Podcasts about metal podcast

In a relatively short amount of time as far as the music industry goes, Swedish rock outfit Smash Into Pieces have quickly risen to become one of the leading exponents of rock on the planet. After twice reaching the Swedish Eurovision final and delivering a string of consistently quality albums, the band found themselves on the international stage and touring with bands of the calibre of Evanescence and Within Temptation.But if you think getting somewhere near the top is hard, it's even harder staying there. All of a sudden, the weight of expectation falls heavier on your shoulders, and new music is critiqued on a level never experienced before. Which is why the next album from Smash Into Pieces couldn't just be as good as previous releases. It had to be better.Which is exactly what Smash Into Pieces have achieved with Armaheaven, to be released on October 31. Continuing the battle between humanity and AI where previous album Ghost Code left off, Armaheaven paints an even bleaker picture of humanity's future, set to the backdrop of a cinematic and sonically abundant tapestry of riches throughout its 15 tracks. It is another step forward in the evolution of Smash Into Pieces, and reaffirms their growing status with an almost effortless ambience that hints at even more expansion to come.HEAVY sat down with frontman Chris Sörbye to find out more."We have been working on this album for a long time," he told us. "There's a lot of songs there that have been with us for a long time, which we haven't really had the time to finish. For example, Devil In My Head has been with us for almost five years now. We didn't know what to make of that song in the early stages, but it turned out great."In the full interview, Chris talks more about the musical side of Armaheaven, how it continues from Ghost Code, runs us through the storyline and gives some insightful thoughts into AI.He talks us through the guest artists on the album, including Elize Ryd from Amaranthe and the history between the two bands. The topic of integrating cinematic scores into their music was discussed, as was the art of conveying emotion through atmospherics in the studio. Talk turned to their recent tour of Australia, the ever-evolving sonic palate explored by Smash Into Pieces and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Featuring new music from: Rising Insane, Spaced, Chairmaker & Extortionist. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Celebrating twenty years in the music industry is a great achievement in itself, but celebrating 20 years of sustained success is even better. Bursting out of the blocks with their 2007 debut album The Way Of The Fist, Five Finger Death Punch were on a collision course with the rest of the world, laying the foundations for a turbulent yet continual upwards trajectory.By the time War Is The Answer followed two years later, the band were notorious for their rebellious spirit and ruthless approach to music, but love them or hate them, there was no denying Five Finger Death Punch were the real deal. For every one person who hated the band, there was another ten who loved them, and despite the public perception that 5FDP were the bad boys of metal, they maintained their belief and integrity and stayed on course.Now, 20 years later, that trajectory is available for the world to share when Volume 2 of the band's Best Of double header is released on October 24 via Better Noise Music. Both albums feature music entirely re-recorded, with 5FDP tenaciously clinging to the notion that their music was to be celebrated, not recycled. On the eve of the release of Volume 2, HEAVY sat down for a chat with guitarist Zoltan Bathory to relive the journey that has been two decades in the making."It's kind of crazy, because by doing this little exercise of recording these songs, we got to sort of revisit our past, you know?" he began. "Because we are a forward-facing band, like what's next? Where are we going? What's the next thing we're doing? So it's not really that we're looking into the rearview mirror so much, and so this was kind of crazy, looking back… 20 years… if I had to put some money in and bet, I probably would bet against us (laughs). I would have lost, because not many bands make it that long. It's difficult. And from all bands, this was like… it was a fire tornado or whatever for the last 20 years (laughs)."We ask Zoltan which of the two Best Of albums is his personal favourite."Each record has amazing moments, and both records have a song that has a feature," he measured. "The first one had Maria Brink, and that song became a number-one song. And it made a lot of sense. A lot of people don't know this, but In This Moment, and Maria and Five Finger Death Punch, our history is kind of intertwined. Not many people know this, but there was a band in Los Angeles that was a local band that was fairly big locally, but never really made it. And when this band fell apart, half of the band became In This Moment, and the other half went to Five Finger Death Punch. Then they got the record deal, I think, with Century Media. Then we got ours and we sort of grew in the same time. They were heavier, so they kind of went into that direction. We had radio songs, so the band obviously blew up."In the full interview, Zoltan takes us into both albums in greater detail, highlighting the guest artists on each and why they were chosen. He explained the band's decision to re-record everything rather than re-mix it or touch it up with technology, and relayed some fun stories from their studio time.We spoke about the never-before-released live songs on Volume 2 and how the band chose which songs to put on each album and why. Zoltan shared insights into changing certain bits of the songs, and if that was a rehearsed or jammed in the studio decision, what songs he may have fallen back in love with again during the process, plus he also revealed details of planned new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In this episode of the Bleeding Metal Podcast, host Kiki starts a new series of episodes called “Pod Friends” by welcoming Savvier Nelson, the Finnish multi-instrumentalist and vocalist behind LEECHCRAFT, to discuss his musical journey, the evolution of his project, and the release of a new album.They explore themes of self-promotion, the challenges of creating music, and the importance of feedback and reviews. The conversation also touches on their shared musical influences and the current state of the music industry.00:00 Introduction to Pod Friends and Leechcraft02:50 The Birth of Leechcraft07:00 Evolution of Musicianship and Collaboration09:38 The Journey of Self-Promotion and Growth14:10 Musical Background and Influences19:19 The New Album: Leechcraft20:57 Challenges in Music Production23:42 Exploring Song Structures and Progressions24:57 Journey into Heavy Music27:14 Innovations in Metal Music28:50 The Role of Album Reviews33:04 Navigating Criticism as an Artist37:06 Experiences with Music Reactions40:44 Finding New Music in the Digital Age46:49 Closing Thoughts and Future PlansRecorded on October 16th, 2025 live on Kiki's Twitch channel.Show notes:Find LEECHCRAFT's musicHang out with Sav on TwitchFormer vocalist Otto's band SAATTUEThe 5.5 review of LEECHCRAFT's selft-titled albumBleeding Metal was created by ⁠⁠@kikigege87 ⁠ and is hosted and produced with ⁠⁠@martha _wingen⁠⁠. Episode edited by Kiki with Riverside.Subscribe now to the Bleeding Metal Podcast wherever you listen and watch some new video interviews on YouTube, all links are on our ⁠⁠linktree⁠. Intro music by ⁠⁠Savvier Nelson⁠⁠ with vocals from ⁠⁠PERSONA-singer Jelena Dobric⁠⁠.

Na twee afleveringen vergezeld te zijn door gasten die overduidelijk positiever en intelligenter zijn, keren presentatoren Pim en Niels in de vijfenzeventigste aflevering van Osmium terug naar de gebaande paden. En dat betekent: azijnpissen over een festivalbezoek waaraan ze zich vrijwillig onderwerpen. Waar men in de oktoberaflevering van de zwaarste podcast in het Nederlands een verslag van vaste prik Soulcrusher zou verwachten, wordt die traditie dit jaar doorbroken. De duistere concertzalen van Nijmegen worden verruild voor het zonnige Pier 15-skatepark in Breda, waar Coffey Fest plaatsvindt. Zoals je mag verwachten, ontbreekt daarbij een ontleding van de volledige line-up niet (behalve headliner John Coffey zelf). Maar aangezien het Venn-diagram van John Coffey-luisteraars een vrij minimale overlap vertoont met de Osmium-kneuzenbrigade, ontpopt het duo zich al snel tot fashionpolitie en deelt het gele en rode kaarten uit aan de verheven New Kids-esthetiek, het merk Carhartt en de gloednieuwe stijl "bandkubisme". En dat alles natuurlijk terwijl een van de presentatoren zelf een Decathlon-afritsbroek, Patagonia-jas, merinowollen thermokleding en categorie A-wandelschoenen draagt. Met beeldmateriaal door Ruth Mampuys en muziek van Ceremony en H2O. Onderwerpen: Ceremony - You're All The Same (00:00) Introductie over zielige houdingen (00:17) Terugblik op de gasten van de vorige afleveringen en vooruitblik op de honderdste aflevering (03:06) Positiviteit over de eerste bevestigingen voor Roadburn 2026 (06:15) Geen verslag van Souclrusher, maar van Coffey Fest (12:11) Eerste indrukken van het festivalterrein (16:54) Wat voor soort mens gaat naar Coffey Fest? (20:09) Dad Magic (32:09) Hammok (35:24) Eyes (39:23) Slope (41:10) Witch Club Satan (42:40) Opgesloten op het festivalterrein zonder vegetarisch voedsel of chocomel (46:41) Het is eind september te koud voor een buitenfestival (50:13) Luistertip van Pim: Psycho-Frame - Salvation Laughs In The Face Of A Grieving Mother, overtrokken deathcore met het songwritingvernuft om nummers te starten met breakdowns (52:59) Luistertip van Niels: Trudger - Void Quest, neo-crust sci-fi death-sludge die voor de helft Dvne blijkt te zijn (58:37) Concerttip van Pim: Skroetfest 2026 in Hedon te Zwolle, een ode aan de mooiste provincie van Nederland via een soort Grindhoven met strohalmen (01:03:29) Concerttip van Niels: The Callous Daoboys in Effenaar te Eindhoven, humoristische blenderbende is het uitgelezen moment voor de Osmium Meet-up van 2026 (01:08:02) Shout-outs (01:12:08) Links: Roadburn Coffey Fest Psycho-Frame Instagram Trudger Bandcamp Skroetfest 2026 in Hedon The Callous Daoboys in Effenaar en Melkweg Ruth Mampuys (Ruth-Less Photography website en Facebook)

Was, wenn der Italiener in der Band sich deutlich ZU gut mit Mafia-Zitaten auskennt? Und was, wenn die Support-Band in Ungarn in ein Haus einbricht? Und noch wilder: die sprechen da auch noch alle ganz locker drüber!!! Aber wo auch sonst, wenn nicht im METALKELLER?!? Genießt diese "hochkriminelle" Folge in DEM deutschen Metal-Podcast!

Interview by Ali KBrisbane's Community radio station 4ZZZ is celebrating 50 years of being on the airwaves. Known for being the springboard for most of Brisbane's best-known musicians and bands, the station has been an integral part of their journeys. The day will be market day style, reminiscent of the original market days 4ZZZ held at Roma Street Parklands. Regurgitator have well and truly formed their position as one of Brisbane's most well-known artists who, like many before and after, had their music on radio hosts' playlists at Zed Headquarters. Joining The Gurg on the line-up for Saturday's celebrations will be The Saints, Butterfingers, Tropical Fuck Storm, Big Noter, Screamfeeder, Party Dozen, Flangipanis, plus many more. The Gurg's Ben Ely shares with HEAVY some of that nostalgia, noting that their reappearance on the stage at The Parklands will be the first time they've played since their initial gig there back in 1994. With a whopping four songs they'd written and an old drum sampler that played sounds of dogs barking and glass shattering, Regurgitator took to the stage and gave it all they had, having to play two songs twice in order to fill the time slot. The Gurg also announced their JUKEBOXXIN Tour, which kicks off in November. These guys have locked in for the long haul, taking their tour literally everywhere through until around August 2026, including New Zealand and Japan. They will be playing all 58 of their singles over an extended show that'll be in two sets. Joining them as support will be South Australia's Dem Mob. Tickets and event details for Zed 50 can be found at Oztix or via https://4zzz.org.au. Tickets and event information for Regurgitator's JUKEBOXXIN Tour can be found at https://www.regurgitator.netBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Few bands in history have left such a lasting impression in music as Santa Barbara funk metal outfit Snot.Forming in 1995, Snot released just one album before having their career cut short by the tragic death of frontman Lynn Strait. Despite their short time as a band, such was the impression left by Lynn and Snot that after his death, a tribute album called Strait Up was recorded in his honour, featuring everyone from Slipknot to System Of A Down to Sevendust paying tribute to the man and his music.Snot's fusion of genres - before it was common to do so - stood them out from other bands of the era, with their blending of hardcore, punk, nu metal and funk combining for the masterpiece that was their debut album Get Some.The band have flirted with the idea of reigniting the flame with a new frontman several times since Lynn's passing, but until recently, and buoyed by the resurgence of nu metal, have failed to find that elusive spark that ignited three decades ago to create pure musical magic.Next January, for the first time in over a decade, Snot return to Australia for a run of shows with Soulfly and Nailbomb - including Froth & Fury Festival - with vocalist Andy Knapp (Stronger Than Machines) to introduce a new generation to the power of music. HEAVY spoke with bass player John Fahnestock to find out what to expect. We start by running over the three touring bands - Soulfly, Nailbomb and Snot - and reiterate the quality of music in one package."Soulfly and Nailbomb, right," John laughed. "They are good friends of ours. We have known each other for, God, going on 25 years or more. Mikey (Doling, founding member and guitarist) also played in Soulfly after Snot, after Lynn had passed. So, we're out on the road with family again. We played with Soulfly in Mexico City back in May and rekindled our friendship, and here we are coming to Australia now."We ask John about their new vocalist, Andy Knapp, and what they were looking for in a frontman after trialling two previous vocalists in Tommy Vext and Carl Bensley."I think the whole thing is a lot different now," he measured. "We are pretty much saying Snot is back at this point. We finally found in Andy what we basically were dreaming of having, and I'm not saying anything negative on the past singers that we had. Before, when we put Snot back together, it wasn't like 'we're reforming, we're back', anything like that. We were just more doing it for fun, for the love of music, the love of Jamie and Mikey and myself playing together.And we were like, let's go out and play the songs, you know? But it wasn't seriously saying we're back and coming back here to stay, like we are now. It's a blessing to have found Andy and what he's doing, and obviously, the response from the fans has been nothing but positive."In the full interview, John spoke more about the upcoming Australian shows, what has changed with the band in the decade since they were last here and what we can expect. He spoke more about welcoming Andy Knapp as frontman and what sorts of things Snot were looking for in their new vocalist.He told us about the first show with Knapp and how old time fans reacted, how Snot's music relates with modern audiences, and how their sound shaped a generation of bands. We talked about the early days of Snot and the musical climate that gave birth to the band, their initial sound and how they found the balance between genres, including how to know when or if they had gone too far in one direction or not far enough in another.We spoke about the impact of Snot's debut album, Get Some, and the band's initial feelings on the album, including Lynn Strait's early vision for Snot and his musical passion. John delved deeper into the tribute album Strait Up and the contributions of the many bands, new music the band have written and if that will translate into a full album and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Sind Alben mit Millionenbudgets ihr Geld wert? Hört man solchen Platten die teils absurden Unsummen die sie verschlungen haben auch an? Und was hat der Hörer eigentlich davon? Wir lassen es uns natürlich auch nicht nehmen darüber zu phantasieren, was wir mit (mehr oder weniger) endlosen Budgets denn bei unseren eigenen Studio Sessions anders machen würden.

In this episode of the Bleeding Metal Podcast, host Kiki interviews Lukas from the German band DEVIL MAY CARE. They discuss the band's unique social media initiative, 'Downfall of the Week,' which highlights societal and environmental issues.Lukas shares his journey into music, his activism with Sea Shepherd, and the band's commitment to addressing pressing global challenges through their music. They also delve into the upcoming album “Limit,” its themes, and the importance of activism in the music industry. The conversation emphasizes the need for artists to use their platforms for positive change and the role of fans in supporting these efforts.05:01 The Downfall of the Week Concept14:02 Activism and Environmental Responsibility19:50 The Impact of Social Media on Music29:09 The New Album: Limit35:18 Touring and Upcoming ShowsRecorded on October 10th, 2025.Show notes:DEVIL MAY CARE's website has their tour dates and everything you needCheck out the Downfall of the Week on the band's InstagramVolunteer for Sea ShepherdBleeding Metal was created by ⁠⁠@kikigege87 ⁠ and is hosted and produced with ⁠⁠@martha _wingen⁠⁠. Episode edited by Kiki with Riverside.Subscribe now to the Bleeding Metal Podcast wherever you listen and watch some new video interviews on YouTube, all links are on our ⁠⁠linktree⁠. Intro music by ⁠⁠Savvier Nelson⁠⁠ with vocals from ⁠⁠PERSONA-singer Jelena Dobric⁠⁠.

Featuring new music from 'Soul Blind, Downpour, Poptones & Orbit Culture. Live review of Agnes Obel. Plus the usual news & chat from the alternative world.    Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

After initially starting life as a one-man vehicle for Howard Von Noise (Howsie) in 2012, Coffin Carousel slowly morphed into something much more sinister. Taking band formation in 2015, Coffin Carousel are your haunted chainsaw ride formed within the roots of horror punk and sludge metal, bastardised by DNA strands from throughout the metal gene pool to create a sound that continues to defy convention.While the band's earlier material was more rooted in the horror/punk style of metal, Coffin Carousel have honed their craft and allowed their metaphorical wings to spread over four full-length albums, maintaining the lifeblood that defines their music while also crossing over into darker, heavier territory. With their most recent album Quantum Chainsaw Part: Three Six Nine, Coffin Carousel have infused elements of Swedish death metal riffs with HM2 chainsaw guitar tones, dark drone feedback moments and throat-savaging vocal layers, fortifying their continued musical evolution and providing a sonic playground for the macabre and sinister.HEAVY sat down earlier this week to chat with frontman Howsie about the progression of Coffin Carousel and their current plight to dominate our nightmares."I'm definitely excited for this one," he enthused, "because I'm back in my roots and back with the metal cap on. I had a lot of fun making it. I've had a lot of friends reach out and say I'm loving the new sound. The feedback I'm getting personally is that people are enjoying the heavier direction, which has always been progressing that way. The first album was in the horror punk world, but every album since has got heavier and heavier, and this one, I felt it was time to go full metal retard and just have some fun."In the full interview, Howsie introduced the album in greater detail, highlighting its heavier sound as a return to his death metal roots. He discussed the creative process behind the music, including the use of specific guitar effects to achieve a distinctive tone and the metamorphoses of Coffin Carousel's sound over the journey.He spoke about the album launch show scheduled for October 24 at the Revolver Band Room in Melbourne, emphasising the venue's historical significance in the Melbourne metal scene, speaking of plans to enhance the live performance with additional visuals while maintaining a focus on the band's music without guest performances or dancers. We talked about historical significance within the horror/punk genre and the use of older techniques such as VHS quality graphics in music videos, as well as integrating cinematic soundscapes and layers through their music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Words and interview by Ali WilliamsSydney-based metalcore band Bloom have just finished up the first headliner tour here at home and are about to set off to Europe for their next leg of their tour. Frontman Jono Hawkey and drummer Jack Van Vilet caught up with HEAVY recently for a chat about new releases, tours, and future plans for the band.The band's journey so far has seen these young lads hit the ground running with almost instant success. Bloom formed in 2017 and has grown from playing small venues to international tours. They started with young dreams, and their music career evolved, allowing them to travel the world and perform music they love. The big breakthrough for these guys was the release of their first EP in 2018, and their single Cold unexpectedly gained traction on platforms like Spotify, which influenced their approach to creating their next EP, incorporating more strategic efforts. These guys have been able to successfully navigate the music industry essentially by acknowledging the role of online algorithms and how critical that is to succeeding in today's market. They also emphasise their focus on the storytelling aspect of music rather than just aiming to go viral. Bloom have toured extensively, enjoying the ability to connect with fans worldwide. Their recent Australian tour was significant as it showcased their growth, with more engaged audiences. Hawkey and Van Vilet note that their fan base overseas is much stronger than at home, and go on to discuss in more detail their differences in music culture in different regions of the globe and why genres like metalcore are more popular in areas like Europe and Japan, where fans show intense dedication and appreciation for the music. Bloom's musical influences come from a wide style that blends heavier metalcore with more melodic elements, drawing influence from alternative and surf rock. They aim for a versatile sound and appreciate not being confined to a single genre. High priority is made on experimenting with their sound and occasionally swapping of instruments, which not only adds to Bloom's fun and dynamic cohesion as a group, but also expands their creative exploration. Looking ahead, Bloom are preparing for a busy schedule, including tours in Europe, the UK, and America. Back home just in time for Christmas, the band will be looking forward to some much-needed downtime to rest and revive before continuing on their successful journey, but first Bloom drop their new album The Light We Chase on October 31.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Send us a textJoshua Toomey of Primer 55 official and Talk Toomey joins the Vulgar Display of Podcast !!!Ahead of Primer 55's long-awaited tour kickoff and their massive return to the stage at Pop's Nightclub and Concert Venue in St. Louis this Friday, October 10th, 2025, bassist Josh Toomey, also known as the host of the Talk Toomey Podcast, chats with the Vulgar Display of Podcast crew for an in-depth conversation you won't want to miss.Primer 55 is back to celebrate 25 years of their debut album Introduction To Mayhem with original members Bobby Burns, Preston Nash, Josh Toomey, and Donny “The DRP” Polinske. The band promises high energy, raw emotion, and a live show packed with both nostalgia and intensity.

Kiki and Martha are back to discuss Kiki's recent concert adventure on the Bleeding Metal Podcast. She shares her experiences seeing THE GREAT AMERICAN GHOST and AFTER THE BURIAL supporting BLEED FROM WITHIN at Tavastia in Helsinki. Kiki also had an interesting discussion with Ali Richardson, the drummer of the Scottish headliners.The episode highlights memorable moments from the concert, political statements made by the bands, and an exciting, possible product cooperation. 00:58 Kiki's Concert Adventure in Helsinki01:53 A Chat with Ali from BLEED FROM WITHIN13:37 Concert Highlights and Reflections21:44 Personal UpdatesRecorded on September 16th and 19th, 2025.Show notes:Check out all of BLEED FROM WITHIN's tour dates Read The Female Company's story Bleeding Metal was created by ⁠⁠@kikigege87 ⁠ and is hosted and produced with ⁠⁠@martha _wingen⁠⁠. Episode edited by Kiki.Subscribe now to the Bleeding Metal Podcast wherever you listen and watch some new video interviews on YouTube, all links are on our ⁠⁠linktree⁠. Intro music by ⁠⁠Savvier Nelson⁠⁠ with vocals from ⁠⁠PERSONA-singer Jelena Dobric⁠⁠.

In this episode, I sit down with Dan Cinotto, a veteran of the Midwest rock and Nu Metal scene. From his early days in the Omaha-based Downshift to his current work with Narcotic Self, Dan has lived the evolution of heavy music firsthand. He's also the co-host of the podcast We Were Loud Once ‪@WeWereLoudOncePod‬ alongside Jeff Geaghan — where the two dig deep into the Nu Metal movement from the perspective of musicians who were actually part of it. Together, Dan and I talk about that era's energy, its impact on the Midwest scene, and why the genre is seeing a massive resurgence in 2025. Raw, reflective, and full of insight from someone who lived it.

Gear of the Dark, Am Apparat, aus 2 Ländern! Simon war zu Gast beim Guitar Summit und berichtet von seinen Erlebnissen und Entdeckungen. Und wie das so ist wenn Simon und Hanno am Apparat tratschen, werden auch noch ganz andere, heiße Dinge diskutiert.

Switzerland isn't known for its nu metal/metalcore bands, with thrash bands such as Coroner or extreme acts Celtic Frost more prominent. But all that changed in 2018 when Chaoseum, a newcomer to the scene, announced their arrival with their debut album First Step To Hell. The album took the musical landscape by surprise, in the process helping Chaoseum secure a US tour supporting Soulfly, and things just snowballed from there.Following a steady, yet upward trajectory, Chaoseum refined their sound on albums such as Second Life (2020) - which also welcomed new vocalist CK Smile - and The Third Eye (2022), constructing their music in such a way to incorporate more cinematic elements and soundscapes that have now become part of the band's signature sound. That evolution continued on their most recent album, Life 4 Sale, which was released this year on September 19. HEAVY recently sat down with CK Smile to find out more."This album has a completely different story," he measured, deliberating over speaking English, "more than the previous album, because I had to compose it completely alone. On the previous album, we were two composers, the ex-guitar player and I. When he quit the band, we had to find new members, and they had to learn every song from the previous album. It was huge work because we had to do some tours and many, many gigs so they didn't have time to form the composition, so I decided to do it alone. It's different, because I grew up in a nu metal era from 90s and early 2000s, and you can hear on this album it's a little bit simpler, but that's what I like. Plus, the lyrics are different too, because in the previous album, I was mixing part of a true story, mixing with something from my imagination for something more epic. This one is more real. More personal, and so that meant that it was hard for me to write that because I'm talking a lot about my past, and I have many episodes from my past that were very complicated to live. For some things, it's still a little bit complicated, but I deal with it."In the full interview, CK talks more about the writing and creative process for Life 4 Sale and how it impacted the finished result. He spoke about the darker nature on the previous album, The Third Eye and if that flowed onto this record, plus opening up more in his lyrics and how doing so was a difficult process.He spoke about the emotions and atmosphere present in Chaoseum's music and how difficult those features are to integrate into music, how Chaoseum have expanded their sound since he joined the band, how much growth the band have left in them musically and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

This episode we discuss the recent deaths of Ozzy Osbourne, Tomas Lindberg, Brent Hinds and Erik Wunder, and honor their tremendous contributions to metal. We also count down our Top 5 Deceased Artists We‘re Glad We Saw Live, John recaps his time at ProgPower USA XXIV, and we break down the stats and awards from our Top 20 Albums at Midyear show. Plus, News, New Releases, What We've Been Listening To, and Picks from the Crypt. So, raise a glass and join us as we commemorate fallen metal legends in this extra-sized In Memoriam edition of the podcast.

It is refreshing to hear old school metal bands still pushing their limits and exploring fresh sonic realms, even with a sound that is known and loved and has been for more than 40 years. It is understandable when some bands mutter the words 'if it ain't broke, don't fix it', but that still shouldn't stop the creative juices from flowing, if only to challenge yourself.Which is exactly what happened with thrash metal legends Testament and their upcoming album, Para Bellum. While not detouring too far from the music for which they are universally loved and respected, Testament have found ways to reinvigorate their tried and true sound without risking the alienation of staunch, loyal fans.On this album, Testament have leaned more into the black metal side of their musical psyche, a side embraced by guitarist Eric Peterson, who tapped into the more modern aspects of metal with drummer Chris Dovas, who was working on his first album with the band. Noticeably younger than his bandmates, Dovas brought the taste of the present into Testament's creativity, with the results only solidifying the band's sound.Such is the all-encompassing sound Testament were going for with Para Bellum, the opening notes feature an old bridge thought lost from The Legacy era of the band, coming full circle in a way while still embracing change. Para Bellum is triumphant on so many levels, maybe none more so than the addition of the song Meant To Be, which is Testament's first album ballad for many years. It is exciting times for a band just about to release their 14th studio album, with frontman Chuck Billy joining HEAVY to bring us up to speed.We ask about the album title, Para Bellum - which is Latin for If You Want Peace, Prepare For War, and how it fits in with the content."First of all, it fit in with the artwork," Billy explained. "Originally we were gonna call it Infanticide AI, but that didn't really match the direction. We thought, AI, let's not go there, because maybe fans might start thinking, 'is that album cover AI? Did they use AI to write lyrics in all this?'So we said, you know what? Let's not open that door. And once me and Alex wrote Parra Bellum, and I told him what it meant, it made more sense with what he was working on with the artwork, because we knew we wanted a mushroom cloud there in the background. And I didn't know about the angel and the missile wings, but once they came up with it, it just made sense. It's subliminally war-driven a little bit, talking about silent weapons and things that are going on in our world."In the full interview, Chuck spoke more about the musical nature of Para Bellum and what they were going for this time around, the elements of black metal through most of the music and how it enhances the band's sound, the contributions of new drummer Chris Dovas in the writing and recording process and what ideas he brought to the table.We spoke about bringing a slightly modern edge to their existing sound of the importance of always trying to come up with fresh ideas, the album ballad and why now is the right time to write another one after so many years, the use of cello for that sound and how difficult it was to integrate it into their music, the meaning behind the album artwork and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Fox Gods, crucifixions, and magic corsets oh my! We continue the story of Babymetal by exploring the wild and confusing "lore" surrounding this group. We also examine the lyrical content of their early songs, cover the initial reactions they received from the Western music scene, and tackle the sticky question of whether or not Babymetal truly is "metal".[Sorry, again, about the unusual amount of random noises in this one. At least there are no babies or dogs this time!]FOLLOW US:Instagram: polishing.podcast Twitter/X: @polishing_turds email: polishingturdspodcast@gmail.com

British metal outfit Conjurer have continued to defy expectations since the release of their debut album, Mire, in 2018. Essentially an experimental metal band, Conjurer has drawn on elements of sludge, death, doom and post metal, never once allowing themselves to be defined by any one sound or genre.While award nominations and accolades accumulated with each piece of new music, Conjurer retained their one simple mission: to make heavy music and have fun while doing so. Preferring to use their spotlight to showcase technicality and musicality rather than concentrating on politics or opinions, Conjurer have always lived in the moment and embraced everything that came their way.Their upcoming third album Unself (October 24, Nuclear Blast Records) sees Conjurer once more expanding their sonic palate, but this time the whole album is grounded by a common theme or thread that sees the band producing their most personal album to date. Unself is a more intense, more personal voyage of discovery unfurling for vocalist/guitarist Dani Nightingale, who was diagnosed with autism at age 31. With that prognosis, Conjurer's long-held view of self and perception of their place in the world began to unravel. Unself documents much of the piecing back together around the diagnosis, alongside the realisation that they were non-binary.With the release date looming large, HEAVY took the time to chat with guitarist/vocalist Brady Deeprose to dive deeper. We start by asking if the band are feeling confident about the reaction for the new album."I think it's funny because with all of our previous releases, we've not really cared about the reception," he smiled. "It has been a very specific point that we make this music for the four of us. We put it out there, and if people like it, that is wonderful. And if they don't, then that's also fine. We can't control that. However, on this album, I feel like we've put so much more of ourselves into it than ever before. It feels so much more personal and so much more emotionally vulnerable, that while, yes, if people don't like it, that's not something I can control, but I do really hope that people connect with it in the way that I have. I love this album, it really means a lot to me, and I hope that it kind of scratches that itch for at least some of the people that listen to it."In the full interview, Brady talks more about Unself, highlighting its departure from previous works and a focus on emotional vulnerability and personal investment. He described the recording process as collaborative and low-pressure, contrasting it with the challenges faced during their last album, Pathos. Brady explained how the band aims for a more organic sound on Unself, with tracks that defy traditional genre boundaries, reflecting their artistic evolution.We spoke about the opening tune, Unself, and why it was chosen as first cab off the rank, as well as the closing track, The World Is Not My Home, which is an adaptation of a century-old gospel song, and the thought process behind both. Last year's Australian tour was brought up, along with whispers about a return visit next year and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Melbourne old school death metal machine Monoliyth have been steadily going about their craft for just over 25 years, grinding away on the circuit with a mission to do no more than offer a sonic distraction to the world around them.It is an often thankless task - faced by all bands - but Monoliyth have found their niche, originally starting life as more of a thrash metal band before finding their home in the nastier side of metal.Their recent release, He Who Kills, is a typical blast of aggression for Monoliyth, but this time there is a storyline to go with the carnage. A storyline that could very well be the visual accompaniment to Monoliyth's musical psyche. Each song on the album tells a tale of death and destruction through the eyes of a serial killer, with each tune showcasing a different protagonist and the evil that lurks within. It is a different, engaging, and highly confronting deviation from the norm, and one HEAVY wants to explore further when we speak to guitarist and founding member Mick Barr."Well, it wasn't anything serious," Barr replied when we asked where the idea came from. "Everything on YouTube or the old horror movies and stuff is always based on serial killers. And we thought maybe we can do something, looking through the eyes of the actual serial killers themselves and how they might perceive their surroundings or their ideology on why they do what they do. It's to do with the whole concept of how they might operate collectively. Am I a fan of serial killers? Absolutely not. I've seen plenty of docos on these people, and you can't make it up. You can't believe half the stuff they talk about."In the full interview, Mick discussed the album's musical direction, blending old school death metal with modern techniques, and highlighted the singles The Killing Floor, He Who Kills, and Excised Unborn as representations of their diverse sound. The album's concept, influenced by horror movies and online content, explores the perspective of a serial killer with a tongue-in-cheek tone, although Mick emphasised that the graphic material is not meant to be taken seriously.He reflected on the challenges of standing out in the competitive Australian music scene, while expressing satisfaction with the band's international reception, particularly in Europe. Upcoming performances include an album launch and participation in Brute Fest, with the album available for streaming and on vinyl, alongside plans for new material and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Endlich ‘ne neue KVLT Klopper Folge, und zwar mit einem "neuen" Format. Denn in dieser Folge stellen wir uns nicht etwa eine komplette Platte vor, sondern schicken jeweils nur EINEN Song in den Ring. Jeder hat sich sich einen für ihn wichtigen und besonderen Metal-Song ausgesucht, um FETT, LANG und SAFTIG darüber abzunerden: PORTAL - Curtain vs. METALLICA - For Whom The Bell Tolls

I Prevail swept into town like a rampaging force of nature with their debut album Lifelines in 2016. It was an album that screamed defiance from every note, emphatically heralding the arrival of I Prevail onto a musical landscape that was destined to be changed forever.While bands had previously flirted with fusions of post hardcore, metalcore, pop punk, hard rock, nu metal, electronics and hip hop, none had managed to find a completely happy medium, choosing more fleeting moments of amalgamation rather than combining all of the genres under one banner. But here was a band who seemingly found the perfect balance on their first offering.Prior to this, I Prevail had endeared themselves to the crossover metal community with a heavy take on Taylor Swift's Blank Space, but that proved to be merely an appetiser for the sonic feast that was to come.Despite attaining gold status over their first two albums as well as Grammy nominations previously unheard of for music of their preference, I Prevail refused to stick to what was already a winning formula, pushing themselves and their boundaries more and more with each release. Where many would find comfort, I Prevail found challenges, all of which have come together to form the nucleus of the band's fourth album, Violent Nature, which was released worldwide last week. It is an album of triumph over adversity, light where there should have been dark, and a defiant enthusiasm and hunger for personal musical fulfilment, which a betting man would say is still a long way from being satiated for this ever-evolving band.HEAVY caught up with frontman Eric Vanlerberghe recently to discuss Violent Nature and how it represents I Prevail at this current point of their career. We start by asking how the early reception has been for the album."It's been incredible," he replied. "Just seeing the love on it and playing some of these new songs live. We played one of the songs before the record came out, and people were just jumping. It felt great. It's good to finally have it out."We mention a quote from the press release that says I Prevail have taken things to the next level with Violent Nature and ask if he agrees."Yeah," he measured after a brief pause. "I think that's a fair assessment (laughs). Just like every record in the past, we always look back and go Okay, what can we do better? What can we improve, and how can we cut the fat? With the heavier stuff, I feel like we've gotten and created different ways to get heavier, and when it comes back to writing the hooks and choruses, we spent a lot of time to make sure we loved every single one of them. Each one felt like a 10 out of 10 before it went out the door. After 11 years of writing, I think we're just starting to get it (laughs)."In the full interview, Eric dives deeper into Violent Nature from a musical point of view, highlighting the opening track Synthetic Soul and how it came together. We discuss the recording process that was split in two parts and how that impacted the finished result, as well as this being the first time that I Prevail have actually recorded an album in a proper studio as opposed to more DIY methods.We talk about Eric taking on clean vocals for the album to go with his usual harsh singing, and how difficult the transition into the dual roles was. He told us about the variations writing for clean vocals had during the creative process, and how the band ironed out any bumps as they occurred. Talk also turned to the eclectic blending of genres and how I Prevail find their balance in the creative process, plus Eric discussed last year's Australian tour with Parkway Drive, and just when I Prevail might be planning their own run of shows and plenty more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Starting life in 2005 more influenced by deathcore sensibilities than their current, more accessible mixture of styles, Glasgow metal outfit Bleed From Within have gradually morphed into a style of their own over seven studio albums, the most recent of which being last month's irresistible offering, Zenith.Representing the past, present and future of Bleed From Within, Zenith captured the band at the peak of their prowess to date, solidifying their reputation for thinking outside of the metaphorical box and confirming their place amongst metal's elite. From incorporating bagpipes into their beautiful brutality through to commanding stages alongside Slipknot, Bullet For My Valentine and Trivium, Bleed From Within also stormed the main stage at the UK's Download festival in 2024, further cementing their stake as a must-see act for the ages.Now, it's Australia's turn as Bleed From Within join forces with The Ghost Inside for October's Going Down Under Tour, which got even bigger last week when Bleed From Within announced a one-off headlining show in Melbourne.HEAVY sat down with frontman Scott Kennedy to dive deeper."We're doing a headline tour of Europe at the moment," he began, "and we get back from this tour five days before we leave to come to Australia. We're proper excited about it. Australia has been on the cards for our 21 years as a band. It's one of those places we've been desperate to get to."We point out that Australian fans love the band, with Sydney featuring at #2 on Bleed From Within's Spotify Playlist and Brisbane at #4."I didn't know that, but that's amazing," he smiled. "We sort of did the same thing in America. We waited so long to go, and for no other reason than the fact we just didn't get the opportunity. We didn't get the right tour offer, but when it came, and we finally went there, it was just… it felt like people were hungry for it. It's almost like we starved the market for so long that when we went there, it was nuts, so I'm hoping that the same thing happens when we get to Australia."In the full interview, Scott talks more about the tour and what we can expect, touring with The Ghost Inside, their one-off side show and why there isn't more, plus their latest album Zenith and how it was received.We spoke about the band's comments at the time of Zenith's release that it represented Bleed From Within at the peak of their career and where they will go from here, the direction future music may take, how much musical growth is left in the band and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Doe wat voor een ander, dan doet de ander wat voor jou. Een veel gehoord gezegde in de metalscene. Dat is exact wat Bjorn van Eeuwijk moet hebben gedacht toen hij werd gevraagd om aan te schuiven in de nieuwste aflevering van Osmium, de zwaarste podcast in het Nederlands. Je zou hem kunnen kennen van Bjorn's Beton Uur, zijn radioshow op KINK Distortion waarin hij twee maal per week nieuwe, oude, internationale en lokale metal draait. Het Osmium-duo mocht in het verleden al eens aanschuiven tijdens één van die uitzendingen, en nu zijn de rollen dus omgedraaid. Bjorn vertelt uitgebreid over het vak radio maken, zijn connectie met de metalscene en de rol die radio daarin speelt. Tevens wordt er stilgestaan bij gatekeeping gedrag en wordt er gepraat over de toekomst van metal. Is er hoop voor dit genre of staan we stil? Natuurlijk zou het geen Osmium-aflevering zijn als er naast deze diepgaande overpeinzingen geen ruimte was voor zaken als John de Bever (en of Bjorn zijn manager is) en de introductie van één van de hardste hip-hop groepen uit het geboortedorp van zowel Niels als Bjorn aan rapfijnproever Pim: de HGF crew. Men zou zich dus kunnen afvragen: wordt de gunst hier teruggegeven, of zijn de heren van Osmium nu twee keer iets verschuldigd? Met muziek van John De Bever en de HGF crew. Onderwerpen: John de Bever - Jij Krijgt Die Lach Niet Van Mijn Gezicht (00:00) Introductie over Nederlandse volksmuziek die bijtender is dan de strafste black metal (00:20) Bjorn van KINK Distortion te gast in de aflevering! (02:22) De metal inrollen dankzij de bibliotheek van Boxtel (05:59) Ontpopping als radiomaker tussen blaasorkesten (09:49) Het belang van kritisch naar jezelf luisteren en format bijschaven (12:53) De rol van radio in het algoritme-gedreven streamingtijdperk (20:10) Bepalen wat er voor wie gedraaid wordt (25:11) Geloven in de muziek die je selecteert (36:41) Op de hoogte blijven van nieuwe muziek (40:32) Innovatie in het genre vanuit muziek of uitstraling (43:28) Bjorn's visie over de toekomst van metal (54:58) Bjorn's visie over de toekomst van KINK Distortion (01:00:53) Afdronk van de aflevering (01:03:15) Tips van Bjorn (01:06:16) Shout-outs (01:09:02) Links: Bjorn's Beton Uur op KINK Distortion Bjorn's Beton Uur op Instagram Bjorn's Beton Uur op Facebook Osmium te gast bij Bjorn's Beton Uur

Featuring new music from ' Rituals, Spite House, Vianova & Dying Wish'. A live review of Earthtone9, plus the usual news & hat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Australia's own BE'LAKOR finally return for a powerhouse run of home shows this October, bringing their signature blend of melodic death metal and progressive depth to stages across the East Coast to celebrate 20 YEARS OF LIVE BE'LAKOR. Renowned for their immersive soundscapes and acclaimed releases such as their most recent and much lauded effort, Coherence, the Melbourne five-piece continues to push themselves and captivate audiences worldwide.Joining them on this monumental run are progressive metal masters PERSEFONE, for their very first time on Australian soil. Hailing from the picturesque lands of Andorra, they have been a formidable presence in the progressive death metal scene since their inception in 2001. Renowned for their intricate compositions and thematic depth, the band masterfully blends technical prowess with melodic sensibility.Complimenting an already stellar lineup is ORPHEUS OMEGA, who will be celebrating the 10-year anniversary of their landmark album Partum Vita Mortem. A cornerstone of Australia's melodic death metal scene, they are well known for their dynamic blend of aggressive riffs, atmospheric keyboards, introspective lyrics and have consistently pushed the boundaries of the genre.With the tour set to start in just a few short weeks, HEAVY caught up with keyboard player Steve Merry to find out more. One of the topics of discussion was Be'Lakor's live show and what we can expect."Well, to be honest, it's just going to be a lot of riffs, a lot of melodies, a lot of harmonies, and not much else," Steve replied. "Not much chit-chat. We get up there, and we play our songs, and that's the way we like to do it. We're there for the music. What drives us is writing the music and then playing it so it'll be good fun."The term "immersive" is often used to describe Be'Lakor's sonic output, so we ask Steve just what that means."I think what that whole bit is talking about is a combination that the songs are long, and they go in all directions, and they often don't return to riffs," he measured. "So there's sort of a journey feeling to the music. We use a lot of atmospherics and a lot of spacious sounds around the actual guitars and drums and the core of the song. We'll chuck a lot of atmospheric stuff in as well. And I guess the lyrics, we do tell a story with the lyrics. So I think those three things together would be maybe what makes people say it's a bit immersive."In the full interview, Steve shared more details about their upcoming tour, 20 Years of Live Be'Lakor, highlighting the band's extensive rehearsal efforts and the inclusion of supporting acts Persefone and Orpheus Omega. He described the live performances as immersive experiences focused on music rather than audience interaction.We further discussed the evolution of BE'LAKOR's sound from their debut album, The Frail Tide, to their latest release, Coherence, noting a shift towards longer songs and a more mature style. Despite the success of Coherence, the band is dedicated to writing new material that resonates personally, currently being 60% through the writing process for their next album, while opting not to perform new songs on the tour to allow for further refinement, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

So where have we been? Find out in this update episode. Find all things Metalhead Journeys here:https://linktr.ee/metalheadjourneys

When Melbourne noise machine and champion for the underdog Blood Duster called time in early December 2017, the Australian music scene lost one of the greats. Not just in terms of music, but, more importantly, in terms of old school ethos. The punk mentality of fuck you and whatever you rode in on that had by then thankfully settled into the heavier side of music.The band were an enigma. They cursed, they bled, they had an opinion, and they had an agenda. Which was purely based on fun and enjoyment of their music. The fact that every year since has seen some form of (false) whisper about an unlikely reunion has only helped strengthen the myth surrounding the music. Hell, HEAVY would not have even heard of the band were it not for their infamous CUNT shirts, which is another thing about the band that has remained intriguing.But this year was different. 2025 became the year when Blood Duster said yes to returning to Australian stages and said fuck it to any previous trepidation. And the lucky festival to secure that much sought-after signature?Blacken Open Air.As bass player Jason Fuller tells us during our chat, Blacken have come knocking every year since 2017, urging - sometimes pleading - with the band to make a resurgence at the hallowed grounds of the outback metal festival, but each request fell on deaf ears. Until now.Blood Duster will play their first gig on Australian soil in almost a decade as one of the headliners of Blacken Open Air 2025 (September 19 - 22), and HEAVY jumped at the chance to speak with the man behind the myth and behind the legend, Jason Fuller. We start by asking why now is the right time for a return outing."When we finished the band, we really kind of…" Fuller measured… "We felt like once you're releasing records; once you're destroying records before they can even be released, you've kind of reached peak annoyability for everyone (laughs). We did everything we had to do, and we were starting to do shows just for money, and it felt totally dishonest considering what Blood Duster is. It's supposed to be a party. We were at this point where we reached the peak of what we were gonna do and were getting annoyed with having to do it. So we just killed it. It's been eight years or whatever, and we just want to hang out with each other and have a party. All the heavy lifting is done. We don't have to fucking write anything. We don't have to go into a fucking release cycle. We don't have to worry about any of those things. We can just turn up, play some songs and have a ball. So that's where our heads at with all that."In the full interview, Jason talked more about why Blood Duster chose Blacken as their first gig back on home soil, the temptations and offers over the years, what to expect from Blood Duster live, what other bands he is looking forward to catching up with and the value of friendship within the metal community.We spoke about the diversity in Blacken's roster, the early days of Blood Duster and the musical climate that created them, their blending of genres before it was cool to do so and the future of the band after this show. And, of course, we talked about THAT shirt, with Jason recalling some funny moments because of that piece of merchandise and the album it spawned from.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Featuring album in review 'Deftones - Private Music'. New music from 'Face Yourself, Adur, Maitland and Civil Service. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Meredith discusses all the behind-the-scenes work she's always put into the band, the origins of the band name, and the song that made her want to learn drums in the first place on Rock Band!

Heute werden wir mal wieder dem Namen des Podcasts gerecht und sprechen darüber, wie sich unser Recording Prozess über die Jahre verändert hat - und wie wir diesen frisch halten.

Featuring new music by: Death Goals, God Alone, Barren Path & Malthusian. Matt gives his review of Arc Tan Gent 2025 and Pete reviews Snot in Manchester. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Death's Scream Bloody Gore: The Album That Birthed Death MetalWhat happens when a 19-year-old horror movie fanatic from Florida decides to create the heaviest music imaginable? You get Scream Bloody Gore, the 1987 debut that didn't just launch Death's career—it created an entire genre. This is the album that made death metal official, complete with the perfect band name to match.In this episode, hosts Jay, Tim, and Chip dive deep into Chuck Schuldiner's groundbreaking vision that transformed from rejected Florida demos to a Billboard-charting phenomenon. They explore how Combat Records took a massive gamble on this unknown teenager, the recording disasters that led to the album being tracked twice, and why Florida became the unlikely epicenter of extreme metal. The discussion reveals surprising musicality beneath the brutality, from melodic guitar solos to dynamic drumming that defies the “wall of noise” stereotype.The hosts candidly share their first impressions as death metal newcomers, debating everything from Chuck's surprisingly varied vocal approach to the album's timeless production quality. They unpack the horror movie-inspired lyrics, the influence of Black Sabbath and Kiss, and how this 37-minute assault influenced countless bands while spawning an entire ecosystem of subgenres.If you're fascinated by metal history, the origins of extreme music, or how teenage vision can reshape entire genres, this deep dive into death metal's ground zero is essential listening. Fans of early Metallica, Slayer, Possessed, and the broader Combat Records roster will find plenty to sink their teeth into.Episode Highlights:0:00 – Introduction – Poll results and first impressions of death metal's founding album5:18 – Album Background – Chuck Schuldiner's journey from demos to Combat Records deal6:32 – Recording Chaos – The Florida studio disaster and California re-recording10:39 – Listener Comments – Community insights on death metal's Florida origins14:45 – Death Metal Subgenres – From brutal death to porno grind (seriously)17:21 – What Works – Surprising musicality, guitar solos, and vocal range25:04 – Timeless Influence – How the album sounds as relevant today as in 198735:24 – What Doesn't Work – Double-time limitations and production challenges41:53 – Lyrical Analysis – Horror movie themes and teenage songwriting50:16 – Chart Success – How death metal hit Billboard #174 without radio play54:38 – Final Verdicts – Worthy album or essential EP?Ready to explore the brutal brilliance that started it all? Subscribe to Dig Me Out for more deep dives into the albums that changed music history. Join the Metal Union at digmeoutpodcast.com for bonus episodes, exclusive content, and access to our private Discord community. Visit dmounion.com to vote on future episodes and suggest your favorite underground classics. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Der Sommer brutzelt uns langsam das Gehirn weg, aber wir bleiben stabil und quatschen uns gegenseitig AM APPARAT über Festivals, gute Vorsätze, neue Platten und das Wetter zu. Gude Laune, schlechte Laune!

Featuring new music from: Lost In Hollywood, Boneflower, Lowheaven & Sinsaenum. Matt goes on a deep dive into Black Sabbath's back catalogue. We catch up on Happy Gilmore 2, Squid Game, Together and more. Plus the usual news & chat from the alternative world.   

Supporta BLMP genom att bli en patron! Spana in de olika alternativen på http://www.patreon.com/blmetalpodcast Biljetter till Malmö Massacre: https://nortic.se/ticket/event/66525 Eller bidra genom att swisha: 0708-961174 Elis Markskog, som tillsammans med Fredrik Larzon driver festivalen Malmö Massacre, gästar B.L. Metal Podcast för att snacka om årets festival. Mycket missnöje! Playlist: Tribulation - Melancholia Aura Noir - Unleash the Demons Counterblast - Remains Strychnos - Armageddon Patronage Cyness - Patriotenidioten Meanwhile - Above Our Heads I samarbete med Medborgarskolan.

HAIR METAL Podcast EP.28. Part 2: Black Sabbath 'Back To The Beginning' Concert w/ Kaotica Studios Film Director: Johnny K. NOTE: This podcast was recorded 3 days before we learned of the passing of Ozzy Osbourne. Your Hair Metal Podcast hosts and guest are sadden and are mourning the death of Ozzy, our 'Prince of Darkness', who helped lead the way for all metal fans, and the next generation of metal fans to come. RIP Ozzy, thank you for contribution to our Metal fandom. Fandom Podcast Network YouTube Channel Video Link: https://www.youtube.com/@FandomPodcastNetwork Fandom Podcast Network Hair Metal Audio Podcast Link: https://fpnet.podbean.com/category/hair-metal/ The Hair Metal Podcast looks back at the Thrash, Glam & Rock Pop Metal bands, music, events and everything else that heavily influenced the 80's & early 90's Hair Metal era music.  On this special episode of the Hair Metal Podcast we discuss 'Black Sabbath: Back To The Beginning' Benefit Concert. Back to the Beginning was a benefit concert by the English rock band Black Sabbath, with a number of supporting artists. It took place on July 5th, 2025 at Villa Park in Aston, Birmingham, England, very near where the band was formed in 1968. The event concluded with the final live performances of both the band and lead singer Ozzy Osbourne; it also marked the first time since 2005 that the original line-up of the band (Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward) had performed together live. Osbourne, no longer able to walk due to advanced Parkinson's disease, sang while seated on a throne. The widely-lauded concert was streamed worldwide via pay per view with a broadcast delay. It featured an all-star lineup of supporting acts, including two supergroups of musicians serving as the house band. Proceeds from the event totaled £140 million, and will be donated to Acorns Children's Hospice, Birmingham Children's Hospital, and Cure Parkinson's. Black Sabbath is widely regarded as a foundational band for heavy metal, with their influence extending to various subgenres. Their impact is undeniable, shaping the sound and lyrical themes of countless bands across generations, from the 70s through to current day modern acts.  For the full 68 song set and band & artist list, click here: https://www.loudersound.com/bands-artists/black-sabbath-back-to-the-beginning-setlist Thank you for watching and listening to the Hair Metal Podcast on the Fandom Podcast Network! Remember...every rose has its thorn, and on a steel horse... we will ride! HAIR METAL LIVES! Rock on everyone! Hair Metal / Fandom Podcast Network Hosts & Guests Contact Info: - PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork The Hair Metal Podcast Fandom Facebook Group: https://www.facebook.com/groups/377695252724584/   The Fandom Podcast Network is on all major podcast platforms.  Our master feed for all of our audio podcasts can be found on Podbean: - https://fpnet.podbean.com/  - Podbean Hair Metal Podcast Master Feed: https://fpnet.podbean.com/category/hair-metal/   Follow and contact the Hair Metal Podcast at: - X (Twitter): @HairMetalCast - Email: HairMetalPodcast@gmail.com Host & Guests Contact Info On Social Media: - Host: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix. Bluesky: @spartanphoenix - Co-host: Mike Simmer: Kevin & Mike can be found on the Hair Metal Facebook Group: https://www.facebook.com/groups/377695252724584/ Special Guest: Johnny K: IG and YouTube: @ThatJohnnyKguy & @KaoticaStudios #HairMetalPodcast #TheHairMetalPodcast #HairMetalPodcastFandomGroup #FandomPodcastNetwork #FPNet #FPN #RIPOzzy #HairMetal #HairMetalMusic #GlamMetal #BlackSabbath  #BlackSabbathBackToTheBeginning #BlackSabbathBackToTheBeginning2025 #OzzyOsbourne #TonyIommi #GeezerButler #BillWard #AcornsChildrensHospice #BirminghamChildrensHospital #CureParkinsons #Yungblud #NunoBettencourt #JakeELee #Metallica #GunsNRoses #SlayerBand #KaoticaStudios #JohnnyK #KevinReitzel #MikeSimmer

HAIR METAL Podcast EP.28 Part 1 Black Sabbath 'Back To The Beginning' Concert w/ Kaotica Studios Film Director: Johnny K.  NOTE: This podcast was recorded 3 days before we learned of the passing of Ozzy Osbourne. Your Hair Metal Podcast hosts and guest are sadden and are mourning the death of Ozzy, our 'Prince of Darkness', who helped lead the way for all metal fans, and the next generation of metal fans to come. RIP Ozzy, thank you for contribution to our Metal fandom. We hope you enjoy this wonderful discussion of the defining event of metal music history. Fandom Podcast Network YouTube Channel Video Link: https://www.youtube.com/@FandomPodcastNetwork Fandom Podcast Network Hair Metal Audio Podcast Link: https://fpnet.podbean.com/category/hair-metal/ The Hair Metal Podcast looks back at the Thrash, Glam & Rock Pop Metal bands, music, events and everything else that heavily influenced the 80's & early 90's Hair Metal era music.  On this special episode of the Hair Metal Podcast we discuss 'Black Sabbath: Back To The Beginning' Benefit Concert. Back to the Beginning was a benefit concert by the English rock band Black Sabbath, with a number of supporting artists. It took place on July 5th, 2025 at Villa Park in Aston, Birmingham, England, very near where the band was formed in 1968. The event concluded with the final live performances of both the band and lead singer Ozzy Osbourne; it also marked the first time since 2005 that the original line-up of the band (Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward) had performed together live. Osbourne, no longer able to walk due to advanced Parkinson's disease, sang while seated on a throne. The widely-lauded concert was streamed worldwide via pay per view with a broadcast delay. It featured an all-star lineup of supporting acts, including two supergroups of musicians serving as the house band. Proceeds from the event totaled £140 million, and will be donated to Acorns Children's Hospice, Birmingham Children's Hospital, and Cure Parkinson's. Black Sabbath is widely regarded as a foundational band for heavy metal, with their influence extending to various subgenres. Their impact is undeniable, shaping the sound and lyrical themes of countless bands across generations, from the 70s through to current day modern acts.  For the full 68 song set and band & artist list, click here: https://www.loudersound.com/bands-artists/black-sabbath-back-to-the-beginning-setlist Thank you for watching and listening to the Hair Metal Podcast on the Fandom Podcast Network! Remember...every rose has its thorn, and on a steel horse... we will ride! HAIR METAL LIVES! Rock on everyone! Hair Metal / Fandom Podcast Network Hosts & Guests Contact Info: - PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork The Hair Metal Podcast Fandom Facebook Group: https://www.facebook.com/groups/377695252724584/   The Fandom Podcast Network is on all major podcast platforms.  Our master feed for all of our audio podcasts can be found on Podbean: - https://fpnet.podbean.com/  - Podbean Hair Metal Podcast Master Feed: https://fpnet.podbean.com/category/hair-metal/   Follow and contact the Hair Metal Podcast at: - X (Twitter): @HairMetalCast - Email: HairMetalPodcast@gmail.com Host & Guests Contact Info On Social Media: - Host: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix. Bluesky: @spartanphoenix - Co-host: Mike Simmer: Kevin & Mike can be found on the Hair Metal Facebook Group: https://www.facebook.com/groups/377695252724584/ Special Guest: Johnny K: IG and YouTube: @ThatJohnnyKguy & @KaoticaStudios #HairMetalPodcast #TheHairMetalPodcast #HairMetalPodcastFandomGroup #FandomPodcastNetwork #FPNet #FPN #RIPOzzy #HairMetal #HairMetalMusic #GlamMetal #BlackSabbath  #BlackSabbathBackToTheBeginning #BlackSabbathBackToTheBeginning2025 #OzzyOsbourne #TonyIommi #GeezerButler #BillWard #AcornsChildrensHospice #BirminghamChildrensHospital #CureParkinsons #Yungblud #NunoBettencourt #JakeELee #Metallica #GunsNRoses #SlayerBand #KaoticaStudios #JohnnyK #KevinReitzel #MikeSimmer  

In einem schwer romantischen Gedankenexperiment, stellen die Festival-Muffel Hanno und Simon sich jeweils ihren perfekten Abend zusammen. Das große GOTD Fantasy Festival geht über 2 Tage und bietet nichts außer HITS HITS HITS!

Featuring new music by: Fox Lake, Darko, Fates Messenger & Slow Crush. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.  

On this, the day of our deity of reciprocity, we gather to give special thanks to our treasured Midyear Sun. As an offering for our Podfather, we will today surrender 20 heavy metal albums. As Metalheads take, so Metalheads also give.

What happens when Poison's fire-brand drummer trades stadium pyrotechnics for scrappy club gigs, hand-picks BulletBoys shredder Mick Sweda, and dares to mash up Duran Duran with T. Rex? Meet Rikki Rockett's Rocket Mafia—the “anti-cover-band” cover band that's rewriting the rules of '80s metal nostalgia while plotting its own originals.Rikki Rockett—fresh off the Stadium Tour and revved up by motorcycle charity gigs—drops in to reveal how Rocket Mafia started as a one-off set for the Distinguished Gentleman's Ride and snowballed into a high-octane passion project.- Origin story: from Taylor Hawkins' Chevy Metal fill-in to a permanent lineup with vocalist Brandon Gibbs and bassist Brian B.- Set-list philosophy: ditch “War Pigs” for Billy Squier's “Everybody Wants You” and a bang-up “Hungry Like the Wolf/Bang a Gong” mash-up.- Inside the drummer's mind: the magic (and headaches) of fly-in dates, building an erector-set drum kit nightly, and why ghost notes were banned on early Poison records.- Family, books & the paranormal: taxi-dad life, upcoming memoir Ghost Notes, and chasing spirits between tour runs.- The great “original-lineup” debate: Rockett's candid take on legacy bands, Foreigner's rotating cast, and keeping Poison intact.If you crave the swagger of Motley Crüe but dig the left-field song choices of Chevy Metal—or if you've ever argued over whether replacement players can capture a band's soul—this conversation hits your sweet spot. Think glam-metal bravado meets garage-band curiosity; fans of Def Leppard, Cheap Trick, or even Duran Duran will feel right at home.⏰ Episode Highlights0:00 – Theme riff & Welcome – How Dig Me Out keeps '80s metal alive, plus Patreon shout-outs5:12 – The SmartLess-style guest tease – Chip nearly pulls off a Ricky Rockett surprise11:45 – Interview starts – Late-start school runs and why soundchecks are secret weapons22:10 – From charity gig to Rocket Mafia – The birth of an “anti-cover” philosophy28:55 – Mick Sweda joins – Tone over whammy bars and the art of serving the song34:08 – Taxi-dad confessions – Balancing teenage schedules with tour life36:28 – “Ghost Notes” preview – Banned drum licks, paranormal rabbit holes, true-crime obsessions39:54 – Legendary tour manager Bob Dates – Tour-bus rescues & backstage chaos42:10 – Poison in-store brawl flashback – Chasing hecklers through record shops53:30 – Outro jam – How Rocket Mafia plans to weaponize deep-cut Poison tracksLoved the peek behind the spandex curtain?Subscribe now on your favorite pod-player so you never miss an episode.Dig deeper into every season of alternative & hard-rock history at digmeoutpodcast.com.Rate, review, and share—because the riff revolution needs you. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Featuring a live review of Iron Maiden at Manchester. We chat about Black Sabbath's incredible send off. New music from Still In Love, Blessings, Malevich, Accvsed and Believe In Nothing. Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.  

Ever wonder why 80s glam metal still packs out tribute nights and sparks passionate debates decades later? This week on Dig Me Out, we're throwing on the leather, cranking the Aquanet, and diving into the wild, hook-filled world of 80s Glam Metal—the scene that turned the Sunset Strip into rock's most outrageous runway and gave us anthems for every party, heartbreak, and hair-flip in between.From the genre's glitter-soaked roots to its neon-tinted MTV heyday and eventual fall from grace, our roundtable takes on the big questions: What truly defines glam metal? Why did it explode—and then burn out—in such spectacular fashion? And which albums still deserve a spot in your rotation, even if you've sworn off spandex for good? With special guests James Barber (curator of the definitive “Young & Wild: A Decade of American Glam Metal” box set) and Alex Williams (outlaw country artist reimagining 80s metal classics), we dig deep into the music, the image, and the legacy of a genre that's as much about attitude as it is about riffs.If you love the infectious hooks of Poison, the streetwise grit of Cinderella, or the genre-bending spirit of bands like Mother Love Bone and Faster Pussycat—or if you've ever debated whether “hair metal” is a badge of honor or a press-invented slur—this episode is for you. We connect the dots from glam's 70s origins to its 80s explosion, and even trace its DNA into modern pop country and arena rock. Think of it as a crash course in everything that made—and unmade—one of rock's most colorful eras.Episode Highlights0:00 – [Intro] – The glam metal mission statement: why this scene still matters5:12 – [Meet the Guests] – James Barber on assembling the “Young & Wild” box set; Alex Williams on turning glam anthems into outlaw country21:00 – [Defining the Sound] – What separates glam metal from hard rock and thrash? Big hooks, big hair, and even bigger choruses40:39 – [Essential Albums] – Panel picks: Cinderella's Night Songs, Faster Pussycat's debut, Poison's Open Up and Say… Ahh!, and more51:05 – [Party Rock Vibes] – Why glam metal shows felt like the ultimate communal party—and how that vanished in the 90s57:02 – [The Downfall] – Power ballads, industry formulas, and the grunge wave: what really killed glam metal?1:06:10 – [Deep Cuts & Hidden Gems] – The records and songs that still surprise, from Electric Angels to Junkyard1:20:00 – [Modern Legacy] – Where does glam metal live on today? From Ghost's arena theatrics to pop country's party anthems1:35:11 – [Outro & Plugs] – James and Alex share their latest projects, and the hosts reflect on glam's enduring influenceReady to relive the excess, the anthems, and the eyeliner?Subscribe to Dig Me Out for more deep-dive episodes, bonus content, and a community of fellow rock obsessives. Drop your hot takes, suggest your favorite under-the-radar glam album, and join the conversation at digmeoutpodcast.com and dmounion.com.Let's settle the debate—was glam metal ever just about the hair, or was there always something deeper under all that glitter? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Our Download Festival 2025 special. Interviews with Fit For An Autopsy, Vower & Venus Grrrls. Reviews of the entire weekend including: Green Day, Korn, Sleeptoken, Northlane, Jimmy Eat World,  Svalbard, Vola, Poppy, Polaris, Bleed From Within, The Ghost Inside, Spiritbox, Sikth.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

This episode we welcome back Dennis Mikula of Ghost Bath! We talk about the creation of his band's new album, Rose Thorn Necklace, how he started his vaporwave label, Geometric Lullaby, why sad depressing music soothes him, and how his obsession for writing songs can sometimes be a health risk.  Dennis also helps us break down Metal News, New Releases, What We're Listening to and Picks from the Crypt. Plus, for the first time on the podcast, two live albums get locked in the Metal Thunderdome, courtesy of Jay.

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