Podcasts about metalheads

Two decades into their career, Ohio metalcore outfit The Devil Wears Prada are still intent on exploring their sonic boundaries. Despite - as most bands do - having a core, recognisable brand of music, The Devil Wears Prada remain unrestrained by the confines of expectation, preferring to allow their creativity to dictate the direction of their music rather than expectation.This has never been as evident as with The Devil Wears Prada's upcoming ninth album, Flowers. The new album marks the start of an incredibly epic cycle and phase for the band, representing perhaps their most significant creative leap forward yet.HEAVY sat down with vocalist Mike Hranica for some clarity."This one has been years and years in the works," he began, "even since the record was finished being mixed feels like years ago, but that's an exaggeration (laughs). We're excited for folks to hear it."We ask Mike to tell us more about the epic new cycle of the band alluded to in the press release."In terms of looking at the cycle, what we just did with Color Decay coming out of the pandemic was certainly unprecedented compared to the seven other full-lengths we released every year or so," he measured. "We really looked forward to this cycle. We feel like we're in stride in terms of the band and marking 20 years in and full steam ahead."Talk turns to the musicality present on Flowers."There's a lot of pop sensibilities," he offered. "When you look at the genre and the label of metalcore, you think of the heavy with the singing. When I think about what this record is, I think it leans a little bit rocky - at least from the exterior - but there are certainly songs that by all means fit the metalcore description. I think it's very chorus-oriented and working with the pop sensibilities to the choruses and the theatrics having more of a place than ever."In the full interview, Mike dives deeper into the musical side of Flowers, details how it marks the start of an epic new cycle for the band, runs us through the dual single release and accompanying short film and how they lay the sonic platform for what is to come.He discusses the opening track That Same Place and the thought process behind it, the meaning behind the title, whether Flowers is an overall representation of hope or despair, their continued musical evolution and how it stands The Devil Wears Prada amongst their peers, their upcoming tour of Australia with Bullet For My Valentine and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

By Angela CroudaceGerman melodic death-doom outfit Nailed to Obscurity have just released their highly anticipated new album, Generation of the Void. For frontman Raimund Ennenga, the record represents the band's boldest and most diverse work yet.Following the critical success of Black Frost, the group set out to explore wider sonic territory. “We wanted the next one to be more diverse, more dynamic,” Ennenga explained. “On one side, you have the extremity of Glass Bleeding with blast beats, and on the other, songs like Allure, which is a full ballad. We even pushed into more accessible territory with tracks like Spirit Corrosion, which I would call catchy in a way.”This push into new territory demanded that Ennenga redefine his own vocal role. Known primarily for his harsh delivery, he embraced clean vocals more extensively than ever before. “I had to find the sweet spot for my voice,” he said. “It feels like more mature singing now, and we really wanted to make sure it worked both on the record and in a live setting.”Recorded across Woodshed Studio in Germany and Jacob Hansen's studio in Denmark, the album benefits from a balance of fresh experimentation and polished production. Hansen's calm yet meticulous approach provided the final layer of refinement. “It's still unbelievable that this is our album,” Ennenga admitted. “Jacob was on our wish list for years, and he lifted the songs to a new level.”Lyrically, Generation of the Void reflects a more cinematic scope while also resonating with the turbulence of recent years. Themes of isolation, social unrest, and emotional weight run throughout, offering listeners both intensity and catharsis.Though no Australian tour is currently locked in, Ennenga expressed the band's enthusiasm: “We would love to come down under one day—it would be really special.”Generation of the Void is out now.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Metalheads!! Gabe brings his lust for all things violent to the table with his album released in June pick.

Metalheads!! Ben's pick for an album released in June is the latest from German metal legends Sodom.

Metalheads!! Happy Labor Day. In this Grab Bag, David asked us to select albums by bands that have been doing this thing for a while that still have "it." What that is, we will let you decide.

Metalheads!! David's pick for an album that was released in June is a throwback to the dream of the '90s.

Metalheads!! Tracey's pick for an album released in June is cosmic in scope, does the execution match?

Metalheads!! As we careen towards Labor Day, Gabe serves us a heaping platter of Stooges.

Melbourne-based musician Envy Marshall is an artist who doesn't care for trends or fashions or being the 'next big thing'. Her musical journey is more selfish, in a way, in that she creates music that means something to her first and foremost. But when that music is rooted in life experiences and self-worth, it suddenly becomes accessible to the masses. Or at least those who believe that you are the master of your own destiny and, as such, deserve to be happy. Deserve to be free. Deserve to be confident in yourself.After announcing her intentions earlier this year with the explosive and confronting track Like A Man, Marshall returns via the path least expected with Hurt, a song dripping with emotional vulnerability amid haunting piano, laced with searing guitar riffs and a vocal delivery with the unmistakable swagger of an artist for whom boundaries are a source of inspiration rather than fear. Following the viral success of Like A Man, Envy Marshall is proving herself to be one of the most vital independent voices in today's rock scene. With Hurt, she doesn't just raise the bar - she rips it off the wall.With her debut album in the can and nearing release date, Marshall joined HEAVY for an open and honest discussion about her life and music, starting with Hurt and how it has been received."I think people are sick of hearing positive music," she measured, "and I think this song has really touched a lot of people. We've had some great success with it in Australia, but it's been number one in a couple of countries over in Europe, which has been amazing. I was a bit worried about putting out a ballad because you never know how it's going to land, but it's landed really well. People are just sick of candy pop, and they want to actually listen to something that means something to them."We ask if the song is more about hurting yourself or inflicting hurt on others."I think when we get hurt, we like to hurt. It's a reaction," she mused. "So I think this song is about taking power back after being really badly hurt. And I think we've all been really hurt. I think we live in a lot of hurt, especially these days. The world is crazy. I don't think we need lots of lipstick, positive songs. I think it's a real thing that a lot of us are in a lot of pain, so this song, for me, was about being hurt; being let down and finding a way to move that through my body - not through revenge - because that's where you start. When you get hurt, first you get angry, then you get sad, and you get angry again. Then you get jealous, then you get some envy, and you go through all those emotions, and then finally you get to revenge, which is a better feeling. And that sort of gets you out of that feeling of hurt. So it's really about moving through those emotions and coming out the other end of it, the hero of your own story."In the full interview, Envy discussed her recent professional developments, emphasizing Hurt's exploration of complex emotions and the importance of processing pain rather than seeking revenge. She elaborated on her creative process, highlighting her collaboration with Mike Young at Armory Studios, where the haunting piano intro for Hurt was developed. Envy cited musical influences such as Portishead and In This Moment, and emphasised her commitment to artistic freedom in her songwriting. She shared plans for her forthcoming album, which will showcase a gritty rock sound, and teased her new single Looking Good and Feeling Famous, set for release in September, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

With the world becoming increasingly sanitised and regulated, it is refreshing to see and hear a band that still adheres to the old school ethos where fun was the order of the day and everything said and played is meant to be taken with a grain of salt. Which is exactly what you get from Melbourne hard rock outfit Ablaze, who wear their hearts proudly on their sleeves and their sleeves proudly on their hearts.Known for their love of a good time, but even more so for their particular brand of hard rock - especially live - Ablaze set the world on fire even further with the release of their second album Sink Ya Teeth In.Packed full of hard-rocking, toe-tapping, boot stomping tunes, Sink Ya Teeth In showcases the abundance of riches within Ablaze, all neatly wrapped under the banner of Aussie hard rock. With the band set to board a flight to Belgium for an upcoming European/UK run of shows, drummer Mango stopped packing for ten minutes while he brought HEAVY up to speed."It's been amazing," he beamed when we asked how the reception has been for Sink Ya Teeth In. "We've been dropping singles off it for about two and a half years because that's the world that we live in now. Everybody wants singles. But with how much time and effort, and money goes into recording something professionally, we didn't want to just record everything, drop a single and release the rest. We wanted to really wring this thing out for everything we could. We've released five singles and a bonus track was a single as well off an eight to nine-song album, depending on how you look at it."We ask Mango to dive deeper into the musical nature of the album."One of the things that Ablaze has always been really proud of, and I've been really proud of with us, is that we can write in a whole bunch of different styles and genres," he replied, "and it always comes out sounding like Ablaze. Our first one was a rock album, but we had a hoe down, we had an Irish drinking song, we had an acoustic song that I sang and played acoustic on. We could do a whole bunch of different stuff. And so on this album, we've done the same thing. It's an eight-song album, or nine song with the bonus, but we've got the heaviest song we've ever written. We've got some real Aussie rock style stuff. We've got a big six-minute gospel epic that finishes the thing. We've got a big glammy song, and we've got a Southern rock song as well. And a Christmas song, again. So we really kind of wanted to show that we're still doing what we do, but after our first album, our writing has really taken a step forward."In the full interview, Mango shared further insights about Sink Your Teeth In, highlighting the album's positive reception and the strategic release of five singles. He emphasized the importance of the album's cohesive flow and the thoughtful track listing, which he believes enhances the depth of the songs. He also addressed the challenges of releasing a second album, aiming to avoid being perceived as a "one-trick pony" while ensuring that each song is crafted to be single-worthy, reflecting the band's commitment to quality and creativity.The conversation also covered the logistics of their upcoming European and UK tour, starting in Belgium and ending in Germany. Mango noted the differences in touring dynamics between Australia and Europe, particularly the shorter travel distances in the UK, which allow for a more manageable schedule. He expressed excitement about upcoming performances, including festivals and album launch events and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

