Podcasts about Rossetti

Antonio is a hockey player who wrote a great story on USA Hockey. He shares the highs and lows of Sid's Golden Goal and the new jubilation of Jack Hughes scoring the Golden Goal. "The Football Town" documentary releases on Saturday and Antonio saw Bob at a screening!

Hour 2 with Bob Pompeani and Joe Starkey: Could Sidney Crosby's injury make the Penguins sellers, or stand pat at the deadline? Freelance writer Antonio Rossetti joined the show. He shares the highs and lows of Sid's Golden Goal and the new jubilation of Jack Hughes scoring the Golden Goal.

Nick Jeffery read Robert Browning's The Ring and the Book, a Victorian epic poem about a murder mystery in 17th Century Italy, to test a theory. John Granger's best guess after surveying the chapter headings of Hallmarked Man last September was that, of all 77 sources for the 139 epigraphs in Strike8, Browning's poem was the most likely to hold a secret message or special meaning inside it. John had said something similar about another Browning poem and Ink Black Heart, Elizabeth Barrett Browning's Aurora Leigh, and Nick had confirmed that through his own reading and confirmation by Rowling herself. He thought John's track record of spotting important epigraph sources merited a test reading.He published his findings on Friday in a post titled ‘The Ring and The Book – A Rowling Reading.' In brief, the murder in Browning's poem is a point-to-point model for the Ironbridge murder mystery in Hallmarked Man with characters in Rowling-Galbraith's book — most notably, Chloe Griffiths, Tyler Powell, and Ian Griffiths — having their astonishing equivalents in Ring. The less obvious but more important links between the two are in their implicit feminism and other messages: Both works critique abusive relationships and patriarchal power: Guido's control of Pompilia and Dino Longcaster's control of Decima Mullins. The legal system (Books 8–9 especially) is satirized as formalistic, pedantic, and often blind to moral reality. True justice requires personal moral intuition beyond mere evidence or procedure. The Pope's monologue (Book 10) weighs this tension most profoundly. In The Hallmarked Man the police are slow to act on new information gained by Strike and Robin and Farah Navabi manages to hoodwink the courts into escaping punishment for her part in Patterson's crimes.The Ring and The Book dramatizes the eternal struggle between good and evil. Pompilia embodies instinctive purity, sacrificial love, and spiritual insight despite her suffering. Guido represents sophisticated, calculating evil that twists morality to justify cruelty. Browning affirms that evil exists but that good can somehow arise from or shine through evil's consequences. In The Hallmarked Man evil is real, monstrous, and often cloaked in normalcy or power structures, but it can be exposed and defeated through persistence, intuition, and moral courage.Nick also discusses in this article the chiastic structure of Ring (!) and the ‘conversation' he heard between Robert Browning in this poem with Aurora Leigh, the masterpiece by his late wife. His ‘Rowling Reading' of Ring and the Book, consequently, will soon be a touchstone piece not only in Rowling Studies but Browning Studies as well (#ArmstrongBrowningLibraryAndMuseum @ Baylor). As they have done before with Nick's ‘Rowling Reading' articles. the Hogwarts Professor team recorded their conversation about the piece (listen to their discussions of I Capture the Castle and Aurora Leigh). Seven High Points of that Ring and the Book epigraph conversation include:* Nick's review of why Serious Strikers and Rowling Readers should read The Ring and the Book along with the story of his immersion in it;* John's explanation of why he was so confident that Browning's poem was a template of some kind for Hallmarked Man even though only six of Strike8's 139 epigraphs were taken from it;* Their survey of Rowling's previous work with epigraphs — Deathly Hallows and Casual Vacancy all the way to Running Grave and Hallmarked Man — for works with similar embedded-in-the-epigraph texts and those without one (or in which it hasn't yet been discovered);* Nick's discussion of Rowling's previous comments about epigraphs and her answer to the question, ‘Which Came First, the Epigraph or the Story?';* John's best guess pre-publication about the text that will be the epigraph source in Sleep Tight, Evangeline and which Strike text it will most resemble with its Whiskey Shambles title;* Nick's commitment to exploring Blue Oyster Cult epigraphs in Career of Evil to see if one of that band's albums, all of which supposedly had sci-fi themes and story continuity, served as a text-within-the-text for Strike3; and* John's suggestion that the relationship of Elizabeth Barrett Browning and Robert Browning, a great love with a shared vocation, might be a point of reflection for Serious Strikers as a template for understanding the Strike-Ellacott partnership.Nick and John will be recording their group charting of Hallmarked Man's Part Eight this week with Sandy Hope and Ed Shardlow (and Presvytera Lois?), a survey of readers is in the works, and the long-awaited close look at the Strike series in light of the Cupid and Psyche myth draws ever nearer. Stay tuned!The Ten Questions, Epigraph Charting, and Links to Previous Epigraph Discussions Here and Elsewhere:The Ring and The Book – A Rowling Reading, Nick Jeffery, February 2026Intro to Epigraphs 101, John Granger, September 2022The Heart is Not About Emotions and Affection but the Human Spiritual Center, John Granger, October 2022A Rowling Reading of Aurora Leigh, Nick Jeffery, November 2025Beatrice Grove's Pillar Post Page at HogwartsProfessor.com* Scroll down for Prof Groves' posts about epigraphs and literary allusion in Cuckoo's Calling, The Silkworm, Troubled Blood, and Ink Black HeartLethal White: Ibsen's ‘Rosmersholm', John Granger, December 2018Rowling, Dylan Thomas, and the I Ching: Three Thoughts on Strike7's Epigraphs, John Granger, April 2023‘Deathly Hallows' and Penn's ‘Fruits of Solitude,' John Granger, October 2008The Aeschylus Epigraph in ‘Deathly Hallows,' John Granger, October 2008Maid of the Silver Sea Epigraphs: Louise Freeman Davis' Collected Posts, 2025The Faerie Queene Epigraphs in Troubled Blood* Scroll down the Troubled Blood Pillar Post for the Faerie Queene commentary by Beatrice Groves, Elizabeth Baird-Hardy and John GrangerRobert-Galbraith.com Posts about the Epigraphs in Each Book* Hallmarked Man's Epigraphs: The Poetry* Hallmarked Man's Epigraphs: The Prose* Scroll Down the site's ‘Features' Page for all the other Epigraph PostsAgents of Fortune: The Blue Oyster Cult Story, Martin Popoff, May 2016Pompilia: A Feminist Reading Of Robert Browning'S The Ring And The Book, Anne Brady, May 1988Roman Murder Mystery: The True Story of Pompilia, Derek Parker, January 2001Sleep Tight, Evangeline: Nick Jeffery and John Granger talk with Dimitra FimiHallmarked Man Epigraphs: The Tally SheetMatthew Arnold: 17 poems, 25 epigraphs, 6 from Merope: A Tragedy* 3, 17, 52, 103, 108, 110 (Merope), 21, 33, 68, 38, 97, 41, 45, 59, 58, 69, 73, 76, 80, 86, 96, 106, 119, 122, 124Robert Browning: 26 poems, 38 epigraphs including frontispiece, 6 from The Ring and the Book* 44, 75, 62, 64, 102, 118 (Ring and Book), frontispiece, 2, 9, 11, 107, 13, 16, 20, 26, 28, 32, 35, 37, 114, 39, 42, 93, 44, 75, 47, 51, 62, 64, 67, 116, 71, 77, 79, 84, 87, 120, 90, 91, 100, 102, 109, 118, 126A. E. Housman: 5 works, 25 poems, 28 epigraphs, 10 from Last Poems* 1, 5, 7, 53, 19, 92, 56, 65, 74, 105 (Last Poems), 23, 30, 34, 36, 40, 43, 46, 49, 57, 63, 78, 82, 89, 94, 98, 112, 115, 125John Oxenham: 1 work, 26 epigraphs* Parts 1-10, Epilogue, 15, 18, 22, 25, 27, 55, 60, 66, 83, 85, 88, 95, 111, 113, 127 (Maid of the Silver Sea)Albert Pike: 3 works (?), 22 epigraphs, 16 from Morals and Dogma* 4, 16, 12, 121 (Liturgy), 8, 10, 14, 29, 31, 48, 50, 54, 61, 70, 81, 99, 101 (Morals and Dogma), 24, 72 (Ancient and Accepted Rite?)Most epigraphs: Robert BrowningFrontispiece: Robert BrowningMost from one poem: Tie, Robert Browning 6 Ring and Book, Matthew Arnold 6 Merope: A TragedyMost from one novel: John Oxenham 26 Maid of the Silver SeaMost from one didactic or discursive argument: Albert Pike 22 (24?) Morals and DogmaConclusions: Ring and Book your best bet as template, Re-read Maid of the Silver Sea, read Merope: A TragedyTally Sheet of Epigraphs for Ink Black Heart:Poet: epigraph numbers, (total)* Christina Rossetti: 8, 14, 22, 24, 25, 35, 38, 50, 52, 54, 56, 84, 86, 90, 98, 103, 105, 107 (18)* Elizabeth Barrett Browning: 12, 21, 33, 39, 42, 45, 47, 58, 67, 71, 72, 82, 96, 101, 102, 104 (16; all but #s 21 and 58 from ‘Aurora Leigh')* Mary Elizabeth Coleridge: Book, 1, 18, 20, 49, 79, 81, 91, 93, 94, 106 (11)* Emily Dickinson: 11, 31, 53, 58, 59, 65, 70, 76, 99 (8)* Charlotte Mew: 16, 17, 40, 55, 66, 92, 95 (7)* Felicia Hemans: 6, 10, 15, 63, 100 (5)* Amy Levy: 7, 23, 32, 80, 85 (5)* Jean Ingelow: 9, 27, 29, 37, 64 (5)* LEL!: 62, 68, 69, 83 (4); see also Rossetti 52 ‘LEL')* Mary Tighe: 36 (Psyche), 43, 60, 88 (4)* Helen Hunt Jackson: 4, 87, 89 (3)* Joanna Baillie: 13, 21, 34 (3)* Augusta Webster: 44, 48, 51 (3)* Emily Pfeiffer: 3, 75 (2)* Charlotte Bronte: 19, 74 (2)* Adah Isaacs Menken: 30, 57 (2)* Constance Naden: 41, 46 (2)* Mathilda Blind: 61, 97 (2)* Mary Kendall: 73, 77 (2)* Martha Jane Jewsbury: 2 (‘To My Own Heart')* Anne Evans: 28* ‘Michael Field' (Katherine Bradley and Edith Cooper): 78The Heart and Vision epigraphs in Ink Black Heart by chapter number:* Heart: 20, 106 (MEC); 21, 67; 52, 107; 68, 85; 2; 63, 80, 85; 17, 40, 55, 95 (Mew); 19, 74; 27; 30; 36, 60; 87 (23)* Vision: Frontispiece, 1, 49, 81 (MEC); 22, 25, 38, 90, 98 (CR); 59; 3; 34; 95; 57; 88; 48; 46 (17)Tally Sheet of Epigraphs for Cuckoo's Calling:* Frontispiece: Rossetti -- A Dirge* Prologue: Lucius Accius, Telephus* Part One: Boethius, The Consolation of Philosophy* Part Two: Virgil, Aeneid* Part Three: Virgil, Aeneid* Part Four: Pliny the Elder, Historia Naturalis* Part Five: Virgil, Georgics* Epilogue: Horace, Odes* [Closing Poem: Tennyson, Ulysses]Brackets/Latch: 19th Century English poets (see Groves)Most epigraphs: Virgil (3); no other author has more than oneMost frequently referenced work: Aeneid (2), shades in UlyssesCenter of Chiasmus: Aeneid (true if ring has 5, 8, or 9 parts)Turtleback lines: Not evident in authors list, perhaps in meanings of specific epigraphsConclusions:* Read Aeneid to look for Cuckoo's parallels;* Study epigraphs to look for parallelsOnline Literature Review for ‘Epigraphs of Cuckoo's Calling:‘https://robert-galbraith.com/epigraphs-of-the-cuckoos-calling/* 2025 connecting the dots between epigraphs and chapter set to follow (generic)* No mention of Strike as Aeneashttps://strikefans.com/the-cuckoos-calling-epigraphs/* Reprinting of epigraphs without commentary* No mention of Strike as Aeneashttps://thesefilespod.com/blog/the-cuckoos-calling-epigraphs/* Includes a very helpful link to The Rowling Library and an article there about the ‘real world' crime serving as a template for the Landry murder* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-1-christina-rossettis-dirge/* Brilliant discussion of the Rossetti poem but curiously without reference to resurrection meaning* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-2-tennysons-ulysses/* Brilliant discussion of Strike as Ulysses* No mention of Strike as Aeneas, curious becauseh Virgil models Aeneas on UlyssesThe Ten Questions of This Conversation (Sort Of!)1, (Nick) So, John, I finally wrote up my findings about The Ring and the Book as the story template for Hallmarked Man's murder mystery and, as we did with my posts about Aurora Leigh and I Capture the Castle, let's talk about it, expanding on the correspondences between the Browning poem and Strike 8. The natural place to begin is with your guess about Ring and the Book being a template based on your tally of the Hallmarked Man epigraphs, a theory you shared on our first show post-publication. Can you explain your process and what made you so confident about Ring and the Book?2. (John) Looking at that tally, then, Arnold's Merope and Oxenham's Maid of the Silver Sea are quantitatively more likely equivalents to Aurora Leigh in Ink Black Heart, but the Browning frontispiece, number of his epigraphs, the hidden quality of the Ring and Book poem titles, and the relationship with Barrett Browning made it seem the most likely. That the poem is considered one of the great feminist tracts written by a man didn't hurt. I still want to go back to the Arnold poem, though, because of the centrality of his epigraphs in the center Parts and Oxenham deserves a re-read, too, or just a trip to Louise Freeman Davis site, the home of Oxenham Studies online. What struck me while reading your post, Nick, was in the correspondences you found between Ring and the Book and Hallmarked Man. Can you give us the highlights of that?3. (Nick) The Ironbridge murder mystery, then, is largely lifted from the death of Pompilia. Which is unusual isn't it? Has Rowling-Galbraith ever used her epigraphs to point to the template of her story?4. (John) I think, then, that at least four of the previous Strike novels give us the embedded template, per Beatrice Groves The White Divel and The Revenger's Tragedy (and even Hamlet) gives us important clues about The Silkworm crime, Rosmersholm and its incestuous backdrop inform the murder of Lethal White, the Janus deceiver in Faerie Queene should have been a give-away about the poisoner in Troubled Blood, and, as Rowling confirmed and you demonstrated Nick, Aurora Leigh is the working model for Ink Black Heart. I think the closest Rowling epigraph suggestions to story template was in the Rossetti poem that opens Cuckoo's Calling and the Aeschylus epigraph in Deathly Hallows. What has Rowling said, though, about her epigraph sources? Do they precede the novels or follow the writing?5. (Nick) So it's not one or the other, I think, that is, she has a template in mind and if the source doesn't have sufficient quotable pieces to serve a epigraphs for the whole book, she uses other sources from the genre in play or that highlight her central theme (cf., the Gray's Anatomy heart epigraphs in tandem with the hearty women Victorian poets in Ink Black). What I'm struck by here, though, is the shift in importance of epigraphs to Rowling-Galbraith. The numbers are startling, no, between Cuckoo and Hallmarked?6. (John) Not only do we see a jump from eight or nine epigraphs in Strike1 to 139 in Stike8, but Team Rowling is pushing readers to think more seriously about them by posting reviews of the epigraphs in each book, drawing the dot-to-dot correspondences. I confess the Strike novel whose epigraphs are not like the others, Nick, is Career of Evil and its Blue Oyster Cult lyrics. You've been reading a book about Blue Oyster Cult so I'll defer to you in this despite my great fondness for heavy metal groups with sci-fi themed lyrics...7. (Nick) What about the book we haven't got in hand, John: Sleep Tight, Evangeline? We have been told -- sort of! -- the title is from a 2014 song from an American blues band called ‘The Whiskey Shambles.' Which of the previous epigraph models Rowling has used, from Deathly Hallows to Hallmarked Man, do you think we'll be seeing in Strike9? What are your thoughts on that, especially as the best link we have for Sleep Tight, Evangeline is from a rock and blues band?8. (John) So I hope that we're going to see another Running Grave type epigraph experience in Evangeline, though Grave was unique among Rowling novels and their epigraphs in not having a story-book, poem, or play as its primary source. The I Ching, cannot be a story-template per se because it is a divination tool or means to reflection. Unless you think Pike's Morals and Dogmas Freemasonry encyclopedia qualifies as an equivalent of sorts to the I Ching? That's another outlier, isn't it?9. (Nick) To put a Fourth Generation focus on this, John, we should be looking for a technique that Serious Readers can use for Sleep Tight, Evangeline to hunt for the embedded source if its hidden as were Aurora Leigh and The Ring and the Book. You've found the ones no one else noticed in Ink Black Heart and Hallmarked Man, how did you do that and do you think the same method will work for Cuckoo and Career as well as Evangeline?10. (John) So, yes, I found them but you had the first confirmed by Mrs Murray and then connected the dots between the Browning poems and Rowling's work. If this method is going to work on Cuckoo, Career, and Evangeline it will have to involve a spotter and a shooter, though they can be the same person. The spotter technique is nothing but grunt work; chart the epigraphs used and spot the author most frequently referenced and the work of theirs most frequently cited. The shooter work is actually a lot more involved and interesting; tell us about your experiences with the two Browning's' epic poems, that thrill of discovering correspondences. Do you think that excitement is something Rowling is offering her readers a a treasure hunt or as a point of reflection in terms of meaning? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

durée : 00:05:23 - Déjà debout - par : Mathilde MUNOS - L'invité Déjà debout est Michel Rossetti, président de la Fédération Française des Associations de Chiens Guides d'Aveugles Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 02:00:36 - Le 5/7 - A 5h45 : Michel Rossetti, président de la Fédération Française des Associations de Chiens Guides d'Aveugles. A 6h20 : Philippe Lohéac, Délégué Général de l'Association pour le Droit de Mourir dans la Dignité (ADMD). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:23 - Déjà debout - par : Mathilde MUNOS - L'invité Déjà debout est Michel Rossetti, président de la Fédération Française des Associations de Chiens Guides d'Aveugles Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:23 - Déjà debout - par : Mathilde MUNOS - L'invité Déjà debout est Michel Rossetti, président de la Fédération Française des Associations de Chiens Guides d'Aveugles Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Referência no mercado financeiro brasileiro, Raony Rossetti é o convidado deste episódio para uma conversa direta sobre sua trajetória, mercado, decisões estratégicas e os bastidores da atuação profissional em renda variável.Com ampla experiência em operações institucionais, derivativos, opções e estruturação de mesas de negociação, Raony compartilha sua visão sobre como funciona o mercado na prática, os erros mais comuns cometidos por investidores e profissionais, e o que realmente faz diferença em ambientes de alta pressão e competitividade.O episódio conta com a apresentação de Ygor Bastos e Luan Aral.

