Podcasts about Kreator

This week, a continuation of our series called “In The Shadow Of…”, where we compare bands to a well-established mainstream act. This is not about copycats, but about artists that have similar vibes, share a sonic soundscape, or whose songwriting and playing styles are sympatico. This is another band near and dear to both of you humble hosts. A band that sits atop the pedestal of all things “heavy”. A band that defined metal in the 80s and 90s while becoming somewhat polarizing in more recent years; the iconic METALLICA! Join us as we discover other bands who were influenced and inspired by this hella great band. What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This is not a statement about bands trying to copy one another, but more that they have a shared sound and vision. It's been said that there is no originality left in rock n' roll and also been stated that imitation is the sincerest form of flattery. As always, we hope we turn you onto something new! Songs this week include: Trivium – “Unrepentant” from The Crusade (2006) Bloodstain – “Black Swan” from I Am Death - EP(2024) Thrasherwolf – “Shameless Loser” from Inside The Sickened Mind (2024) Evile – “Head Of The Demon” from Skull (2013) Machine Head – “Slanderous” from The Blackening (2007) Tantara – “Human Mutation” from Based On Evil (2012) ThrashWall – “War Outside The Wall” from ThrashWall(2020) Visit us: https://inobscuria.com/ https://bonelesspodcasting.com/shows/in-obscuria https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

“How many people do you think go into a bar and say: ‘I'd like an Everclear on the rocks, please…'?”   Looking back, 1997 seems utterly surreal…   To put things in perspective, 1997 marked the debut of South Park on Comedy Central, the release of Radiohead's breakthrough, third album, OK Computer, the beginning of the final season of Seinfeld, and (of course) the arrival of Metallica's conclusion to The Loads with Reload.   Perhaps one of the most surreal (and tragic) parts of 1997 was the time a bunch of children in a band called Hanson went viral with a song called MMMBop while a lesser known, criminally underrated, and FAR SUPERIOR band (with an extremely similar sounding name, consisting of former members of Helmet & Quicksand) called Handsome released their one (and only) album, Handsome, earlier that same year.     Sometimes life is just too weird and utterly unfair…   It's time to discover the power of “a better magical piece of paper” that is not a college degree and understand that whenever someone uses the term ‘dating' that “we know exactly what they're talking about”.    Find out who “stayed metal the whole time”, who was “chuggin' the D”, and who wasn't going to metal shows “unless it was Metallica” when you JOIN US as we go back in time almost 30 years with THE CLASS OF 1997. Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast   Show Notes & Time Stamps: (00:01): “Now we're about the same height…”/ “Alright, let's see ‘em…”/ “Has anybody had any weird diarrhea lettuce issues?” / “You had it before it was cool?”/ #BastieBoys / “I got so freaking sick…out of both ends…also, every 5 minutes, I was having contractions…”/ “Doctor, he's dilated…”/ #cyclospora / “So it was the exact same thing?”/ (NOTE: “Cyclospora stays dormant in your body for up to 2 weeks…) / #nightsoil / “Reason #2 I don't eat greens…”/ “Email Russ at RussWages@diarrhealettuce.com...” /  ***WARNING: #listenerdiscretionisadvised *** / “And frankly…tiresome.”   (05:50): “You wanna say the hellos and the welcomes?” /  ***WELCOME BACK TO THE BUNKERPOON CENTER FOR METAL EXCELLENCE AND THE METAL NERDERY PODCAST!!!*** / #rainylanta /  “Because of the gudatron? The front gunt?” / “I've been having to find all my fat clothes…”/ “What, was it 121/81?” / #RussellsHealthReflections   (09:19): ***PATREON US at patreon.com/metalnerderypodcast *** / #Doomsicle #SmogMountain #SabbathFuzzySabbath /  “I like floral cunt, I'm gonna keep using it…” / “We speak your names…”/ “I'm just gonna go ahead and make this statement…”/ ***EMAIL US at metalnerdery@gmail.com ***/ ***SOCIAL MEDIA US at #metalnerderypodcast on #YouTube #Facebook #Instagram #TikTok *** / “Are we gonna have to hire somebody to go through our emails now?” /  “CD Samplers…?”/ ***VOICEMAIL US AT 980-666-8182!!!*** /  #doowop (NOTE: It's Padavona, NOT Padanova) /  #RJD (14:19): #TheDocket METAL NERDERY PRESENTS: THE CLASS OF 1997 / “The year I graduated from college and got that magical piece of paper…”/ “You know what a better magical piece of paper is?” / “It makes for a much better life…”/  “And by ‘dating'…we know EXACTLY what they're talking about…”/  “That dude's a Dude, man…”/ “Spittin' Crickets is such a 90's band name…”/  “I gotta ask the question…where did y'all get that name?” / #hawktuah / #RussellsReflectionsNostalgiaEdition / “That's some red neck shit; that's not frat boy shit…”   (19:02): “I will say…in 1997…we were big followers of a local heavy metal band…who released their breakthrough album…” / #RussellsSevendustReflections /  #Sevendust BLACK (Sevendust – 1997) / “That's a good opener…like a show opener…”   (23:38): #StrappingYoungLad ALL HAIL THE NEW FLESH (City – 1997) / #CanadianMetal / “Get ready…”/ “It's like a super charged Filter…”/ “If I was still working out, that would be in the playlist for sure…”   (27:00): “Hold on, so it's a different singer?”/ NOTE: This is the first Priest album with Tim “Ripper” Owens on vocals, and also the first Priest album since 1990's Painkiller / #IcedEarth / #JudasPriest JUGULATOR (Jugulator – 1997) / “You pulling up the Jugulator?” / #moonshine /  “How many people do you think go into a bar and say ‘I'd like an Everclear on the rocks, please…'”/ NOTE: Everclear is the active ingredient in Hunch Punch / “Chuggin' the D…” /  “That does not sound like Judas Priest…”/ “That's a very different vibe…that's a different band!”   (33:30): “How about some…Overkill?”/ “In 1997, were you looking for Overkill albums?” /  “(The Hodges) stayed metal the whole time…” / #WFO #TheKillingKind / #NostalgicReflections / “I wasn't going to metal shows…unless it was Metallica…”/ “There were a lot of used CD stores back then (in the mid to late 90's) …” /  #Overkill IT LIVES (From the Underground and Below – 1997) / “I love panning…”   (39:56): “Alright, Matt…look at the inventory of cokelines…”/  “Track 5…I know it doesn't have as many cokelines…trust me…”/ “Is it more of the Forbidden Evil?” / “Imagine Forbidden doing groove stuff but it still sounds like Forbidden…”/ #Forbidden FACE DOWN HEROES (Green – 1997) /  “This was in the Can't Be Loud Enough…”/ OVER THE MIDDLE /  “This sounds nothing like Forbidden Evil…”/ “That sounds like…Slayer.” (43:20): “Did y'all ever hear that one (Demonic)?”/ “That's where the power comes from, dude…”/ #Testament DEMONIC REFUSAL (Demonic – 1997) / “This is where (Chuck Billy) changed his voice…that's death metal…”/ “Looks like I need a bigger rug…”/  “That's definitely different Testament…”   (46:28): “Mark the time, please…”/ #Kreator PHOBIA (Outcast – 1997) / “Like Slayer, you always know what you're gonna get (with Kreator) …”/ #industrialsound / “That's different than normal Kreator…”/ “It's almost like industrial punk…it's almost like a Kreator side project…”   (48:52): “We've got to pay tribute to The Loads…”/ “I think that's probably the best song on the album…but it takes forever to get there…” (Fixxxer) /  “It might be worse than Sandman…” (Fuel) / #Metallica DEVIL'S DANCE (Reload – 1997) / “That's a meaty bass sound…”/ “It's like a weird, Metallica, stoner metal…”/ “Yeah, it needs a laugh right there…”/ “Under a different name, they're good rock and roll records…” ***Go check out our Building the Perfect Load episode…*** / “Watch him pull up Queensryche…big fan from way back…more than KISS…” (53:47): #Misfits DIG UP HER BONES (American Psycho – 1997) /  “It's like Peter Steele with a higher voice…”/  “He sounds like Peter Steele PLUS the singer from Life of Agony…”/ #Caputo / “They came back, dude…”/ “It's like Optimus Prime can be a robot, and then he can be a truck, and then he can be a robot again..." (56:26): “This sounds like a lovely title…I guarantee you it sounds like WASP…”/ #powerballads / “Let us know if we should do a whole episode of power ballads…” /  “We might need some extra special relaxers for that episode (power ballads) …” / “No microdosing…we gotta go full tilt…bring sleeping bags…”/ #TheChronicles / “Have you ever heard anybody talking in their sleep?”/ #sleeptalking #gibberish / “He would call in air strikes…while he was at home in bed, years after the war…”/  “We got new chairs down here in The Bunkerpoon…I look a lot more slender because I'm hiding my gunt underneath the table…” / #WASP KILL FUCK DIE (Kill Fuck Die – 1997) / “Oh listen, it's industrial…when L.A. Metal goes Industrial, that's kind of a weird sign…”/ “What is it?  What'd you say?” / “That was not at all what I was expecting…” (1:01:24): “Look at that album cover…that just screams 1976…he looks like the homeless hatchet guy…there's a documentary about this dude…”/ “But he looked just like that dude…” / “Turn up the fuzzmeter…”/ #FuManchu EVIL EYE (The Action is Go – 1997) / “Kinda sounds like ‘I Disappear' a little bit…”/  “It's good rock and roll with a lot of fuzz on it…” (1:04:39): “On that note, how about a little Karma to Burn…”/  “Hold on, that was wet and you didn't cup…you SHOULD have cupped…”/ #instrumental /  “I'm going in with an open mind…and a pink shirt…”/ “I don't care…” /  “Where are we on the whole ‘how do snakes fuck?'…” / “It IS whittled…”/ #debutalbum /  #KarmaToBurn EIGHT (Karma To Burn – 1997) / “This sounds like some good pre-show music…very good background music…” (1:07:54): “Annihilator had an album out that year…”/ #recordscratch #mouthsounds /  “That sounded almost like a record scratch…I can't do it again…make it a button…”/  “All the cokelines…”/ #Annihilator MURDER (Remains – 1997) / “That's gated…there's your '97 vibe…”/ “He's gonna yell in a minute…he yelled…I heard him…”/  “Let's pick another one…” / SEXECUTION / “Sexecution…that's got to be good…”    (1:12:45): “We've got to cleanse…”/ “What did (Annihilator) do there?” /  “I'm hoping, for the sake of all that is evil…that Venom will sound like Venom…”/  “Metallica's the ONLY band that changed in the 90's…whatever…”/ #Venom THE EVIL ONE (Cast in Stone – 1997) / “That's what heavy metal sounds like…”  (1:15:41): “You know, THAT guy from THAT band…”/ “Who sings on this, him (Geezer Butler)?” / NOTE: This was NOT Burton C. Bell on vocals, it was Clark Brown on vocals…/  #GZR MAN IN A SUITCASE (Black Science – 1997) / “Strangely industrial? Or weirdly industrial?” (1:17:27): “How about a little Grip Inc.? That was Dave Lombardo's band after Slayer…”/ #GripInc PATHETIC LIAR (Nemesis – 1997) / “That has the Slayer sound to it…if you're playing with Dave, I'm sure it's going to sound like Slayer at some point…”   (1:19:44): “I was just looking up some In Flames…”/ “Let's cup so they get the full effect…”/ #InFlames JOTUN (Whoracle – 1997) / “I think that's what they call melodeath metal…”/ “It suits this kind of day…the gray and cloudy…” / “Nothing's gonna impress me anymore after Psycroptic…” / “It's the first thing we've heard in forever that's really a mindblower…you keep getting away from the novelty effect…and then you hear that (Psycroptic)…”   (1:23:34): “Billiam never picks trash…”/  “We should do the most underrated bands and talk about nothing but Poison and Nickelback the whole time…”/ “You don't shit on Nickelback and you don't shit on Creed…”/ “It's just fun to talk like that…” /  NOTE: This was NOT Bruce Dickinson's first solo album…it was his fourth /  #BruceDickinson ROAD TO HELL (Accident of Birth – 1997)  (1:26:38): “My only thing about that…remember when (Dave) did the thing (remixed the entire Megadeth catalog in 2004…) with the drums?”/  #Megadeth TRUST (Cryptic Writings – 1997) / “I think he got mostly cleaned up in the early 90's…”/ “Would you call that rock or metal?” / “If you could take 5% (of that bass mix) and drop it in AJFA…” / “2002 was (allegedly) when (Mr. Mustaine) fully gained sobriety…”   (1:30:18): “I think Billiam finally found what he was looking for…”/ #MachineHead TEN TON HAMMER (The More Things Change – 1997) / “It's weird that harmonics could be so heavy…”/ “It's like harmonics with a cape…”   (1:32:10): “Awwwwwww mannnnnnn…” /  #Pantera WHERE YOU COME FROM (Official Live: 101 Proof – 1997) / “Wait for it…”/ “They recorded (the 2 new songs) in 12 days…”/ “Should we call it Class of '97?” /  THANK YOU FOR JOINING US!!! / #untilthenext #outroreel

Episode 118. Kreator, Kataklysm, and Dimmu Borgir.La Araña FM – Episode 118 takes listeners on a journey through three legendary forces in extreme music: Kreator, Kataklysm, and Dimmu Borgir. This episode explores the evolution of thrash metal, the power of death metal, and the grandeur of symphonic black metal, highlighting how each band has forged its own distinctive sound and influenced generations of metal musicians and fans.A special episode celebrating the history, creativity, and lasting legacy of three iconic names in the world of heavy music.#LaArañaFM #ExtremeMetal #MetalPodcast

Neste episódio, os membros do nosso Clube TUPFS vão trazer para você tudo sobre o THRASH METAL ALEMÃO. Suas origens, diferenças para o thrash dos Estados Unidos, o Big 4 alemão (Destruction, Kreator, Tankard e Sodom) e outras bandas e álbuns que você precisa conhecer!#kreator #sodom #destruction

“No sink or nothing, right? You're just gonna go free ball it…”   1989 was the very first year EVER that The Recording Academy recognized hard rock and metal music with the “Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental”. And other than the completely insulting “slap in the face” by The Recording Academy to Metallica (think Will Smith & Chris Rock, but even more childish, petty, and completely unnecessary), there were no other Big Four albums or happenings in 1989.   (SIDEBAR: Y'know, maybe it's just speculation, conspiracy theory, or just good old-fashioned karma in action, but the way Metallica “lost” that Grammy, it's like they were literally “deleted from the mix” of nominees, so to speak. Not unlike a certain bass player from a certain mix on a certain album. Moving on…)   “Just gonna raw dog it…”   As we are all aware, metal (especially thrash) is far more than just The Big Four, and 1989 was actually quite an excellent year for metal. As thrash was nearing the zenith of its popularity, Wrathchild America's debut album, Climbin' The Walls, hit the record store shelves, Exodus, Testament, and Sepultura each released legendary 3rd albums, and Nuclear Assault released the first, the best, and arguably one of the most revolutionary lyric videos in the history of music for Critical Mass, featuring a one-eyed smiley face saying, “Follow me!” and a “Required Nasty Bit”, courtesy of Jessica Hahn.   “What is YOUR favorite album of 1989?”   Prepare yourself for a bit of obscure Metal Nerdery 1989-centric trivia, embrace what it means to receive your “first JOB”, and find out what you should definitely NOT do in your landlord's pool when you JOIN US as we fire up the time machine and go check out THE CLASS OF 1989. Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast Show Notes: (00:01): “Aww, mark the time!”/ “I might have got the end of it…hopefully it'll be enough…”/ “No sink or nothing, right? You're just gonna go free ball it…just gonna raw dog it!”/  “Do you have a problem using coasters?”/ #LakeVonMatthew / “Welcome to Lake Matthew…it's deep and it's wet…”/ “All the good buttons are gonna be Russell…”/ #markthetime / “Raw dog it…balls deep…”/ ***WARNING: #listenerdiscretionisadvised *** / “Sorry I made the table wet…” / “Turn it off now…”/ “So much yelling…that sounds like a great time…”/ ***WELCOME BACK TO THE METAL NERDERY PODCAST AND THE BUNKERPOON METAL CENTER FOR EXCELLENCE!!!*** / “It's deep and wet…and moist.”/  #bluealgae / “You can, but it's probably gonna ruin your day…Toxic Avenger style…”/ “Guys will do that? Or you'll do that?” (04:50): ***PATREON US at patreon.com/metalnerderypodcast *** / “We're not Winger over here…”/ “I think they're dangerous when they get to be that age…”/ “If you eat one more steak, it's gonna kill you…”/ “Is it the steak that's gonna kill you though? Maybe…or the steak's parents…”/ ***SOCIAL MEDIA US at #metalnerderypodcast on #Facebook #YouTube #Instagram and #TikTok / EMAIL US at metalnerdery@gmail.com and GIVE US A CALL AND VOICEMAIL US AT 980-666-8182!!!*** (07:55): “Boys…Fellas…Hey Guys!”/ #TheDocket METAL NERDERY PODCAST PRESENTS:  THE CLASS OF 1989 / “It was sort of the introduction to death metal…thrash was becoming more extreme…”/ “You don't even have to sell it…it sells itself.”/ “1989 is a special memory for me…that was when I first got my first job…and on the day I went to do my interview for the first job, I also got my first ‘JOB'!”/ “He's talking about a beej…”/ #tremendous / “I got it while I was driving a car…I'm like “WHOA! I've gotta pull off the road…”/ “It's like a buffet of metal…”/ “No Big Four releases during 1989…” (12:43): “That's the one place where it's appropriate to say ‘Fabulous'…”/  #Exodus FABULOUS DISASTER (Fabulous Disaster – 1989) / #useyourheadphones #cantbeloudenough / “That's a weird timing too…”/ “Zetro had this Udo, Brian Johnson, and a little bit of Bon all slammed together…”/ #ballstothewall / “That's why thrash metal is the Olympics of music…”/ “Give credit to Slayer…give credit to Exodus…”/ “Kirk Hammett leaving Exodus may have been the best thing to ever happen to Exodus…”/ “I've got a good suggestion…I just wanted to hear a taste of Envy Life where Chuck Billy does the ‘death thing' (death metal vocal growl) …” (19:37): #Testament ENVY LIFE (Practice What You Preach – 1989) / “That's kinda heavy and creepy at the same time…”/ “Get ready for the heavy harmonies…”/ “I swear…if you listen to this and you listen to their new album…it's a completely different band…”/  “If he would have said ‘yeah-yeah' a few times…”/ “You mentioned earlier ‘Headless Children'…did y'all ever get into the W.A.S.P.?”/ “The cover (the Headless Children album cover) looks kinda like Reign In Blood…”/ “Headless Children was released March 21, 1989 on Capitol Records”/ #WASP MEAN MAN (The Headless Children – 1989) / “Remember the interview with Chris Holmes in the pool?” / #fame / “Wouldn't it be weird if you put on KISS makeup to be able to go out in public and be yourself?” (26:30): “How about some Metal Church?” / “I think Metal Church is just a metal band…they can do anything.”/ #MetalChurch BADLANDS (Blessing In Disguise – 1989) / “They don't have any problem picking excellent singers…”/ “That's a dismount right there…stuck the landing…ten out of ten…”/ #notenoughriffs / #MCTentacleChoice /  “When Bill's tentacles come out, things happen (they do)…and the universe is impacted positively (it is), and we thank you (we do)…”/ “Those tentacles are magic…he's only got two of them…and he's got five mini-tentacles attached to his two main tentacles…”/ “We've never really talked about them…”/ ***You can find the show notes at metalnerdery.com/episodes *** / #Obituary SLOWLY WE ROT (Slowly We Rot – 1989) / “It's like a more death-y sounding Death…”   (33:21): “You know what else is '89…Sepultura…”/ Back in the day, many considered Sepultura's Beneath The Remains to be “the next Master of Puppets” in terms of thrash greatness / #Sepultura BENEATH THE REMAINS (Beneath The Remains – 1989) / “I almost thought you said ‘a little bit of diarrhea'…”/ “Don't shit in your landlord's pool…or their mouth…”/ “Fun Metal Nerdery fact…we did an episode for Beneath The Remains…way back…with the Mighty Mixon…”/ “Speaking of Mixon…”/ “Look at all the #cokelines (for Blood Feast)…”/ #thrashy / #BloodFeast CHOPPING BLOCK BLUES (Chopping Block Blues – 1989) / “I'll bet their rehearsals were a bitch…”   (39:46): “How about a little bit of Overkill?”/ “I got an inverse erection…it actually creeped up inside my body…”/ #Overkill TIME TO KILL (The Years Of Decay – 1989) / “That's what we're doing really…we're all just killing time…while we're here…”/ “That little dash in there…that's all your time to kill…”/ #NuclearAssault CRITICAL MASS (Handle With Care – 1989) / “OH listen to that! It's just dirty…”/ “They always had the best shirts…you'd see a Nuclear Assault shirt and you're like ‘that's cool…that's metal…'”/ #Kreator EXTREME AGGRESSION (Extreme Aggression – 1989) / “Look at the (Extreme Aggression) album cover…(Kreator are) radiating hatred off of their heads…”   (47:06): “We would be remiss to not include The King…Conspiracy is the sequel to “Them”…”/ #ThemPartTwo / #KingDiamond SLEEPLESS NIGHTS (Conspiracy – 1989) / “That sounds like Zakk Wylde…is this an Ozzy song?”/ “Here's another one…”/  #Ministry SO WHAT (The Mind Is A Terrible Thing To Taste – 1989) / #IndustrialMetal /  “Russell Stover's…or Whitman's…or Wittler's…”/ “Respect…”/ “Wait, what is that?”/  #rebellion / “You know what? Just for fun…”/ “You've been groomed for this…”/ #BlackSabbath WHEN DEATH CALLS (Headless Cross – 1989) /  “It's got a nice creepy intro…that's bass by the way…”/ “This has the sound of something… (NOTE: the intro to When Death Calls sounds somewhat similar to Planet Caravan)”/ “Keep your pants on…”/ “It's like Dio Sabbath kinda…in a way…”/ “See? The Tony Martin era didn't hurt you…”/ “What is YOUR favorite album of 1989?”/ “For those of you wondering…it still didn't touch '86.”/ THANK YOU FOR JOINING US!!! /  #untilthenext #outroreel  

On daytime MTV, Bon Jovi was becoming the biggest pop-rock act on the planet. Poison was setting the blueprint for everything pop culture now calls hair metal. At the same time, Metallica, Slayer, and Megadeth: were building massive and devoted audiences. These two worlds shared MTV, shared tour bills, and shared fans who were being asked to pick a side. That tension is what makes 1986 unlike any other year in metal history.The Glam Explosion That Broke Daytime MTVHere's what happened between 1984 and 1986: metal expanded beyond just being scary.After Quiet Riot became the first hard rock band to score a number-one album in 1984, the genre broke into mainstream consciousness. Then the PMRC Senate hearings of 1985 gave the music a problem: it needed to stop being threatening. By 1986, the solution was in the videos. Make them colorful. Make them fun. Start somewhere relatable: a bedroom, a garage, a studio. Then escalate into an idealized fantasy of concert performance. Replace leather and skulls with neon and teased hair. What had been relegated to late-night Headbangers Ball slots now fit the 3 PM MTV daypart. The music and the medium found each other.Bon Jovi's Slippery When Wet is the commercial monument to that shift. Released August 18, 1986, it rolled out singles for nearly a full year after release: “You Give Love a Bad Name” in July, “Livin' on a Prayer” in October, “Wanted Dead or Alive” the following March, “Never Say Goodbye” in June of 1987. Each one was bigger than the last. The year before, Bon Jovi had been opening for Billy Squier. The key differentiator from their earlier work: the arrival of Desmond Child as co-writer on the two biggest singles, bringing professional hit-making infrastructure to what was already a committed band.Poison's Look What the Cat Dragged In was doing the same thing with less money. Their starting address was Enigma Records, home to They Might Be Giants, The Cramps, Dead Milkmen, and Devo. An underground punk label, not a hair metal machine. Capitol entered the picture later, which explains why “Cry Tough” barely moved and “Talk Dirty to Me” became an MTV staple. Poison didn't just succeed with this blueprint; they franchised it.Van Halen's 5150 added keyboards and landed the best Sammy Hagar-era album in the process. David Lee Roth's Eat ‘Em and Smile amplified the campy fun of his Van Halen years into a career highlight. Cinderella's Night Songs made the sharpest glam debut of the year: darker and more concise than anything they'd produce later, before the bluesy detours took over. Jon Bon Jovi helped them record it. That's how fast the food chain was moving in 1986.The Thrash Revolution Running in ParallelHere's the thing about thrash in 1986: it wasn't hidden. Headbangers Ball existed. The magazines covered it. Metallica opened for Ozzy on the Ultimate Sin arena tour. But in the daytime MTV ecosystem, thrash was not the default. If you wanted it, you had to find itMaster of Puppets is eight songs long, 54 minutes, and sounded like nothing on daytime MTV or rock radio. It is heavy and precise and expansive in equal measure: a record where the title track alone runs over eight minutes and earns every second. It was Metallica's third album, the last one with Cliff Burton, and it was recorded without a single thought given to MTV rotation or radio airplay. No videos. No singles. Just the record, and the word that spread through tape trading, zines, college radio metal shows, and the underground networks that thrash metal relied on before the internet existed.What makes 1986 extraordinary is that Metallica wasn't alone. Slayer's Reign in Blood came out the same year: 29 minutes of something faster and more extreme than Master of Puppets, an album that even people who don't follow Slayer know by reputation. Megadeth's Peace Sells... But Who's Buying? completed what might be the single most concentrated year of output from the Big Four of thrash metal: three of the four bands releasing arguably their best records in a twelve-month span. Anthrax didn't have an album in 1986. If they had, it would have been a clean sweep.From the German side of the Atlantic, Kreator's Pleasure to Kill was happening simultaneously: the Teutonic thrash scene developing its own parallel lineage that would eventually be recognized as a pioneer of death and black metal. These weren't crossover acts. They weren't on MTV. But they were building the foundation that would outlast nearly everything in the charts.The thrash revolution of 1986 wasn't a secret, but it was a deliberate choice. Headbangers Ball ran late. Daytime belonged to Poison and Bon Jovi. You could be into both, but at school you were expected to pick a jersey. Admitting you preferred Master of Puppets over Slippery When Wet was a statement, and not everyone in 1986 was ready to make it out loud.Legacy Bands: Update or Resist?Every established metal act in 1986 faced the same question: how much do you change?Judas Priest's Turbo is the case study in what too much looks like. Their tenth album added synthesizer guitars and chased the MTV aesthetic in ways that have remained controversial ever since. Some decent songs are buried in there, but Turbo is the canonical example of a decade-spanning band trying on a new identity because the culture demanded it, and not quite threading the needle.Ozzy Osbourne's The Ultimate Sin represents a different calculation. The image got teased and colorful. The videos fit the 3 PM slot. But the album had Jake E. Lee playing with a flashy intensity that gave it a musical spine the presentation didn't undercut. Ozzy reportedly hated it. Others call it his best solo record: a bridge between his 1970s legacy and the glam-era present that actually holds together. When Metallica opened for Ozzy on the Ultimate Sin arena tour, the lineup said everything about where the genre stood. The scariest band in the underground, opening for a legacy act who'd made himself MTV-friendly. The irony runs deep.Black Sabbath's Seventh Star was never supposed to be a Black Sabbath album. Tony Iommi assembled it as a solo project with Glenn Hughes on vocals, Eric Singer on drums, and Dave Spitz on bass. The label insisted the Sabbath name go on it. The video for “No Stranger to Love” is keyboard-driven and barely resembles Sabbath because, structurally, it isn't. What it is, divorced from its title and backstory, is a genuinely interesting record with a remarkable cast. It has been submitted to multiple DMO polls. It has not yet won. It keeps getting submitted.Iron Maiden's Somewhere in Time added keyboards lightly and reads today as the last album before the tinkering accelerated. Europe's The Final Countdown produced one of the most inescapable songs of the decade and an album none of us heard past the singles. The legacy-band class of 1986 is full of acts choosing between integrity and relevance. The ones who chose wrong are instructive.The Deep Cuts That Shaped Everything (and Nobody Witnessed)Here's the version of 1986 that doesn't show up on year-end lists.In June of that year, a Swedish doom metal band called Candlemass released their debut album, Epicus Doomicus Metallicus, on a label called Black Dragon Records. It did not sell. It did not chart. It was not played on the radio or shown on MTV. It was, by most measurable standards, invisible. What it was doing, quietly and without witnesses, was inventing doom metal as a genre. Every band that has worked in that sonic territory for the past forty years carries a Candlemass debt, whether they know it or not.Guns N' Roses' Live ?!@ Like a Suicide is a different kind of deep cut: a 1986 self-released EP on GN'R's own Uzi Suicide label, predating Appetite for Destruction by a full year. Some people had it. They read about the band in Hit Parader and Circus, bought the cassette, and wrote the band's name on their textbook covers. Then they came home from college and the cassette was gone, lost in a couch cushion somewhere, probably worth a lot of money now. That cassette is a small but perfect metaphor for 1986: the thing you knew about first, the object you can no longer find.The Transformers: The Movie soundtrack connects 1986 to something else entirely: the year metal started showing up in animated children's films, delivered by Stan Bush, Lion, and members of Kick Axe performing as Spectre General. For kids who saw the movie it was a first exposure to the genre. Our Picks, Three Different ArgumentsEvery roundtable eventually comes down to someone having to choose.Poison's Look What the Cat Dragged In. The blueprint for hair metal as a cultural phenomenon. The DIY machine that started on a punk indie label and franchised itself across the next four years. It is not the deepest record of 1986. But it is the one that most completely captures what the year felt like at 3 PM on a Tuesday when MTV was on. That counts for something.Metallica's Master of Puppets is the credibility anchor. The last Cliff Burton record. The document of everything Metallica was before the first video and the commercial pivot. Every move they have made since gets measured against this one, and most of them come up short. The underground case, closed.Ozzy Osbourne's The Ultimate Sin is the legacy act threading the needle correctly, or at least fascinatingly. Jake E. Lee at full power. Ozzy navigating from his 1970s origin into 1986 accessibility in a way that doesn't fully betray either. An album Ozzy reportedly hated. A pick none of us saw coming.That's 1986.Episode Highlights* 0:00: Intro. Why we went back to 1986: the year we were all buying cassettes and picking sides.* 1:52: The Transformers: The Movie soundtrack as a metal gateway. Stan Bush, Lion, and a very upsetting death for 11-year-olds.* 4:07: Cassette-buying memories. Where we each were, financially and musically, in 1986.* 8:08: The PMRC timeline and how hair metal broke onto daytime MTV in 1986, colorful videos replacing darker imagery.* 11:36: Judas Priest's Turbo as the prime example of a legacy band adding keyboards and chasing the MTV moment.* 14:08: 1986 as the greatest single year in thrash metal history. Master of Puppets, Reign in Blood, and Peace Sells all released within months of each other.* 15:02: Walking into Richfield Coliseum for the last 30 seconds of Metallica opening for Ozzy, and genuinely not caring at the time.* 16:04: Listening to Master of Puppets in secret on the school bus while claiming to listen to Bon Jovi or Night Ranger.* 17:28: Why Cinderella's Night Songs holds up: darker and tighter than later work, no big ballad epics, Jon Bon Jovi's behind-the-scenes role.* 20:03: Bon Jovi's rocket-ship year. The full single timeline from You Give Love a Bad Name through Never Say Goodbye, and Desmond Child's co-writing role.* 22:49: Seeing Poison open for Quiet Riot at the Cleveland Agora reopening. Studying the Look What the Cat Dragged In album cover beforehand. Expecting at least one woman in the band.* 25:22: Poison's DIY punk ethic and their unlikely starting home on Enigma Records alongside They Might Be Giants and The Minutemen.* 27:56: Candlemass's Epicus Doomicus Metallicus: doom metal's invisible ground zero, released June 1986, heard by almost nobody.* 30:07: The Guns N' Roses Live ?!*@ Like a Suicide EP story. Buying it before anyone knew who they were, writing GN'R on textbooks, and losing the cassette after college.* 32:11: Queensryche's Rage for Order as a musicians' landmark, more influential among players than general audiences.* 34:43: Black Sabbath's Seventh Star. The Tony Iommi solo album the label forced into being a Sabbath record, and the DMO poll it keeps losing.* 37:44: Vinnie Vincent Invasion: Poison taken to its extreme. Pink guitars, pop DNA at maximum volume, and a singer switcheroo from Robert Fleischman to Mark Slaughter.* 45:08: Buying King Diamond's Fatal Portrait out of sheer fear, based only on a magazine photo with no MTV and no internet.* 52:30: AC/DC's Who Made Who: three new songs, six repackaged tracks, Maximum Overdrive tie-in, and the question of whether it needed to be a full album.* 56:13: The connections bands bucket. Hurricane, London, M.A.R.S., White Tiger, Rough Cutt, Black ‘N Blue: albums bought for who was in them, not what was on them.* 1:03:36: Rough Cutt's “Take a Chance” as an all-time genre standout hiding inside a mediocre album.* 1:07:29: We each name the one album that defines 1986. Three picks, no overlap.* 1:21:07: Chip's poll plug for CJSS's Praise the Loud. Cincinnati power metal. David T. Chastain. Still waiting for its DMO moment.* 1:24:07: Outro. Have a lost or forgotten album that deserves the spotlight? Suggest it here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

¡Berserkers, Bienvenidos a una nueva tertulia en Caos Sonoro! En esta edición, los hosts JC y Perry de GothProds, junto a Ángel de Mexapedia, se reúnen para desmenuzar los temas más candentes, polémicos y creativos de la escena underground del metal. Para este episodio contamos con dos invitados de lujo que construyen la identidad visual de la música extrema. Nos acompaña Penny (@penificent), fotógrafa y creadora de contenido que aporta una gran frescura a la escena, capturando la esencia y la euforia tanto de las bandas en el escenario como de los fans en las trincheras del moshpit. También está con nosotros Néstor Ávalos, renombrado artista gráfico y diseñador mexicano especializado en el arte oscuro, con casi dos décadas de trayectoria creando portadas para bandas de talla internacional como Deicide y Kreator, y exponiendo su obra en festivales como el Candelabrum. Exploramos a fondo el poder del arte visual en el metal y su conexión inseparable con la estética musical. Hablamos de cómo la educación visual a través de portadas clásicas y mercancía, como las clásicas playeras, inspiran a los fans desde niños y complementan perfectamente la obra sonora de una banda. Además, entramos en un profundo y reflexivo debate sobre la llegada de la Inteligencia Artificial al arte visual y la creación de contenido. Discutimos su posible utilidad como herramienta de búsqueda o asistencia técnica, pero advertimos fuertemente sobre los peligros de volvernos perezosos, depender de artes genéricos y, sobre todo, perder nuestra capacidad humana y pensamiento crítico frente a las máquinas. Otro tema candente de la noche es el debate sobre el "Moshpit Seguro". Platicamos sin filtros sobre la reciente iniciativa de crear áreas seguras para mujeres en los festivales. Reflexionamos sobre las raíces del slam, el respeto intrínseco de la hermandad metalera, y cómo el aumento de incidentes de acoso y violencia suele venir de pseudo-fans o personas que van solo a hacer desastre, advirtiendo que segmentar al público podría alejar a las nuevas generaciones de mujeres de esta cultura. De igual manera, analizamos la inagotable guerra de las etiquetas y subgéneros, cuestionando si verdaderamente aporta algo sobre-clasificar la música o si esta simple necesidad humana llega a encasillar a las agrupaciones, limitar la experimentación de los músicos y frustrar a los oyentes. Para cerrar con broche de oro, el panel nos deja grandes recomendaciones musicales y culturales. Exploramos desde bandas frescas del underground como The Facing God, Harifa, Nigromante y Navarcota, hasta libros indispensables de fotografía como True Norwegian Black Metal, sumando incluso algunas sorpresas nostálgicas para no puristas, como el icónico soundtrack de Rocky. ¡Únete a la conversación, relájate con nosotros y descubre qué hay detrás de la música que nos apasiona! GothProds Links Spotify -https://open.spotify.com/show/2hnlgkcGNl9GOAPa0WT9HW?si=7e9b95f203464fe6 Apple Podcast — https://podcasts.apple.com/mx/podcast/goth-prods/id1606324255?l=en Amazon Music — https://music.amazon.com.mx/podcasts/d10f63b6-f4f3-4a91-b21d-d98c2b08ca01/goth-prods?ref=dm_sh_xBGgYoDaqnREmWm0IoJu5r4kd Facebook — https://www.facebook.com/Goth-Prods-104237088306624/ Instagram — https://www.instagram.com/goth_prods/ TikTok - https://www.tiktok.com/@goth_prods

Vermutlich ist das wichtigste Gespräch, das Sie heute geführt haben, das Gespräch mit Ihnen selbst. Gemeint ist damit kein brabbelndes Selbstgespräch, sondern das, was der russische Psychologe Lev Semjonowitsch Vygotski «inneres Sprechen» genannt hat. Das sind keine elaborierten Dialoge, sondern ein bruchstückhaftes Versprachlichen von Gedanken und Handlungen. Dem Gehirn kommt es dabei nicht auf die Grammatik an, sondern nur auf den Sinn, den emotionalen und inhaltlichen Gehalt der Wörter. Für unser Denken und Verhalten ist das ein fundamental wichtiges kognitives Werkzeug. Das innere Sprechen unterstützt das Gehirn bei seiner Arbeit. Es strukturiert Inhalte im Arbeitsgedächtnis, erleichtert uns den Wechsel zwischen verschiedenen Rollen und Aufgaben und hilft dabei, impulsive Reaktionen zu hemmen. Besonders wichtig ist es für das Schreiben: In der Ideenfindungsphase durchsuchen wir beim inneren Sprechen unser Gedächtnis und formen Konzepte. Genau da grätscht heute die KI auf eine Art und Weise in den Prozess, die einem Gennaro Gattuso zur Ehre gereichen würde: Mit ihren Textvorschlägen unterbricht die KI den internen Ideenfindungsprozess und mischt sich rustikal ins innere Gespräch ein. Statt dass wir uns selbst befragen und herausfinden, was wir darüber denken, geht es immer häufiger nur noch um die Frage «Stimme ich dem Vorschlag der KI zu?» Der Autor wird vom Kreator zum blossen Evaluator. Ich habe Ihnen deshalb ein Denkwerkzeug gebaut, das Ihnen hilft, dem inneren Sprechen beim Schreiben auf die Spur zu kommen und forschungsbasierte Tipps für den guten Einsatz der KI beim Schreiben zusammengestellt.Matthias Zehnder ist Autor und Medienwissenschaftler in Basel. Er ist bekannt für inspirierende Texte, Vorträge und Seminare über Medien, die Digitalisierung und KI.Website: https://www.matthiaszehnder.ch/Newsletter abonnieren: https://www.matthiaszehnder.ch/abo/Unterstützen: https://www.matthiaszehnder.ch/unterstuetzen/Biografie und Publikationen: https://www.matthiaszehnder.ch/about/

Harganya sih yang membuat diriku berangan-angan untuk meminang barang tersebut.Happy Listening and Enjoy

On today's Metal Breakdown Daily, host Scott Penfold covers a massive day for tour news and high-profile legal resolution in the world of heavy music. Deathcore Goes Arena-Sized: Thrash metal legends Slayer have officially expanded their 2026 comeback plans, announcing a string of Latin American tour dates for the first time since 2019. The band will perform the iconic "Reign in Blood" album in its entirety to celebrate its 40th anniversary, with support from Kreator and Power Trip. We break down the key dates for Mexico City, Bogota, and beyond. Taste of Chaos Returns: Hollywood Undead is back with a new single, "Feels Like Home," out today via Sumerian Records. The release arrives alongside the major announcement that Hollywood Undead will co-headline the 2026 "Taste Of Chaos" tour alongside In This Moment, featuring guests I See Stars and Vana. Meshuggah Remasters: Swedish tech-metal pioneers Meshuggah have confirmed digital release dates for the 30th-anniversary remaster of "Destroy Erase Improve" and the 20th-anniversary remaster of "Catch Thirtythree." Both are set to hit digital outlets on July 24, 2026, via Reigning Phoenix Music.

Último Bulldozer de mayo y abrimos con la despedida de Sepultura. Kreator y su "Pleasure to kill", uno de los destacados de nuestra lista de los mejores discos de 1986, visita nuestras RRSS para ver el listado completo. Seguimos con la confirmación de Violator en Chile para el mes de Agosto. Finalizamos con @inquisicion_heavymetal como parte del Chileterrorfest 2 y @massacrethrash celebrando los 40 años de su primer demo. Escúchanos por www.rockaxis.fm los viernes a las 10:00 y 22:00 hrs. Capítulos disponibles en Spotify, Google Podcast y Apple Music. Conduce: @maxiasmm

En este episodio especial de Made in Metal, el podcast de heavy metal y hard rock presentado por Tony González, rendimos homenaje a una figura fundamental en la historia del metal extremo: el legendario productor Harris Johns. Responsable del sonido de discos esenciales del thrash, death y heavy metal europeo, Harris Johns trabajó con bandas históricas como Kreator, Sodom, Sepultura, Tankard, Voivod y Helloween, ayudando a definir el sonido más crudo, agresivo y auténtico de los años 80 y 90. En este especial escucharemos: Grave Digger, Helloween, Kreator, Tankard, Voivod, Sodom, Pestilence, Sepultura, Lying in Wait y Sacred Steel. Un viaje por álbumes míticos, riffs devastadores y producciones que marcaron para siempre la historia del heavy metal. Emitido en: Sol y Rabia (España) Asalto Mata Radio Rock (España) Lado Salvaje Radio (Argentina) Heavy Metal Mansion (Puerto Rico) Si amas el thrash metal clásico, el heavy metal old school y la historia del metal extremo: suscríbete a Made in Metal en iVoox, comparte este episodio y déjanos tu comentario. Queremos saber: ¿Cuál es el mejor disco producido por Harris Johns?

Con Riccardo Berti e il suo libro sul thrash tedesco si chiacchiera di Kreator, Sodom e Destruction, ma anche di nomi minori, di Germania Ovest ed Est e dei bei tempi che furono. Piccolo disclaimer: all'inizio diciamo che si tratta della puntata 25, quando in realtà è la 24. Son cose che capitano. Sarà l'età? Sarà qualcos'altro? Chi lo sa...

Die Liebe zum Genre "Horror" hat unseren Gast in die Welt der Musikindustrie geführt. Vom hausbesetzenden Comiczeichner zu DEM Coverartist aller ikonischen Heavy Metal Alben der End-80er und 90er, hat Andreas eine Menge Geschichten im Gepäck, die Einblick in die Welt des visuellen Elements des Heavy Metal gewähren. Hierzu gehören auch Musikvideos für Kreator, Sodom, Coroner und viele andere, bei denen er Regie führte und die den Weg für ihn in das deutsche Genre-Kino mit Filmen wie "Tears of Kali", "Masks" und "Black.White.Red." ebneten.

Aired the weekend of 4/24/26

In this episode of the Willie Jackerson Experiment, we march straight into legend and blood-soaked history with the rise of Alexander the Great—the king who didn't just dream of empire… he took it.From the battlefields of Persia to the edges of the known world, we break down how a young ruler turned relentless ambition into one of the greatest military campaigns in human history. Strategy, speed, fearlessness—this is conquest at its most brutal and brilliant.Fueling the march is the crushing sound of Kreator and their war-driven anthem Conquer and Destroy—a soundtrack that hits as hard as a phalanx charge and echoes the chaos of ancient warfare.This isn't just history—it's domination, legacy, and the mindset of a man who refused limits.⚔️ How did Alexander build an unstoppable force?⚔️ What made his tactics centuries ahead of their time?⚔️ And what happens when there's nothing left to conquer?Turn it up, brace for impact, and step onto the battlefield—because this is history at full volu

This Week on America's Podcast

The Pipeman interviews Tankard singer Garre live at Hell's Heroes Festival VIII 2026 on W4CY Radio. The Teutonic thrash legend discusses the band's semi-pro approach to 44 years of thrash and reflects on metal influences and memories spanning the decades.They also cover Tankard's first shows in the US, wild influences from New Wave of British Heavy Metal and experiencing Bay Area thrash like Exodus, Slayer, Metallica, upcoming South America tour, and plans for a 45th anniversary album. Garre also shares stories of early record deals, festival energy, and the universal metal brotherhood.Featured topics: Tankard interview, Hell's Heroes Festival VIII 2026, Teutonic thrash, Kreator, Metallica, Saxon, Exodus, new Tankard album, thrash metal history, South America tour, NWOBHM influences, Metal Blade, TeutonicClick Here to Subscribe to The Adventures of Pipeman for PERKS, BONUS Content & FREE GIVEWAYS! Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”   Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast?  PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts.The following are the different podcasts to Follow, Listen, Download, Subscribe:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit – Music Interviews & Festivals•Positively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & WellnessClick Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

This week we bring you the second half of Jarvis's in-depth interview with drummer extraordinaire Carlos Cruz (Nails / Warbringer / Powertrip / OHM).  In this segment, Carlos walks you through his history and contributions to Warbringer, including insightful tidbits about the band's creative process. He also talks about replacing the late, great Nick Menza in OHM, and offers stories about his history with Machine Head and how he came to join Nails. Tune in for a fascinating discussion about a talented drummer forging a life in heavy metal. Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook

This week we bring you the first installment of Jarvis' interview with Carlos Cruz, a veteran drummer perhaps best known for his work in Warbringer and Powertrip. The interview begins with Carlos discussing his deep family roots in music, including his grandfather's recorded output. After a detour into the perils and hazards to the human body of playing heavy metal music for an extended period of time, and the corresponding need for self-care and treatment along the way, the interview traces Carlos' musical journey through high school cover bands to the burgeoning LA thrash movement in the early 2000s and eventually to the pivotal moment when he joined Warbringer in 2010. Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook

This week, Cary the Metal Geek and Sean the Metal Pigeon dive headfirst into a packed show of metal news, reviews, and killer tracks. We kick things off with the newly revealed lineup from Nevermore and discuss the latest developments surrounding Arch Enemy's vocalist. From there, we break down a live show experience featuring Katatonia and Opeth, and discuss the latest brutality from Kreator, and finally have our discussion on the new Megadeth.  We also look ahead to must-see upcoming shows including Hell's Heroes, Dethklok with Amon Amarth, and Helloween alongside Beast In Black. The playlist is stacked with heavy hitters and hidden gems, featuring Cold Communion, Vandor, Freedom Call, For My Pain…, Tailgunner, Sad Whisperings and Kreator.  In our “What We're Jamming” segment, we crank up new and notable releases from Mega Colossus, Monstrosity, Worm, Mayhem, and the latest from Hellripper. Playlist: Cold Communion - Threshold - Monuments to Ruin Vandor - Another Life - The Ember Eye Pt II : The Portal of Truth Freedom Call/Ensiferum - Heavy Metal Happy Core For My Pain… - Time Will Heal Our Wounds - Buried Blue Tailgunner - War in Heaven - Midnight Blitz Kreator - Blood of our Blood - Krushers of the World Sad Whisperings - Shadow Work - The Hermit  Explore the metal universe at msrcast.com, your one-stop hub for all things MSRcast. Immerse yourself in podcast archives, interviews, reviews, and more.  Connect with us via msrcast@gmail.com, and stay updated on our socials @msrcast and @themetalpigeon.  Connect with Cary and Sean on Facebook! Be sure to like our official fan page at facebook.com/msrcastofficial for all the latest updates, and join the conversation in our official Facebook group, the Metal Geeks Society—where metalheads and geeks unite! Spread the metal love – share the show, subscribe on iTunes, and leave a review. Enjoy the metal journey, and Keep It Metal!

Happy Black History Month! This week, we got Ty aka @Blaquenkulture joining us as a representative of Off Blxxk and Off Blxxk Mag. Ty gives us some insight to the journalism Off Blxxk does, what their goals are, and how they plan to succeed. Off Blxxk also has a Kickstarter currently active, so please be sure you go and support their newest venture!!Be sure you go to offblxxkmag.com for more details regarding their editorials, articles, and their Kickstarter Campaign!For our Spotify and Apple Listeners, be sure you give this podcast a 5 Star rating!!Like the video, subscribe, and hit that notification bell on YouTube!!Subscribe to our Patreon account and contribute on any of the 4 levels for bonus content and to hear and see episodes early before they release! patreon.com/khaotickulturepodLike and subscribe to our YouTube Channel! youtube.com/@khaotickulturepodcast.Follow us on Bluesky!! @khaotickulture.bsky.socialLike and Follow us on Facebook- https://www.facebook.com/profile.php?id=100063477101518Follow us on Twitter/X- https://twitter.com/KhaoticKulture1Follow us on Instagram and Threads- https://www.instagram.com/khaotickulturepod/Follow us on TikTok @khaotickulturepod Follow our personal pages: Ked: @k3dthepro (all socials), Law: @l.jr_96 (IG) and @Law96_ (X/Twitter) Sape: @scraps14 (all socials) Steve @scubasteve1428 (all socials)

Join lovebirds Ian and Cass as they play some romantic thrashers from Kreator, Sodom, Sacrifice and Voivod to celebrate Valentines' Day! We'll also get hyped for some upcoming shows, including a ripping triple bill at the Rickshaw with Coroner, Heathen and Sölicitör. We'll do a special edition of Cass' Corner, featuring hot and spicy new tracks from Shrinewitch, Deep Recess and Outpost 31, and we'll dig some lovers' metal classics from Judas Priest, Megadeth and Type O Negative out of the Graveyard. Come feel the love with us!

Join lovebirds Ian & Cass as they play some romantic thrash metal blasters from Kreator, Sodom, Sacrifice and Voivod to celebrate Valentines' Day. We'll also get hyped for some upcoming shows, including a ripping triple bill at the Rickshaw with Coroner, Heathen and Sölicitör. We'll also dig some lovers' metal classics from Judas Priest, Megadeth and Type O Negative out of the Graveyard!

Discos de Megadeth, Kreator y Therion; aniversarios de Iron Maiden, Rainbow y Korpiklaani; noticias, shows y más…

Happy Black History Month! And we are starting this month with an interview with content creator and cosplayer, YunGokuu aka YG! Join us we talk about YG's journey through Hampton and as a content creator, discuss her goals, dreams, and more! Tune in!For our Spotify and Apple Listeners, be sure you give this podcast a 5 Star rating!!Like the video, subscribe, and hit that notification bell on YouTube!!Subscribe to our Patreon account and contribute on any of the 4 levels for bonus content and to hear and see episodes early before they release! patreon.com/khaotickulturepodLike and subscribe to our YouTube Channel! youtube.com/@khaotickulturepodcast.Follow us on Bluesky!! @khaotickulture.bsky.socialLike and Follow us on Facebook- https://www.facebook.com/profile.php?id=100063477101518Follow us on Twitter/X- https://twitter.com/KhaoticKulture1Follow us on Instagram and Threads- https://www.instagram.com/khaotickulturepod/Follow us on TikTok @khaotickulturepod Follow our personal pages: Ked: @k3dthepro (all socials), Law: @l.jr_96 (IG) and @Law96_ (X/Twitter) Sape: @scraps14 (all socials) Steve @scubasteve1428 (all socials)

Looking back at the records January gave us we give an honest assessment of the final album from Megadeth, alongside Kreator, Urne, Møl, Joyce Manor, The Ruins of Beverast, and Backengrillen. Thanks for all the riffs, MegaDave.Megadeth 20:11Kreator 1:06:31Urne 1:22:47Møl 1:38:35Joyce Manor 1:49:44The Ruins of Beverast 2:02:15Backengrillen 2:14:11

The 2026 seal shatters with an aerodynamic new episode of the Metalheads Podcast! We start with a discussion about New Releases, highlighted by some long and lively takes on the new Kreator and Megadeth albums, then we share What We're Listening To and Picks from the Crypt. After the sarcophagus closes, John reveals the top 2025 honors based on stats from our big year-end show. Find out who took home the Frenemies Award, the Get a Room Award, the Clairvoyant Award, The America Fuck Yeah Award, the World Traveler Award, the Jay Award and the coveted Wilson Award. Plus, George makes a promise of podcast changes to come...

This edition of the DBG Times covers a wide range of rock and metal history, along with notable Rockstar Deathdays honoring Phil Lynott, Neil Peart, Steve Clark, Eddie Clarke, Sylvain Sylvain, and John Sykes. Looking back 10 years to 2016, the show revisits releases from Black Sabbath and Megadeth, including Sabbath's final studio-era material and Megadeth's well-received return to a heavier, more classic sound. From 2001, we highlight Turn 21 by The Donnas, an album that helped solidify their identity and garner more recognition. Going back 30 years to 1996, the discussion includes albums from Accept and Mr. Big, reflecting a challenging era as traditional hard rock and metal faced shifting trends. At 35 years (1991), we touch on notable releases by David Lee Roth, Drivin' N Cryin', and Motörhead, showcasing the variety of sounds coming out of the early '90s. Looking at 1986, we revisit Seventh Star by Black Sabbath and the long-delayed debut of White Lion, two releases with very different paths and outcomes. From 1981, the episode covers peak-era albums by 38 Special, April Wine, and Styx, all enjoying major commercial success during this period. Jumping back 50 years to 1976, we discuss releases from Bad Company and Grand Funk Railroad, each facing internal and external challenges at different points in their careers. Wrapping up the historical portion at 55 years (1971), we explore early albums from ZZ Top, Mountain, Lucifer's Friend, and Dust, capturing the formative years of heavy rock and metal. The episode also includes a rundown of new rock and metal releases, featuring recent albums from Alter Bridge, Bullet, Kreator, Gluecifer, Helix, and a final studio release tied to the farewell era of Megadeth. We hope you enjoy our look back through the month of January in this edition of the DBG Times and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcast family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

This edition of the DBG Times covers a wide range of rock and metal history, along with notable Rockstar Deathdays honoring Phil Lynott, Neil Peart, Steve Clark, Eddie Clarke, Sylvain Sylvain, and John Sykes. Looking back 10 years to 2016, the show revisits releases from Black Sabbath and Megadeth, including Sabbath's final studio-era material and Megadeth's well-received return to a heavier, more classic sound. From 2001, we highlight Turn 21 by The Donnas, an album that helped solidify their identity and garner more recognition. Going back 30 years to 1996, the discussion includes albums from Accept and Mr. Big, reflecting a challenging era as traditional hard rock and metal faced shifting trends. At 35 years (1991), we touch on notable releases by David Lee Roth, Drivin' N Cryin', and Motörhead, showcasing the variety of sounds coming out of the early '90s. Looking at 1986, we revisit Seventh Star by Black Sabbath and the long-delayed debut of White Lion, two releases with very different paths and outcomes. From 1981, the episode covers peak-era albums by 38 Special, April Wine, and Styx, all enjoying major commercial success during this period. Jumping back 50 years to 1976, we discuss releases from Bad Company and Grand Funk Railroad, each facing internal and external challenges at different points in their careers. Wrapping up the historical portion at 55 years (1971), we explore early albums from ZZ Top, Mountain, Lucifer's Friend, and Dust, capturing the formative years of heavy rock and metal. The episode also includes a rundown of new rock and metal releases, featuring recent albums from Alter Bridge, Bullet, Kreator, Gluecifer, Helix, and a final studio release tied to the farewell era of Megadeth. We hope you enjoy our look back through the month of January in this edition of the DBG Times and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcast family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

This edition of the DBG Times covers a wide range of rock and metal history, along with notable Rockstar Deathdays honoring Phil Lynott, Neil Peart, Steve Clark, Eddie Clarke, Sylvain Sylvain, and John Sykes. Looking back 10 years to 2016, the show revisits releases from Black Sabbath and Megadeth, including Sabbath's final studio-era material and Megadeth's well-received return to a heavier, more classic sound. From 2001, we highlight Turn 21 by The Donnas, an album that helped solidify their identity and garner more recognition. Going back 30 years to 1996, the discussion includes albums from Accept and Mr. Big, reflecting a challenging era as traditional hard rock and metal faced shifting trends. At 35 years (1991), we touch on notable releases by David Lee Roth, Drivin' N Cryin', and Motörhead, showcasing the variety of sounds coming out of the early '90s. Looking at 1986, we revisit Seventh Star by Black Sabbath and the long-delayed debut of White Lion, two releases with very different paths and outcomes. From 1981, the episode covers peak-era albums by 38 Special, April Wine, and Styx, all enjoying major commercial success during this period. Jumping back 50 years to 1976, we discuss releases from Bad Company and Grand Funk Railroad, each facing internal and external challenges at different points in their careers. Wrapping up the historical portion at 55 years (1971), we explore early albums from ZZ Top, Mountain, Lucifer's Friend, and Dust, capturing the formative years of heavy rock and metal. The episode also includes a rundown of new rock and metal releases, featuring recent albums from Alter Bridge, Bullet, Kreator, Gluecifer, Helix, and a final studio release tied to the farewell era of Megadeth. We hope you enjoy our look back through the month of January in this edition of the DBG Times and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcast family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

SBPC Metal Reviews #4:1) Enrage - "The Greys"2) Electrocutioner - "Harbinger"3) Struck A Nerve ( self-titled )4) Last Retch - "Abject Cruelty"5) Kreator - "Krushers Of The World" ( includes band mini-biography )Thanks for listening and sharing our love of heavy music!(c)2026 Scatterbrain Productions.

This week Terry ran off into the woods to go live with the Kreator, so Paul is joined by Mary as they dig into another episode of Are You Afraid of the Dark?, S2, Ep. 13, The Tale of Old Man Corcoran. Kenny and Jack recently moved to a new part of town and have not made any new friends. When a group of locals invite them out for a game of hide-in-seek, they decide to play, not knowing exactly where it will take place... 

Hoy escuchamos: Guadaña- Regeneración, Megadeth- Puppet parade, Hammerfall- The end justifies, Lost Society- Blood diamond, Delalma- La ira del mirlo, Xtasy- Too late, Shatterheart- Nightchild, Michael Sweet- The master plan, Vacío- Inocuo, Kreator- Krushers of the world, Death and Legacy- Infernal tragedy,Bloodstain- Lies bleeding through.Escuchar audio

Wir feiern 100 Folgen Schauplatz zusammen mit unserem liebsten Stammgast Jan Müller vom Reflektor-Podcast und Tocotronic, der über seine erste Kinoerinnerung spricht, mit Metal-Ikone Mille Petrozza von Kreator und seinem perfekten Kinobesuch, mit der fantastischen Schauspielerin Marie Zielcke und ihrem Lieblingsfilm und den Radio-, TV- und Podcast-Koryphäen Kathrin & Tommy Wosch im Absurde Anekdoten-Talk! Lob, Feedback, Kritik: www.instagram.com/schauplatzpodcast Wir freuen uns natürlich auch über gute Bewertungen und euer Follow, wenn es euch gefällt!

Listen again to Ro and his selection of new Tunes from Kreator, Megadeth, Earthside and more Kreator – Satanic Anarchy Fueled By Fear – Godmade Megadeth – Kill The King Reaping Asmodeia – Nothing Remains Scherbentanz – Lucia Deathraiser – Primative Medicine Earthside – Earthsink (feat Daedric) Skogskult – Jag Ger Mig Av All Ireland Metal Project – Resilience Austin Mulka – About A Girl (Acoustic Cover) Boozewa – Garbage Day Lord Elephant – Gigantia Satanic Gigantia with DarkCompass was broadcast on Hard Rock Hell Radio 2nd January 2026

Miland "Mille" Petrozza är gitarrist och sångare i det stilbildande tyska thrash metal-bandet Kreator. Han växte upp i Essen med en mor som flytt från Östtyskland och en far som kommit från det fattiga Syditalien för att bli gruvarbetare. Den första musik som Mille älskade var disco som Baccara och Bee-Gees. Han blev förtjust även i Kiss discoflörter men när han såg dem live 1980 fick han smak för tyngre musik tack vare förbandet Iron Maiden. Två år senare startade den 14-årige Mille gruppen Metal Militia som bytte namn till Tyrant för att sedan bli Tormentor och slutligen Kreator. Mille gick fortfarande i gymnasiet när de fick skivkontrakt och åkte på sin första USA-turné. Hemma hos mig pratar han bland annat om sin kärlek till Dario Argentos skräckfilmer, om när han fick besök av Mayhem långt innan de blivit satanister, om när det senare bandets ledare Euronymous fick honom att upptäcka Kate Bush, om Kreators legendariska spelningar i Fagersta (som bland annat inspirerade en ung Howlin' Pelle), om att ta hand om sin kropp för att orka headbanga, om nya albumet "Krushers of the world" och om varför det inte funkar att vara rasist och metalfan. Hosted on Acast. See acast.com/privacy for more information.

Happy holidays horror heads! Today we chat with the singer, guitarist and founder of thrash legends Kreator. We discuss the band, horror and Suspiria. Let's do Kristmas with the 'Krushers of the World'.KREATOR NUCLEAR BLAST

Back in 1993, Andy Brings was a member of German thrash trio, Sodom and they embarked on the Christmas Metal Meetings tour across Germany with Mötorhead, also joined by Kreator and Entombed. Tune in to hear his stories from the road of that memorable tour. Presented by Howard H Smith.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

La soirée s'ouvre entre classiques et nouveautés avec Deep Purple, Dolly Parton, The Who et les inédits très commentés de Guns N' Roses issus des sessions de "Chinese Democracy", dont "Atlas", avant leur tournée événement à l'Accor Arena avec RTL2. L'anniversaire de Geoff Barrow de Portishead est célébré avec Beak, son autre groupe, tandis que Jimi Hendrix, Garbage et Black Strobe jalonnent cette première partie d'émission. L'album de la semaine est consacré à Melody's Echo Chamber avec "Unclouded" et le titre "The House That Doesn't Exist". La nouveauté de Bandit Bandit, "Pas le temps", est suivie de la reprise du soir : "Am I Going Insane" de Black Sabbath, revisité avec élégance par Midlake. La fin d'émission mélange Placebo, Kreator, Geese, Cold War Kids et la découverte Fresh Fresh Fresh : Silhouette, trio metal shoegaze de Los Angeles. Presidents of the USA et Dolly Parton concluent cette soirée dense, marquée par un bel équilibre entre légendes du rock, nouveautés et hommages sur RTL2 Pop-Rock Station. Guns N' Roses - Atlas Jimi Hendrix - Foxy Lady Beak - Sex Music Nine Inch Nails - As Alive As You Need Me To Be Garbage - Stupid Girl George Thorogood & The Destroyers - Bad To The Bone Black Strobe - I'm A Man Melody's Echo Chamber - The House That Doesn't Exist Status Quo - Whatever You Want Deftones - My Own Summer Deep Purple - Smoke On The Water Bandit Bandit - Pas Le Temps Midlake - Am I Going Insane Lana Del Rey - Summertime Sadness Kreator - Seven Serpents Placebo - Pure Morning Aerosmith - Dude (Looks Like A Lady) Geese - Cobra The Kinks - All Day And All Of The Night Cold War Kids - Hang Me Up To Dry Silhouette - Chaos Fades The Who - Who Are You Presidents Of The USA - Lump Dolly Parton - Coat Of Many Colors The Temptations - Papa Was A Rolling StoneHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Patreon Goodness In this episode I am joined by the legendary main man of Canadian thrash pioneers Sacrifice, Rob Urbinati. They released their latest album "Volume Six" earlier this year which I was tipped off about by Todd from Propagandhi (thanks Todd!) and its an absolute old school banger. Having both been around since the 80's we had a lot of common ground to cover and cover it we did, this is a long one and I hope you enjoy it as much as I did. As always there is in depth coverage of the latest metal news afterwards, some of it interesting and some of it AI rubbish. This Is 50th Anniversary Box Set Bollocks. Kreator

Dr Boyce speaks with Micah The Kreator, one of the leading AI experts in America.

This week, we celebrate and interview Black Content Creator, dancer, and fellow Hampton Alum, Kerobits! Kerobits talks with us about her career as an educator, coach a dance squad, her love for anime & cosplay, and more!! Be sure to tune in to hear her story!!For our Spotify and Apple Listeners, be sure you give this podcast a 5 Star rating!!Like the video, subscribe, and hit that notification bell on YouTube!!Subscribe to our Patreon account and contribute on any of the 4 levels for bonus content and to hear and see episodes early before they release! patreon.com/khaotickulturepodLike and subscribe to our YouTube Channel! youtube.com/@khaotickulturepodcast.Follow us on Bluesky!! @khaotickulture.bsky.socialLike and Follow us on Facebook- https://www.facebook.com/profile.php?id=100063477101518Follow us on Twitter/X- https://twitter.com/KhaoticKulture1Follow us on Instagram and Threads- https://www.instagram.com/khaotickulturepod/Follow us on TikTok @khaotickulturepod Follow our personal pages: Ked: @k3dthepro (all socials) Nasa: @imnacasso (all socials), Law: @l.jr_96 (IG) and @Law96_ (X/Twitter) Sape: @scraps14 (all socials) Jay: @JayLeeTrey (all socials) Steve @scubasteve1428 (all socials)

At long last Shannon gets to talk about the book she's been planning on since the last Halloween episode — The Picture of Dorian Gray by Oscar Wilde. We first discuss the Aesthetic Movement of the 19th century and a tiny bit of the life of Oscar Wilde before we jump into the book itself. Then Bryce gifts you with an abbreviated history of metal music. Get a notepad ready to take notes because he gives you a LOT of information! Happy Halloween! Show Notes: The Picture of Dorian Gray by Oscar Wilde: Oscar Wilde Official Website: http://www.cmgww.com/historic/wilde/ Oscar Wilde: https://en.wikipedia.org/wiki/Oscar_Wilde Aestheticism: https://en.wikipedia.org/wiki/Aestheticism Decadent Movement: https://en.wikipedia.org/wiki/Decadent_movement The Aesthetic Movement by Fiona McCarthy: https://www.theguardian.com/artanddesign/2011/mar/26/aestheticism-exhibition-victoria-albert-museum Aesthetic Movement in England by Walter Hamilton: https://archive.org/details/aestheticmovemen00hamiuoft Oscar WIlde's Cello Coat: https://oscarwilde.blog/2018/01/04/oscar-wildes-cello-coat/ The Picture of Dorian Gray: https://en.wikipedia.org/wiki/The_Picture_of_Dorian_Gray# Metal music: VH1 Documentary https://www.youtube.com/watch?v=AR78XBi_nAE&t=13s https://en.wikipedia.org/wiki/Rock_and_roll https://en.wikipedia.org/wiki/The_Beatles https://en.wikipedia.org/wiki/Birmingham#History https://en.wikipedia.org/wiki/Black_Sabbath#History https://en.wikipedia.org/wiki/Led_Zeppelin This is Spinal Tap amps go to 11 https://www.youtube.com/watch?v=uMSV4OteqBE https://en.wikipedia.org/wiki/Psychedelic_rock https://en.wikipedia.org/wiki/Satanic_panic https://en.wikipedia.org/wiki/Parents_Music_Resource_Center https://en.wikipedia.org/wiki/Heavy_metal_genres https://en.wikipedia.org/wiki/Dimebag_Darrell https://www.rollingstone.com/feature/behind-the-murder-of-dimebag-darrell-233541/ Songs list: Little Richard, Tutti Frutti - Here's Little Richard 1957 James Brown, Shout and Shimmy - Good, Good Twistin' With James Brown 1962 Chuck Berry, School Day - After School Session 1957 The Beatles, Love Me Do - Please Please Me 1963 Black Sabbath, Wasp/Behind the Wall of Sleep/Bassically/N.I.B. - Black Sabbath 1970 Led Zeppelin, Good TImes Bad TImes - Led Zeppelin I 1969 Led Zeppelin, Dazed and Confused - Led Zeppelin I 1969 Tenacious D, Karate - Tenacious D 2001 Worm Shepherd, The Anguished Throne - Hunger 2024 Humble Pie, As Safe As Yesterday Is - As Safe As Yesterday Is 1969 Deep Purple, Smoke on the Water - Machine Head 1972 Back Sabbath, Black Sabbath - Black Sabbath 1970 Black Sabbath, War Pigs - Paranoid 1970 Steppenwolf, Born to be Wild - self titled 1968 Alice Cooper, Poison - Trash 1989 KISS, Sure Know Something - Dynasty 1979 AC/DC, TNT - High Voltage 1976 Judas Priest, Realms of Death - Stained Class 1978 Motorhead, Ace of Spades - Ace of Spades 1980 13th Floor Elevators, You're Gonna Miss Me - 7th Heaven Music of the Spheres 1966 Chelsea Grin, Cursed - My Damnation 2011 The Damned, New Rose - Damned Damned Damned 1977 Judas Priest, Breaking the Law - British Steel 1980 Candlemass, Solitude - Epicus Doomicus Metallicus 1986 Venom, Black Metal - In League With Satan 1981 Van Halen, You Really Got Me - Van Halen 1978 Black Sabbath, Neon Knights - Heaven and Hell 1980 Black Sabbath, Sabbath Bloody Sabbath - Sabbath Bloody Sabbath 1973 Def Leppard, Photograph - Pyromania 1983 Quiet Riot, Cum on Feel the Noize - Metal Health 1983 Mercyful Fate, Evil - Melissa 1983 Frank Zappa, We're Turning Again - Frank Zappa Meets the Mothers of Prevention 1985 Cannibal Corpse, Hammer Smashed Face - Tomb of the Mutilated 1992 Kreator, People of the Lie - Coma of Souls 1990 Napalm Death, Suffer the Children - Harmony Corruption 1990 Helloween, I Want Out - Keeper of the Seven Keys, Pt. 2 1988 TOOL, Sober - Undertow 1993 Linkin Park, One Step Closer - Hybrid Theory 2000 Pantera, Walk - Vulgar Display of Power 1992 Finntroll, Jaktens Tid - Jaktens Tid 2001 Slaughter to Prevail, Demolisher - Kostolom 2019 Other appearances: Chris Shelton interviewed us in the beginning of a series on Mormonism on his Speaking of Cults series. He has had MANY different fascinating people on so go take a look! Here is the whole playlist: https://www.youtube.com/watch?v=OpGuS7GcsgA&list=PLGrPM1Pg2h72ADIuv8eYmzrJ-ppLOlw_g Email: glassboxpodcast@gmail.com Patreon: https://www.patreon.com/GlassBoxPod Patreon page for documentary: https://www.patreon.com/SeerStonedProductions BlueSky: @glassboxpodcast.bsky.social Other BlueSky: @bryceblankenagel.bsky.social and @shannongrover.bsky.social Instagram: https://www.instagram.com/glassboxpodcast/ Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on "Store" here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com Venmo: @Shannon-Grover-10

Last week I listened to 50 new bands, how did that go? find out.....can any of them stand up to the old classics? What does it take to carve your space in the scene now as a new band and what seems to be lacking? How the rise of Blood Incantation is an example of substance over style, and putting in the time and dedication to stagecraft can bring returns without resorting to masks and gimmicks and a brief consideration of Kreator and the ethics of using AI to make videos.....nemtheanga_primordialon the gramsupport the show over at :https://patreon.com/AlanAverillPrimordial on Spotifyhttps://open.spotify.com/artist/0BZr6WHaejNA63uhZZZZek?si=yFFV8ypSSDOESUX62_0TzQsponsored by Metal Blade recordshttps://metalblade.indiemerch.com/promo code AA 2024 for 10% off your orderships worldwideFor info on my work as a booking agent go to:https://www.facebook.com/DragonProductionsOfficialor email alan@dragon-productions.comPrimordial cds/lps available fromhttps://www.metalblade.com/primordial/death metalVERMINOUS SERPENThttps://open.spotify.com/artist/54Wpl9JD0Zn4rhpBvrN2Oa?si=zOjIulHXS5y9lW1YHMhgTAdoomDREAD SOVEREIGN https://open.spotify.com/artist/60HY4pl0nbOrZA6u2QnqDN?si=sxQ5_1htR6G3WIvy1I_wXAgothAPRILMENhttps://open.spotify.com/artist/7GzLO1YJClmN5TvV4A37MJ?si=cRXSk24lQKWSqJG-B8KbWQSupport this show http://supporter.acast.com/agitators-anonymous-the-alan-averill-podcast. Hosted on Acast. See acast.com/privacy for more information.

This week, Harri Kuokkanen from Finnish death doom ensemble, Hooded Menace, joins me to unpack their upcoming record, “Lachrymose Monuments of Obscuration”.  We explore the band's sonic evolution, their decision to no longer play live and our shared obsession with all things Danzig and Samhain.   On the Weekly News Rant, the latest singles by Enthroned, Agnostic Front, Corrosion of Conformity, Bliss of Flesh, Kreator and Soulfly are rounded up for judgment.  I also answer your questions, including my take on W.A.S.P's “The Headless Children”, what veteran bands I consider to still be at the top of their game and much more.   PLUS: London legends, Corpsing, just dropped a live EP and you get a taste of what to expect on this week's edition of Unsanctioned Filth.     Please support the bands featured on this episode: Hooded Menace: https://hoodedmenace.bandcamp.com      Hail Conjurer: https://hailconjurer.bandcamp.com/      Corpsing:  https://corpsingmetal.bandcamp.com/     Subscribe for weekly black and death metal interviews, news rants, and track reviews! Follow me on X, Instagram and Facebook, and check out the other podcasts by the Horsemen Of the Podcasting Apocalypse:  Horrorwolf 666, Iblis Manifestations, Everything Went Black, Necromaniacs and The Sol Nox Podcast.

Además nuevos lanzamientos de Kreator,Kasabian,Tame Impala,President,Till Lidermant y Barbarosa.

In this episode of Working Class Audio, Matt welcomes engineer and producer Moses Schneider. The Berliner is responsible for some of the most successful records of recent years. The Beatsteaks achieved their breakthrough in the German charts under his direction. His other productions include Tocotronic, Fehlfarben, Dendemann, Kreator and others. In 2008, Schneider was nominated for the German music award Echo for his work on "Kapitulation" by Tocotronic and "Limbo Messiah" by the Beatsteaks. In 2018 and 2022 he was nominated for the German music Award "Preis für Popkultur" as "favorite Producer". In This Episode, We Discuss:Hansa StudiosThe PixiesGil NortonGordon RaphaelNew YorkBerlinDisco PowderGentrificationObscuring AudioLinks and Show Notes:Moses on InstagramMoses websiteMatt's Rant: Walking.....yes walkingCredits:Guest: Moses SchneiderHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes engineer and producer Moses Schneider. The Berliner is responsible for some of the most successful records of recent years. The Beatsteaks achieved their breakthrough in the German charts under his direction. His other productions include Tocotronic, Fehlfarben, Dendemann, Kreator and others. In 2008, Schneider was nominated for the German music award Echo for his work on "Kapitulation" by Tocotronic and "Limbo Messiah" by the Beatsteaks. In 2018 and 2022 he was nominated for the German music Award "Preis für Popkultur" as "favorite Producer".  In This Episode, We Discuss: Hansa Studios The Pixies Gil Norton Gordon Raphael New York Berlin Disco Powder Gentrification Obscuring Audio Links and Show Notes: Moses on Instagram Moses website Matt's Rant: Walking.....yes walking Credits: Guest: Moses Schneider Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith