Podcasts about metal podcast

In this episode, I sit down with Dan Cinotto, a veteran of the Midwest rock and Nu Metal scene. From his early days in the Omaha-based Downshift to his current work with Narcotic Self, Dan has lived the evolution of heavy music firsthand. He's also the co-host of the podcast We Were Loud Once ‪@WeWereLoudOncePod‬ alongside Jeff Geaghan — where the two dig deep into the Nu Metal movement from the perspective of musicians who were actually part of it. Together, Dan and I talk about that era's energy, its impact on the Midwest scene, and why the genre is seeing a massive resurgence in 2025. Raw, reflective, and full of insight from someone who lived it.

This episode we discuss the recent deaths of Ozzy Osbourne, Tomas Lindberg, Brent Hinds and Erik Wunder, and honor their tremendous contributions to metal. We also count down our Top 5 Deceased Artists We‘re Glad We Saw Live, John recaps his time at ProgPower USA XXIV, and we break down the stats and awards from our Top 20 Albums at Midyear show. Plus, News, New Releases, What We've Been Listening To, and Picks from the Crypt. So, raise a glass and join us as we commemorate fallen metal legends in this extra-sized In Memoriam edition of the podcast.

It is refreshing to hear old school metal bands still pushing their limits and exploring fresh sonic realms, even with a sound that is known and loved and has been for more than 40 years. It is understandable when some bands mutter the words 'if it ain't broke, don't fix it', but that still shouldn't stop the creative juices from flowing, if only to challenge yourself.Which is exactly what happened with thrash metal legends Testament and their upcoming album, Para Bellum. While not detouring too far from the music for which they are universally loved and respected, Testament have found ways to reinvigorate their tried and true sound without risking the alienation of staunch, loyal fans.On this album, Testament have leaned more into the black metal side of their musical psyche, a side embraced by guitarist Eric Peterson, who tapped into the more modern aspects of metal with drummer Chris Dovas, who was working on his first album with the band. Noticeably younger than his bandmates, Dovas brought the taste of the present into Testament's creativity, with the results only solidifying the band's sound.Such is the all-encompassing sound Testament were going for with Para Bellum, the opening notes feature an old bridge thought lost from The Legacy era of the band, coming full circle in a way while still embracing change. Para Bellum is triumphant on so many levels, maybe none more so than the addition of the song Meant To Be, which is Testament's first album ballad for many years. It is exciting times for a band just about to release their 14th studio album, with frontman Chuck Billy joining HEAVY to bring us up to speed.We ask about the album title, Para Bellum - which is Latin for If You Want Peace, Prepare For War, and how it fits in with the content."First of all, it fit in with the artwork," Billy explained. "Originally we were gonna call it Infanticide AI, but that didn't really match the direction. We thought, AI, let's not go there, because maybe fans might start thinking, 'is that album cover AI? Did they use AI to write lyrics in all this?'So we said, you know what? Let's not open that door. And once me and Alex wrote Parra Bellum, and I told him what it meant, it made more sense with what he was working on with the artwork, because we knew we wanted a mushroom cloud there in the background. And I didn't know about the angel and the missile wings, but once they came up with it, it just made sense. It's subliminally war-driven a little bit, talking about silent weapons and things that are going on in our world."In the full interview, Chuck spoke more about the musical nature of Para Bellum and what they were going for this time around, the elements of black metal through most of the music and how it enhances the band's sound, the contributions of new drummer Chris Dovas in the writing and recording process and what ideas he brought to the table.We spoke about bringing a slightly modern edge to their existing sound of the importance of always trying to come up with fresh ideas, the album ballad and why now is the right time to write another one after so many years, the use of cello for that sound and how difficult it was to integrate it into their music, the meaning behind the album artwork and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Fox Gods, crucifixions, and magic corsets oh my! We continue the story of Babymetal by exploring the wild and confusing "lore" surrounding this group. We also examine the lyrical content of their early songs, cover the initial reactions they received from the Western music scene, and tackle the sticky question of whether or not Babymetal truly is "metal".[Sorry, again, about the unusual amount of random noises in this one. At least there are no babies or dogs this time!]FOLLOW US:Instagram: polishing.podcast Twitter/X: @polishing_turds email: polishingturdspodcast@gmail.com

British metal outfit Conjurer have continued to defy expectations since the release of their debut album, Mire, in 2018. Essentially an experimental metal band, Conjurer has drawn on elements of sludge, death, doom and post metal, never once allowing themselves to be defined by any one sound or genre.While award nominations and accolades accumulated with each piece of new music, Conjurer retained their one simple mission: to make heavy music and have fun while doing so. Preferring to use their spotlight to showcase technicality and musicality rather than concentrating on politics or opinions, Conjurer have always lived in the moment and embraced everything that came their way.Their upcoming third album Unself (October 24, Nuclear Blast Records) sees Conjurer once more expanding their sonic palate, but this time the whole album is grounded by a common theme or thread that sees the band producing their most personal album to date. Unself is a more intense, more personal voyage of discovery unfurling for vocalist/guitarist Dani Nightingale, who was diagnosed with autism at age 31. With that prognosis, Conjurer's long-held view of self and perception of their place in the world began to unravel. Unself documents much of the piecing back together around the diagnosis, alongside the realisation that they were non-binary.With the release date looming large, HEAVY took the time to chat with guitarist/vocalist Brady Deeprose to dive deeper. We start by asking if the band are feeling confident about the reaction for the new album."I think it's funny because with all of our previous releases, we've not really cared about the reception," he smiled. "It has been a very specific point that we make this music for the four of us. We put it out there, and if people like it, that is wonderful. And if they don't, then that's also fine. We can't control that. However, on this album, I feel like we've put so much more of ourselves into it than ever before. It feels so much more personal and so much more emotionally vulnerable, that while, yes, if people don't like it, that's not something I can control, but I do really hope that people connect with it in the way that I have. I love this album, it really means a lot to me, and I hope that it kind of scratches that itch for at least some of the people that listen to it."In the full interview, Brady talks more about Unself, highlighting its departure from previous works and a focus on emotional vulnerability and personal investment. He described the recording process as collaborative and low-pressure, contrasting it with the challenges faced during their last album, Pathos. Brady explained how the band aims for a more organic sound on Unself, with tracks that defy traditional genre boundaries, reflecting their artistic evolution.We spoke about the opening tune, Unself, and why it was chosen as first cab off the rank, as well as the closing track, The World Is Not My Home, which is an adaptation of a century-old gospel song, and the thought process behind both. Last year's Australian tour was brought up, along with whispers about a return visit next year and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Melbourne old school death metal machine Monoliyth have been steadily going about their craft for just over 25 years, grinding away on the circuit with a mission to do no more than offer a sonic distraction to the world around them.It is an often thankless task - faced by all bands - but Monoliyth have found their niche, originally starting life as more of a thrash metal band before finding their home in the nastier side of metal.Their recent release, He Who Kills, is a typical blast of aggression for Monoliyth, but this time there is a storyline to go with the carnage. A storyline that could very well be the visual accompaniment to Monoliyth's musical psyche. Each song on the album tells a tale of death and destruction through the eyes of a serial killer, with each tune showcasing a different protagonist and the evil that lurks within. It is a different, engaging, and highly confronting deviation from the norm, and one HEAVY wants to explore further when we speak to guitarist and founding member Mick Barr."Well, it wasn't anything serious," Barr replied when we asked where the idea came from. "Everything on YouTube or the old horror movies and stuff is always based on serial killers. And we thought maybe we can do something, looking through the eyes of the actual serial killers themselves and how they might perceive their surroundings or their ideology on why they do what they do. It's to do with the whole concept of how they might operate collectively. Am I a fan of serial killers? Absolutely not. I've seen plenty of docos on these people, and you can't make it up. You can't believe half the stuff they talk about."In the full interview, Mick discussed the album's musical direction, blending old school death metal with modern techniques, and highlighted the singles The Killing Floor, He Who Kills, and Excised Unborn as representations of their diverse sound. The album's concept, influenced by horror movies and online content, explores the perspective of a serial killer with a tongue-in-cheek tone, although Mick emphasised that the graphic material is not meant to be taken seriously.He reflected on the challenges of standing out in the competitive Australian music scene, while expressing satisfaction with the band's international reception, particularly in Europe. Upcoming performances include an album launch and participation in Brute Fest, with the album available for streaming and on vinyl, alongside plans for new material and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Endlich ‘ne neue KVLT Klopper Folge, und zwar mit einem "neuen" Format. Denn in dieser Folge stellen wir uns nicht etwa eine komplette Platte vor, sondern schicken jeweils nur EINEN Song in den Ring. Jeder hat sich sich einen für ihn wichtigen und besonderen Metal-Song ausgesucht, um FETT, LANG und SAFTIG darüber abzunerden: PORTAL - Curtain vs. METALLICA - For Whom The Bell Tolls

I Prevail swept into town like a rampaging force of nature with their debut album Lifelines in 2016. It was an album that screamed defiance from every note, emphatically heralding the arrival of I Prevail onto a musical landscape that was destined to be changed forever.While bands had previously flirted with fusions of post hardcore, metalcore, pop punk, hard rock, nu metal, electronics and hip hop, none had managed to find a completely happy medium, choosing more fleeting moments of amalgamation rather than combining all of the genres under one banner. But here was a band who seemingly found the perfect balance on their first offering.Prior to this, I Prevail had endeared themselves to the crossover metal community with a heavy take on Taylor Swift's Blank Space, but that proved to be merely an appetiser for the sonic feast that was to come.Despite attaining gold status over their first two albums as well as Grammy nominations previously unheard of for music of their preference, I Prevail refused to stick to what was already a winning formula, pushing themselves and their boundaries more and more with each release. Where many would find comfort, I Prevail found challenges, all of which have come together to form the nucleus of the band's fourth album, Violent Nature, which was released worldwide last week. It is an album of triumph over adversity, light where there should have been dark, and a defiant enthusiasm and hunger for personal musical fulfilment, which a betting man would say is still a long way from being satiated for this ever-evolving band.HEAVY caught up with frontman Eric Vanlerberghe recently to discuss Violent Nature and how it represents I Prevail at this current point of their career. We start by asking how the early reception has been for the album."It's been incredible," he replied. "Just seeing the love on it and playing some of these new songs live. We played one of the songs before the record came out, and people were just jumping. It felt great. It's good to finally have it out."We mention a quote from the press release that says I Prevail have taken things to the next level with Violent Nature and ask if he agrees."Yeah," he measured after a brief pause. "I think that's a fair assessment (laughs). Just like every record in the past, we always look back and go Okay, what can we do better? What can we improve, and how can we cut the fat? With the heavier stuff, I feel like we've gotten and created different ways to get heavier, and when it comes back to writing the hooks and choruses, we spent a lot of time to make sure we loved every single one of them. Each one felt like a 10 out of 10 before it went out the door. After 11 years of writing, I think we're just starting to get it (laughs)."In the full interview, Eric dives deeper into Violent Nature from a musical point of view, highlighting the opening track Synthetic Soul and how it came together. We discuss the recording process that was split in two parts and how that impacted the finished result, as well as this being the first time that I Prevail have actually recorded an album in a proper studio as opposed to more DIY methods.We talk about Eric taking on clean vocals for the album to go with his usual harsh singing, and how difficult the transition into the dual roles was. He told us about the variations writing for clean vocals had during the creative process, and how the band ironed out any bumps as they occurred. Talk also turned to the eclectic blending of genres and how I Prevail find their balance in the creative process, plus Eric discussed last year's Australian tour with Parkway Drive, and just when I Prevail might be planning their own run of shows and plenty more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Starting life in 2005 more influenced by deathcore sensibilities than their current, more accessible mixture of styles, Glasgow metal outfit Bleed From Within have gradually morphed into a style of their own over seven studio albums, the most recent of which being last month's irresistible offering, Zenith.Representing the past, present and future of Bleed From Within, Zenith captured the band at the peak of their prowess to date, solidifying their reputation for thinking outside of the metaphorical box and confirming their place amongst metal's elite. From incorporating bagpipes into their beautiful brutality through to commanding stages alongside Slipknot, Bullet For My Valentine and Trivium, Bleed From Within also stormed the main stage at the UK's Download festival in 2024, further cementing their stake as a must-see act for the ages.Now, it's Australia's turn as Bleed From Within join forces with The Ghost Inside for October's Going Down Under Tour, which got even bigger last week when Bleed From Within announced a one-off headlining show in Melbourne.HEAVY sat down with frontman Scott Kennedy to dive deeper."We're doing a headline tour of Europe at the moment," he began, "and we get back from this tour five days before we leave to come to Australia. We're proper excited about it. Australia has been on the cards for our 21 years as a band. It's one of those places we've been desperate to get to."We point out that Australian fans love the band, with Sydney featuring at #2 on Bleed From Within's Spotify Playlist and Brisbane at #4."I didn't know that, but that's amazing," he smiled. "We sort of did the same thing in America. We waited so long to go, and for no other reason than the fact we just didn't get the opportunity. We didn't get the right tour offer, but when it came, and we finally went there, it was just… it felt like people were hungry for it. It's almost like we starved the market for so long that when we went there, it was nuts, so I'm hoping that the same thing happens when we get to Australia."In the full interview, Scott talks more about the tour and what we can expect, touring with The Ghost Inside, their one-off side show and why there isn't more, plus their latest album Zenith and how it was received.We spoke about the band's comments at the time of Zenith's release that it represented Bleed From Within at the peak of their career and where they will go from here, the direction future music may take, how much musical growth is left in the band and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Doe wat voor een ander, dan doet de ander wat voor jou. Een veel gehoord gezegde in de metalscene. Dat is exact wat Bjorn van Eeuwijk moet hebben gedacht toen hij werd gevraagd om aan te schuiven in de nieuwste aflevering van Osmium, de zwaarste podcast in het Nederlands. Je zou hem kunnen kennen van Bjorn's Beton Uur, zijn radioshow op KINK Distortion waarin hij twee maal per week nieuwe, oude, internationale en lokale metal draait. Het Osmium-duo mocht in het verleden al eens aanschuiven tijdens één van die uitzendingen, en nu zijn de rollen dus omgedraaid. Bjorn vertelt uitgebreid over het vak radio maken, zijn connectie met de metalscene en de rol die radio daarin speelt. Tevens wordt er stilgestaan bij gatekeeping gedrag en wordt er gepraat over de toekomst van metal. Is er hoop voor dit genre of staan we stil? Natuurlijk zou het geen Osmium-aflevering zijn als er naast deze diepgaande overpeinzingen geen ruimte was voor zaken als John de Bever (en of Bjorn zijn manager is) en de introductie van één van de hardste hip-hop groepen uit het geboortedorp van zowel Niels als Bjorn aan rapfijnproever Pim: de HGF crew. Men zou zich dus kunnen afvragen: wordt de gunst hier teruggegeven, of zijn de heren van Osmium nu twee keer iets verschuldigd? Met muziek van John De Bever en de HGF crew. Onderwerpen: John de Bever - Jij Krijgt Die Lach Niet Van Mijn Gezicht (00:00) Introductie over Nederlandse volksmuziek die bijtender is dan de strafste black metal (00:20) Bjorn van KINK Distortion te gast in de aflevering! (02:22) De metal inrollen dankzij de bibliotheek van Boxtel (05:59) Ontpopping als radiomaker tussen blaasorkesten (09:49) Het belang van kritisch naar jezelf luisteren en format bijschaven (12:53) De rol van radio in het algoritme-gedreven streamingtijdperk (20:10) Bepalen wat er voor wie gedraaid wordt (25:11) Geloven in de muziek die je selecteert (36:41) Op de hoogte blijven van nieuwe muziek (40:32) Innovatie in het genre vanuit muziek of uitstraling (43:28) Bjorn's visie over de toekomst van metal (54:58) Bjorn's visie over de toekomst van KINK Distortion (01:00:53) Afdronk van de aflevering (01:03:15) Tips van Bjorn (01:06:16) Shout-outs (01:09:02) Links: Bjorn's Beton Uur op KINK Distortion Bjorn's Beton Uur op Instagram Bjorn's Beton Uur op Facebook Osmium te gast bij Bjorn's Beton Uur

Featuring new music from ' Rituals, Spite House, Vianova & Dying Wish'. A live review of Earthtone9, plus the usual news & hat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Australia's own BE'LAKOR finally return for a powerhouse run of home shows this October, bringing their signature blend of melodic death metal and progressive depth to stages across the East Coast to celebrate 20 YEARS OF LIVE BE'LAKOR. Renowned for their immersive soundscapes and acclaimed releases such as their most recent and much lauded effort, Coherence, the Melbourne five-piece continues to push themselves and captivate audiences worldwide.Joining them on this monumental run are progressive metal masters PERSEFONE, for their very first time on Australian soil. Hailing from the picturesque lands of Andorra, they have been a formidable presence in the progressive death metal scene since their inception in 2001. Renowned for their intricate compositions and thematic depth, the band masterfully blends technical prowess with melodic sensibility.Complimenting an already stellar lineup is ORPHEUS OMEGA, who will be celebrating the 10-year anniversary of their landmark album Partum Vita Mortem. A cornerstone of Australia's melodic death metal scene, they are well known for their dynamic blend of aggressive riffs, atmospheric keyboards, introspective lyrics and have consistently pushed the boundaries of the genre.With the tour set to start in just a few short weeks, HEAVY caught up with keyboard player Steve Merry to find out more. One of the topics of discussion was Be'Lakor's live show and what we can expect."Well, to be honest, it's just going to be a lot of riffs, a lot of melodies, a lot of harmonies, and not much else," Steve replied. "Not much chit-chat. We get up there, and we play our songs, and that's the way we like to do it. We're there for the music. What drives us is writing the music and then playing it so it'll be good fun."The term "immersive" is often used to describe Be'Lakor's sonic output, so we ask Steve just what that means."I think what that whole bit is talking about is a combination that the songs are long, and they go in all directions, and they often don't return to riffs," he measured. "So there's sort of a journey feeling to the music. We use a lot of atmospherics and a lot of spacious sounds around the actual guitars and drums and the core of the song. We'll chuck a lot of atmospheric stuff in as well. And I guess the lyrics, we do tell a story with the lyrics. So I think those three things together would be maybe what makes people say it's a bit immersive."In the full interview, Steve shared more details about their upcoming tour, 20 Years of Live Be'Lakor, highlighting the band's extensive rehearsal efforts and the inclusion of supporting acts Persefone and Orpheus Omega. He described the live performances as immersive experiences focused on music rather than audience interaction.We further discussed the evolution of BE'LAKOR's sound from their debut album, The Frail Tide, to their latest release, Coherence, noting a shift towards longer songs and a more mature style. Despite the success of Coherence, the band is dedicated to writing new material that resonates personally, currently being 60% through the writing process for their next album, while opting not to perform new songs on the tour to allow for further refinement, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

So where have we been? Find out in this update episode. Find all things Metalhead Journeys here:https://linktr.ee/metalheadjourneys

When Melbourne noise machine and champion for the underdog Blood Duster called time in early December 2017, the Australian music scene lost one of the greats. Not just in terms of music, but, more importantly, in terms of old school ethos. The punk mentality of fuck you and whatever you rode in on that had by then thankfully settled into the heavier side of music.The band were an enigma. They cursed, they bled, they had an opinion, and they had an agenda. Which was purely based on fun and enjoyment of their music. The fact that every year since has seen some form of (false) whisper about an unlikely reunion has only helped strengthen the myth surrounding the music. Hell, HEAVY would not have even heard of the band were it not for their infamous CUNT shirts, which is another thing about the band that has remained intriguing.But this year was different. 2025 became the year when Blood Duster said yes to returning to Australian stages and said fuck it to any previous trepidation. And the lucky festival to secure that much sought-after signature?Blacken Open Air.As bass player Jason Fuller tells us during our chat, Blacken have come knocking every year since 2017, urging - sometimes pleading - with the band to make a resurgence at the hallowed grounds of the outback metal festival, but each request fell on deaf ears. Until now.Blood Duster will play their first gig on Australian soil in almost a decade as one of the headliners of Blacken Open Air 2025 (September 19 - 22), and HEAVY jumped at the chance to speak with the man behind the myth and behind the legend, Jason Fuller. We start by asking why now is the right time for a return outing."When we finished the band, we really kind of…" Fuller measured… "We felt like once you're releasing records; once you're destroying records before they can even be released, you've kind of reached peak annoyability for everyone (laughs). We did everything we had to do, and we were starting to do shows just for money, and it felt totally dishonest considering what Blood Duster is. It's supposed to be a party. We were at this point where we reached the peak of what we were gonna do and were getting annoyed with having to do it. So we just killed it. It's been eight years or whatever, and we just want to hang out with each other and have a party. All the heavy lifting is done. We don't have to fucking write anything. We don't have to go into a fucking release cycle. We don't have to worry about any of those things. We can just turn up, play some songs and have a ball. So that's where our heads at with all that."In the full interview, Jason talked more about why Blood Duster chose Blacken as their first gig back on home soil, the temptations and offers over the years, what to expect from Blood Duster live, what other bands he is looking forward to catching up with and the value of friendship within the metal community.We spoke about the diversity in Blacken's roster, the early days of Blood Duster and the musical climate that created them, their blending of genres before it was cool to do so and the future of the band after this show. And, of course, we talked about THAT shirt, with Jason recalling some funny moments because of that piece of merchandise and the album it spawned from.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Rock stars at the age of 16, Finnish warriors The Rasmus have weathered the inevitable trappings of early success to morph into one of the world's leading rock outfits.Known for their musically dark atmospheres, The Rasmus have also managed to connect on a deeper level with a plethora of music lovers who can relate to the band's genuine feelings of despair. Once labelled as outcasts, or 'weirdos' if you will, The Rasmus have always embraced their perceived differences and championed the cause of the underdog; the downtrodden. The 'weirdos'.Which is why the title of The Rasmus' new album - out on September 12 - is both confronting and comforting. Weirdo, the 11th album from The Rasmus, deals with feelings of inadequacy and discontent, reinforcing the fact that it is okay to be different. Okay to walk your own path. And okay to be on the outside.Weirdo comes after an extensive promotional lead-in, which started with the album's lead single Rest In Pieces, which debuted last October. More singles followed with Creatures Of Chaos, Break These Chains, and Love Is A Bitch, each track further exploring what is no longer a sensitive subject for vocalist Lauri Ylönen. With the album out tomorrow, HEAVY caught up with Ylönen to dive deeper into Weirdo."I'm feeling excited," he smiled. "A little bit nervous, still, after all these years. We've been putting a lot of emotion and a lot of time into this album for the last two or three years, and it's finally going to be released. It's a bit nerve-racking to let it go. But so far it's been a really good response, and the fans have been liking the new, little heavier sound. It's a strong album."We read back an earlier quote from Ylönen, which said, "I find it comforting that our 11th album is pretty much the same message as our first album released in 1996" and ask him to elaborate."It is maybe the main message of the band," he measured. "Just be yourself, no matter what. I think that's always been a struggle for me, but as I've grown up, I've been able to find my soulmates; people like me have come to me because it was almost like an invitation. To dress up like that, to put makeup on like that, do my hair like that, especially back in the days when there was no social media and that kind of easy access to people. You had to send messages out there, like, please find me."In the full interview, Lauri shared insights into the personal nature of the lyrics on Weirdo, including a ballad dedicated to his son, and discussed the album's overarching message of authenticity. Lauri also reflected on the band's musical evolution, comparing their discography to a diary of life experiences, and highlighted a collaboration with Lee Jennings on the title track of the new album.We spoke more about the importance placed on fitting in with society, finding your own path and surrounding yourself with positivity. Talk also turned to next year's debut tour of Australia and what to expect, and more.Order your copy of Weirdo here: https://therasmus.lnk.to/weirdoalbumBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Soulfly have long been a force unto themselves, spearheading the movement of groove metal over twelve previous albums, integrating tribal elements into metal with a passion and genuineness that is as undeniable as it is brutal.Proudly wearing his Brazilian heritage as a badge of honour, frontman Max Cavalera has overseen Soulfly since its inception, consistently raising the sonic bar with every new body of work. This trend looks set to continue with the impending release of Chama on October 24.The album is already being touted by those who have heard it as a return to the roots of Soulfly; a return to the gritty rawness that accentuated their early albums such as 1998's self-titled effort as well as Primitive, 3 and Prophecy. Capturing the essence of tribal lore in every breath of music, Soulfly are at their best when singing about their core ideologies, with Cavalera leading the charge with honest, meaningful appraisals of lost lives, land, and heritage.Max himself has already said, "I'm excited to present it to long-time Soulfly fans, it's a revival of our original sound", a statement which may seem casual enough but is also one which has sent scores of fans around the world in musical raptures of anticipation.HEAVY recently caught up with Max to go into greater detail. We start by asking if, after 13 albums with Soulfly and countless more with other projects, he still gets the same feeling of anticipation that accompanies an album release."Oh yeah," he replied instantly. "No matter how many albums you make, it's always the same; there's nervousness and anxiety. I probably have a bunch of ulcers from making records, but it's a cool excitement. It's fun. You're proud of the thing, you want to hear what people think of it because that's what fuels it. Everything that we do is for the fans to enjoy what we do, you know. But I think right now, Soulfly is being more inspired than ever before. I think this is a really good moment in Soulfly; a really inspirational moment to make a record like Chama. And the record is full of very strong songs and full of tribal grooves, kind of back to the tribal beginnings of Soulfly with a lot of real cool noise stuff in it, which makes it more modern. I've been joking that this album feels like tribal technology. You have the tribal beats, but with technology on top of it. If you love Soulfly, this album is definitely for you. This is an album made for Soulfly fans. If you don't like Soulfly, don't even waste your time."In the full interview, Max further shared his excitement and anxiety about Chama, emphasizing its strong songs and a return to tribal influences, blending traditional beats with modern technology. He noted that the album is tailored for dedicated fans, with themes reflecting Brazilian culture, including songs in Portuguese and narratives inspired by personal and historical experiences. Notable tracks like Always Was Always Will Be and Indigenous Inquisition were highlighted for their experimental sounds and thought-provoking content, addressing issues such as the genocide of indigenous tribes.Max also discussed the collaborative nature of the album's creation, involving his son Zyon as a producer, which brought a fresh perspective to the music. He expressed pride in the familial contributions to the project and the emotional challenges of writing authentically. The conversation included details about the upcoming Australian tour featuring Soulfly, NailBomb, and Snot, with Max expressing enthusiasm for the setlist and the opportunity to connect with fans. Overall, the album represents a significant moment for Max and Soulfly, capturing the essence of their musical journey while looking forward to future endeavours.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

By Angela CroudaceGerman melodic death-doom outfit Nailed to Obscurity have just released their highly anticipated new album, Generation of the Void. For frontman Raimund Ennenga, the record represents the band's boldest and most diverse work yet.Following the critical success of Black Frost, the group set out to explore wider sonic territory. “We wanted the next one to be more diverse, more dynamic,” Ennenga explained. “On one side, you have the extremity of Glass Bleeding with blast beats, and on the other, songs like Allure, which is a full ballad. We even pushed into more accessible territory with tracks like Spirit Corrosion, which I would call catchy in a way.”This push into new territory demanded that Ennenga redefine his own vocal role. Known primarily for his harsh delivery, he embraced clean vocals more extensively than ever before. “I had to find the sweet spot for my voice,” he said. “It feels like more mature singing now, and we really wanted to make sure it worked both on the record and in a live setting.”Recorded across Woodshed Studio in Germany and Jacob Hansen's studio in Denmark, the album benefits from a balance of fresh experimentation and polished production. Hansen's calm yet meticulous approach provided the final layer of refinement. “It's still unbelievable that this is our album,” Ennenga admitted. “Jacob was on our wish list for years, and he lifted the songs to a new level.”Lyrically, Generation of the Void reflects a more cinematic scope while also resonating with the turbulence of recent years. Themes of isolation, social unrest, and emotional weight run throughout, offering listeners both intensity and catharsis.Though no Australian tour is currently locked in, Ennenga expressed the band's enthusiasm: “We would love to come down under one day—it would be really special.”Generation of the Void is out now.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Two decades into their career, Ohio metalcore outfit The Devil Wears Prada are still intent on exploring their sonic boundaries. Despite - as most bands do - having a core, recognisable brand of music, The Devil Wears Prada remain unrestrained by the confines of expectation, preferring to allow their creativity to dictate the direction of their music rather than expectation.This has never been as evident as with The Devil Wears Prada's upcoming ninth album, Flowers. The new album marks the start of an incredibly epic cycle and phase for the band, representing perhaps their most significant creative leap forward yet.HEAVY sat down with vocalist Mike Hranica for some clarity."This one has been years and years in the works," he began, "even since the record was finished being mixed feels like years ago, but that's an exaggeration (laughs). We're excited for folks to hear it."We ask Mike to tell us more about the epic new cycle of the band alluded to in the press release."In terms of looking at the cycle, what we just did with Color Decay coming out of the pandemic was certainly unprecedented compared to the seven other full-lengths we released every year or so," he measured. "We really looked forward to this cycle. We feel like we're in stride in terms of the band and marking 20 years in and full steam ahead."Talk turns to the musicality present on Flowers."There's a lot of pop sensibilities," he offered. "When you look at the genre and the label of metalcore, you think of the heavy with the singing. When I think about what this record is, I think it leans a little bit rocky - at least from the exterior - but there are certainly songs that by all means fit the metalcore description. I think it's very chorus-oriented and working with the pop sensibilities to the choruses and the theatrics having more of a place than ever."In the full interview, Mike dives deeper into the musical side of Flowers, details how it marks the start of an epic new cycle for the band, runs us through the dual single release and accompanying short film and how they lay the sonic platform for what is to come.He discusses the opening track That Same Place and the thought process behind it, the meaning behind the title, whether Flowers is an overall representation of hope or despair, their continued musical evolution and how it stands The Devil Wears Prada amongst their peers, their upcoming tour of Australia with Bullet For My Valentine and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Featuring album in review 'Deftones - Private Music'. New music from 'Face Yourself, Adur, Maitland and Civil Service. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Melbourne-based crust-death outfit KÜNTSQUÄD (pronounced Kountskard) announced themselves with their self-titled 2022 debut album, selling out multiple pressings and ushering in a new era of extreme style Australian music. It was an album laced with brutality and unflinching honesty that was as much a declaration of war as it was a statement of intent.Fast-forward three years and KÜNTSQUÄD return with a new, heavier mission, delivered in the form of their follow-up album Satan's Cock. Satan's Cock is an album that pulls no punches, offering up an intense sonic battering that fuses crust punk's raw chaos with death metal's guttural power, laced with blackened grime and a signature streak of unbridled discontent. With their sharpened edge and unholy vision, KÜNTSQUÄD prove once again that there are no genre walls—only a relentless descent into weaponized sonic depravity.HEAVY sat down with vocalist Paula VC Damnzal and guitarist Nikronomicon Satanik to journey deeper down the rabbit hole."I think it was a concerted effort," Paula replied when we asked her to dive deeper into the new album. "We took a lot more time this time to actually finish it. When we started the recording - which is probably more than two years now - the intention was to do four songs. We put four songs down, and it sounded like crap, and we thought, no, we've got to start again. And then we had some dramas, and our engineer also had some issues, so long story short, basically, we started again. We wrote some more songs, down-tuned again just to get it right, because the last release was a bit… We weren't expecting a record to be honest, so it was done in a very rushed way. So this time round, we took a lot more time and did a bit of a critical review, where we were kind of going with it, and solidified what we'd already been doing. But it just needed to be more direct, because not everyone got it. But this time it was a lot more measured in how we did it."In the full interview, Paula and Nick further highlighted the band's commitment to a more refined production process, resulting in a heavier and more cohesive sound that reflects their goal of musical progression with each release. Nick noted that the album maintains a consistent style, addressing past challenges in genre categorization.They elaborated on the complexities of merging various metal genres while striving for originality, emphasizing the collaborative effort of each band member in shaping the album's sound. The conversation also covered their upcoming tour, starting in Perth and extending to Melbourne and other locations, with fans encouraged to follow their social media for updates on tour dates and information.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Hosts Kiki and Martha are back together to catch up about their festival summer. Kiki brings reports from two festivals in one weekend as well as interviews recorded live at Hellsinki Metal Festival.Tune in to hear about a metalhead's experience at a mainstream festival, how a Metal festival can be turned into a very comfortable event, and how LUNA KILLS-vocalist Lotta Ruutiainen learned to scream.02:43 Kiki goes to two festivals in one weekend06:19 Flow Festival Experience11:10 Conversation with Toni from Hellsinki Metal Festival17:57 Interview with Lotta from Luna Kills34:17  Flow Festival FinaleRecorded on August 9th and 19th, 2025.Show notes:Our podcast episode with Lulu DavisHellsinki Metal Festival report by Karina Coss on Henkipress (in Spanish with great photos)LETTERS SENT HOME and LUNA KILLS collab song ‘Bloom'Beth Gibbons' performance at Flow FestivalBleeding Metal was created by ⁠⁠@kikigege87 ⁠ and is hosted and produced with ⁠⁠@martha _wingen⁠⁠. Episode edited by Kiki.Subscribe now to the Bleeding Metal Podcast wherever you listen and watch some new video interviews on YouTube, all links are on our ⁠⁠linktree⁠. Intro music by ⁠⁠Savvier Nelson⁠⁠ with vocals from ⁠⁠PERSONA-singer Jelena Dobric⁠⁠.

It's hard to believe that a band who have dominated the global metal landscape for more than 35 years would be about to embark on their first ever Australian tour. Hard to believe, but also true in the case of England's most disconsolate export, pioneers and kings of doom metal, MY DYING BRIDE.Well known for haunting atmospheres and sorrowful tones whilst balancing uniquely heavy, desolate riffs with melancholic melodies, MY DYING BRIDE redefined musical misery with their earlier albums Turn Loose the Swans (1993), The Angel and the Dark River (1995) and Like Gods of the Sun (1996). A consistent flow of exceptionally sombre albums and EPs have followed, with highlights including The Dreadful Hours (2001), A Map of All Our Failures (2012), and today they continue their endless suffering like no other band of this ilk can.Aussie fans finally get the chance to see My Dying Bride live this month (September) when the band makes the trek Down Under for two select dates in Sydney and Melbourne. To commemorate the occasion, HEAVY sat down for a great chat with guitarist Andrew Craighan."We're about to come to Australia for the first time in our 35-year career or existence or whatever you want to call it," Andrew reiterated, "so we're all really quite excited about that, and some of us are still in shock that it's finally happening. Some of us are still shocked that it's happening at all (laughs)."We ask Andrew what he is expecting from Australian crowds, warning him that we do get a little crazy at times."I'm expecting that actually," he laughed, "and we're hoping that we can just hold it together to get the set done. We'll be happy with whatever takes place. These two shows that we're doing are very up close and personal type club shows. It's not like the festivals that we sometimes play in Europe, where the crowd's massive, and you're 20 feet away from everybody and 40 feet up in the air as well sometimes. So we appreciate it's very much a club show, and we haven't done many of them in the last few years, so for us, it's going to be almost like a blast from the past. We'll be going back in time to when people were really keen and really close at the same time, so it should be interesting."In the full interview, Andrew talks more about the tour and what we can expect, why it has taken this long for My Dying Bride to make it to Australia, what the set list will look like, new vocalist Mikko Kotamaki and why he was selected, how crowds have been responding to him, My Dying Bride moving forward, the early days of the band and where they fit in, if creating music gets easier or harder the more you put out, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceAustralian heavy outfit Arkangel are charging into a bold new chapter with their latest single, Haunting My Dreams, set for release on September 5. The track marks a defining moment for the band, not only in sound but in ambition, and features a powerful collaboration with electro-driven artist Misstiq.For vocalist Jake Harrop, the collaboration was a dream realised. “I'd always wanted to work with Misstiq—her synth work is incredible, and she brought a whole new energy to the track,” he explains. “We already loved the song before she jumped on it, but when she added her vocals and flair, it just took it to another level.”The single was produced by ARIA-nominated songwriter and producer Callan Orr, who Harrop describes as “like a fifth member of the band,” and accompanied by a visually striking music video filmed at Melbourne's historic Old Jail with acclaimed director Colin Jeffs. “If we were ever going to go all out, this was the one to do it for,” Harrop says. “It's our favourite song we've written so far, and we wanted everything around it to match the scale and intensity.”Since forming in late 2022, Arkangel have been quick to make their mark, with their debut EP racking up over 250,000 streams and a relentless schedule of nearly 30 shows across Australia. The band's unique blend of crushing heaviness and atmospheric synths has earned them both a loyal fan base and the respect of peers in the heavy scene.Looking ahead, Arkangel aren't slowing down. With more singles already in the works, including additional collaborations and a return to the studio immediately after this release, the band is focused on pushing boundaries. Fans can also catch Haunting My Dreams live at Ark Fest on November 1, where Arkangel will headline alongside a stacked line up.Tickets are available now via Oztix.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

As with every other year, anticipation surrounding the first line-up announcement for Good Things 2025 was almost at a fever pitch. Social media experts and promoter wannabe's all shared their projected line-ups, but most were well off the mark.Good Things is possibly one of the hardest festival line-ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line-up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.Rock? Tick. Weezer, Garbage.Pop Punk? Tick. All Time Low, New Found Glory.Punk? Tick. Refused.Metal? Big tick. Machine Head. Knocked Loose, Lorna Shore.Amongst the impressive international bands on display is a large contingent of Australian bands who will be representing at Good Things. One of whom is Windwaker, who have just released the crushing new track Victory Lap. The Melbourne-based metalcore outfit are deservedly riding a tidal wave of success following the release of last year's genre-bending album Hyperviolence. The album catapulted the band into the ears of a global audience, in the process earning them a nomination at this year's APRA Awards alongside touring opportunities both local and abroad. The album - which was the first featuring Liam Guinane as lead vocalist - showcased the evolution within Windwaker's sound, tearing at the foundations of sonic tapestries to reveal a convoluted yet accessible underbelly that was as refreshing as it was unique.The flow on effect from that album has seen Windwaker lead the charge of Aussie acts at Good Things 2025, with Liam sitting down with HEAVY to go over a whirlwind last 18 months. The band have previously played festivals such as Download, UNIFY and Knight & Day, but we state the obvious by remarking that no matter how often it may happen, Liam would never get sick of seeing the name 'Windwaker' on the poster."No, I want to see it more often," he laughed. "I'm so stoked to be part of this line-up. We've played Good Things once before, but I think this is probably my favourite line-up of theirs put together. That's not just because I'm on it, I think it's just a great round of bands."We ask about the mentality backstage between Australian bands and their international counterparts, and if it ever seems like an 'us against them' type of situation."It can be," Liam laughed again. "It's case by case with every band. Some keep to themselves and do their own thing, while there's others that are very friendly and talk to you. It's always different. I think the artist area is where a lot of the mingling happens. When you're backstage, as such, everyone is acting like security guards for their gear (laughs), and they're just staunching everybody. For the most part, everyone is really nice, but you're right, the Aussies gravitate to the other Aussies. I guess it's just a bit of a natural thing that happens."In the full interview, Liam talks more about the eclectic assortment of artists and genres and why he prefers a festival like that rather than one with a more common mixing of genres. We talk about the high number of Australian bands playing and how it represents local music on a global stage, his tips for surviving Good Things, what songs from Windwaker to listen to in preparation for the show and what we can expect from their set.Talk turns to Windwaker's new single Victory Lap and it's sensational music video, whether it is a standalone single or part of a bigger picture, what direction future music may take and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Meredith discusses all the behind-the-scenes work she's always put into the band, the origins of the band name, and the song that made her want to learn drums in the first place on Rock Band!

Interview by Angela CroudaceFinnish powerhouse Battle Beast is set to unleash their seventh studio album, Steelbound, on October 17, and frontwoman Noora Louhimo says the record is their most empowering yet.Known for fusing classic heavy metal with symphonic flourishes, 80s-inspired rock, and soaring synths, the band continues to evolve while staying true to their mission of uplifting fans through music.“This album deals with serious issues—life, death, and human rights,” Louhimo explains. “But at its core, Steelbound is about empowerment. We want to encourage people to fight through challenges, whether big or small, and to feel strong enough to go on.” Songs like Last Goodbye reflect this ethos, drawing inspiration from bassist Eero's encounter with a fellow patient battling cancer. “It's about that relentless hunger for life and never giving up,” she adds.Louhimo's own transformation into her stage persona, “Mother Beast,” embodies this spirit. With her striking horns; symbols she describes as “horns of courage” and elaborate stage outfits, she seeks to inspire fans to embrace individuality. “I want people to show their horns, to be their true selves. You are enough just the way you are,” she says.For Louhimo, music is more than performance: it's a lifeline. “Culture is vital for mental health. If we don't have something to escape to, we don't have the strength to carry on. Music brings people together and helps us heal.”Vocally, she pushed her limits on tracks like Twilight Cabaret, which she calls a showcase of her full range. Yet, her focus remains on the bigger picture: uniting fans and advocating for equality. “Success doesn't come from fame or money—it comes from expressing yourself freely. That's my rebellion, and I hope to encourage others to do the same.”With Steelbound, Battle Beast delivers not just metal anthems but a rallying cry for resilience, individuality, and joy.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

It's been 8 long years, but ILL NIÑO, the trailblazing Latin-influenced metal band that redefined heavy music, is set to return for a blistering run of shows across Australia.Known primarily for their explosive live shows and genre-defining fusion of Latin-infused metal, Ill Nino have been in the headlines more recently following the departure of vocalist Marcos Leal and who would replace him. While fans around the world demanded a quick resolution, founding member and drummer Dave Chavarri held firm, refusing to throw just anyone into the cauldron.Instead, he waited patiently, shutting out the external noise, finally settling on Tommy Roulette (Jynx) to assume frontman duties. The decision came only weeks before Ill Nino set out for a recent tour of America, with all reports coming from reviewers and fans overwhelmingly positive.HEAVY sat down with both Chavarri and Roulette to get more information about the tour and transition of singers."We're fucking ready to go, man," Chavarri said excitedly. "We're going to fucking destroy for sure. We're psyched. We just came off a month-long tour in the United States with a Power Man 5000/Ill Nino co-headline that was fucking packed every night. And, you know, we're ready to go, man. We're well-oiled and ready to fucking rock right now."We ask Roulette how he is settling in."I've been with the guys for a couple of months now," he replied, "and everyone's super great. I couldn't ask to be with a greater group of guys right now. It truly is an honour. I'm very grateful and thankful to be here. I'm not taking this for granted, and I'm very excited for what the future holds."In the full interview, the discussion centred on Ill Nino's upcoming Australian tour, set to begin on September 12. Dave highlighted the successful recent performances in the U.S. and introduced Tommy as the new vocalist, who expressed his excitement about joining the band and experiencing Australia's music scene. Tommy shared his background in drumming and the positive atmosphere of Ill Nino's shows, contrasting it with his previous experiences in hardcore music.Dave recounted the careful selection process for a new singer, emphasizing the importance of quality over haste. He announced plans for re-recording old material and working on a new album, alongside a covers album, with a busy schedule confirmed through October 2027. The band is eager to debut their new song Born to Suffer during the tour and encouraged fans to actively participate in their performances. The conversation concluded with a shout-out to Australian fans, showcasing the band's enthusiasm for their upcoming shows and the music scene in Australia.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

For the past four years, Adelaide blackened death groove outfit Sons Of Erebus have noisily gone about their business, smoothing off the edges of a rough exterior to uncover the gemstone beneath.Despite the inevitable teething problems faced by most bands, Sons Of Erebus have racked up the miles, playing a string of festivals across Victoria, Queensland and New South Wales while fine-tuning their material and road testing it on the people who matter most.The fans.Now, with a settled line up comprising guitarist Ethan (Asmodeus/ex-Thorngate) bassist Bedlam, eccentric frontman Paulie (PAUL13/A Murder of Crows/ex-Age of Horror), lead guitarist Rus (ex-Scapegoat/ex-Horrific Penetration/ex-Age of Horror) and young drummer and local legend Kyle (Broken Loose), Sons Of Erebus are ready to pounce, unleashing their debut 4 track EP Drenched In Plague last week to an overwhelmingly positive response that has so far justified the extra hours put in before committing anything to disk.Frontman Paulie sat down with HEAVY recently to discuss Drenched In Plague and everything around it."Yeah, pretty good so far," he smiled when we asked what the reaction has been so far to the EP. "We've had good feedback and a lot of good compliments. A lot of messages that are all positive so far (laughs). And the songs are familiar with the fans because we've been playing them for a while and trying to bust out finishing the CD. So yeah, it's had a good reception."We ask Paulie to dive deeper into the musical side of Drenched In Plague."It started off as more of a black metal thing," he measured, "and then it's evolved with me dipping my style into it. I come from a bit more of a groove background, and we've tried to make that kind of sound - that bit darker sound - a bit more accessible by taking some of the intensity out of it."In the full interview, we discussed Drenched In Plague in greater detail, running through each of the four tracks one at a time with Paulie explaining how the songs came together and what they are about.We talked about the pressures of a debut release and the length of time it has taken for Sons Of Erebus to release their first recorded material. Talk turned to their live show and upcoming support with international thrash metal outfit Vektor plus advanced plans on new material, including what it will sound like and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Melbourne-based musician Envy Marshall is an artist who doesn't care for trends or fashions or being the 'next big thing'. Her musical journey is more selfish, in a way, in that she creates music that means something to her first and foremost. But when that music is rooted in life experiences and self-worth, it suddenly becomes accessible to the masses. Or at least those who believe that you are the master of your own destiny and, as such, deserve to be happy. Deserve to be free. Deserve to be confident in yourself.After announcing her intentions earlier this year with the explosive and confronting track Like A Man, Marshall returns via the path least expected with Hurt, a song dripping with emotional vulnerability amid haunting piano, laced with searing guitar riffs and a vocal delivery with the unmistakable swagger of an artist for whom boundaries are a source of inspiration rather than fear. Following the viral success of Like A Man, Envy Marshall is proving herself to be one of the most vital independent voices in today's rock scene. With Hurt, she doesn't just raise the bar - she rips it off the wall.With her debut album in the can and nearing release date, Marshall joined HEAVY for an open and honest discussion about her life and music, starting with Hurt and how it has been received."I think people are sick of hearing positive music," she measured, "and I think this song has really touched a lot of people. We've had some great success with it in Australia, but it's been number one in a couple of countries over in Europe, which has been amazing. I was a bit worried about putting out a ballad because you never know how it's going to land, but it's landed really well. People are just sick of candy pop, and they want to actually listen to something that means something to them."We ask if the song is more about hurting yourself or inflicting hurt on others."I think when we get hurt, we like to hurt. It's a reaction," she mused. "So I think this song is about taking power back after being really badly hurt. And I think we've all been really hurt. I think we live in a lot of hurt, especially these days. The world is crazy. I don't think we need lots of lipstick, positive songs. I think it's a real thing that a lot of us are in a lot of pain, so this song, for me, was about being hurt; being let down and finding a way to move that through my body - not through revenge - because that's where you start. When you get hurt, first you get angry, then you get sad, and you get angry again. Then you get jealous, then you get some envy, and you go through all those emotions, and then finally you get to revenge, which is a better feeling. And that sort of gets you out of that feeling of hurt. So it's really about moving through those emotions and coming out the other end of it, the hero of your own story."In the full interview, Envy discussed her recent professional developments, emphasizing Hurt's exploration of complex emotions and the importance of processing pain rather than seeking revenge. She elaborated on her creative process, highlighting her collaboration with Mike Young at Armory Studios, where the haunting piano intro for Hurt was developed. Envy cited musical influences such as Portishead and In This Moment, and emphasised her commitment to artistic freedom in her songwriting. She shared plans for her forthcoming album, which will showcase a gritty rock sound, and teased her new single Looking Good and Feeling Famous, set for release in September, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

After building momentum and a solid, loyal fan base following the release of two EPs - The Wound, The Blade (2022) and Shadow Dancer (2023) - Melbourne metal outfit ATLVS went strangely quiet, going over two years with an eerie radio silence. While such a period of inactivity, especially in the modern age of music, would be an almost certain death knell for emerging bands, the absence seemed to do little to quell the thirst of their loyal army.Their return in June of this year with the instantly irresistible single Soulsucker saw ATLVS pick up almost precisely where they left off, proving that quality music will still be rewarded despite the shortening attention spans of the world and the wealth of bands and music released every day. The track hinted at something bigger from ATLVS but just what that is remains as mysterious as their absence, so to try and get to the bottom of things ahead of the band's trip to Brisbane as part of BigSound, HEAVY sat down for some quality time with Nathan Coff (vocalist) and Nick Clavarino (drummer) for a chat that ultimately left just as many questions as it did answers.We ask what ATLVS hope to get out of the BigSound experience."As a band, I am very interested to see other acts playing," Clavarino answered. "Also, meeting like-minded people. Very interested to see… just from all sorts of bases. You've got your promoters, agents, sync agents, even roles I've never heard of before (laughs), so I'm just interested to meet every single person I can possibly meet and make some good connections."Further to that, we ask what BigSound means to Australian bands and the Australian music scene." I think it's awesome that we have this sort of thing in Australia," Clavarino began, "that is so focused on the future of music. It's the biggest thing like this in the Southern Hemisphere, obviously, so we're pretty lucky to be able to have that. BigSound gives a stage where artists can showcase themselves to people from all around the world and meet people in the industry and industry professionals."In the full interview, Nathan and Nick highlighted the importance of networking with other artists and industry professionals at BigSound, viewing it as a unique opportunity to showcase their talent on a global stage. The band promised to deliver a high-energy performance that stands out among numerous acts, drawing on their experience and professionalism.They also discussed their recent single Soulsucker, which has been well-received after a two-year hiatus, and mentioned that it is part of a larger project, though details were not provided. Nathan acknowledged the challenges of re-establishing the band's presence but expressed confidence in their loyal fan base and plans to engage with fans through social media platforms like Instagram and Facebook to maintain that connection and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Heute werden wir mal wieder dem Namen des Podcasts gerecht und sprechen darüber, wie sich unser Recording Prozess über die Jahre verändert hat - und wie wir diesen frisch halten.

Interview by Angela CroudaceWith more than two decades of epic storytelling through metal, Sabaton are preparing to unleash their 11th studio album, Legends. Frontman Joakim Brodén spoke with us about the excitement of recording, the historical depths behind the songs, and what fans in Australia and New Zealand can expect when the band finally headlines shows there.Despite years in the studio, Brodén insists the process never loses its spark. “There's always something exciting – the drummer trying something new, a solo that takes shape in the moment. Even after writing, hearing it all come together is magical.” He admits experience brings both clarity and fewer surprises: “Eighty-five percent of the song is already in my head before recording begins.”Legends marks the first time every band member contributed to songwriting, though Brodén says it felt natural. “I've worked with them all before, just never at the same time. It wasn't a big change, but it was great to share the load.” The album explores figures like Joan of Arc, Napoleon, Julius Caesar, and Musashi, but for Brodén, the most eye-opening were stories from ancient Egypt and China's Three Kingdoms era. “It's like being a kid in a candy store – discovering new things all the time.”Sabaton's passion for accuracy extends to their YouTube series, Sabaton History. Brodén laughs at how professional historians still teach him something new every episode: “No matter how deep I dig, they always uncover more.”As for live shows, fans can expect both new material and classics rarely performed in Australia. “We've never headlined properly down there, so we want to give a mix – some songs from Legends, but also older tracks fans haven't heard live.”Brodén admits to the pressure of comparisons, with each release judged against decades of fan favourites. Still, the band thrives on discovery and evolution. “If someone comes in excited for a new Sabaton album and walks away disappointed, that's our biggest fear. But I'm confident this one delivers."Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Swedish metal outfit Ambush realized the secret to success early in their career and have been deferring to that template on a daily basis ever since. Not that you could call the love of a laugh and a good time an actual secret, but it is surprising how often bands forget that on their pathway through the music industry.Founded in 2013, AMBUSH continue to showcase their unyielding energy and intricate musicianship, establishing themselves as a force to be reckoned with within the underground heavy metal scene. The fact that they have gone relatively unnoticed in Australia is largely due to the wealth of quality bands coming out of Sweden, but trust me when I say if you love hard, dirty rock with an armour of metal, then your quest ends here. These guys are the real deal and emphatically prove this statement with a statement of their own.That statement is their new album, Evil In All Dimensions, which arrives on September 5. But don't let us sway your opinion. Just take a listen to vocalist Oskar Jakobsson, who joined HEAVY for a fun-filled chat earlier this week."I'm excited as I've never been before," he replied when asked how he is feeling about the new album. "I think this is a fresh start for Ambush, because we have two new members playing on this record, and they bring a lot of different creativity. That shines through on this album, I think, and it's the best we've done this far."We ask Jakobsson to dive into the musical side of Evil In All Dimensions."We play traditional heavy metal," he shrugged. "We call it heavy metal, and we want to play it simple, but interesting. This is kind of a trade-off. I mean, we want meat and potatoes, but we also want some béarnaise sauce on the side, if you know what I mean (laughs). So we try to fight hard for real music, as we call it. We play real instruments. We try to make this grassroots and organic all the way, and we do it with a smile on our face. We don't take everything so seriously all the time."In the full interview, Oskar spoke more about Evil in All Dimensions, which showcases contributions from new members and aims to blend traditional heavy metal with modern influences. He emphasized the album's emotional range and distinct instrumentation, while also expressing his commitment to preserving heavy metal culture amidst the loss of iconic musicians. Oskar announced the band's upcoming performances, including the Keep It True Rising festival in Germany and a European tour, with aspirations for a future tour in Australia.We talked about the singles and how they represent the album, how this is the beginning of a new chapter for the band, the musical climate that gave birth to the band and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Featuring new music by: Death Goals, God Alone, Barren Path & Malthusian. Matt gives his review of Arc Tan Gent 2025 and Pete reviews Snot in Manchester. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Death's Scream Bloody Gore: The Album That Birthed Death MetalWhat happens when a 19-year-old horror movie fanatic from Florida decides to create the heaviest music imaginable? You get Scream Bloody Gore, the 1987 debut that didn't just launch Death's career—it created an entire genre. This is the album that made death metal official, complete with the perfect band name to match.In this episode, hosts Jay, Tim, and Chip dive deep into Chuck Schuldiner's groundbreaking vision that transformed from rejected Florida demos to a Billboard-charting phenomenon. They explore how Combat Records took a massive gamble on this unknown teenager, the recording disasters that led to the album being tracked twice, and why Florida became the unlikely epicenter of extreme metal. The discussion reveals surprising musicality beneath the brutality, from melodic guitar solos to dynamic drumming that defies the “wall of noise” stereotype.The hosts candidly share their first impressions as death metal newcomers, debating everything from Chuck's surprisingly varied vocal approach to the album's timeless production quality. They unpack the horror movie-inspired lyrics, the influence of Black Sabbath and Kiss, and how this 37-minute assault influenced countless bands while spawning an entire ecosystem of subgenres.If you're fascinated by metal history, the origins of extreme music, or how teenage vision can reshape entire genres, this deep dive into death metal's ground zero is essential listening. Fans of early Metallica, Slayer, Possessed, and the broader Combat Records roster will find plenty to sink their teeth into.Episode Highlights:0:00 – Introduction – Poll results and first impressions of death metal's founding album5:18 – Album Background – Chuck Schuldiner's journey from demos to Combat Records deal6:32 – Recording Chaos – The Florida studio disaster and California re-recording10:39 – Listener Comments – Community insights on death metal's Florida origins14:45 – Death Metal Subgenres – From brutal death to porno grind (seriously)17:21 – What Works – Surprising musicality, guitar solos, and vocal range25:04 – Timeless Influence – How the album sounds as relevant today as in 198735:24 – What Doesn't Work – Double-time limitations and production challenges41:53 – Lyrical Analysis – Horror movie themes and teenage songwriting50:16 – Chart Success – How death metal hit Billboard #174 without radio play54:38 – Final Verdicts – Worthy album or essential EP?Ready to explore the brutal brilliance that started it all? Subscribe to Dig Me Out for more deep dives into the albums that changed music history. Join the Metal Union at digmeoutpodcast.com for bonus episodes, exclusive content, and access to our private Discord community. Visit dmounion.com to vote on future episodes and suggest your favorite underground classics. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Der Sommer brutzelt uns langsam das Gehirn weg, aber wir bleiben stabil und quatschen uns gegenseitig AM APPARAT über Festivals, gute Vorsätze, neue Platten und das Wetter zu. Gude Laune, schlechte Laune!

Featuring new music from: Lost In Hollywood, Boneflower, Lowheaven & Sinsaenum. Matt goes on a deep dive into Black Sabbath's back catalogue. We catch up on Happy Gilmore 2, Squid Game, Together and more. Plus the usual news & chat from the alternative world.   

Supporta BLMP genom att bli en patron! Spana in de olika alternativen på http://www.patreon.com/blmetalpodcast Biljetter till Malmö Massacre: https://nortic.se/ticket/event/66525 Eller bidra genom att swisha: 0708-961174 Elis Markskog, som tillsammans med Fredrik Larzon driver festivalen Malmö Massacre, gästar B.L. Metal Podcast för att snacka om årets festival. Mycket missnöje! Playlist: Tribulation - Melancholia Aura Noir - Unleash the Demons Counterblast - Remains Strychnos - Armageddon Patronage Cyness - Patriotenidioten Meanwhile - Above Our Heads I samarbete med Medborgarskolan.

HAIR METAL Podcast EP.28. Part 2: Black Sabbath 'Back To The Beginning' Concert w/ Kaotica Studios Film Director: Johnny K. NOTE: This podcast was recorded 3 days before we learned of the passing of Ozzy Osbourne. Your Hair Metal Podcast hosts and guest are sadden and are mourning the death of Ozzy, our 'Prince of Darkness', who helped lead the way for all metal fans, and the next generation of metal fans to come. RIP Ozzy, thank you for contribution to our Metal fandom. Fandom Podcast Network YouTube Channel Video Link: https://www.youtube.com/@FandomPodcastNetwork Fandom Podcast Network Hair Metal Audio Podcast Link: https://fpnet.podbean.com/category/hair-metal/ The Hair Metal Podcast looks back at the Thrash, Glam & Rock Pop Metal bands, music, events and everything else that heavily influenced the 80's & early 90's Hair Metal era music.  On this special episode of the Hair Metal Podcast we discuss 'Black Sabbath: Back To The Beginning' Benefit Concert. Back to the Beginning was a benefit concert by the English rock band Black Sabbath, with a number of supporting artists. It took place on July 5th, 2025 at Villa Park in Aston, Birmingham, England, very near where the band was formed in 1968. The event concluded with the final live performances of both the band and lead singer Ozzy Osbourne; it also marked the first time since 2005 that the original line-up of the band (Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward) had performed together live. Osbourne, no longer able to walk due to advanced Parkinson's disease, sang while seated on a throne. The widely-lauded concert was streamed worldwide via pay per view with a broadcast delay. It featured an all-star lineup of supporting acts, including two supergroups of musicians serving as the house band. Proceeds from the event totaled £140 million, and will be donated to Acorns Children's Hospice, Birmingham Children's Hospital, and Cure Parkinson's. Black Sabbath is widely regarded as a foundational band for heavy metal, with their influence extending to various subgenres. Their impact is undeniable, shaping the sound and lyrical themes of countless bands across generations, from the 70s through to current day modern acts.  For the full 68 song set and band & artist list, click here: https://www.loudersound.com/bands-artists/black-sabbath-back-to-the-beginning-setlist Thank you for watching and listening to the Hair Metal Podcast on the Fandom Podcast Network! Remember...every rose has its thorn, and on a steel horse... we will ride! HAIR METAL LIVES! Rock on everyone! Hair Metal / Fandom Podcast Network Hosts & Guests Contact Info: - PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork The Hair Metal Podcast Fandom Facebook Group: https://www.facebook.com/groups/377695252724584/   The Fandom Podcast Network is on all major podcast platforms.  Our master feed for all of our audio podcasts can be found on Podbean: - https://fpnet.podbean.com/  - Podbean Hair Metal Podcast Master Feed: https://fpnet.podbean.com/category/hair-metal/   Follow and contact the Hair Metal Podcast at: - X (Twitter): @HairMetalCast - Email: HairMetalPodcast@gmail.com Host & Guests Contact Info On Social Media: - Host: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix. Bluesky: @spartanphoenix - Co-host: Mike Simmer: Kevin & Mike can be found on the Hair Metal Facebook Group: https://www.facebook.com/groups/377695252724584/ Special Guest: Johnny K: IG and YouTube: @ThatJohnnyKguy & @KaoticaStudios #HairMetalPodcast #TheHairMetalPodcast #HairMetalPodcastFandomGroup #FandomPodcastNetwork #FPNet #FPN #RIPOzzy #HairMetal #HairMetalMusic #GlamMetal #BlackSabbath  #BlackSabbathBackToTheBeginning #BlackSabbathBackToTheBeginning2025 #OzzyOsbourne #TonyIommi #GeezerButler #BillWard #AcornsChildrensHospice #BirminghamChildrensHospital #CureParkinsons #Yungblud #NunoBettencourt #JakeELee #Metallica #GunsNRoses #SlayerBand #KaoticaStudios #JohnnyK #KevinReitzel #MikeSimmer

HAIR METAL Podcast EP.28 Part 1 Black Sabbath 'Back To The Beginning' Concert w/ Kaotica Studios Film Director: Johnny K.  NOTE: This podcast was recorded 3 days before we learned of the passing of Ozzy Osbourne. Your Hair Metal Podcast hosts and guest are sadden and are mourning the death of Ozzy, our 'Prince of Darkness', who helped lead the way for all metal fans, and the next generation of metal fans to come. RIP Ozzy, thank you for contribution to our Metal fandom. We hope you enjoy this wonderful discussion of the defining event of metal music history. Fandom Podcast Network YouTube Channel Video Link: https://www.youtube.com/@FandomPodcastNetwork Fandom Podcast Network Hair Metal Audio Podcast Link: https://fpnet.podbean.com/category/hair-metal/ The Hair Metal Podcast looks back at the Thrash, Glam & Rock Pop Metal bands, music, events and everything else that heavily influenced the 80's & early 90's Hair Metal era music.  On this special episode of the Hair Metal Podcast we discuss 'Black Sabbath: Back To The Beginning' Benefit Concert. Back to the Beginning was a benefit concert by the English rock band Black Sabbath, with a number of supporting artists. It took place on July 5th, 2025 at Villa Park in Aston, Birmingham, England, very near where the band was formed in 1968. The event concluded with the final live performances of both the band and lead singer Ozzy Osbourne; it also marked the first time since 2005 that the original line-up of the band (Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward) had performed together live. Osbourne, no longer able to walk due to advanced Parkinson's disease, sang while seated on a throne. The widely-lauded concert was streamed worldwide via pay per view with a broadcast delay. It featured an all-star lineup of supporting acts, including two supergroups of musicians serving as the house band. Proceeds from the event totaled £140 million, and will be donated to Acorns Children's Hospice, Birmingham Children's Hospital, and Cure Parkinson's. Black Sabbath is widely regarded as a foundational band for heavy metal, with their influence extending to various subgenres. Their impact is undeniable, shaping the sound and lyrical themes of countless bands across generations, from the 70s through to current day modern acts.  For the full 68 song set and band & artist list, click here: https://www.loudersound.com/bands-artists/black-sabbath-back-to-the-beginning-setlist Thank you for watching and listening to the Hair Metal Podcast on the Fandom Podcast Network! Remember...every rose has its thorn, and on a steel horse... we will ride! HAIR METAL LIVES! Rock on everyone! Hair Metal / Fandom Podcast Network Hosts & Guests Contact Info: - PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork The Hair Metal Podcast Fandom Facebook Group: https://www.facebook.com/groups/377695252724584/   The Fandom Podcast Network is on all major podcast platforms.  Our master feed for all of our audio podcasts can be found on Podbean: - https://fpnet.podbean.com/  - Podbean Hair Metal Podcast Master Feed: https://fpnet.podbean.com/category/hair-metal/   Follow and contact the Hair Metal Podcast at: - X (Twitter): @HairMetalCast - Email: HairMetalPodcast@gmail.com Host & Guests Contact Info On Social Media: - Host: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix. Bluesky: @spartanphoenix - Co-host: Mike Simmer: Kevin & Mike can be found on the Hair Metal Facebook Group: https://www.facebook.com/groups/377695252724584/ Special Guest: Johnny K: IG and YouTube: @ThatJohnnyKguy & @KaoticaStudios #HairMetalPodcast #TheHairMetalPodcast #HairMetalPodcastFandomGroup #FandomPodcastNetwork #FPNet #FPN #RIPOzzy #HairMetal #HairMetalMusic #GlamMetal #BlackSabbath  #BlackSabbathBackToTheBeginning #BlackSabbathBackToTheBeginning2025 #OzzyOsbourne #TonyIommi #GeezerButler #BillWard #AcornsChildrensHospice #BirminghamChildrensHospital #CureParkinsons #Yungblud #NunoBettencourt #JakeELee #Metallica #GunsNRoses #SlayerBand #KaoticaStudios #JohnnyK #KevinReitzel #MikeSimmer  

In einem schwer romantischen Gedankenexperiment, stellen die Festival-Muffel Hanno und Simon sich jeweils ihren perfekten Abend zusammen. Das große GOTD Fantasy Festival geht über 2 Tage und bietet nichts außer HITS HITS HITS!

Featuring new music by: Fox Lake, Darko, Fates Messenger & Slow Crush. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.  

On this, the day of our deity of reciprocity, we gather to give special thanks to our treasured Midyear Sun. As an offering for our Podfather, we will today surrender 20 heavy metal albums. As Metalheads take, so Metalheads also give.

What happens when Poison's fire-brand drummer trades stadium pyrotechnics for scrappy club gigs, hand-picks BulletBoys shredder Mick Sweda, and dares to mash up Duran Duran with T. Rex? Meet Rikki Rockett's Rocket Mafia—the “anti-cover-band” cover band that's rewriting the rules of '80s metal nostalgia while plotting its own originals.Rikki Rockett—fresh off the Stadium Tour and revved up by motorcycle charity gigs—drops in to reveal how Rocket Mafia started as a one-off set for the Distinguished Gentleman's Ride and snowballed into a high-octane passion project.- Origin story: from Taylor Hawkins' Chevy Metal fill-in to a permanent lineup with vocalist Brandon Gibbs and bassist Brian B.- Set-list philosophy: ditch “War Pigs” for Billy Squier's “Everybody Wants You” and a bang-up “Hungry Like the Wolf/Bang a Gong” mash-up.- Inside the drummer's mind: the magic (and headaches) of fly-in dates, building an erector-set drum kit nightly, and why ghost notes were banned on early Poison records.- Family, books & the paranormal: taxi-dad life, upcoming memoir Ghost Notes, and chasing spirits between tour runs.- The great “original-lineup” debate: Rockett's candid take on legacy bands, Foreigner's rotating cast, and keeping Poison intact.If you crave the swagger of Motley Crüe but dig the left-field song choices of Chevy Metal—or if you've ever argued over whether replacement players can capture a band's soul—this conversation hits your sweet spot. Think glam-metal bravado meets garage-band curiosity; fans of Def Leppard, Cheap Trick, or even Duran Duran will feel right at home.⏰ Episode Highlights0:00 – Theme riff & Welcome – How Dig Me Out keeps '80s metal alive, plus Patreon shout-outs5:12 – The SmartLess-style guest tease – Chip nearly pulls off a Ricky Rockett surprise11:45 – Interview starts – Late-start school runs and why soundchecks are secret weapons22:10 – From charity gig to Rocket Mafia – The birth of an “anti-cover” philosophy28:55 – Mick Sweda joins – Tone over whammy bars and the art of serving the song34:08 – Taxi-dad confessions – Balancing teenage schedules with tour life36:28 – “Ghost Notes” preview – Banned drum licks, paranormal rabbit holes, true-crime obsessions39:54 – Legendary tour manager Bob Dates – Tour-bus rescues & backstage chaos42:10 – Poison in-store brawl flashback – Chasing hecklers through record shops53:30 – Outro jam – How Rocket Mafia plans to weaponize deep-cut Poison tracksLoved the peek behind the spandex curtain?Subscribe now on your favorite pod-player so you never miss an episode.Dig deeper into every season of alternative & hard-rock history at digmeoutpodcast.com.Rate, review, and share—because the riff revolution needs you. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Featuring a live review of Iron Maiden at Manchester. We chat about Black Sabbath's incredible send off. New music from Still In Love, Blessings, Malevich, Accvsed and Believe In Nothing. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.  

Ever wonder why 80s glam metal still packs out tribute nights and sparks passionate debates decades later? This week on Dig Me Out, we're throwing on the leather, cranking the Aquanet, and diving into the wild, hook-filled world of 80s Glam Metal—the scene that turned the Sunset Strip into rock's most outrageous runway and gave us anthems for every party, heartbreak, and hair-flip in between.From the genre's glitter-soaked roots to its neon-tinted MTV heyday and eventual fall from grace, our roundtable takes on the big questions: What truly defines glam metal? Why did it explode—and then burn out—in such spectacular fashion? And which albums still deserve a spot in your rotation, even if you've sworn off spandex for good? With special guests James Barber (curator of the definitive “Young & Wild: A Decade of American Glam Metal” box set) and Alex Williams (outlaw country artist reimagining 80s metal classics), we dig deep into the music, the image, and the legacy of a genre that's as much about attitude as it is about riffs.If you love the infectious hooks of Poison, the streetwise grit of Cinderella, or the genre-bending spirit of bands like Mother Love Bone and Faster Pussycat—or if you've ever debated whether “hair metal” is a badge of honor or a press-invented slur—this episode is for you. We connect the dots from glam's 70s origins to its 80s explosion, and even trace its DNA into modern pop country and arena rock. Think of it as a crash course in everything that made—and unmade—one of rock's most colorful eras.Episode Highlights0:00 – [Intro] – The glam metal mission statement: why this scene still matters5:12 – [Meet the Guests] – James Barber on assembling the “Young & Wild” box set; Alex Williams on turning glam anthems into outlaw country21:00 – [Defining the Sound] – What separates glam metal from hard rock and thrash? Big hooks, big hair, and even bigger choruses40:39 – [Essential Albums] – Panel picks: Cinderella's Night Songs, Faster Pussycat's debut, Poison's Open Up and Say… Ahh!, and more51:05 – [Party Rock Vibes] – Why glam metal shows felt like the ultimate communal party—and how that vanished in the 90s57:02 – [The Downfall] – Power ballads, industry formulas, and the grunge wave: what really killed glam metal?1:06:10 – [Deep Cuts & Hidden Gems] – The records and songs that still surprise, from Electric Angels to Junkyard1:20:00 – [Modern Legacy] – Where does glam metal live on today? From Ghost's arena theatrics to pop country's party anthems1:35:11 – [Outro & Plugs] – James and Alex share their latest projects, and the hosts reflect on glam's enduring influenceReady to relive the excess, the anthems, and the eyeliner?Subscribe to Dig Me Out for more deep-dive episodes, bonus content, and a community of fellow rock obsessives. Drop your hot takes, suggest your favorite under-the-radar glam album, and join the conversation at digmeoutpodcast.com and dmounion.com.Let's settle the debate—was glam metal ever just about the hair, or was there always something deeper under all that glitter? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Our Download Festival 2025 special. Interviews with Fit For An Autopsy, Vower & Venus Grrrls. Reviews of the entire weekend including: Green Day, Korn, Sleeptoken, Northlane, Jimmy Eat World,  Svalbard, Vola, Poppy, Polaris, Bleed From Within, The Ghost Inside, Spiritbox, Sikth.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

This episode we welcome back Dennis Mikula of Ghost Bath! We talk about the creation of his band's new album, Rose Thorn Necklace, how he started his vaporwave label, Geometric Lullaby, why sad depressing music soothes him, and how his obsession for writing songs can sometimes be a health risk.  Dennis also helps us break down Metal News, New Releases, What We're Listening to and Picks from the Crypt. Plus, for the first time on the podcast, two live albums get locked in the Metal Thunderdome, courtesy of Jay.

Send us a text

HAIR METAL Podcast EP.27: Hair Metal Era Bands Top 2 Best Selling Albums! Which One Is Best? Fandom Podcast Network YouTube Channel Video Link: https://www.youtube.com/@FandomPodcastNetwork Fandom Podcast Network Hair Metal Audio Podcast Link: https://fpnet.podbean.com/category/hair-metal The Hair Metal Podcast looks back at the Thrash, Glam & Rock Pop Metal bands, music, events and everything else that heavily influenced the 80's & early 90's Hair Metal era music. On this episode of the Hair Metal Podcast, hosts Kevin and Mike and guests Nez and Dick, discuss Hair Metal Era Bands Top 2 Best Selling Albums. Then we decide which was the better album. We chose 10 bands from the Hair Metal era to compare their top 2 best selling albums. The bands we've chose are: Guns N Roses Skid Row Def Leppard Poison Whitesnake Cinderella Motley Crue The Cult RATT Dokken Thank you for watching and listening to the Hair Metal Podcast on the Fandom Podcast Network! Remember...every rose has its thorn, and on a steel horse... we will ride! HAIR METAL LIVES! Rock on everyone! Hair Metal / Fandom Podcast Network Hosts & Guests Contact Info: - PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork The Hair Metal Podcast Fandom Facebook Group: https://www.facebook.com/groups/377695252724584/   The Fandom Podcast Network is on all major podcast platforms. Our master feed for all of our audio podcasts can be found on Podbean: - Podbean Hair Metal Podcast Master Feed: https://fpnet.podbean.com/category/hair-metal/ Podbean Master Feed for all Fandom Podcast Network Shows: - https://fpnet.podbean.com/  Follow and contact the Hair Metal Podcast at: - X (Twitter): @HairMetalCast - Email: HairMetalPodcast@gmail.com Host & Guests Contact Info On Social Media: - Host: Kevin Reitzel: (X) / Instagram / Threads / Discord / Letterboxd: @spartan_phoenix - Co-host: Mike Simmer: Kevin & Mike can be found on the Hair Metal Facebook Group: https://www.facebook.com/groups/377695252724584/ #HairMetalPodcast #TheHairMetalPodcast #HairMetalPodcastFandomGroup #FandomPodcastNetwork #FPNet #FPN #HairBands #HairMetal #HairMetalMusic #GlamMetal #80sMetal #GunsNRoses #SkidRow #DefLeppard #Poison #Whitesnake #Cinderella #MotleyCrue #TheCult #RATT #Dokken #KevinReitzel #MikeSimmer