Podcasts about metal podcast

While many people and critics hail certain albums as being pivotal or defining in terms of musical genres or movements, the reality is that, while undeniably a great album, whatever they are referring to was just that. A great album at a time where a musical genre was earning its stripes.But every now and then - usually with the test of time - an album stands out in their particular field of metal. An album that really did help shape and refine a movement that was later to become a genre. An album that, decades after its release, is still hailed as a masterpiece and rightfully so.One such album is Broke from HED (PE). 25 years ago an up and coming rap/metal outfit called HED (PE) had already announced themselves with their self-titled debut album, but it was the release of Broke in 2000 that really catapulted the band up the rankings. Featuring Serj Tankian (System of a Down) and Morgan Lander (Kittie) as guest artists, Broke spawned the singles Bartender, Killing Time, and Feel Good, fusing rap, funk, hip hop and metal like never before and playing a huge part in the early development of nu metal.The album has resonated with fans the world over for the last two and a half decades, and Australian audiences will get the chance to share in the beauty of Broke when HED (PE) head to this side of the world next February to celebrate the album's anniversary.HEAVY sat down with frontman Jahred Gomes to get up to speed. One of the questions was if it was difficult learning the whole album, taking into account when it was written it wasn't done with the intention of playing the whole album in the future."No, it wasn't difficult," he recalled, "but you know, at PE, we've got some really long songs. So sometimes in the live setting, we do more medleys so we can play a bunch of shit. I imagine when the show comes out there'll be some songs played in full, some songs that we just touch on, but we want to make it exciting for people. We've got some tricks that we're going to be doing. It's different. It's 25 years later, so it's got more of a straight-ahead, thrashy punk rock vibe now than it did back then."In the full interview, Jahred discussed the significance of Broke, reflecting on its themes of financial and emotional struggles, its impact on the band's rise to fame, and the evolution of their songwriting. He acknowledged some lyrics he now finds regrettable but expressed comfort in performing the older songs. He also shared his excitement about touring with Nonpoint, highlighting the importance of supporting friends in the music industry and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In this episode of the Bleeding Metal Podcast, host Kiki interviews Canadian rock icon Bif Naked, who discusses the new documentary about her life, her experiences in the Rock scene of the 80s, her journey through cancer, and her thoughts on feminism and the music industry.Bif shares her insights on the changes in the live music scene, her way of dealing with harassment at concerts, and her activism for various causes. She also reflects on the therapeutic power of music and offers advice for Women in Metal.05:30 Bif's Childhood and Adoption Story10:51 Navigating the Music Scene as a Woman14:19 Changes in the Music Scene Over Time18:02 Addressing Harassment in the Music Industry20:58 Bif's Activism and Causes22:29 Impact on Fans and Personal Stories24:47 Finding Strength During Illness26:05 The Therapeutic Nature of Music28:30 Advice for Women in MetalRecorded on November 18th, 2025 live on Kiki's Twitch channel.Show notes:Find out more on Bif Naked's websiteMore about Bif Naked the documentary on IMDbBleeding Metal is hosted, produced, and edited by ⁠⁠⁠@kikigege87 ⁠ with ⁠Riverside⁠: https://riverside.cello.so/2RL4orpNDx0.Subscribe now to the Bleeding Metal Podcast wherever you listen and watch some new video interviews on YouTube, all links are on our ⁠⁠linktree⁠. Intro music by ⁠⁠Savvier Nelson⁠⁠ with vocals from ⁠⁠PERSONA-singer Jelena Dobric⁠⁠.

Signals From Mars – Episode 429: Howling GiantIn this episode of Signals From Mars, Victor welcomes Tom Polzine and Sebastian Baltes from Nashville heavy rockers Howling Giant to discuss their new album Crucible & Ruin, released on Halloween.The band talks about Nashville's influence, how their sound has evolved since Glass Future, and how the addition of Adrian on keys expanded their creative scope. They share details about writing and recording Crucible & Ruin, favorite gear, and the band's unique approach to putting their own spin on classic covers.The discussion also reflects on the legacy of Ozzy Osbourne and Black Sabbath, and what Ozzy's passing means to them as musicians and fans.Whether you're a longtime listener or new to Howling Giant, this episode offers a deep dive into their creative process, influences, and drive to make timeless, riff-heavy rock that transcends trends.Topics Discussed:• Nashville's impact on Howling Giant's sound• The making of Crucible & Ruin• How Glass Future inspired their next steps• Gear talk and production choices• Sebastian's journey to joining the band• Their take on cover songsConnect with Howling Giant:

In this episode of the series “Pod Friends” of the Bleeding Metal Podcast, Kiki welcomes fellow Metal journalist Karina Coss from Henki Press. They discuss their friendship, their journeys into metal journalism, and the cultural nuances of music in Finland and Latin America.Karina shares her journey from being a music lover to bringing Henki Press, her online metal magazine, to life. The conversation also touches on the role of gossip in the metal community, the challenges of being a female journalist, and the impact of artists like Bad Bunny on cultural conversations.00:00 Introduction to the Podcast and Guest02:32 Friendship and Connection in the Metal Scene04:31 The Birth of Henki Press12:41 The Journey into Journalism19:37 Gossip in the Metal Scene: A Deeper Look25:03 Reclaiming Gossip: A Feminist PerspectiveRecorded on October 15th, 2025.Find out more:Find Kari's photos and concert reviews on Henki Press"History is just gossip that matters.“ - Alie Ward on this episode of the Ologies podcastCome back for the link once we've launched our ChisMetal podcast ;)Bleeding Metal is hosted, produced, and edited by ⁠⁠@kikigege87 with Riverside.Subscribe now to the Bleeding Metal Podcast wherever you listen and watch the video episodes on YouTube, all links are on our ⁠⁠linktree⁠. Intro music by ⁠⁠Savvier Nelson⁠⁠ with vocals from ⁠⁠PERSONA-singer Jelena Dobric⁠⁠.

In this explosive episode of the Time for Metal Podcast, Simon and Kai welcome none other than Joakim Brodén, the powerhouse frontman of Sabaton. From fireballs to backstage mishaps and deep dives into history, this episode covers it all.The conversation takes you behind the scenes of Sabaton's legendary live shows, their brand-new album “Legends”, and the creative teamwork that fuels the band. Joakim shares humorous tour stories, the danger of pyrotechnics in windy conditions, and what it means to carry military history into modern metal.

While most kids are out and about trying to think up what trouble they could possibly get into, 13-year-old Vox Realis was indoors, practising his guitar. Ever since picking up his first guitar at just 7 years of age, Realis has ploughed all of his time and energy into mastering the instrument, earning the praise and subsequent guidance of Kiko Loureiro (Megadeth, Angra) along the way, who saw something special in the aspiring musician. Not content to merely practice for himself, Realis started the YouTube series Metal For Breakfast - which has since gone viral - putting his name and guitar prowess out there to a global audience.The result is his recently released debut single Overkill, which also features Felipe Andreoli (Angra) on bass and Dirk Verbeuren (Megadeth) on drums. HEAVY recently sat down to chat with the young guitarist and start by asking him to go into the musical side of Overkill a bit deeper."I knew that I needed to find my own voice, and I wanted to make sure that what was in my head was represented in the song," Realis measured. "I'm really about tones, and so I really just embraced a song structure that is accessible to listeners, but I can still get what I want from my head into the song. This song is full of emotion, and I had lots of fun with the different effects and the drive and really capturing what I was feeling. School and life is pretty hard at 13 (laughs), and this song is my first attempt to communicate those sometimes conflicting and really big emotions."We bring up his age and ask Realis if it is difficult being thrust into the limelight so young."Yes," he replied honestly, "but everyone is so supportive and excited to see where this all goes. They also recognise that I'm young and all this guitar needs to be my choice. My parents, my mentors and my teacher, they all help me keep a balanced life and encourage me to embrace the long and patient journey that is becoming a musician."In the full interview, we talk more about Overkill and bringing the song to life. Vox tells us about the writing process for the song and how he put his own DNA through it. He mentions the two guest musicians playing on the track and how they came to be involved, as well as having Kiko Loureiro as his mentor and the importance of that in his future plans.Vox talks about his passion for guitar and having old-style metal musicians as inspiration, but sprinkling enough of himself into the creative process to make it his own. He talks of future musical plans and what got him interested in guitar, plus winning the Musicians Institute Summer Program Scholarship and what it means moving forward. He spoke of future plans and mapping things out in steps, Metal For Breakfast and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Featuring new music from 'Blank Atlas, Heavensgate, As We Speak & Bloom. We catch up on the big festival announcements from Download, ArcTanGent, 2000Trees & Outbreak. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

It's a great sign in the modern music scene in Australia that there are still festivals in this country that feature exclusively homegrown bands. It is a testament to the quality of music at our disposal, and also just reward for Australian bands who are able to be showcased in their own right.One such festival is Metal In The Mountains, which is set to go down in Beechworth Historic Precinct on November 29. Featuring Frankenbok, In Malices Wake, Goat Sharman, Whisperhead, Saralisse, ESP Mayhem, Oblivion and Sufferance, Metal In The Mountains is an annual regional event held in picturesque Beechworth under the open sky and gets bigger, better and louder each year. Throw in the fact that you can take the kids along for an education in metal, and you can't go wrong!With the festival just weeks away, HEAVY caught up with guitarist/vocalist Shaun Farrugia from In Malice's Wake to talk shop."We started, I'd say, as a bit more of an old school thrash band, but over the course of recording the last five albums we've definitely gone to a much heavier death-infused band," he began, introducing In Malice's Wake for those unfamiliar with the band. "We've been kicking it for about 20 years now, and we're stoked for Metal In The Mountains. It's our last gig for the year, and everything I've heard seems to indicate that it's super well attended. It's a bit of a hub for all the regional towns, and it's supposed to absolutely go off. I had a few friends who played it last year who said it's the regional one to go to."We mention the cross-section of metal styles on display over the eight bands and praise the modern trend of diversification in line-ups as opposed to the older style of keeping it more like-for-like."Yeah, that's right," he said, nodding in approval. "And it just keeps the day a bit fresh. I really miss Metal For The Brain back in the early 2000s, because you'd go to a show like that and there would be just so many different bands. You'd see, I don't know, Lorde playing next to Hobb's Angel of Death, for example. It was just a full day where you'd see all these world-class bands, but the vibe and the range of things to see, there'd always be something interesting happening."In the full interview, Shaun talks more about Metal In The Mountains, doing research on the other bands playing, what we can expect from In Malice's Wake, three songs to listen to if you aren't familiar with the band, Metal In The Mountains being all ages and the plusses in doing such a thing, the importance of Australian only festivals in the growth of Australian metal, In Malice's Wake changing sound over the years, next year's new album The Profound Darkness and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Eine Show, die mit einer Gaga-Schlaflos-Challenge beginnt und mit einem Deeptalk über ein Konzert in der Ukraine endet. Mehr Achterbahnfahrt geht nicht. Viel Spaß im METALKELLER - dem deutschen Metal-Podcast!

The world of death metal is relentless and unforgiving, with hardcore fans renowned for their refusal to have pity nor understanding for anything that isn't pure of metal. As such, new bands to the fold face a literal baptism of fire with no quarter given, and certainly none taken. Put simply, you either impress from the very get-go or you get gone. Simple as that.Which is what has made 200 Stab Wounds' rapid ascension up the metaphorical metal ladder all the more impressive. In just six years, the band have solidified a global base of loyal supporters, with some in the know proclaiming them as death metal legends in the making. But legend status is not something handed out freely. It has to be earned, then earned again, and Australian audiences will have the opportunity to judge for themselves when 200 Stab Wounds hit this country for the first time this November, teaming up with fellow purveyors of brutality, Dying Fetus. It is a match made in the bowels of Hell and one which is certain to shake Australia to the core, but first HEAVY elected to sit down with 200 Stab Wounds' guitarist Ray Macdonald to see how the band is approaching their first trip Down Under. One of the questions we ask is if 200 Stab Wounds have toured with Dying Fetus previously. "Yes, we've played with them before," Ray affirmed. "We did a tour with them in the US, and it was a great time. They are great dudes, their team are great dudes. We all got along really well."We mention the fact that having two brutal bands on tour together would keep each other on their toes, keeping the bar at a consistently high level so as not to disappoint."I mean, Dying Fetus are legends," he replied. "They are arguably one of the heaviest bands - if not the heaviest band ever - so watching them and knowing that we have to set the stage for them every night makes us definitely want to push our game up for sure."In the full interview, Ray talks more about the band's debut Australian tour, including why it has taken them so long to get out here. We talk about touring a country for the first time and how Ray approaches the experience, what they are expecting from Australian crowds and what we can expect from 200 Stab Wounds and how crazy shit gets in the mosh pit.We spoke about how quickly 200 Stab Wounds have established themselves in the death metal scene and what he thinks it is that makes them stand out. The topic of musical experimentation comes up as Ray tells us how the band have changed and grown musically over their two albums, how much experimenting they have in them moving forward and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In this episode of the Bleeding Metal podcast, host Kiki interviews Corey Doremus from the band FACE YOURSELF. They discuss the band's journey, their recent EP release called “Fury”, and the band's collaborative songwriting process.Corey shares insights into his musical influences, the impact of technology on music production, and the themes explored in their lyrics, particularly around beauty standards and mental health. The conversation also touches on the dynamics of being in a band, the challenges of touring, and the importance of communication and understanding within the group.00:00 Kiki welcomes FACE YOURSELF's Corey Doremus01:09 FACE YOURSELF: band history and growth04:37 Corey's personal background and influences05:41 Songwriting and remote collaboration in FACE YOURSELF14:40 Lyrics and themes of social critique17:05 Band conversations about social issues23:17 Health on tour with FACE YOURSELFRecorded on October 28th, 2025 live on Kiki's Twitch channel.Show notes:All links to FACE YOURSELFWatch the music video for ‘Fractures' by FACE YOURSELFCheck out Corey's other band LEVITATEDMusic videos made by FACE YOURSELF-drummer Eric's production companyBleeding Metal was created by ⁠⁠@kikigege87 ⁠ and is hosted and produced with ⁠⁠@martha _wingen⁠⁠. Episode edited by Kiki with Riverside.Subscribe now to the Bleeding Metal Podcast wherever you listen and watch some new video interviews on YouTube, all links are on our ⁠⁠linktree⁠. Intro music by ⁠⁠Savvier Nelson⁠⁠ with vocals from ⁠⁠PERSONA-singer Jelena Dobric⁠⁠.

After establishing themselves as serious contenders in the ever-growing Australian music landscape with their 2024 EP Requiem, Melbourne hard rock outfit The Last Martyr seemingly went into their shells, still playing the odd show but failing to release more new music to deliver the knockout blow.It was ultimately a combination of many different factors of life and music that stood as a buffer between maintaining momentum and walking the tightrope of everyday life, but if the absolute carnage that is their upcoming single Brain Rot is anything to go by, The Last Martyr have decided it's time to reacquaint themselves with their fans. And not by easing back into things, either.Harking back to their nu metal roots, The Last Martyr have proved that while they might not have been as prolific in the public forum, that doesn't mean they have remained idle in the creative realm. Brain Rot is a seething, attitude-laced descent into a world diminished by the rapid emergence of the digital age and the many fears, problems, and disconnections that come with it.Throw in the fact that vocalist Monica Strut was recently crowned as a deserved winner of the Women In Heavy Music Award at this year's Australian Women's Music Awards, and you have a potent mix of tempered aggression and personal embodiment that is just waiting to be unleashed. HEAVY spent time earlier this week with Monica to talk about the new single and her recent recognition by her peers."I think it's just one of those milestones that is so rare, especially in the music industry," she relayed when asked if winning the award has sunk in yet, "and as a woman, and in Australia. There's obviously the ARIA's, but you really have to be so on top of your game to win an ARIA. We don't have many awards like this in Australia, and there's something really special about even just being invited to the ceremony."We question Monica on the gap between releases and ask if she thinks The Last Martyr may have lost momentum in that time."We thought we weren't going to do it justice if we rushed it," she said of Brain Rot. "We had the song ready, but in terms of being a musician, it's not just about writing music. You've got to prepare all the contents, and you've got to have the marketing for it and create the single artwork. So I think we've delayed it a little bit, mainly due to logistical reasons."We bring up the return to a more nu metalcore sound and ask if that is going to remain the way forward for The Last Martyr."We're always going to experiment," Monica shrugged. "We're never going to be a band that sticks with a certain sound and then just copy/ paste. We have too many ideas, and we always want to be pushing ourselves as artists. But what I will say is I feel like this song and the next batch of songs, they're the best songwriting that we've ever done in terms of arrangements and everything like that."In the full interview, we explored the shift back to The Last Martyr's roots in more detail, discussing the reasons behind the return and how Monica thinks fans will react. We talked more about her recent Award and what it means to her as a person and an artist, also mentioning the previous two winners and how tight-knit the Australian metal circle is.We spoke more about not rushing into releasing anything straight after Requiem, whether Brain Rot is a standalone single or part of a bigger album picture, upcoming shows and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In this explosive episode of the Time for Metal Podcast, Simon and Kai welcome none other than Joakim Brodén, the powerhouse frontman of Sabaton. From fireballs to backstage mishaps and deep dives into history, this episode covers it all.The conversation takes you behind the scenes of Sabaton's legendary live shows, their brand-new album “Legends”, and the creative teamwork that fuels the band. Joakim shares humorous tour stories, the danger of pyrotechnics in windy conditions, and what it means to carry military history into modern metal.

What better way to kick off a new year than a trifecta of brutality? Which is exactly what Australia is getting next February when death metal miscreants Aborted join forces with Archspire and Organectomy for a tour so crushing they have had to name it the Return To Prison Island Australia Tour 2026.For the last three decades, Aborted have pioneered death metal, taking no prisoners in their blending and cross-pollination of extreme metal, death-grind and ferocious extremities neatly wrapped in a ball of technical precision that defies their relentless approach. Their most recent album, Vault Of Horrors, solidified Aborted's supremacy, and now they are headed our way to spread sonic carnage across the land. While these three bands will complete a four-date capital city run themselves, Aborted and Archspire have also been invited to perform at both Froth & Fury Festival shows, rounding out the tour with bookends in Perth and Adelaide.HEAVY sat down with Aborted's Daniel Konráðsson to find out what to expect. We start by asking if Aborted has hit the road with either Archspire or Organectomy before."We've toured with both of those bands before, absolutely," he smiled at the memory. "We did a summer tour with Archspire, which was a great time. We toured the U.S. together, North America, and had a lot of fun. Those guys definitely are very upper alley, both musically and personally. We've known those guys a long time; the two bands go way back. And sonically, I feel like they align as well, so that makes for a very good package. It's kind of broad, but it's also going to be pretty pummelling most of the way through, which is not bad (laughs). Organectomy were with us throughout Europe, and those guys were awesome. Absolutely awesome. So we're very excited to see them all again, definitely."Over the full interview, the discussion focused on the upcoming Australian tour and live performances by Aborted. Dan shared insights on the importance of crowd participation in creating an engaging atmosphere during shows, emphasising that they aim to foster an active environment where the audience's enjoyment is key to a successful performance.He expressed excitement for Froth & Fury Festival, highlighting the unique experience of a metal-only festival and the opportunity to discover new bands. Dan recommended three key songs for new listeners and reflected on his smooth transition into the band, noting his pride in enhancing their sound while maintaining high production quality in their latest album and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

While the idea of conceptual records and music is nothing new, more often than not, these concepts are drawn from ideas, visions, or the minds of people who are passionate about the very thing they are writing about. While these musical storylines are more often than not an entertaining escape from the mundane existence of everyday life, they are merely a figment of another person's imagination and can be construed as such.But when it comes to conceptual stories surrounding war and the atrocities associated with it, there are few bands who manage the task well. Subjects that have basis in reality and the suffering of others must have an authentic flavour to them in order to be respectful to those who have lived it and their families, with bands like Sabaton standing out for their continued excellence in this field.But there is also another band who delves into the horrors of war with unnerving detail, except this time the band in question themselves live and/or were raised in a war zone. A real-life battle zone where life and death are a daily balancing act. As such, their music is not only based on fact, it is written in conflict.That band is 1914, formed in Lviv, Ukraine, in 2014. From the outset, 1914 have written and sung about war - primarily WW1 - but the daily threat of war that lives on their doorstep enables the band to write with an eerie authenticity unlike most others. 1914's upcoming fourth album, Viribus Unitis, adheres to the same conceptual storyline as each of the other albums, except this time the story arc follows the personal accounts of a Ukrainian soldier in the K.u.K. army, following real events and tracing a timeline from 1914 to 1919. The album paints a grim journey through the war's rise, climax, and hollow aftermath, combining a brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes.HEAVY spoke with vocalist 2nd Division, 147th Infantry Regiment, Senior Lieutenant Dietmar Kumarberg (Dmytro Ternushchak) to find out more."I don't know how I must feel about it," he laughed, speaking with a thick Ukrainian accent. "At least I'm still alive - because I'm from Ukraine - so it's not bad at all in our circumstances. At least we did this, and we finished this album, and we will release it on Napalm Records. I feel some… let's call it happiness (laughs), because I'm allowed to do this, and it's not bad at all."We ask him to dive into the album deeper musically."With this album - like all of ours - we started based on real historical events, with a lot of research," he replied. "It's a big concept. But with this album, we started in a completely different way. We based the whole album on the life of one soldier. This is a soldier from the Western part of Ukraine - my home town. This is the view from one soldier when he faced war at the very beginning of the First World War, and the Russians invaded my hometown, and his regiment must retreat, and he faces the huge battles."In the full interview, Dietmar tells us more about the conceptual journey of the soldier, including his lonely end. He tells us the story behind the title - which is Latin for With United Forces and how it ties in with Viribus Unitus, including personal tales of battle he has endured living in Ukraine.Dietmar goes further into the concept and explains how 1914 manage to create a sonic landscape and atmospherics that take the listener inside the war zone and the importance of research and factual information in their music. He talks of the personal toll writing about such horrific encounters leaves on him after an album cycle and runs us through what it is like living as a musician in Ukraine throughout the war and devastation, plus much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In a relatively short amount of time as far as the music industry goes, Swedish rock outfit Smash Into Pieces have quickly risen to become one of the leading exponents of rock on the planet. After twice reaching the Swedish Eurovision final and delivering a string of consistently quality albums, the band found themselves on the international stage and touring with bands of the calibre of Evanescence and Within Temptation.But if you think getting somewhere near the top is hard, it's even harder staying there. All of a sudden, the weight of expectation falls heavier on your shoulders, and new music is critiqued on a level never experienced before. Which is why the next album from Smash Into Pieces couldn't just be as good as previous releases. It had to be better.Which is exactly what Smash Into Pieces have achieved with Armaheaven, to be released on October 31. Continuing the battle between humanity and AI where previous album Ghost Code left off, Armaheaven paints an even bleaker picture of humanity's future, set to the backdrop of a cinematic and sonically abundant tapestry of riches throughout its 15 tracks. It is another step forward in the evolution of Smash Into Pieces, and reaffirms their growing status with an almost effortless ambience that hints at even more expansion to come.HEAVY sat down with frontman Chris Sörbye to find out more."We have been working on this album for a long time," he told us. "There's a lot of songs there that have been with us for a long time, which we haven't really had the time to finish. For example, Devil In My Head has been with us for almost five years now. We didn't know what to make of that song in the early stages, but it turned out great."In the full interview, Chris talks more about the musical side of Armaheaven, how it continues from Ghost Code, runs us through the storyline and gives some insightful thoughts into AI.He talks us through the guest artists on the album, including Elize Ryd from Amaranthe and the history between the two bands. The topic of integrating cinematic scores into their music was discussed, as was the art of conveying emotion through atmospherics in the studio. Talk turned to their recent tour of Australia, the ever-evolving sonic palate explored by Smash Into Pieces and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Featuring new music from: Rising Insane, Spaced, Chairmaker & Extortionist. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

In this episode of the Bleeding Metal Podcast, host Kiki starts a new series of episodes called “Pod Friends” by welcoming Savvier Nelson, the Finnish multi-instrumentalist and vocalist behind LEECHCRAFT, to discuss his musical journey, the evolution of his project, and the release of a new album.They explore themes of self-promotion, the challenges of creating music, and the importance of feedback and reviews. The conversation also touches on their shared musical influences and the current state of the music industry.00:00 Introduction to Pod Friends and Leechcraft02:50 The Birth of Leechcraft07:00 Evolution of Musicianship and Collaboration09:38 The Journey of Self-Promotion and Growth14:10 Musical Background and Influences19:19 The New Album: Leechcraft20:57 Challenges in Music Production23:42 Exploring Song Structures and Progressions24:57 Journey into Heavy Music27:14 Innovations in Metal Music28:50 The Role of Album Reviews33:04 Navigating Criticism as an Artist37:06 Experiences with Music Reactions40:44 Finding New Music in the Digital Age46:49 Closing Thoughts and Future PlansRecorded on October 16th, 2025 live on Kiki's Twitch channel.Show notes:Find LEECHCRAFT's musicHang out with Sav on TwitchFormer vocalist Otto's band SAATTUEThe 5.5 review of LEECHCRAFT's selft-titled albumBleeding Metal was created by ⁠⁠@kikigege87 ⁠ and is hosted and produced with ⁠⁠@martha _wingen⁠⁠. Episode edited by Kiki with Riverside.Subscribe now to the Bleeding Metal Podcast wherever you listen and watch some new video interviews on YouTube, all links are on our ⁠⁠linktree⁠. Intro music by ⁠⁠Savvier Nelson⁠⁠ with vocals from ⁠⁠PERSONA-singer Jelena Dobric⁠⁠.

Celebrating twenty years in the music industry is a great achievement in itself, but celebrating 20 years of sustained success is even better. Bursting out of the blocks with their 2007 debut album The Way Of The Fist, Five Finger Death Punch were on a collision course with the rest of the world, laying the foundations for a turbulent yet continual upwards trajectory.By the time War Is The Answer followed two years later, the band were notorious for their rebellious spirit and ruthless approach to music, but love them or hate them, there was no denying Five Finger Death Punch were the real deal. For every one person who hated the band, there was another ten who loved them, and despite the public perception that 5FDP were the bad boys of metal, they maintained their belief and integrity and stayed on course.Now, 20 years later, that trajectory is available for the world to share when Volume 2 of the band's Best Of double header is released on October 24 via Better Noise Music. Both albums feature music entirely re-recorded, with 5FDP tenaciously clinging to the notion that their music was to be celebrated, not recycled. On the eve of the release of Volume 2, HEAVY sat down for a chat with guitarist Zoltan Bathory to relive the journey that has been two decades in the making."It's kind of crazy, because by doing this little exercise of recording these songs, we got to sort of revisit our past, you know?" he began. "Because we are a forward-facing band, like what's next? Where are we going? What's the next thing we're doing? So it's not really that we're looking into the rearview mirror so much, and so this was kind of crazy, looking back… 20 years… if I had to put some money in and bet, I probably would bet against us (laughs). I would have lost, because not many bands make it that long. It's difficult. And from all bands, this was like… it was a fire tornado or whatever for the last 20 years (laughs)."We ask Zoltan which of the two Best Of albums is his personal favourite."Each record has amazing moments, and both records have a song that has a feature," he measured. "The first one had Maria Brink, and that song became a number-one song. And it made a lot of sense. A lot of people don't know this, but In This Moment, and Maria and Five Finger Death Punch, our history is kind of intertwined. Not many people know this, but there was a band in Los Angeles that was a local band that was fairly big locally, but never really made it. And when this band fell apart, half of the band became In This Moment, and the other half went to Five Finger Death Punch. Then they got the record deal, I think, with Century Media. Then we got ours and we sort of grew in the same time. They were heavier, so they kind of went into that direction. We had radio songs, so the band obviously blew up."In the full interview, Zoltan takes us into both albums in greater detail, highlighting the guest artists on each and why they were chosen. He explained the band's decision to re-record everything rather than re-mix it or touch it up with technology, and relayed some fun stories from their studio time.We spoke about the never-before-released live songs on Volume 2 and how the band chose which songs to put on each album and why. Zoltan shared insights into changing certain bits of the songs, and if that was a rehearsed or jammed in the studio decision, what songs he may have fallen back in love with again during the process, plus he also revealed details of planned new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Na twee afleveringen vergezeld te zijn door gasten die overduidelijk positiever en intelligenter zijn, keren presentatoren Pim en Niels in de vijfenzeventigste aflevering van Osmium terug naar de gebaande paden. En dat betekent: azijnpissen over een festivalbezoek waaraan ze zich vrijwillig onderwerpen. Waar men in de oktoberaflevering van de zwaarste podcast in het Nederlands een verslag van vaste prik Soulcrusher zou verwachten, wordt die traditie dit jaar doorbroken. De duistere concertzalen van Nijmegen worden verruild voor het zonnige Pier 15-skatepark in Breda, waar Coffey Fest plaatsvindt. Zoals je mag verwachten, ontbreekt daarbij een ontleding van de volledige line-up niet (behalve headliner John Coffey zelf). Maar aangezien het Venn-diagram van John Coffey-luisteraars een vrij minimale overlap vertoont met de Osmium-kneuzenbrigade, ontpopt het duo zich al snel tot fashionpolitie en deelt het gele en rode kaarten uit aan de verheven New Kids-esthetiek, het merk Carhartt en de gloednieuwe stijl "bandkubisme". En dat alles natuurlijk terwijl een van de presentatoren zelf een Decathlon-afritsbroek, Patagonia-jas, merinowollen thermokleding en categorie A-wandelschoenen draagt. Met beeldmateriaal door Ruth Mampuys en muziek van Ceremony en H2O. Onderwerpen: Ceremony - You're All The Same (00:00) Introductie over zielige houdingen (00:17) Terugblik op de gasten van de vorige afleveringen en vooruitblik op de honderdste aflevering (03:06) Positiviteit over de eerste bevestigingen voor Roadburn 2026 (06:15) Geen verslag van Souclrusher, maar van Coffey Fest (12:11) Eerste indrukken van het festivalterrein (16:54) Wat voor soort mens gaat naar Coffey Fest? (20:09) Dad Magic (32:09) Hammok (35:24) Eyes (39:23) Slope (41:10) Witch Club Satan (42:40) Opgesloten op het festivalterrein zonder vegetarisch voedsel of chocomel (46:41) Het is eind september te koud voor een buitenfestival (50:13) Luistertip van Pim: Psycho-Frame - Salvation Laughs In The Face Of A Grieving Mother, overtrokken deathcore met het songwritingvernuft om nummers te starten met breakdowns (52:59) Luistertip van Niels: Trudger - Void Quest, neo-crust sci-fi death-sludge die voor de helft Dvne blijkt te zijn (58:37) Concerttip van Pim: Skroetfest 2026 in Hedon te Zwolle, een ode aan de mooiste provincie van Nederland via een soort Grindhoven met strohalmen (01:03:29) Concerttip van Niels: The Callous Daoboys in Effenaar te Eindhoven, humoristische blenderbende is het uitgelezen moment voor de Osmium Meet-up van 2026 (01:08:02) Shout-outs (01:12:08) Links: Roadburn Coffey Fest Psycho-Frame Instagram Trudger Bandcamp Skroetfest 2026 in Hedon The Callous Daoboys in Effenaar en Melkweg Ruth Mampuys (Ruth-Less Photography website en Facebook)

Was, wenn der Italiener in der Band sich deutlich ZU gut mit Mafia-Zitaten auskennt? Und was, wenn die Support-Band in Ungarn in ein Haus einbricht? Und noch wilder: die sprechen da auch noch alle ganz locker drüber!!! Aber wo auch sonst, wenn nicht im METALKELLER?!? Genießt diese "hochkriminelle" Folge in DEM deutschen Metal-Podcast!

Few bands in history have left such a lasting impression in music as Santa Barbara funk metal outfit Snot.Forming in 1995, Snot released just one album before having their career cut short by the tragic death of frontman Lynn Strait. Despite their short time as a band, such was the impression left by Lynn and Snot that after his death, a tribute album called Strait Up was recorded in his honour, featuring everyone from Slipknot to System Of A Down to Sevendust paying tribute to the man and his music.Snot's fusion of genres - before it was common to do so - stood them out from other bands of the era, with their blending of hardcore, punk, nu metal and funk combining for the masterpiece that was their debut album Get Some.The band have flirted with the idea of reigniting the flame with a new frontman several times since Lynn's passing, but until recently, and buoyed by the resurgence of nu metal, have failed to find that elusive spark that ignited three decades ago to create pure musical magic.Next January, for the first time in over a decade, Snot return to Australia for a run of shows with Soulfly and Nailbomb - including Froth & Fury Festival - with vocalist Andy Knapp (Stronger Than Machines) to introduce a new generation to the power of music. HEAVY spoke with bass player John Fahnestock to find out what to expect. We start by running over the three touring bands - Soulfly, Nailbomb and Snot - and reiterate the quality of music in one package."Soulfly and Nailbomb, right," John laughed. "They are good friends of ours. We have known each other for, God, going on 25 years or more. Mikey (Doling, founding member and guitarist) also played in Soulfly after Snot, after Lynn had passed. So, we're out on the road with family again. We played with Soulfly in Mexico City back in May and rekindled our friendship, and here we are coming to Australia now."We ask John about their new vocalist, Andy Knapp, and what they were looking for in a frontman after trialling two previous vocalists in Tommy Vext and Carl Bensley."I think the whole thing is a lot different now," he measured. "We are pretty much saying Snot is back at this point. We finally found in Andy what we basically were dreaming of having, and I'm not saying anything negative on the past singers that we had. Before, when we put Snot back together, it wasn't like 'we're reforming, we're back', anything like that. We were just more doing it for fun, for the love of music, the love of Jamie and Mikey and myself playing together.And we were like, let's go out and play the songs, you know? But it wasn't seriously saying we're back and coming back here to stay, like we are now. It's a blessing to have found Andy and what he's doing, and obviously, the response from the fans has been nothing but positive."In the full interview, John spoke more about the upcoming Australian shows, what has changed with the band in the decade since they were last here and what we can expect. He spoke more about welcoming Andy Knapp as frontman and what sorts of things Snot were looking for in their new vocalist.He told us about the first show with Knapp and how old time fans reacted, how Snot's music relates with modern audiences, and how their sound shaped a generation of bands. We talked about the early days of Snot and the musical climate that gave birth to the band, their initial sound and how they found the balance between genres, including how to know when or if they had gone too far in one direction or not far enough in another.We spoke about the impact of Snot's debut album, Get Some, and the band's initial feelings on the album, including Lynn Strait's early vision for Snot and his musical passion. John delved deeper into the tribute album Strait Up and the contributions of the many bands, new music the band have written and if that will translate into a full album and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Ali KBrisbane's Community radio station 4ZZZ is celebrating 50 years of being on the airwaves. Known for being the springboard for most of Brisbane's best-known musicians and bands, the station has been an integral part of their journeys. The day will be market day style, reminiscent of the original market days 4ZZZ held at Roma Street Parklands. Regurgitator have well and truly formed their position as one of Brisbane's most well-known artists who, like many before and after, had their music on radio hosts' playlists at Zed Headquarters. Joining The Gurg on the line-up for Saturday's celebrations will be The Saints, Butterfingers, Tropical Fuck Storm, Big Noter, Screamfeeder, Party Dozen, Flangipanis, plus many more. The Gurg's Ben Ely shares with HEAVY some of that nostalgia, noting that their reappearance on the stage at The Parklands will be the first time they've played since their initial gig there back in 1994. With a whopping four songs they'd written and an old drum sampler that played sounds of dogs barking and glass shattering, Regurgitator took to the stage and gave it all they had, having to play two songs twice in order to fill the time slot. The Gurg also announced their JUKEBOXXIN Tour, which kicks off in November. These guys have locked in for the long haul, taking their tour literally everywhere through until around August 2026, including New Zealand and Japan. They will be playing all 58 of their singles over an extended show that'll be in two sets. Joining them as support will be South Australia's Dem Mob. Tickets and event details for Zed 50 can be found at Oztix or via https://4zzz.org.au. Tickets and event information for Regurgitator's JUKEBOXXIN Tour can be found at https://www.regurgitator.netBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Sind Alben mit Millionenbudgets ihr Geld wert? Hört man solchen Platten die teils absurden Unsummen die sie verschlungen haben auch an? Und was hat der Hörer eigentlich davon? Wir lassen es uns natürlich auch nicht nehmen darüber zu phantasieren, was wir mit (mehr oder weniger) endlosen Budgets denn bei unseren eigenen Studio Sessions anders machen würden.

In this episode of the Bleeding Metal Podcast, host Kiki interviews Lukas from the German band DEVIL MAY CARE. They discuss the band's unique social media initiative, 'Downfall of the Week,' which highlights societal and environmental issues.Lukas shares his journey into music, his activism with Sea Shepherd, and the band's commitment to addressing pressing global challenges through their music. They also delve into the upcoming album “Limit,” its themes, and the importance of activism in the music industry. The conversation emphasizes the need for artists to use their platforms for positive change and the role of fans in supporting these efforts.05:01 The Downfall of the Week Concept14:02 Activism and Environmental Responsibility19:50 The Impact of Social Media on Music29:09 The New Album: Limit35:18 Touring and Upcoming ShowsRecorded on October 10th, 2025.Show notes:DEVIL MAY CARE's website has their tour dates and everything you needCheck out the Downfall of the Week on the band's InstagramVolunteer for Sea ShepherdBleeding Metal was created by ⁠⁠@kikigege87 ⁠ and is hosted and produced with ⁠⁠@martha _wingen⁠⁠. Episode edited by Kiki with Riverside.Subscribe now to the Bleeding Metal Podcast wherever you listen and watch some new video interviews on YouTube, all links are on our ⁠⁠linktree⁠. Intro music by ⁠⁠Savvier Nelson⁠⁠ with vocals from ⁠⁠PERSONA-singer Jelena Dobric⁠⁠.

Featuring new music from 'Soul Blind, Downpour, Poptones & Orbit Culture. Live review of Agnes Obel. Plus the usual news & chat from the alternative world.    Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

After initially starting life as a one-man vehicle for Howard Von Noise (Howsie) in 2012, Coffin Carousel slowly morphed into something much more sinister. Taking band formation in 2015, Coffin Carousel are your haunted chainsaw ride formed within the roots of horror punk and sludge metal, bastardised by DNA strands from throughout the metal gene pool to create a sound that continues to defy convention.While the band's earlier material was more rooted in the horror/punk style of metal, Coffin Carousel have honed their craft and allowed their metaphorical wings to spread over four full-length albums, maintaining the lifeblood that defines their music while also crossing over into darker, heavier territory. With their most recent album Quantum Chainsaw Part: Three Six Nine, Coffin Carousel have infused elements of Swedish death metal riffs with HM2 chainsaw guitar tones, dark drone feedback moments and throat-savaging vocal layers, fortifying their continued musical evolution and providing a sonic playground for the macabre and sinister.HEAVY sat down earlier this week to chat with frontman Howsie about the progression of Coffin Carousel and their current plight to dominate our nightmares."I'm definitely excited for this one," he enthused, "because I'm back in my roots and back with the metal cap on. I had a lot of fun making it. I've had a lot of friends reach out and say I'm loving the new sound. The feedback I'm getting personally is that people are enjoying the heavier direction, which has always been progressing that way. The first album was in the horror punk world, but every album since has got heavier and heavier, and this one, I felt it was time to go full metal retard and just have some fun."In the full interview, Howsie introduced the album in greater detail, highlighting its heavier sound as a return to his death metal roots. He discussed the creative process behind the music, including the use of specific guitar effects to achieve a distinctive tone and the metamorphoses of Coffin Carousel's sound over the journey.He spoke about the album launch show scheduled for October 24 at the Revolver Band Room in Melbourne, emphasising the venue's historical significance in the Melbourne metal scene, speaking of plans to enhance the live performance with additional visuals while maintaining a focus on the band's music without guest performances or dancers. We talked about historical significance within the horror/punk genre and the use of older techniques such as VHS quality graphics in music videos, as well as integrating cinematic soundscapes and layers through their music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Words and interview by Ali WilliamsSydney-based metalcore band Bloom have just finished up the first headliner tour here at home and are about to set off to Europe for their next leg of their tour. Frontman Jono Hawkey and drummer Jack Van Vilet caught up with HEAVY recently for a chat about new releases, tours, and future plans for the band.The band's journey so far has seen these young lads hit the ground running with almost instant success. Bloom formed in 2017 and has grown from playing small venues to international tours. They started with young dreams, and their music career evolved, allowing them to travel the world and perform music they love. The big breakthrough for these guys was the release of their first EP in 2018, and their single Cold unexpectedly gained traction on platforms like Spotify, which influenced their approach to creating their next EP, incorporating more strategic efforts. These guys have been able to successfully navigate the music industry essentially by acknowledging the role of online algorithms and how critical that is to succeeding in today's market. They also emphasise their focus on the storytelling aspect of music rather than just aiming to go viral. Bloom have toured extensively, enjoying the ability to connect with fans worldwide. Their recent Australian tour was significant as it showcased their growth, with more engaged audiences. Hawkey and Van Vilet note that their fan base overseas is much stronger than at home, and go on to discuss in more detail their differences in music culture in different regions of the globe and why genres like metalcore are more popular in areas like Europe and Japan, where fans show intense dedication and appreciation for the music. Bloom's musical influences come from a wide style that blends heavier metalcore with more melodic elements, drawing influence from alternative and surf rock. They aim for a versatile sound and appreciate not being confined to a single genre. High priority is made on experimenting with their sound and occasionally swapping of instruments, which not only adds to Bloom's fun and dynamic cohesion as a group, but also expands their creative exploration. Looking ahead, Bloom are preparing for a busy schedule, including tours in Europe, the UK, and America. Back home just in time for Christmas, the band will be looking forward to some much-needed downtime to rest and revive before continuing on their successful journey, but first Bloom drop their new album The Light We Chase on October 31.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Send us a textJoshua Toomey of Primer 55 official and Talk Toomey joins the Vulgar Display of Podcast !!!Ahead of Primer 55's long-awaited tour kickoff and their massive return to the stage at Pop's Nightclub and Concert Venue in St. Louis this Friday, October 10th, 2025, bassist Josh Toomey, also known as the host of the Talk Toomey Podcast, chats with the Vulgar Display of Podcast crew for an in-depth conversation you won't want to miss.Primer 55 is back to celebrate 25 years of their debut album Introduction To Mayhem with original members Bobby Burns, Preston Nash, Josh Toomey, and Donny “The DRP” Polinske. The band promises high energy, raw emotion, and a live show packed with both nostalgia and intensity.

In this episode, I sit down with Dan Cinotto, a veteran of the Midwest rock and Nu Metal scene. From his early days in the Omaha-based Downshift to his current work with Narcotic Self, Dan has lived the evolution of heavy music firsthand. He's also the co-host of the podcast We Were Loud Once ‪@WeWereLoudOncePod‬ alongside Jeff Geaghan — where the two dig deep into the Nu Metal movement from the perspective of musicians who were actually part of it. Together, Dan and I talk about that era's energy, its impact on the Midwest scene, and why the genre is seeing a massive resurgence in 2025. Raw, reflective, and full of insight from someone who lived it.

Gear of the Dark, Am Apparat, aus 2 Ländern! Simon war zu Gast beim Guitar Summit und berichtet von seinen Erlebnissen und Entdeckungen. Und wie das so ist wenn Simon und Hanno am Apparat tratschen, werden auch noch ganz andere, heiße Dinge diskutiert.

This episode we discuss the recent deaths of Ozzy Osbourne, Tomas Lindberg, Brent Hinds and Erik Wunder, and honor their tremendous contributions to metal. We also count down our Top 5 Deceased Artists We‘re Glad We Saw Live, John recaps his time at ProgPower USA XXIV, and we break down the stats and awards from our Top 20 Albums at Midyear show. Plus, News, New Releases, What We've Been Listening To, and Picks from the Crypt. So, raise a glass and join us as we commemorate fallen metal legends in this extra-sized In Memoriam edition of the podcast.

Fox Gods, crucifixions, and magic corsets oh my! We continue the story of Babymetal by exploring the wild and confusing "lore" surrounding this group. We also examine the lyrical content of their early songs, cover the initial reactions they received from the Western music scene, and tackle the sticky question of whether or not Babymetal truly is "metal".[Sorry, again, about the unusual amount of random noises in this one. At least there are no babies or dogs this time!]FOLLOW US:Instagram: polishing.podcast Twitter/X: @polishing_turds email: polishingturdspodcast@gmail.com

Endlich ‘ne neue KVLT Klopper Folge, und zwar mit einem "neuen" Format. Denn in dieser Folge stellen wir uns nicht etwa eine komplette Platte vor, sondern schicken jeweils nur EINEN Song in den Ring. Jeder hat sich sich einen für ihn wichtigen und besonderen Metal-Song ausgesucht, um FETT, LANG und SAFTIG darüber abzunerden: PORTAL - Curtain vs. METALLICA - For Whom The Bell Tolls

Featuring new music from ' Rituals, Spite House, Vianova & Dying Wish'. A live review of Earthtone9, plus the usual news & hat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

So where have we been? Find out in this update episode. Find all things Metalhead Journeys here:https://linktr.ee/metalheadjourneys

Featuring album in review 'Deftones - Private Music'. New music from 'Face Yourself, Adur, Maitland and Civil Service. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Meredith discusses all the behind-the-scenes work she's always put into the band, the origins of the band name, and the song that made her want to learn drums in the first place on Rock Band!

Heute werden wir mal wieder dem Namen des Podcasts gerecht und sprechen darüber, wie sich unser Recording Prozess über die Jahre verändert hat - und wie wir diesen frisch halten.

Featuring new music by: Death Goals, God Alone, Barren Path & Malthusian. Matt gives his review of Arc Tan Gent 2025 and Pete reviews Snot in Manchester. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Death's Scream Bloody Gore: The Album That Birthed Death MetalWhat happens when a 19-year-old horror movie fanatic from Florida decides to create the heaviest music imaginable? You get Scream Bloody Gore, the 1987 debut that didn't just launch Death's career—it created an entire genre. This is the album that made death metal official, complete with the perfect band name to match.In this episode, hosts Jay, Tim, and Chip dive deep into Chuck Schuldiner's groundbreaking vision that transformed from rejected Florida demos to a Billboard-charting phenomenon. They explore how Combat Records took a massive gamble on this unknown teenager, the recording disasters that led to the album being tracked twice, and why Florida became the unlikely epicenter of extreme metal. The discussion reveals surprising musicality beneath the brutality, from melodic guitar solos to dynamic drumming that defies the “wall of noise” stereotype.The hosts candidly share their first impressions as death metal newcomers, debating everything from Chuck's surprisingly varied vocal approach to the album's timeless production quality. They unpack the horror movie-inspired lyrics, the influence of Black Sabbath and Kiss, and how this 37-minute assault influenced countless bands while spawning an entire ecosystem of subgenres.If you're fascinated by metal history, the origins of extreme music, or how teenage vision can reshape entire genres, this deep dive into death metal's ground zero is essential listening. Fans of early Metallica, Slayer, Possessed, and the broader Combat Records roster will find plenty to sink their teeth into.Episode Highlights:0:00 – Introduction – Poll results and first impressions of death metal's founding album5:18 – Album Background – Chuck Schuldiner's journey from demos to Combat Records deal6:32 – Recording Chaos – The Florida studio disaster and California re-recording10:39 – Listener Comments – Community insights on death metal's Florida origins14:45 – Death Metal Subgenres – From brutal death to porno grind (seriously)17:21 – What Works – Surprising musicality, guitar solos, and vocal range25:04 – Timeless Influence – How the album sounds as relevant today as in 198735:24 – What Doesn't Work – Double-time limitations and production challenges41:53 – Lyrical Analysis – Horror movie themes and teenage songwriting50:16 – Chart Success – How death metal hit Billboard #174 without radio play54:38 – Final Verdicts – Worthy album or essential EP?Ready to explore the brutal brilliance that started it all? Subscribe to Dig Me Out for more deep dives into the albums that changed music history. Join the Metal Union at digmeoutpodcast.com for bonus episodes, exclusive content, and access to our private Discord community. Visit dmounion.com to vote on future episodes and suggest your favorite underground classics. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Der Sommer brutzelt uns langsam das Gehirn weg, aber wir bleiben stabil und quatschen uns gegenseitig AM APPARAT über Festivals, gute Vorsätze, neue Platten und das Wetter zu. Gude Laune, schlechte Laune!

Featuring new music from: Lost In Hollywood, Boneflower, Lowheaven & Sinsaenum. Matt goes on a deep dive into Black Sabbath's back catalogue. We catch up on Happy Gilmore 2, Squid Game, Together and more. Plus the usual news & chat from the alternative world.   

Supporta BLMP genom att bli en patron! Spana in de olika alternativen på http://www.patreon.com/blmetalpodcast Biljetter till Malmö Massacre: https://nortic.se/ticket/event/66525 Eller bidra genom att swisha: 0708-961174 Elis Markskog, som tillsammans med Fredrik Larzon driver festivalen Malmö Massacre, gästar B.L. Metal Podcast för att snacka om årets festival. Mycket missnöje! Playlist: Tribulation - Melancholia Aura Noir - Unleash the Demons Counterblast - Remains Strychnos - Armageddon Patronage Cyness - Patriotenidioten Meanwhile - Above Our Heads I samarbete med Medborgarskolan.

HAIR METAL Podcast EP.28. Part 2: Black Sabbath 'Back To The Beginning' Concert w/ Kaotica Studios Film Director: Johnny K. NOTE: This podcast was recorded 3 days before we learned of the passing of Ozzy Osbourne. Your Hair Metal Podcast hosts and guest are sadden and are mourning the death of Ozzy, our 'Prince of Darkness', who helped lead the way for all metal fans, and the next generation of metal fans to come. RIP Ozzy, thank you for contribution to our Metal fandom. Fandom Podcast Network YouTube Channel Video Link: https://www.youtube.com/@FandomPodcastNetwork Fandom Podcast Network Hair Metal Audio Podcast Link: https://fpnet.podbean.com/category/hair-metal/ The Hair Metal Podcast looks back at the Thrash, Glam & Rock Pop Metal bands, music, events and everything else that heavily influenced the 80's & early 90's Hair Metal era music.  On this special episode of the Hair Metal Podcast we discuss 'Black Sabbath: Back To The Beginning' Benefit Concert. Back to the Beginning was a benefit concert by the English rock band Black Sabbath, with a number of supporting artists. It took place on July 5th, 2025 at Villa Park in Aston, Birmingham, England, very near where the band was formed in 1968. The event concluded with the final live performances of both the band and lead singer Ozzy Osbourne; it also marked the first time since 2005 that the original line-up of the band (Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward) had performed together live. Osbourne, no longer able to walk due to advanced Parkinson's disease, sang while seated on a throne. The widely-lauded concert was streamed worldwide via pay per view with a broadcast delay. It featured an all-star lineup of supporting acts, including two supergroups of musicians serving as the house band. Proceeds from the event totaled £140 million, and will be donated to Acorns Children's Hospice, Birmingham Children's Hospital, and Cure Parkinson's. Black Sabbath is widely regarded as a foundational band for heavy metal, with their influence extending to various subgenres. Their impact is undeniable, shaping the sound and lyrical themes of countless bands across generations, from the 70s through to current day modern acts.  For the full 68 song set and band & artist list, click here: https://www.loudersound.com/bands-artists/black-sabbath-back-to-the-beginning-setlist Thank you for watching and listening to the Hair Metal Podcast on the Fandom Podcast Network! Remember...every rose has its thorn, and on a steel horse... we will ride! HAIR METAL LIVES! Rock on everyone! Hair Metal / Fandom Podcast Network Hosts & Guests Contact Info: - PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork The Hair Metal Podcast Fandom Facebook Group: https://www.facebook.com/groups/377695252724584/   The Fandom Podcast Network is on all major podcast platforms.  Our master feed for all of our audio podcasts can be found on Podbean: - https://fpnet.podbean.com/  - Podbean Hair Metal Podcast Master Feed: https://fpnet.podbean.com/category/hair-metal/   Follow and contact the Hair Metal Podcast at: - X (Twitter): @HairMetalCast - Email: HairMetalPodcast@gmail.com Host & Guests Contact Info On Social Media: - Host: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix. Bluesky: @spartanphoenix - Co-host: Mike Simmer: Kevin & Mike can be found on the Hair Metal Facebook Group: https://www.facebook.com/groups/377695252724584/ Special Guest: Johnny K: IG and YouTube: @ThatJohnnyKguy & @KaoticaStudios #HairMetalPodcast #TheHairMetalPodcast #HairMetalPodcastFandomGroup #FandomPodcastNetwork #FPNet #FPN #RIPOzzy #HairMetal #HairMetalMusic #GlamMetal #BlackSabbath  #BlackSabbathBackToTheBeginning #BlackSabbathBackToTheBeginning2025 #OzzyOsbourne #TonyIommi #GeezerButler #BillWard #AcornsChildrensHospice #BirminghamChildrensHospital #CureParkinsons #Yungblud #NunoBettencourt #JakeELee #Metallica #GunsNRoses #SlayerBand #KaoticaStudios #JohnnyK #KevinReitzel #MikeSimmer

HAIR METAL Podcast EP.28 Part 1 Black Sabbath 'Back To The Beginning' Concert w/ Kaotica Studios Film Director: Johnny K.  NOTE: This podcast was recorded 3 days before we learned of the passing of Ozzy Osbourne. Your Hair Metal Podcast hosts and guest are sadden and are mourning the death of Ozzy, our 'Prince of Darkness', who helped lead the way for all metal fans, and the next generation of metal fans to come. RIP Ozzy, thank you for contribution to our Metal fandom. We hope you enjoy this wonderful discussion of the defining event of metal music history. Fandom Podcast Network YouTube Channel Video Link: https://www.youtube.com/@FandomPodcastNetwork Fandom Podcast Network Hair Metal Audio Podcast Link: https://fpnet.podbean.com/category/hair-metal/ The Hair Metal Podcast looks back at the Thrash, Glam & Rock Pop Metal bands, music, events and everything else that heavily influenced the 80's & early 90's Hair Metal era music.  On this special episode of the Hair Metal Podcast we discuss 'Black Sabbath: Back To The Beginning' Benefit Concert. Back to the Beginning was a benefit concert by the English rock band Black Sabbath, with a number of supporting artists. It took place on July 5th, 2025 at Villa Park in Aston, Birmingham, England, very near where the band was formed in 1968. The event concluded with the final live performances of both the band and lead singer Ozzy Osbourne; it also marked the first time since 2005 that the original line-up of the band (Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward) had performed together live. Osbourne, no longer able to walk due to advanced Parkinson's disease, sang while seated on a throne. The widely-lauded concert was streamed worldwide via pay per view with a broadcast delay. It featured an all-star lineup of supporting acts, including two supergroups of musicians serving as the house band. Proceeds from the event totaled £140 million, and will be donated to Acorns Children's Hospice, Birmingham Children's Hospital, and Cure Parkinson's. Black Sabbath is widely regarded as a foundational band for heavy metal, with their influence extending to various subgenres. Their impact is undeniable, shaping the sound and lyrical themes of countless bands across generations, from the 70s through to current day modern acts.  For the full 68 song set and band & artist list, click here: https://www.loudersound.com/bands-artists/black-sabbath-back-to-the-beginning-setlist Thank you for watching and listening to the Hair Metal Podcast on the Fandom Podcast Network! Remember...every rose has its thorn, and on a steel horse... we will ride! HAIR METAL LIVES! Rock on everyone! Hair Metal / Fandom Podcast Network Hosts & Guests Contact Info: - PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork The Hair Metal Podcast Fandom Facebook Group: https://www.facebook.com/groups/377695252724584/   The Fandom Podcast Network is on all major podcast platforms.  Our master feed for all of our audio podcasts can be found on Podbean: - https://fpnet.podbean.com/  - Podbean Hair Metal Podcast Master Feed: https://fpnet.podbean.com/category/hair-metal/   Follow and contact the Hair Metal Podcast at: - X (Twitter): @HairMetalCast - Email: HairMetalPodcast@gmail.com Host & Guests Contact Info On Social Media: - Host: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix. Bluesky: @spartanphoenix - Co-host: Mike Simmer: Kevin & Mike can be found on the Hair Metal Facebook Group: https://www.facebook.com/groups/377695252724584/ Special Guest: Johnny K: IG and YouTube: @ThatJohnnyKguy & @KaoticaStudios #HairMetalPodcast #TheHairMetalPodcast #HairMetalPodcastFandomGroup #FandomPodcastNetwork #FPNet #FPN #RIPOzzy #HairMetal #HairMetalMusic #GlamMetal #BlackSabbath  #BlackSabbathBackToTheBeginning #BlackSabbathBackToTheBeginning2025 #OzzyOsbourne #TonyIommi #GeezerButler #BillWard #AcornsChildrensHospice #BirminghamChildrensHospital #CureParkinsons #Yungblud #NunoBettencourt #JakeELee #Metallica #GunsNRoses #SlayerBand #KaoticaStudios #JohnnyK #KevinReitzel #MikeSimmer  

Featuring new music by: Fox Lake, Darko, Fates Messenger & Slow Crush. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.  

On this, the day of our deity of reciprocity, we gather to give special thanks to our treasured Midyear Sun. As an offering for our Podfather, we will today surrender 20 heavy metal albums. As Metalheads take, so Metalheads also give.

What happens when Poison's fire-brand drummer trades stadium pyrotechnics for scrappy club gigs, hand-picks BulletBoys shredder Mick Sweda, and dares to mash up Duran Duran with T. Rex? Meet Rikki Rockett's Rocket Mafia—the “anti-cover-band” cover band that's rewriting the rules of '80s metal nostalgia while plotting its own originals.Rikki Rockett—fresh off the Stadium Tour and revved up by motorcycle charity gigs—drops in to reveal how Rocket Mafia started as a one-off set for the Distinguished Gentleman's Ride and snowballed into a high-octane passion project.- Origin story: from Taylor Hawkins' Chevy Metal fill-in to a permanent lineup with vocalist Brandon Gibbs and bassist Brian B.- Set-list philosophy: ditch “War Pigs” for Billy Squier's “Everybody Wants You” and a bang-up “Hungry Like the Wolf/Bang a Gong” mash-up.- Inside the drummer's mind: the magic (and headaches) of fly-in dates, building an erector-set drum kit nightly, and why ghost notes were banned on early Poison records.- Family, books & the paranormal: taxi-dad life, upcoming memoir Ghost Notes, and chasing spirits between tour runs.- The great “original-lineup” debate: Rockett's candid take on legacy bands, Foreigner's rotating cast, and keeping Poison intact.If you crave the swagger of Motley Crüe but dig the left-field song choices of Chevy Metal—or if you've ever argued over whether replacement players can capture a band's soul—this conversation hits your sweet spot. Think glam-metal bravado meets garage-band curiosity; fans of Def Leppard, Cheap Trick, or even Duran Duran will feel right at home.⏰ Episode Highlights0:00 – Theme riff & Welcome – How Dig Me Out keeps '80s metal alive, plus Patreon shout-outs5:12 – The SmartLess-style guest tease – Chip nearly pulls off a Ricky Rockett surprise11:45 – Interview starts – Late-start school runs and why soundchecks are secret weapons22:10 – From charity gig to Rocket Mafia – The birth of an “anti-cover” philosophy28:55 – Mick Sweda joins – Tone over whammy bars and the art of serving the song34:08 – Taxi-dad confessions – Balancing teenage schedules with tour life36:28 – “Ghost Notes” preview – Banned drum licks, paranormal rabbit holes, true-crime obsessions39:54 – Legendary tour manager Bob Dates – Tour-bus rescues & backstage chaos42:10 – Poison in-store brawl flashback – Chasing hecklers through record shops53:30 – Outro jam – How Rocket Mafia plans to weaponize deep-cut Poison tracksLoved the peek behind the spandex curtain?Subscribe now on your favorite pod-player so you never miss an episode.Dig deeper into every season of alternative & hard-rock history at digmeoutpodcast.com.Rate, review, and share—because the riff revolution needs you. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Ever wonder why 80s glam metal still packs out tribute nights and sparks passionate debates decades later? This week on Dig Me Out, we're throwing on the leather, cranking the Aquanet, and diving into the wild, hook-filled world of 80s Glam Metal—the scene that turned the Sunset Strip into rock's most outrageous runway and gave us anthems for every party, heartbreak, and hair-flip in between.From the genre's glitter-soaked roots to its neon-tinted MTV heyday and eventual fall from grace, our roundtable takes on the big questions: What truly defines glam metal? Why did it explode—and then burn out—in such spectacular fashion? And which albums still deserve a spot in your rotation, even if you've sworn off spandex for good? With special guests James Barber (curator of the definitive “Young & Wild: A Decade of American Glam Metal” box set) and Alex Williams (outlaw country artist reimagining 80s metal classics), we dig deep into the music, the image, and the legacy of a genre that's as much about attitude as it is about riffs.If you love the infectious hooks of Poison, the streetwise grit of Cinderella, or the genre-bending spirit of bands like Mother Love Bone and Faster Pussycat—or if you've ever debated whether “hair metal” is a badge of honor or a press-invented slur—this episode is for you. We connect the dots from glam's 70s origins to its 80s explosion, and even trace its DNA into modern pop country and arena rock. Think of it as a crash course in everything that made—and unmade—one of rock's most colorful eras.Episode Highlights0:00 – [Intro] – The glam metal mission statement: why this scene still matters5:12 – [Meet the Guests] – James Barber on assembling the “Young & Wild” box set; Alex Williams on turning glam anthems into outlaw country21:00 – [Defining the Sound] – What separates glam metal from hard rock and thrash? Big hooks, big hair, and even bigger choruses40:39 – [Essential Albums] – Panel picks: Cinderella's Night Songs, Faster Pussycat's debut, Poison's Open Up and Say… Ahh!, and more51:05 – [Party Rock Vibes] – Why glam metal shows felt like the ultimate communal party—and how that vanished in the 90s57:02 – [The Downfall] – Power ballads, industry formulas, and the grunge wave: what really killed glam metal?1:06:10 – [Deep Cuts & Hidden Gems] – The records and songs that still surprise, from Electric Angels to Junkyard1:20:00 – [Modern Legacy] – Where does glam metal live on today? From Ghost's arena theatrics to pop country's party anthems1:35:11 – [Outro & Plugs] – James and Alex share their latest projects, and the hosts reflect on glam's enduring influenceReady to relive the excess, the anthems, and the eyeliner?Subscribe to Dig Me Out for more deep-dive episodes, bonus content, and a community of fellow rock obsessives. Drop your hot takes, suggest your favorite under-the-radar glam album, and join the conversation at digmeoutpodcast.com and dmounion.com.Let's settle the debate—was glam metal ever just about the hair, or was there always something deeper under all that glitter? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe