curtain on modern cinema culture.   00:00:00 – Studio intro, honorific jokes, Alamo schedule setup 00:05:00 – Repertory titles outperforming new releases, Twin Peaks sellout surge 00:10:00 – David Lynch deep dive, Twin Peaks theatrical history 00:15:00 – January lineup wrap‑up: Hard Boiled, Twilight parties, movie‑party culture 00:20:00 – Transition into February preview, Elvis tease, rep‑title strategy 00:25:00 – February lineup planning, Big Show concept, early blockbuster hints 00:30:00 – Crafting‑and‑movies series, Phantom of the Opera, reptile joke, Interview With the Vampire 00:35:00 – Big Show blockbusters revealed: There Will Be Blood, The Shining, Gladiator, The Dark Knight 00:40:00 – Interstellar, summer movie ramp‑up, Marvel slate, Endgame rerelease + Doomsday setup 00:45:00 – Trailer philosophy, avoiding spoilers, Marvel marketing critique 00:50:00 – Community events, trivia nights, charity taps, Alamo as community hub 00:51:00 – Closing reflections on Alamo experience, theater quality, programming philosophy Subscribe and support our indie podcast at www.mostlysuperheroes.com

We've been on a bit of Western/Horror kick lately, and in that genre one film has been repeatedly recommended by the Cultists, S. Craig Zahler's Bone Tomahawk. The 2015 Cult Classic is part Revisionist Western and part Cannibal Horror, so we didn't take much convincing to put it in the Exam Table.  #bonetomahawk, #scraigzahler, #kurtrussell, #patrickwilson, #matthewfox, #richardjenkins, #lilisimmons, #davidarquette, #sidhaig, #zahnmcclarnon, #charnelvalley, #realmbuilder, #binaryreptile, #western, #westernhorror, #revisionistwestern, #cannibal, #troglodyte,  #bonetomahawkmovie, #thereisafateworsethandeath, Dissection Topic  https://www.imdb.com/title/tt2494362/?ref_=ext_shr  https://www.amazon.com/gp/video/detail/B016B0DNPG/ref=atv_dp_share_cu_r  Unholy Sacrament  Kult, Cold IPA - Oak Union Brewing https://untp.beer/gNE8J  Dark Tidings  Vault Of Darkness  Internet Movie Firearms Database https://imfdb.org/wiki/Category:Movie  Red Rabbit, Alex Grecian https://www.alexgrecian.com/novels  The 13th Warrior (McTiernan, 1999) https://www.imdb.com/title/tt0120657/?ref_=ext_shr  https://www.amazon.com/gp/video/detail/B0063O6FUG/ref=atv_dp_share_cu_r  True Grit (Coen & Coen, 2010) https://www.imdb.com/title/tt1403865/?ref_=ext_shr  https://www.netflix.com/title/70142543 

We trace how films become cult classics, from midnight screenings and VHS trades to streaming silos and algorithm feeds. We pull apart cult vs underground vs underseen, weigh the death of monoculture, and map how community keeps the weird and beloved alive.Along the way, we separate “cult” from its lookalikes: underground (how a movie is made), underseen (how many people found it), and the elusive chemistry that turns a movie into a banner for a community.We trade examples across eras—Rocky Horror, The Big Lebowski, The Room, Freaks, Plan 9, Who Killed Captain Alex, even early Nolan and Aronofsky—to show how transgression, quirk, and voice pull in fans who crave something off the map. Then we zoom out to the bigger shift: the decline of monoculture and the rise of siloed viewing. When everyone used to watch the same thing at the same time, “cult” had a clear counterpoint. Now access is near-total, but discovery is fragmented. Is mystique gone when everything is one click away, or has the ritual simply moved from midnight screenings to Discord watch parties and cosplay threads?

This is a super special episode that we did for the Patreon Patrons. We wanted to release it as a bonus episode before the last Cult Classic episode. Thanks for listening! Support us on Patreon Find us on Twitter @CultClassicPod Find us on Instagram @CultClassicCallbackLinsae Find more episodes at boardsalivepodcast.com/category/cult-classic-callback Theme song "Ghost Run" by Jean-Marc Giffin @JeanOfmArc

We're kicking off the New Year with a BIG one — actor Keith Coogan joins The Good, The Bad, and The Sequel to start the year off right. And if that's not enough, next week we're covering one of the greatest sequels of all time… Bride of Frankenstein.

In this horror movie review, we break down The Evil Dead (1981), the low-budget cult classic that helped redefine modern horror. We dive into Sam Raimi's wild directing style, Ash Williams' brutal introduction, and how this film blended extreme gore, possession horror, and dark humor to create something completely new. From the cabin in the woods to the infamous practical effects, we analyze what made The Evil Dead a cult favorite, why it still holds up today, and how it shaped the future of horror movies. #evildead #theevildead

In lieu of the upcoming Street Fighter film... let's talk about one of the originals! Future Cops! Let's just hope that the new one is ALSO about the beloved Capcom characters going back in time and undercover at a university!DISCLAIMER: Language and Spoilers!FUTURE COPSdir. Wong Jingstarring: Andy Lau; Jacky Cheung; Aaron Kwok

In this episode of How I Met Your Monster, we kick off our Scary Tales triple feature by diving into Neil Jordan's 1984 horror film The Company of Wolves. Inspired by Angela Carter's reimagining of Little Red Riding Hood, this surreal fairy-tale nightmare blends werewolves, dream logic, and body-horror transformations into one of the strangest films of the decade.We break down the film's seven monster reveals, unsettling werewolf transformation effects, and its controversial themes around puberty, repression, folklore, and gender roles. From wolves peeling out of human skin to dream-within-a-dream storytelling, The Company of Wolves challenges traditional fairy tales and refuses simple interpretations.Along the way, we connect the film to classic werewolf lore, fairy-tale history (Charles Perrault), and other surreal horror films that prioritize vibes over clarity. Is The Company of Wolves a feminist fairy tale? A disturbing coming-of-age story? Or just an aggressively weird werewolf movie? We don't fully agree—and that's the point. Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Episode 54 – Chris Michaud Chris Michaud can be found on Twitter @tableflipsyou, on Mall Night Long, and on Flip the Table. Find us on Twitter @CultClassicPod Find us on Instagram @CultClassicCallbackLinsae Find more episodes at boardsalivepodcast.com/category/cult-classic-callback Theme song "Ghost Run" by Jean-Marc Giffin @JeanOfmArc

Welcome to It Was What It Was, the football history podcast. In this Christmas Special Episode, co-hosts Jonathan Wilson and Rob Draper are joined by author John Smith to talk about his new book - 'Escape: A Love Letter to a Cult Football Classic' all about the film 'Escape to Victory'. The trio delve into the making of the film, revealing behind-the-scenes stories, discussing the film's historical context, and analysing the football sequences. We take a look at inside stories from the remarkable cast and crew, including Pele and Sylvester Stallone. The three discuss amusing anecdotes, the authenticity of the football matches and the film's lasting impact. This episode is a must-listen for fans of film and football history. Wishing you all a Merry Christmas from the It Was What It Was team!00:00 Introduction and Welcoming John Smith04:41 The Making of 'Escape to Victory'20:44 Historical Resonances and Themes28:59 Behind the Scenes Stories34:09 The Escape Plan in the Film37:11 The Cast and Their Connections41:36 The Missing Footballer Mystery46:01 Lack of Female Characters47:06 The Football Game Analysis53:19 The Half-Time Escape Plan58:00 The Final Match Moments01:06:13 Concluding Thoughts and Farewell Hosted on Acast. See acast.com/privacy for more information.

In this holiday-themed episode of How I Met Your Monster, Zach, Danny, and Casey unwrap Damien Leone's Terrifier 3, a Christmas-set descent into extreme horror led once again by Art the Clown. What begins as festive fun quickly turns into a debate about gore limits, audience intent, and what horror is supposed to make us feel.The hosts explore whether Terrifier 3 is simply a showcase for increasingly elaborate kills or a continuation of the franchise's growing mythos. While Casey celebrates the film as peak fan service and Art's strongest performance yet, Zach and Danny wrestle with visceral reactions, lingering violence, and the physical toll of watching the movie. Along the way, the conversation touches on Christmas horror traditions, MPAA censorship history, Freddy Krueger comparisons, and why Art the Clown has become one of modern horror's most recognizable icons.Love it or hate it, Terrifier 3 sparks exactly the kind of reaction it sets out to provoke—and this episode captures that tension in real time. Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

When movie maestro and mixologist Paul Feig offers to teach you how to make a proper martini at 10a on a Wednesday, you say yes. It was thrilling to be tipsy before lunchtime. Almost as thrilling as it is to end 2025 with a conversation with the absolute icon that is director, producer, and comedy legend Paul Feig. Paul created the cult classic Freaks and Geeks, directed Bridesmaids, Spy, and A Simple Favor, and has helmed episodes of The Office, Parks and Recreation, 30 Rock, and Arrested Development. He's a delight and the fun you feel watching is 100% the fun we had IRL. We dig into his journey from being the comedy outcast at USC Film School to becoming one of Hollywood's most successful directors. We talk about the brutal 'in-between' years that almost bankrupted him, why comedies get overlooked at awards shows, and his latest film "The Housemaid"—a dark thriller that marks the launch of his new production company, Pretty Dangerous Pictures. I quite liked the film and hope everyone will get their tushies out into a theater to experience it in the company of loved ones, friends, and strangers! Tune is as we discuss what makes a project "undeniable", the state of comedies in 2025, and why vanity projects ruin careers.   Join our Substack

Wayne's World is a superior example of an anti-plot story (and it's hilarious to boot!). As Melanie and I take a much deserved recording break to enjoy the holidays with our families, we're sharing this archive episode with you because, if nothing else, it'll bring a smile to your face and give you a good laugh. We'll be back on January 15, 2026 with a brand new episode. Until then Happy Holidays, everyone! - V. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Send us a textThis week we talk about Big trouble in little china from 1986! Our creator profile this week is Cary Hiroyuki Tagawa!https://www.instagram.com/thebonsaimoviecrew/https://twitter.com/bonsai_crewhttps://www.tiktok.com/@thebonsaimoviecrewhttps://discord.gg/8jCPe8T2kT#moviereview #podcast #moviefan #filmpodcast #moviepodcast #film #nostalgia #classic #kurtrussell #80s #comedy #cultclassic

Justice for Gurgi! This week it's the final stop on our tour of pre-Jackson LOTR-inspired films… and our very first ever Disney animated film!Joining us to explore Welsh mythology, The Chronicles of Prydain, and the weird lengths Disney will go to make their adaptations kid-friendly is returning guest (and Eye of the Duck digital producer) Nik Long!Next week we have a very special holiday surprise! We're celebrating Christmas and independent film with a bonus episode on Adam's very own DRINK AND BE MERRY (2025). Now available on VOD and Blu-ray! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:DisneyWar by James B. StewartSlate Production HistoryMouse in Transition: An Insider's Look at Disney Feature Animation by Steve HulettThe Chicago Tribune Production HistoryCollider Production History“Chronicles of Prydain” Reboot In the WorksFinal Film In Technirama 70mmThe Lion King Surpasses BudgetBBC Production HistoryNew Logo New DisneyCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Join hosts Peter and Eddie on this exciting episode of The Marvelists as they sit down with veteran actor Alex Hyde-White for an in-depth conversation about his long and varied career in film, television, voice acting, and audiobook narration. Alex opens up about his diverse body of work, from memorable roles in major films like Pretty Woman, Catch Me If You Can, and Indiana Jones and the Last Crusade, to his early days as one of the last contract players at Universal Studios. He also discusses his successful transition into audiobook narration—winning Audible's New Narrator of the Year Award in 2011, founding Punch Audio, and narrating over 100 titles with his versatile British-American accents. The conversation dives deep into his iconic Marvel connections: portraying Reed Richards/Mr. Fantastic in Roger Corman's legendary unreleased 1994 Fantastic Four film, sharing behind-the-scenes stories from that cult phenomenon. Alex then reflects on returning to the Marvel universe with a cameo appearance alongside his 1994 co-stars in the 2025 Marvel Cinematic Universe blockbuster, The Fantastic Four: First Steps. Whether you're a fan of classic Hollywood, superhero history, or the art of audiobook storytelling, this candid and entertaining interview with Alex Hyde-White is one Marvelists episode you won't want to miss!

Episode 30 - Alonso Duralde Alonso Duralde can be found on Twitter @ADuralde, on The Wrap, in his books I'll Be Home For Christmas Movies and Have Yourself a Movie Little Christmas, and on the podcasts Breakfast All Day, Linoleum Knife Cast and Maximum Film. Support us on Patreon Find us on Twitter @CultClassicPod Find us on Instagram @CultClassicCallbackLinsae Find more episodes at boardsalivepodcast.com/category/cult-classic-callback Theme song "Ghost Run" by Jean-Marc Giffin @JeanOfmArc Holiday theme song "Deck the Halls B" by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3631-deck-the-halls-b  License: http://creativecommons.org/licenses/by/4.0/ 

December 13th Scarry Larry is having his annual Christmas DOUBLE FEATURE! Die Hard 2 and Lethal Weapon will be celebrated and we have done both of those movies on The Pint, so let's synergize. Lethal Weapon from August of 2022 was an exclusive to our Insiders who so generously said in the Christmas spirit to share it with the world! It's a Christmas miracle, cause they are usually straight up pricks. Enjoy these 2 episodes mashed together and we hope you get your asses down to The Strand to check these films out and celebrate the Holidays with like minded folks. CT Cult Classics and The Pint wish you the best this season and into the new year

Send us a textEver notice how some jokes age like fine wine while others turn flat the second the credits roll? We dig into that sweet spot where craft, culture, and timing collide—starting with the thorny question of separating art from the artist as the Diddy headlines swirl, then moving straight into the films and shows that shaped our comedic DNA. From Boomerang's Black elegance and Harlem Nights' stacked cast to Life's eternal quotables, we unpack why Eddie Murphy still holds the belt for big-screen comedy while Jamie Foxx might be the most versatile performer of his generation—piano, pipes, and punchlines on demand.We run a spirited bracket on the funniest Black sitcoms to last five seasons, with Martin winning on character work alone—Dragonfly Jones, Jerome, and Otis still crack us up. Then it's a lap through sketch comedy's hall of fame: In Living Color as blueprint, Chappelle's Show as peak, and the ripple effect across Key & Peele. TV nostalgia hits hard with New York Undercover and a spicy take on The Wire, raising the question of what's timeless versus what's just beloved. Along the way, we share personal stories, unexpected cameos we forgot we knew, and the kind of lived-in details you only get from rewatching classics at 2 a.m.Horror fans get a full segment too. We draw clean lines between thrillers and slashers, break down why The Conjuring rattled grown folks, and revisit Candyman's lingering dread. Even spoofs get their flowers—Scary Movie, Hollywood Shuffle, and a few cult picks that still surprise. We close with a tight watch list—Vampire in Brooklyn and Talking Dirty After Dark included—and a big takeaway: classics aren't crowned by hype, they're proven by rewatch value, quotability, and how well they keep saying something real long after the moment passes.If you laughed, argued with us in your head, or added a title to your queue, follow the show, share this episode with a friend, and drop your top five comedies in a review. Your list might change ours next week.Thanks for listening to the Nobody's Talking Podcast. Follow us on Twitter: (nobodystalking1), Instagram : (nobodystalkingpodcast) and email us at (nobodystalkingpodcast@gmail.com) Thank you!

Wrapping up our IN DA KLERB WE ALL MONSTERS triple feature, we're admitting ourselves to Westin Hills Psychiatric Hospital to meet the bastard son of 100 maniacs, better known as Freddy Krueger, in A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS, starring Robert Englund, Heather Langenkamp, Patricia Arquette, Craig Wasson, Rodney Eastman, Ken Sagoes, Jennifer Rubin, Penelope Sudrow, Bradley Gregg, Ira Heiden, Priscilla Pointer, Laurence Fishburne, and John Saxon. Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Mark Maddox and James Lechner join Jim for a rousing holiday discussion of the 1975 Cult Classic “The Giant Spider Invasion,” starring Steve Brodie, Barbara Hale, Robert Easton, Leslie Parrish, Alan Hale Jr, Bill Williams, Kevin Brodie, Christine Schmidtmer, and Diane Lee Hart. This low-budget gem was one 1975’s top-grossing flms and developed a huge […] The post The Giant Spider Invasion| Episode 493 appeared first on The ESO Network.

This week on Mostly Horror, we're joined by the absolute legend: Matthew Lillard. From Scream to Thirteen Ghosts, Scooby-Doo, and now the ever-expanding Five Nights at Freddy's universe, Lillard has carved out one of the most beloved and eclectic careers in genre cinema. We talk about his long-standing place in horror, the massive energy he brings to conventions, and why fans still rally around characters like Stu Macher after nearly 30 years.With FNAF 2 on the way, we dive into his role as William Afton, the fandom that made the franchise a phenomenon, and how it feels to step deeper into a character who's become the Voldemort of video game horror. We also get into his lifelong love of Dungeons & Dragons, his work with Beadle & Grimm's and Quest's End whiskey, and why tabletop storytelling continues to shape the way he approaches his craft and his life.As always, beforehand we kick things off with the latest horror news then we wrap everything up with our Mostly Horror Recommendations of the Week! A huge guest. A packed episode. And one of our most fun conversations to date that you don't want to miss sooo...COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this solo episode of Challenge Accepted, Frank finally sits down with the iconic animated film Batman Mask of the Phantasm after years of calling it a major Batman blind spot. He shares his deep love for Batman The Animated Series, breaks down Bruce Timm's distinctive art style, and explores why Kevin Conroy and Mark Hamill's performances still define Batman and Joker for entire generations. After watching the movie for the first time, Frank gives his immediate reaction, digging into Gotham's timeless look, the horror-inspired presentation of the Phantasm, and the emotional core of Bruce Wayne's struggle between vengeance and happiness. He connects the film to noir storytelling, classic Batman comics, and the larger DC animated universe, then closes with a fun run of trivia and behind the scenes facts that expand the appreciation for this fan favorite. Timestamps and Topics 00:00 Intro, Challenge Accepted format, and Frank's Batman blind spots 02:30 Bruce Timm's animation philosophy and the look of Batman The Animated Series 04:30 Kevin Conroy and Mark Hamill casting stories and why their performances are iconic 06:30 Why the animated series villains work so well and why Phantasm is so intriguing 07:30 First time reaction right after watching Mask of the Phantasm 09:00 Gotham's design, red skies, and Shirley Walker's orchestral score 11:30 Phantasm as a horror figure, camera angles, and visual storytelling 18:30 Bruce Wayne at his parents' grave, the split between Bruce and Batman, and the film's central theme 25:00 Joker's reveal, color palette, and his connection to Gotham's decay 31:00 Phantasm as Batman's dark mirror and what happens when you lose yourself in the mask 34:45 Trivia, comic influences, and fun behind the scenes details Key Takeaways Batman Mask of the Phantasm fills a huge Batman blind spot for Frank and instantly earns a place alongside the best stories from Batman The Animated Series. Bruce Timm's simple musculature, straight line and curved line design, and heavy use of shading create a timeless, stylized Gotham that still holds up today. Kevin Conroy and Mark Hamill's performances as Batman and Joker remain definitive, from Batman's grounded intensity to Joker's legendary, unsettling laugh. The film uses horror language for Phantasm, with low angles, unstoppable pacing, and ghostlike presence that make the character feel more like a slasher villain. Gotham's red skies, bold silhouettes, and Shirley Walker's orchestral score combine into a powerful atmosphere that instantly recalls 90s DC animation. The emotional core of the story is Bruce asking his parents' permission to be happy, showing how tied his mission is to their memory and how fragile that balance is. Phantasm works as a dark mirror of Batman, showing what happens when someone loses the "Bruce Wayne" part of themselves and falls fully into vengeance. Joker could technically be removed from the plot, yet his presence elevates the movie by contrasting with Gotham's world and quietly proving how smart and observant he really is. The film leans heavily into classic noir structure, complete with twists, flashbacks, and a tragic love story that feels very early 90s yet still emotionally sharp. Behind the scenes, the movie draws from comics like Batman Year One and Year Two, and includes fun sound and design Easter eggs that reward longtime fans. Quotes "That laugh is iconic. That is my childhood." "You forget how good this show is, and the movie by extension, until you see it again." "Phantasm is Batman. Phantasm is Batman." "If he didn't have that alley moment, we would have a villain, not a hero." "It's okay to love Batman. He is a great superhero, and we're so lucky they keep finding new ways to tell his story." Call to Action If you enjoyed this episode, follow and subscribe to Challenge Accepted on your favorite podcast app so you never miss a new movie or TV challenge. Ratings and reviews help more geeks find the show, so drop a review and tell us your favorite Batman story. Share the episode on social media with the hashtag #ChallengeAcceptedPodcast and let people know why Mask of the Phantasm still hits so hard today. Links and Resources Geek Freaks Network site and news hub: GeekFreaksPodcast.com All news discussed across our podcasts comes from GeekFreaksPodcast.com. Follow Us Stay connected with Challenge Accepted and the Geek Freaks Network: Challenge Accepted Instagram @challengeacceptedlive Challenge Accepted TikTok @challengeacceptedlive Challenge Accepted Twitter @CAPodcastLive Frank on Instagram @franklourence79 Listener Questions Have a movie or TV blind spot you want Frank to tackle next? Want more Batman animated content or other DC deep cuts? Send your questions, episode ideas, and recommendations to the show through our socials, and we may feature your suggestion in a future challenge. Apple Podcast Tags Batman Mask of the Phantasm, Challenge Accepted, Batman The Animated Series, Kevin Conroy, Mark Hamill Joker, Bruce Timm, DC animated movies, Batman movie review, Geek Freaks Network, Shirley Walker score

An episode 50 years in the making has us shivering with antici… pation. In this month's Patreon Exclusive commentary episode, we're meeting Dr. Frank-N-Furter and his horny chorus of Transylvanians in Jim Sharman's THE ROCKY HORROR PICTURE SHOW. This episode is available to our Maniac Patrons. Subscribe now for monthly commentary episodes, plus additional bonus content and perks. Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Jim dedicates this podcast to the memory of his friend Debra Reed who starred in the 1990 Cult Classic “Troll 2,” also staring George Hardy, Michael Stephenson, Margo Prey, Connie McFarland, Robert Ormsby, Jason Wright, Jason Steadman, Don Packard and directed by Claudio Fregasso. This “So bad it’s good” film has been a staple of […] The post Troll 2| Episode 492 appeared first on The ESO Network.

Send us a textWe had a blast celebrating the movies from 1985 at Fan Expo San Francisco! Tune in for the live recording from our panel on November 30, 2025.The Law of 1985 Cult Movies Great Scott! The Movies of 1985 are packed with legal issues! Goonies. Better Off Dead. Back to the Future. Pee Wee's Big Adventure. These are just a few of the classic films from 1985. Join our panel of lawyers and judges as they break down whether 1980s kids could keep One Eyed Willy's treasure; unfair debt collection by paperboys; facilitating international terrorism in order to build a time machine; bicycle larceny. These are just a few of the many legal issues from the cult classics of 1985. This, this is our time to break down the Law of 1985 Movies. Presented by The Legal Geeks.Support the showNo part of this recording should be considered legal advice.Follow us on Facebook, Instagram, Twitter, YouTube, and TikTok @TheLegalGeeks

Episode 53 – Tommy Boy Thanks for listening! Support us on Patreon Find us on Twitter @CultClassicPod Find us on Instagram @CultClassicCallbackLinsae Find more episodes at boardsalivepodcast.com/category/cult-classic-callback Theme song "Ghost Run" by Jean-Marc Giffin @JeanOfmArc

We're finally back with the format that started it all! In this episode we dive into Norbit — Eddie Murphy's infamous 2007 comedy that managed to be both a box office hit and a long-running cultural punching bag. We talk about how it fits into Murphy's career, especially with the new Being Eddie documentary adding fresh context. And don't forget to check out our Patreon-only follow-up where we compare the original Jerry Lewis Nutty Professor with the Eddie Murphy remake: https://www.patreon.com/posts/patreon-gettin-144114931 Check out our YouTube channel for additional video episodes and more: https://www.youtube.com/@sidetrackspod You can also find us on X: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com

Lair of the White Worm (1988) is picked by Dave this week, and it's one of those wonderfully unhinged British horror films that could only have come out of the'80s. Written and directed by Ken Russell, the movie was loosely based on Bram Stoker's 1911 novel of the same name - though in true Russell fashion, it quickly veered far from the source material and into surreal, erotic, and darkly comic territory. Produced by Vestron Pictures, the same studio behind Dirty Dancing and Return of the Living Dead, the film was made on a modest budget of around $2 million. Despite its low cost, Russell filled it with his signature visual flamboyance, blending Gothic horror, mythological imagery, and satirical British eccentricity into something uniquely chaotic.Filming took place in Derbyshire, England, using local countryside locations to give the film its haunting yet distinctly English atmosphere. The cast included a mix of rising and established talent - notably a young Hugh Grant, years before his rom-com fame, and Peter Capaldi, long before becoming Doctor Who. The movie was shot in just six weeks, with Russell working fast and loose, improvising many of the more bizarre scenes on set. Upon release, it divided critics: some praised its camp energy and gleeful weirdness, while others dismissed it as absurd. Over the years, though, Lair of the White Worm has achieved cult status - celebrated for its blend of folk horror, sensuality, and sheer outrageousness that only Ken Russell could deliver.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryIn the quiet English countryside, something ancient… something hungry… has awakened.When a strange discovery uncovers a dark legend, a group of unsuspecting locals is pulled into a world of hypnotic seduction, slithering evil, and serpentine terror. As ancient forces rise and modern reason crumbles, the line between myth and nightmare disappears - and no one is safe from the creature that has waited centuries to strike.Lair of the White Worm — brace yourself… this is one bite you won't walk away from.Fun FactsLair of the White Worm was one of Vestron Pictures' final horror productions before the company collapsed in the late 1980s.The film is very loosely based on Bram Stoker's novel of the same name — many critics note that only names and the central “worm” concept survive Ken Russell's adaptation.Amanda Donohoe, who plays the seductive Lady Sylvia Marsh, won the role after Russell saw her on stage in London and loved her bold, fearless screen presence.The movie contains several surreal hallucination sequences inspired by Ken Russell's own Catholic school upbringing, which he frequently mocked in his work.Hugh Grant has said that working with Russell early in his career taught him to embrace creative risks, even when the material was utterly bizarre.The white worm effects were achieved using hand-built animatronics and puppetry, combined with old-school editing tricks to hide limited movement.Costume designer Vicki Carroll created Lady Sylvia's iconic snake-themed outfits, including her famous white body paint and fanged headpiece.The film's soundtrack includes original music composed by Stanley Myers, who is also known for scoring The Deer Hunter.The movie was released unrated in the United States because the producers felt an MPAA rating would be impossible without severe cuts.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Robert Aldrich's Whatever Happened to Baby Jane? Not a "Midnight Movie" but certainly one of the great Cult Classics, 1962s Whatever Happened to Baby Jane? was an audience's dream pairing. The coming together of Oscar winners Bette Davis and Joan Crawford - two of the greatest stars the medium has known - created a film that has captivated film lovers for decades. The story of two sisters - volatile, abusive, and mutually destructive - has become a love/hate letter to the entertainment industry as well as continuing fuel to the bitterness surrounding its two stars. On this episode, Mr. Chavez & I dig through the film's creative history, the relationship between Davis and Crawford, and our own interpretations of the movie and its lasting impact in the culture. Take a listen and let us know what you think. As always we can be reached at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

As we continue our IN DA KLERB WE ALL MONSTERS triple feature, we're stocking up on silver bullets and garlic pizza to meet an ‘80s take on the Universal Monsters in THE MONSTER SQUAD, starring Andre Gower, Tom Noonan, Duncan Regehr, Ryan Lambert, Jon Gries, Ashley Bank, Leonardo Cimino, Brent Chalem, Robby Kiger, Stephen Macht, Mary Ellen Trainor, Stan Shaw, Lisa Fuller, and Jack Gwillim.  Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Content warning for this episode: the movie Showgirls is rated NC-17 and includes nudity, depictions of sex, sex work, and on a more triggering note, graphic depictions of sexual assault, violence, and rape. Please listen at your own discretion. Links mentioned:Metrosexual by AmanditititaAlyssa Edward Speaks on Tom Hanks John Early, Cole Escola, Kate Berlant recreate audition scene Send us a textSWAMP stuff:TikTok: @theswamppodcastInstagram: @theswamppodBluesky: @theswamppodcast.bsky.socialYouTubeDara's Letterboxd Emily's Letterboxd Our website: https://www.the-swamp-podcast.com/Email: theswamppod@gmail.com

From a Long Island teen interviewing his comedy heroes on a high school radio station to the producer, director, and writer behind The 40-Year-Old Virgin, Anchorman, Trainwreck, and more, Judd Apatow is a modern-day comedy icon. He sits down with Willie Geist at New York's Gotham Comedy Club to trace his rise to fame, from the tough early years and the mentorship of Garry Shandling to how the cancellation of Freaks and Geeks ultimately helped launch a generation of stars. Apatow also talks about his new scrapbook-style book Comedy Nerd, his love of stand-up, and his deep dive into documentaries, including new films on Mel Brooks and Norm Macdonald. Along the way, he reflects on how setbacks shaped his success, and the persistence that's kept him creating for more than two decades. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.