Podcast appearances and mentions of mk asante

Award-winning filmmaker, recording artist, professor, and bestselling author MK Asante joins Zibby to discuss NEPHEW, an explosive, intimate, and innovative memoir written as a love letter to a nephew who was shot nine times and survived. MK highlights the intentional connections between this book and his first memoir, BUCK, and then delves into his inspirations: his nephew; his brother, who was killed; his grandfather, who fought in the Civil Rights Movement; and African American culture, particularly through the lens of hip-hop. He also reflects on his journey as a multidisciplinary artist, from collaborating with Dr. Maya Angelou to co-writing the Monday Night Football anthem with Snoop Dogg and Chris Stapleton.Purchase on Bookshop: https://bit.ly/4dfDQmXShare, rate, & review the podcast, and follow Zibby on Instagram @zibbyowens! Now there's more! Subscribe to Moms Don't Have Time to Read Books on Acast+ and get ad-free episodes. https://plus.acast.com/s/moms-dont-have-time-to-read-books. Hosted on Acast. See acast.com/privacy for more information.

Ever wondered how literature and art can become pathways to self-discovery and healing? Journey with us as we sit down with the profoundly multi-talented M.K. Asante, whose work as an artist, filmmaker, musician, activist, and professor at Morgan State University offers invaluable insights into African American literature. Discover how Asante's book "Nephew: A Memoir in 4-part Harmony” reveals the therapeutic power of storytelling, and learn about the pivotal role editors like Christopher Jackson play in amplifying these vital voices. Through Asante's personal experiences, we uncover the emotional release that accompanies completing a deeply meaningful project.Imagine receiving life-changing writing advice from the legendary Dr. Maya Angelou. In a heartfelt recounting, Asante shares his transformative encounter with Dr. Angelou at Wake Forest University. Her wisdom on truth-telling, embracing our shared humanity, and connecting with the spirits of our ancestors provided the strength and inspiration needed to finish his first memoir, "Buck." These lessons resonate universally, bridging the gap between personal and communal experiences, and highlighting the profound impact of emotional authenticity in literature.The episode also delves into the rich tapestry of African American culture through the lens of family, art, and resilience. From the metaphor of the quilt symbolizing resourcefulness and beauty to the complexities of family dynamics and the unspoken legacies that shape our lives, we explore the enduring legacy of black creativity. Through intimate narratives involving family members and the influential power of music and lyrics, we celebrate the strength, resourcefulness, and beauty embedded in African American culture and its lasting influence on literature and art.MakerSPACE is here to meet the needs of today's entrepreneurs, creatives, and work-from-home professionals. We do this through private offices, coworking spaces, and a host of other resources, including conference rooms, a photo studio, podcast studios; a creative workshop, and a retail showroom—that is perfect for any e-commerce brand. Mention code MAHOGANY for all current specials, as we have two locations to best serve you.Support the Show.Thanks for listening! Show support by reviewing our podcast and sharing it with a friend. You can also follow us on Instagram, @MahoganyBooks, for information about our next author event and attend live.

This episode focuses on the walking affirmation and initiative of "The Black Man Can" movement, that highlights and encourages black men that "We Can" do any and everything we put our minds to. My guest this episode, Brandon Frame, founder of "The Black Man Can" initiative hear to talk to me about how this walking affirmation got started for him. He spoke about the origin of the initiative, which goes back to 2010 when he started it as a blog for black men and boys to see positive images of themselves in any and every space possible. He was inspired by MK Asante, a best-selling author, award-winning filmmaker and recording artist, who said "Once you make an observation, you have an obligation". His personal observation was that not enough positive imagery was being put out about black men and boys which motivated him to launch this initiative. He also spoke about how this movement and his social media following has grown exponentially with so many black men supporting it by sending him clips of intricate, personal and congratulatory things that every day black men are doing. He even spoke about just the feedback and responses he's been receiving from people who follow him on how this walking affirmation has motivated and inspired them to become the best versions of themselves, how vulnerable black men can be and enjoying the human emotions. He's created a space even within his own personal circle that consists of a judge-free space on how black men can help each other grow in various ways and aspects of his life and he encourages other black men to do just the same; to build community amongst groups of black men because we know that we all need help and are lacking in areas that other black men can help us gain. My favorite question that I asked him was"The Black Man Can what?'', and his response spoke volumes to me personally when he said, "There's nothing we can't do, and what we can continue to do is pursue excellence with impeccable effort". He mentioned some of the things that's on the horizon with this initiative. He's planning to host a power couple brunch which is dedicated to honoring black men with their wives and significant others, to create healthy and whole families. His team also has a "Build a Better Brother Summit", "My 1st Tie Experience", "The Black Man Can Awards" as well which to promote and expose the uplifting experience of what black men are really about vs what society perpetuate us as. You can check out this movement on their site @www.theblackmancan.org and follow him on Instagram on @theblackmancan. Stay encourage black man.

Defining the concept of Afrocentricity The concept of Afrocentricity has been defined differently by various scholars. MK Asante defined Afrocentricity as a manner of thought and action in which the centrality of African interests, values, and perspectives predominate. He further stated that Afrocentricity is an exercise in knowledge and a new historical perspective. Another definition views Afrocentricity as an intellectual movement, a political view, and/or a historical evolution 2 MK Asante, Afrocentricity: The theory of social change (Chicago, Peoples Publishing Group, 2001), p. 3; JC Chukwuokolo, Afrocentrism or Eurocentrism: The dilemma of African development, New Journal of African Studies, 2009, p. 32. Asante is constantly acknowledged as the originator of the concept “Afrocentricity” and the one who introduced it as an academic concept. Other pioneers of the Afrocentric ideas include William Dubois, GGM James, Anta Diop, and Martin Bernal that stresses the culture and achievements of Africans. The other definition believes that Afrocentricity is a transformation of attitudes, beliefs, values, and behaviour results, suggesting that it is the first and only reality for African people – a simple rediscovery. Another definition stresses the centrality of Africans and defines Afrocentricity as meaning “African centeredness”, according to which Africans should be given their intellectual pride as the originators of civilization. What is common with these definitions is that they all call for a change in the way that the world has been viewed, a change that should encompass all attributes of human existence, with emphasis on the centrality of African experiences. As an academic exercise, Afrocentricity is defined in terms of the methodology, theory, and ideology that should be employed to achieve its objectives towards attaining the proposed change. Methodologically, Afrocentricity is intended as an answer to the intellectual colonialism that undergirds and serves to validate political and economic colonialism. In regards to theory, it places African people at the centre of any analysis of African phenomena in terms of action and behaviour. It is described as a devotion to the idea that what is in the best interest of African consciousness is at the heart of ethical behaviour and seeks to cherish the idea that “Africanness” itself is an ensemble of ethics.6 As an ideology it represents the continued longing among Africans for some set of ideas that would bind them together as a community and offer some alternative to an assimilation that is either excluded by Europeans or seen by Africans as an admission of inferiority and defeat. As an academic phenomenon, therefore, Afrocentricity serves the purpose of binding together the various elements of African and African-American studies, transforming them from an interdisciplinary assortment into a unified discipline, with ideological and intellectual goals, political purpose, and a set of commonly understood methods and theories. G Early, WJ Moses, L Wilson & MR Lefkowitz, “Symposium: Historical roots of Afrocentrism”, Academic Questions, 7(2), 1994, pp. 44-54. WE Reed, EJ Lawson & T Gibbs, “Afrocentrism in the 21st century”, The Western Journal of Black Studies, 21(3), 1997, pp. 73-79. JC Chukwuokolo, “Afrocentrism or Eurocentrism...”, New Journal of African Studies, 2009, p. 32. KW Stikkers, “An outline of methodological Afrocentrism, with particular application to the thought of W.E.B. DuBois”, Journal of Speculative Philosophy, (22)1, 2008, pp. 40-49. G Early, WJ Moses, L Wilson & MR Lefkowitz, “Symposium: Historical roots of Afrocentrism”, Academic Questions, 7(2), 1994, pp. 44-54. Thank you for tuning in and your support. For more subscribe to our channel and check out our website at www.moorsearch.org. IG: @muurz.z

US rapper Snoop Dogg has acquired Death Row Records, the label that launched his career. We find out more from MK Asante of Morgan State University, who wrote the book It's Bigger Than Hip Hop. Also in the programme, the Swiss banking giant Credit Suisse has reported a loss of $2.2bn for the final quarter of last year. Owen Walker is European banking correspondent at the Financial Times, and explains the background to the company's woes. The International Court of Justice in the Hague has ordered Uganda to pay the Democratic Republic of the Congo more than $300m in compensation for invading and occupying the mineral-rich Ituri province between 1998 and 2003. But as the BBC's Robert Misigaro explains, it's not clear whether the compensation will be forthcoming. Plus, the BBC's Ivana Davidovic reports on why the use of robots has risen by 40% in North American workplaces since the start of the coronavirus pandemic. Today's edition is presented by Rahul Tandon, and produced by Sarah Hawkins, George Thomas and Gabriele Shaw.

MK Asante is a filmmaker, scholar, professor, and author of his memoir Buck. He's also the host of two Snap Originals docuseries “Free Tuition with MK Asante” and “While Black with MK Asante.”We talk about how current schooling models limit black students' self expression, to how students thrive when given autonomy and true intellectual freedom, to how recordings of racist incidents have sparked honest discussions about race in the U.S., but ultimately cannot be the solution to racism. As well as the work he is doing with his Snap Originals shows. Hosted on Acast. See acast.com/privacy for more information.

MK Asante is the author of the critically acclaimed 2014 memoir 'Buck,' which traces his rise from North Philly hustler to distinguished professor. Six years on, he remains on the cutting edge of how people are telling the story of the Black experience in America. In his latest endeavor as the host and executive producer of two Snapchat original series: While Black and Free Tuition, Asante harnesses social media to create a forum for Black youth to discuss the issues of their day including, police brutality, politics, and education.

Media reports would have us believe that all colleges and universities will eventually eliminate all testing requirements from admissions decisions for the betterment of humanity. The test optional reality, however, only advantages certain schools and applicants. Amy and Mike invited college counselor Stacey Cunitz to clarify who benefits most from test optional policies  What are five things you will learn in this episode? What does test optional really mean? How do colleges benefit from announcing test optional admissions? In what ways do test optional policies impact equity and access What development goals tie into test optional admissions? How are many of these policy changes tied to changes in the NACAC Code of Ethics? MEET OUR GUEST Stacey Cunitz, founder and director of Blue Moon Educational Consulting, earned her BA in Literature and Creative Writing from Barnard College, Columbia University. She went on to earn an MA in Secondary English Education at New York University and a Certificate in College Counseling from UCLA. In 2018, she became a Certified Educational Planner. After earning her degrees, Stacey taught English at Croton-Harmon High School in NY and at The Crefeld School where she taught MK Asante, author of Buck. Stacey has been the Director of College Counseling at The Crefeld School since 2005. She is an active member of Independent Educational Consultants Association (IECA), Higher Education Consultants Association (HECA), the National Association of College Admissions Counselors (NACAC), and the Pennsylvania Association of College Admissions Counselors (PACAC), where she has served on various committees over the last ten years. Stacey serves as PACAC’s Chair of the Admissions Practices Committee (2017-2020) which is charged with educating colleges, counselors, and students regarding the nature of ethical standards embraced by NACAC and PACAC. In September 2019, she joined NACAC’s Admissions Practices Committee, as well. Stacey has also volunteered as an application reader for Point Foundation’s scholarships which empowers promising lesbian, gay, bisexual, transgender, and queer students to achieve their full academic and leadership potential. Stacey is happily married to Dan, a middle school science teacher, and they are the parents of two teenage daughters. Stacey enjoys knitting, reading, their black standard poodle, and their backyard chickens. She also enjoys visiting colleges and getting to know the unique offerings at each. To date she has visited over 200 colleges and universities, and is always adding more to the list. Find Stacey at https://bluemooned.com/. LINKS Who Benefits from Test Optional Policies? SCOIR (includes a filter to search for TO colleges) RELATED EPISODES 2020 CHANGES IN ADMISSIONS RULES THE REALITY OF GRADE INFLATION YOU CAN’T HANDLE THE TRUTH: SECRETS OF COLLEGE ADMISSIONS ABOUT THIS PODCAST Tests and the Rest is THE college admissions industry podcast. Explore all of our episodes on the show page.

Hello history lovers and welcome to rememberinghistory.com where we are remembering history and we’re making it.   Hi, I’m Robin the host and in-house historian at rememberinghistory.com.   We hope that you enjoyed the November podcasts that discussed African Americans in the military, focusing mostly on Black veterans. We heard some great stories, some sad stories and some inspirational stories. And remember the quote by WEB Dubois: We return. We return from fighting. We return fighting. I’m still moved whenever I read that quote. African Americans had it hard after they returned home from various wars. They weren’t welcomed as the heroes they were, who had fought for freedom and democracy around the world. But WE can recognize their courage and service and we should do so throughout the year. These stories and podcast shows are just one way but it’s important that they are remembered for their service. I know that some of the stories were a bit heavy, but I hope that the lessons were learned and that the inspiration was felt.   I’m so glad that you’ve returned for this great and groundbreaking show that will inspire YOU and your FAMILY with true stories, real experiences, practical lessons, cultural traditions, and fun celebrations—all inspired by African American history and culture. I find history to BE inspirational, instructional and entertaining. And African American history and culture fit the bill in all of these ways. Personally, I hate boring stuff. So boring stuff is not allowed at rememberinghistory.com or at this Wiki history podcast show.   Speaking of the show, the Wiki history podcast show for December will focus on a very special theme: The celebration of Kwanzaa! Yes, this is the month that many Black people—African Americans, Afro-Caribbeans and continental Africans—celebrate Kwanzaa. And that’s what we are going to do this month.   The format of the show will also be a bit different too. Today’s show will introduce the celebration of Kwanzaa, what it’s about, who started it, when was it founded, WHY it was started, then I’ll briefly introduce the 7 days of Kwanzaa.   Each of the next 7 shows will be dedicated to celebrating one of the 7 Kwanzaa days. These shows are for the whole family—all of the rememberinghistory.com shows are good for the whole family—but these Kwanzaa shows can be enjoyed during the Kwanzaa season. There will be great information but, more interestingly, there will be a Kwanzaa story that explains the daily Kwanzaa theme. It will be great for families to discuss the Kwanzaa theme, what it means and how individuals and families can incorporate this theme into their lives.   So, you see, this is very different from our usual Wiki history podcast format. It’s more interactive and celebratory. By the way, I would love to know your thoughts about these podcasts after you have listened to them. It can help us to improve these podcasts to make them more meaningful and impactful (I love that word!) for you.   Before we begin, just a bit of housekeeping.   During this podcast, you will hear about the rituals, the objects and different words in Swahili related to Kwanzaa. You will HEAR about them, but I completely understand if you want to actually SEE them, too. You can find visuals and words on the Wiki History Podcast Page on Facebook. You will find pictures, animated videos and a community of history lovers. There is also a place for comments, which I hope that you will leave for us because we really appreciate them and we do respond. Also, if you enjoy this show, please let others know about it. They might like it and find it inspirational too. Let’s change the way that we think of history—one friend at a time.   And the Rememberinghistory.com staff is committed to presenting the stories and contributions of African Americans but we also want to encourage you to make history today. We hope that this show does that but also we have the Making History Today! newsletter that teaches people how to change the world! It’s actually easier than you might think but it’s a great newsletter that you can subscribe to at the Rememberinghistory.com website and Facebook page. Don’t be shy; go right ahead and subscribe and get started changing the world and making history!   Let’s begin talking about Kwanzaa! Tis the season!   Habari gani!   Habari gani!   That’s a traditional greeting in the Swahili language. And it is always the way of starting the Kwanzaa celebration for the day.   We’re gonna begin the discussion in a slightly different way. Before we talk about what Kwanzaa is, let’s talk about what Kwanzaa is not.   Kwanzaa is NOT political. Kwanzaa is NOT religious. And Kwanzaa is NOT related to Christmas.   Kwanzaa IS a wonderful week-long celebration of African culture and spirituality. (It is NOT associated with any religion.) It was designed to help African Americans remember the history, richness and rituals of African culture, particularly the African mindset of showing gratitude for the harvest, honoring the ancestors and remembering the family unit. Kwanzaa celebrates all of this.   Kwanzaa was founded in 1966 by Dr. Ron Karenga who was an active part of the Black nationalist movements of the 1960s and 1970s. He designed it as one of the first specifically African American holidays. During the 1960s and 70s, there was a movement by African Americans to reconnect with African culture and history—things that were systematically stripped away from us during slavery and then diminished and disregarded for years. So, Kwanzaa is a cultural celebration. No, it is NOT political. It is NOT religious. It is NOT related to Christmas. It is cultural and educational.   Today, Kwanzaa is celebrated by about 30 million people worldwide—in the United States, in Canada, the Caribbean and several European countries.   Kwanzaa (which means “first fruits”) begins on December 26th and ends on January 1st (New Years Day).   It’s important to remember that Kwanzaa is a celebration of African heritage. So, start with decorating your home, making your home beautiful with pictures, posters, art, statues or anything else that uplifts your spirit and beautifies your home. Place African crafts, baskets, cloth patterns, sculptures, banners and pictures throughout your home. Focus on the Kwanzaa colors of black (which represents the African people), red (which represents the blood or struggle of the African people) and green (which represents the land and future of the African people). Most important thing: create a space in a prominent area for the Kwanzaa table or altar. You will use that every day throughout Kwanzaa.   What will you need   You need 3 things:   Kwanzaa mat (mkeka). You can use the Kwanzaa flag, Pan-African flag or a tablecloth with 1 or all of the Kwanzaa colors. A candleholder (kinara) with 7 candles mishumaa saba. 1 black candle, 3 red candles and 3 green candles. Unity cup kikombe cha umoja—any simple or elaborate cup or goblet.   That’s it. Yes, of course, there is a lot more that you can add but these are the basics. And you will use these items on every day of the Kwanzaa celebration.   So, let’s get to it:   Each of the 7 days of Kwanzaa has a theme on which you will focus during the ceremony. Let’s go through the theme first then we’ll go through the activities. By the way, I’m gonna give you the daily theme in Swahili first then in English. It really doesn’t matter which language you use. Personally, I like using new languages but just use whichever feels better to you.   Day 1. Umoja!   Harbari gani! On the first day of Kwanzaa, we recognize Umoja or the concept of Unity.   Dr. Karenga (remember he founded Kwanzaa) thought of Umoja (Unity)—working for and maintaining harmony and togetherness in the family, the community, the nation and the world.   The first day of Kwanzaa is celebrated on December 26. It begins with lighting the Black candle at the center of the kinara. Lighting the Black candle marks the beginning of the festive Kwanzaa season. Someone will then make a statement, tell a story or even say a poem about the concept of Unity. This part is very flexible. You can sing a song, play an instrument, perform a dance or do anything that illustrates the concept of unity. Afterwards, the unity cup is filled. Then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the Black candle is blown out and the ceremony for the day is ended.   (Day 2): Kujichagulia!   Harbari gani! December 27 is the second day of Kwanzaa. On Day 2, we celebrate Kujichagulia or self-determination.   Dr. Karenga thought of self-determination as defining who we are, creating who we are, and acting and speaking for ourselves.   On this second day of Kwanzaa, first the black candle is lit then the red candle (farthest to the left) is lit. Then someone will make a statement or tell a story about the principle of self-determination in his or her own life. Again, this part is very flexible. You can be as creative as you like. Afterwards, the unity cup is filled then passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the Black and Red candles are blown out and the ceremony for the day is ended.   (Day 3): Habari gani! Ujima!   Remember that everyone will greet each other with habari gani.   December 28 marks the third day of Kwanzaa. On Day 3, we celebrate Ujima or collective work and responsibility.   Dr. Karenga thought of Ujima as building and maintaining our community together, sharing our joys and problems and solving our problems together.   Next we light the candles in the following order:   Black candle (in the middle) is lit Red candle to the far left is lit Green candle to the far right is lit   Then someone present will then make a statement, tell a story or discuss about the principle of collective work and responsibility. Afterwards, the unity cup is filled. Then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the candles are extinguished and the ceremony for the day is ended.   (Day 4): Ujamaa!   Harbari gani! December 29 marks the fourth day of Kwanzaa. On day 4, we celebrate Ujamaa or cooperative economics.   Dr. Karenga thought of the concept of Ujamaa as building and maintaining our own businesses, and supporting the businesses of others and growing and profiting from them together.   On the fourth day of Kwanzaa, you will light another red candle. So the order is:   Black candle (in the middle) is lit first. Red candle to the far left is lit Green candle to the far right is lit Finally the red candle farthest to the left is lit.   Then someone will make a statement, tell a story or discuss about the principle of cooperative economics in their life or as it affects others. Afterwards, the unity cup is filled then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the candles are extinguished and the ceremony for the day is ended   (Day 5): Nia!   Harbari gani! December 30 marks the fifth day of Kwanzaa. On day 5, we celebrate the principle of Nia or purpose.   Dr. Karenga thought of nia as focusing on building our communities together, maintaining them, and restoring them to greatness.   On the fifth day of Kwanzaa, you will light another green candle. So the order is:   Black candle (in the middle) is lit first. Red candle to the far left is lit Green candle to the far right is lit Then the red candle farthest to the left is lit. Then another green candle farthest to the right is lit.   Then someone will make a statement, tell a story or discuss about the principle of purpose. Afterwards, the unity cup is filled with juice. Then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the candles are extinguished and the ceremony for the day is ended.   (Day 6): Kuumba!   Harbari gani! December 31st marks the 6th day of Kwanzaa and it is a very special day! On the 6th day, we celebrate the principle of Kuumba or creativity. As it is New Year’s Eve, the day is an especially festive day because it marks the last day of the calendar year.   Dr. Karenga thought of kuumba or creativity as working hard to make our communities more beautiful and functional for today and for future generations.   Then we light the candles:   First, the Black candle (in the middle) is lit. Red candle to the far left is lit Green candle to the far right is lit Then another red candle farthest to the left is lit. Then another green candle farthest to the right is lit. Then final red candle is lit.     On this special final day of the year, the home is specially decorated with traditional Kwanzaa colors of black, red and green. Special dishes are made for the family and guests. On December 31, families and communities hold a karamu which is a special feast, including readings, remembrances and a festive meal. The karamu feast may consist of traditional African dishes, as well as those featuring ingredients that Africans brought to the United States...sesame seeds, peanuts, sweet potatoes, collard greens and spicy sauces, for example. This celebration may be held at a home, church or community center.   Then the unity cup is passed around. All members who are present should remember their ancestors while the Unity cup is shared.   (Day 7): Habari gani! Imani!   The last and final day of Kwanzaa falls on January 1st, New Year’s Day.   The focus on the seventh day of Kwanzaa is on Imani or faith.   Dr. Karenga thought of Imani as believing in ourselves, our people, our parents and teachers and our leaders. Believing in the importance of our vision for a better community and for a better world.   Next the candles are lit:   Always begin with the Black candle in the center then alternate back and forth between the red and green candles until all are lit.   Then someone will make a statement, tell a story or discuss about the principle of creativity. Afterwards, the unity cup is filled with juice. Then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the candles are extinguished and the ceremony for the day is ended.   The last day of Kwanzaa...the first day of the New Year...has been a time of serious appraisal for African people. Also known as the "Day of Meditation" or "Day of Assessment," it is a period of self-reflection related to things done and things yet to be done. Following in this tradition, it is a time to ask yourself the following three questions: "Who am I?" - "Am I really who I say I am" - "Am I all I ought to be?" In addition, this is also a day when many Kwanzaa participants choose to pay particular homage to the ancestors...those of the national community as well as those of the family.   Everyone concludes the entire ceremony saying "Harambee!" (which is a reminder to “let’s pull together!”) seven times—one time for each day of the Kwanzaa ceremony.               So, lots of information just now. Just to recap.   Step 1: Everyone stands around the Kwanzaa table. Bid each other the traditional greeting of Habari gani. Answer by saying the theme of the day. Take this opportunity to practice your Swahili. Answer: Umoja (unity), Kujichagulia (self-determination), Ujima (collective work and responsibility), Ujamaa (cooperative economics), Nia (purpose), Kuumba (creativity) or Imani (faith)   Step 2: Light the candles for the day. Always start with the black candle in the middle then alternate between the red and green candles.   Step 3: Someone present will make a statement, tell a story, say a poem, sing a song or just discuss the daily theme in his or her life. Get creative here and just express yourself in any way that works best for you.   Step 4: Fill the Unity cup and pass it around the table. Everyone will take a sip from the cup.   Step 5: Put the candles out. You’re finished.   These steps are continued for the seven days of Kwanzaa. At the end of the 7th day, everyone shouts “Harambee!” seven times. Harambee means “let’s pull together!”   So, that is the celebration of Kwanzaa. You see that it can help individuals and families to remember and feel the connection with their African roots, culture and heritage. There is a lot more that you can do as part of this celebration. Do it YOUR way but don’t be shy about expanding yourself and reaching for new experiences.   And, as I promised in the beginning, you can get more information about Kwanzaa from Maya Angelou. She and award-winning filmmaker, MK Asante made a movie about Kwanzaa called The Black Candle. It is the first movie ever made about Kwanzaa and was filmed in the United States, Africa, Europe and the Caribbean. The film discusses Kwanzaa’s growth during the Black Power movement through the modern day experience as a global pan-African movement. This is an excellent film for all ages and can help to understand the context, meaning and importance of Kwanzaa to families and communities. The Black Candle has been described as more than a film about a holiday: it’s a celebration of a people! Highly recommended. You can get more information about The Black Candle on the Wiki History Podcast page on Facebook and you can rent the film on iTunes.   Speaking of excellent films about Kwanzaa, the rememberinghistory.com team has created an animated video about Kwanzaa—what it is, what it means and how to celebrate it. You can find it on the rememberinghistory.com website and the Wiki Podcast page. It’s short, educational and lots of fun. Your whole family will enjoy it.   So, that’s all for this introduction. I know that I mentioned a lot of words in Swahili. Again, you can find them at the Wiki History Podcast page on Facebook. You will also find pictures of the items like the kinari (the candleholder), the unity cup (kikumba cha umoja) and lots of other helpful items. Most importantly, you will find a lively group of African American history and culture enthusiasts who enjoy meeting new people and discussing these topics. Everyone is welcome!   Finally, I just want to remind you that 2017, the Wiki History podcast show is dedicated to the National Museum of African American History & Culture. Located in Washington, DC, the National Museum of African American History & Culture opened in 2016. This kind of museum was long overdue but it finally happened and it is a place that everyone should visit and explore. Museums are a great way to bring history to life and to keep it alive for future generations. Wiki History is honored to be a part of this important process. For every person that listens to this podcast show, rememberinghistory.com will donate $1 to the National Museum of African American History & Culture.   Are you ready to learn about Kwanzaa and hear some great Kwanzaa stories? Great! Go ahead and listen to Day 1 of Kwanzaa!             If you have any questions about Kwanzaa or want to share your stories of how you celebrate Kwanzaa or even why you choose NOT to celebrate Kwanzaa, please contact me at robin@rememberinghistory.com. I love hearing your thoughts and stories. Also, as promised, when you contact me and leave your email address, I will send you a special e-gift for Kwanzaa (yes, Kwanzaa also can involve gift-giving!)   On that high note, a very joyous Kwanzaa from everyone at rememberinghistory.com where we are remembering history and we’re making it! Every day. Ha  

“Take It Away” (drama) – When a broken man tears up a love note on a random car’s windshield, it sets off a connective series of circumstances that force moments of love, loss and reconciliation. Directed by Matt Johnson. Written by James Napoli. Original spoken word by MK Asante. Starring Licia Shearer, Gil Glasgow, Victoria Wright, MK Asante, Mark Daniel Cade, James Napoli, Theresa Arrison, Matt Johnson, Jeff Hohimer, Ashley Merritt. Music by Rob Izenberg. Sound by Dick Schroder. Special Introduction by Matt Johnson. www.getnewfrequency.com

Brandon Frame is a renaissance man with a social conscience and a global perspective. Brandon founded The Black Man Can, a non-profit dedicated to celebrating, education and inspiring boys and men of color.   "Once you make an observation, you have an obligation.” MK Asante   Boys and men of color need to see positive images of themselves and have their stories told.   Define yourself, redefine the world: The Guided Journal for Boys and Men of Color with empowering words, motivating experiences and insightful quotes.   Being a man means being responsible, operating your ego from a place of love not a place of pride and selfish decisions.   Being a black man or black boy is not monolithic — we walk and talk in different and varied spaces and narratives.   Black men have a responsibility to acknowledge their privileges as men and use it to elevate the voices of Black women and girls.   Men have a tendency to suffer in silence but there is an opportunity to create community to heal, foster restoration and build accountability.   Can you do a single or double windsor knot? The 1,000 Ties initiative shows Black men and boys how.   Brandon's fav books: "Start with Why" by Simon Sinek, a great read recommended by Brandon Frame   "Relentless by Tim Grover, a great read recommended by Brandon Frame   The Rise of the Post-Hip-Hop Generation, MK Asante, a great read recommended by Brandon Frame   Forty Million Dollar Slaves by William C. Rhoden, a great read recommended by Brandon Frame    

Quick and Easy Guide to Celebrating Kwanzaa!   Habari gani!   That’s a traditional greeting in Swahili.   Welcome to rememberinghistory.com where we are remembering history and we’re making it.   Today we are talking about Kwanzaa! Tis the season!   Kwanzaa is a wonderful week-long celebration of African culture and heritage. It was designed to help African Americans remember the history, richness and rituals of African culture, particularly the African mindset of showing gratitude for the harvest, honoring the ancestors and remembering the family unit. Kwanzaa celebrates all of this.   Kwanzaa was founded in 1966 by Dr. Ron Karenga who was an active part of the Black nationalist movements of the 1960s and 1970s. He designed it as one of the first specifically African American holidays. During the 1960s and 70s, there was a movement by African Americans to reconnect with African culture and history.—things that were stripped away during slavery and then diminished and disregarded for years. So, Kwanzaa is a cultural celebration. It is not political. It is not religious. It is not related to Christmas. It is strictly cultural. Today, Kwanzaa is celebrated by about 30 million people worldwide in Canada, several countries in Europe and the Caribbean as well as the United States.   Kwanzaa (which means “first fruits”) begins on December 26th and ends on January 1st (New Years Day).   So, let’s take a day-by-day look at celebrating the 7 days of Kwanzaa. And, at the end, I will give you information about where you can find more places to learn about Kwanzaa and more ways to celebrate it. Spoiler alert: we’re gonna get a bit of help from Maya Angelou!         It’s important to remember that Kwanzaa is a celebration of African heritage. So, start with decorating your home, making your home beautiful with pictures, posters, art, statues or anything else that uplifts your spirit and beautifies your home. Place African crafts, baskets, cloth patterns, sculptures, banners and pictures throughout your home. Focus on the Kwanzaa colors of black (which represents the African people), red (which represents the blood or struggle of the African people) and green (which represents the land and future of the African people). Most important thing: create a space in a prominent area for the Kwanzaa table or altar. You will use that every day throughout Kwanzaa.   What will you need?   Kwanzaa mat (mkeka)—the mat is symbolic of foundational history and culture around which everything else is built. The mkeka can be a straw mat, a red, green or black table cloth or Kwanzaa flag or the Pan-African flag that is laid flat on a table or altar. Just be sure that it is in a central place for everyone to stand around. Candle holder (kinara)—the kinara has 7 candles that represent the Kwanzaa principles. 1 black candle in the middle, 3 red candles on the left and 3 green candles on the right. The candles will be lit every day. Who lights the candles? Traditionally, this honor is given to the youngest member. But it can instead be given to the eldest member. You decide.   Unity cup (kikumba cha umoja)—this cup is symbolic of the foundational principle of unity which makes everything else possible. Fill it with juice and have it ready to pass around every day.   Let’s get started with the traditional way to begin each Kwanzaa day.           Day 1. Harbari gani! Umoja!   On the first day of Kwanzaa, we recognize Umoja or the concept of Unity.   Dr. Karenga (remember he founded Kwanzaa) thought of Umoja (Unity)—working for and maintaining harmony and togetherness in the family, the community, the nation and the world.     The first day of Kwanzaa is celebrated on December 26. It begins with lighting the Black candle at the center of the Kinara (or the candleholder by the youngest or eldest member present. Lighting the Black candle marks the beginning of the festive Kwanzaa season. Someone will then make a statement, tell a story or even say a poem about the concept of Unity. This part is very flexible. You can sing a song, play an instrument, perform a dance or do anything that illustrates the concept of unity. Afterwards, the unity cup is filled with juice. Then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the Black candle is blown out and the ceremony for the day is ended.   (Day 2): Habari gani! Kujichagulia!   December 27 is the second day of Kwanzaa. On Day 2, we celebrate Kujichagulia or self-determination.   Dr. Karenga thought of self-determination as defining who we are, creating who we are, and acting and speaking for ourselves.   On this second day of Kwanzaa, first the black candle is lit then the red candle (farthest to the left) is lit. Then someone will make a statement or tell a story about the principle of self-determination in his or her own life. Again, this part is very flexible. You can be as creative as you like. Afterwards, the unity cup is filled with juice. Then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the Black and Red candles are blown out and the ceremony for the day is ended.         (Day 3): Habari gani! Ujima!   December 28 marks the third day of Kwanzaa. On Day 3, we celebrate Ujima or collective work and responsibility.   Dr. Karenga thought of Ujima as building and maintaining our community together, sharing our joys and problems and solving our problems together.   Next we light the candles in the following order:   Black candle (in the middle) is lit Red candle to the far left is lit Green candle to the far right is lit   Then someone present will then make a statement, tell a story or discuss about the principle of collective work and responsibility. Afterwards, the unity cup is filled. Then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the candles are extinguished and the ceremony for the day is ended.           (Day 4): Hari gani! Ujamaa!   December 29 marks the fourth day of Kwanzaa. On day 4, we celebrate Ujamaa or cooperative economics.   Dr. Karenga thought of the concept of Ujamaa as building and maintaining our own businesses, and supporting the businesses of others and growing and profiting from them together.   On the fourth day of Kwanzaa, you will light another red candle. So the order is:   Black candle (in the middle) is lit first. Red candle to the far left is lit Green candle to the far right is lit Then another red candle is lit.   Then someone will make a statement, tell a story or discuss about the principle of cooperative economics in their life or as it affects others. Afterwards, the unity cup is filled then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the candles are extinguished and the ceremony for the day is ended           (Day 5): Habari gani! Nia!   December 30 marks the fifth day of Kwanzaa. On day 5, we celebrate the principle of Nia or purpose.   Dr. Karenga thought of nia as focusing on building our communities together, maintaining them, and restoring them to greatness.   On the fifth day of Kwanzaa, you will light another green candle. So the order is:   Black candle (in the middle) is lit first. Red candle to the far left is lit Green candle to the far right is lit Then another red candle is lit. Then another green candle is lit. Then someone will make a statement, tell a story or discuss about the principle of purpose. Afterwards, the unity cup is filled with juice. Then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the candles are extinguished and the ceremony for the day is ended.   (Day 6): Habari gani! Kuumba!   December 31st marks the 6th day of Kwanzaa and it is a very special day! On the 6th day, we celebrate the principle of Kuumba or creativity. As it is New Year’s Eve, the day is an especially festive day because it marks the end of the calendar year.   Dr. Karenga thought of kuumba as working hard to make our communities more beautiful and functional for today and for future generations.           It begins as usual with the lighting of the candles:   First, the Black candle (in the middle) is lit. Red candle to the far left is lit Green candle to the far right is lit Then another red candle is lit. Then another green candle is lit. Then final red candle is lit.     On this special final day of the year, the home is specially decorated with traditional Kwanzaa colors of black, red and green. Special dishes are made for the family and guests.   Plays are performed, family members read out passages and poems which are related to the seven principles of Kwanzaa. A story teller enjoys the center stage in the feast on this day. The focus of the day remains on Faith. But all seven of the principles are remembered and celebrated.   Then the unity cup is passed around. All members who are present should remember their ancestors while the Unity cup is shared.   (Day 7): Habari gani! Imani!   The last and final day of Kwanzaa falls on January 1st, New Year’s Day.   The focus on the seventh day of Kwanzaa is on Imani or faith.   Dr. Karenga thought of Imani as believing in ourselves, our people, our parents and teachers and our leaders. Believing in the importance of our vision for a better community and for a better world.           Next the candles are lit:   Always begin with the Black candle in the center then alternate back and forth between the red and green candles until all are lit.   Then someone will make a statement, tell a story or discuss about the principle of creativity. Afterwards, the unity cup is filled with juice. Then it is passed around the table. Everyone takes a sip from the unity cup. After the sharing of the cup, the candles are extinguished and the ceremony for the day is ended.   Everyone concludes the ceremony saying "Harambee!" (which is a reminder to “let’s pull together!”) seven times—one time for each day of the Kwanzaa ceremony.   So, that is the celebration of Kwanzaa. You see that it can help to remember and feel the connection with your African roots, culture and heritage. There’s lots more that you can do as part of this celebration. Do it YOUR way but don’t be shy about expanding yourself and reaching for new experiences.           Here are a few final notes:   The daily ceremony is very simple but please remember that this is a sacred time for the family and other members present. Turn off cell phones. Focus on the rituals, the words or songs. Get into the mood. Show respect for the ceremony. It does not need to be somber. It is a joyful time but it is also a sacred time. Put all of your thought, energy and focus into these moments with your family. And remember: you can celebrate Kwanzaa and remember your cultural heritage, history and ancestors every day of the year.   And, as I promised in the beginning, you can get more information about Kwanzaa from Maya Angelou. She and award-winning filmmaker, MK Asante made a movie about Kwanzaa called The Black Candle. It is the first movie ever made about Kwanzaa and was filmed in the United States, Africa, Europe and the Caribbean. The film discusses Kwanzaa’s growth during the Black Power movement through the modern day experience as a global pan-African movement. This is an excellent film for all ages and can help to understand the context, meaning and importance of Kwanzaa to families and communities.   By the way, if you have any questions about Kwanzaa or want to share your stories of how you celebrate Kwanzaa, please contact me at robin@rememberinghistory.com.   On that high note, A very joyous Kwanzaa from everyone at rememberinghistory.com where we are remembering history and we’re making it!    

This Ep, On Some Hip Hop Shit presented by Meltdown Comics brings you fire. Emcee, professor, author MK Asante & the mighty King Mez bless the mic. We talk the NC Hip Hop scene, Mez on the "Compton soundtrack", his journey to working with Dr. Dre, and his project "Long Live the King". MK and Mez both bless us with Bars!!! Among other random things we get into Tay-Tay/Yeezy, Mez talks his love of Anime, trips to Japan, collabos with Marvel, and MK's best -selling memoir BUCK. In this spontaneous pod B. Schultz is joined by @Madtwiinz, filling in for @Wedsfinest. It's the homies. Enjoy. Join us on the gram @onsomehiphopshit and rate, review, and share us on itunes !!! This is heat. y'a'll Yeah. We str8 #onsomehiphopshit produced by B. Schultz of Street Legends Ink and Adam Silverstein Presented by Meltdown Comics Engineered by Mason Booker and recorded at The Meltcast studios, 7522 Sunset blvd in Hollywood, CA Our theme is Produced by King SMO of the Animal Crackers Artwork by Self Uno. tweet to us @ our brand new handle @onsomehiphopshit. #bschultz #wedsfinest #Adam #Brandon #Kingmez #mkassante #onsomehiphopshit #hiphop #meltdown #meltdowncomics #episode09 #brandocalrissian

MK Asante was born in Zimbabwe to American parents: a mother who led the new nation’s dance company and a father who would soon become a revered pioneer in black studies. But things fell apart, and a decade later MK was in America, a teenager lost in a fog of drugs, sex, and violence on the streets of North Philadelphia. Now he was alone—his mother in a mental hospital, his father gone, his older brother locked up in a prison on the other side of the country—and forced to find his own way to survive physically, mentally, and spiritually, by any means necessary.
 
 MK Asante is an award-winning writer, filmmaker, hip-hop artist, and professor of creative writing and film at Morgan State University.

MK Asante stops through to discuss his book "Buck", civil unrest in Baltimore and much more. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Mark Anthony Neal is joined in studio with Cedric Harmon and Katina Parker to talk about work with Many Voices. Many Voices is a hub for the black church movement for gay and transgender justice. Later, Mark is joined by MK Asante to talk about his new memoir, Buck.

MK Asante was born in Zimbabwe to American parents. A little more than a decade later, he found himself alone in North Philadelphia -- his mother in a mental hospital, his father gone, his older brother in prison on the other side of the country -- forced to find his own way. Asante sought refuge in the poetry of hip-hop giants -- from Tupac to Jay-Z to Nas -- and later in the words of Kerouac, Whitman, Orwell, and even the diary of his own mother. Buck: A Memoir is the unforgettable story of Asante's rise from dealer and delinquent to writer, filmmaker, poet, and professor. MK Asante is professor of creative writing and film at Morgan State University. He received the Langston Hughes Award in 2009, and won the Jean Corrie Prize from the Academy of American Poets for his poetry collection Like Water Running Off My Back. He directed The Black Candle, a film he co-wrote with Maya Angelou, and he directed and produced the award-winning film 500 Years Later. Recorded On: Monday, September 16, 2013

MK Asante grew up in '90s "KIlladelphia." His brother was in jail, his mother was in the middle of a breakdown, and his father had walked out--he never formally dropped out of shigh chool, but his real day-to-day was in dealing drugs. Eventually, persuaded to turn his life around, he found himself in a classroom, a blank piece of paper in front of him... and he realized he wanted to fill it. In Buck, we discover the roots of a young poet and filmmaker--and how close we came to not having his art in our world.