After building momentum and a solid, loyal fan base following the release of two EPs - The Wound, The Blade (2022) and Shadow Dancer (2023) - Melbourne metal outfit ATLVS went strangely quiet, going over two years with an eerie radio silence. While such a period of inactivity, especially in the modern age of music, would be an almost certain death knell for emerging bands, the absence seemed to do little to quell the thirst of their loyal army.Their return in June of this year with the instantly irresistible single Soulsucker saw ATLVS pick up almost precisely where they left off, proving that quality music will still be rewarded despite the shortening attention spans of the world and the wealth of bands and music released every day. The track hinted at something bigger from ATLVS but just what that is remains as mysterious as their absence, so to try and get to the bottom of things ahead of the band's trip to Brisbane as part of BigSound, HEAVY sat down for some quality time with Nathan Coff (vocalist) and Nick Clavarino (drummer) for a chat that ultimately left just as many questions as it did answers.We ask what ATLVS hope to get out of the BigSound experience."As a band, I am very interested to see other acts playing," Clavarino answered. "Also, meeting like-minded people. Very interested to see… just from all sorts of bases. You've got your promoters, agents, sync agents, even roles I've never heard of before (laughs), so I'm just interested to meet every single person I can possibly meet and make some good connections."Further to that, we ask what BigSound means to Australian bands and the Australian music scene." I think it's awesome that we have this sort of thing in Australia," Clavarino began, "that is so focused on the future of music. It's the biggest thing like this in the Southern Hemisphere, obviously, so we're pretty lucky to be able to have that. BigSound gives a stage where artists can showcase themselves to people from all around the world and meet people in the industry and industry professionals."In the full interview, Nathan and Nick highlighted the importance of networking with other artists and industry professionals at BigSound, viewing it as a unique opportunity to showcase their talent on a global stage. The band promised to deliver a high-energy performance that stands out among numerous acts, drawing on their experience and professionalism.They also discussed their recent single Soulsucker, which has been well-received after a two-year hiatus, and mentioned that it is part of a larger project, though details were not provided. Nathan acknowledged the challenges of re-establishing the band's presence but expressed confidence in their loyal fan base and plans to engage with fans through social media platforms like Instagram and Facebook to maintain that connection and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Swedish metal outfit Ambush realized the secret to success early in their career and have been deferring to that template on a daily basis ever since. Not that you could call the love of a laugh and a good time an actual secret, but it is surprising how often bands forget that on their pathway through the music industry.Founded in 2013, AMBUSH continue to showcase their unyielding energy and intricate musicianship, establishing themselves as a force to be reckoned with within the underground heavy metal scene. The fact that they have gone relatively unnoticed in Australia is largely due to the wealth of quality bands coming out of Sweden, but trust me when I say if you love hard, dirty rock with an armour of metal, then your quest ends here. These guys are the real deal and emphatically prove this statement with a statement of their own.That statement is their new album, Evil In All Dimensions, which arrives on September 5. But don't let us sway your opinion. Just take a listen to vocalist Oskar Jakobsson, who joined HEAVY for a fun-filled chat earlier this week."I'm excited as I've never been before," he replied when asked how he is feeling about the new album. "I think this is a fresh start for Ambush, because we have two new members playing on this record, and they bring a lot of different creativity. That shines through on this album, I think, and it's the best we've done this far."We ask Jakobsson to dive into the musical side of Evil In All Dimensions."We play traditional heavy metal," he shrugged. "We call it heavy metal, and we want to play it simple, but interesting. This is kind of a trade-off. I mean, we want meat and potatoes, but we also want some béarnaise sauce on the side, if you know what I mean (laughs). So we try to fight hard for real music, as we call it. We play real instruments. We try to make this grassroots and organic all the way, and we do it with a smile on our face. We don't take everything so seriously all the time."In the full interview, Oskar spoke more about Evil in All Dimensions, which showcases contributions from new members and aims to blend traditional heavy metal with modern influences. He emphasized the album's emotional range and distinct instrumentation, while also expressing his commitment to preserving heavy metal culture amidst the loss of iconic musicians. Oskar announced the band's upcoming performances, including the Keep It True Rising festival in Germany and a European tour, with aspirations for a future tour in Australia.We talked about the singles and how they represent the album, how this is the beginning of a new chapter for the band, the musical climate that gave birth to the band and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

This week in the After Party, Jake looks into some of the rumors and conjecture surrounding the death of Ozzy Osbourne. Plus, we hear from you about your concert going experiences! On Tuesday, we're bringing our episode on Kendrick Lamar, and Jake wants to know: What artists have shown mercy, forgiveness or kindness? Share your thoughts at 617-906-6638, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or on socials @disgracelandpod. To listen to an extended version of the After Party and hear Jake and Zeth discuss Sharon Osbourne and the rumors around Ozzy's death, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: AC/DC Keith Moon Led Zeppelin To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Fresh off a wildly successful European tour, guitar virtuoso Bernth and bass wizard Charles Berthoud, undisputed masters of their instruments, have joined forces to bring their technical mastery, dynamic performances and jaw-dropping musicianship to Australia for 3 very special events.With over 4 million followers across their platforms, this will be a once-in-a-lifetime opportunity for fans to witness the guitar and bass heroes emerge from the screen onto the stage to perform together live. This tour is an unmissable event for fans of virtuoso musicianship and those eager to experience the real-life chemistry between these YouTube giants. Whether you're a follower of Bernth‘s intense technical guitar work or Charles Berthoud's genre-bending bass lines, this is a must-see show for music lovers and aspiring musicians.HEAVY was fortunate enough to spend time with both of them to talk more."I also have a YouTube channel," Bernth replied after Charles introduced himself. "That's what we both have in common. It's where we kind of met virtually, and we started playing roughly two years ago, just some one-off shows, then decided to do our very first tour this year. We started out in Europe, and in a couple of weeks we will be in China, South Korea, and then finally in Australia to end the next leg of the tour."Talk turns to their popularity on YouTube and how their musical paths entwined initially."I filled a couple of guitars with water to see what that sounds like and drilled some holes into others," Bernth explained, highlighting some of the experiments he has performed online. "And those videos often went viral because it looks quite interesting if you see like a drill going inside an acoustic guitar. That led to people actually checking out the music I played with those instruments, and that finally led to people wanting to see those videos or songs performed live. And that's also how we met.""One of his crazy ideas was to pitch shift his guitar down into a bass register," Charles took over, "which then led a lot of people to leave comments saying you should do something with Charles Berthoud. Then Bernth uploaded a video that said, My Problem With Charles Berthoud and that was an interesting way to start the day. The first thing I saw in the morning was that someone has a problem with me (laughs)."In the full interview, Charles and Bernth shared insights on cultural nuances and audience interaction with their music, emphasizing the tour's unique blend of music, banter, and challenges to engage attendees. Bernth recounted his journey from being a session musician in Austria to gaining popularity on YouTube through viral guitar experiments, while Charles reflected on their initial collaboration, which was seamless due to their thoughtful song arrangements.The conversation highlighted the friendly rivalry between bass and guitar, with Charles humorously asserting the superiority of bass. They both expressed excitement about their upcoming shows, aiming to create an immersive experience that showcases their individual styles and collaborative spirit and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersGerman guitarist Uli Jon Roth is renowned for his work with the Scorpions during their early, more experimental phase and for pioneering the neoclassical metal genre. He is also known for his innovative Sky Guitar design and his solo career exploring a unique blend of rock, classical, and philosophical themes.Roth joined the Scorpions during their formative years, contributing to albums like Fly to the Rainbow, In Trance, Virgin Killer, and Taken by Force, as well as the iconic live album Tokyo Tapes. These albums are all heralded in the history of Rock and Metal, with Tokyo Tapes being touted as one of the greatest live albums of all time, with Roth's guitar playing on those albums highly regarded for its precision and innovative style, influencing many later guitarists.Now, for the first time ever, Australian crowds get to witness the majesty of Uli Jon Roth when he hits this country for a run of three select dates this September. Uli will be performing a best of the SCORPIONS set, amongst other songs from his extraordinary catalogue, guaranteed to make up for lost time.Roth joined HEAVY earlier this week to find out more details. We start by asking why he has neglected Australian fans for so long."You know what, nobody asked us to come," he laughed. "So it's actually you, because we need an invitation if we want to play somewhere. I would have loved to come much sooner. Having said that, even the Scorpions - although they were so successful - even they found it difficult to get to Australia simply because of the logistics. When you tour America, you can do a month-long tour, and you have a big tour bus. You sleep at night, and then the next morning you're in Chicago, you know? I don't think that entire industry exists in Australia in the same way. You have to fly everything, and that makes it much more complicated to do a tour and more expensive."We bring up Roth's time with the Scorpions and ask how that period shaped the rest of his life and his musical career."I was only 18 when I joined," he recalled. "It very much shaped my life because it was my artistic apprenticeship and also learning the ropes in the music business. Learning how to do an album, how to write songs, all that came together in those five years. And we had a great time. You know, it was wonderful. I've got only good memories. It was just at the end, I started to write music that really didn't fit the framework anymore."In the full interview, Uli Jon Roth discussed his upcoming tour to Australia and Japan, with Uli explaining the tour logistics and musical direction for each leg. We explored Uli's history with the Scorpions and his decision to leave the band to pursue his own artistic vision through Electric Sun and classical compositions.We talked about why, after all these years, he is finally coming to Australia and what fans can expect. He discussed curating a set list to appease longtime followers, Tokyo Tapes and his thoughts on the live album, plus his other musical passions. The conversation concluded with a discussion of Uli's influence on other guitarists and his perspective on musical collaboration and learning.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela Croudace*CONTENT WARNING - Swearing and Mention of Suicide/Self Harm*Australian heavy metal veterans Temtris return with their powerful eighth album, Queen of Crows, a record built around the theme of good and bad consequences. Vocalist Genevieve Rodda and guitarist Foxy explained that the concept was inspired by personal experiences and reflections on how life's choices affect us and those around us.While their previous release, Chaos Divine, delved into a sci-fi dystopian world, Queen of Crows stays rooted in raw human struggles. Rodda described the writing process as emotionally charged, pointing to Scars of Betrayal, which confronts bullying and self-harm. Written about her own daughter's struggles, it remains one of the band's most personal songs to date.Musically, Temtris continue to evolve while remaining true to their heavy metal roots. “We try to push our boundaries every album,” Foxy noted of their collaborative writing approach. The record blends crushing riffs with Rodda's soaring vocals, as heard in tracks like Carnival of Tears and closing epic The World Is Bleeding, a critique of greed and consumerism framed within powerful fanfare.Beyond the studio, Temtris take pride in delivering authentic, high-energy performances. At a time when many bands rely on backing tracks, they remain committed to live musicianship, valuing the thrill of pulling off challenging songs on stage.The band is preparing for a return to Europe in 2025 with festival dates already being locked in. There's also talk of a long-awaited vinyl pressing of Queen of Crows. With honesty, passion, and resilience, Temtris prove that heavy metal's heart still beats strongest when fueled by authenticity.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

It's scary to think that British metalcore outfit Architects are just hitting their stride eleven albums in.Having completed two Summer runs with Metallica in the lead up to their latest masterpiece The Sky, The Earth & All Between, Architects took stock of their career to date and set out to make the definitive Architects release.“It wasn't about just putting out another Architects record. It had to be the record—the one people talk about when they talk about our band,” frontman Sam Carter said at the time. Bandmate Dan Searle echoed this sentiment: “What we're trying to say is that we had to make the quintessential Architects album—bringing together all our best qualities and everything we excel at.”Their last couple of albums - For Those That Wish To Exist and The Classic Symptoms of a Broken Spirit - had been about attempting the new. When those records performed well critically and commercially, that was their green light to pursue whatever they wanted to. So, they resolved to channel the lessons learned from innovation into making something that felt like the pinnacle of what Architects have long been evolving towards. And they achieved that emphatically with The Sky, The Earth & All Between winning over fans and critics around the world.Now, Australian fans get to experience that rebirth in the flesh with Architects headed this way for three select dates starting in Melbourne on December 11. Not only that, they will be bringing House Of Protection, who recently wowed crowds over here on a support run with Bad Omens, and emerging outfit President, who promise to balance the trifecta. HEAVY caught up with Architects bass player Alex Dean to get the full rundown."It's been a little while since we've been over, so yeah, we're really stoked to get back," he enthused. "We're having a lot of fun playing these tracks. It's always fun getting out and playing new records, but it feels really like people are engaging with the songs."Architects are a band who, despite having their core sound, have always been unafraid to experiment musically on each record. We ask Dean about that approach and how much musical growth he feels the band have left in them."We're always trying to push ourselves," he replied. "And I think as soon as - for a metalcore band with two guitars, bass, drums - as soon as you start adding electronic elements to it, the musical world is your oyster, because there's just so many things you can try. We've done records where we experiment a lot with orchestral sounds, and that might be something we revisit again. But we just try and do what's exciting for ourselves, really."In the full interview, Alex expressed excitement about returning to Australia after a couple of years and highlighted the positive reception of their new album, The Sky, The Earth and All Between. He elaborated on the band's evolution in sound, emphasizing their confidence in creating music driven by instinct rather than external influences. He mentioned their willingness to experiment with various musical elements, facilitated by advancements in technology.We spoke about what has changed with the band since they last toured Australia, what we can expect from their shows, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Author Greg Prato on the firing of Dave Mustaine from Metallica in 1983.Listen to Episode 310: The Rise Of Megadeth: 1983-2002---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com

Interview by Kris PetersAs with every other year, anticipation surrounding the first line up announcement for Good Things 2025 was almost at a fever pitch. Social media experts and promoter wannabe's all shared their projected line-ups - but most were well off the mark.Good Things is possibly one of the hardest festival line ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.Rock? Tick. Weezer, Garbage.Pop Punk? Tick. All Time Low, New Found Glory.Punk? Tick. Refused.Metal? Big tick. Machine Head. Knocked Loose, Lorna Shore.But there was one band name there that defied expectations. A band not even from this planet. A band dubbed 'Scumdogs Of The Universe'. A band like no other…And that band is GWAR. These guys have been devastating audiences the world over for more than 40 years, their incredible backstory and characters resonating just as much as their music. But it is in the live arena that GWAR excels. Their stage shows are legendary, so much so that filmmakers were driven to make a documentary on the band and their history called This Is Gwar.Yes, ladies and metalheads. This IS GWAR. And what follows is a brief transcript of HEAVY's interview with frontman Blöthar the Berserker, who, as you will be able to tell, is keen to get back to Australia and convert the country en route to enslaving the world. With Good Things sharing the same calendar month as Christmas, we ask Blothar if GWAR will be filling their red sacks with surprises for Aussie fans."(laughing) Well… mostly, when it comes to Christmas, we don't really hand out gifts as much as we take them," he offered. "Gwar is keeping alive that horrible tradition that the Dutch have, Black Pete. Can you believe that they did that? Who do these people think they are? But, seriously, that's what we do. We kidnap children, and we stuff them into stockings, and we turn them into coal and all of that stuff, then we run off with them to Morocco, or something like that. GWAR's not big on Christmas. We are friends with Krampus, though."We run through the line-up again and reiterate our early observation that GWAR are the proverbial black sheep of the Good Things line up, a point which is not lost on Blothar as we ask if the people of Australia are ready for the carnage."I don't know. They loved it last time that the band went down there," he shrugged. "We took a swipe at Tony Abbott and everybody got all upset - boo hoo - but I don't even know what's going on politically in Australia now. We've been very busy… we've got our own problems here to worry about. I think Australians are gonna love GWAR. GWAR is a band that is funny. That's the difference. And let me be clear about that. You go see a heavy metal band… you don't go and see a lot of heavy metal bands where everyone you look at is smiling. They're laughing and having a good time. They can't believe they're seeing… they feel inspired to go and do something creative themselves. That's what GWAR is. That is what GWAR is."In the full interview, Blothar talks more about the line up and gives his thoughts on spreading so many different genres through a festival, what has changed with GWAR since they were last out here, battling the oppressive Australian heat, what three songs punters should listen to if they aren't familiar with the band, where to research the backstory and find out more about the GWAR universe, their latest album The Return Of Gor Gor and how it was received, reaching 40 years as a band and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudacePost-rock outfit In Transmission are back with their new EP, Betterment, a record that blends atmospheric beauty with an urgent social conscience. Frontman Martin says the inspiration behind lead single Catching Up (and the EP as a whole) comes from observing a world plagued by environmental and civil issues, often met with apathy.“When it's out of sight and out of mind, it's easy not to care,” Martin explains. “But if we ignore these things and just focus on our own individual lives, it's going to catch up to us.” That message of personal accountability, particularly through mindful spending and daily decisions, threads through the band's latest work.Betterment also represents an evolution in In Transmission's sound. Known for their instrumental, post-rock style, the group has embraced a more vocal-forward approach, blending melodic guitar layers with a heavier edge. “It's about trying to do better in all aspects — creatively and personally,” Martin says. “We've naturally gravitated toward a heavier live set, but still hold onto the atmospheric elements.”Recorded with longtime collaborator Beau Burchell, the EP benefited from Burchell's ability to enhance rather than overhaul the band's ideas. “He just takes what we have and makes it sound way better,” Martin notes.The writing process remains rooted in live jamming, with songs developing organically — sometimes in a single rehearsal, other times through extensive trial and error. Influences range from post-rock staples Mogwai and Sigur Rós to post-hardcore acts like Thrice, Citizen, and Basement.The Catching Up music video, filmed in a Los Angeles photo studio, takes a simple performance setup and adds a playful twist in the form of a motorised rotating floor. “It started as a joke,” Martin laughs, “but ended up being some of the coolest shots.”While touring is on hold due to new arrivals in the band's extended family, Martin hopes Australia is in their future. A keen surfer, he dreams of spending a month exploring the coastline. “That's why I haven't gone yet — I want to do it properly.”For now, Betterment captures a band balancing introspection and intensity, with music that resonates as much in a wedding aisle as it does in a packed venue. Watch the interview for more on the sweet request from a fan to walk down the aisle to an In Transmission song.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Dive deep into the history of one of heavy metal's most iconic bands - Megadeth. From their humble beginnings after Dave Mustaine's split from Metallica to their unrivaled success, author Greg Prato sheds light on this legendary journey.Purchase a copy of The World's State-Of-The-Art Speed Metal Band: The Megadeth Story 1983-2002Find Greg Prato's articles at the Ultimate Guitar website  ---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Metalheads!! Gabe answers the fire's call with his May pick.

Metalheads!! Tracey is in full effect with his pick for May.

Zes Losse Tanden élke week op donderdag horen? Support de show door voor €3,- per maand je petje af te nemen! Je bent dan onderdeel van de club van 716 vrienden van de show die deze podcast mogelijk maken. Je krijgt TWEE EXTRA afleveringen per maand en toegang tot de officiële Discord server voor nog veel meer muziektips! Als je viking wordt voor een tientje per maand, valt er elk half jaar zelfs een uniek Zes Losse Tanden t-shirt op je deurmat. Hier moet je wezen: petjeaf.com/zeslossetanden. --De shirts, stickers en truien bestel je hier: https://hetpodcastkantoor.bigcartel.com/ Zes Losse Tanden is te vinden in alle podcasts-apps en op Spotify, maar ook gewoon in je browser. Voor alle linkjes kijk je op: www.zeslossetanden.nl De liedjes uit deze aflevering en die van de afgelopen paar shows vind je in deze Spotify-playlist: https://playlist.zeslossetanden.nl Mocht je Apple Music gebruiken, heb je geluk dat luisteraar Chefke een lijstje bijhoudt: https://tinyurl.com/w54wef8Als je via YouTube Music luistert heb je geluk dat luisteraar Joris er is: https://tinyurl.com/jorisisgekMocht je diep willen graven in oude afleveringen is hier ook het grote Zes Losse Tanden MEGA-ARCHIEF: http://archief.zeslossetanden.nl Peter van der Ploeg is chef van de muziekredactie bij NRC: www.instagram.com/heepvdpGert-Jan van Aalst is marketingmanager bij Verstappen.com: www.instagram.com/gjvanaalstDavid Achter de Molen is zanger van John Coffey en maakt podcasts: www.instagram.com/davidadmolen Foto's van onze hoofden in de studio vind je op Instagram: www.instagram.com/zeslossetanden Hosted on Acast. See acast.com/privacy for more information.

Metalheads!! David brings big Polish energy to his May pick.

Today we catch up on news, discuss the recent Epstein news in regard to Trump, JBP talking UFOs, the infamous KY vampire tale, recent boomer issues and rants, and Tristana reels. I will be speaking at this conference! Get tickets here https://southernorthodox.org/conferences/3rd-annual-conference/ Send Superchats at any time here: https://streamlabs.com/jaydyer/tip Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join PRE-Order New Book Available in Sept here: https://jaysanalysis.com/product/esoteric-hollywood-3-sex-cults-apocalypse-in-films/ Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY44LIFE for 44% off now https://choq.com Lore coffee is here: https://www.patristicfaith.com/coffee/ Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyer Music by Amid the Ruins 1453 https://www.youtube.com/@amidtheruinsOVERHAUL Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join #comedy #trump #podcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.

Today we catch up on news, discuss the recent Epstein news in regard to Trump, JBP talking UFOs, the infamous KY vampire tale, recent boomer issues and rants, and Tristana reels. I will be speaking at this conference! Get tickets here https://southernorthodox.org/conferences/3rd-annual-conference/ Send Superchats at any time here: https://streamlabs.com/jaydyer/tip Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join PRE-Order New Book Available in Sept here: https://jaysanalysis.com/product/esoteric-hollywood-3-sex-cults-apocalypse-in-films/ Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY44LIFE for 44% off now https://choq.com Lore coffee is here: https://www.patristicfaith.com/coffee/ Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyer Music by Amid the Ruins 1453 https://www.youtube.com/@amidtheruinsOVERHAUL Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join #comedy #trump #podcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.

Metalheads rejoice for it's time to listen to the best material of 70s era Judas Priest as we continue our In 40 Minutes series. Call for the Priest if you want to rock forever!!! Side One Sad Wings of Destiny (1976) (0:00) Tyrant (4:26) The Ripper Sin After Sin (1977) (7:14) Let Us Prey / Call For the Priest (13:25) Sinner Side 2 Stained Class (1978) (20:07) Stained Class (25:28) Savage Killing Machine (1978) (28:56) Running Wild (31:55) Rock Forever (35:15) Hell Bent For Leather

R.I.P. to the Prince Of Darkness Ozzy Osbourne. So much music, so many memories. Share your memories in the comments below. When did you first hear Ozzy's music? Favorite concert? Favorite song? Let's remember together.

Metalheads!! Ben's pick for an album released in May is the latest by The Haunted.

Metalheads, tonight we gathered to discuss the recent passing of Ozzy Osbourne, reflecting on his profound impact on heavy metal music and our connections to his work. We explored Ozzy's legacy, including his influence on other artists, his role in shaping the music landscape, and his unique combination of being both intimidating and self-deprecating. The conversation concluded with our appreciation for Ozzy's dedication to performing until the end and his lasting influence on the music industry.

On this, the day of our deity of reciprocity, we gather to give special thanks to our treasured Midyear Sun. As an offering for our Podfather, we will today surrender 20 heavy metal albums. As Metalheads take, so Metalheads also give.

Metalheads!! David once again pretends not to like tech death for his April pick.

***SID STRATTON TOURING RIGHT NOW -- CLICK HERE FOR DATES***Ryan and Sid from SID STRATTON stop in to give us a much needed dose of METAL! If you're still buzzing from that last Ozzy show...I'm right there with you, and this is the perfect remedy for that!In this episode, we discuss the Florida scene vs. California scene, misconceptions about metalheads, the main goals for touring these days, favorite song off the latest record, the difference in songwriting from the debut record, how Ozzy is the GOAT, and how metal is nothing more than "evil" theatrics & fun.Follow Sid Stratton on INSTAGRAM, YOUTUBE & SPOTIFY and get their tunes on BANDCAMP.➤PLAYLIST:1. Ashes to Diamonds - Sid Stratton2. Censored - Sid Stratton3. Let Sleeping Corpses Jive (ft. Dan Sugarman) - Sid Stratton➤SUPPORT ME:⭐*SUBSCRIBE TO PODCAST ON YOUTUBE*⭐✍️ LEAVE A REVIEW & FOLLOW ON OTHER PODCAST PLATFORMS!⭐*CHECK OUT MY MENTORSHIP*⭐➤I ENDORSE:🎥 LIVE RECORD WITH CART_MUSIC IN PHILLY🛹 HELP LURKING CLASS SKATE SHOP (aka Best Music Scene RN)➤MY AFFILIATES:💪 JOIN PLANET FITNESS FOR $1📶 $20 OFF VISIBLE PHONE PLAN [Code 3RV7LB2]♨️ STEAM UP IN A SAUNABOX

Metalheads!! Gabe dons his leather jacket, lights a filterless cigarette, and rides out on his motorcycle to bring us this Italian album.

Metalheads!! Ben welcomes us to a Violence Dimension in his pick for an album released in April.

Metalheads!! Tracey's pick for an album released in April is a Colorado melodic tech death release.

Metalheads!! Tracey wanted us to finish off the offerings for Oceans of Slumber that we hadn't reviewed. So here it is.

Metalheads!! It's time for a totally tubular romp through the '80s metal scene.

Metalheads!! Things get weird, and we have a guest pick the band and the albums for this episode.

Metalheads!! Another long play for your long weekend. This time, we are talking about proto-metal albums from before each of us was born.

Metalheads!! Old head Ben is back at it (sadly, the it isn't editing or uploading on time) and has chosen more 1990s metal to inflict on the pod.

Metalheads!! Gabe's pick for an album released in March is the latest by Teutonic thrash legends Destruction!

Metalheads!! It is a long weekend and Ben finally got off his ass to upload stuff. As you celebrate (or mourn, given what is going on), July 4th, here is another heaping helping of our nonsense. Tracey's concept for this bag is to pick something that the person after you will give an A.

Metalheads!! Ben has been slacking, and after a long hiatus, we return with a backlog of album reviews for your approval. First up is Gabe's pick for a discography blast, the Japanese experimentalists, Boris.

Welcome back, comic crusaders and digital daredevils! This week on Play Comics, we're diving into the gloriously chaotic world of Heavy Metal: Geomatrix for the Sega Dreamcast—a game that asks, “What if Heavy Metal magazine became a button-mashing arena brawler with enough explosions to make Michael Bay jealous?” Released by Capcom in 2001 and featuring the wild art of Simon Bisley, this four-player deathmatch extravaganza throws you into a 23rd-century future where VR-addicted humanity battles it out in submerged cities, all while capturing the magazine's signature blend of sci-fi, fantasy, and “did my mom just see that?” moments. Joining us for this high-octane journey through neo-cyberspace mayhem is none other than our beloved returning guest Billy – yes, the same mysterious internet hermit who graced us with his presence during our previous mecha-focused episodes covering Gundam Battle Assault 2 and Gundam Wing: Endless Duel. Billy's back to help us navigate the testosterone-fueled battlegrounds of teams like the 818 Stompers, 991 Elite, 707 Metal Heads, and 323 Agents, because apparently in the future, gang names are just random numbers followed by edgy nouns. So grab your favorite energy drink, prepare your best robot voice impressions, and settle in for another episode where we discover if this Dreamcast gem was a faithful adaptation or just an excuse to watch scantily-clad warriors duke it out with bazookas and laser swords in the name of preserving humanity. With Billy's expert commentary on all things giant robot-adjacent, this promises to be more entertaining than watching someone try to explain the plot of Heavy Metal magazine to their grandmother! Learn such things as: Can nano-technology make terrible character names sound cooler? Is it possible to have too many weapons in one arena, or is that just quitter talk? How many metal bands does it take to make a video game soundtrack truly “heavy”? And so much more! You can find Billy nowhere online because he's a hermit who hides out in those secret places of the internet that only we know about. If you want to be a guest on the show please check out the Be a A Guest on the Show page and let me know what you're interested in. If you want to help support the show check out the Play Comics Patreon page or head over to the Support page if you want to go another route. You can also check out the Play Comics Merch Store. Play Comics is part of the Gonna Geek Network, which is a wonderful collection of geeky podcasts. Be sure to check out the other shows on Gonna Geek if you need more of a nerd fix. You can find Play Comics @playcomics.bsky.social on Bluesky, @playcomicscast on Twitter and in the Play Comics Podcast Fan Group on Facebook. A big thanks to the Kickstarter campaign for Starlite and The Last Comic Shop Podcast for the promos today. Intro/Outro Music by Backing Track, who  couldn't make a better soundtrack for this game. But he could come pretty close.Read transcript

In this no-BS, episode of The Extreme Personal Finance Show, Chris sits down with librarian, musician, and metalhead financial rebel Jessie May—author of Money Hacks for Metalheads and Old Millennials. From DIY gig life to decoding Roth IRAs and the broken promises of the American Dream, Jessie shreds through the noise to deliver practical, empowering money advice for those who feel like the system's working against them.What You'll Learn:Why investing felt intimidating—and how Jessie took control anywayHow bartering your skills can build wealth and band momentumWhat the new American Dream might look like todayWhy childcare, housing, and healthcare are crushing the middle classSmart tips for budgeting, saving, and keeping your freedomJessie's approach to low-cost investing (hello, VTI and S&P 500)The truth about systemic inequality, and financial literacy gapsWhy tracking expenses and using Google Sheets still slaysContact Chris:https://heavymetal.moneyhttps://www.facebook.com/MoneyHeavyMetalhttps://x.com/MoneyHeavyMetalhttps://www.instagram.com/chrislugerhttps://www.tiktok.com/@heavymetalmoneyemail: chris at heavymetal.moneyResources and Links:Money Hacks for Metalheads and Old Millennials: The Revised and Expanded Second Editionby Jessie May https://amzn.to/406ZC7GJessie's IG@jessiemayonthewebJessie's Substackhttps://jessiemay.substack.comOwl Makerhttps://www.youtube.com/@owlmakerSimple Path to Wealth: Your road map to financial independence and a rich, free lifeby J L Collins https://amzn.to/45u7ofEAmy Tung Barrysmith from Year of the Cobrahttps://www.facebook.com/amy.tung.barrysmith/Turkey Vulturehttps://turkeyvulture.bandcamp.com/album/dead-to-mehttps://www.youtube.com/@turkeyvulturebandJessie Mayhttps://jessiemay.bandcamp.com/album/this-dreamSubscribe to the podcast and leave us a 5-star review if you're ready to fight back against the financial system—with guitars, spreadsheets, and unapologetic energy.

This episode we welcome back Dennis Mikula of Ghost Bath! We talk about the creation of his band's new album, Rose Thorn Necklace, how he started his vaporwave label, Geometric Lullaby, why sad depressing music soothes him, and how his obsession for writing songs can sometimes be a health risk.  Dennis also helps us break down Metal News, New Releases, What We're Listening to and Picks from the Crypt. Plus, for the first time on the podcast, two live albums get locked in the Metal Thunderdome, courtesy of Jay.

Rock Soldiers! This one is for the Metal Heads! But it's also for the Horror Freaks! Mike Schiff is here to talk about his amazing documentary The History of Metal and Horror. We dive into what brought this documentary about, his love of horror, how he got into metal himself, and how these two things seemingly have always gone hand in hand. Within his documentary you'll hear from guests we've also had here on ABAOpod such as Wednesday 13, Michael Berryman, Ace Von Johnson, and CJ Graham as well as some favorites of our listeners like Chris Jericho! So sit back and enjoy a little glimpse into The History of Metal and Horror!

This episode our friend Nick Pingel joins us to chat about how he first discovered the Metalheads Podcast, the power of underwear hugs and what the metal scene is like in Iowa. We also reminisce about our time at the recent Decibel Metal and Beer Fest in Philly and break down Metal News, New Releases, What We're Listening to and Picks from the Crypt. Plus, in one of the most personal segments ever recorded on the podcast, we reveal the real life stories behind our Top 5 Albums That Make Us Feel Nostalgic