Podcast appearances and mentions of Garry Winogrand

  "Serendipity plays an enormous role in my work. I create the possibilities for accidents to happen." -- Robbert Flick   "I'm very interested in the uncanny and a way to find something mysterious or terrible within everyday life." -- Gregory Crewdson   In this episode, Antonio and Ward start, as usual, by discussing recent book acquisitions, including books received by Antonio, such as “Sons of the Living” by Bryan Schutmaat, Fred Hertzog's “Black and White”, Anne Noggle's “Flight of Spirit,” and Ward's order of a book on Japanese female photographers titled “I'm So Happy You Are Here: Japanese Women Photographers from the 1950s to Now.”    Subsequently, they dive into the aesthetics of the “uncanny” in photography, exploring how certain images evoke a sense of unease and elucidating the potential for these unsettling moments to serve as powerful storytelling devices. Ward shares a captivating photograph taken in New York, while Antonio discusses the significance of presenting students with Garry Winogrand's thought-provoking work, encouraging them to interpret street photographs beyond their surface.   They also contemplate the role of serendipity in photography—those serendipitous, unplanned moments that elevate a photograph to greatness—and whether this can be cultivated through practice or is merely a matter of chance. They emphasize the importance of openness and attentiveness in capturing these unexpected gems and share personal anecdotes of moments when seemingly disparate elements aligned perfectly, resulting in photographs that felt almost predestined.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links: Photographer Stephen Shore: God's Eye But Human | Louisiana Channel “Sons of the Living” by Bryan Schutmaat Fred Hertzog's “Black and White” Anne Noggle's “Flight of Spirit,” “I'm So Happy You Are Here: Japanese Women Photographers from the 1950s to Now.”  Ward's Photo from DUMBO, Brooklyn Antonio M. Rosario's Website, Vero, Instagram and Facebook page Ward Rosin's Website, Vero, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

En este video exploramos la REVOLUCIÓN fotográfica de Garry Winogrand, un fotógrafo que dejó una huella indeleble en el mundo de la fotografía contemporánea. Conocido por su enfoque en la fotografía de calle y su habilidad para capturar momentos espontáneos, Winogrand transformó la percepción del arte fotográfico y la narrativa visual. A través de un análisis fotográfico detallado, descubriremos cómo su gestión de luz y su mirada crítica lograron retratos urbanos que cuentan historias profundas y conmovedoras. La fotografía crítica y el análisis visual de su obra nos inspirarán a apreciar la fotografía de autor de una manera completamente nueva. Únete a nosotros en este viaje para entender cómo Garry Winogrand cambió el juego de la fotografía aleatoria y dejó un legado que sigue influyendo a fotógrafos y amantes del arte en la actualidad. No te pierdas este relato visual que celebra la esencia de la fotografía contemporánea.

HT1967 - Docent Required For totally unrelated reasons, I've recently gone through a bit of art education about Caravaggio, Brahms, Garry Winogrand, and Hiroshige. As I was learning about these four, it occurred to me that every sophisticated artwork requires a docent to one degree or another.

In this episode, Aimee sits down with Susan Kismaric, who started working in the photography department at the Museum of Modern Art in 1976 after a stint at the LIFE Picture Collection. She has curated a host of exhibitions and published several books, including her most recent on Garry Winogrand's color work. Listen in on this captivating conversation that covers Susan's earliest involvement with photography, her memories of MoMA in the 1970s and 80s, and what it was like to work closely with some of the greatest photographers of our time.

In this episode of The Nerdy Photographer Podcast, we delve into the captivating world of street photography, where the pulse of a city beats through every frame. Join us as we explore the art of capturing the essence of a city—the rhythm of its streets, the diversity of its people, and the stories etched into its sidewalks and skylines. Our guest, Phil Penman, shares his insights into the nuances of capturing the soul of a city. From bustling metropolises to sleepy neighborhoods, we discuss the magic of street photography as a means of documenting the ever-evolving tapestry of urban life. Phil also shares his tips and techniques for consistently finding interesting images to capture. Street photography serves as a powerful lens through which to explore the complex layers of urban culture. By capturing fleeting moments of beauty, chaos, and humanity, photographers offer us a glimpse into the heart and soul of a city. From the iconic landmarks that define its skyline to the hidden alleyways that pulse with life, each image tells a story—a snapshot of the city's past, present, and future. Join us as we celebrate the art of street photography. Episode Promos Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Pixifi CRM software - https://nerdyphotographer.com/recommends/pixifi/  Nerdy Photographer contract templates - https://nerdyphotographer.com/product-category/contracts/  Siteground Web Hosting - https://www.siteground.com/go/nerdy  Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Subscribe to the podcast! Already subscribed? Leave a review! Tell your friends about the podcast - even tell your enemies! Subscribe to the newsletter - https://nerdyphotographer.com/newsletter/  Follow on Instagram - https://instagram.com/thenerdyphoto Follow on Threads - https://threads.net/@thenerdyphoto Follow in Tiktok - https://tiktok.com/@thenerdyphoto Get some Nerdy Photographer swag and be the coolest photographer around - https://www.teepublic.com/stores/nerdy-photographer Buy Casey a drink by going to our support page - https://nerdyphotographer.com/support-nerdy-photographer/ About My Guest The British-born, New York-based photographer Phil Penman has documented the ever-changing scene of New York City's streets for more than 25 years. In his career as a news and magazine photographer, with a large body of work in such publications as The Guardian, The Independent, The New York Review of Books, among others, he has photographed major public figures and historical events. In particular, his report-age following the September 11, 2001 terrorist attack on the World Trade Center has been featured on NBC's Today show, as well as on the BBC, History Channel, and Al Jazeera, and his images have been included in the 9/11 Memorial and Museum's archives. His work covering the pandemic lockdown in New York City has been acquired by the U.S. Library of Congress, whose collection holds work by such great Depression-era documentarians as Walker Evans and Dorothea Lange. Besides showing at Leica galleries in New York, Washington, D.C., Boston, and London, Penman's signature street photography has appeared in international exhibitions as far afield as Venice, Berlin, and Sydney. He also tours the world teaching workshops on photography for Leica Akademie. He was recently named among the “52 Most Influential Street Photographers,” alongside such legends as Henri Cartier-Bresson, Sebastião Salgado, Diane Arbus, and Garry Winogrand. Penman's book, “Street” , published in 2019, became a best-seller and was featured at the Museum of Modern Art in New York. His most recent book “ New York Street Diaries” launched as the number one selling Street Photography book worldwide on Amazon. Website - https://philpenman.com Instagram - https://instagram.com/philpenman Street: Photographs on Amazon - https://amzn.to/3UgKJNO New York Street Diaries on Amazon - https://amzn.to/3vP0F0i  What Did You Think About This Episode? Are you a street photographer or interested in becoming one? Let us know your thoughts at our contact page - https://nerdyphotographer.com/contact - or leave a comment / send a DM on social media. We would also love to hear your photography related questions or topics you might like to hear on an upcoming episode About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his non-wedding work at https://caseyfatchettphotography.com 

Part of enjoying photography is understanding photography. What makes a “good” photo? How much of that is based on the circumstances around its creation? In this episode, we talk about looking at photography with a critical eye. Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson), Jeff on Mastodon (https://twit.social/@jeffcarlson) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn), Kirk on Mastodon (https://journa.host/@mcelhearn) Sponsor: Nitro from Gentlemen Coders Nitro is the brand new photo editor and manager from the developer of RAW Power. Designed for every photographer and every photograph, Nitro combines flexible storage options, unmatched camera support, and professional editing tools. If you liked Aperture or RAW Power, you'll love Nitro. On the editing side, Nitro includes full masking support with AI masks, gradients, and brushes. Remove dust blemishes and other imperfections using Clone and Spot Removal tools. And, just like RAW Power, you can apply raw-specific tone and tuning adjustments. Nitro gives you more control over Apple's RAW decoder than any other app. For organizing, your photos can live in Apple's Photos library or in the file system, with support for XMP sidecars and synchronizing metadata and edits with iCloud Photo Library. Nitro also supports more cameras and formats than Photos, Darkroom, or Photomator, including compressed Fujifilm raw files. And while comparing shots, synchronize pan and zoom up to 16 images at a time. Try Nitro for free for 7 days without any obligation. No subscription signup, no nonsense. Check it out at https://nitrophoto.app (nitrophoto.app). Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-163-photo-criticism)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Episode 155: Favorites from The Photo Book (https://www.photoactive.co/home/episode-155-photo-book) Fotografiska Museum, Stockholm (https://www.fotografiska.com/) Rinko Kawauchi at Fotografiska (https://stockholm.fotografiska.com/en/exhibitions/rinko-kawauchi) John Berger: Ways of Seeing (https://amzn.to/3UGRDur) Ways of Seeing website (https://www.ways-of-seeing.com/) Understanding a Photograph (https://amzn.to/3UVWnhj) Geoff Dyer: See/Saw (https://amzn.to/3K5Dgeh) The Ongoing Moment (https://amzn.to/3WxWXDc) The Street Philosophy of Garry Winogrand (https://amzn.to/3WzEDcT) Susan Sontag: On Photography (https://amzn.to/44Dt9a2) Garry Winogrand: All Things are Photographable (https://weta.org/watch/shows/american-masters/garry-winogrand-all-things-are-photographable) Miles Davis, 1958, by Dennis Stock (https://store.magnumphotos.com/products/magnum-editions-miles-davis-usa-1958) Episode 144: Wrangling Libraries with Matthieu Kopp (https://www.photoactive.co/home/episode-144-kopp) Peakto Search for Lightroom Classic: Using AI to search the contents of your photos (https://www.dpreview.com/articles/0126352152/peakto-search-for-lightroom-classic-using-ai-to-search-the-contents-of-your-photos), DPReview Snapshots: Jeff's snapshot: Peakto Search (https://cyme.io/peakto-search-plugin-lightroom/) Kirk's snapshot: Jonathan Jones: Earthly Delights: A History of the Renaissance (https://amzn.to/3QJJIeL) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

Alberto Rossetti"Vivian Maier. Il ritratto e il suo doppio"Riccione, Villa Mussolini, fino al 3 novembre 202492 scatti realizzati prima con la fotocamera Rolleiflex e poi con la Leica e alcuni video girati in Super8 trasportano idealmente i visitatori nelle strade di New York e di Chicago, dove i continui giochi di ombre e riflessi mostrano la presenza-assenza dell'artista che, con i suoi autoritratti, cerca di mettersi in relazione con il mondo circostante.Gli scatti raccontano la sua vita in totale anonimato fino al 2007, quando il suo immenso e impressionante lavoro, composto da più di centoventimila negativi, filmati Super 8mm e 16mm, diverse registrazioni audio, fotografie stampate e centinaia di rullini non sviluppati, venne scoperto in bauli, cassetti e nei luoghi più impensati da John Maloof, fotografo per passione e agente immobiliare per professione che li acquista un po' per caso, salvandoli dall'oblio e rivelando al mondo l'immenso patrimonio fotografico di Vivian Maier.In tutti questi scatti si riconosce un'incessante ricerca per dimostrare la propria esistenza, non certo per una rappresentazione edonistica, ma la disperata affermazione di sé e la fuga da un'esistenza invisibile.Grazie a quel ritrovamento una "semplice tata” è riuscita a diventare, postuma, “la grande fotografa Vivian Maier”.In tutto il suo lavoro, ci sono temi ricorrenti: scene di strada, ritratti di anonimi estranei e persone con cui potrebbe essersi identificata, il mondo dei bambini - che è stato il suo mondo per così tanto tempo - ma emerge un' evidente predilezione per gli autoritratti. Lei stessa appare in molti scatti, con una moltitudine di forme e variazioni, a tal punto da configurare una sorta di linguaggio all'interno del suo linguaggio.A differenza di Narciso, che si distrusse nella contemplazione e nell'ammirazione della propria immagine, l'interesse di Vivian Maier per il ritratto di sé è piuttosto una disperata ricerca della sua identità. Costretta in una “invisibile non-esistenza”, a causa del suo status sociale, Vivian Maier ha silenziosamente e discretamente iniziato a produrre prove irrefutabili della sua presenza in un mondo in cui sembrava non avere posto.Riflessi del suo viso in uno specchio, la sua ombra che si allunga sul terreno, il contorno della sua figura: ogni autoritratto di Vivian Maier è una affermazione della sua presenza in quel luogo particolare, in quel momento particolare. La caratteristica ricorrente che è diventata una firma nei suoi autoritratti è l'ombra.L'ombra, quel duplicato del corpo in negativo, "scolpito dalla realtà", che ha la capacità di rendere presente ciò che è assente. All'interno di questo dualismo, Vivian Maier ha giocato con il sé e con il suo doppio.E poiché una fotografia, come ha detto Edouard Boubat, è "qualcosa di strappato alla vita", nel caso di Vivian Maier, i suoi autoritratti accumulati configurano una precisa identità, che ora ha preso il suo posto in un presente perpetuo, costantemente ripetuto e sigillato dalla Storia.Vivian Maier nasce a New York, il 1 febbraio 1926, i genitori presto si separano e viene affidata alla madre, che si trasferisce presso un'amica francese, Jeanne Bertrand, fotografa professionista. Negli anni Trenta le due donne e la piccola Vivian si recano in Francia, dove vive sino ai 12 anni. Nel 1938 torna a New York e per oltre quarant'anni è solo una “tata francese” mentre, nella stanzetta messa a disposizione dalla famiglia presso cui abita, coltiva una passione immensa: la macchina fotografica Rolleiflex poggiata sul ventre, e poi la Leica davanti agli occhi. Riproduce la cronaca emotiva della realtà quotidiana.I soggetti delle sue fotografie sono persone che incontra nei quartieri degradati delle città, frammenti di una realtà caotica che pullula di vita, istanti catturati nella loro semplice spontaneità. La fotografia era il suo hobby totalizzante e ha finito per renderla una delle più acclamate rappresentanti della street photography, collocata, nella Storia della Fotografia, accanto a grandi fotografi come Diane Arbus, Robert Frank, Helen Levitt e Garry Winogrand. In tutto il suo lavoro ci sono temi ricorrenti: scene di strada, ritratti anonimi estranei e persone con cui potrebbe essersi identificata, il mondo dei bambini – che è stato il suo mondo per così tanto tempo – ma emerge una evidente predilezione per gli autoritratti. Lei stessa appare in molti scatti.La mostra esplora proprio il tema dell'autoritratto di Vivian Maier a partire dai suoi primi lavori fino alla fine del Novecento. Le sue ricerche estetiche si possono ricondurre a tre categorie chiave, che corrispondono alle tre sezioni della mostra, allestite dopo un'introduzione biografica.La prima è intitolata L'OMBRA. Vivian Maier ha adottato questa tecnica utilizzando la proiezione della propria silhouette. Si tratta probabilmente della più sintomatica e riconoscibile tra tutte le tipologie di ricerca formale da lei utilizzate. L'ombra è la forma più vicina alla realtà, è una copia simultanea. È il primo livello di una autorappresentazione, dal momento che impone una presenza senza rivelare nulla di ciò che rappresenta.Attraverso IL RIFLESSO, a cui è dedicata la seconda sezione, l'artista riesce ad aggiungere qualcosa di nuovo alla fotografia, con l'idea di auto-rappresentazione; impiega diverse ed elaborate modalità per collocare sé stessa al limite tra il visibile e l'invisibile, il riconoscibile e l'irriconoscibile. I suoi lineamenti sono sfocati, qualcosa si interpone davanti al suo volto, si apre su un fuori campo o si trasforma davanti ai nostri occhi. Il suo volto ci sfugge ma non la certezza della sua presenza nel momento in cui l'immagine viene catturata. Ogni fotografia è di per sé un atto di resistenza alla sua invisibilità.Infine, la sezione dedicata a LO SPECCHIO, un oggetto che appare spesso nelle immagini di Vivian Maier. È frammentato o posto di fronte a un altro specchio oppure posizionato in modo tale che il suo viso sia proiettato su altri specchi, in una cascata infinita. È lo strumento attraverso il quale l'artista affronta il proprio sguardo.La mostra celebra non solo il talento di una grande artista, ma invita anche il pubblico a riflettere sulla bellezza della quotidianità e sull'arte di cogliere l'effimero. È a disposizione di tutti i visitatori una utilissima audioguida che accompagna il percorso espositivo.La straordinaria mostra, curata da Anne Morin con Alberto Rossetti, è promossa dal Comune di Riccione e organizzata da Civita Mostre e Musei in collaborazione con diChroma photography e Rjma Progetti Culturali.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Anton Kartavykh was born in Ukraine (when it was still part of the Soviet Union) and moved to Germany with his parents when he was nine. He grew up in both worlds, which makes up part of his vision of the world today and try's to reflect some of this in his work. At approximately 25 years of age, he accidentally fell in love with analog photography and found great inspiration in the work of the masters like Henri Cartier-Bresson, Garry Winogrand, Martin Parr and many others. Over the years he developed his own style of street photography which leans towards the classics of the genre. To this day he predominantly works in black and white adopting a hybrid analog process, developing and scanning his films at home. To see more of Anton's work, you can visit his Instagram profile by clicking on the link below... Instagram:⁠⁠⁠⁠ Anton Kartavykh (@anton_krtvkh) • Instagram photos and videos If you like what you hear, please take a moment to follow and give the show a 5 ***** rating so that I may continue to bring you more content on a regular basis. New episodes are released on Fridays. We would like to thank our sponsors for this episode, Due North Leather Goods Co. makers of the finest hand-crafted camera straps! You can see their work at... ⁠⁠⁠⁠⁠⁠⁠⁠Leather Camera Straps Shop | Buy Handmade Camera Straps – Due North Leather Goods⁠⁠⁠⁠⁠⁠⁠⁠ Please make sure to visit The Street Photography Show Instagram account where you can stay further engaged and check out the IG bio. for all links including The Film Photography Facebook Group. ⁠⁠⁠⁠⁠⁠⁠⁠The Street Photography Show (@thestreetphotographyshow) • Instagram photos and videos⁠⁠⁠⁠⁠⁠⁠⁠ Thanks so much! And remember, keep walking and keep clicking!

Pour ce nouvel épisode, j'ai le plaisir d'accueillir Tristan Rousseau, aka Tritsy1 sur les réseaux sociaux, photographe de rue et co-fondateur de Street Photo France. 1 an après l'épisode avec Jim, j'avais envie de reparler de photo rue pour partager mon évolution mais aussi découvrir d'autres visions et pratiques secrètes. J'ai profité du passage de Tristan sur Lyon, venu pour des tournages avec Street Photo France, pour apprendre à le connaitre, en lui posant des questions sur sa pratique et sa façon de voir et faire de la street photo. On a ensuite répondu à vos questions sur la photo de rue, en partageant nos avis et nos diverses expériences. On a aussi parlé de l'aspect communautaire de la photo et tout particulièrement de son envie de fédérer et promouvoir la photo rue et les photographes français avec le collectif Street Photo France. Collectif qui se présente aujourd'hui par une chaîne YouTube, un Discord et une page Instagram. Un épisode bien fourni mais promis on ne s'ennuie pas une seconde ! Le Discord : https://discord.com/invite/cXnzBrqTDy La chaîne YouTube : https://www.youtube.com/@streetphotofra Le crew de Street Photo France : Thierry Maignan, Alex Dinaut, Delphine, Tristan Rousseau Les photographes cités : Martin Parr, La Melancolia, Joel Meyerowitz, Saul Leiter, Joe Greer, Paulie B, Sarah Van Rij, Garry Winogrand, Andre D. Wagner, Reuben Radding, Alex Webb, Genaro Bardy, Hugo Loupy, Paul Harrison 00:00 • Intro et présentation de Tristan 02:00 • Comment ça va vraiment ? 04:00 • Qu'est-ce que la street photo pour toi ? Comment la pratiques-tu ? 06:00 • Est-ce qu'une photo prise dans la rue est nécessairement une photo de rue ? 07:45 • Comment es-tu arrivé à faire de la street photo ? 09:00 • La ville a-t-elle un impact sur la pratique ? 12:00 • Comment rester créatif dans une ville qu'on connait par cœur ? 15:00 • Qu'est-ce que tu aimerais améliorer dans ta pratique ? Comment évolue-t-on ? 20:00 • Qu'est-ce que tu utilises comme matériel, comment ça a évolué avec le temps, qu'est-ce que ça apporte à ta photo ? 31:00 • Depuis combien de temps cette pratique existe ? Des références qui nous inspirent ? 37:00 • Plutôt couleur ou noir et blanc ? 41:00 • Qu'est-ce qu'une “bonne” photo de rue ? Le sujet, le cadrage, l'intention ? 51:00 • Est-ce qu'il faut informer les gens qu'on prend en photo ? 54:00 • Est-ce ok de suivre des gens ? 58:00 • Les différentes “techniques” en street-photo, comment être discret ? 01:04:00 • Comment passer le cap ? Comment passer au dessus du stress de prendre des gens en photo ? Comment oser ? 01:07:00 • Comment gérer le droit à l'image ? Quelles sont les règles ? 01:11:00 • Avons-nous déjà eu de mauvaises expériences ? 01:17:00 • Qu'est-ce qui attire votre regard dans la rue ? Est-ce qu'il évolue avec la pratique ? 01:19:00 • En quête de l'extraordinaire au milieu du banal ou rendre remarquable l'ordinaire ? 01:25:00 • Une photo que nous aimons particulièrement et pourquoi ? 01:30:00 • Le projet Street Photo France, comment s'est-il construit, quel est le but, qu'est-ce que cela comprend aujourd'hui ? 01:36:00 • Comment le projet va évoluer ? Des idées déjà ? Des choses à nous partager ? 01:40:00 • Un conseil à donner / un mot de la fin ? Merci Tristan pour cet échange précieux et passionnant ! Ma pratique a déjà changé rien qu'avec notre échange et j'ai hâte de mettre en pratique tout ça ! Pochette de l'épisode par Léo Rivoiron. Merci à toutes et à tous pour vos écoutes et vos retours. À très vite avec un nouvel épisode, Prenez soin de vous. Lots of love, Elise ❤️

In 1989, a month before his fourth birthday, the artist and photographer Trent Davis Bailey (our host, Spencer Bailey's, identical twin brother) lost his mother in the crash-landing of United Airlines Flight 232 in Sioux City, Iowa. Now 38 and a husband and father, Bailey is at work on “Son Pictures,” an ongoing series of photographs piecing together fragments of his family's past, including details of his mother's life and the relationship he was never able to develop with her. Leading him to take deep-dives into newspaper and family photo archives, and from Colorado to Iowa to the Adirondacks, the project serves as a microcosm of Bailey's intensely personal and place-based body of work, which continually seeks to unearth the tangled roots of his identity. This summer, Bailey's first-ever solo museum exhibition, “Personal Geographies,” opened at the Denver Art Museum, and this fall he will release the corresponding project, “The North Fork,” in book form. Bailey is also currently at work on “Son Pictures,” an ongoing series of photographs piecing together fragments of his family's past, part of which was recently published as a New York Times op-ed titled “What a Motherless Son Knows About Fatherhood.” Leading him to take deep-dives into newspaper and family photo archives, and from Colorado to Iowa to the Adirondacks, “Son Pictures” On this episode—his and Spencer's first formal “twinterview,” recorded on their 38th birthday—Bailey talks about what it was like to grow up as an identical twin; his unusual and decidedly dysfunctional upbringing; photography as a device for commemoration; and his deep pictorial explorations of the climates, geographies, and landscapes of the American West.Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes: [00:28] Trent Davis Bailey[09:58] “The North Fork” [10:02] “Personal Geographies” at the Denver Art Museum[10:12] “What a Motherless Son Knows About Fatherhood” [10:18] “Son Pictures”[11:54] Paonia, Colorado[17:37] Elsewhere Studios[20:10] California College of the Arts[20:22] Museum of Contemporary Photography's Snider Prize[20:28] Robert Koch Gallery[22:34] The Sublime[22:38] Shaun O'Dell[23:52] The Hotchkiss Crawford Historical Museum/Society[26:42] Robert Frank[26:53] Stephen Shore[26:55] Joel Sternfeld[28:27] “A Kingdom From Dust”[28:32] The California Sunday Magazine[28:36] Stewart Resnick[28:49] “Who Keeps Buying California's Scarce Water? Saudi Arabia”[36:40] Rebecca Solnit[37:00] “How Rebecca Solnit Became the Voice of the Resistance”[37:30] Wanderlust: A History of Walking[39:11] River of Shadows: Eadweard Muybridge and the Technological Wild West[45:43] United Airlines Flight 232[45:46] Spencer Bailey Reflects on the Crash-Landing of United Airlines Flight 232[45:56] Sioux City, Iowa[46:02] Frances Lockwood Bailey[56:42] International Center of Photography[56:47] Anderson Ranch Arts Center[56:57] Alex Webb and Rebecca Norris Webb[59:55] Robert Frank “The Americans” Exhibition at the Met[01:01:40] “Alex Webb: The Suffering of Light”[01:02:53] Harry Gruyaert[01:03:02] Helen Levitt[01:03:04] Garry Winogrand's “The Animals”[01:08:10] Lake Placid, New York[01:14:24] Brooklyn Darkroom

We discuss the legendary Garry Winogrand and his style, influence on today's street photography, whether or not he's been pigeonholed, controversies, his photographic peers and more!

Photography matters, writes Jerry Thompson, because of how it works--not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. In Why Photography Matters, he constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote "Tell all the Truth but tell it slant") to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way. Jerry L. Thompson is a working photographer who also writes about photography. He worked as Walker Evans's principal assistant from 1973 to Evans's death in 1975. He is the author of The Last Years of Walker Evans and Truth and Photography. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Photography matters, writes Jerry Thompson, because of how it works--not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. In Why Photography Matters, he constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote "Tell all the Truth but tell it slant") to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way. Jerry L. Thompson is a working photographer who also writes about photography. He worked as Walker Evans's principal assistant from 1973 to Evans's death in 1975. He is the author of The Last Years of Walker Evans and Truth and Photography. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Photography matters, writes Jerry Thompson, because of how it works--not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. In Why Photography Matters, he constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote "Tell all the Truth but tell it slant") to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way. Jerry L. Thompson is a working photographer who also writes about photography. He worked as Walker Evans's principal assistant from 1973 to Evans's death in 1975. He is the author of The Last Years of Walker Evans and Truth and Photography. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Photography matters, writes Jerry Thompson, because of how it works--not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. In Why Photography Matters, he constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote "Tell all the Truth but tell it slant") to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way. Jerry L. Thompson is a working photographer who also writes about photography. He worked as Walker Evans's principal assistant from 1973 to Evans's death in 1975. He is the author of The Last Years of Walker Evans and Truth and Photography. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Hey! Så er Fotografiske Signaler tilbage - og igen ude på vandring med mikrofon og kamera. Denne gang har Adam taget turen til Aarhus for at gå en tur langs havnen og fotografere. Det handler rigtig meget om inspiration. Fordi vi som fotografer tit glemmer, at det at fotografere i høj grad handler om at se. Ikke kun på verden - men også på andres billeder. Finde inspiration i det som andre har gjort før os. Og i denne episode handler det især om Garry Winogrand og William Eggleston - og hvordan deres, ekstremt produktive, fotografiske oeuvre kan inspirere os. Links: Wikipedia Garry Winogrand Eggleston Foundation (med masser af billeder) Og husk at du kan finde blogpost med alle billederne på fotografikurser.dk Som lovet i episoden er her link til Slack-workspace: https://join.slack.com/t/slack-ihw6063/shared_invite/zt-1xaphbxhs-fduwyIs_wH5o2EWx4q2CiA - kom frisk - alle er velkomne så længe tonen er god. --- Send in a voice message: https://podcasters.spotify.com/pod/show/fotografiskesignaler/message

La fotógrafa Isabel Azkarate es una de las pioneras del fotoperiodismo en España. Estudió en Nueva York a las órdenes de la gran (y exigente) Lisette Model, fue fotógrafa oficial del Festival de San Sebastián donde, por una vez se dejó fotografiar nada más y nada menos que por el director de cine Roman Polanski, cubrió la inolvidable visita de la entonces ya muy enferma Bette Davis, fotografió también los estragos del terrorismo en Euskadi durante una de las épocas más sangrientas de ETA y capturó la vida y las gentes que habitan las calles de Nueva York. Con Isabel hablamos de su obra, de sus experiencias y anécdotas y de lo que la fotografía hs supuesto en su vida. En Noviembre, el espacio Tabakalera de Donostia acogerá una retrospectiva con sus mejores fotos, algunas de ellas inéditas. En nuestra sección hablamos del fotógrafo de calle Garry Winogrand y su trabajo "Women are beautiful". Presentado por Leire Etxazarra e Inma Barrio.

Alessia Tagliaventi"Colpo d'occhio"Le fotografie fanno coseContrastohttps://contrastobooks.com/Un libro delle meraviglie, pensato per giovani occhi, per conoscere la fotografia, osservare la realtà con sguardo diverso e giocare con le immagini.Ogni pagina sarà un invito a una scoperta, a un viaggio, a una conversazione con le foto. Giochiamo a osservarle, scoprire i dettagli, scovare le domande che ci pongono, chiederci perché ci piacciono o non ci piacciono.Colpo d'occhio. Le fotografie fanno cose di Alessia Tagliaventi è un libro ricco di immagini, diverse sorprese e molte storie di fotografia per giovani occhi.Le immagini ci parlano, scovano i dettagli più nascosti della realtà, ci pongono domande, sono ambigue perché non si svelano mai fino in fondo, permettendoci così di immaginare anche quello che non dicono. Le fotografie possono fare tante cose: ci emozionano, ci fanno riflettere, ci divertono, stimolano la fantasia e la curiosità, ci portano indietro nel tempo e lontano nello spazio, ci invitano a inventare storie. Suddiviso in quattro sezioni (Personaggi, Luoghi, Oggetti, Animali), il volume presenta una straordinaria serie di immagini di grandi fotografi e fotografe, da Elliott Erwitt a Luigi Ghirri, da Garry Winogrand a Helen Levitt fino ad Alex Webb tra gli altri. Ogni immagine è accompagnata da un breve testo di Alessia Tagliaventi che la racconta e guida nella lettura, evidenziandone gli aspetti principali, ponendo domande e dando spunti per la possibile creazione di storie sempre nuove.Al libro è allegato un cartoncino con un foro, da usare come una cornice per entrare nell'immagine, giocando a cercare i dettagli che più incuriosiscono, oppure per osservare il mondo alla ricerca di possibili nuove inquadrature. Un'educazione all'arte della fotografia in modo interattivo che stimola ad allenare lo sguardo e aggiungere il proprio punto di vista ai diversi sguardi sulla realtà. La fotografia può raccontare storie, mostrare il mondo, ma anche inventarlo. Un libro per conoscere, approfondire e prendere spunto per ideare storie, guardarsi intorno e, perché no, cominciare a fotografare quello che ci colpisce. Alessia Tagliaventi è editor, curatrice, e docente di Storia della Fotografia. Per Contrasto ha seguito numerosi progetti editoriali ed è autrice di pubblicazioni e saggi critici sul linguaggio fotografico. È stata anche coautrice, con Michele Smargiassi, dei fascicoli Maestri di fotografia, in abbinamento con La Repubblica e National Geographic. Attualmente insegna presso l'Istituto Europeo di Design di Roma.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

Thomas Jackson was born in Philadelphia, Pennsylvania and grew up in Providence, Rhode Island. After earning a B.A. in History from the College of Wooster, he spent his early career in New York City working first in book publishing, then as an editor and writer at Forbes Life magazine. An interest in photography books eventually led him to pick up a camera, shooting Garry Winogrand-inspired street scenes, then landscapes, and finally the installation work he does today. A self-taught artist, Jackson has created a unique process that merges landscape photography, sculpture and kinetic art. His work has been shown widely, including at The Photography Show (AIPAD) in New York, the Center for Contemporary Arts in Sante Fe and the Bolinas Museum in Bolinas, CA. Jackson was named one of the Critical Mass Top 50 in 2012, won the “installation/still-life” category of PDN's The Curator award in 2013 and earned second place in CENTER's Curator's Choice Award in 2014. Sound and Vision is sponsored by Golden Artist Colors, Fulcrum Coffee Roasters and the New York Studio School. Get the SOUND & VISION podcast book 'WHY I MAKE ART' here: https://atelier-editions.com/products/why-i-make-art

We discuss: - his dog Polar Bear - being a professor - generalist versus specialisation - commodities trading - building relationships - collecting photography - difficulties of running a gallery - publishing a book - editing your work - portfolio reviews - estate planning - photographic editions - editions as a marketing tool - the concept of rarity - the benefits of scarcity - the importance of listening to advice     https://www.phhfineart.com       People + Places mentioned: - Artist Salary in Ireland - https://www.thetimes.co.uk/article/2-000-irish-artists-will-get-state-salaries-we-should-do-the-same-here-pqw3gf2qv - Helen Denerley - https://helendenerley.co.uk - John Richardson - https://www.penguinrandomhouse.com/authors/25479/john-richardson - Philadelphia Museum of Art - https://philamuseum.org - Henry McIlhenny - https://www.philamuseum.org/pma_archives/ead.php?c=HPM&p=hn - Rhodes Scholarship - https://www.rhodeshouse.ox.ac.uk/scholarships/the-rhodes-scholarship/ - Rhode Island School of Design (RISD) - https://www.risd.edu - Bruce Weber - https://www.bruceweber.com - Vanity Fair - https://www.vanityfair.com - Joel-Peter Witkin - https://www.instagram.com/joelpeterwitkinstudio - Duane Michals - https://www.dcmooregallery.com/artists/duane-michals - Tina Barney - https://www.kasmingallery.com/artist/tina-barney - Greg Gorman - https://www.gormanphotography.com - David Bailey - https://www.instagram.com/bailey_studio - Nancy Burson - https://www.nancyburson.com - Ellen Carey - http://www.ellencareyphotography.com - Eileen Cowin - https://www.eileencowin.com - David Hiscock - https://www.davidhiscock.com - Marcus Leatherdale - http://www.marcusleatherdale.com - David Lebe - https://www.davidlebe.com - Deborah Turbeville - https://aperture.org/editorial/deborah-turbeville-collages/ - Neil Winokur - http://www.neilwinokur.com - Henri Cartier-Bresson - https://www.moma.org/collection/works/98333 - Robert Doisneau - https://aboutphotography.blog/blog/the-kiss-by-the-htel-de-ville-by-robert-doisneau - Ruth Orkin - https://www.orkinphoto.com/photographs/american-girl/ - Frank Horvat - https://www.horvatland.com - Richard Misrach - https://fraenkelgallery.com/artists/richard-misrach - David Levinthal - https://davidlevinthal.com - Ryan McGinley - https://ryanmcginley.com - Christopher Bucklow - https://www.chrisbucklow.com - Victor Skrebneski - https://www.holdenluntz.com/artists/victor-skrebneski/ - Helmut Newton - https://helmut-newton-foundation.org - Richard Avedon - https://www.avedonfoundation.org - Nick Waplington - http://nickwaplington.co.uk - Bill Jacobson - https://www.billjacobsonstudio.com - Adam Fuss - https://www.instagram.com/adamfussstudio - Susan Derges - https://www.susanderges.com - Garry Fabian Miller - https://www.garryfabianmiller.com - Andrew Fladeboe - http://www.andrewfladeboe.com - W.M. Hunt (Bill Hunt) - https://www.wmhunt.com - Elton John - https://www.eltonjohn.com/stories/eltons-photography-collection-now-on-display-at-tate-modern - Michael Wilson - https://www.theguardian.com/artanddesign/2017/feb/28/photography-collectors-michael-g-wilson-harriet-logan - Photographers + Friends United Against AIDS - https://archives.nypl.org/mss/3632 - Garry Winogrand - https://fraenkelgallery.com/artists/garry-winogrand - Vivian Maier - http://www.vivianmaier.com - AIPAD - The Association of International Photography Art Dealers - https://aipad.com - Ansel Adams - https://www.anseladams.com - Harry Lunn - https://oac.cdlib.org/findaid/ark:/13030/c8571cr8/entire_text/ - Andreas Gursky - https://www.andreasgursky.com - Roberto De Luna - https://www.phhfineart.com/exhibitions-1/roberto-de-luna-facing-west-from-californias-shores-2007       Audio engineering by Mickey at CushAudio Services Music by Peat Biby

We discuss: - his dog Polar Bear - being a professor - generalist versus specialisation - commodities trading - building relationships - collecting photography - difficulties of running a gallery - publishing a book - editing your work - portfolio reviews - estate planning - photographic editions - editions as a marketing tool - the concept of rarity - the benefits of scarcity - the importance of listening to advice     https://www.phhfineart.com       People + Places mentioned: - Artist Salary in Ireland - https://www.thetimes.co.uk/article/2-000-irish-artists-will-get-state-salaries-we-should-do-the-same-here-pqw3gf2qv - Helen Denerley - https://helendenerley.co.uk - John Richardson - https://www.penguinrandomhouse.com/authors/25479/john-richardson - Philadelphia Museum of Art - https://philamuseum.org - Henry McIlhenny - https://www.philamuseum.org/pma_archives/ead.php?c=HPM&p=hn - Rhodes Scholarship - https://www.rhodeshouse.ox.ac.uk/scholarships/the-rhodes-scholarship/ - Rhode Island School of Design (RISD) - https://www.risd.edu - Bruce Weber - https://www.bruceweber.com - Vanity Fair - https://www.vanityfair.com - Joel-Peter Witkin - https://www.instagram.com/joelpeterwitkinstudio - Duane Michals - https://www.dcmooregallery.com/artists/duane-michals - Tina Barney - https://www.kasmingallery.com/artist/tina-barney - Greg Gorman - https://www.gormanphotography.com - David Bailey - https://www.instagram.com/bailey_studio - Nancy Burson - https://www.nancyburson.com - Ellen Carey - http://www.ellencareyphotography.com - Eileen Cowin - https://www.eileencowin.com - David Hiscock - https://www.davidhiscock.com - Marcus Leatherdale - http://www.marcusleatherdale.com - David Lebe - https://www.davidlebe.com - Deborah Turbeville - https://aperture.org/editorial/deborah-turbeville-collages/ - Neil Winokur - http://www.neilwinokur.com - Henri Cartier-Bresson - https://www.moma.org/collection/works/98333 - Robert Doisneau - https://aboutphotography.blog/blog/the-kiss-by-the-htel-de-ville-by-robert-doisneau - Ruth Orkin - https://www.orkinphoto.com/photographs/american-girl/ - Frank Horvat - https://www.horvatland.com - Richard Misrach - https://fraenkelgallery.com/artists/richard-misrach - David Levinthal - https://davidlevinthal.com - Ryan McGinley - https://ryanmcginley.com - Christopher Bucklow - https://www.chrisbucklow.com - Victor Skrebneski - https://www.holdenluntz.com/artists/victor-skrebneski/ - Helmut Newton - https://helmut-newton-foundation.org - Richard Avedon - https://www.avedonfoundation.org - Nick Waplington - http://nickwaplington.co.uk - Bill Jacobson - https://www.billjacobsonstudio.com - Adam Fuss - https://www.instagram.com/adamfussstudio - Susan Derges - https://www.susanderges.com - Garry Fabian Miller - https://www.garryfabianmiller.com - Andrew Fladeboe - http://www.andrewfladeboe.com - W.M. Hunt (Bill Hunt) - https://www.wmhunt.com - Elton John - https://www.eltonjohn.com/stories/eltons-photography-collection-now-on-display-at-tate-modern - Michael Wilson - https://www.theguardian.com/artanddesign/2017/feb/28/photography-collectors-michael-g-wilson-harriet-logan - Photographers + Friends United Against AIDS - https://archives.nypl.org/mss/3632 - Garry Winogrand - https://fraenkelgallery.com/artists/garry-winogrand - Vivian Maier - http://www.vivianmaier.com - AIPAD - The Association of International Photography Art Dealers - https://aipad.com - Ansel Adams - https://www.anseladams.com - Harry Lunn - https://oac.cdlib.org/findaid/ark:/13030/c8571cr8/entire_text/ - Andreas Gursky - https://www.andreasgursky.com - Roberto De Luna - https://www.phhfineart.com/exhibitions-1/roberto-de-luna-facing-west-from-californias-shores-2007       Audio engineering by Mickey at CushAudio Services Music by Peat Biby

Hoy no hay invitado, o mejor dicho, hoy vosotras y vosotros sois mis invitados a la mesa de Calle Oscura, la que hay bajo la bombilla de la carátula del podcast. Y es que que siguiendo vuestras sugerencias me he dejado liar y excepcionalmente en este episodio soy yo quien contesta a vuestras preguntas. Soy un tanto reacio a hablar de mi trabajo y de mis procesos porque prefiero escuchar y aprender de los demás, pero a juzgar por el número de preguntas recibidas a vosotros sí os interesa saber qué pienso, así que voy a olvidarme durante un rato de mis prejuicios y a tratar de transmitiros mis reflexiones en todo aquello que me habéis trasladado. Ojalá os sirva para algo y no os aburráis de escucharme solo a mí durante un buen rato. Hoy, en Calle Oscura, vosotras y vosotros preguntáis y yo contesto. En este episodio hablamos de - Lo que nuestras fotos pueden enseñarnos de nosotros mismos. - La dificultad de fotografiar en tu ciudad (y cómo abordarla). - El miedo a la repetición. - Crisis creativas y cómo enfrentarnos a ellas. - La foto de calle como la búsqueda solo de imágenes impactantes. - Que la fotografía nos salva de unas cosas y nos quita otras. - Fotos sueltas y proyectos. - Los retos de la formación y la comunicación. - La montaña rusa de trabajar en lo que te gusta. - Esperar a que sea el momento… Y de algunas (bastantes) cosas más que me habéis trasladado. Quién os acompaña Permitidme que, como si fuese un invitado más, os haga un pequeño resumen de mi vida hasta hoy, sobre todo para dar un poco de contexto a mis respuestas. Nací en 1976 en A Gudiña, un pequeño pueblo arrinconado en extremo sureste de Galicia. Bueno, en realidad me llevaron a nacer desde allí a Ourense, la capital de la provincia, pero siempre me he sentido más de aquel lugar y de Tameirón, el pueblo de mis abuelos maternos, que vivían al final de Calle Oscura. Estudié Físicas y en 2011, mientras trabajaba en una fábrica de paneles solares, arranco un blog que entonces se llama Rubixephoto para retomar y dar continuidad a mi amor por la imagen. En 2013 comienzo a dar talleres y descubro, contra todo pronóstico, que me encanta enseñar. Eso provoca que un año después, cuando me despiden de mi puesto, decida apostarlo todo a vivir de lo que de verdad me apasiona: compartir lo que voy aprendiendo de Fotografía. Una cosa lleva a la otra y en 2019 arranco mi gran proyecto, El Club de Fotografía Callejera (https://jotabarros.com/club-fotografia-callejera/). A esto le siguen un libro, Fotografía de Calle, publicado en 2020 y este podcast, lanzado a finales del mismo año. Referencias y enlaces Autores - Bernard Plossu. - Duane Michaels. - Garry Winogrand (y el curso que le hemos dedicado en El Club: https://jotabarros.com/curso/monografico-garry-winogrand/). - Paul Graham. Trabajos - Surbanalisme, de Plossu. (https://amzn.to/3ocvNj0) Gracias por tu escucha Si te ha gustado este capítulo de Calle Oscura deja tu valoración positiva en Ivoox, Apple Podcast y Spotify, donde también puedes encontrar el podcast. No olvides suscribirte a través de cualquiera de esas plataformas para no perderte ningún episodio. Por favor, comparte este contenido entre tus redes para que llegue a más gente, puede suponer una gran diferencia. Y ahí abajo tienes los comentarios, para seguir conversando sobre los temas abordados. Muchas gracias por estar ahí, al otro lado. Muy pronto, más episodios de Calle Oscura. Mientras tanto… Nos vemos en las calles! Jota.

Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie. Ce podcast a été auto-produit. Pour nous soutenir : https://visionspodcast.fr/nous-soutenir/        Une voix douce, posée, qui semble remplie de sagesse. Cyrille Weiner aime prendre son temps. Principalement quand il réalise ses différents projets depuis le début des années 2000, mais aussi dans ses propos, souvent mûrement réfléchis. J'enregistre ce podcast dans son studio, en proche banlieue parisienne. En arrivant, j'aperçois en premier lieu plusieurs éléments : quelques tables, des écrans calibrés, signe d'un travail précis, et des étagères remplies de livres très graphiques. Nous commençons l'enregistrement avec la description d'une photo tirée de Jour de fêtes, un projet qui interroge la porosité entre le décor et le paysage et qui projette le spectateur dans une atmosphère où la limite entre réalité et fiction est troublée. Un prologue intéressant pour comprendre son travail.      Né en 1976 et diplômé de l'École Nationale Supérieure Louis Lumière, Cyrille Weiner vit et travaille à Paris. Un vrai Parisien en somme. Son travail a été publié par de nombreux magazines internationaux (M le Monde, Foam, British Journal of Photography, Artpress, l'Architecture d'Aujourd'hui, Domus…) et exposé à la Bibliothèque Nationale de France (Paysages Français, 2018), au musée d'Art Contemporain de Lyon (La région humaine, 2006), aux Rencontres d'Arles (L'impensé, 2010), à la Villa Noailles à Hyères (Presque île, 2009), à la galerie parisienne Salle Principale (Notre-Dame-des-Landes ou le métier de vivre, 2018).   Pour définir son travail, nous allons nous référer à sa biographie, qui est disponible sur son site. Au croisement du poétique et du politique, de l'art et du documentaire, Cyrille observe des expériences d'individus qui résistent et échappent aux espaces et aux modes de vie normalisés. Ses photos explorent le rapport que nous entretenons à la ville – notamment dans ses marges, ses interstices et ses lieux en transformation – et nos manières d'habiter l'espace.   Les sujets du paysage, de l'architecture et de l'humain sont associés dans des enquêtes précises menées sur les lieux. Se demandant obstinément comment les individus peuvent prendre prise sur leurs lieux de vie, à distance des directives venues « d'en haut », le photographe quitte peu à peu le registre documentaire pour proposer un univers traversé par la fiction, qu'il met en scène par des expositions, des projets éditoriaux et des installations.   Dans ce podcast, nous évoquons plusieurs sujets. Par exemple, son rapport au temps, qui est essentiel. Il l'affirme d'ailleurs lui-même dans le podcast : « ce qui peut me caractériser par rapport à d'autres photographes qui s'intéressent aussi au paysage, c'est que c'est plus souvent la notion de la temporalité des lieux que la notion d'espace qui m'intéresse. ». Il nous parle de ses (très !) nombreuses références : d'une photographie plus posée, mais aussi de la photographie de rue, en passant par la photographie de l'intime. Je lui pose différentes questions : quel est son rapport avec le réel, le tangible ? Qu'est-ce qui l'intéresse dans la transition, dans la mutation et finalement dans le côté éphémère d'un lieu ? Il y répond, en tâtonnant parfois, comme dans le noir, mais avec, paradoxalement, une certaine assurance. Enfin, nous évoquons ses différents projets, ceux qui ont marqué sa carrière ses dernières années : Twice, Le ban des utopies, Avenue Jenny, La fabrique du pré. Bref, un podcast long, qui se déguste peu à peu ou bien qui s'engloutit d'un trait. Selon votre sensibilité. En tous les cas, nous vous souhaitons une très belle écoute.   Pour aller plus loin  Playtime - Jacques Tati, Stalker - Andreï Tarkovski, Wim Wenders, Bruce Davidson - East 100th Street, Garry Winogrand, Jean-Marc Bustamante, Gabriele Basilico, Walker Evans, Stephan Shore, William Eggleston, Lewis Baltz, Thomas Ruff, Christophe Bourguedieu, Patrick Faigenbaum, Tango Photo, Francis Alÿs, Groupe Stalker, Patrick Bouchain, Gregory Lacoua, Marguerite Pilven, Fabrice Vacher, Jean Pottier, Rogedes Prés.   Liens  https://www.instagram.com/cyrilleweiner/  https://cyrilleweiner.com/fr/  https://www.instagram.com/podcastvisions/    https://www.visionspodcast.fr/   

Hay grandes fotógrafos y hay quien tiene la capacidad de hablar de la fotografía de tal manera que no te queda más remedio que enamorarte perdidamente de ella. Además de reunir esas dos condiciones tan escasas, mi invitado de hoy logra capturar una luz que parece que solo ve él. Hablaremos, entre otras cosas, de que fotografiar es quitar, sustraer; tiene todo el sentido, porque hay tanto de lo que me gustaría charlar con él, que al preparar mis notas lo más difícil ha sido precisamente dejar fuera preguntas, y quizás reservarlas para cuando, al fin, nos conozcamos en persona. En este episodio hablamos de - La Fotografía como oficio. - La importancia de estar. - Que la Fotografía es una construcción. - Y que no es la realidad, ni falta que hace. - Viajar solo para que sucedan otras cosas. - Cómo las palabras pueden contaminar las imágenes. - Y de que estas, las imágenes, viven en nuestra cabeza. - Que menos es – siempre – más. - Lo que hace a un fotógrafo. - Que lo realmente importante – en fotografía – es cómo (y no qué)… Y de, claro, muchas otras cosas que fuimos encontrando en el camino. Quién me acompaña José Manuel Navia nace en Madrid en 1957, descubre la fotografía siendo un niño y se fascina con la magia del cuarto oscuro gracias a un curso por correspondencia que le regala su madre. Comienza a trabajar como fotógrafo muy joven en una editorial de libros educativos. De ahí pasa a colaborar con la agencia Cover, donde aprende a contar historias con imágenes, y posteriormente se integra en la agencia VU´. Es free lance desde 1987, año en el que gana el Fotopress, el primero de muchos premios y reconocimientos. Combina su labor docente con la publicación en grandes medios y el desarrollo de proyectos que aúnan literatura y fotografía y que se encarnan en libros como Nóstos, Miguel de Cervantes o el deseo de vivir y Alma Tierra por citar solo algunos de los últimos. Encuentra a mi invitado y profundiza en sus proyectos en la completísima web de José Manuel Navia. (https://jmnavia.blogspot.com/). Hace un tiempo dediqué una entrada a recopilar recursos para aprender de y con él (https://jotabarros.com/aprende-de-jose-manuel-navia/). Referencias y enlaces Autores - André Kertész (https://jotabarros.com/analisis-fotografia-calle-street-photography-andre-kertesz-paris-1963/). - Cristina García Rodero (https://jotabarros.com/transtempo-la-galicia-de-cristina-garcia-rodero/). - Diane Arbus. - Dorothea Lange. - Eugène Atget. - Eugene W. Smith. - Garry Winogrand (https://jotabarros.com/mejora-aprende-fotografia-calle-street-photography-garry-winogrand/). - Henri Cartier-Bresson (tienes un curso monográfico dedicado a Cartier-Bresson en El Club de Fotografía Callejera: https://jotabarros.com/curso/monografico-henri-cartier-bresson/). - Jordi Socías. - Lisette Model. - Paul Strand. - Robert Doisneau. - Robert Frank. (https://jotabarros.com/robert-frank-el-testigo-incomodo/) - Saul Leiter (en EL Club también hay un curso monográfico sobre el gran Saul Leiter: https://jotabarros.com/curso/monografico-fotografia-callejera-saul-leiter/) - Stephen Shore. - William Eggleston (https://jotabarros.com/analisis-fotografia-callejera-william-eggleston-cassidy-bayou-1969/). Trabajos - Lección de Fotografía, Stephen Shore. (https://jotabarros.com/libro-leccion-fotografia-stephen-shore/) - Cuenca en la Mirada, de Navia (https://jotabarros.com/libro-fotografia-calle-cuenca-en-la-mirada-jose-manuel-navia/). - Lusofonías, José Manuel Navia (https://jotabarros.com/libro-fotografia-pisadas-sonambulas-lusofonias-jose-manuel-navia-fabrica/). - Miguel de Cervantes o el Deseo de Vivir, José Manuel Navia (https://jotabarros.com/libro-fotografia-miguel-cervantes-deseo-vivir-jose-manuel-navia/). - Nóstos, José Manuel Navia (https://jotabarros.com/libro-fotografia-nostos-jose-manuel-navia/). - Sixty Years of Photographs, Paul Strand (https://amzn.to/3wt4hRx). - The Americans, Robert Frank. (https://jotabarros.com/the-americans-los-americanos-de-robert-frank/) Gracias por tu escucha. Si te ha gustado este capítulo de Calle Oscura, deja tu valoración positiva en Ivoox, Apple Podcast y Spotify, donde también puedes encontrar este podcast. No olvides suscribirte a través de cualquiera de esas plataformas para no perderte ningún episodio. Por favor, comparte este contenido entre tus redes para que llegue a más gente, puede suponer una gran diferencia. Y ahí abajo tienes los comentarios, para seguir conversando sobre los temas abordados con Navia. Muchas gracias por estar ahí, al otro lado. Muy pronto, nuevo episodio del podcast. Mientras tanto… Nos vemos en las calles! Jota.

L'idée de faire un podcast en anglais nous traversait l'esprit depuis longtemps. Sauf cas particulier (l'enregistrement à distance du podcast d'Arnaud Montagard, un photographe français basé à New-York), nous avions pour le moment toujours privilégié un enregistrement « physique », d'humain à humain, notamment pour la qualité du son et la richesse de la rencontre. Lors de différents sondages sur Instagram, plusieur s personnes nous ont soufflé le nom de Christopher Anderson. Et nous avons eu la bonne surprise de découvrir qu'il habitait à Paris, avec sa femme Marion et ses enfants. L'occasion était rêvée et nous l'avons saisie, tout simplement. Nous vous souhaitons de prendre un plaisir équivalent à celui-que nous avons eu en le réalisant. Bonne écoute !   N.B. Nous avons gardé le podcast en version originale (en anglais donc). Pour les Français qui ne parlent pas du tout anglais et qui voudraient suivre le podcast, nous avons traduit le podcast à l'écrit grâce à l'aide précieuse d'Emma et de Coline, deux auditrices que nous remercions vivement.   Voici cette traduction : http://urlr.me/NkYjr      Christopher Anderson est un photographe que l'on ne présente plus. Mais nous allons quand même essayer de nous y atteler. Né au Canada en 1970, il a grandi dans l'ouest du Texas, aux États-Unis. Complètement autodidacte, sa première « école » a été un travail pour un journal quotidien local dans le Colorado. Des matchs de basket-ball aux incendies, des réunions des conseillers municipaux en passant par quelques portraits… il se forme sur le terrain. Puis, il quitte tout pour suivre sa copine de l'époque, originaire de l'ex-Yougoslavie, qui retournait dans son pays natal. À ce moment précis, il décide de se lancer à corps perdu dans une carrière de photojournaliste.     En 2000, alors qu'il était en mission pour le New York Times, Christopher Anderson monte à bord d'un petit bateau en bois avec 44 Haïtiens qui tentaient de se rendre en Amérique. Le bateau coule peu à peu, l'équipage est secouru au dernier moment par les garde-côtes. Ce jour-là, le photographe ne passe pas loin de la mort. Son premier instinct a quand même été de photographier les derniers instants. Du moins ce qu'il pensait être les derniers instants. Nous commençons le podcast de manière immersive avec la description d'une photo tirée de cette série. Au fur et à mesure de l'histoire, nous retenons notre souffle. Quel début !  Ces photos ont valu au photographe la médaille d'or Robert Capa et ont marqué le début d'une période de 10 ans en tant que photographe contractuel pour Newsweek Magazine et National Geographic Magazine.  En 2011, il est devenu le tout premier photographe en résidence du New York Magazine et commence à faire de plus en plus de portraits. Et pas n'importe lesquels : de Barack Obama à Spike Lee, en passant par Debby Harry ou même Chuck Close et plus récemment Matt Damon. Christopher Anderson rejoint Magnum Photos en 2005. Puis, en 2008, après la naissance de son premier enfant, il décide de s'éloigner définitivement du travail journalistique et des terrains de guerre pour se tourner vers des sujets plus intimes. Il commence à photographier son entourage : sa femme, ses enfants, ses amis… La guerre, il en a fait le tour. Depuis, le photographe a sorti de nombreux livres (principalement publiés chez Stanley/Barker) et a commencé à faire des courts-métrages. Une carrière déjà vaste à seulement 51 ans.   Dans ce podcast de près d'une heure, nous parlons avec Christopher Anderson de plusieurs sujets : ses débuts en tant que photojournaliste, son processus créatif pour le portrait (l'avant, pendant et après) et sa relation aux sujets photographiés, son rapport au temps et à la « discipline » ainsi que son approche du livre photo (en mentionnant notamment Capitolio et Son). Nous évoquons également certaines séries (COP et Approximate Joy) et son utilisation récente de la longue focale afin de supprimer le contexte du lieu ou de mettre en exergue certains détails, formes, expressions et gestes. Le photographe américain nous parle de son lien intime à la couleur, lié aux émotions, et plus globalement de son rapport à l'esthétique dans son travail. Puis, nous abordons son ouverture à l'image animée et son désir de faire des longs-métrages.   Essayez gratuitement Lightroom pendant 7 jours :  http://urlr.me/HbxDw  Nous soutenir  https://visionspodcast.fr/nous-soutenir/    Pour aller plus loin  Michael Finkel, Magnum Photos, Bill Callahan, Chuck Close, Garry Winogrand, Approximate Joy, publié par Stanley / Barker, Cop, publié pa Stanley / Barker, Son,  publié par Stanley / Barker, Pia,  publié par Stanley / Barker, Capitolio, publié par Images En Manoeuvres Editions. Liens  https://www.instagram.com/christopherandersonphoto/   https://christopherandersonphoto.com/    https://www.instagram.com/podcastvisions/      https://www.visionspodcast.fr/    

In episode 160 UNP founder and curator Grant Scott is in his shed announcing that the doctor will see you now, considering the importance of Tik Tok and not getting left behind, being working class and photographers moving into teaching. Plus this week photographer Mark Steinmetz takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Mark Steinmetz was born in New York City and raised in the Boston suburbs of Cambridge and Newton until he was 12. He then moved to the midwest before, aged 21, he went to study photography at the Yale School of Art in New Haven, Connecticut. He left that MFA program after one semester and in mid 1983, aged 22, moved to Los Angeles in search of the photographer Garry Winogrand, whom he befriended. Steinmetz makes photographs "of ordinary people in the ordinary landscapes they inhabit", and "in the midst of activity". He finds many of his subjects whilst walking around but he has also spent time at Little League Baseball and summer camps. His work has been exhibited in many major institutions, including Museum of Modern Art, New York; Whitney Museum of American Art; Museum of Contemporary Art, Georgia; Art Institute of Chicago; Museum of Fine Arts, Houston; and Los Angeles County Museum of Art. Public collections featuring his work include Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Museum of Modern Art, New York; Art Institute of Chicago; San Francisco Museum of Modern Art; Yale University Art Gallery; and the Los Angeles County Museum of Art. Nazraeli Press has published nine monographs of his work, including South Central (2006); South East (2008), Greater Atlanta (2009), The Players (2015); and Angel City West (2016). Among other awards, Mark Steinmetz was the recipient of a John Simon Guggenheim Memorial Foundation Fellowship in 1994. Mark Steinmetz resides in Athens, Georgia. www.marksteinmetz.net You can now subscribe to our weekly newsletter at https://www.getrevue.co/profile/unofphoto Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). Grant's book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 © Grant Scott 2021

Essayez Lightroom gratuitement pendant 7 jours : https://urlr.me/4J21f Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie. Une voix douce (qui ressemble étrangement à celle de Julien Mignot, un autre photographe invité il y a quelques mois), un corps longiforme, des baskets Nike aux pieds et d’imposantes bagues aux doigts. Le photographe semble content d’être là et de pouvoir parler de ses différents projets, notamment le dernier, Le Décor, qui venait tout juste d’être récompensé par le prix Eurazeo, au moment de l’enregistrement. Cela fait longtemps que je suis l’excellent travail de Frédéric Stucin, que l’on reçoit dans un petit appartement dans le 11ème arrondissement à Paris, et j’ai donc hâte d’en entendre davantage. Diplômé des arts décoratifs de Strasbourg et de l'École Louis Lumière, Fred Stucin a commencé à travailler comme photographe de presse en 2002, et collabore depuis avec plusieurs médias. Ses photographies sont publiées dans Libération, Le Monde, Vanity Fair, L'Obs, L'Express, Les Inrocks, Time Magazine, Stern...  On commence le podcast en évoquant ses différents portraits, notamment ceux avec Benoît Poelvoorde ou Mélanie Thierry, qui sont marquants. Fred Stucin évoque ses techniques, sa manière si singulière d’interagir avec ses modèles, souvent dans un laps de temps très court.  En 2017, il participe au projet collectif La France vue d'ici, d'où ont découlé deux expositions personnelles au Festival ImageSingulières de Sète et une troisième dans la gare Saint-Lazare. Frédéric choisit de photographier les voyageurs de la gare Saint-Lazare, solitudes happées dans le flot compact et oppressant des flux métronomiques. En 2019, il publie Only Bleeding, le résultat de nombreux allers-retours à Las Vegas. Il ne choisit pas les stéréotypes qu’offrent la ville, entre néons et paillettes, mais il raconte plutôt l'errance des laissés-pour-compte du rêve américain. L’occasion également pour nous d’évoquer son rapport particulier au noir et blanc. Nous terminons le podcast en parlant de ses projets plus récents, notamment d’une résidence marquante à la Villa Perochon de Niort, où il photographie le service psychiatrique de l’hôpital de cette même ville. Fred Stucin nous explique, d’une manière très touchante, comment il aborde ce projet et sa relation avec les sujets photographiés. Nous vous souhaitons une excellente écoute !  Nous soutenir https://visionspodcast.fr/nous-soutenir/ Pour aller plus loin William Casby - Richard Avedon, Man Ray, August Sanders, Garry Winogrand, It's Alright Ma (I'm Only Bleeding) – Bob Dylan, Irving Penn, Down By Law - Jim Jarmusch, Gueorgui Pinkhassov, Charles Marville, Hippolyte Girardot, Alex Majoli, Philip-Lorca diCorcia , Aki Kaurismäki , Andreï Tarkovski, Under the Skin - Jonathan Glazer, À la folie - Joy Sorman, Un week-end dans le Michigan - Richard Ford, Russell Banks, L'Assassinat de Jesse James par le lâche Robert Ford - Andrew Dominik Liens https://www.instagram.com/fredstucin http://www.fredericstucin.com/ https://www.instagram.com/podcastvisions/ https://www.visionspodcast.fr/

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Mark Steinmetz discuss the early influences on his work, including the cinematic influences. Mark talks about his relationship to Garry Winogrand, who he spent time with in Los Angeles, and talks in detail about the ways in which his different projects have evolved and taken shape.  https://www.marksteinmetz.net Mark Steinmetz resides in Athens, Georgia. He was recently awarded a commission from the High Museum of Art, Atlanta as part of their Picturing the South series, which will be exhibited at the museum in 2017. Steinmetz graduated from Yale’s MFA photography program in 1986, and he spent a year photographing alongside Garry Winogrand in Los Angeles during the late 1980s. He has taught at numerous prestigious colleges including: Harvard University, Yale University, Sarah Lawrence College, and Emory University. Mark Steinmetz’s work has been exhibited in many major institutions, including Museum of Modern Art, New York; Whitney Museum of American Art; Museum of Contemporary Art, Georgia; Art Institute of Chicago; Museum of Fine Arts, Houston; and Los Angeles County Museum of Art. Public collections featuring his work include Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Museum of Modern Art, New York; Art Institute of Chicago; San Francisco Museum of Modern Art; Yale University Art Gallery; and the Los Angeles County Museum of Art. Nazraeli Press has published nine monographs of his work, including South Central (2006); South East (2008), Greater Atlanta (2009), The Players (2015); and Angel City West (2016). Among other awards, Mark Steinmetz was the recipient of a John Simon Guggenheim Memorial Foundation Fellowship. Find out more at https://photowork.pinecast.co

En un mundo de pantallas y pixels, donde consumimos miles de imágenes a diario casi sin ser conscientes, los libros de Fotografía y fotolibros – que no son lo mismo, aunque pueda parecerlo – siguen manteniendo intacta su capacidad para atraparnos y llevarnos de la mano a un mundo propio. Así que aquí está este nuevo episodio de Calle Oscura, en el que me siento a charlar de Fotografía y páginas de libros con alguien a quien le gustan tanto como a mí y de quien no dejo de aprender constantemente. En este episodio hablamos de - La experiencia de adentrarse en un fotolibro. - Cómo la inspiración puede colarse desde el lugar más inesperado. - La importancia de cultivar nuestra cultura visual. - Las conexiones entre palabra e imagen y cómo se influyen mutuamente. - La relación entre fotografía y otras formas artísticas. - La conveniencia de interesarte por lo aquello que está en las antípodas de lo que haces (y de lo que te gusta). - Que empezar copiando puede ser una gran manera de cultivar una mirada propia. - Por qué los trabajos clásicos son imprescindibles. - Que hay distintos fotolibros para diferentes momentos vitales. - Cómo acercarse a ese mundo desde cero. Y, claro, de muchas otras cosas que fueron saliendo durante la charla. Quién me acompaña Leire Etxazarra es una apasionada de la Fotografía y de los fotolibros, algo que se nota – y mucho – en todos sus proyectos. El primero fue un blog muy bien escrito y lleno de información valiosa (y entretenida, una combinación irresistible), a aquello le siguió un canal de Youtube dedicado a sus libros favoritos, que comparte y analiza desde una óptica muy personal. Disfruto muchísimo con todo lo que hace Leire y he aprendido tanto de su mano que no veía el momento de sentarme a charlar con ella de fotos, libros y – algo que sospechaba que sucedería – un buen puñado de cosas más. No olvides localizar y seguir a Leire en las redes a través de: - Su blog Cartier-Bressson no es un reloj (http://www.cartierbressonnoesunreloj.com). - El canal de Youtube con el mismo nombre (http://bit.ly/3asmOE9). - Su perfil de Instagram (http://www.instagram.com/leiremiska/). Referencias y enlaces Autores y autoras - Alan Schaller. - Alex Webb. - Bego Antón. - Duane Michaels (este catálogo es una gran manera de conocer su trabajo https://amzn.to/3u0cDOK). - Francesca Woodman (y sus libros On Being an Angel https://amzn.to/3qobH4B y Portrait of a Reputation https://amzn.to/3dyvzyz). Gabriele Croppi. - Jonas Bendiksen y esa fotografía que parece magia: http://jotabarros.com/grandes-fotografias-jonas-bendiksen-satellites/. - José Manuel Navia (http://jotabarros.com/aprende-de-jose-manuel-navia/). - Michael Ackerman. - Rafael Roa. Libros y trabajos - Hojas de Contacto, el libro de Magmun: http://jotabarros.com/libro-fotografia-magnum-contact-sheets/. - Garry Winogrand (el catálogo de la exposición: https://amzn.to/2ZrLW7w). - La Visión Fotográfica de Eduardo Momeñe (http://jotabarros.com/la-vision-fotografica-de-eduardo-momene/). - Mirar de Joel Meyerowitz (http://jotabarros.com/libro-fotografia-mirar-joel-meyerowitz/). Cómo Hago Fotografías, también de Meyerowitz (http://jotabarros.com/libro-como-hago-fotografias-20-consejos-joel-meyerowitz/). - The Americans de Robert Frank (http://jotabarros.com/the-americans-los-americanos-de-robert-frank/). - The Suffering of Light de Alex Webb (http://jotabarros.com/libro-fotografia-calle-the-suffering-of-light-alex-webb/). - Ravens de Fukase (http://jotabarros.com/libro-fotografia-callejera-ravens-masahisa-fukase/). - Street Photography Now (https://amzn.to/3jXnK6H). Muchas gracias por tu escucha Si te ha gustado este capítulo de Calle Oscura, deja tu valoración positiva en Ivoox, Apple Podcast y Spotify, donde también puedes encontrar este podcast. No olvides suscribirte a través de cualquiera de esas plataformas para no perderte ningún episodio. Por favor, comparte este contenido entre tus redes para que llegue a más gente, puede suponer una gran diferencia. Y ahí abajo tienes los comentarios, para seguir conversando sobre los temas abordados con Leire. Muchas gracias por estar ahí, al otro lado. Hasta pronto. Jota.

HT0707 - Video as a Means of Capturing Stills There's been some talk of late about using high-resolution video as a means to extract still images. I'm sure Garry Winogrand is smiling down on this from that big darkroom in the sky. So, why does it feel like cheating?

Peti angolul tanul, Benedek ráizgult a 70-200-ra, és éves büdzsét számol. Gábor fejhallgatót vesz, Benedek pedig vázat és színeket kalibrál. Peti és Gábor összehasonlították a Wacom táblákat, és megjelent Benedek könyve! Miről szól a könyv, miért készítünk banális fotókat, és miért fotózzuk ezeket filmre? Mi fog megmaradni a jelenből? Mire fogunk emlékezni a jövőben? William Eggleston-tól és Stephen Shore-tól kapunk inspirációt, végül pedig Garry Winogrand idézete kerül a címbe. Peti világgá menő tervei komolyodnak. Az adás linkje: https://tripodcast.hu/41 Műsorvezetők: Láng Péter, Lénárt Gábor, Varga Benedek Csatlakozz a Tripodcast Community Facebook csoporthoz! http://tripodcast.hu/community Küldj nekünk hangüzenetben kérdést! http://tripodcast.hu/messages Az adást a Tripont, a Nikon, és a Manfrotto támogatta! Egyéni oktatásról az alábbi linken kaphattok információt: https://tripodcast.hu/oktatas Kövess minket instán: https://www.instagram.com/tripodcast_ Támogass minket Patreonon: https://tripodcast.hu/patreon Az adásban elhangzott témák és termékek: - Nude film David Bellemere: https://www.imdb.com/title/tt6323306/ - Beyerdynamic DT990 Black special edition: https://europe.beyerdynamic.com/dt-990-black-special-edition-250-ohms.html - Wacom Intuos S fekete North: https://tripodcast.hu/aa43f - Wacom Intuos Pro S 2019: https://tripodcast.hu/f5c66 - Csak Képek - Varga Benedek: https://www.lira.hu/hu/konyv/muveszet/csak-kepek-varga-benedek - William Eggleston - Portraits: https://tripodcast.hu/7a0b6 - Stephen Shore : Selected Works, 1973-1981: https://tripodcast.hu/8377f - Garry Winogrand: https://tripodcast.hu/a8408 - Wim Hof: https://www.theadventurecore.com/blogs/wimhof - Wim Hof documentary: https://youtu.be/8cvhwquPqJ0 - Drive The World Living in a Van - How Much Does It Cost?: https://youtu.be/gKNODCa_XHI - Simon Wilson: https://www.youtube.com/c/SimonWilson12/videos

David Godlis in conversation with David Eastaugh David Godlis, who is best known by his last name GODLIS, has been photographing in New York City since 1976. A “street photographer” in the style of Diane Arbus and Garry Winogrand, he wandered into the nightclub CBGB's one night, and has become known for his photographs of the NYC Punk scene. Godlis Streets is the first book dedicated to the artist and photographer's incredible body of work and focuses on the 1970s and 1980s. Godlis's street photographs from this time capture moments of mundanity, humour and pathos; his gift for acute observation and impeccable framing elevating these images to the extraordinary. A definition of what sincere street photography can and should be, Godlis Streets is the very best photography of its kind. The book is introduced by a foreword by Luc Sante and an afterword by Chris Stein.

Hablamos de Garry Winogrand (1928 / 1984), fotógrafo norteamericano esencial en la América de los años 60 que, llevando el trabajo fotográfico al límite, recoge la herencia de Walker Evans y de Robert Frank para alzar el retrato de la nueva sociedad americana que, abierta y tumultuosamente, ocupa la escena pública. Y nos ocupamos del Raúl Cañibano, fotógrafo cubano complejo y barroco, surreal y humanista, contemporáneamente clásico, que lleva su documentalismo al límite de la fotografía construida para renovar la imagen de la épica Cuba revolucionaria y revelarnos con ironía una nueva sociedad urbana y contradictoria que, en el campo y los entornos rurales, no ha perdido el vínculo con la realidad mágica. Dirige y presenta: Juan María Rodríguez Con Leire Etxazarra y Miguel Solís (música) Emisión: 03 / 11 / 20 La información sobre Raúl Cañibano se puede ampliar aquí: http://www.juanmariarodriguez.com/la-cuba-total-de-raul-canibano/

Hablamos de Garry Winogrand (1928 / 1984), fotógrafo norteamericano esencial en la América de los años 60 que, llevando el trabajo fotográfico al límite, recoge la herencia de Walker Evans y de Robert Frank para alzar el retrato de la nueva sociedad americana que, abierta y tumultuosamente, ocupa la escena pública. Y nos ocupamos del Raúl Cañibano, fotógrafo cubano complejo y barroco, surreal y humanista, contemporáneamente clásico, que lleva su documentalismo al límite de la fotografía construida para renovar la imagen de la épica Cuba revolucionaria y revelarnos con ironía una nueva sociedad urbana y contradictoria que, en el campo y los entornos rurales, no ha perdido el vínculo con la realidad mágica. Dirige y presenta: Juan María Rodríguez Con Leire Etxazarra y Miguel Solís (música) Emisión: 03 / 11 / 20 La información sobre Raúl Cañibano se puede ampliar aquí: http://www.juanmariarodriguez.com/la-cuba-total-de-raul-canibano/

You can find KC on instagram at @KClostetter and her website is www.kclostetter.comSasquatch is @sasquatchmansfieldThe podcast is @thefilmphotographypodcast“No one moment is most important. Any moment can be something.” – Garry Winogrand

Eric Mencher one of my favorite photographers I discovered on Instagram .His own site Eric Mencher Photogrpahy . We talk about how he got started in photography which in his case quaintly led to photo journalism. His poetic style and the beautiful settings and backgrounds of Guatemala and Mexico among others are quite enchanting and sometimes mysterious. Here are some of his main photographic influences: Garry Winogrand, Cartier-Bresson, Robert Frank, Dorothea Lange, Tina Modotti, Graciela Iturbide, Manual Alvarez Bravo, Robert Adams, Ray Metzker, Aaron Siskind, Harry Callahan, Paul Strand, Luis Gonzalez Palma, Mario Giacomelli, Diane Arbus, Francesca Woodman, Helen Levitt, Brassaï . And one painting of hundreds: Paris Street; Rainy Day by Gustave Do yourself a favor and check out Eric's work as well as his influences. #art #photograph# Iphone #guatemala #mexico #romanticimages #impressionism --- Send in a voice message: https://anchor.fm/mark-forman0/message

Solo-Host Andrew talks about his experience on learning Photography from the peers of Garry Winogrand, Alec Soth, Daniel Arnold and the early beginnings and process of making a photo and How Andrew stumble across learning the books of James Baldwin and the state of xenophobia and racism in today's age.

'Who would you get to write your autobiography?'Roddy Doyle, Ennio Morricone, Kazuo Ishiguro, Leila Slimani, James Graham, Robert Wyatt, Garry Winogrand, Brian Eno, Junot Diaz, David Ireland, Mike Bartlett, Tommy Teirnan, Rob Auton, Andrea Levy

'Who would you get to write your autobiography?' Roddy Doyle, Ennio Morricone, Kazuo Ishiguro, Leila Slimani, James Graham, Robert Wyatt, Garry Winogrand, Brian Eno, Junot Diaz, David Ireland, Mike Bartlett, Tommy Teirnan, Rob Auton, Andrea Levy

This week, we’re doing something a little different. This is a conversation that was inspired by rewatching a class presentation recorded in 1997 with the legendary street photographer, Garry Winogrand. Inspired by a particular statement made by the photographer, I invited Sean Tucker to discuss our reaction to his Winogrand’s talk. Sean Tucker is a photographer, YouTuber, Instagrammer, and a former priest. But in all these roles, he has always imagined himself a storyteller. His journey from the priesthood to a professional photographer has provided him a unique career path but also a wealth of experiences that he openly shares on his popular YouTube channel. His photographic work has allowed him to tell the stories of individuals, NGO’s and big multinational corporations, across more than 20 countries. While his philosophical musing about life, photography and creativity have and continue to inspire creatives all over the world.   Photographer Links:    Education Resources:   Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Six decades after it premiered on Broadway, “West Side Story” is everywhere again, with a revival on Broadway and a movie in the works. But many still are troubled by the way Puerto Ricans are depicted. Plus, the story behind Garry Winogrand’s 1967 photo, "Central Park Zoo," which featured a white woman and a black man holding chimpanzees dressed in human clothes, and is one of his most widely exhibited — and controversial — images. Learn more about your ad choices. Visit megaphone.fm/adchoices

Garry Winogrand was a master of street photography, even though he disavowed that label. He photographed across the United States, including Texas and California, but his hometown, New York City, remained his greatest inspiration. His 1967 Central Park Zoo photo, of a white woman and a black man holding chimpanzees dressed in human clothes, is one of his most widely exhibited — and controversial — images. Despite its popularity, its ultimate success as a photograph was always an open question for Winogrand. Learn more about your ad choices. Visit megaphone.fm/adchoices

Garry Winogrand was a master of street photography, even though he disavowed that label. He photographed across the United States, including Texas and California, but his hometown, New York City, remained his greatest inspiration. His 1967 Central Park Zoo photo, of a white woman and a black man holding chimpanzees dressed in human clothes, is one of his most widely exhibited — and controversial — images. Despite its popularity, its ultimate success as a photograph was always an open question for Winogrand. Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode 86 UNP founder and curator Grant Scott is in his shed considering perceptions of creativity within photography, how the past ten years has impacted photography and the opportunities that technology has given us to tell visual stories and communicate. Plus this week photographer Homer Sykes takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' If you want to hear more about Homer's friendship with Bill Jay mentioned in this episode and find out why and how Bill Jay was one of the most important people in the evolution of British photography at the end of the 20th Century you can by watching our feature length documentary on Jay's life featuring Homer, Martin Parr, Ralph Gibson, Paul Hill, Anna Ray-Jones, David Hurn, Alex Webb, Brian Griffin and Daniel Meadows here https://www.youtube.com/watch?v=wd47549knOU www.donotbendfilm.com You can read the review of Grant's latest book by Cary Benbow here www.fstopmagazine.com/blog/2019/12/book-review-new-ways-of-seeing-the-democratic-language-of-photography-by-grant-scott/ Homer Sykes was born in 1949 and is a Canadian-born British documentary photographer. He was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP), and during his first year, went to New York, where he was impressed by the work of photographers - Henri Cartier-Bresson, Bruce Davidson, Lee Friedlander, Robert Frank, Burk Uzzle and Garry Winogrand — that he saw at the Museum of Modern Art. Whilst considering a new photographic project at college, Sykes came across a story on the Britannia Coconut Dancers in an issue of In Britain magazine. This led him to research other local festivals in Britain at the archives of Cecil Sharp House, London. Sykes' photography of these festivals was inspired by that of Sir Benjamin Stone, but he approached them with a modern sensibility and a small-format camera, after absorbing advice from photographer David Hurn, then a part-time lecturer at LCP, as well as other photographers that he met through Hurn, including editor and writer Bill Jay. Sykes moved on to photographing news stories for the Weekend Telegraph, Observer, Sunday Times, Newsweek, Now, Time, and New Society. He worked with various agencies including from 1989 to 2005 with the influential Network Photographers. Sykes also photographed the British landscape for various books but always found time for his own projects including Hunting with Hounds, and On the Road Again, photographs of four North American road trips taken over three decades. Sykes has taught on the Master's course in Photojournalism and Documentary Photography at the London College of Communication and in 2014, the Maison de la photographie Robert Doisneau, Paris, held a major exhibition of Sykes' work from the 1970s. He photographed the glam rock, punk, new wave and other music/fashion scenes of Britain and his work has been consistently published as a series of short narratives by Cafe Royal Books and as a major monograph My British Archive: The Way We Were 1968-1983 by Dewis Lewis in 2018. Homer continues to document the British way of life today and lives in South-West London. www.homersykes.com Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. © Grant Scott 2019

"That's the pleasure of photography, it's really just kind of daydreaming with these borders around the world and what's in and what's out." Mark Steinmetz was in town to talk about his new book Carnival, published by Stanley/Barker. In-between a talk at The Bronx Documentary Center, another one at The Penumbra Foundation, and a book signing at Dashwood Books, Mark sat down with Anna Roma and I in his tiny hotel room in Manhattan. We talk about everything from Mark's origins to photographing with Garry Winogrand, to creating a workshop with renowned photographer and his wife, Irina Rozovsky. There is a short phone conversation at the end of this episode with Mark about his fashion work and his workshop, The Humid, that he hosts with Irina. https://www.marksteinmetz.net/ https://www.thehumid.com/ https://www.instagram.com/the_humid/ Visit realphotoshow.com @realphotoshow on Twitter/IG/FB

A quick show this week as I had life get in the way a little but I did get the chance to visit the Garry Winogrand show at the Brooklyn Museum. Links: Interview with Garry Winogrand

Mark Steinmetz is an American photographer who makes black and white photographs "of ordinary people in the ordinary landscapes they inhabit” and "in the midst of activity”. His work is held in the collections of the Art Institute of Chicago, the Hunter Museum of American Art, the Metropolitan Museum of Art, and the New York Museum of Contemporary Photography, to name but a few. He is the recipient of numerous awards including a Guggenheim Fellowship and his work has been exhibited in too many major museums and art galleries to list. He has produced 15 photobooks, such as South Central (2007), The Players (2015), Fifteen Miles to K-Ville (2015) and the Angel City West trilogy. Mark was born in New York City and raised in the Boston-area suburbs until he was 12 at which point he moved to the midwest. At age 21 he moved to New England to study photography at Yale School of Art in New Haven, Connecticut. He left that MFA program after one semester and in mid 1983, aged 22, moved to Los Angeles in search of the photographer Garry Winogrand, whom he befriended. In 1999 he moved to Athens, Georgia where he still lives, with his wife, photographer Irina Rozovsky, and their young daughter. On episode 112, Mark discusses, among other things: Delving into the archive Angel City West First darkroom in Iowa Going to L.A. and meeting Winogrand Earning a living MOMA show Bring drawn to The South and shooting there Why he works in B&W His aesthetic and why he still prints his own work Meditation and avoiding distractions Referenced: Henry Wessel Garry Winogrand Robert Frank Walker Evans David M. Spear - The Neugents Robert Adams Lee Friedlander Todd Pagageorge André Kertesz Website “There’s this beautiful thing and it’s the main thing and it’s the important thing and sometimes perfectionism can just cripple that. You know, why is one picture alive and another dead? And often it’s just, who wants something perfect, you know? It doesn’t ring true really. So I do like some sloppiness but I try to be smart about it.”

Street photographer Joshua Rosenthal found himself at the center of a rage-fueled campaign by visitors to the Ventura County Fair. Rosenthal's transgression? Photographing people – including some children – in public without explicit consent. Street photography has a long history of candidly capturing subjects, but in today's climate, does intent matter? In this episode of Vision Slightly Blurred, Sarah and Allen contemplate the work of photographers Daniel Arnold, Garry Winogrand, Diane Arbus, Mary Ellen Mark, Susan Meiselas, Philip Lorca Dicorcia, Vivan Maier, and Martha Cooper.

Miss Art World and Lisa sit down with Frank Oviedo. Frank is an active photography collector, photographer, art lover and the Assistant City Manager of the City of Santa Clarita! The three discuss collecting art as well as some of his favorite photographers including Ansel Adams, Galen Rowell, Greg Russell, Mitch Dobrowner, Garry Winogrand, Dorothea Lange, Annie Leibovitz, Richard Avedon and Herb Ritts! They also talk about Echo in the Canyon which recently played at the Laemmle Theatre and Photo LA! They also dive into the role of government in the arts! This is an episode you do not want to miss!

Die Streetfotografie hat eine über 100-jährige Tradition. Entscheidend geprägt wurde sie von Meistern wie Henri Cartier-Bresson, Garry Winogrand, Vivian Maier oder Bruce Gilden. In Deutschland spielt das Genre allerdings eher eine Schattenrolle. Um das zu ändern, haben Marco Larousse, Martin U Waltz und Siegfried Hansen mit dem "German Street Photography Festival" eine Bühne geschaffen, die für mehr Akzeptanz und Wahrnehmung sorgen soll. Außerdem steht der Netzwerkgedanke ganz vorne. Die Premiere war ein großer Erfolg. Die 150 Tickets für das Symposium im Golbeckhaus in Hamburg-Wintrerhude waren schnell vergriffen. In dieser Podcast-Sonderfolge möchte ich einen Einblick in dreitägige Veranstaltung geben. Ich habe mit den drei Organisatoren des "German Street Photography Festival" gesprochen, mich bei Teilnehmern umgehört und mich mit bekannten Podcast-Gästen erstmals persönlich zusammengesetzt. Mehr Informationen unter: https://gatesieben.de/podcast/german-street-photography-festival/ ----------   "Abenteuer Reportagefotografie": Welche Geschichte möchtest du erzählen?   Entdecke den visuellen Storyteller in dir: Tauche mit uns ein in die faszinierende Welt der Reportagefotografie.   Hier geht's zur Webseite: https://www.abenteuer-reportagefotografie.de/   Melde dich für den Newsletter an und bleibe immer auf dem Laufenden.

Sasha Waters-Freyer is a documentary filmmaker and Chair of the Department of Photography and Film at Virginia Commonwealth University. Her film, Garry Winogrand: All Things are Photographable, has been getting a lot of press and great reviews and it just aired on PBS American Masters. Sasha and I catch up on the success of the film, her awards, and what it took to get it made and the decisions that went into how it was edited and cut. We also talk about her Special Jury Prize for best feminist reconsideration of a male artist from SXSW and what that means. https://www.pieshake.com/ https://www.winograndthefilm.com/ Visit realphotoshow.com @realphotoshow on Twitter/IG/FB

In this episode of the For the Joy of Photography podcast, I talk about the new Garry Winogrand documentary:Garry Winogrand: All Things Are PhotographableI talk about what I liked about the film and what one can take away from it to improve their photography.Links:The Documentary on Amazon Prime:https://amzn.to/2soLUggWebsites:https://en.wikipedia.org/wiki/Garry_Winograndhttps://www.newyorker.com/culture/photo-booth/how-garry-winogrand-transformed-street-photographyYou can watch the episode above or listen to it at your favorite site or on your favorite appiTunes - CLICK HEREGoogle Play - CLICK HEREStitcher - CLICK HERESpotify - CLICK HEREPodcasts. com - CLICK HEREOr you can search for it on you favorite podcast app!

In this episode of the For the Joy of Photography podcast, I talk about the new Garry Winogrand documentary:Garry Winogrand: All Things Are PhotographableI talk about what I liked about the film and what one can take away from it to improve their photography.Links:The Documentary on Amazon Prime:https://amzn.to/2soLUggWebsites:https://en.wikipedia.org/wiki/Garry_Winograndhttps://www.newyorker.com/culture/photo-booth/how-garry-winogrand-transformed-street-photographyYou can watch the episode above or listen to it at your favorite site or on your favorite appiTunes - CLICK HEREGoogle Play - CLICK HEREStitcher - CLICK HERESpotify - CLICK HEREPodcasts. com - CLICK HEREOr you can search for it on you favorite podcast app!

Born in Brooklyn in 1968, Sasha Waters Freyer makes non-fiction films about outsiders, misfits, and everyday radicals.  Trained in photography and the documentary tradition, she fuses original and found footage in 16mm film and digital media.  Most recently, she has crafted lyrical explorations of , documentaries on the of her youth, and essay films on the cultural and political legacies of the .  Her newest work is a feature documentary on American photographer Garry Winogrand. The film titled will air on PBS American Masters in 2019.   Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .  

Garry Winogrand's photography--raw, slashing, energized and personal--perfectly echoes the tenor of the 1960s. Join our hosts as they discuss his work and share an exclusive story that potentially puts a debate surrounding Winogrand's methods to bed.

This episode of Flix N Such considers the 2018 documentary: GARRY WINOGRAND: ALL THINGS ARE PHOTOGRAPHABLE. Flix N Such is a comedic podcast where two friends Dion Flynn and Tim Brandoff let the review of a film serve as the spine for an explorative and literal walk and talk through the streets of New York City. Tim is a novelist and a bus driver with a dramatic writing degree from NYU. Dion is Barack Obama on The Tonight Show Starring Jimmy Fallon with a graduate degree in acting from NYU.

又有哪些电影要上映了？微信公众号：Marcast微博：@Marcast邮件：hello@marcastmedia.com

又有哪些电影要上映了？微信公众号：Marcast微博：@Marcast邮件：hello@marcastmedia.com

又有哪些电影要上映了？微信公众号：Marcast微博：@Marcast邮件：hello@marcastmedia.com

"That was at the very end of Thailand, I was just starting to think I didn't want to play poker anymore and I was starting to be drawn to something maybe a little more creative which I had never done in my whole life…" Aaron Berger taught himself photography by studying the tech specs that are included with photos on Flickr® and looking at photographers such as Garry Winogrand on the internet. His path to photography started with a realization that he was not going to be a professional soccer player which lead to a lucrative career in internet poker and a failed attempt to be a YouTube® star. We talk about how all of this leads Aaron to New York with a point and shoot film camera. This episode sponsored by the School of Visual Arts MFA Photography, Video, & Related Media - Charles Traub, Chair. http://www.mfaphoto.sva.edu/ LINKS: http://www.aaron-berger.com/ http://www.aaron-berger.com/workshops https://www.instagram.com/aaronbergerfoto/ https://www.facebook.com/aaron.berger.9 Photo of Aaron © Andre D Wagner Visit realphotoshow.com @realphotoshow on Twitter/IG/ Michael Chovan-Dalton on FB

The phlogger presents a discussion with Leyton Cleveley on the merits of film photography. Leyton is a very experienced film photographer and often found on Facebook film groups. PART 1 Leyton discusses "range finders", zone focusing and why printing is important. Looking back at famous street photographers, we consider work by Garry Winogrand and John Free. PART 2 We discuss choosing your first film camera and the merits of shooting with Ilford Hp5 film. For those budget conscious Leyton recommends Forma film too. Leyton also provides an overview of developing without a darkroom (with Paterson tanks) and options of using companies to develop for you. He also provides example chemicals to use and explains how many varieties there are. Listen to this section for useful tips about shooting and how important patience is. INFO Please check out Leyton's work at www.agfphotography.co.uk Intro music by Paul Grant --- Send in a voice message: https://anchor.fm/photography-insights/message

Joel Meyerowitz was born in the Bronx in 1938 into a neighborhood that offered daily lessons in the divine comedy and tragedies of human behavior. He believes it was that basic “street” education that nurtured his delight in human observation, a perception that is at the heart of his photography. After studying art, art history, and medical illustration at Ohio State University, he worked as an art director in advertising in the early 60’s. In 1962, Robert Frank made photographs for a booklet Meyerowitz designed, and it was while watching Frank work that he discovered that photographs could be made while both the photographer and the subject were in motion! The power of this observation made Meyerowitz quit his job immediately, borrow a camera, and go out onto the streets of New York. He has been on the streets ever since. Meyerowitz began by using color film, not knowing any better, nor aware that photographers of that era believed that black and white was the ‘art’ of photography. During his first days on the street, he met a young graphic designer, Tony Ray-Jones, who, like Meyerowitz, began using color as the most natural means of making photographs. Later that year Meyerowitz met, and became friends with, Garry Winogrand, and together they walked and worked Fifth Avenue daily for nearly five years. The work of Meyerowitz, who is a Guggenheim fellow and a recipient of both the NEA and NEH awards, has appeared in over 350 exhibitions in museums and galleries around the world. He was the only photographer to gain unrestricted access to Ground Zero after 9/11, which produced a body of work that led Meyerowitz to represent the United States at the Venice Biennale for Architecture in 2002. His work is in the collection of the New York Museum of Modern Art, the Boston Museum of Fine Arts, The Art Institute of Chicago, and many others worldwide. Meyerowitz lives and works in New York and in Italy.   Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. https://www.patreon.com/thecandidframe You can also provide a one-time donation via . https://www.paypal.com/donate/?token=13Tg_YGwf58eSyhevNPHAJMlgVqhI4xqQff9jBJeGNGR7G3-GkcKVX6OuU-5ZXfLbUkRa0&country.x=US&locale.x=US You can follow Ibarionex on and . You can download the latest episode by clicking here. To stream the current episode on your computer, click on the player below.  

We chat with Geoff Dyer about the "visual novelist" and street photographer Garry Winogrand. Dyer highlights the wild humor of Winogrand's eye, how his photographs were packed with narrative potential, how he approached writing short vignettes to complement images in the literary style of John Szarkowski’s Atget or Mark Strand's On Edward Hopper, and the intrigue of Winogrand's out-of-control creative impulse toward the end of his life.

This interview is with Claire Howard, the Assistant Curator of Modern and Contemporary Art at the Blanton Museum of Art here in Austin. The museum is currently hosting a traveling photography exhibit called The Open Road: Photography and the American Road Trip. Claire speaks about the content and images that make up the exhibit and shares what goes on behind the scenes to plan for and integrate an exhibition into a new space. She also had the chance to add elements to the original line up that enhance the conversation and relate to our location and it’s history for the benefit of a local audience. Don’t miss this great exhibition which will be on view from November 25th, 2017 until January 7th, 2018. It was organized by the Aperture Foundation in New York and curated by David Campany and Denise Wolf, supported in part by an award from the National Endowment for the Arts. Photographs by Robert Frank, Inge Morath, Ed Ruscha, Garry Winogrand, Lee Friedlander, William Eggleston, Joel Meyerowitz, Stephen Shore, Victor Burgin, Bernard Plossu, Shinya Fujiwara, Eli Reed, Joel Sternfeld, Todd Hido, Alec Soth, Ryan McGinley, Justine Kurland, Taiyo Onorato and Nico Krebs. Blanton Museum of Art The University of Texas at Austin 200 E. Martin Luther King Jr. Blvd. Austin, TX 78712 PHONE: 512-471-5482 EMAIL: info@blantonmuseum.org Some of the subjects we discuss: The Blanton Claire’s previous work history Austin gallery spaces Prep for The Open Road Origins of the exhibition Hanging the show Photographing america Joel Sternfeld Lee Friedlander Alex Soth Inge Morath Justine Kurland Photography today Robert Frank Claire’s additions Eli Reed Road trip inspiration Walt Whitman quote Claire's Bio Claire Howard is the Assistant Curator of Modern and Contemporary Art at the Blanton Museum of Art. She was the 2016-2017 Vivian L. Smith Foundation Fellow at the Menil Collection in Houston, and from 2010 to 2013, she was a Graduate Research Assistant at the Blanton, where she worked on exhibitions including Through the Eyes of Texas: Masterworks from Alumni Collections, and curated the collection exhibition Cubism Beyond Borders (both 2013). Claire previously worked at the Philadelphia Museum of Art, where, as a Research Assistant for Modern and Contemporary Art, she helped organize special exhibitions including Marcel Duchamp: Étant donnés and Arshile Gorky: A Retrospective (both 2009). Claire has also worked and interned at the Fabric Workshop and Museum (Philadelphia), Cooper-Hewitt, Smithsonian Design Museum (New York), and Wellesley College’s Davis Museum and Cultural Center (Wellesley, MA). She is a PhD Candidate in Art History at The University of Texas at Austin, and is writing her dissertation on the Surrealist movement and its cultural context from 1950-1969. Claire earned an MA in Art History from The University of Texas at Austin and a BA in Art History and English from Wellesley College. She is a native of Philadelphia.

I visited with Mitch Epstein to talk about his days as a student making pictures in New York City, studying with Garry Winogrand, and setting out across the US in an orange Datsun his father won in a raffle.  We also discussed his time working on films in India and his projects Family Business, American Power, New York Arbor and his latest work Rocks and Clouds.  A book collecting the work is due this summer from Steidl. This episode is brought to you by Haywire Press, presenting signed, deluxe and limited-edition books from the personal archives of Lee Friedlander.

This week on the Halftone you'll hear my talk with Thomas Roma! Tune in for big discussions of photography, Wall Street, a car crash, carpentry, building cameras and Roma's new publishing imprint SPQR Editions! Not to mention his time with Lee Friedlander, Garry Winogrand, Cartier-Bresson, Brassai, Walker Evans and playing poker with Helen Levitt and John Szarkowski. To have a look at some of Roma's photographs be sure visit his website at www.thoamsroma.com. And to check out titles from his new publishing project SPQR Editions visit their website at www.spqreditions.com. If you're in New York between today and Christmas, check out Roma's show at Steven Kasher Gallery, Plato's Dogs. It's on view until December 23rd. This episode of the Halftone is sponsored by Haywire Press offering signed, deluxe and limited edition books by photo legend Lee Friedlander. Find more at www.haywirepress.com

Sasha Waters Freyer is a filmmaker whose work blends original and found footage and she works in both 16 millimeter film and digital media to makes documentaries and short films. She is currently working on a feature documentary on the American photographer Garry Winogrand. She continues to make lyrical short films that explore motherhood. Afraid of Everything, a solo exhibition of four short films completed between 2006 and 2016, opens tonight at the ADA Gallery in Richmond.

There are few in this world that can teach you more and in a more accessible way than our longtime friend Eric Kim. Personal stories, street photography techniques, lifestyle improvements... the list goes on in this jam-packed and giant podcast with the biggest street photography blogger in the world.    11:09 Eric’s Photography of his own wedding  http://erickimphotography.com/blog/2013/05/29/groom-slash-wedding-photographer-my-experience-shooting-my-own-wedding/   12:46 Thoughts on whether photography gets “in the way of the moment?”   13:07 Project Grandfather   15:34 Eric Kim’s Background Story/ Bio   28:18 You are Here: Think Tank’s First Ever Show http://www.thinktankgallery.org/tbt-the-think-tanks-first-exhibit-you-are-   29:17 Alex Coghe   http://www.alexcoghe.com/my-street-photography/   32:19 Kim’s definition  of Street Photography & How to approach subjects on the street for permission to be in photo   34:18 what makes a great street photograph   37:21 Lessons of the day   38:06 Horror Stories of Street Photography    47:49 Project Suit http://erickimphotography.com/albums/suits/   50:58 Tip No. 3 If a undercover cop pulls out badge : swing .   51:12 Andre  Carte Busan  50 mm camera shot Eugene Augie “The decisive moment”   52:27 Description of 35 mm camera shot   52:56 40 mm camera   56:16 Definition of creativity   56:43 Street Sociologist   57:59 as someone who has tasked themself with the prospect of teaching have you forced yourself to become an expert?   59:08 William Eggleston  http://www.egglestontrust.com/   59:32 Jackson Pollock https://www.google.com/search?q=jackson+pollock&oq=jackson+pollock&aqs=chrome..69i57.7699j0j4&sourceid=chrome&ie=UTF-8   1:00:50 Gary Winogrand  https://en.wikipedia.org/wiki/Garry_Winogrand   1:01:01 Ebook 100 Lessons from the Masters of Street Photography  http://www.erickimphotography.com/Downloads/Books/100LessonsFromtheMastersofStreetPhotography/100%20Lessons%20From%20the%20Masters%20of%20Street%20Photography-Eric%20Kim.pdf   1:01:12 Unlearning what you have learned   1:01:38 Cold Train Quote "Learn every single rule of the genre of music you make and break them."   1:01:56 Takes on Social Media. Making art that makes you happy vs what will make people happy.   1:03:47 Jacob Patterson Youtube  https://www.youtube.com/user/JacobPattersonArt/videos   1:04:05 Patrick’s experience on doing art for ones self vs for money   1:04:50 David Lynch Catching the Big Fish http://www.penguinrandomhouse.com/books/299829/catching-the-big-fish-by-david-lynch/9781585426126/   1:05:34 Headspace App for Meditation https://www.headspace.com/headspace-meditation-app   1:06:32 Victoria Starraro apocalypse now  http://www.storarovittorio.com/eng/the_life.html   1:06:50 Vicotiro Starraro Color Book  http://www.storarovittorio.com/eng/the_books_scrivere_con_la_luce.html   1:07:23 Flam Festival  http://www.flamfest.com/   1:09:49 Advice on writing and as a teacher how do you teach around clichés.   1:09:54 Rinzi Ruiz; Street Zen  http://www.rinziruizphotography.com/   1:10:54 On Writing  by Stephen King  https://www.amazon.com/dp/B000FC0SIM/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1    1:12:54 App I- Writer https://itunes.apple.com/us/app/iwriter/id444741134?mt=8   1:12:54 App Write Room http://www.hogbaysoftware.com/products/writeroom   1:16:54 twee definition  http://www.merriam-webster.com/dictionary/twee   1:07:54 Charlie Kirk Street Art photographer  “Two cute dogs”  https://vimeo.com/29361738   1:17:48 “Ikea street photography”   1:18:54 To be a good photographer you can’t be boring   1:18:54 Beginners tip: copy all the masters, then kill them.   1:19:54 Jiro Dreams of Sushi  http://www.magpictures.com/jirodreamsofsushi/   1:25:47  Shoot a Cop Think Tank  http://www.jpattersonart.com/shootacopcrap/   1:25:50 Kim’s feelings on Instagram and Iphones and how they have changed his world   1:28:55 Kim’s feelings on open sourcing his images http://erickimphotography.com/blog/2013/08/29/my-vision-of-open-source-photography-volume-2/   1:31:14 Winner takes all photography market   1:31:34 Nassim Taleb; Barbell Method.  http://www.fooledbyrandomness.com/   1:35:39 General Assembly Classes            https://generalassemb.ly/   1:37:44 Secrets of our success by Joseph Henry   1:39:34 Anti Fragile  by Nassim Taleb https://www.amazon.com/dp/B0083DJWGO/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1   1:40:55 Walter Issacson biography on Einstein https://www.amazon.com/dp/B000PC0S0K/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1   1:41:07 Walter Issacson biography on Steve Jobs https://www.amazon.com/dp/B004W2UBYW/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1   1:43:30 Ricoh GR Camera http://www.ricoh-imaging.co.jp/english/products/gr/   1:44:06 Eric Kim’s Principles of Life    1:44:41  How to survive as an influencer while allowing oneself to step away from social media   1:44:43 Bruce Lee http://www.brucelee.com/   1:51:14 Google SEO definition   1:53:16 Dark Horse concept, being great not for what you do but for what you don’t do   1:55:39 How to be a better photographer   1:55:55 Strategizing of Flow state   2:00:06 Software Stay Focused http://www.stayfocusedapp.me/   2:01:17 The Odessey; Siren Passage http://www.online-literature.com/homer/odyssey/12/      2:01:58 Morning Rituals   2:07:39 Evernote checklist  https://evernote.com/   2:08:45 How to keep on top of everything while traveling   2:16:15 Kim explains how wife Cindy one of his biggest influencers   2:17:32 Sinzy Casual Time Travel   2:19:42 Personal Photography   2:22:10 Kill your darlings Faulkner..? http://www.slate.com/blogs/browbeat/2013/10/18/_kill_your_darlings_writing_advice_what_writer_really_said_to_murder_your.html   2:23:19 Each Production should be a sandcastle   2:23:49 Coffee Graph Avi Rolph & Garet Kovasc http://www.coffeegraph.com/    2:27:48 CHALLENGE photoshop handbook of missed quotes by Eric Kim   2:28:14 Kobe letter to 18 year old self http://www.theplayerstribune.com/kobe-bryant-letter-to-my-younger-self/   2:29:04 Advice to What would you tell your 18 year old self http://erickimphotography.com/blog/2014/07/29/a-letter-to-my-18-year-old-self-if-i-started-street-photography-all-over-again/   2:32:03 Ray Dalio https://www.principles.com/#Principles   2:32:55 Trump “if your white anything is possible”   2:33:34 Advice on college   2:35:13 Only thing worse than sociology is history   2:36:40 Eric Kim sites: http://erickimphotography.com/ http://erickimphotography.com/blog/ http://erickimphotography.com/blog/workshops/ https://www.youtube.com/user/erickimphotography http://erickimphotography.com/blog/2015/12/07/announcing-the-henri-strap-by-eric-kim/

When Donato DiCamillo first picked up a camera he knew he would have a hard time putting it down. It became a reason for him to step out from a dark place, which he had struggled with for some time. The dark world in which he knew so well would soon come to light after being released from prison in 2011. His inspiration derived from many great documentary photographers, such as Robert Frank, Diane Arbus, Helen Levitt, Garry Winogrand, and William Klein, just to name a few, but it was Bruce Gilden and Klein's street photography that made Donato realize that he could scream through his images. His work is a constant search that's forged out of his own curiosities. They're derived from his own interpretation of people, as well as deep rooted moments in the physiological confines of his mind. "I love the amazing differences in people and how beautifully unique we all are. Good bad or indifferent; People never cease to amaze me, they often answer many of my own questions. The littlest detail, maybe in the eyes or the way someone walks can be the difference of making a photograph". Resources: Donato DiCamillo http://donatodicamillo.com Elias Williams http://www.eliaswilliams.com Nina Robinson http://www.ninarobinsonphotography.com Download the free Candid Frame app for your favorite smart device. Click here to download for iOS. Click here to download for Android Click here to download for Windows Support the work we do at The Candid Frame with contributing to our Patreon effort. You can do this by visiting patreon.com/thecandidframe or visiting the website and clicking on the Patreon button.

Lieutenant General George Crocker says that when he was first introduced to Rick Atkinson he was told, “If you like the truth, you’ll love Rick.” Over his long career as a journalist and historian, Atkinson has won four Pulitzer Prizes for work that he has either written or contributed to. As part of the Pulitzer Centennial Campfire Initiative, we honor Rick Atkinson’s career, from Vietnam Veterans, WWII, and the Persian Gulf War to DC police shootings and the War in Iraq. His motto, he says, is on a little sign taped next to his desk: “Get On With It.” Later in the show: The images of New York City street photographer Garry Winogrand captured the heartbreak, violence and hope of postwar America. When he died suddenly in 1984, he left behind more than 300,000 images unseen — until now. Sasha Waters Freyer is developing a documentary, “All Things are Photographable,” about the life and work of Winogrand. And: Historical dramas and reality history programs have become an increasingly popular way to engage with history. But do they really contribute to our understanding of the past? Alison Landsberg says they might actually foster more holistic interpretation in viewers.

"I'm looking at my son's grandfather's pictures and...I felt like I was trying to explain to him who his grandfather [is.] I didn't mean to do it, I've never talked about Lee's pictures in front of Lee before." Part 2 of our conversation with Thomas Roma begins with Tom continuing to speak about the time he spent with Garry Winogrand, Tod Pappageorge, Paul McDonough, and Lee Friedlander. Also, Tom had just come back from São Paulo, Brazil before this episode so I gave him a call to talk about that experience to start the show. Hosts: Michael Chovan-Dalton and Kai McBride Show opening is with Thomas Roma Some things mentioned in this episode: Thomas Roma's website: http://www.thomasroma.com In The Vale of Cashmere at Steven Kasher Gallery: http://www.stevenkasher.com/exhibitions/thomas-roma-in-the-vale-of-cashmere André Lion Exhibition curated by Tom: http://www.thomasroma.com/essays/49/ Liohn's war work: http://atwar.blogs.nytimes.com/2011/08/12/vantage-point-no-4-reading-the-rebels-in-misurata-libya/ Visit www.thephotoshow.org Follow us on Twitter twitter.com/realphotoshow and on Instagram instagram.com/realphotoshow/ Like us on Facebook www.facebook.com/realphotoshow Music by @pataphysics-1 on Soundcloud

"We had decided we were going to make a short documentary in 16mm, which I had never shot...and we decided we were going to make it about dominatrixes." Sasha Waters-Freyer is an experimental and documentary filmmaker. Her work has been screened at the Telluride Film Festival, the Film Society of Lincoln Center, the Rotterdam and more. Sasha is also the Chair of Photography and Film at Virginia Commonwealth University and, as she describes it, "the number one public art school in the United States." We caught up with Sasha while she was in New York working on her latest project, All Things are Photographable, a documentary about the legendary photographer Garry Winogrand. See more of her work and read more about her accomplishments at http://www.pieshake.com and check out her photo/film program at http://arts.vcu.edu/photofilm/. Hosts: Michael Chovan-Dalton & Dennis Santella Introduction phone call guests are previous guests and co-hosts Kai McBride and Patrice Helmar Visit www.thephotoshow.org Follow us on Twitter twitter.com/realphotoshow and on Instagram instagram.com/realphotoshow/ Like us on Facebook www.facebook.com/realphotoshow Music by @pataphysics-1

In the debut episode of season 2, Bryan, Eddy and Tom catch up, chat about the upcoming season, and discuss Garry Winogrand's 1964 and Arrivals & Departures  --- Send in a voice message: https://anchor.fm/bryan-formhals/message

When the photographer Garry Winogrand died in 1984 he left behind hundreds of thousands of unpublished negatives and undeveloped rolls of film and a few out of print books that are still treasured by connoisseurs and photo book collectors today. It’s always bothered Leo Rubinfien that his friend Garry’s legacy is bound up with these hard to find books, for leo a much better way to appreciate the genius of Garry Winogrand is through his slideshows. Recently Leo Rubinfien got an opportunity to show the world the Garry Winogrand he knew and loved,  SFMOMA  invited him to guest curate a Winogrand show. The exhibit  took years to put together, and at the outset SFMOMA’s assistant curator of photography Erin O’toole was nervous, but she tells us why she is now in the cult of Winogrand too.  While your host was in Australia this summer he met up with one of his new favorite artists, the cartoonist Simon Hanselmann. Simon is one of the most compelling voices of his generation, but while his characters are all sex, drugs, and rock and roll Simon just works. Also we reminisce about the early days of the web with ToE regular Peter Choyce who believes he had one of the first ten blogs. Three reminders that being an artist will always be hard.    

This week, using Garry Winogrand's current retrospective as an example, we discuss what happens when practice means different, not necessarily better. Also, in a submission from a listener, we look at a list of 10 ways we may be making our lives harder than they have to be. How many are you guilty of? Plus, Magnum photographer Gueorgui Pinkhassov is our Photographer of the Week.

This week, using Garry Winogrand’s current retrospective as an example, we discuss what happens when practice means different, not necessarily better. Also, in a submission from a listener, we look at a list of 10 ways we may be making our lives harder than they have to be. How many are you guilty of? Plus, Magnum photographer Gueorgui Pinkhassov is our Photographer of the Week.

Bill battles severe back pain to discuss whether or not people know good from bad and how Steven Soderbergh's observations on the state of cinema may also reflect the state of art. We also wonder how we should go about judging our own growth. Plus, voracious street shooter, Garry Winogrand, is our Photographer of the Week.

Bill battles severe back pain to discuss whether or not people know good from bad and how Steven Soderbergh’s observations on the state of cinema may also reflect the state of art. We also wonder how we should go about judging our own growth. Plus, voracious street shooter, Garry Winogrand, is our Photographer of the Week.

It’s about time. It’s about time to talk about time in photography and time as it relates to how photographs function. Using photographs by Garry Winogrand and Tokihiro Sato, we examine two different approaches to dealing with time in the photograph. Photographs by Garry Winogrand (left) and Tokihiro Sato (right) Click images for a larger … Continue reading Camera Position 38 : It’s About Time →