Hour 3 for 2/4/26 Drew and Msgr. Rossetti discuss the power of sacramentals (2:37), why Satan is the author of disunity (14:54), Holy Water, and Our Lady of Knock (18:21). Finally, Drew discusses the Miraculous Medal (27:55), and St. Mother Teresa (40:11).

Tra Roma e Lubiana analizziamo l'esordio europeo dell'Italia, uscita sconfitta 2-6 dai campioni in carica del Portogallo dopo un primo tempo incoraggiante e un secondo tempo in cui le differenze si sono notate. Un risultato pesante, condito dalle espulsioni (discutibili) di Rossetti e Pulvirenti. Ma nulla è perduto: ci sono ancora Polonia e Ungheria, che si sono affrontate con la vittoria di quest'ultima per 4-2. Martedì sarà decisiva: i ragazzi ci credono.

The Dante Rossetti Short List for Young Adult Fiction is here! Congratulations to all authors who made it, and good luck on the next round of judging!

Maracanà con Marco Piccari e Stefano Impallomeni. Ospite: Marco Palma ( Osservatore):" Coulibaly (07) tedesco difensore centrale Mascardi (06) portiere Lo Spezia, seguito da Milan e Genoa. Rossetti (07) centravanti Cesena under 20, seguito dall'Udinese

Maracanà con Marco Piccari e Stefano Impallomeni. Ospite: Marco Palma ( Osservatore):" Coulibaly (07) tedesco difensore centrale Mascardi (06) portiere Lo Spezia, seguito da Milan e Genoa. Rossetti (07) centravanti Cesena under 20, seguito dall'Udinese

Jane Morris was a muse of the Pre-Raphaelites, a central figure in the early Arts & Crafts movement and the quietly powerful presence at the heart of an influential artistic circle. In this episode, Matthew and Fenia explore the story behind Rossetti's The Blue Silk Dress, focusing on the jewellery Jane wears and the symbolism carried within the portrait. Drawing only on what is known from surviving records, letters and the painting itself, we trace Jane's path from Oxford to her role within the Morris household and the artistic world that formed around it. The bracelet, the brooch, the rich textiles and embroidery — each reflects the ideals that would shape both the Pre-Raphaelite and Arts & Crafts movements. www.courtville.ie Get social with Courtville, follow us on Instagram, Facebook, and TikTok This podcast was produced for Courtville by Tape Deck

Welcome to Contemplations with me, Hardeep Kaur. Today we are contemplating Dante Gabriel Rossetti's The Day Dream."The Day Dream is not only about a love shared by Jane Morris and Rossetti. It's about the condition of contemplation, and the transformation that occurs when we swap pace for pause."If you're ready, let's contemplate.HProduced by: ⁠⁠⁠⁠perse.london⁠ ⁠⁠⁠ x ⁠⁠The Architecture of Contemplation⁠⁠Voice + Contemplation: Hardeep Kaur⁠⁠⁠⁠@hardeep.earth⁠⁠

John Granger in September 2022, weeks after the publication of Ink Black Heart, tackled the tangle of 108 poetic epigraphs in Strike 6 from twenty-two Anglo-American Victorian women poets in search of a common theme, of a prevalent meaning, or, the Holy Grail, a work among the many works that acted to Heart as Rosmersholm did to Lethal White and Faerie Queene did to Troubled Blood. This effort involved listing the poets, the epigraphs (citing poems by each woman), and, without reading each poem, noting simply what each brief excerpt included. You can read the results of those surveys at ‘Ink Black Heart: Intro to Epigraphs 101.'The anticipated result of those tabulations was that the poetic epigraphs in Heart, in tandem with the cardiac Part headings from Grey's Anatomy, were consistently about the heart as spiritual faculty rather than bodily pump. The surprise finding was that 13% of the epigraphs were from Elizabeth Barrett Browning's Aurora Leigh. John speculated in conclusion that it was the heart of Rowling's sixth Strike-Ellacott novel:Again, this is not the place to write at any length about the relevance of ‘Aurora Leigh' as a mirroring text within Ink Black Heart. Like you, I look forward to Beatrice Groves' exegesis to complement her Cuckoo's Calling work with Rossetti's ‘Dirge' and Tennyson's ‘Ulysses.' The two important things to note here are only that ‘Aurora Leigh' is the poem most deployed in Strike6 epigraphs and that it is a melange of “Biblical and classical history and mythology, as well as modern novels.” That it would work as something of a template or touchstone for Ink Black Heart, a novel with mythological and hermetic backdrops and archetypal symbols used to reinvent the depth and range of the most modern of genres, the murder mystery, as psychomachian allegory, seems almost a no-brainer. If you can only read one book or poem to buttress your understanding of Strike6, it has to be Durkheim's Suicide, Evola's Ride the Tiger, or Browning's ‘Aurora Leigh,' and I think the epic poem is your best bet.When Rowling agreed to a live interview with Serious Strikers on Twitter the month after Ink Black Heart's publication, one hosted by the Barmy Army, John listed the first question he would ask her to be about the importance if any of Aurora Leigh for understanding Strike 6: “Is Barret Browning's Aurora Leigh the backdrop story to Ink Black Heart the way Rosmersholm and Faerie Queen were to the fourth and fifth Strike mysteries?”Nick Jeffery included this question in a veritable barrage of questions he launched during the Barmy Army interview, and, incredibly, Rowling responded:John concluded in his write up of the Barmy Army interview:If I get “all credit” for the spotting, I must take the blame as well for misspelling Browning's name and for Nick's saying there were thirteen rather than fourteen Leigh epigraphs. All credit to @gbjeffen for succeeding in getting Rowling to answer a question, something I have not succeeding in doing in more than two decades of reading her work and writing about its artistry and meaning. Look for the seven point Ink Black Heart: Aurora Leigh post in the coming week.John, however, never wrote up that '“seven point Ink Black Heart Aurora Leigh post” and his expectation of a Beatrice Groves exegesis also never materialized. That project was delayed until Nick Jeffery, in his years long effort to read everything Rowling has admitted to reading and liking (see this list of those books, a list that predates the 2022 revelations in re Aurora Leigh), arrived at the 1856 epic novel in blank verse. Last week Nick wrote up his findings here as ‘A Rowling Reading of Aurora Leigh: The Influence of Elizabeth Barrett Browning's Aurora Leigh on J.K. Rowling.'John and Nick put Hallmarked Man aside, consequently, in this week's conversation to talk about this poem, Nick's essay, and the place of this work in Fourth Generation Rowling Studies. Enjoy!Next week they'll chart Part Three of Hallmarked Man, discuss the astrological symbols and meaning embedded in Strike 8's names and plot points, and review with a Generation Hex special guest the long anticipated full-cast audio book of Harry Potter. and the Philosopher's Stone. Stay tuned — and please join the Paid Subscribers club to keep the HogPro lights on and restore heat and power to John's home! Many thanks to all subscribers around the world with a special shout-out this week to the six listeners in Norway: Tussen Takk!The Ten Questions and Promised Links:Little Women and Harry Potter: Jo Rowling is Jo March The Seven Points of CorrespondenceYou see, I was a plain — and that is relevant! you know that is relevant, that isn't a trivial thing, especially when you're a kid — I was a very plain, bookish, freckly, bright, little girl. I was a massive book worm and I spent a significant part of my reading looking for people like me.Now I didn't come up with nothing. Y'know, I remember Jo March who had a temper and wanted to be a writer so that was a lifeline. There's a heroine in a book called Little White Horse that I've spoken about publicly who was plain and that was fabulous. “Wow! You get to be a heroine and get not to be a raving beauty..”But y'know these were pretty slim pickings. J. K. Rowling: Deathly Hallows, Part 2, DVD extras, ‘The Women of Harry Potter‘ Mightier than the Sword: Uncle Tom's Cabin and the Battle for AmericaA fascinating look at the cultural roots, political impact, and enduring legacy of Harriet Beecher Stowe's revolutionary bestseller.Uncle Tom's Cabin is likely the most influential novel ever written by an American. In a fitting tribute to the two hundredth anniversary of Harriet Beecher Stowe's birth, Bancroft Prize-winning historian David S. Reynolds reveals her book's impact not only on the abolitionist movement and the American Civil War but also on worldwide events, including the end of serfdom in Russia, down to its influence in the twentieth century. He explores how both Stowe's background as the daughter in a famously intellectual family of preachers and her religious visions were fundamental to the novel. And he demonstrates why the book was beloved by millions―and won over even some southerners―while fueling lasting conflicts over the meaning of America. Although vilified over the years as often as praised, it has remained a cultural landmark, proliferating in the form of plays, songs, films, and merchandise―a rich legacy that has both fed and contested American racial stereotypes. Interview Questions1. [Nick] I wrote the essay, John, but the reason I read Aurora Leigh late 2025 dates back to September 2022 and a discovery you made while sorting through the 108 poetic epigraphs of Rowling's Ink Black Heart. Before we jump into the Elizabeth Barrett Browning epic poem, can you run us through that effort and finding?2. [John] 13% of course is nothing like the 100% epigraphical backdrops of Lethal White and Troubled Blood but, just reading the Wikipedia summary of Aurora Leigh, I thought it a very strong possibility that it might have served a similar function for Ink Black Heart. Which is where you enter the picture, Nick. I've never managed to get Rowling to answer even one of my questions in a quarter century of asking; you pried three answers out of her in one go! And on your first effort? Please tell us that story and what Rowling revealed about Aurora Leigh.3. [Nick] And so we had almost immediate confirmation of your highly speculative conclusion from the epigraphs, John. And you promised a seven point essay of compare and contrast criticism vis a vis Aurora Leigh and Ink Black Heart. What happened to that post?4. [John] So my notes for that were put aside, literally folded and stuffed in my Norton Critical edition of Aurora Leigh, waiting for the leisure time post dissertation to read the verse-novel and write up the seven points. But you revived that long forgotten project with your essay, Nick, so let's skip to that work. I'm confident few of our listeners are familiar with Elizabeth Barrett Browning or her most important and final poem; can you introduce us to both subjects?5. [John] How easy or hard was it to enter into the story, visualize the surroundings, and empathize with the characters?6. [John] And you charted the ring of Aurora Leigh's nine parts in your post! How hard was that? You didn't discuss it at any length in your post; how important do you think that is for understanding the work? Was it largely a hat-tip to the great epic poets?7. [John] If I had one complaint about your exegesis it's that you only spent two sentences on what I thought were profound findings, namely the ‘meaning in the middle' and the turtle-back correspondences between parts two and eight. Those are the giant take-aways, I think, of Leigh's influence on Rowling the Re-Reader and Magpie Borrower-Writer, no? Say some more about that, please.8. [John] You wrote that Rowling's selections from Aurora Leigh for epigraphs “are not arbitrary; they serve as interpretive keys, inviting readers to draw connections between the 19th-century verse and Rowling's modern tale of online toxicity, anonymity, and justice.” Can you give us some examples of what you mean?9. [John] Rowling specifies a parallel between Heart's Zoe and Leigh's Marian. Can you explain that link and its importance and any other character parallels and inspirations?10. [John] You close with ‘Thematic Resonances and Broader Literary Influence,' which are probably the most important connections between EBB and JKR beyond the plot point parallels and character echoes in Ink Black Heart. Can you summarize those in a way to push Serious Strikers and Rowling Readers to make the effort to find a copy of Aurora Leigh and read it?*Optional [Nick] So how close did I come to your ‘seven points,' John? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Episode 86 Recalling Brigid by Orna Ross Orna Ross reads ‘Recalling Brigid' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/86_Recalling_Brigid_by_Orna_Ross.mp3 This poem is from: Poet Town: The Poetry of Hastings & Thereabouts edited by Richard Newham Sullivan Available from: Poet Town is available from: The publisher: Moth Light Press Amazon: UK | US Recalling Brigid by Orna Ross Queen of queens, they called herin the old books, the Irish Mary.Never washed her hands, nor her headin sight of a man, never lookedinto a man's face. She was goodwith the poor, multiplied food,gave ale to lepers. Among birds,call her dove; among trees, a vine.A sun among stars. Such was the sort of womanpreferred as the takeover was made:consecrated cask, throne to His glory,intercessor. Brigid said nothing to any of this,the reverence, or the upbraidings.Her realm is the lacuna,silence her sceptre,her own way of life its own witness. Out of desire, the lure of lustor the dust of great deeds,she was distorted:to consort, mother-virgin,to victim or whore. I am not as womanlya woman as she.So I say: Let us see.Let us say how she is the one. It is she who conceivesand she who does bear.She who knitted us in the womband who will cradle our tomb-fraying. Daily she offers her arms,clothes us in compassion,smiles as we wrigglefor baubles. Yes, it is she who lifts you aloftto whisper through your ears,to kiss your eyes,to touch her coolingcheek to your cheek. Interview transcript Mark: Orna, where did this poem come from? Orna: Hi Mark. Yeah, so it's one of a collection that I'm working on, around Irish women from history and myth. And these are women that I grew up with, as a young person, receiving a sort of a typical Irish education, if you like. Orna: And so some of them are saints, some of them are mythological people. Well, saints are also mythological people! Some of them are historical figures who've been mythologized. And I just wanted to go back in and do my own exploration of each of these women because everybody else had. So I've been gathering these poems over a long time, but it actually started with this one. It started with Brigid. And Brigid is a figure from ancient Irish mythology. And she was Christianized into a Roman Catholic saint. She is the patron saint of Ireland. One of. You've probably heard of the other one. Patrick. You probably haven't heard of this one: Brigid. And, so many things have been projected on her. And it's interesting to read what, what survives of what is written about her because what's written earlier on in time is quite different to what's written later on. And she continues to be an inspiration. Her feast day is the first day of spring in Ireland, which in Ireland is the first day of February. It's much earlier than it is in England. And she's just an interesting, personification of the female virtues as they've been perceived over time. Mark: So you said she was written about differently in earlier times to more recent times, which I think is pertinent to how you're exploring that in the poem. So maybe you could just give us a brief summary of that. Orna: Yes. So I, the poem refers to ‘the takeover'. And by that, I kind of mean the Christian, but hand in hand with Christian goes the patriarchal, takeover of old images of women in general. And Brigid is part of that. So earlier, renditions about her tend to focus on her as a healer, as a wise woman, as a very compassionate person, ‘ale to lepers' is one of the, images in the poem. Whereas later versions tend to emphasize her holiness and her saintliness and, her goodness and I suppose what we would typically think is a good, religious, icon. So it's interesting just to read how that changes and differs as we go. And she also then had her detractors, which is where we get to the ideas, about women generally that are in the poem – the consort, mother, victim, whore, those kinds of ideas. You see them brushing against Brigid over time, but she comes through intact actually, as a woman in her own right. And these don't tend to stick to her as they have stuck to others. Mark: And sometimes when poets use mythological figures like this, there's a kind of a critique of, ‘Well, that's a little bit old fashioned, it's poetry with a capital P'. But reading this and listening to you, it kind of really underlines to me that mythology and religion are really quite present in Ireland. Orna: Oh, gosh, yes! The past is very present in Ireland still, in lots of ways. And. It's interesting. I suppose it's something to do with being a small island on the very edge of, in inverted commas, civilization. Although the Irish like to think they civilized Europe during the dark ages by sending our saints and our scholarship, our images of people like Brigid, the truth is that old ways lingered on a long time, and particularly the part of Ireland where I grew up. So, I grew up in County Wexford down in the small bottom right-hand corner, the very southeast tip of Ireland. Around it, there is a river and a small hill that kind of cuts that area off. And around County Wexford in general, there are larger hills and a big river that cuts Wexford off. So they tended to travel by sea more than road, people from that part of the world. And it was the first part of Ireland to be conquered the Norman conquest and, Old English lingered there right up until, well, there are still words that are used in Wexford that aren't used elsewhere. Carols and songs as well. So other parts of Ireland and, obviously England, had moved on, it but kind of got stuck there. So I'm just kind of pointing up the fact that yes, things stayed, passed on in an oral kind of culture and an oral tradition. And hedge schools and such like, long after such things had faded away in other parts of Europe. Mark: And you say Old English rather than Irish was lingering? Orna: That's right. And, because they had, well, the Normans came to England first Hastings, actually where I live now. One of the reasons I'm here, I think is that I felt a lot of similarities between here and Wexford and I think the Norman invasion in both places, it was part of that. So yeah, a hundred years after the Normans landed in Hastings, they were brought over to Wexford by an Irish chieftain to help him win one of his battles with another Irish chieftain. So English came with the Normans to Ireland. Mark: Right. And this is another amazing thing about Ireland, is the kind of the different layers, like archaeological layers of language. You've got Irish, you've got Old English, you've got Norman French, you've got Latin from the church, you've got Norse from the Vikings and so on. It's incredibly rich. Orna: Yes. More diverse, I think. And again, because of its cut off nature, these things lasted longer, I think, because that's also true of England, but the overlay is stronger and so they don't make their way through. Mark: Right, right. And the ghosts can peep through. So, okay, that's the historical cultural context. What does Brigid mean to you and why did you choose her as the first figure in this sequence? Orna: She chose me, I think. I very much feel this poem, you know, some poems are made and some arrive and this one arrived. I wanted to do something to celebrate her. That was all I knew because it was the first day of spring, which I always loved, that first day of February. You know, when winter is really beginning to bite and you feel, I mean, there is no sign of spring except some crocuses maybe peeking up and, uh, a few spring flowers making a little promise. But usually the weather is awful, but it's the first day of spring and it's, been a really important day for me from that point of view. And then the fact that it does, you know, the fact that Patrick is such a great big deal everywhere and Brigid isn't known at all. So that's kind of where I started and I just knew I'd like to write a poem. And then it was one of those ones that I, if I had set out to write a poem about Brigid, I don't think this is what I would have written. It just arrived. And I found that I was thinking about lots of things and as the first poem of this sequence, I wanted to say some of the things about womanhood in the poem, and I, well, I realised I did, because that's what emerged. So for me, it's very much about that kind of quiet aspect of, so, you know, we've got feminism, which talks very much about women's rights to do whatever it is they want to do in the outer world. But for me, she, in this poem, represents the inner, the quiet virtues, if you like, always there for us. We're not always there for them, but they're always there and active in our lives all the time, and I wanted to celebrate that in the poem. So that's what, you know, I got, the rough draft just came pouring out, and that's what I found myself wanting to bring out. Mark: And the title, ‘Recalling Brigid', you know, I was thinking about that word ‘recalling', because it could mean ‘remembering', but it could also mean ‘calling' or ‘summoning'. Orna: Yes, deliberately chosen for both of those meanings, yes, very well spotted there, poetry reader. Mark: Well, you know, this is a very ancient function of poetry, isn't it? And it's where it kind of shades into charm or spells, to summon, or invoke a spirit or some kind of otherworldly creature or being. Orna: Absolutely. I think you've got the heart of what the poem is trying to do there. It is about calling forth, something, as I say, that's there, that we're all, you know, is there for all of us in our lives, but that we're not always aware of it. And our culture actively stifles it, and makes it seem like it's less important than it is. And so, yes, very much exactly all the words, the beautiful words you've just used there. I was hoping this poem would tap into that. Mark: Very much. And, you know, the beginning, ‘Queen of Queens, they called her'. So presumably this is in the old pre-Christian days, ‘they called her'. So there's that word ‘calling' again, and you give us the kind of the gloss, ‘in the old books, the Irish Mary'. And then you introduce the takeover: ‘such was the sort of woman / preferred as the takeover was made:' And then you get the other version. And then you've got: ‘Brigid said nothing to any of this,' which I think is really wonderful that she keeps – so you've gone from ‘they' in the past, ‘what they called her'. And then Brigid keeping her own counsel about this. She said nothing to any of this, ‘the reverence, or the upbraidings'. And then we get you where you say, ‘I am not as womanly / a woman as she. / So I say: let us see. / Let us say how she is the one. // It is she who conceives, and she who does bear.' Lovely, beautiful repetitions and shifts in there. So you really, you step forward into the poem at that point. Orna: I really wanted to, to place myself in relation to, to her and to all the women in this collection. Which isn't out yet, by the way, it's not finished. So I've got another three to go. No, I really wanted to place myself in relation to the women in the poems. That was an important part of the project for me. And I do that, you know, lots of different ways. But this poem, the first one is very much about, I suppose, calling out, you know, the ‘recalling' that you were talking about there a few moments ago, calling out the qualities. That we tend to overlook and that are attributed to Brigid as a womanly woman. And so, yeah, that's, that's what I was saying. I'm more of a feminist woman who is regarded by some as less womanly. so there is a, that's an interesting debate for me. That's a very interesting, particularly now at this time, I think, it's very interesting to talk about, you know, what is a feminist and what is feminism. And I personally believe in feminisms, lots of different, you know, it's multiple sort of thing. But these poems are born of a, you know, a feminist poet's sensibility without a doubt. So in this first one, I just wanted to call out, you know, the womanly virtues, if you like. Mark: Yeah. So I get a sense of you kind of starting as a tuning fork for different ideas and voices, calling her different things. And then you shift into, ‘Let us see. / Let us say…' I love the description earlier on where you said it's a celebration because by the end of the poem, it really is. It's all her attributes, isn't it? ‘It is she who conceives / and she who does bear.' And so on. Again, how easy was it for you to let go and, and, and step into that? Because it's kind of a thing that it's a little bit, it's not what we associate with modern poetry, is it? Orna: No, not at all. Not at all. But I had to ages ago, give up on modern poetry. If I wanted to write poetry, I had to drop so much, so much that I learned, you know, English Lit. was my original degree. And, you know, I, I was in love with poetry from a very young age. So, I learned everything I could about everything. And then I had to drop it all because I didn't write, I didn't write any poems between the end of my teens and my early forties when I lost a very dear friend. And then when I went on, shortly afterwards to, develop breast cancer. So those two things together unlocked the poetry gates and poems came again. And the kind of poems that came, very often were not, poems that they're not fashionable in that sense. You know, they're not what poetry tends to be. And from that point, in our time, if you like, some are, some, some do come that way, but an awful lot don't. And, for that reason, I'm just so entirely delighted to be able to self-publish because they speak to readers and say they communicate. And to me, that's what matters. And I don't have to worry about being accepted by a poetry establishment at all. I don't spend any time whatsoever thinking about that. I work at the craft, but I, it's for myself and for the poem and for the reader, but not to please anybody that, you know, would be a gatekeeper of any kind. Mark: Well, some listeners will know this – you are very much known as a champion of opportunity and diversity in publishing for writers and self-publishing, independent publishing, however you call it. But I think what I'd like to focus on here is the fact that, you know, by writing a poem like this, you highlight the conventions that we have in modern poetry. And it's easy to see the conventions of the past, but maybe not so much the ones in the present. And I love the fact that you've just sidestepped that or ignored that and written the poem that came to you. Orna: Yes. Yes, very much did and do. And like I said, I don't spend, I did at one time spend time thinking about this, but I spend absolutely no time now thinking about this at all. Mark: That's so refreshing to hear! [Laughter] Orna: No, it's, it's great. It's certainly a liberation. I think very much about the poem and what the poem needs and wants from me. And I make mistakes. I, you know, I don't do well on some poems. I go back, rewrite, sometimes years later, sometimes after they're published. so yeah. It's not that I don't think about form or structure or, you know, all of the things that poets think about but I only think about the master, you know, is the poem itself or the reader possibly or the communication between the bridge between me and the reader, something like that. But yeah, it's liberating for sure. Mark: And how did that play out in this poem? I mean, how close is this to the original draft that came to you? Orna: It's one of the poems that's closest to the original. It kind of arrived and I didn't want to play with it too much at all. So yeah, it, I just left it be. I let it be what I wanted to be because for me there are echoes in this poem as well of Old Irish poetry and ways of writing. you know, that if you, I don't know if you've ever had the pleasure of reading Old Irish poetry in translation? Mark: Yes. Orna: So, you know, that sense of I'm reading something from a completely different mind. It's, it isn't just that the, you know, the structures are different or whatever. It's like the whole mind and sensibility is something else. And that was one of the things I wanted to slightly have to retain in this poem. You know, I felt that it, it carries some of that forward and I wanted to, to leave it there as an echo. Mark: Yeah. Quite a lot of those Old Irish poems have a kind of a litany, a list of attributes of the poet or their beloved or the divine being that they're evoking. And that comes across very strongly here. Orna: Yeah, definitely. That's sort of a list of, which to the modern ear can sound obvious and, you know, just not poetry really. So yeah, I think that's one of the qualities that it carries. Mark: And I love the kind of the incantatory repetitive thing. Like I was saying about the, ‘So I say: let us see. / Let us say', and then ‘It is she… It is she… she who', you know, it just carries you along. It's got a hypnotic quality to it. Orna: Yes. And the she part, you know, the emphasizing the feminine, I suppose, touch of the divine feminine, but very much the physical feminine, and activities as well. So, you know, women held the role of birth and death very much in Irish culture again, up to really quite recently. I remember that, in my own youth and okay, I am getting on a bit, but, it's still, you know, it was quite late in time where, women did the laying out for burial. They did the keening of the, the wake, all of that. I remember very well. so at the beginning and end of life at the thresholds, if you like, that was a woman's job. And, that was lost, I think in the takeover. But I still think all the emotional labour around those thresholds are still very much held by women, you know, silently and quietly. And yeah, Brigid doesn't shout about it, but in this poem, I want to call it. Mark: Yeah. Recall it. Okay. And then let's go back to Hastings, which we touched on earlier, because this, okay. It's, it's going to be in your collection. It's been published in a wonderful anthology poetry from Hastings called Poet Town. Tell us a bit about that book and how you came to be involved. Orna: Yeah. So I heard about it and, Richard [Newham Sullivan] wonderful, poet and, publisher and general literary person. He now lives in New York, but he grew up in Hastings and lived here for many years. And it was a kind of a homesickness project he told me later, for him just. But he carried the idea in his mind for a very long time. He wanted to, he knew that there was an incredible, poetic history in Hastings, which people were not aware of. So Hastings is very well known. Hastings and St. Leonard's, where I live, both are very well known as arty kind of towns. Visual arts are very, very visible here, and all sorts of marvellous things going on, and music as well, there's brilliant Fat Tuesday music festival every year, but there's also, there's classical music, music in the pubs, music coming out your ears, literally. But very little about the literary life that goes on here, and lots of writers living here. And so Richard wanted to just bring forward the poetry side of that. And so he decided it's a passion project for him. He decided to, he worked with the publisher, a small publisher here, in Hastings for it. It's Moth Light Press. And he set out to gather as many living poets into one collection as he could. And this is where I was interested because as, I'm a historical novelist as well, so history is big for me, and I was really interested in the history, you know, the history and the poets who had lived here. There were quite a few. It's not every day you find yourself in an anthology with Lord Byron and Keats, and, two Rossetti's! So that was a joy, discovering all the poets who, had a connection to Hastings back to, I think he went back to the early 1800s with it. So, yeah, it's been a huge success, and, people are loving the book, and it has really brought poetry, brought pride, I think, to the poetry community in the town, which is lovely. Mark: Yeah, I'm really enjoying it, and I love the fact that it's got the old and the new. Because, of course, that's what I do here on A Mouthful of Air. I always think the ghosts of poetry past are always present in the work of the living. I hadn't realized what a deep and rich poetic history Hastings had. So, yeah, Poet Town, a great anthology. Do check that out while you're waiting for Orna's sequence to come to light. And Orna, thank you so much for sharing such a remarkable poem and distinctive take on the poet's craft. And I think this would be a good point to listen to the poem again, and appreciate your praise and celebration once more. Orna: Thanks so much, Mark, for having me. I really enjoyed it. Thank you. Recalling Brigid by Orna Ross Queen of queens, they called herin the old books, the Irish Mary.Never washed her hands, nor her headin sight of a man, never lookedinto a man's face. She was goodwith the poor, multiplied food,gave ale to lepers. Among birds,call her dove; among trees, a vine.A sun among stars. Such was the sort of womanpreferred as the takeover was made:consecrated cask, throne to His glory,intercessor. Brigid said nothing to any of this,the reverence, or the upbraidings.Her realm is the lacuna,silence her sceptre,her own way of life its own witness. Out of desire, the lure of lustor the dust of great deeds,she was distorted:to consort, mother-virgin,to victim or whore. I am not as womanlya woman as she.So I say: Let us see.Let us say how she is the one. It is she who conceivesand she who does bear.She who knitted us in the womband who will cradle our tomb-fraying. Daily she offers her arms,clothes us in compassion,smiles as we wrigglefor baubles. Yes, it is she who lifts you aloftto whisper through your ears,to kiss your eyes,to touch her coolingcheek to your cheek. Poet Town: The Poetry of Hastings & Thereabouts ‘Recalling Brigid' is from Poet Town: The Poetry of Hasting & Thereabouts, published by Moth Light Press. Available from: Poet Town is available from: The publisher: Moth Light Press Amazon: UK | US Orna Ross Orna Ross is an award-winning poet and novelist. Her poetry, rooted in Irish heritage and mindfulness practice, explores love, loss, creativity, and spiritual renewal through a female lens. As founder-director of the Alliance of Independent Authors (ALLi), she champions creative freedom for poets and writers. Her forthcoming collection, And Then Came the Beginning—Poems of Iconic Irish Women, Ancient and Modern—is available for pre-order at OrnaRoss.com/TheBeginning. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Episode 85 From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Mark McGuinness reads and discusses a passage from ‘The Rime of the Ancient Mariner' by Samuel Taylor Coleridge.Poet Samuel Taylor ColeridgeReading and commentary by Mark McGuinnessFrom... Alchemy by Gregory Leadbetter Episode 84 Alchemy by Gregory Leadbetter Gregory Leadbetter reads ‘Alchemy' and discusses the poem with Mark McGuinness.This poem is from: The Infernal Garden by Gregory LeadbetterAvailable from: The Infernal Garden is available from: The publisher: Nine Arches...

Tim Rossetti, CEO & President of Sabre Industries, joins JSA TV at DCD Virginia to discuss how their deep expertise in engineered, integrated solutions is accelerating deployment and solving key challenges for hyperscalers.Sabre is leveraging the critical knowledge from deploying over 13 GWh of BatteryEnergy Storage (BESS) solutions to bring next-level reliability and scalability to data centers.In this interview, you'll learn:● How factory integration is reducing construction timelines.● How BESS knowledge transfers to data center power infrastructure.● The trends driving demand for engineered solutions.● How AI is impacting infrastructure design at Sabre.Watch now!

The Dante Rossetti Long List for Young Adult Fiction is here! Congratulations to all authors who made it, and good luck on the next round of judging!

Opowieść prosto z krainy Zaświatów. Jane Morris jako Prozerpina w oczach Gabriela Dante Rossettiego. Obraz z kolekcji Tate Britain.*A tu można kupić karnet na Podróż przez Sztukę https://app.evently.pl/events/10781-podroz-przez-sztuke-6-sezonow-20-odcinkow

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Few people navigate the intersection of evil, faith, and human nature like Monsignor Stephen J. Rossetti. As a Catholic priest, psychologist, and chaplain to the Washington Nationals, Monsignor Rossetti brings rare insight into one of Scripture's most profound truths: the ongoing battle between light and darkness. In this episode of Unscrolled, Monsignor Rossetti joins host Matthias Walther for a thoughtful exploration of spiritual warfare and its effect on the human heart. Together, they examine what it means to face this unseen conflict with courage, and how to maintain hope in its midst. Msgr. Stephen Rossetti's website - https://www.catholicexorcism.org Stay up to date with Museum of the Bible on social media:  Instagram: @museumofBible  X: @museumofBible  Facebook: museumofBible  Linkedin: museumofBible  YouTube: @museumoftheBible 

Kevin Williamson is joined by Phillip Rossetti, a contributor to the new Dispatch Energy newsletter and fellow at the R Street Institute. The two dive into the “Abundance” movement and why some traditionally pro-regulation Democrats are rethinking their stance and finding common ground with free-market advocates. Show Notes:—Philip for Dispatch Energy: “The Advent of the ‘Abundance' Movement”—Subscribe to our new Dispatch Energy newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us on LAB the Podcast for a special Poetry Corner episode with Poet and Author Wendy Kieffer (Alchemy of Praise). In this episode, Wendy shares a brand-new original poem that envisions walking with God in the cool of the morning — a powerful picture of hope, reunion, and new creation. We talk about the power of poetry to communicate before it's understood, why reading aloud matters, and how classic poets like Mary Oliver, Yeats, and Rossetti can inspire us today.If you love poetry, faith, or creative conversations, this episode will encourage you to slow down, listen deeply, and discover beauty in the everyday.Thank you for joining the conversation and embodying the life and beauty of the gospel. Don't forget to like, subscribe, and follow LAB the Podcast. Support / SponsorFor More Videos, Subscribe:   @VUVIVOV3 | YouTubeFollow: @labthepodcast | @vuvivo_v3 | @zachjelliott | @wendy.kiefferOrder Alchemy of PraiseSupport the show

“Alle sorgenti del Concilio di Nicea: perenne attualità e prospettive future” - Ospiti: Dott. Simone Tropea, Prof. Carlo Lorenzo Rossetti, Prof.ssa Rosanna VirgiliTrascrizione (non corretta dall'autore)

We're here to celebrate 5 years of excellence with the Grand Prize Winners of the Dante Rossetti Book Awards for Young Adult Fiction! Fill out your TBR today!

Can dogs sense demons? How did a possessed person know an exorcist's childhood nickname? And what should you do when plagued by obsessive negative thoughts?In this episode, we sit down with Monsignor Rossetti—Chief Exorcist of the Archdiocese of Washington and a licensed psychologist—who brings rare insight into both the spiritual and psychological dimensions of these mysteries. This conversation will challenge the way you understand the spiritual realm, especially in light of God's omniscience and omnipotence compared to the limited, deceptive powers of the devil. You'll walk away with practical tools for spiritual warfare and a renewed confidence in the ultimate triumph of good over evil—an encouraging truth we too easily forget. Msgr Rossetti's website: https://www.catholicexorcism.org/NEW: Join our exclusive Rose Report community! https://lilaroseshow.supercast.com - We'll have BTS footage, ad-free episodes, monthly AMA, and early access to our upcoming guests.A big thanks to our partner, EWTN, the world's leading Catholic network! Discover news, entertainment and more at https://www.ewtn.com/ Check out our Sponsors:-Good Ranchers: https://go.goodranchers.com/lila Purchase your American Meat Delivered subscription today and get a free add-on of beef, chicken, or salmon! Use code LILA for $40 off! -Seven Weeks Coffee: https://www.sevenweekscoffee.com Buy your pro-life coffee with code LILA and get up to 25% off!-Covenant Eyes: http://covenanteyes.sjv.io/Kjngb9 Sign up to grow in purity and gain traction over sexual addiction: use code “LILA” for a free month!

No Papo de Profissional de hoje, Luan recebe Raony Rossetti, referência no mercado financeiro, fundador da Melver e um dos maiores traders e brokers do país.Quer aprender de verdade sobre a profissão de broker e trader?Preencha o formulário agora e dê o primeiro passo: https://forms.gle/MgWRAos7bs2CVJCq6Raony foi responsável pela ampliação de operações com opções e contratos futuros no Brasil e responsável por uma enorme mesa de renda variável em Nova York.Com quase duas décadas de experiência ele revela:Como construiu sua carreira do zero até o topoDiferença entre trader institucional e broker — e como começar em cada funçãoBastidores das mesas de operações que movimentavam bilhões de reaisEstratégias que transformam operações em ganhos milionáriosOs maiores erros (e acertos) que viu em 18 anos de mercadoO que realmente é preciso para viver de tradingSe você quer trabalhar como trader ou broker, ou simplesmente entender como funcionam as grandes operações que movimentam o mercado, este episódio é obrigatório!

Hour 3 for 8/6/25 Drew and Msgr. Rossetti covered spiritual warfare (1:00), how Msgr. got started as an exorcist (7:19), addiction (14:17), and healing family division (20:50). Then, Archbishop Gintaras Grušas of Vilnius discussed Divine Mercy, the War in Ukraine, and St. John Paul II (32:33). Link: KofC.org/Relevant

What if you could harness AI to unlock your business's hidden knowledge and supercharge your operations? In this episode of Small Business Black Holes, host Alan Pentz sits down with Luca Rossetti, founder of Control N, to explore the untapped potential of AI for small and medium-sized businesses. They dive into how companies can prepare for the AI revolution, why European businesses are lagging in adoption, and how to turn your organization's scattered information into a powerful competitive advantage. Whether you're hoping to future-proof your business or looking to scale beyond current limitations, this conversation offers practical insights into leveraging AI before it's too late. Tune in to discover why the next 12-24 months will be critical for businesses adapting to the AI transformation.

Hour 3 for 7/15/25 Msgr. Rossetti covered spiritual warfare and the need for exorcisms in dioceses (1:00). Topics: how Msgr. became an exorcist (11:31), Msgr.'s new book (21:46), house possession (23:14), face painting (25:04), affliction vs bad luck (26:26), abuse and the demonic (29:09), hospitals and abortion (29:53), monster energy (32:28), curses (26:28), spiritual warfare in my home (37:49), and AI and the demonic (44:30). Link: https://www.catholicexorcism.org/ Msgr.'s new book

Capítulo espacial de Mundo Dolphins. Hugo y Santos nos traen las últimas novedades de los Miami Dolphins y los aspectos mas destacados del mandatory minicamp que ha celebrado nuestra franquicia. Ademas tienen el honor de entrevistar a Lucas Rossetti , fan brasilleño de los Dolphins , elegido fan internacional del año por el conjunto del sur de Florida que nos descubrirá su historia como impulsor del football en su país.

June 6, 2025 ~ This year's Rocket Classic trophy was designed by Laura Bade, graphic design lead and associate at Rossetti. Laura joins Kevin to tell us about this year's design.

Monsignor Stephen Rossetti joins the USGF Podcast and discusses his very real and personal journey as an exorcist and why there is a growing need for deliverance from the diabolical in our world. His firsthand experiences with countless demonic battles give him a particular insight into the world of intense spiritual warfare. ------------------------------- Join this channel to get access to perks: https://www.youtube.com/channel/UCKZ9OefEJLEx1qYcBxgAFww/join -------------------------------- Get Msgr. Rossetti's new book HERE: https://www.catholicexorcism.org/ -------------------------------- PATREON - Help support this podcast by becoming a US Grace Force PATRON HERE: https://www.patreon.com/user?u=25398590 -------------------------------- Subscribe to our NEW US Grace Force YouTube channel! US GRACE FORCE 2.0. Don't miss any new, great content!! https://youtube.com/@USGraceForce2.0?si=zq47qEqPITXnIDkg -------------------------------- Join the US Grace Force Team HERE: https://visitor.r20.constantcontact.com/manage/optin?v=001ESuSGaJpYPCG2iUdd4j4bkKwd4gkh2ZUVbam_Ty9rCn6blH6_U3cI2D8UvSLEcSzHnC4eq2UWmK1I0SbEw0SPKqnkZ2j0Z4J4D-_m4dD6CKJU9day-bBa8Qnx4dv7RLDIVlYAjL1JWsjfUTNPH2jQIVY9gbdbz4O4oMIzv5V1dT_upQsD8cX86iq_5Y-x4eLrTVtdOmA24s%3D&fbclid=IwY2xjawFRvvdleHRuA2FlbQIxMAABHdo526R1rgNAIW76yyQnVbo957e1TgOoQ4RH3Tr84D8376Y7jng09gtlOw_aem_H7Y7Ej6cF6-nPyfOZ4qMTQ -------------------------------- PRAY THE ROSARY: The Joyful Mysteries: https://www.youtube.com/watch?v=aMAR9MEN1pE&t=656s --------------------------------- The Sorrowful Mysteries: https://www.youtube.com/watch?v=XHUkx66oAxE&t=311s --------------------------------- The Glorious Mysteries: https://www.youtube.com/watch?v=Pg_JWsxS6EA&t=207s --------------------------------- The Luminous Mysteries: https://www.youtube.com/watch?v=PVL5CqBr3CA&t=198s --------------------------------- The Full Rosary: https://www.youtube.com/watch?v=44zL1kFIvP8&t=1765s --------------------------------- Be Ready Emergency Preparedness Course: Be prepared to Care for and Protect your Family in times of Natural Disasters, Emergencies, Civil Unrest, Economic Collapse, and more. Sign up for the course HERE: https://brcoalition.com/ --------------------------------- Go HERE to check out the BR Coalition and get great training Body, Mind & Soul! https://brcoalition.com/ Become part of one of the fastest growing online Catholic Membership sites. --------------------------------- Get your hands on some great US Grace Force T-shirts! https://us-grace-force.creator-spring.com/ --------------------------------- The seven promises given to St Bridget of Sweden for those who devote themselves to her Seven Sorrows. 1. I will grant peace to their families. 2. They will be enlightened about the Divine Mysteries. 3. I will console them in their pains, and I will accompany them in their work. 4. I will give them as much as they ask for as long as it does not oppose the adorable will of my Divine Son or the sanctification of their souls. 5. I will defend them in their spiritual battles with the infernal enemy and I will protect them at every instant of their lives. 6. I will visibly help them at the moment of their death—they will see the face of their mother. 7. I have obtained this grace from my divine Son, that those who propagate this devotion to my tears and dolors will be taken directly from this earthly life to eternal happiness, since all their sins will be forgiven and my Son and I will be their eternal consolation and joy.

Hour 3 for 4/16/25 Prof. Roy Schoeman joined Drew to discuss Spy Wednesday (1:26). Topics: theory on why Judas turned on Jesus (12:28), Judas' disappointment with Jesus (17:27), and my father's conversion (19:18). Then, Msgr. Rossetti covered if Judas is in hell (34:24). Topics: was Judas possessed? (40:07), did Judas have to betray Jesus (42:25), problems with the 'gospel of Judas' (43:56), and if Jesus forgave Jesus (46:01). Link: https://www.salvationisfromthejews.com/author.html . https://www.catholicexorcism.org/

Subscriber-only episodeSend us a textThis week's episode was born out of Amy's recent visit to London's Highgate Cemetery, where fortuitous timing (or, perhaps, the graveside spirit of Christina Rossetti?) revealed a bit of juicy family drama. Find out why the tragic death (and later exhumation) of a pre-Raphaelite muse left another family member begging to not be buried next to her in the Rossetti family plot!Mentioned in this episode:Christina RossettiElizabeth SiddalDante Gabriel RossettiGabriele RossettiHighgate Cemetery“Ophelia” by John Everett MillaisLost Ladies of Lit Episode No. 220 on Christina RossettiPoetry by Elizabeth SiddalThe Well of Loneliness by Radclyffe HallBeryl BainbridgeHer Fearful Symmetry by Audrey NiffeneggerLincoln in the Bardo by George Saunders“When Did Cemeteries Become Tourist Attractions and Hot-Date Spots?” by Matthew Kronsberg for The Wall Street JournalFor episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

With the Stennings and their guests gathered round the fireplace on Christmas Eve, Northanger offers to share a very different ghost story, based on a strange and baffling encounter of the year before. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “GANTHONY'S WIFE” by E. Temple Thurston (1926). You can hear me discuss this story by becoming a channel member and listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters. CREATOR'S NOTE: These recordings contain sound effects and music because that's what I personally like to listen to, and what I enjoy making. As you will see from the comments, a lot of the listeners also like it. If it's not your thing, please feel free to listen to the many other narrators who are voice-only. I'm sure they'll be glad to hear from you.

Another chance to hear a Cunningcast Christmas treat: Tony reading his favourite poem ‘Goblin Market' by Christina Rossetti. He's discussing the context and history of Rossetti's iconic work with Madeleine Callaghan, Senior Lecturer in Romantic Literature at the University of Sheffield. In his electrifying reading, Tony captures all the magic and strangeness of ‘Goblin Market', set in a fairy-tale world where a fraught encounter takes place between the two sisters Laura and Lizzie and a band of sinister goblin merchants who tempt Laura with their ‘forbidden fruits'. Can Lizzie save her sister from the evil Goblin's temptations? Hosted by Sir Tony Robinson X | Instagram With Madeleine Callaghan, Senior Lecturer in Romantic Literature at the University of Sheffield. Author of ‘Shelley's Living Artistry: Letters, Poems, Plays' (2017) and ‘The Poet-Hero in the Work of Byron and Shelley' (2019) published by Anthem Press. ‘Eternity in British Romantic Poetry' (Liverpool University Press), June 2022. www.sheffield.ac.uk/english/people/academic-staff/madeleine-callaghan Credits: Series Producer: Melissa FitzGerald X @melissafitzg Executive Producer: Dominic de Terville Cover Art: The Brightside A Zinc Media Group production Follow: X @cunningcastpod Instagram @cunningcastpod If you enjoyed my podcast, please leave us a rating or review. Thank you, Love Tony x Hosted on Acast. See acast.com/privacy for more information.

Our 6th and final published session of the 2024 Deeply Rooted Conference was preached by pastor David Rossetti of Bass Chapel Baptist Church. We hope you enjoy his excellent and challenging message!

Our 6th and final published session of the 2024 Deeply Rooted Conference was preached by pastor David Rossetti of Bass Chapel Baptist Church. We hope you enjoy his excellent and challenging message!

Christmas season 2024 is here! As usual, we at Boys' Bible Study will be spending all of December pondering the reason for the season with Christmas movies made by Christian directors. We're huge fans of director Chip Rossetti, but so far we've only ever watched his films written by and starring the singular Donald James Parker, aka “Gramps” (such as GRAMPS GOES TO COLLEGE, which we love.) So, to kick off the new Christmas season, we took a chance on a script written by Rossetti himself… and we were not disappointed. In fact, we were thrilled. THE BORROWED CHRISTMAS is a wholesome and hilarious watch about a man who makes insane life decisions and a woman who loves him for it. John Dale is a lonely rich man who dreams of the “Normal Rockwell Christmases” of his past but can no longer access the vibe due to grief over the death of his parents. He stumbles into Anne Weston's store, whose business it is to “rent everything”, and John asks Anne to rent him the perfect Christmas. Money is no object. He asks for a wife, five kids, and carolers… the works! Anne is clearly intrigued by this handsome eccentric and sets out upon her greatest challenge yet. She secures (traffics?) orphans from the nearby orphanage to portray the kids and casts herself as the wife role after she is unable to hire an actor from the nearby Actors' Guild (?). The Christmas that transpires is perfect in every way and ends up making a consequential impact on the life of John Dale, his two spacey maids, and everyone involved in the production. THE BORROWED CHRISTMAS is fun, snappy, and ethically dubious, so we can't think of a better start to your Christmas season then to gather in the TV room and watch this with all of your favorite orphans. View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Subscribe to our Twitch for livestreams: http://twitch.tv/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy

Send us a textCharmed by her friend Lewis Carroll's children's book Alice's Adventures in Wonderland, Victorian poet Christina Rossetti followed suit nearly a decade later with her own children's book — one that alludes to the “Alice” tale while also offering a more clear-eyed view of girls' duties, even in topsy-turvy dream worlds. Ayana Christie, Chief Product Officer of Bond & Grace, joins us for a discussion this week on Rossetti's 1874 work Speaking Likenesses and helps us draw comparisons with Carroll's seminal tale.Mentioned in this episode:Speaking Likenesses by Christina RossettiBond & Grace edition of Alice's Adventures in Wonderland by Lewis CarrollBond & Grace edtiion of The Secret Garden by Frances Hodgson BurnettBond & Grace edition of Frankenstein by Mary ShelleyChristina Rossetti“Goblin Market” by Christina RossettiGabriele RossettiDante Gabriel RossettiThe Rosetti family photographic portrait by Lewis CarrollChristina Rossetti: A Writer's Life by Jan MarshLewis Carroll (a.k.a. Charles Dodgson)The Liddell sistersThe real-life Alice in WonderlandThe Princess Bride film“Be Our Guest” number from Beauty & the BeastSupport the showFor episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

Hour 2 for 10/30/24 Drew prayed the Chaplet of Divine Mercy with Brooke Taylor (:21). Then, Msgr. Rossetti joined Drew to discuss on All All Hallows' Eve (27:06), Msgr.'s story of 3 am terror (41:06), and Celtic festivals (45:38).  To find out more about Msgr.'s Holy Hour, check it out this link: https://www.catholicexorcism.org/blog

Rossetti could see that the old fellow was deeply moved...

Have you ever met someone who just gets you? And she understands about life's twists and turns?Enter Linda Rossetti.Linda's not just a former CEO and Fortune 500 whiz; she's our go-to guru on navigating life's big changes. She's penned two books, "Dancing with Disruption" and "Women & Transition," that honestly felt like she'd read my diary.Ever had those, “Wait, someone else feels this too?” moments? Linda's words gave me a ton of those.With her insights, we're diving deep into how we can find hope and optimism at life's crossroads, the role that our choices and voice play, and how to dance through them gracefully.Ready to feel understood and empowered? Don't miss one of our most popular guests!CONNECT WITH LINDA ROSSETTIExecutive Director, The Transition InstituteWebsite: lindarossetti.com/resourcesLinkedIn: linkedin.com/in/lindarossettiLinda's Book: Dancing With DisruptionCONNECT WITH YOUR HOST, MARÍA TOMÁS-KEEGANCertified Career & Life Coach | Transition ExpertWomen leaders face unique challenges and opportunities when times are uncertain.If you're wondering what's next or seeking more meaningful work, the key to unlocking possibilities starts with understanding where you stand right now. These tools will help. Learn more: transitionandthrivewithmaria.comLinkedIn:  linkedin.com/in/mariatomaskeegan

On today's episode of "The Liz Wheeler Show," Liz interviews Msgr. Stephen J. Rossetti, a Roman Catholic priest and exorcist in the Archdiocese of Washington, D.C. Msgr. Rossetti explains whether or not America is demonically possessed, what spiritual warfare is, and how to combat the devil and temptation. Plus, Msgr. Rossetti answers whether or not yoga and witchcraft can open you and your loved ones to demonic attacks. Liz and Msgr. Rossetti also breaks down what Protestants and Catholics can find in common on this important topic. Between the 2024 election and wickedness from both Republicans and Democrats, it seems evident that America has lost its way. And what role does TikTok play in spreading the occult? What is "WitchTok," and how is it influencing the culture? All that and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

The biography show where famous guests picks someone they admire or love. Jane Morris was the wife of William Morris and muse of Gabriel Dante Rossetti. Anneka Rice believes her contribution to nineteenth century art and culture has been largely overlooked.I'm not a big fan of needle point, she says, but we cannot ignore what she brings to art history. Plus she comes from absolutely NOWHERE to marry Morris and have an affair with Rossetti. Joining Anneka in the discussion is Suzanne Fagence Cooper, the author of How We Might Live: At Home with Jane and William Morris. The presenter is Matthew Parris.

‘Goblin Market' was the title poem of Christina Rossetti's first collection, published in 1862, and while she disclaimed any allegorical purpose in it, modern readers have found it hard to resist political interpretations. The poem's most obvious preoccupation seems to be the Victorian notion of the ‘fallen woman'. When she wrote it Rossetti was working at the St Mary Magdalene house of charity in Highgate, a refuge for sex workers and women who had had non-marital sex. Anxieties around ‘fallen women' were explored by many writers of the day, but Rossetti's treatment is striking both for the rich intensity of its physical descriptions and the unusual vision of redemption it offers, in which the standard Christian imperatives are rethought in sisterly terms. Seamus and Mark discuss how post-Freudian readers might read those descriptions and what the poem says about the place of the ‘market' in Victorian society.Read the poem here: https://www.poetryfoundation.org/poems/44996/goblin-marketThis episode features a full reading of 'Goblin Market' by Shirley Henderson and Felicity Jones at the Josephine Hart Poetry Hour. Watch the reading here: https://www.youtube.com/watch?v=mMnHW9MevJkFind more about the Josephine Hart Poetry Foundation here: https://www.thepoetryhour.com/foundationSubscribe to Close Readings:In Apple Podcasts, click 'subscribe' at the top of this podcast to unlock all the episodes;In other podcast apps here: https://lrb.me/ppsignupRead more in the LRB:Penelope Fitzgerald: https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sidJacqueline Rose: https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defacedJohn Bayley: https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness Hosted on Acast. See acast.com/privacy for more information.

This is a special episode that was recorded three years ago and that was on my Psychospiritual Podcast, about Aware Parenting and homeschooling. If you know Chiara Rossetti and haven't heard the news yet, I invite you to pause and have a friend close before reading more..... ...... ...... ...... Chiara is no longer with us. If you knew her, I'm sending so much love to you, however you're feeling now. Chiara was an Aware Parenting instructor who lived and breathed Aware Parenting. She was an attachment play genius. I shared about her, the profound effect she had on the Aware Parenting community, and my friendship with her on my social media recently. She and her children had the most amazing Aware Parenting and natural learning journey. She supported so many parents with Aware Parenting and attachment play in particular. She supported so many Aware Parenting instructors. We had talked for years about creating an attachment play book some day, and had reconnected with that again recently. I am so deeply sad and will miss her so much. I felt so called to share this episode with you, where she shares about how she came across Aware Parenting (when her son was waking up every 45 minutes), and then talked about her journey with Aware Parenting and Natural Learning (this was part of a series of podcasts on AwP and homeschooling). She also shared about sleep, and teens. So much of what she said is so poignant. If you want to watch the FB live we did on attachment play together that we mention at the end of the episode, you can find it here: https://www.facebook.com/100063796862144/videos/246519440294072 So much love to you. xoxoxo

Poet Christina Rossetti was born in 1830, the youngest child in an extraordinarily gifted family. Her father, the Italian poet and political exile Gabriele Rossetti, immigrated to England in 1824 and established a career as a Dante scholar and teacher of Italian in London. He married the half-English, half-Italian Frances Polidori in 1826, and they had four children in quick succession: Maria Francesca in 1827, Gabriel Charles Dante (famous under the name Dante Gabriel but always called Gabriel by family members) in 1828, William Michael in 1829, and Christina Georgina on 5 December 1830. In 1831 Gabriele Rossetti was appointed to the chair of Italian at the newly opened King's College. The children received their earliest education, and Maria and Christina all of theirs, from their mother, who had been trained as a governess and was committed to cultivating intellectual excellence in her family. Certainly this ambition was satisfied: Maria was the author of a respected study of Dante, as well as books on religious instruction and Italian grammar and translation; Dante Gabriel distinguished himself as one of the foremost poets and painters of his era; and William was a prolific art and literary critic, editor, and memoirist of the Pre-Raphaelite movement. Christina became one of the Victorian age's finest poets. She was the author of numerous books of poetry, including Goblin Market and other Poems (1862), The Prince's Progress (1866), A Pageant (1881), and The Face of the Deep (1882).Rossetti's poetry has never disappeared from view. Critical interest in Rossetti's poetry swelled in the final decades of the twentieth century, a resurgence largely impelled by the emergence of feminist criticism; much of this commentary focuses on gender issues in her poetry and on Rossetti as a woman poet. In Rossetti's lifetime opinion was divided over whether she or Elizabeth Barrett Browning was the greatest female poet of the era; in any case, after Browning's death in 1861 readers and critics saw Rossetti as the older poet's rightful successor. The two poets achieved different kinds of excellence, as is evident in Dante Gabriel Rossetti‘s comment on his sister, quoted by William Sharp in The Atlantic Monthly (June 1895): “She is the finest woman-poet since Mrs. Browning, by a long way; and in artless art, if not in intellectual impulse, is greatly Mrs. Browning's superior.” Readers have generally considered Rossetti's poetry less intellectual, less political, and less varied than Browning's; conversely, they have acknowledged Rossetti as having the greater lyric gift, with her poetry displaying a perfection of diction, tone, and form under the guise of utter simplicity.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe