Podcasts about metal podcast

Soulfly have long been a force unto themselves, spearheading the movement of groove metal over twelve previous albums, integrating tribal elements into metal with a passion and genuineness that is as undeniable as it is brutal.Proudly wearing his Brazilian heritage as a badge of honour, frontman Max Cavalera has overseen Soulfly since its inception, consistently raising the sonic bar with every new body of work. This trend looks set to continue with the impending release of Chama on October 24.The album is already being touted by those who have heard it as a return to the roots of Soulfly; a return to the gritty rawness that accentuated their early albums such as 1998's self-titled effort as well as Primitive, 3 and Prophecy. Capturing the essence of tribal lore in every breath of music, Soulfly are at their best when singing about their core ideologies, with Cavalera leading the charge with honest, meaningful appraisals of lost lives, land, and heritage.Max himself has already said, "I'm excited to present it to long-time Soulfly fans, it's a revival of our original sound", a statement which may seem casual enough but is also one which has sent scores of fans around the world in musical raptures of anticipation.HEAVY recently caught up with Max to go into greater detail. We start by asking if, after 13 albums with Soulfly and countless more with other projects, he still gets the same feeling of anticipation that accompanies an album release."Oh yeah," he replied instantly. "No matter how many albums you make, it's always the same; there's nervousness and anxiety. I probably have a bunch of ulcers from making records, but it's a cool excitement. It's fun. You're proud of the thing, you want to hear what people think of it because that's what fuels it. Everything that we do is for the fans to enjoy what we do, you know. But I think right now, Soulfly is being more inspired than ever before. I think this is a really good moment in Soulfly; a really inspirational moment to make a record like Chama. And the record is full of very strong songs and full of tribal grooves, kind of back to the tribal beginnings of Soulfly with a lot of real cool noise stuff in it, which makes it more modern. I've been joking that this album feels like tribal technology. You have the tribal beats, but with technology on top of it. If you love Soulfly, this album is definitely for you. This is an album made for Soulfly fans. If you don't like Soulfly, don't even waste your time."In the full interview, Max further shared his excitement and anxiety about Chama, emphasizing its strong songs and a return to tribal influences, blending traditional beats with modern technology. He noted that the album is tailored for dedicated fans, with themes reflecting Brazilian culture, including songs in Portuguese and narratives inspired by personal and historical experiences. Notable tracks like Always Was Always Will Be and Indigenous Inquisition were highlighted for their experimental sounds and thought-provoking content, addressing issues such as the genocide of indigenous tribes.Max also discussed the collaborative nature of the album's creation, involving his son Zyon as a producer, which brought a fresh perspective to the music. He expressed pride in the familial contributions to the project and the emotional challenges of writing authentically. The conversation included details about the upcoming Australian tour featuring Soulfly, NailBomb, and Snot, with Max expressing enthusiasm for the setlist and the opportunity to connect with fans. Overall, the album represents a significant moment for Max and Soulfly, capturing the essence of their musical journey while looking forward to future endeavours.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Two decades into their career, Ohio metalcore outfit The Devil Wears Prada are still intent on exploring their sonic boundaries. Despite - as most bands do - having a core, recognisable brand of music, The Devil Wears Prada remain unrestrained by the confines of expectation, preferring to allow their creativity to dictate the direction of their music rather than expectation.This has never been as evident as with The Devil Wears Prada's upcoming ninth album, Flowers. The new album marks the start of an incredibly epic cycle and phase for the band, representing perhaps their most significant creative leap forward yet.HEAVY sat down with vocalist Mike Hranica for some clarity."This one has been years and years in the works," he began, "even since the record was finished being mixed feels like years ago, but that's an exaggeration (laughs). We're excited for folks to hear it."We ask Mike to tell us more about the epic new cycle of the band alluded to in the press release."In terms of looking at the cycle, what we just did with Color Decay coming out of the pandemic was certainly unprecedented compared to the seven other full-lengths we released every year or so," he measured. "We really looked forward to this cycle. We feel like we're in stride in terms of the band and marking 20 years in and full steam ahead."Talk turns to the musicality present on Flowers."There's a lot of pop sensibilities," he offered. "When you look at the genre and the label of metalcore, you think of the heavy with the singing. When I think about what this record is, I think it leans a little bit rocky - at least from the exterior - but there are certainly songs that by all means fit the metalcore description. I think it's very chorus-oriented and working with the pop sensibilities to the choruses and the theatrics having more of a place than ever."In the full interview, Mike dives deeper into the musical side of Flowers, details how it marks the start of an epic new cycle for the band, runs us through the dual single release and accompanying short film and how they lay the sonic platform for what is to come.He discusses the opening track That Same Place and the thought process behind it, the meaning behind the title, whether Flowers is an overall representation of hope or despair, their continued musical evolution and how it stands The Devil Wears Prada amongst their peers, their upcoming tour of Australia with Bullet For My Valentine and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

By Angela CroudaceGerman melodic death-doom outfit Nailed to Obscurity have just released their highly anticipated new album, Generation of the Void. For frontman Raimund Ennenga, the record represents the band's boldest and most diverse work yet.Following the critical success of Black Frost, the group set out to explore wider sonic territory. “We wanted the next one to be more diverse, more dynamic,” Ennenga explained. “On one side, you have the extremity of Glass Bleeding with blast beats, and on the other, songs like Allure, which is a full ballad. We even pushed into more accessible territory with tracks like Spirit Corrosion, which I would call catchy in a way.”This push into new territory demanded that Ennenga redefine his own vocal role. Known primarily for his harsh delivery, he embraced clean vocals more extensively than ever before. “I had to find the sweet spot for my voice,” he said. “It feels like more mature singing now, and we really wanted to make sure it worked both on the record and in a live setting.”Recorded across Woodshed Studio in Germany and Jacob Hansen's studio in Denmark, the album benefits from a balance of fresh experimentation and polished production. Hansen's calm yet meticulous approach provided the final layer of refinement. “It's still unbelievable that this is our album,” Ennenga admitted. “Jacob was on our wish list for years, and he lifted the songs to a new level.”Lyrically, Generation of the Void reflects a more cinematic scope while also resonating with the turbulence of recent years. Themes of isolation, social unrest, and emotional weight run throughout, offering listeners both intensity and catharsis.Though no Australian tour is currently locked in, Ennenga expressed the band's enthusiasm: “We would love to come down under one day—it would be really special.”Generation of the Void is out now.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Melbourne-based crust-death outfit KÜNTSQUÄD (pronounced Kountskard) announced themselves with their self-titled 2022 debut album, selling out multiple pressings and ushering in a new era of extreme style Australian music. It was an album laced with brutality and unflinching honesty that was as much a declaration of war as it was a statement of intent.Fast-forward three years and KÜNTSQUÄD return with a new, heavier mission, delivered in the form of their follow-up album Satan's Cock. Satan's Cock is an album that pulls no punches, offering up an intense sonic battering that fuses crust punk's raw chaos with death metal's guttural power, laced with blackened grime and a signature streak of unbridled discontent. With their sharpened edge and unholy vision, KÜNTSQUÄD prove once again that there are no genre walls—only a relentless descent into weaponized sonic depravity.HEAVY sat down with vocalist Paula VC Damnzal and guitarist Nikronomicon Satanik to journey deeper down the rabbit hole."I think it was a concerted effort," Paula replied when we asked her to dive deeper into the new album. "We took a lot more time this time to actually finish it. When we started the recording - which is probably more than two years now - the intention was to do four songs. We put four songs down, and it sounded like crap, and we thought, no, we've got to start again. And then we had some dramas, and our engineer also had some issues, so long story short, basically, we started again. We wrote some more songs, down-tuned again just to get it right, because the last release was a bit… We weren't expecting a record to be honest, so it was done in a very rushed way. So this time round, we took a lot more time and did a bit of a critical review, where we were kind of going with it, and solidified what we'd already been doing. But it just needed to be more direct, because not everyone got it. But this time it was a lot more measured in how we did it."In the full interview, Paula and Nick further highlighted the band's commitment to a more refined production process, resulting in a heavier and more cohesive sound that reflects their goal of musical progression with each release. Nick noted that the album maintains a consistent style, addressing past challenges in genre categorization.They elaborated on the complexities of merging various metal genres while striving for originality, emphasizing the collaborative effort of each band member in shaping the album's sound. The conversation also covered their upcoming tour, starting in Perth and extending to Melbourne and other locations, with fans encouraged to follow their social media for updates on tour dates and information.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

