Podcast appearances and mentions of john maloof

Hoy nuestro artesano nos trae un tesoro fotográfico encontrado por casualidad entre cajas que iban a ser tiradas a la basura. John Maloof, un aficionado a la historia, compró en 2007 un lote de negativos sin saber que estaba rescatando la obra de una de las fotógrafas más famosas del siglo XX: Vivian Maier. Niñera de profesión y fotógrafa en la sombra, Maier capturó miles de imágenes de la vida cotidiana sin jamás revelarlas ni compartirlas. ¿Era realmente una genio de la fotografía o su éxito se debe a la historia que la rodea?

En 2007, John Maloof, un jeune agent immobilier, fait l'acquisition de quelques cartons lors d'une vente aux enchères à Chicago. Ils contiennent de nombreuses photos, des négatifs et des pellicules non développées. Deux ans plus tard, alors qu'il prend conscience du trésor photographique sur lequel il a mis la main, il apprend par un faire-part de décès publié dans la presse que la photographe a été sa vie durant gouvernante d'enfants auprès de différentes familles. Voilà comment débute la vie publique de Vivian Maier reconnue aujourd'hui comme figure majeure de la photographie de rue du 20eme siècle mais inconnue de son vivant. Régine Dubois vous emmène à la découverte de cette personnalité étonnante en compagnie d'Anne Morin, commissaire des expositions de Vivian Maier à travers le monde. Avec la voix du comédien Bernard Yerlès pour les lectures et illustrations. Sujets traités : John Maloof,Vivian Maier, Chigago, photographe, photographies, négatifs , pellicules, photos Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

En 2007, John Maloof, un jeune agent immobilier, fait l'acquisition de quelques cartons lors d'une vente aux enchères à Chicago. Ils contiennent de nombreuses photos, des négatifs et des pellicules non développées. Deux ans plus tard, alors qu'il prend conscience du trésor photographique sur lequel il a mis la main, il apprend par un faire-part de décès publié dans la presse que la photographe a été sa vie durant gouvernante d'enfants auprès de différentes familles. Voilà comment débute la vie publique de Vivian Maier reconnue aujourd'hui comme figure majeure de la photographie de rue du 20eme siècle mais inconnue de son vivant. Régine Dubois vous emmène en 3 épisodes à la découverte de cette personnalité étonnante en compagnie d'Anne Morin, commissaire des expositions de Vivian Maier à travers le monde. Avec la voix du comédien Bernard Yerlès pour les lectures et illustrations. Sujets traités : Vivian Maier, photographe, clichés, photographies, John Maloof, négatifs, Chicago Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

En 2007, John Maloof, un jeune agent immobilier, fait l'acquisition de quelques cartons lors d'une vente aux enchères à Chicago. Ils contiennent de nombreuses photos, des négatifs et des pellicules non développées. Deux ans plus tard, alors qu'il prend conscience du trésor photographique sur lequel il a mis la main, il apprend par un faire-part de décès publié dans la presse que la photographe a été sa vie durant gouvernante d'enfants auprès de différentes familles. Voilà comment débute la vie publique de Vivian Maier reconnue aujourd'hui comme figure majeure de la photographie de rue du 20eme siècle mais inconnue de son vivant. Régine Dubois vous emmène en 3 épisodes à la découverte de cette personnalité étonnante en compagnie d'Anne Morin, commissaire des expositions de Vivian Maier à travers le monde. Avec la voix du comédien Bernard Yerlès pour les lectures et illustrations. Sujets traités : Vivian Maier, photographe, John Maloof, négatifs, Chigago, photographie Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Alberto Rossetti"Vivian Maier. Il ritratto e il suo doppio"Riccione, Villa Mussolini, fino al 3 novembre 202492 scatti realizzati prima con la fotocamera Rolleiflex e poi con la Leica e alcuni video girati in Super8 trasportano idealmente i visitatori nelle strade di New York e di Chicago, dove i continui giochi di ombre e riflessi mostrano la presenza-assenza dell'artista che, con i suoi autoritratti, cerca di mettersi in relazione con il mondo circostante.Gli scatti raccontano la sua vita in totale anonimato fino al 2007, quando il suo immenso e impressionante lavoro, composto da più di centoventimila negativi, filmati Super 8mm e 16mm, diverse registrazioni audio, fotografie stampate e centinaia di rullini non sviluppati, venne scoperto in bauli, cassetti e nei luoghi più impensati da John Maloof, fotografo per passione e agente immobiliare per professione che li acquista un po' per caso, salvandoli dall'oblio e rivelando al mondo l'immenso patrimonio fotografico di Vivian Maier.In tutti questi scatti si riconosce un'incessante ricerca per dimostrare la propria esistenza, non certo per una rappresentazione edonistica, ma la disperata affermazione di sé e la fuga da un'esistenza invisibile.Grazie a quel ritrovamento una "semplice tata” è riuscita a diventare, postuma, “la grande fotografa Vivian Maier”.In tutto il suo lavoro, ci sono temi ricorrenti: scene di strada, ritratti di anonimi estranei e persone con cui potrebbe essersi identificata, il mondo dei bambini - che è stato il suo mondo per così tanto tempo - ma emerge un' evidente predilezione per gli autoritratti. Lei stessa appare in molti scatti, con una moltitudine di forme e variazioni, a tal punto da configurare una sorta di linguaggio all'interno del suo linguaggio.A differenza di Narciso, che si distrusse nella contemplazione e nell'ammirazione della propria immagine, l'interesse di Vivian Maier per il ritratto di sé è piuttosto una disperata ricerca della sua identità. Costretta in una “invisibile non-esistenza”, a causa del suo status sociale, Vivian Maier ha silenziosamente e discretamente iniziato a produrre prove irrefutabili della sua presenza in un mondo in cui sembrava non avere posto.Riflessi del suo viso in uno specchio, la sua ombra che si allunga sul terreno, il contorno della sua figura: ogni autoritratto di Vivian Maier è una affermazione della sua presenza in quel luogo particolare, in quel momento particolare. La caratteristica ricorrente che è diventata una firma nei suoi autoritratti è l'ombra.L'ombra, quel duplicato del corpo in negativo, "scolpito dalla realtà", che ha la capacità di rendere presente ciò che è assente. All'interno di questo dualismo, Vivian Maier ha giocato con il sé e con il suo doppio.E poiché una fotografia, come ha detto Edouard Boubat, è "qualcosa di strappato alla vita", nel caso di Vivian Maier, i suoi autoritratti accumulati configurano una precisa identità, che ora ha preso il suo posto in un presente perpetuo, costantemente ripetuto e sigillato dalla Storia.Vivian Maier nasce a New York, il 1 febbraio 1926, i genitori presto si separano e viene affidata alla madre, che si trasferisce presso un'amica francese, Jeanne Bertrand, fotografa professionista. Negli anni Trenta le due donne e la piccola Vivian si recano in Francia, dove vive sino ai 12 anni. Nel 1938 torna a New York e per oltre quarant'anni è solo una “tata francese” mentre, nella stanzetta messa a disposizione dalla famiglia presso cui abita, coltiva una passione immensa: la macchina fotografica Rolleiflex poggiata sul ventre, e poi la Leica davanti agli occhi. Riproduce la cronaca emotiva della realtà quotidiana.I soggetti delle sue fotografie sono persone che incontra nei quartieri degradati delle città, frammenti di una realtà caotica che pullula di vita, istanti catturati nella loro semplice spontaneità. La fotografia era il suo hobby totalizzante e ha finito per renderla una delle più acclamate rappresentanti della street photography, collocata, nella Storia della Fotografia, accanto a grandi fotografi come Diane Arbus, Robert Frank, Helen Levitt e Garry Winogrand. In tutto il suo lavoro ci sono temi ricorrenti: scene di strada, ritratti anonimi estranei e persone con cui potrebbe essersi identificata, il mondo dei bambini – che è stato il suo mondo per così tanto tempo – ma emerge una evidente predilezione per gli autoritratti. Lei stessa appare in molti scatti.La mostra esplora proprio il tema dell'autoritratto di Vivian Maier a partire dai suoi primi lavori fino alla fine del Novecento. Le sue ricerche estetiche si possono ricondurre a tre categorie chiave, che corrispondono alle tre sezioni della mostra, allestite dopo un'introduzione biografica.La prima è intitolata L'OMBRA. Vivian Maier ha adottato questa tecnica utilizzando la proiezione della propria silhouette. Si tratta probabilmente della più sintomatica e riconoscibile tra tutte le tipologie di ricerca formale da lei utilizzate. L'ombra è la forma più vicina alla realtà, è una copia simultanea. È il primo livello di una autorappresentazione, dal momento che impone una presenza senza rivelare nulla di ciò che rappresenta.Attraverso IL RIFLESSO, a cui è dedicata la seconda sezione, l'artista riesce ad aggiungere qualcosa di nuovo alla fotografia, con l'idea di auto-rappresentazione; impiega diverse ed elaborate modalità per collocare sé stessa al limite tra il visibile e l'invisibile, il riconoscibile e l'irriconoscibile. I suoi lineamenti sono sfocati, qualcosa si interpone davanti al suo volto, si apre su un fuori campo o si trasforma davanti ai nostri occhi. Il suo volto ci sfugge ma non la certezza della sua presenza nel momento in cui l'immagine viene catturata. Ogni fotografia è di per sé un atto di resistenza alla sua invisibilità.Infine, la sezione dedicata a LO SPECCHIO, un oggetto che appare spesso nelle immagini di Vivian Maier. È frammentato o posto di fronte a un altro specchio oppure posizionato in modo tale che il suo viso sia proiettato su altri specchi, in una cascata infinita. È lo strumento attraverso il quale l'artista affronta il proprio sguardo.La mostra celebra non solo il talento di una grande artista, ma invita anche il pubblico a riflettere sulla bellezza della quotidianità e sull'arte di cogliere l'effimero. È a disposizione di tutti i visitatori una utilissima audioguida che accompagna il percorso espositivo.La straordinaria mostra, curata da Anne Morin con Alberto Rossetti, è promossa dal Comune di Riccione e organizzata da Civita Mostre e Musei in collaborazione con diChroma photography e Rjma Progetti Culturali.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

È il 2007, siamo a Chicago e un ragazzo di nome John Maloof prende 380 dollari dalla tasca e riscatta un box sequestrato per insolvenza. John vuole scrivere un libro storico su Chicago e ha bisogno di materiale che gli consenta di raccontare la città. Apre la saracinesca, e se la richiude alle spalle. Valuta alcuni cimeli di nessun valore e poi comincia ad aprire delle casse. Forse spera di trovarci dei diari, degli abiti, qualcosa che gli parli di Chicago tramite i lasciti di chi l'ha vissuta. Ma dentro trova solo negativi su negativi, una montagna di foto da sviluppare. Non molto lontano da quel box, nella stessa città, una donna di 81 anni non sa più nemmeno dove siano finite tutte quelle foto che ha scattato e che non ha mai voluto rendere note. Questa è la storia di quella donna e della sua sconfitta, la storia di Vivian Maier, una delle più grandi fotografe del Novecento, la madre della street photography, che non pubblicò mai una sola fotografia in tutta la sua vita. Scritto da Alessio Cuffaro Regia di Igor Mendolia Voce aggiunta: Katia Capato Musiche su licenza: Epidemic Sound Per informazioni: Sito internet: https://www.noisereductionstudios.it/ Email: info@noisereductionstudios.it Facebook: https://www.facebook.com/profile.php?id=61553003498282 Instagram: https://www.instagram.com/noise_reduction_studios/

È il 2007, siamo a Chicago e un ragazzo di nome John Maloof prende 380 dollari dalla tasca e riscatta un box sequestrato per insolvenza. John vuole scrivere un libro storico su Chicago e ha bisogno di materiale che gli consenta di raccontare la città. Apre la saracinesca, e se la richiude alle spalle. Valuta alcuni cimeli di nessun valore e poi comincia ad aprire delle casse. Forse spera di trovarci dei diari, degli abiti, qualcosa che gli parli di Chicago tramite i lasciti di chi l'ha vissuta. Ma dentro trova solo negativi su negativi, una montagna di foto da sviluppare. Non molto lontano da quel box, nella stessa città, una donna di 81 anni non sa più nemmeno dove siano finite tutte quelle foto che ha scattato e che non ha mai voluto rendere note. Questa è la storia di quella donna e della sua sconfitta, la storia di Vivian Maier, una delle più grandi fotografe del Novecento, la madre della street photography, che non pubblicò mai una sola fotografia in tutta la sua vita. Scritto da Alessio Cuffaro Regia di Igor Mendolia Voce aggiunta: Katia Capato Musiche su licenza: Epidemic Sound Per informazioni: Sito internet: https://www.noisereductionstudios.it/ Email: info@noisereductionstudios.it Facebook: https://www.facebook.com/profile.php?id=61553003498282 Instagram: https://www.instagram.com/noise_reduction_studios/

Trois films au menu de ce débat : "West Side Story", de Steven Spielberg "L'Evénement" d'Audrey Diwan "Où est Anne Frank!" d'Ari Folman Les conseils : "Les Magnétiques", de Vincent Maël Cardona, à voir en salle. "Finding Vivian Meier", un documentaire de John Maloof, disponible sur Filmingo.ch Avec Stéphane Gobbo et Aimée Papageorgiou.

Artiste photographe posthume, découverte au cours d'une vente aux enchères en 2007 par le collectionneur John Maloof, Vivian Maier est à l'honneur d'une grande exposition au musée du Luxembourg.Son histoire et son œuvre fascinent, et il y a de quoi. Nourrice aux yeux des autres, et artiste secrète le reste du temps, elle a passé sa vie à photographier son environnement. Son oeuvre retrace le regard sensible qu'elle portait sur les choses et les gens, que ce soit aux Etats-Unis ou en France, lors de ses parcours d'immigration initiés par sa mère, mais aussi, les voyages qu'elle fut seule, à différentes endroits du monde, dans le but d'exprimer son talent de photographe.A l'occasion de cette exposition, Clémentine Gallot et Pauline Verduzier reviennent sur le parcours de cette artiste talentueuse et mystérieuse, dans ce nouvel épisode court de Quoi de Meuf. Les références entendues dans l'épisode : Finding Vivian Maier de Charlie Siskel et John Maloof (2013) Le site internet sur Vivian Maier L'exposition Vivian Maier au Musée du Luxembourg Le site internet de Frida Kahlo Corporation Vivian Maier révélée, Ann Marks, Delpire & Co (2021)Les photographes Weegee, Paul Strand, Helen Levitt, Diane Arbus, Cartier BressonLa fabuleuse histoire de Vivian Maier, Vanity Fair (2021)L'épisode de L'invention et la découverte au sujet de Vivian Maier Vivian Maier Street Photographer, John Maloof (2011)Une femme en contre-jour, Gaëlle Josse, Notabilia (2019)Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journaliste chroniqueuse : Emeline Amétis. Mixage et montage : Laurie Galligani. Prise de son par Thibault Delage à l'Arrière Boutique. Générique réalisé par Aurore Meyer Mahieu. Réalisation et coordination : Cassandra de Carvalho et Mathilde Jonin.Le podcast Quoi de Meuf devient un livre : 100 oeuvres cultes à connaitre quand on est féministe ! Est-il possible de chérir des œuvres imparfaites ? Comment représenter les violences sexuelles ? Faut-il séparer l'homme de l'artiste ? Que faire des œuvres problématiques ? Quelles sont les films, séries, livres, albums indispensables à son éducation féministe ? Clémentine Gallot, Kaoutar Harchi, Anne-Laure Pineau, Pauline Verduzier et Emeline Amétis apportent leurs réponses (subjectives !) à ces questions en vous présentant une sélection d'œuvres qui les ont nourries et marquées dans la construction de leur féminisme ! Le livre est disponible en librairie depuis le 24 novembre, et il est possible de le commander ici : https://tidd.ly/3E2admVSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vivian Maier 可能从没有认为有朝一日她的人生和爱好会被浓缩成一部纪录片，成为一时的潮流热点。她只是在不引人注目的情况下，用眼睛和相机记录纽约和芝加哥。Anyway FM 一直希望假以时日我们的节目和内容会不再局限于图形设计，成为你习惯的一部分。我们只是在希望力所能及的情况下，让你的听觉更懂视觉。P.S. 本台的会员「专属内容」部分独立成了一个页面化身成了《Anyway.Mook》~ 希望在之后的日子里把以前写 blog 的劲头慢慢找回来~ 本周 Leon 重新更新了他的《软影像》系列，感兴趣的朋友可前往 https://anyway.fm/mook/ 阅读~# 内容提要03:43 · 先简单介绍一下薇薇安·迈尔17:18 · 薇薇安·迈尔用得最多的那几台禄来相机29:36 · 街头摄影的有内在的伦理规范吗？33:54 · 你喜欢她的作品吗？47:44 · 街头摄影的地位如何？51:59 · 推荐一些类似的摄影师55:07 · 久违的 One More Thing# 参考链接薇薇安·迈尔 4:05今年上半年在北京今日美术馆举办的薇薇安·迈尔的展览 4:21获得了奥斯卡提名的纪录片《寻找薇薇安·迈尔》 5:24这部纪录片的导演、薇薇安·迈尔作品的推广者 John Maloof 6:08BBC 所拍摄的纪录片《薇薇安·迈尔：谁动了保姆的照片》 6:20禄来的经典双反相机 17:37单反相机的结构 & 光路 19:24哈苏 500C 相机 20:00腰平取景器 21:10柯达布朗尼相机 23:38徕卡 3C 相机 24:07柯达雷丁娜相机 24:11布鲁斯·吉尔登的摄影作品 30:44本台聊图片版权的那期节目 32:31玛格南图片社 50:16著名战地摄影记者罗伯特·卡帕 51:24著名摄影师亨利·卡蒂埃－布列松 51:28Leon 推荐的摄影师刘涛 Grinch 53:09第二位推荐的摄影师 Tatsuo Suzuki 鈴木 達朗 53:48新登场的本台在线杂志 Anyway.Mook 57:35# 会员计划在本台官网(Anyway.FM) 注册会员即可 14 天试用 X 轴播放器和催更功能~ 开启独特的播客互动体验，Pro 会员更可加入听众群参与节目讨(hua)论(shui)~

如果不能马上去远方，那就抓住每个宝贵的周末，挖掘自己所在城市的宝藏。在「午夜飞行 Weekender」里，让我们一起做个好奇又有趣的 weekender，用声音在城中漫游，收集城市里一场场有关视觉、嗅觉、味觉和听觉的 mini 狂欢。本期 Weekender，我们一起去看一个展，找一个人，聊一部纪录片，顺便说说「创造」这件事。我们会一起去看《寻找隐匿的天才：薇薇安·迈尔》中国首展，一起去听 Vivian Maier 的故事。本集节目，你将听到：- 谁是 Vivian Maier？到底谁是 Vivian Maier？-《寻找隐匿的天才：薇薇安·迈尔》中国首展值得看吗？- 与 Vivian Maier 相关的纪录片和摄影集- Vivian Maier 如何成为了我的人生鼓励者？- 突然跳转到《短剧开始了》？世间千丝万缕的关于创作的奇妙联系……朋友们，不要与这个世界仅是擦肩而过，去自由快乐地创造吧。哪怕，最终只能拥有一箱底片而已。这也是我们与这个世界深情拥抱的方式。附：Vivian Maier 讣告 (摘自《芝加哥论坛报》)Vivian Maier, proud native of France and Chicago resident for the last 50 years died peacefully on Monday. Second mother to John, Lane and Matthew. A free and kindred spirit who magically touched the lives of all who knew her. Always ready to give her advice, opinion or a helping hand. Movie critic and photographer extraordinaire. A truly special person who will be sorely missed but whose long and wonderful life we all celebrate and will always remember. 【节目制作】VC (微博: @VividCrystal https://weibo.com/u/1241505120 )【内容互动】节目微博：@午夜飞行Official https://weibo.com/u/7298580324公众号：午夜飞行【参考作品】纪录片《寻找薇薇安·迈尔》(Finding Vivian Maier, 2013)装置艺术作品《涟漪》，杜蒙摄影集 Vivian Maier : A Photographer Found, John Maloof日剧《短剧开始啦》(コントが始まる, 2021)【声音素材】纪录片《寻找薇薇安·迈尔》(Finding Vivian Maier, 2013)日剧《短剧开始了》第 10 集VC 看展自采声音素材【本集音乐】All music credits to:1. Your sunday - Sunny Shin (Maroon 5 Cover)2. Memories - Maroon 53. Untitled Chicago 1962 (For Vivian Maier) - Django Haskins4. Slow Twisting (Remastered) - Chubby Checker5. Eternity And A Day：2. By The Sea - Eleni Karaindrou6. Chemtrails Over The Country - Club Lana Del Rey7. 愛を知るまでは - あいみょん【关于节目】「午夜飞行」是一档关注旅行、城市、文化和生活的播客节目，由 VC 主持/制作，力求用声音将多彩的城市故事带给你。微博：@午夜飞行Official / 公众号：午夜飞行本播客由 Marcast Media 制作出品。也欢迎你订阅收听 Marcast 旗下的其他播客节目，微博/公众号：@Marcast，商务合作联系：hello@marcastmedia.com https://weibo.com/u/2743283854

如果不能马上去远方，那就抓住每个宝贵的周末，挖掘自己所在城市的宝藏。在「午夜飞行 Weekender」里，让我们一起做个好奇又有趣的 weekender，用声音在城中漫游，收集城市里一场场有关视觉、嗅觉、味觉和听觉的 mini 狂欢。本期 Weekender，我们一起去看一个展，找一个人，聊一部纪录片，顺便说说「创造」这件事。我们会一起去看《寻找隐匿的天才：薇薇安·迈尔》中国首展，一起去听 Vivian Maier 的故事。本集节目，你将听到：- 谁是 Vivian Maier？到底谁是 Vivian Maier？-《寻找隐匿的天才：薇薇安·迈尔》中国首展值得看吗？- 与 Vivian Maier 相关的纪录片和摄影集- Vivian Maier 如何成为了我的人生鼓励者？- 突然跳转到《短剧开始了》？世间千丝万缕的关于创作的奇妙联系……朋友们，不要与这个世界仅是擦肩而过，去自由快乐地创造吧。哪怕，最终只能拥有一箱底片而已。这也是我们与这个世界深情拥抱的方式。附：Vivian Maier 讣告 (摘自《芝加哥论坛报》)Vivian Maier, proud native of France and Chicago resident for the last 50 years died peacefully on Monday. Second mother to John, Lane and Matthew. A free and kindred spirit who magically touched the lives of all who knew her. Always ready to give her advice, opinion or a helping hand. Movie critic and photographer extraordinaire. A truly special person who will be sorely missed but whose long and wonderful life we all celebrate and will always remember. 【节目制作】VC (微博: @VividCrystal https://weibo.com/u/1241505120 )【内容互动】节目微博：@午夜飞行Official https://weibo.com/u/7298580324公众号：午夜飞行【参考作品】纪录片《寻找薇薇安·迈尔》(Finding Vivian Maier, 2013)装置艺术作品《涟漪》，杜蒙摄影集 Vivian Maier : A Photographer Found, John Maloof日剧《短剧开始啦》(コントが始まる, 2021)【声音素材】纪录片《寻找薇薇安·迈尔》(Finding Vivian Maier, 2013)日剧《短剧开始了》第 10 集VC 看展自采声音素材【本集音乐】All music credits to:1. Your sunday - Sunny Shin (Maroon 5 Cover)2. Memories - Maroon 53. Untitled Chicago 1962 (For Vivian Maier) - Django Haskins4. Slow Twisting (Remastered) - Chubby Checker5. Eternity And A Day：2. By The Sea - Eleni Karaindrou6. Chemtrails Over The Country - Club Lana Del Rey7. 愛を知るまでは - あいみょん【关于节目】「午夜飞行」是一档关注旅行、城市、文化和生活的播客节目，由 VC 主持/制作，力求用声音将多彩的城市故事带给你。微博：@午夜飞行Official / 公众号：午夜飞行本播客由 Marcast Media 制作出品。也欢迎你订阅收听 Marcast 旗下的其他播客节目，微博/公众号：@Marcast，商务合作联系：hello@marcastmedia.com https://weibo.com/u/2743283854

Nickolas Rossi is a New York City based director & cinematographer. He attended Columbia College in Chicago for fine art photography and graduated from Portland State University with a degree in Sociology. Following university he lived and worked in Montréal, London, Prague and Los Angeles.   With nearly 20 years experience behind the camera, Nickolas has worked extensively across the world shooting narrative, documentary, commercial, and branded content projects. As a DOP / director, his work has screened at top-tier festivals including AFI DOCS, Melbourne International, IDFA, CPH:DOX, SFIFF, Sundance, and DOC NYC, as well as broadcast and VOD platforms such as PBS Independent Lens, The Sundance Channel, IFC, Amazon, Netflix, and MTV/ LOGO.   His non-fiction film work includes the award-winning feature documentaries, “ADJUST YOUR COLOR"(2008) by Loren Mendell, "THE SHERIFF" (2020) by Grace Sweeney, Netflix’s “MERCURY 13” (2018) by David Sington & Heather Walsh, and “THE POWER OF TWO"(2011), the directorial debut of Academy Award® nominated producer, Marc Smolowitz. Nickolas’ cinematography has also been featured in John Maloof's 2013 Oscar nominated documentary, “FINDING VIVIAN MAIER", “THE FEAR OF 13" (2015) by David Sington, “UPSTAIRS INFERNO” (2014) by Robert L. Camina, and Lance Bang’s “INSIDE PORTLANDIA” (2012)for IFC.   His directorial debut 'Heaven Adores You' (2015) about musician Elliott Smith, made its premiere in 2014 and screened at over 40 festivals across 5 continents.

Amy interviews Vancouver night photographer Brian McConville who does his best work when most law abiding citizens are asleep. They discuss a couple of fine art books and Amy learns exactly what is a Rolleiflex camera.Books discussed:Night Stories: Fifteen Paintings and the Stories they Inspired, Linden FrederickVivan Maier: A Photographer Found, John MaloofOther resources, items discussed:Beautiful World, Where Are You, Sally Rooney (to be released September 2021)Conversations with Friends, Sally RooneyNormal People, Sally RooneyNormal People, limited series available on Hulu/BBC Television/CBC GemThe Daily - The New York Times, podcastbrianmcconville.photography.com@mcconguyFollow Red Fern Book Review:Instagram: @redfernbookreview.comFacebook: https://www.facebook.com/redfernbookreview/

The 2013 documentary Finding Vivian Maier explores the life of revolutionary Chicago street photographer Vivian Maier. A notorious recluse, Maier excelled in the art world and received massive acclaim upon her death because of a chance discovery of her work. But Maier’s life deviates from the conventional idea of artistic aspiration: Why didn’t she share her work for the world to see? On this episode of Remainders, Darren and Patrick decipher an artist’s life and discuss the reasons why we create, the ethics of personal expression, and whether we can separate art from the artist. Through photographs, we get a glimpse of Vivian Maier and a complex life behind the art. Join us as we see what remains.more: http://www.remainderspod.com/season-1

Man立第一季第3集我们讨论了如何理解与面对竞争的问题。话题包括： 2:00 两位主播人人生中最惨烈的竞争故事 10:00 争夺爱人是许多男性的第一次竞争体验 20:00 Steve看上去善于竞争，内心竟然充满矛盾 31:00 竞争这种现象为什么会存在？ 49:00 荒岛求生的思想实验解释了竞争的终极目标 1:13:00 输赢对立的狭隘竞争已经不适合现代社会 1:26:00 佛系对待竞争真的合适吗？ 1:45:00 为什么人会在乎竞争又表现得不在乎？ 1:56:00 竞争之心的正确使用方式 2:11:00 为什么失败并不真的存在？ References *Own Your Weird: An Oddly Effective Way for Finding Happiness in Work, Life, and Love， 作者：Jason Zook 《血战钢锯岭》， 梅尔·吉布森导演作品 Dynasties (王朝） BBC动物纪录片，by Sir David Attenborough 《崩溃——社会如何选择兴衰成败》，作者杰拉德·戴蒙德 约瑟夫·坎贝尔，神话学家 Vivian Maier (薇薇安·迈尔)，美国业余街头摄影师，她的主业是保姆。她一生拍摄了超过10万张照片。2007年，当地历史学家约翰·马鲁夫（John Maloof）发现了她的大量底片并开始整理。...

This weeks episode is all about the enigma that was Vivian Maier. She was a nanny and a carer for 40 years working in Chicago's north shore, However just before she died her photography was discovered by a collector John Maloof in an auction, What he discovered was a major contribution to the world of street photography - A photographer, filmmaker and audio interview creator who never shared her work - In this episode I look at the woman and her possible motives. This episode is best enjoyed with a nice cup of tea by the fire

双反相机真的是相机里的一股清流~终极梦想提问：　　叶老师您好！能不能讲一讲双反相机呢？这两天看了《寻找薇薇安迈尔》这部纪录片，被迈尔夫人的作品深深地打动了！更好奇她的那台禄莱双反，觉得双反相机的取景方式（低头），以及少见的外形（可能是现在少见），能在很大程度上减少被拍对象的防备，觉得双反是很理想的街拍器材。不知道有没有数码化双反？！禄来腰平视双镜头反光镜相机腰平视双反相机内部结构哈苏腰平视单反相机　　薇薇安·迈尔（英语：Vivian Maier，1926年2月1日－2009年4月21日），美国业余街头摄影师，她的主业是保姆。薇薇安是法国人后裔，出生在纽约，但在法国长大，后回到美国先后生活在纽约和芝加哥[1]，她一生拍摄了超过10万张照片。2007年，当地历史学家约翰·马鲁夫（John Maloof）发现了她的大量底片并开始整理。在薇薇安去世以后，由于马鲁夫的整理，使得她的作品开始登上美国以至意大利、阿根廷和英国等地的报纸。2010年，薇薇安的作品开始在芝加哥进行展出，成为摄影圈中热议的人物，并被认可为美国当代最重要的街头摄影师之一（ © 维基百科 ）。

双反相机真的是相机里的一股清流~终极梦想提问：　　叶老师您好！能不能讲一讲双反相机呢？这两天看了《寻找薇薇安迈尔》这部纪录片，被迈尔夫人的作品深深地打动了！更好奇她的那台禄莱双反，觉得双反相机的取景方式（低头），以及少见的外形（可能是现在少见），能在很大程度上减少被拍对象的防备，觉得双反是很理想的街拍器材。不知道有没有数码化双反？！禄来腰平视双镜头反光镜相机腰平视双反相机内部结构哈苏腰平视单反相机　　薇薇安·迈尔（英语：Vivian Maier，1926年2月1日－2009年4月21日），美国业余街头摄影师，她的主业是保姆。薇薇安是法国人后裔，出生在纽约，但在法国长大，后回到美国先后生活在纽约和芝加哥[1]，她一生拍摄了超过10万张照片。2007年，当地历史学家约翰·马鲁夫（John Maloof）发现了她的大量底片并开始整理。在薇薇安去世以后，由于马鲁夫的整理，使得她的作品开始登上美国以至意大利、阿根廷和英国等地的报纸。2010年，薇薇安的作品开始在芝加哥进行展出，成为摄影圈中热议的人物，并被认可为美国当代最重要的街头摄影师之一（ © 维基百科 ）。

The one in which David and Mark go off at a tangent even before the intro music, but manage to return for a lengthy chat about the work of Vivian Maier - and the issues surrounding the discovery and posthumous publication of her photographs. Vivian Maier Vivian Maier (1926 – 2009) was an extremely talented and interesting American street photographer, whose work has only recently come to light. From her Wikipedia page: Maier worked for about forty years as a nanny, mostly in Chicago's North Shore, pursuing photography during her spare time. She took more than 150,000 photographs during her lifetime, primarily of the people and architecture of Chicago, New York City, and Los Angeles, although she also traveled and photographed worldwide. During her lifetime, Maier's photographs were unknown and unpublished; many of her negatives were never printed. A Chicago collector, John Maloof, acquired some of Maier's photos in 2007, while two other Chicago-based collectors, Ron Slattery and Randy Prow, also found some of Maier's prints and negatives in her boxes and suitcases around the same time. Maier's photographs were first published on the Internet in July 2008, by Slattery, but the work received little response. In October 2009, Maloof linked his blog to a selection of Maier's photographs on the image-sharing website Flickr, and the results went viral, with thousands of people expressing interest. Maier's work subsequently attracted critical acclaim, and since then, Maier's photographs have been exhibited around the world. Find Vivian Maier John Maloof turned Miss Maier's work and life, and his discovery of her images, into an Oscar-nominated documentary called Finding Vivian Maier (2013). This is an excellent place to start if you're not familiar with Vivian Maier and her fascinating life. There is also a BBC documentary on the same subject, made the same year, which provides a slightly different take on things. Both are well worth watching. There's also a short talk on Miss Maier by Ira Glass (This American Life) entitled Invisible Made Visible. Self-Portraits The focus of a recent PhotoChilli Meetup in London was self-portraits, and Vivian Maier's work provided some great examples. There are a large number of her self-portraits on the Vivian Maier website. Contact Sheets It's always interesting to look at the contact sheets of photographers, to see how they worked a subject, and to see their ratio of 'keepers'. Many of Vivian Maier's contact strips are shown on her website, and reveal something of a visual diary. Controversy / money always f**** s*** up The story of Vivian Maier and the publication of her work is as controversial as it is fascinating, and throws up some interesting moral dilemmas, which we discuss in the podcast. There are also some (unresolved at the time of recording) legal issues about intellectual proprty and copyright ownership, which are examined in a very interesting article from Artsy.net in 2017, Why the Collectors Who Made Vivian Maier Famous Can’t Cash In on Her Work.   As always, we try to put the photos we discuss on our Pinterest page for this episode. Podcast music credit: Extraordinaire by DJ Quads.

Doug and Brent talk to John Maloof, the Oscar-nominated director of the excellent documentary, Finding Vivian Maier! This podcast was recorded the Friday before the Oscars and you can smell the excitement. See omnystudio.com/listener for privacy information.

Review of this Oscar-nominated documentary, funded by Kickstarter! Directed by John Maloof and Charlie Siskel (Gene Siskel's nephew). Chronicles the mystery of Vivian Maier - one of America's most prolific and talented street photographers - who lived and died in obscurity.

"I didn't know if it was good but I thought it was really good." John Maloof on finding a box of photos, a pivotal moment that led to the doc "Finding Vivian Maier."

Imagine you have been taking photographs for most of your life and you’ve kept all of your negatives safely stored away. Just as you are quietly passing away in relative obscurity someone comes along and finds all of your images and thinks they are fantastic.  In 2007, while doing research for a book, John Maloof discovers the work of street photographer Vivian Maier. He is now the custodian of over 100,000 of her images.  This episode of Photo Kibitz is dedicated to the book Vivian Maier, Street Photographer. Paul Clark and host Michael Vuckovic chat about the book, the images and discuss if Vivian would even want all of the world wide attention her work is getting.

I look at Vivian Maier and remember Jane Hathaway, Mr. Drysdale's scholarly secretary on The Beverly Hillbillies.   Vivian was born in France in 1926. We don't know how or when Vivian came to America, but at age 11 she began working in a New York sweatshop.   She learned English by sitting in movie theaters, alone in the dark.   Alone in the dark. That pretty much describes Vivian's life except for 1959, the year she turned 33 and found just enough money to travel abroad to strange and exotic places; Egypt, Thailand, Vietnam, France, Italy, Indonesia, Taiwan.   Highly unusual for a woman of her time, Vivian journeyed alone.   Even more unusual, she often wore a man's bulky jacket, ugly and awkward men's shoes and a large, floppy hat. And she constantly took photographs that she never showed anyone.   It appears that Vivian escaped the sweatshops by moving to Chicago in the early 1950's and taking work as a nanny to three young boys: Matthew, Lane and John are now old men but remember Vivian as “peculiar, our own Mary Poppins. One time she brought home a dead snake to show us, another time she convinced the milkman to drive us all to school in his delivery truck. But in the 10 years she worked for our family, she never once received a phone call.”   When the 3 boys were raised, Vivian became unemployed. The next half-century saw her shift from family to family, always caring for children who were not her own.   One employer hired Vivian to care for his disabled daughter. “But first thing in the morning on her day off, that camera would be around her neck and we wouldn't see her again until late at night. I remember her as a private person but one who had very strong opinions about movies and politics.”   Vivian was born a French Catholic but according to her employers she died an anti-Catholic, Socialist, Feminist movie critic who hated American movies but loved foreign films.   At age 83, still in Chicago, she slipped on the ice and hit her head and died.   But on the other side of Chicago, alone in the dark, sat 100,000 photo negatives and more than 1,000 rolls of undeveloped film in a public storage facility. When Vivian didn't show up to pay her storage fees, the contents of her space were turned over to an auction house.   Vivian's features remind me of Jane Hathaway but her life reminds me of Emily Dickinson. No one knew Emily was a writer until after the funeral when they cleaned out her chest-of-drawers and found more than 1,500 of the finest poems ever written in the English language.   Likewise, the buyer of Vivian's negatives was stunned by what he found. And though John Maloof has scanned only 30,000 of Vivian's 100,000 photo negatives, Finding Vivian Maier is currently the featured exhibit at the Chicago Cultural Center. A book and a documentary movie are in the works.   As a longtime collector of black-and-white photography (and the publisher of Accidental Magic, a coffee-table photo book,) I believe we'll soon see Vivian Maier photographs featured at Sotheby's and Christie's.   From a storage locker in suburban Chicago to the finest auction houses in the world, I believe the second journey of Vivian Maier has only just begun.   http://mondaymemo.wpengine.com/rabbithole (A)Roy H. Williams