It's hard to believe that a band who have dominated the global metal landscape for more than 35 years would be about to embark on their first ever Australian tour. Hard to believe, but also true in the case of England's most disconsolate export, pioneers and kings of doom metal, MY DYING BRIDE.Well known for haunting atmospheres and sorrowful tones whilst balancing uniquely heavy, desolate riffs with melancholic melodies, MY DYING BRIDE redefined musical misery with their earlier albums Turn Loose the Swans (1993), The Angel and the Dark River (1995) and Like Gods of the Sun (1996). A consistent flow of exceptionally sombre albums and EPs have followed, with highlights including The Dreadful Hours (2001), A Map of All Our Failures (2012), and today they continue their endless suffering like no other band of this ilk can.Aussie fans finally get the chance to see My Dying Bride live this month (September) when the band makes the trek Down Under for two select dates in Sydney and Melbourne. To commemorate the occasion, HEAVY sat down for a great chat with guitarist Andrew Craighan."We're about to come to Australia for the first time in our 35-year career or existence or whatever you want to call it," Andrew reiterated, "so we're all really quite excited about that, and some of us are still in shock that it's finally happening. Some of us are still shocked that it's happening at all (laughs)."We ask Andrew what he is expecting from Australian crowds, warning him that we do get a little crazy at times."I'm expecting that actually," he laughed, "and we're hoping that we can just hold it together to get the set done. We'll be happy with whatever takes place. These two shows that we're doing are very up close and personal type club shows. It's not like the festivals that we sometimes play in Europe, where the crowd's massive, and you're 20 feet away from everybody and 40 feet up in the air as well sometimes. So we appreciate it's very much a club show, and we haven't done many of them in the last few years, so for us, it's going to be almost like a blast from the past. We'll be going back in time to when people were really keen and really close at the same time, so it should be interesting."In the full interview, Andrew talks more about the tour and what we can expect, why it has taken this long for My Dying Bride to make it to Australia, what the set list will look like, new vocalist Mikko Kotamaki and why he was selected, how crowds have been responding to him, My Dying Bride moving forward, the early days of the band and where they fit in, if creating music gets easier or harder the more you put out, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceAustralian heavy outfit Arkangel are charging into a bold new chapter with their latest single, Haunting My Dreams, set for release on September 5. The track marks a defining moment for the band, not only in sound but in ambition, and features a powerful collaboration with electro-driven artist Misstiq.For vocalist Jake Harrop, the collaboration was a dream realised. “I'd always wanted to work with Misstiq—her synth work is incredible, and she brought a whole new energy to the track,” he explains. “We already loved the song before she jumped on it, but when she added her vocals and flair, it just took it to another level.”The single was produced by ARIA-nominated songwriter and producer Callan Orr, who Harrop describes as “like a fifth member of the band,” and accompanied by a visually striking music video filmed at Melbourne's historic Old Jail with acclaimed director Colin Jeffs. “If we were ever going to go all out, this was the one to do it for,” Harrop says. “It's our favourite song we've written so far, and we wanted everything around it to match the scale and intensity.”Since forming in late 2022, Arkangel have been quick to make their mark, with their debut EP racking up over 250,000 streams and a relentless schedule of nearly 30 shows across Australia. The band's unique blend of crushing heaviness and atmospheric synths has earned them both a loyal fan base and the respect of peers in the heavy scene.Looking ahead, Arkangel aren't slowing down. With more singles already in the works, including additional collaborations and a return to the studio immediately after this release, the band is focused on pushing boundaries. Fans can also catch Haunting My Dreams live at Ark Fest on November 1, where Arkangel will headline alongside a stacked line up.Tickets are available now via Oztix.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

As with every other year, anticipation surrounding the first line-up announcement for Good Things 2025 was almost at a fever pitch. Social media experts and promoter wannabe's all shared their projected line-ups, but most were well off the mark.Good Things is possibly one of the hardest festival line-ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line-up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.Rock? Tick. Weezer, Garbage.Pop Punk? Tick. All Time Low, New Found Glory.Punk? Tick. Refused.Metal? Big tick. Machine Head. Knocked Loose, Lorna Shore.Amongst the impressive international bands on display is a large contingent of Australian bands who will be representing at Good Things. One of whom is Windwaker, who have just released the crushing new track Victory Lap. The Melbourne-based metalcore outfit are deservedly riding a tidal wave of success following the release of last year's genre-bending album Hyperviolence. The album catapulted the band into the ears of a global audience, in the process earning them a nomination at this year's APRA Awards alongside touring opportunities both local and abroad. The album - which was the first featuring Liam Guinane as lead vocalist - showcased the evolution within Windwaker's sound, tearing at the foundations of sonic tapestries to reveal a convoluted yet accessible underbelly that was as refreshing as it was unique.The flow on effect from that album has seen Windwaker lead the charge of Aussie acts at Good Things 2025, with Liam sitting down with HEAVY to go over a whirlwind last 18 months. The band have previously played festivals such as Download, UNIFY and Knight & Day, but we state the obvious by remarking that no matter how often it may happen, Liam would never get sick of seeing the name 'Windwaker' on the poster."No, I want to see it more often," he laughed. "I'm so stoked to be part of this line-up. We've played Good Things once before, but I think this is probably my favourite line-up of theirs put together. That's not just because I'm on it, I think it's just a great round of bands."We ask about the mentality backstage between Australian bands and their international counterparts, and if it ever seems like an 'us against them' type of situation."It can be," Liam laughed again. "It's case by case with every band. Some keep to themselves and do their own thing, while there's others that are very friendly and talk to you. It's always different. I think the artist area is where a lot of the mingling happens. When you're backstage, as such, everyone is acting like security guards for their gear (laughs), and they're just staunching everybody. For the most part, everyone is really nice, but you're right, the Aussies gravitate to the other Aussies. I guess it's just a bit of a natural thing that happens."In the full interview, Liam talks more about the eclectic assortment of artists and genres and why he prefers a festival like that rather than one with a more common mixing of genres. We talk about the high number of Australian bands playing and how it represents local music on a global stage, his tips for surviving Good Things, what songs from Windwaker to listen to in preparation for the show and what we can expect from their set.Talk turns to Windwaker's new single Victory Lap and it's sensational music video, whether it is a standalone single or part of a bigger picture, what direction future music may take and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Meredith discusses all the behind-the-scenes work she's always put into the band, the origins of the band name, and the song that made her want to learn drums in the first place on Rock Band!

Interview by Angela CroudaceFinnish powerhouse Battle Beast is set to unleash their seventh studio album, Steelbound, on October 17, and frontwoman Noora Louhimo says the record is their most empowering yet.Known for fusing classic heavy metal with symphonic flourishes, 80s-inspired rock, and soaring synths, the band continues to evolve while staying true to their mission of uplifting fans through music.“This album deals with serious issues—life, death, and human rights,” Louhimo explains. “But at its core, Steelbound is about empowerment. We want to encourage people to fight through challenges, whether big or small, and to feel strong enough to go on.” Songs like Last Goodbye reflect this ethos, drawing inspiration from bassist Eero's encounter with a fellow patient battling cancer. “It's about that relentless hunger for life and never giving up,” she adds.Louhimo's own transformation into her stage persona, “Mother Beast,” embodies this spirit. With her striking horns; symbols she describes as “horns of courage” and elaborate stage outfits, she seeks to inspire fans to embrace individuality. “I want people to show their horns, to be their true selves. You are enough just the way you are,” she says.For Louhimo, music is more than performance: it's a lifeline. “Culture is vital for mental health. If we don't have something to escape to, we don't have the strength to carry on. Music brings people together and helps us heal.”Vocally, she pushed her limits on tracks like Twilight Cabaret, which she calls a showcase of her full range. Yet, her focus remains on the bigger picture: uniting fans and advocating for equality. “Success doesn't come from fame or money—it comes from expressing yourself freely. That's my rebellion, and I hope to encourage others to do the same.”With Steelbound, Battle Beast delivers not just metal anthems but a rallying cry for resilience, individuality, and joy.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

It's been 8 long years, but ILL NIÑO, the trailblazing Latin-influenced metal band that redefined heavy music, is set to return for a blistering run of shows across Australia.Known primarily for their explosive live shows and genre-defining fusion of Latin-infused metal, Ill Nino have been in the headlines more recently following the departure of vocalist Marcos Leal and who would replace him. While fans around the world demanded a quick resolution, founding member and drummer Dave Chavarri held firm, refusing to throw just anyone into the cauldron.Instead, he waited patiently, shutting out the external noise, finally settling on Tommy Roulette (Jynx) to assume frontman duties. The decision came only weeks before Ill Nino set out for a recent tour of America, with all reports coming from reviewers and fans overwhelmingly positive.HEAVY sat down with both Chavarri and Roulette to get more information about the tour and transition of singers."We're fucking ready to go, man," Chavarri said excitedly. "We're going to fucking destroy for sure. We're psyched. We just came off a month-long tour in the United States with a Power Man 5000/Ill Nino co-headline that was fucking packed every night. And, you know, we're ready to go, man. We're well-oiled and ready to fucking rock right now."We ask Roulette how he is settling in."I've been with the guys for a couple of months now," he replied, "and everyone's super great. I couldn't ask to be with a greater group of guys right now. It truly is an honour. I'm very grateful and thankful to be here. I'm not taking this for granted, and I'm very excited for what the future holds."In the full interview, the discussion centred on Ill Nino's upcoming Australian tour, set to begin on September 12. Dave highlighted the successful recent performances in the U.S. and introduced Tommy as the new vocalist, who expressed his excitement about joining the band and experiencing Australia's music scene. Tommy shared his background in drumming and the positive atmosphere of Ill Nino's shows, contrasting it with his previous experiences in hardcore music.Dave recounted the careful selection process for a new singer, emphasizing the importance of quality over haste. He announced plans for re-recording old material and working on a new album, alongside a covers album, with a busy schedule confirmed through October 2027. The band is eager to debut their new song Born to Suffer during the tour and encouraged fans to actively participate in their performances. The conversation concluded with a shout-out to Australian fans, showcasing the band's enthusiasm for their upcoming shows and the music scene in Australia.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

For the past four years, Adelaide blackened death groove outfit Sons Of Erebus have noisily gone about their business, smoothing off the edges of a rough exterior to uncover the gemstone beneath.Despite the inevitable teething problems faced by most bands, Sons Of Erebus have racked up the miles, playing a string of festivals across Victoria, Queensland and New South Wales while fine-tuning their material and road testing it on the people who matter most.The fans.Now, with a settled line up comprising guitarist Ethan (Asmodeus/ex-Thorngate) bassist Bedlam, eccentric frontman Paulie (PAUL13/A Murder of Crows/ex-Age of Horror), lead guitarist Rus (ex-Scapegoat/ex-Horrific Penetration/ex-Age of Horror) and young drummer and local legend Kyle (Broken Loose), Sons Of Erebus are ready to pounce, unleashing their debut 4 track EP Drenched In Plague last week to an overwhelmingly positive response that has so far justified the extra hours put in before committing anything to disk.Frontman Paulie sat down with HEAVY recently to discuss Drenched In Plague and everything around it."Yeah, pretty good so far," he smiled when we asked what the reaction has been so far to the EP. "We've had good feedback and a lot of good compliments. A lot of messages that are all positive so far (laughs). And the songs are familiar with the fans because we've been playing them for a while and trying to bust out finishing the CD. So yeah, it's had a good reception."We ask Paulie to dive deeper into the musical side of Drenched In Plague."It started off as more of a black metal thing," he measured, "and then it's evolved with me dipping my style into it. I come from a bit more of a groove background, and we've tried to make that kind of sound - that bit darker sound - a bit more accessible by taking some of the intensity out of it."In the full interview, we discussed Drenched In Plague in greater detail, running through each of the four tracks one at a time with Paulie explaining how the songs came together and what they are about.We talked about the pressures of a debut release and the length of time it has taken for Sons Of Erebus to release their first recorded material. Talk turned to their live show and upcoming support with international thrash metal outfit Vektor plus advanced plans on new material, including what it will sound like and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Melbourne-based musician Envy Marshall is an artist who doesn't care for trends or fashions or being the 'next big thing'. Her musical journey is more selfish, in a way, in that she creates music that means something to her first and foremost. But when that music is rooted in life experiences and self-worth, it suddenly becomes accessible to the masses. Or at least those who believe that you are the master of your own destiny and, as such, deserve to be happy. Deserve to be free. Deserve to be confident in yourself.After announcing her intentions earlier this year with the explosive and confronting track Like A Man, Marshall returns via the path least expected with Hurt, a song dripping with emotional vulnerability amid haunting piano, laced with searing guitar riffs and a vocal delivery with the unmistakable swagger of an artist for whom boundaries are a source of inspiration rather than fear. Following the viral success of Like A Man, Envy Marshall is proving herself to be one of the most vital independent voices in today's rock scene. With Hurt, she doesn't just raise the bar - she rips it off the wall.With her debut album in the can and nearing release date, Marshall joined HEAVY for an open and honest discussion about her life and music, starting with Hurt and how it has been received."I think people are sick of hearing positive music," she measured, "and I think this song has really touched a lot of people. We've had some great success with it in Australia, but it's been number one in a couple of countries over in Europe, which has been amazing. I was a bit worried about putting out a ballad because you never know how it's going to land, but it's landed really well. People are just sick of candy pop, and they want to actually listen to something that means something to them."We ask if the song is more about hurting yourself or inflicting hurt on others."I think when we get hurt, we like to hurt. It's a reaction," she mused. "So I think this song is about taking power back after being really badly hurt. And I think we've all been really hurt. I think we live in a lot of hurt, especially these days. The world is crazy. I don't think we need lots of lipstick, positive songs. I think it's a real thing that a lot of us are in a lot of pain, so this song, for me, was about being hurt; being let down and finding a way to move that through my body - not through revenge - because that's where you start. When you get hurt, first you get angry, then you get sad, and you get angry again. Then you get jealous, then you get some envy, and you go through all those emotions, and then finally you get to revenge, which is a better feeling. And that sort of gets you out of that feeling of hurt. So it's really about moving through those emotions and coming out the other end of it, the hero of your own story."In the full interview, Envy discussed her recent professional developments, emphasizing Hurt's exploration of complex emotions and the importance of processing pain rather than seeking revenge. She elaborated on her creative process, highlighting her collaboration with Mike Young at Armory Studios, where the haunting piano intro for Hurt was developed. Envy cited musical influences such as Portishead and In This Moment, and emphasised her commitment to artistic freedom in her songwriting. She shared plans for her forthcoming album, which will showcase a gritty rock sound, and teased her new single Looking Good and Feeling Famous, set for release in September, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

After building momentum and a solid, loyal fan base following the release of two EPs - The Wound, The Blade (2022) and Shadow Dancer (2023) - Melbourne metal outfit ATLVS went strangely quiet, going over two years with an eerie radio silence. While such a period of inactivity, especially in the modern age of music, would be an almost certain death knell for emerging bands, the absence seemed to do little to quell the thirst of their loyal army.Their return in June of this year with the instantly irresistible single Soulsucker saw ATLVS pick up almost precisely where they left off, proving that quality music will still be rewarded despite the shortening attention spans of the world and the wealth of bands and music released every day. The track hinted at something bigger from ATLVS but just what that is remains as mysterious as their absence, so to try and get to the bottom of things ahead of the band's trip to Brisbane as part of BigSound, HEAVY sat down for some quality time with Nathan Coff (vocalist) and Nick Clavarino (drummer) for a chat that ultimately left just as many questions as it did answers.We ask what ATLVS hope to get out of the BigSound experience."As a band, I am very interested to see other acts playing," Clavarino answered. "Also, meeting like-minded people. Very interested to see… just from all sorts of bases. You've got your promoters, agents, sync agents, even roles I've never heard of before (laughs), so I'm just interested to meet every single person I can possibly meet and make some good connections."Further to that, we ask what BigSound means to Australian bands and the Australian music scene." I think it's awesome that we have this sort of thing in Australia," Clavarino began, "that is so focused on the future of music. It's the biggest thing like this in the Southern Hemisphere, obviously, so we're pretty lucky to be able to have that. BigSound gives a stage where artists can showcase themselves to people from all around the world and meet people in the industry and industry professionals."In the full interview, Nathan and Nick highlighted the importance of networking with other artists and industry professionals at BigSound, viewing it as a unique opportunity to showcase their talent on a global stage. The band promised to deliver a high-energy performance that stands out among numerous acts, drawing on their experience and professionalism.They also discussed their recent single Soulsucker, which has been well-received after a two-year hiatus, and mentioned that it is part of a larger project, though details were not provided. Nathan acknowledged the challenges of re-establishing the band's presence but expressed confidence in their loyal fan base and plans to engage with fans through social media platforms like Instagram and Facebook to maintain that connection and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Heute werden wir mal wieder dem Namen des Podcasts gerecht und sprechen darüber, wie sich unser Recording Prozess über die Jahre verändert hat - und wie wir diesen frisch halten.

Swedish metal outfit Ambush realized the secret to success early in their career and have been deferring to that template on a daily basis ever since. Not that you could call the love of a laugh and a good time an actual secret, but it is surprising how often bands forget that on their pathway through the music industry.Founded in 2013, AMBUSH continue to showcase their unyielding energy and intricate musicianship, establishing themselves as a force to be reckoned with within the underground heavy metal scene. The fact that they have gone relatively unnoticed in Australia is largely due to the wealth of quality bands coming out of Sweden, but trust me when I say if you love hard, dirty rock with an armour of metal, then your quest ends here. These guys are the real deal and emphatically prove this statement with a statement of their own.That statement is their new album, Evil In All Dimensions, which arrives on September 5. But don't let us sway your opinion. Just take a listen to vocalist Oskar Jakobsson, who joined HEAVY for a fun-filled chat earlier this week."I'm excited as I've never been before," he replied when asked how he is feeling about the new album. "I think this is a fresh start for Ambush, because we have two new members playing on this record, and they bring a lot of different creativity. That shines through on this album, I think, and it's the best we've done this far."We ask Jakobsson to dive into the musical side of Evil In All Dimensions."We play traditional heavy metal," he shrugged. "We call it heavy metal, and we want to play it simple, but interesting. This is kind of a trade-off. I mean, we want meat and potatoes, but we also want some béarnaise sauce on the side, if you know what I mean (laughs). So we try to fight hard for real music, as we call it. We play real instruments. We try to make this grassroots and organic all the way, and we do it with a smile on our face. We don't take everything so seriously all the time."In the full interview, Oskar spoke more about Evil in All Dimensions, which showcases contributions from new members and aims to blend traditional heavy metal with modern influences. He emphasized the album's emotional range and distinct instrumentation, while also expressing his commitment to preserving heavy metal culture amidst the loss of iconic musicians. Oskar announced the band's upcoming performances, including the Keep It True Rising festival in Germany and a European tour, with aspirations for a future tour in Australia.We talked about the singles and how they represent the album, how this is the beginning of a new chapter for the band, the musical climate that gave birth to the band and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceWith more than two decades of epic storytelling through metal, Sabaton are preparing to unleash their 11th studio album, Legends. Frontman Joakim Brodén spoke with us about the excitement of recording, the historical depths behind the songs, and what fans in Australia and New Zealand can expect when the band finally headlines shows there.Despite years in the studio, Brodén insists the process never loses its spark. “There's always something exciting – the drummer trying something new, a solo that takes shape in the moment. Even after writing, hearing it all come together is magical.” He admits experience brings both clarity and fewer surprises: “Eighty-five percent of the song is already in my head before recording begins.”Legends marks the first time every band member contributed to songwriting, though Brodén says it felt natural. “I've worked with them all before, just never at the same time. It wasn't a big change, but it was great to share the load.” The album explores figures like Joan of Arc, Napoleon, Julius Caesar, and Musashi, but for Brodén, the most eye-opening were stories from ancient Egypt and China's Three Kingdoms era. “It's like being a kid in a candy store – discovering new things all the time.”Sabaton's passion for accuracy extends to their YouTube series, Sabaton History. Brodén laughs at how professional historians still teach him something new every episode: “No matter how deep I dig, they always uncover more.”As for live shows, fans can expect both new material and classics rarely performed in Australia. “We've never headlined properly down there, so we want to give a mix – some songs from Legends, but also older tracks fans haven't heard live.”Brodén admits to the pressure of comparisons, with each release judged against decades of fan favourites. Still, the band thrives on discovery and evolution. “If someone comes in excited for a new Sabaton album and walks away disappointed, that's our biggest fear. But I'm confident this one delivers."Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Featuring new music by: Death Goals, God Alone, Barren Path & Malthusian. Matt gives his review of Arc Tan Gent 2025 and Pete reviews Snot in Manchester. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Amai, het is weer tijd voor het jaarlijkse uitstapje over de grens! Na een bezoek aan Damnation Festival in Engeland en Rockstadt Extreme Fest in Roemenië zoekt Osmium - de zwaarste podcast in het Nederlands - het deze editie dichter bij huis. Het Belgische Alcatraz pronkt in 2025 met flinke namen als Kreator, Extreme en Machine Head op de line-up, maar het zijn kwaliteitsbands als Messa, Alkerdeel, Wytch Hazel en Drowning Pool die Osmium over de streep weten te trekken. Alcatraz wordt al jaren geroemd om zijn gezellige sfeer, vlotte organisatie en leuke aankleding. Hoog tijd dus dat Niels en Pim eens langs komen om de sfeer te verzieken. De goede (en minder goede) herinneringen bespreken ze uitgebreid in deze aflevering. Maar gelukkig doen ze dat niet alleen! Na vijftig opnames zonder gast in de podcast komt daar abrupt verandering in. Redacteur Friso schrijft voor Zware Metalen het festivalverslag en wil het podcastduo heus vergezellen in Tourcoing, de zielloze voorstad van Lille waar Osmium vanwege haar liefde voor aftandsheid verblijft. Daar krijgt hij al snel spijt van en als vergelding besluit hij de geloofwaardigheid van beide opiniemakers te ondergraven. Zodoende horen we hoe in recordtempo rode flessen wijn verdwijnen, wie het gevecht om de keukenweegschaal wint en waarom rappers geld op hun geslachtsdeel gooien. Kortom, het festivalverslag van Zware Metalen is voor de inhoud en deze podcastaflevering voor al het andere. Met beeldmateriaal van Tessa Verstraete en muziek van Wytch Hazel & Osmium AI. Onderwerpen: Wytch Hazel - The Fire's Control (00:00) Introductie van Friso en de onderwerpen (00:19) Friso stelt zich voor en legt uit waarom hij naar Alcatraz ging (00:57) Achterstallig onderhoud: Jera en Ysselsteyn (02:28) Huishoudelijke mededelingen (03:38) Kritiek op Drowning Pool (04:51) Zie je helden nu het nog kan: de dood van Ozzy en Pim ging naar Iron Maiden (06:53) Verslag Alcatraz: waarom gingen Pim en Niels? (09:58) Verslag Alcatraz: verblijf en de eerste indrukken (12:53) Verslag Alcatraz: aankleding en het ontbreken van de cohesie (19:56) Verslag Alcatraz: line-up met een intermezzo over battlejackets (27:57) Verslag Alcatraz: gastronomie (36:50) Verslag Alcatraz: top optredens (42:13) Verslag Alcatraz: flop optredens (56:08) Verslag Alcatraz: conclusie (1:05:56) Luistertip van Friso: Feversea - Man Under Erasure, uit Oslo afkomstige sludgey post-black, niet te verwarren met het tonic water merk (1:11:29) Concerttip van Friso: Crustaceanfest in Innocent Hengelo, het kan goed zijn, het kan niet goed zijn, maar het bier is tenminste goedkoop (1:13:58) Friso heeft nog een openstaand bonnetje over het drankgedrag van Pim en Niels (1:16:13) Shout-outs (01:18:53) Links: Alcatraz festival Concertverslag van Iron Maiden in Gelredome Feversea Bandcamp Crustaceanfest in Innocent Tessa Verstraete

Interview by Kris PetersSydney-based post hardcore four-piece Closure continue their impressive momentum in 2025 after the release of their long-anticipated debut EP, The Sweet Suffering, which is out now on all major streaming platforms. The record includes the previously released singles Hindsight, Glare, and A Cold Space Between, each showcasing the band's evolution into a darker, heavier sonic identity. A deeply personal and hard-hitting project, The Sweet Suffering chronicles emotional resilience, anxiety, the art of letting go, and love. For Closure, this release is more than just a debut — it's a defining moment and the beginning of a powerful new chapter.Riding the momentum of that release, Closure have recently been announced as part of the annual music extravaganza BigSound, which will again be held in Brisbane's Fortitude Valley from September 2 to 5. HEAVY caught up with Closure vocalist Lucy May to discuss BigSound and how Closure got to be there.We also asked her what Closure hopes to get out of the experience."I think just a new experience, definitely," she measured, "and hopefully meeting some people that we haven't had the opportunity to meet before. I feel like, being in a heavier band it's obviously a really tight-knit community, so I think meeting other people obviously… we're self-managed at the moment so we don't have a manager, so I think that would be really something that would be a massive thing if we could maybe connect with some people and have a conversation about that, but honestly just getting out there and supporting people."In the full interview, the discussion covered the musical evolution of Closure from pop punk to post-hardcore, including their debut EP The Sweet Suffering and the DIY production approach for their latest release. We also talked about upcoming performances, networking opportunities at music events, and the importance of strategic industry connections, while Lucy shared insights about their venue plans and plans for future releases and tours.We spoke about the stylistic changes within their music and how they plan to integrate new music into future setlists, the importance of BigSound to emerging Australian artists and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In just under three years, Melbourne hard rock outfit ANA have laid themselves a strong platform from which to launch their music. Having already toured through Europe and Japan, ANA are now setting their sights on their home country, starting with a headlining slot at Rockdale Metal Festival in September.Merging the intensity of metal with sweeping orchestral arrangements, ANA have quickly found their niche, exploring the outlying areas of symphonic/power metal and integrating it with a harder edge that gives their music an edge all of its own.HEAVY sat down with the band earlier this week to discuss their rapid rise through the ranks. One of the topics of conversation was the cinematic orchestration prevalent in their music."When we were making the album - before we started going into the studio - Josh (Mak, lead guitar)  pulled me aside and told me that Anna (Khristenko, vocals) likes to have strings in the songs," keyboard player Mark Shi explained. "But if I could have my way, I would love to have a lot of synths. So I took that into mind when we were writing the album and tried to come up with a good balance where we could have cinematic string lines along with synth sounds and synth sound design in the songs. It was a mix of everyone's ideas, and when we went into the studio, honestly, it was quite magical. I've never seen anything like that, writing a full album in two days. I think that the Japan tour helped us a lot because we knew what each other was thinking. Everything just came together in a very short amount of time, and it was perfect. We couldn't have asked for a better experience than this."In the full interview, the conversation touched on the band's excitement for their headline performance at the Rockdale Metal Festival and the positive reception of their recent European tour, particularly in Budapest. The band members noted cultural differences in audience behaviour, with a desire to explore international venues beyond Australia.The group reflected on their debut EP, The Art of Letting Go, and the collaborative writing process for their new album, which incorporates diverse musical influences, discussing the challenges of blending different genres while maintaining a cohesive sound. We discussed their musical direction, future tours and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersGerman guitarist Uli Jon Roth is renowned for his work with the Scorpions during their early, more experimental phase and for pioneering the neoclassical metal genre. He is also known for his innovative Sky Guitar design and his solo career exploring a unique blend of rock, classical, and philosophical themes.Roth joined the Scorpions during their formative years, contributing to albums like Fly to the Rainbow, In Trance, Virgin Killer, and Taken by Force, as well as the iconic live album Tokyo Tapes. These albums are all heralded in the history of Rock and Metal, with Tokyo Tapes being touted as one of the greatest live albums of all time, with Roth's guitar playing on those albums highly regarded for its precision and innovative style, influencing many later guitarists.Now, for the first time ever, Australian crowds get to witness the majesty of Uli Jon Roth when he hits this country for a run of three select dates this September. Uli will be performing a best of the SCORPIONS set, amongst other songs from his extraordinary catalogue, guaranteed to make up for lost time.Roth joined HEAVY earlier this week to find out more details. We start by asking why he has neglected Australian fans for so long."You know what, nobody asked us to come," he laughed. "So it's actually you, because we need an invitation if we want to play somewhere. I would have loved to come much sooner. Having said that, even the Scorpions - although they were so successful - even they found it difficult to get to Australia simply because of the logistics. When you tour America, you can do a month-long tour, and you have a big tour bus. You sleep at night, and then the next morning you're in Chicago, you know? I don't think that entire industry exists in Australia in the same way. You have to fly everything, and that makes it much more complicated to do a tour and more expensive."We bring up Roth's time with the Scorpions and ask how that period shaped the rest of his life and his musical career."I was only 18 when I joined," he recalled. "It very much shaped my life because it was my artistic apprenticeship and also learning the ropes in the music business. Learning how to do an album, how to write songs, all that came together in those five years. And we had a great time. You know, it was wonderful. I've got only good memories. It was just at the end, I started to write music that really didn't fit the framework anymore."In the full interview, Uli Jon Roth discussed his upcoming tour to Australia and Japan, with Uli explaining the tour logistics and musical direction for each leg. We explored Uli's history with the Scorpions and his decision to leave the band to pursue his own artistic vision through Electric Sun and classical compositions.We talked about why, after all these years, he is finally coming to Australia and what fans can expect. He discussed curating a set list to appease longtime followers, Tokyo Tapes and his thoughts on the live album, plus his other musical passions. The conversation concluded with a discussion of Uli's influence on other guitarists and his perspective on musical collaboration and learning.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela Croudace*CONTENT WARNING - Swearing and Mention of Suicide/Self Harm*Australian heavy metal veterans Temtris return with their powerful eighth album, Queen of Crows, a record built around the theme of good and bad consequences. Vocalist Genevieve Rodda and guitarist Foxy explained that the concept was inspired by personal experiences and reflections on how life's choices affect us and those around us.While their previous release, Chaos Divine, delved into a sci-fi dystopian world, Queen of Crows stays rooted in raw human struggles. Rodda described the writing process as emotionally charged, pointing to Scars of Betrayal, which confronts bullying and self-harm. Written about her own daughter's struggles, it remains one of the band's most personal songs to date.Musically, Temtris continue to evolve while remaining true to their heavy metal roots. “We try to push our boundaries every album,” Foxy noted of their collaborative writing approach. The record blends crushing riffs with Rodda's soaring vocals, as heard in tracks like Carnival of Tears and closing epic The World Is Bleeding, a critique of greed and consumerism framed within powerful fanfare.Beyond the studio, Temtris take pride in delivering authentic, high-energy performances. At a time when many bands rely on backing tracks, they remain committed to live musicianship, valuing the thrill of pulling off challenging songs on stage.The band is preparing for a return to Europe in 2025 with festival dates already being locked in. There's also talk of a long-awaited vinyl pressing of Queen of Crows. With honesty, passion, and resilience, Temtris prove that heavy metal's heart still beats strongest when fueled by authenticity.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

It's scary to think that British metalcore outfit Architects are just hitting their stride eleven albums in.Having completed two Summer runs with Metallica in the lead up to their latest masterpiece The Sky, The Earth & All Between, Architects took stock of their career to date and set out to make the definitive Architects release.“It wasn't about just putting out another Architects record. It had to be the record—the one people talk about when they talk about our band,” frontman Sam Carter said at the time. Bandmate Dan Searle echoed this sentiment: “What we're trying to say is that we had to make the quintessential Architects album—bringing together all our best qualities and everything we excel at.”Their last couple of albums - For Those That Wish To Exist and The Classic Symptoms of a Broken Spirit - had been about attempting the new. When those records performed well critically and commercially, that was their green light to pursue whatever they wanted to. So, they resolved to channel the lessons learned from innovation into making something that felt like the pinnacle of what Architects have long been evolving towards. And they achieved that emphatically with The Sky, The Earth & All Between winning over fans and critics around the world.Now, Australian fans get to experience that rebirth in the flesh with Architects headed this way for three select dates starting in Melbourne on December 11. Not only that, they will be bringing House Of Protection, who recently wowed crowds over here on a support run with Bad Omens, and emerging outfit President, who promise to balance the trifecta. HEAVY caught up with Architects bass player Alex Dean to get the full rundown."It's been a little while since we've been over, so yeah, we're really stoked to get back," he enthused. "We're having a lot of fun playing these tracks. It's always fun getting out and playing new records, but it feels really like people are engaging with the songs."Architects are a band who, despite having their core sound, have always been unafraid to experiment musically on each record. We ask Dean about that approach and how much musical growth he feels the band have left in them."We're always trying to push ourselves," he replied. "And I think as soon as - for a metalcore band with two guitars, bass, drums - as soon as you start adding electronic elements to it, the musical world is your oyster, because there's just so many things you can try. We've done records where we experiment a lot with orchestral sounds, and that might be something we revisit again. But we just try and do what's exciting for ourselves, really."In the full interview, Alex expressed excitement about returning to Australia after a couple of years and highlighted the positive reception of their new album, The Sky, The Earth and All Between. He elaborated on the band's evolution in sound, emphasizing their confidence in creating music driven by instinct rather than external influences. He mentioned their willingness to experiment with various musical elements, facilitated by advancements in technology.We spoke about what has changed with the band since they last toured Australia, what we can expect from their shows, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersThe Home Team are travelling to Australia for the second time - this time with Mayday Parade -  for the Three Cheers For 20 Years tour, after crossing the ocean last May with Caskets (UK).The quartet have introduced stylings of R&B, pop and funk into their music in an effort to be true to their tastes while crafting their unique sound and return to play new songs for the first time off their latest album, The Crucible Of Life, and struck a chord on their debut visit, winning fans over more at each show.HEAVY caught up with frontman Brian Butcher to get the rundown on the upcoming tour, with the turnaround being that quick, we have to ask Butcher if he has even had time to unpack yet."(laughs) Oh, that trip was awesome," he smiled. "I remember it like it was yesterday. We all agreed that Australia is one of the best places on Earth, and when we got the offer to come back we were very excited, and it was an immediate yes."The Home Team are coming out with Jack's Mannequin as well as Mayday Parade, who are celebrating their 20th anniversary, so we ask Butcher if he has always been a fan of their music."I grew up listening to a lot more metal," he replied honestly. "A lot of heavy music. Mayday Parade was always on my radar, for sure, but I never dove into their albums until probably last year. And I can definitely see why they are as influential as they are. I also have a close friend who is a huge Mayday fan, so when I told him I was going on this tour, he was like, here is this album, and this album did this (laughs). They are very clearly extremely influential for great reason. For that, I have a lot of respect for them, and I'm very excited to meet them."In the full interview Brian talks more about his time in Australia and how the crowds reacted to them, going from being the least heavy band on tour to the heaviest, how their set will differ to last time, why he thinks they were chosen as supports, the reception for their recent album The Crucible Of Life and how much of it they will be playing live, their eclectic sound and why it works plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersArriving just after the turn of the century, Australian metal legends DAYSEND were born into a healthy national metal scene that included bands like Blood Duster, Abramelin, Frankenbok and Dreamkillers, some of which are still going strong today. It was a golden era for Australian metal, made that much better by DAYSEND, who built a formidable reputation in the global metal scene, touring extensively across Australia and internationally and sharing the stage with some of the biggest names in metal, including Slipknot, Trivium, Arch Enemy, In Flames, and Machine Head.Their 2003 debut album, Severance, was met with widespread critical acclaim and was voted Best Australian Metal Album in a 2003 Triple J listeners' poll. The album's blend of melodic aggression and technical prowess cemented its status as one of the most influential Australian metal releases of the era.DAYSEND disbanded in 2011 and have lain dormant ever since - until now.Listed as one of the bands Necrosonic Festival has Resurrected From The Dead - alongside Massic, Beanflipper, Brace and Idle Ruin - DAYSEND have come from the abyss to revisit their debut album with a select number of shows before planning to fade back into the darkness.But before that could happen, HEAVY caught up with Aaron Bilbija (guitar) to talk about Necrosonic and the rebirth of DAYSEND. One of the topics for discussion was the importance of festivals such as Necrosonic to the Australian metal scene."Hugely, hugely important," he replied without hesitation. "They're doing it… they've got the passion for it, you know what I mean? They're not doing it for the bucks. They've got the passion for it, and they love what they're doing, and it's great that they are supporting guys like us. Yeah, it's excellent."We ask about the early stages of the band and where DAYSEND fit in initially."We all came from other bands at the time, just local bands in the Sydney scene," Aaron recalled. "And we used to play the hotels a lot, a bunch of all ages shows, things like that. There were loads and loads of bands, and there was gigs on pretty much every weekend. I remember going as a 16-year-old with the fake ID and trying to get into as many gigs as I could (laughs)."In the full interview, Aaron further discussed his role as guitarist in Daysend, which is performing a select number of shows, including an upcoming appearance at Necrosonic Festival in Brisbane. He provided background on the band's formation in Sydney during the early 2000s and explained their unique musical style that set them apart from other local bands. The conversation covered their current tour plans, including performances across multiple cities to celebrate their debut album, Severance, and why it connected with so many people. We discuss revisiting that old material and whether it still feels fresh and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Death's Scream Bloody Gore: The Album That Birthed Death MetalWhat happens when a 19-year-old horror movie fanatic from Florida decides to create the heaviest music imaginable? You get Scream Bloody Gore, the 1987 debut that didn't just launch Death's career—it created an entire genre. This is the album that made death metal official, complete with the perfect band name to match.In this episode, hosts Jay, Tim, and Chip dive deep into Chuck Schuldiner's groundbreaking vision that transformed from rejected Florida demos to a Billboard-charting phenomenon. They explore how Combat Records took a massive gamble on this unknown teenager, the recording disasters that led to the album being tracked twice, and why Florida became the unlikely epicenter of extreme metal. The discussion reveals surprising musicality beneath the brutality, from melodic guitar solos to dynamic drumming that defies the “wall of noise” stereotype.The hosts candidly share their first impressions as death metal newcomers, debating everything from Chuck's surprisingly varied vocal approach to the album's timeless production quality. They unpack the horror movie-inspired lyrics, the influence of Black Sabbath and Kiss, and how this 37-minute assault influenced countless bands while spawning an entire ecosystem of subgenres.If you're fascinated by metal history, the origins of extreme music, or how teenage vision can reshape entire genres, this deep dive into death metal's ground zero is essential listening. Fans of early Metallica, Slayer, Possessed, and the broader Combat Records roster will find plenty to sink their teeth into.Episode Highlights:0:00 – Introduction – Poll results and first impressions of death metal's founding album5:18 – Album Background – Chuck Schuldiner's journey from demos to Combat Records deal6:32 – Recording Chaos – The Florida studio disaster and California re-recording10:39 – Listener Comments – Community insights on death metal's Florida origins14:45 – Death Metal Subgenres – From brutal death to porno grind (seriously)17:21 – What Works – Surprising musicality, guitar solos, and vocal range25:04 – Timeless Influence – How the album sounds as relevant today as in 198735:24 – What Doesn't Work – Double-time limitations and production challenges41:53 – Lyrical Analysis – Horror movie themes and teenage songwriting50:16 – Chart Success – How death metal hit Billboard #174 without radio play54:38 – Final Verdicts – Worthy album or essential EP?Ready to explore the brutal brilliance that started it all? Subscribe to Dig Me Out for more deep dives into the albums that changed music history. Join the Metal Union at digmeoutpodcast.com for bonus episodes, exclusive content, and access to our private Discord community. Visit dmounion.com to vote on future episodes and suggest your favorite underground classics. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Interview by Angela CroudaceAfter more than 15 years, grindcore titans Pig Destroyer will finally return to Australia, and frontman J.R. Hayes couldn't be more thrilled. “We're just really, really excited,” he said. “It's hard to get all the stars to align, but we're finally doing it.”Their long-awaited comeback is bolstered by the inclusion of Singaporean grind heavyweights Wormrot as tour support. “They've been one of the top grindcore bands for the last 10 years,” J.R. said. “You just have to make sure they don't blow you off the stage.”Known for their blistering speed, raw aggression, and lyrics that dive deep into the bleakest aspects of the human psyche, Pig Destroyer isn't softening with age. “We always just try to write the craziest thing we can,” said J.R. “We don't care about record sales—we never have. We just want to play it as hard as we can.”While their music is undeniably dark, the band members are anything but grim. “Live, we're just a bunch of idiots,” J.R. laughed. “You can't really cover that up.”A staunch believer in the rawness of sound, J.R. remains adamantly against over-polished production. “The best music is flawed music,” he insisted. “When things are too perfect, it just becomes Katy Perry to me. It doesn't sound like it's made by people.” If Pig Destroyer's next album ends up being a live one, let it be known that the idea was planted into J.R's mind by one incredible interviewer for Heavy Mag (I'm talking about myself).For first-timers catching Pig Destroyer on this Australian run, expect chaos in the best way, a full assault on all the senses. “Usually it's the mosh pit that hits them first,” he said. “Then the volume—it's so loud it becomes a physical experience.”As for what keeps the fire burning after decades in the underground, J.R. summed it up simply: “We never wanted to be a popular band. We just wanted to be a crazy band. Grindcore scratches an itch that nothing else can.”Catch Pig Destroyer with Wormrot on Aussie shores in September. TICKETING DETAILS https://swdpresents.comPIG DESTROYER with guests WORMROT performing at:Sept 2nd – Perth, Amplifier Bar w/ Bile Cannon, Allocer*Sept 4th – Adelaide, Lion Arts Factory w/ Meth LeppardSept 5th – Melbourne, Max Watts w/ Tongue ScumSept 6th – Sydney, The Factory Theatre w/ Crown Street MilitiaSept 7th – Canberra, The Baso w/ Blight WormsSept 9th – Brisbane, The Triffid w/ Awful NoiseSept 10th – Townsville, The Warehouse w/ Varrim*Sept 12th – Auckland, Galatos w/ Imperial Slave, Sawnoff*Sept 13th – Christchurch, Loons w/ Vixen Execution, Unyielding Desolation*Sept 14th – Wellington, San Fran w/ Glassblower, Post Natal Abortion**Wormrot not appearing in Perth, Townsville or NZBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersAs with every other year, anticipation surrounding the first line up announcement for Good Things 2025 was almost at a fever pitch. Social media experts and promoter wannabe's all shared their projected line-ups - but most were well off the mark.Good Things is possibly one of the hardest festival line ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.Rock? Tick. Weezer, Garbage.Pop Punk? Tick. All Time Low, New Found Glory.Punk? Tick. Refused.Metal? Big tick. Machine Head. Knocked Loose, Lorna Shore.But there was one band name there that defied expectations. A band not even from this planet. A band dubbed 'Scumdogs Of The Universe'. A band like no other…And that band is GWAR. These guys have been devastating audiences the world over for more than 40 years, their incredible backstory and characters resonating just as much as their music. But it is in the live arena that GWAR excels. Their stage shows are legendary, so much so that filmmakers were driven to make a documentary on the band and their history called This Is Gwar.Yes, ladies and metalheads. This IS GWAR. And what follows is a brief transcript of HEAVY's interview with frontman Blöthar the Berserker, who, as you will be able to tell, is keen to get back to Australia and convert the country en route to enslaving the world. With Good Things sharing the same calendar month as Christmas, we ask Blothar if GWAR will be filling their red sacks with surprises for Aussie fans."(laughing) Well… mostly, when it comes to Christmas, we don't really hand out gifts as much as we take them," he offered. "Gwar is keeping alive that horrible tradition that the Dutch have, Black Pete. Can you believe that they did that? Who do these people think they are? But, seriously, that's what we do. We kidnap children, and we stuff them into stockings, and we turn them into coal and all of that stuff, then we run off with them to Morocco, or something like that. GWAR's not big on Christmas. We are friends with Krampus, though."We run through the line-up again and reiterate our early observation that GWAR are the proverbial black sheep of the Good Things line up, a point which is not lost on Blothar as we ask if the people of Australia are ready for the carnage."I don't know. They loved it last time that the band went down there," he shrugged. "We took a swipe at Tony Abbott and everybody got all upset - boo hoo - but I don't even know what's going on politically in Australia now. We've been very busy… we've got our own problems here to worry about. I think Australians are gonna love GWAR. GWAR is a band that is funny. That's the difference. And let me be clear about that. You go see a heavy metal band… you don't go and see a lot of heavy metal bands where everyone you look at is smiling. They're laughing and having a good time. They can't believe they're seeing… they feel inspired to go and do something creative themselves. That's what GWAR is. That is what GWAR is."In the full interview, Blothar talks more about the line up and gives his thoughts on spreading so many different genres through a festival, what has changed with GWAR since they were last out here, battling the oppressive Australian heat, what three songs punters should listen to if they aren't familiar with the band, where to research the backstory and find out more about the GWAR universe, their latest album The Return Of Gor Gor and how it was received, reaching 40 years as a band and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersAfter championing the cause for Australian music for almost a decade via their weekly radio show, Rock Hard With Phil & Tish, the two co-hosts have decided to take the next step in their evolution, putting on the first-ever Rock Hard Festival in Adelaide.For two nights over October 10 and 11, Woodshed at Royal Park will host Aussie rock legends The Poor, headlining both nights with a selection of some of this country's hottest emerging bands such as Audio Reign, Karly Jewell, The Dreadful Tides, Ablaze, Avalanche and more.Not content to help grow and nurture homegrown talent over just the airwaves, Phil & Tish have decided to give the band a bigger platform from which to show their wares in the first of what is hoped to be a long-running annual concert event.HEAVY recently sat down with Phil & Tish, who were understandably a bit nervous with their roles as radio hosts/interviewers reversed."We have a radio show on PBA FM every Wednesday night," Phil explained, setting the mood. "It's been going for about seven, eight years and is called Rock Hard with Phil and Tish, and we try to rock.""Yeah, PBA FM every Wednesday night," Tish reiterated. "We are 9pm Australian Central Standard Time, and we are your local insane metalheads. We're very much a variety show of heavy and hard rock."We bring up the excellent line-up and ask what their selection process was when deciding who to book."We picked all bands we have relationships with over the journey," Phil measured. "We're fans of… I mean, The Poor… I was 14 when I got into them, and Skenie (vocalist) was the first interview I did where I actually reached out to someone that I grew up enjoying their music, and I thought I'll shoot him a message. I thought, I'm gonna fire a shot and see what he says, and a couple of weeks later he came back, and he said I'd love to have a chat, and I chatted to him for about an hour on the show. Because I'm such a fan - and when you're 14, they're like larger-than-life rock stars - and to think he's having a chat on our show probably opened up the courage for me to approach other bands and stuff that we've loved. Literally every band that we've got on this festival are just great Aussie bands, and we're so stoked that they've agreed to play."In the full interview, Phil and Tish shared insights into their planning for Rock Hard Festival, emphasizing their commitment to showcasing Australian talent and the challenges they faced in curating a lineup that reflects their personal relationships with the artists. They expressed excitement about the festival's potential, particularly with the inclusion of local bands and the overwhelming interest from musicians wanting to participate, as well as the scheduling of two nights of live entertainment and the reasonable ticket prices.They highlighted the festival's unique offerings, such as a special beer crafted by Beer No Evil and the decision to have The Poor headline both nights. We discussed the significance of including acts like Audio Reign, who were the first band interviewed in their studio, as well as their radio show Rock Hard and how and why they got into a radio career based in music, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceThree decades into their career, Paradise Lost remain masters of gothic metal's melancholic grandeur. With their new album Ascension, guitarist Gregor Mackintosh took on the dual role of musician and producer—a responsibility he says wasn't a giant leap, given his growing involvement in shaping the band's sound over recent albums.“In the past, producers used to be heavily involved in songwriting and structure,” Gregor explained. “Now it's more about getting the sound in your head onto the record.” While self-producing offered him complete creative control, it also brought the risk of over-polishing, a trap he deliberately avoided. “Metal's become so sanitised, chasing perfection until all the character is gone. I wanted Ascension to have flaws that give it life.”Inspiration for Ascension struck after a period of creative standstill, triggered, unexpectedly, by the band's re-recording of their 1993 album Icon. “It put me in a different headspace,” Gregor says. The record's visual identity came together just as organically, centred on George Frederick Watts' Victorian painting The Court of Death, whose calm central figure surrounded by grief perfectly mirrored the album's themes.For Gregor, Paradise Lost's longevity comes from refusing to chase trends. “We've always done our own thing, not been part of any scene,” he says. “If it resonates, great—if not, so be it.” That independence extends to songwriting, where fan expectations take a back seat to authenticity.And while misery remains at the heart of Paradise Lost's music, Gregor sees its appeal as intensely uplifting. “Dark music is evocative; it makes you feel something. It's not about being miserable, it's about connection.”Australian fans may get to experience Ascension live in early 2026, with tour plans currently in discussion. “Fingers crossed,” Gregor says. “We'd love to be back.”Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Der Sommer brutzelt uns langsam das Gehirn weg, aber wir bleiben stabil und quatschen uns gegenseitig AM APPARAT über Festivals, gute Vorsätze, neue Platten und das Wetter zu. Gude Laune, schlechte Laune!

Interview by Angela CroudacePost-rock outfit In Transmission are back with their new EP, Betterment, a record that blends atmospheric beauty with an urgent social conscience. Frontman Martin says the inspiration behind lead single Catching Up (and the EP as a whole) comes from observing a world plagued by environmental and civil issues, often met with apathy.“When it's out of sight and out of mind, it's easy not to care,” Martin explains. “But if we ignore these things and just focus on our own individual lives, it's going to catch up to us.” That message of personal accountability, particularly through mindful spending and daily decisions, threads through the band's latest work.Betterment also represents an evolution in In Transmission's sound. Known for their instrumental, post-rock style, the group has embraced a more vocal-forward approach, blending melodic guitar layers with a heavier edge. “It's about trying to do better in all aspects — creatively and personally,” Martin says. “We've naturally gravitated toward a heavier live set, but still hold onto the atmospheric elements.”Recorded with longtime collaborator Beau Burchell, the EP benefited from Burchell's ability to enhance rather than overhaul the band's ideas. “He just takes what we have and makes it sound way better,” Martin notes.The writing process remains rooted in live jamming, with songs developing organically — sometimes in a single rehearsal, other times through extensive trial and error. Influences range from post-rock staples Mogwai and Sigur Rós to post-hardcore acts like Thrice, Citizen, and Basement.The Catching Up music video, filmed in a Los Angeles photo studio, takes a simple performance setup and adds a playful twist in the form of a motorised rotating floor. “It started as a joke,” Martin laughs, “but ended up being some of the coolest shots.”While touring is on hold due to new arrivals in the band's extended family, Martin hopes Australia is in their future. A keen surfer, he dreams of spending a month exploring the coastline. “That's why I haven't gone yet — I want to do it properly.”For now, Betterment captures a band balancing introspection and intensity, with music that resonates as much in a wedding aisle as it does in a packed venue. Watch the interview for more on the sweet request from a fan to walk down the aisle to an In Transmission song.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Featuring new music from: Lost In Hollywood, Boneflower, Lowheaven & Sinsaenum. Matt goes on a deep dive into Black Sabbath's back catalogue. We catch up on Happy Gilmore 2, Squid Game, Together and more. Plus the usual news & chat from the alternative world.   

Supporta BLMP genom att bli en patron! Spana in de olika alternativen på http://www.patreon.com/blmetalpodcast Biljetter till Malmö Massacre: https://nortic.se/ticket/event/66525 Eller bidra genom att swisha: 0708-961174 Elis Markskog, som tillsammans med Fredrik Larzon driver festivalen Malmö Massacre, gästar B.L. Metal Podcast för att snacka om årets festival. Mycket missnöje! Playlist: Tribulation - Melancholia Aura Noir - Unleash the Demons Counterblast - Remains Strychnos - Armageddon Patronage Cyness - Patriotenidioten Meanwhile - Above Our Heads I samarbete med Medborgarskolan.

This episode of Bleeding Metal brings you hosts Kiki and Martha discussing their most recent live music experiences, with a concert report of DARK SARAH's comeback performance and a festival report of Nexus Nerd Rock Festival 2025.Shortly before the concert in Helsinki on July 5th, Kiki was also able to catch up with DARK SARAH-vocalist Heidi Parviainen about her businesses, hobbies and plans for the future of the band and their upcoming album.0:00 Catching Up with Martha and Kiki3:35 Interview with Heidi Parviainen from Dark Sarah15:45 Nexus Nerd Festival - Martha's Experience27:05 Upcoming EpisodesRecorded on August 1st, 2025.Show notes:Check out our last podcast episode with Heidi from DARK SARAHGet your tickets for Nexus Nerd Rock Festival 2026Bleeding Metal was created by ⁠⁠@kikigege87 ⁠ and is hosted and produced with ⁠⁠@martha _wingen⁠⁠. Episode edited by Kiki.Subscribe now to the Bleeding Metal Podcast wherever you listen and watch some new video interviews on YouTube, all links are on our ⁠⁠linktree⁠. Intro music by ⁠⁠Savvier Nelson⁠⁠ with vocals from ⁠⁠PERSONA-singer Jelena Dobric⁠⁠.

HAIR METAL Podcast EP.28. Part 2: Black Sabbath 'Back To The Beginning' Concert w/ Kaotica Studios Film Director: Johnny K. NOTE: This podcast was recorded 3 days before we learned of the passing of Ozzy Osbourne. Your Hair Metal Podcast hosts and guest are sadden and are mourning the death of Ozzy, our 'Prince of Darkness', who helped lead the way for all metal fans, and the next generation of metal fans to come. RIP Ozzy, thank you for contribution to our Metal fandom. Fandom Podcast Network YouTube Channel Video Link: https://www.youtube.com/@FandomPodcastNetwork Fandom Podcast Network Hair Metal Audio Podcast Link: https://fpnet.podbean.com/category/hair-metal/ The Hair Metal Podcast looks back at the Thrash, Glam & Rock Pop Metal bands, music, events and everything else that heavily influenced the 80's & early 90's Hair Metal era music.  On this special episode of the Hair Metal Podcast we discuss 'Black Sabbath: Back To The Beginning' Benefit Concert. Back to the Beginning was a benefit concert by the English rock band Black Sabbath, with a number of supporting artists. It took place on July 5th, 2025 at Villa Park in Aston, Birmingham, England, very near where the band was formed in 1968. The event concluded with the final live performances of both the band and lead singer Ozzy Osbourne; it also marked the first time since 2005 that the original line-up of the band (Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward) had performed together live. Osbourne, no longer able to walk due to advanced Parkinson's disease, sang while seated on a throne. The widely-lauded concert was streamed worldwide via pay per view with a broadcast delay. It featured an all-star lineup of supporting acts, including two supergroups of musicians serving as the house band. Proceeds from the event totaled £140 million, and will be donated to Acorns Children's Hospice, Birmingham Children's Hospital, and Cure Parkinson's. Black Sabbath is widely regarded as a foundational band for heavy metal, with their influence extending to various subgenres. Their impact is undeniable, shaping the sound and lyrical themes of countless bands across generations, from the 70s through to current day modern acts.  For the full 68 song set and band & artist list, click here: https://www.loudersound.com/bands-artists/black-sabbath-back-to-the-beginning-setlist Thank you for watching and listening to the Hair Metal Podcast on the Fandom Podcast Network! Remember...every rose has its thorn, and on a steel horse... we will ride! HAIR METAL LIVES! Rock on everyone! Hair Metal / Fandom Podcast Network Hosts & Guests Contact Info: - PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork The Hair Metal Podcast Fandom Facebook Group: https://www.facebook.com/groups/377695252724584/   The Fandom Podcast Network is on all major podcast platforms.  Our master feed for all of our audio podcasts can be found on Podbean: - https://fpnet.podbean.com/  - Podbean Hair Metal Podcast Master Feed: https://fpnet.podbean.com/category/hair-metal/   Follow and contact the Hair Metal Podcast at: - X (Twitter): @HairMetalCast - Email: HairMetalPodcast@gmail.com Host & Guests Contact Info On Social Media: - Host: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix. Bluesky: @spartanphoenix - Co-host: Mike Simmer: Kevin & Mike can be found on the Hair Metal Facebook Group: https://www.facebook.com/groups/377695252724584/ Special Guest: Johnny K: IG and YouTube: @ThatJohnnyKguy & @KaoticaStudios #HairMetalPodcast #TheHairMetalPodcast #HairMetalPodcastFandomGroup #FandomPodcastNetwork #FPNet #FPN #RIPOzzy #HairMetal #HairMetalMusic #GlamMetal #BlackSabbath  #BlackSabbathBackToTheBeginning #BlackSabbathBackToTheBeginning2025 #OzzyOsbourne #TonyIommi #GeezerButler #BillWard #AcornsChildrensHospice #BirminghamChildrensHospital #CureParkinsons #Yungblud #NunoBettencourt #JakeELee #Metallica #GunsNRoses #SlayerBand #KaoticaStudios #JohnnyK #KevinReitzel #MikeSimmer

HAIR METAL Podcast EP.28 Part 1 Black Sabbath 'Back To The Beginning' Concert w/ Kaotica Studios Film Director: Johnny K.  NOTE: This podcast was recorded 3 days before we learned of the passing of Ozzy Osbourne. Your Hair Metal Podcast hosts and guest are sadden and are mourning the death of Ozzy, our 'Prince of Darkness', who helped lead the way for all metal fans, and the next generation of metal fans to come. RIP Ozzy, thank you for contribution to our Metal fandom. We hope you enjoy this wonderful discussion of the defining event of metal music history. Fandom Podcast Network YouTube Channel Video Link: https://www.youtube.com/@FandomPodcastNetwork Fandom Podcast Network Hair Metal Audio Podcast Link: https://fpnet.podbean.com/category/hair-metal/ The Hair Metal Podcast looks back at the Thrash, Glam & Rock Pop Metal bands, music, events and everything else that heavily influenced the 80's & early 90's Hair Metal era music.  On this special episode of the Hair Metal Podcast we discuss 'Black Sabbath: Back To The Beginning' Benefit Concert. Back to the Beginning was a benefit concert by the English rock band Black Sabbath, with a number of supporting artists. It took place on July 5th, 2025 at Villa Park in Aston, Birmingham, England, very near where the band was formed in 1968. The event concluded with the final live performances of both the band and lead singer Ozzy Osbourne; it also marked the first time since 2005 that the original line-up of the band (Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward) had performed together live. Osbourne, no longer able to walk due to advanced Parkinson's disease, sang while seated on a throne. The widely-lauded concert was streamed worldwide via pay per view with a broadcast delay. It featured an all-star lineup of supporting acts, including two supergroups of musicians serving as the house band. Proceeds from the event totaled £140 million, and will be donated to Acorns Children's Hospice, Birmingham Children's Hospital, and Cure Parkinson's. Black Sabbath is widely regarded as a foundational band for heavy metal, with their influence extending to various subgenres. Their impact is undeniable, shaping the sound and lyrical themes of countless bands across generations, from the 70s through to current day modern acts.  For the full 68 song set and band & artist list, click here: https://www.loudersound.com/bands-artists/black-sabbath-back-to-the-beginning-setlist Thank you for watching and listening to the Hair Metal Podcast on the Fandom Podcast Network! Remember...every rose has its thorn, and on a steel horse... we will ride! HAIR METAL LIVES! Rock on everyone! Hair Metal / Fandom Podcast Network Hosts & Guests Contact Info: - PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork The Hair Metal Podcast Fandom Facebook Group: https://www.facebook.com/groups/377695252724584/   The Fandom Podcast Network is on all major podcast platforms.  Our master feed for all of our audio podcasts can be found on Podbean: - https://fpnet.podbean.com/  - Podbean Hair Metal Podcast Master Feed: https://fpnet.podbean.com/category/hair-metal/   Follow and contact the Hair Metal Podcast at: - X (Twitter): @HairMetalCast - Email: HairMetalPodcast@gmail.com Host & Guests Contact Info On Social Media: - Host: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix. Bluesky: @spartanphoenix - Co-host: Mike Simmer: Kevin & Mike can be found on the Hair Metal Facebook Group: https://www.facebook.com/groups/377695252724584/ Special Guest: Johnny K: IG and YouTube: @ThatJohnnyKguy & @KaoticaStudios #HairMetalPodcast #TheHairMetalPodcast #HairMetalPodcastFandomGroup #FandomPodcastNetwork #FPNet #FPN #RIPOzzy #HairMetal #HairMetalMusic #GlamMetal #BlackSabbath  #BlackSabbathBackToTheBeginning #BlackSabbathBackToTheBeginning2025 #OzzyOsbourne #TonyIommi #GeezerButler #BillWard #AcornsChildrensHospice #BirminghamChildrensHospital #CureParkinsons #Yungblud #NunoBettencourt #JakeELee #Metallica #GunsNRoses #SlayerBand #KaoticaStudios #JohnnyK #KevinReitzel #MikeSimmer  

In einem schwer romantischen Gedankenexperiment, stellen die Festival-Muffel Hanno und Simon sich jeweils ihren perfekten Abend zusammen. Das große GOTD Fantasy Festival geht über 2 Tage und bietet nichts außer HITS HITS HITS!

Featuring new music by: Fox Lake, Darko, Fates Messenger & Slow Crush. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.  

On this, the day of our deity of reciprocity, we gather to give special thanks to our treasured Midyear Sun. As an offering for our Podfather, we will today surrender 20 heavy metal albums. As Metalheads take, so Metalheads also give.

What happens when Poison's fire-brand drummer trades stadium pyrotechnics for scrappy club gigs, hand-picks BulletBoys shredder Mick Sweda, and dares to mash up Duran Duran with T. Rex? Meet Rikki Rockett's Rocket Mafia—the “anti-cover-band” cover band that's rewriting the rules of '80s metal nostalgia while plotting its own originals.Rikki Rockett—fresh off the Stadium Tour and revved up by motorcycle charity gigs—drops in to reveal how Rocket Mafia started as a one-off set for the Distinguished Gentleman's Ride and snowballed into a high-octane passion project.- Origin story: from Taylor Hawkins' Chevy Metal fill-in to a permanent lineup with vocalist Brandon Gibbs and bassist Brian B.- Set-list philosophy: ditch “War Pigs” for Billy Squier's “Everybody Wants You” and a bang-up “Hungry Like the Wolf/Bang a Gong” mash-up.- Inside the drummer's mind: the magic (and headaches) of fly-in dates, building an erector-set drum kit nightly, and why ghost notes were banned on early Poison records.- Family, books & the paranormal: taxi-dad life, upcoming memoir Ghost Notes, and chasing spirits between tour runs.- The great “original-lineup” debate: Rockett's candid take on legacy bands, Foreigner's rotating cast, and keeping Poison intact.If you crave the swagger of Motley Crüe but dig the left-field song choices of Chevy Metal—or if you've ever argued over whether replacement players can capture a band's soul—this conversation hits your sweet spot. Think glam-metal bravado meets garage-band curiosity; fans of Def Leppard, Cheap Trick, or even Duran Duran will feel right at home.⏰ Episode Highlights0:00 – Theme riff & Welcome – How Dig Me Out keeps '80s metal alive, plus Patreon shout-outs5:12 – The SmartLess-style guest tease – Chip nearly pulls off a Ricky Rockett surprise11:45 – Interview starts – Late-start school runs and why soundchecks are secret weapons22:10 – From charity gig to Rocket Mafia – The birth of an “anti-cover” philosophy28:55 – Mick Sweda joins – Tone over whammy bars and the art of serving the song34:08 – Taxi-dad confessions – Balancing teenage schedules with tour life36:28 – “Ghost Notes” preview – Banned drum licks, paranormal rabbit holes, true-crime obsessions39:54 – Legendary tour manager Bob Dates – Tour-bus rescues & backstage chaos42:10 – Poison in-store brawl flashback – Chasing hecklers through record shops53:30 – Outro jam – How Rocket Mafia plans to weaponize deep-cut Poison tracksLoved the peek behind the spandex curtain?Subscribe now on your favorite pod-player so you never miss an episode.Dig deeper into every season of alternative & hard-rock history at digmeoutpodcast.com.Rate, review, and share—because the riff revolution needs you. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Featuring a live review of Iron Maiden at Manchester. We chat about Black Sabbath's incredible send off. New music from Still In Love, Blessings, Malevich, Accvsed and Believe In Nothing. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.  

Ever wonder why 80s glam metal still packs out tribute nights and sparks passionate debates decades later? This week on Dig Me Out, we're throwing on the leather, cranking the Aquanet, and diving into the wild, hook-filled world of 80s Glam Metal—the scene that turned the Sunset Strip into rock's most outrageous runway and gave us anthems for every party, heartbreak, and hair-flip in between.From the genre's glitter-soaked roots to its neon-tinted MTV heyday and eventual fall from grace, our roundtable takes on the big questions: What truly defines glam metal? Why did it explode—and then burn out—in such spectacular fashion? And which albums still deserve a spot in your rotation, even if you've sworn off spandex for good? With special guests James Barber (curator of the definitive “Young & Wild: A Decade of American Glam Metal” box set) and Alex Williams (outlaw country artist reimagining 80s metal classics), we dig deep into the music, the image, and the legacy of a genre that's as much about attitude as it is about riffs.If you love the infectious hooks of Poison, the streetwise grit of Cinderella, or the genre-bending spirit of bands like Mother Love Bone and Faster Pussycat—or if you've ever debated whether “hair metal” is a badge of honor or a press-invented slur—this episode is for you. We connect the dots from glam's 70s origins to its 80s explosion, and even trace its DNA into modern pop country and arena rock. Think of it as a crash course in everything that made—and unmade—one of rock's most colorful eras.Episode Highlights0:00 – [Intro] – The glam metal mission statement: why this scene still matters5:12 – [Meet the Guests] – James Barber on assembling the “Young & Wild” box set; Alex Williams on turning glam anthems into outlaw country21:00 – [Defining the Sound] – What separates glam metal from hard rock and thrash? Big hooks, big hair, and even bigger choruses40:39 – [Essential Albums] – Panel picks: Cinderella's Night Songs, Faster Pussycat's debut, Poison's Open Up and Say… Ahh!, and more51:05 – [Party Rock Vibes] – Why glam metal shows felt like the ultimate communal party—and how that vanished in the 90s57:02 – [The Downfall] – Power ballads, industry formulas, and the grunge wave: what really killed glam metal?1:06:10 – [Deep Cuts & Hidden Gems] – The records and songs that still surprise, from Electric Angels to Junkyard1:20:00 – [Modern Legacy] – Where does glam metal live on today? From Ghost's arena theatrics to pop country's party anthems1:35:11 – [Outro & Plugs] – James and Alex share their latest projects, and the hosts reflect on glam's enduring influenceReady to relive the excess, the anthems, and the eyeliner?Subscribe to Dig Me Out for more deep-dive episodes, bonus content, and a community of fellow rock obsessives. Drop your hot takes, suggest your favorite under-the-radar glam album, and join the conversation at digmeoutpodcast.com and dmounion.com.Let's settle the debate—was glam metal ever just about the hair, or was there always something deeper under all that glitter? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Our Download Festival 2025 special. Interviews with Fit For An Autopsy, Vower & Venus Grrrls. Reviews of the entire weekend including: Green Day, Korn, Sleeptoken, Northlane, Jimmy Eat World,  Svalbard, Vola, Poppy, Polaris, Bleed From Within, The Ghost Inside, Spiritbox, Sikth.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Our 2025 Download Festival warm up show. With music from 'Two Year Break, Archers, Lastelle & Battlesnake. We take a look at festival line up and pick our must see bands.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.  

This episode we welcome back Dennis Mikula of Ghost Bath! We talk about the creation of his band's new album, Rose Thorn Necklace, how he started his vaporwave label, Geometric Lullaby, why sad depressing music soothes him, and how his obsession for writing songs can sometimes be a health risk.  Dennis also helps us break down Metal News, New Releases, What We're Listening to and Picks from the Crypt. Plus, for the first time on the podcast, two live albums get locked in the Metal Thunderdome, courtesy of Jay.

Send us a text

HAIR METAL Podcast EP.27: Hair Metal Era Bands Top 2 Best Selling Albums! Which One Is Best? Fandom Podcast Network YouTube Channel Video Link: https://www.youtube.com/@FandomPodcastNetwork Fandom Podcast Network Hair Metal Audio Podcast Link: https://fpnet.podbean.com/category/hair-metal The Hair Metal Podcast looks back at the Thrash, Glam & Rock Pop Metal bands, music, events and everything else that heavily influenced the 80's & early 90's Hair Metal era music. On this episode of the Hair Metal Podcast, hosts Kevin and Mike and guests Nez and Dick, discuss Hair Metal Era Bands Top 2 Best Selling Albums. Then we decide which was the better album. We chose 10 bands from the Hair Metal era to compare their top 2 best selling albums. The bands we've chose are: Guns N Roses Skid Row Def Leppard Poison Whitesnake Cinderella Motley Crue The Cult RATT Dokken Thank you for watching and listening to the Hair Metal Podcast on the Fandom Podcast Network! Remember...every rose has its thorn, and on a steel horse... we will ride! HAIR METAL LIVES! Rock on everyone! Hair Metal / Fandom Podcast Network Hosts & Guests Contact Info: - PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork The Hair Metal Podcast Fandom Facebook Group: https://www.facebook.com/groups/377695252724584/   The Fandom Podcast Network is on all major podcast platforms. Our master feed for all of our audio podcasts can be found on Podbean: - Podbean Hair Metal Podcast Master Feed: https://fpnet.podbean.com/category/hair-metal/ Podbean Master Feed for all Fandom Podcast Network Shows: - https://fpnet.podbean.com/  Follow and contact the Hair Metal Podcast at: - X (Twitter): @HairMetalCast - Email: HairMetalPodcast@gmail.com Host & Guests Contact Info On Social Media: - Host: Kevin Reitzel: (X) / Instagram / Threads / Discord / Letterboxd: @spartan_phoenix - Co-host: Mike Simmer: Kevin & Mike can be found on the Hair Metal Facebook Group: https://www.facebook.com/groups/377695252724584/ #HairMetalPodcast #TheHairMetalPodcast #HairMetalPodcastFandomGroup #FandomPodcastNetwork #FPNet #FPN #HairBands #HairMetal #HairMetalMusic #GlamMetal #80sMetal #GunsNRoses #SkidRow #DefLeppard #Poison #Whitesnake #Cinderella #MotleyCrue #TheCult #RATT #Dokken #KevinReitzel #MikeSimmer

This week, Adam and Orion are joined by TMO fans Matt and Terry. In preparation for their trek to see Metallica take over Lane Stadium in Blacksburg, VA the boys dive into the setlist. Since Metallica has been playing a large variety of songs on this tour, there are a lot of questions to what unique setlist will be played for the rowdy fans of Virginia Tech Football. This is a mix of a fantasy setlist but using frequency data to curate and predict the perfect setlist.   Thanks to setlist.fm for providing all the analytical data for every song that Metallica has played on the M72 One Repeat Weekend tour.   Don't forget to leave us a 5-star review! Follow us on our Facebook page, The Metal Oasis, on Twitter @themetaloasis, on Instagram @themetaloasispodcast and email themetaloasis@gmail.com 

This episode our friend Nick Pingel joins us to chat about how he first discovered the Metalheads Podcast, the power of underwear hugs and what the metal scene is like in Iowa. We also reminisce about our time at the recent Decibel Metal and Beer Fest in Philly and break down Metal News, New Releases, What We're Listening to and Picks from the Crypt. Plus, in one of the most personal segments ever recorded on the podcast, we reveal the real life stories behind our Top 5 Albums That Make Us Feel Nostalgic