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2 episodes with nik bartsch
2 episodes with nik bartsch
8 episodes with nik bartsch
4 episodes with nik bartsch
Here is the playlist for the 11/18 episode of the Seventh House. Enjoy!Porcupine Tree- Blackest EyesO.S.I.- The New Math (What He Said)O.S.I.- O.S.I.Frost*- Welcome to NowhereFish on Friday- WelcomeDavid and David- Welcome to the BoomtownUnifaun- Welcome to the FarmThe Weever Sands- Oh, I Said and Blushed Like an Idiot (River II)Schooltree- Dead GirlMagenta- All Around the WorldThree Colours Dark- Rainbow's EndImogen Heap- Daylight RobberyChasing the Monsoon- No Ordinary WorldMaya- You and IWendy and Lisa- You and IYes- And You and I (the tradition continues....)Nik Bartsch's Mobile- Modul 29_14Fish- Arc of the CurveBrett Kull- If She Could Be Who She WantedTodd Rundgren- CourageThe Mandrake Project- And Five Makes TwentySimon Apple- SignificanceRobert Plant and Alison Krauss- Fortune TellerLindsey Buckingham- Flying Down JuniperFrost*- Black Light Machine
Eli Keszler - Civil Sunset [LuckyMe, 2021] Skee Mask - Rio Dub [Ilian Tape, 2021] Laurence Rassel & Terre Thaemlitz - Useless Movement (Radio Edit) [Comatonse, 2007] Yogtze - Coocoo [Running Back, 2020] Darkside - The Limit [Matador, 2021] Facta - Brushes [Wisdom Teeth, 2021] Joy Orbison - In Drink [XL, 2021] Arp - Nzuku [Mexican Summer, 2018] Hawke - 3 Nudes In A Purple Garden [Hardkiss, 1993] Boards of Canada - White Cyclosa [Warp, 2013] Axel Larsen - Red Falls [Macadam Mambo, 2020] Nik Bartsch's Ronin - Modul 42 [ECM, 2008] Loshh - Ko Si Mọ [Tennnn, 2021] More Ghost Than Man - 11811 [8D Industries, 2021] Lost Girls - Carried by Invisible Bodies [Smalltown Supersound, 2021] Michael Mayer - Gamma [Kompakt, 2021] Aquarius Heaven - Universe (Dcore edit) [Circus Company, 2011] Squid - Global Groove [Warp, 2021] Full Circle - Shiver (Industrial Float Tank Dub) [Offen, 2021] Laksa - Fire Kit [Hessle Audio, 2020] MoveDNamlook - Fall Out of Bed Into a Wonderful Maze [Fax +49-69/450464,1997] Black Country, New Road - Instrumental [Ninja Tune, 2021]
Featuring a hot new track on a fresh release from jazz/pop keyboard wiz Rachel Eckroth; psychedelic space funk from LA-based Eulipion Corps; master drummer Ches Smith's Haitian/NYC experimental cultural mashup on Pyroclastic Records; the other-worldy improv of European pianist Nik Bartsch; brothers Nicki and Patrick Adams on their most recent recording; and the king of Ethiopian jazz Mulatu Astatke with Melbourne's own Black Jesus Experience.
The cats cut it down with Zen-funk master, Swiss piano maestro Nik Bartsch - and a suitably slim slice of minimalist jazz . .
We're back in July 2016 to revist Possibly Colliding, a weekend curated by composer and pianist, Nils Frahm. In this special hour-long episode, you'll hear from a selection of those orbiting artists in the field of music, art and film who appeared in this unique weekend at the Barbican. Featuring interviews with AMBIQ, Nik Bartsch, Arthur Jeffes, Luke Abbott, Gwyneth Wentink, Woodkid, and Nils Frahm. From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.
A cura di Fabio Barbieri. Peter Erskine, Palle Danielsson and John Taylor, Luciano Biondini, Nik Bartsch, Joe Pass, Steve Reich, Edmund Finnis, Gurdjeff Folk Instruments Ensemble and Levon Eskenian, Gateway, Richard Galliano and Prague String Quintet, Nick Drake, Nils Frahm, Jess Gillam, Keith Jarrett and Charlie Haden, Stephan Micus.
A cura di Fabio Barbieri. Peter Erskine, Palle Danielsson and John Taylor, Luciano Biondini, Nik Bartsch, Joe Pass, Steve Reich, Edmund Finnis, Gurdjeff Folk Instruments Ensemble and Levon Eskenian, Gateway, Richard Galliano and Prague String Quintet, Nick Drake, Nils Frahm, Jess Gillam, Keith Jarrett and Charlie Haden, Stephan Micus.
The first full episode of season five features Swiss pianist and composer Nik Bartsch.This was a fascinating interview, around Nik's playing and his new album - Entendre. I've selected two tracks to begin and end the podcast and I hope they give you a flavour of Nik's playing, which beautifully and profoundly confounds ideas of composition, interpretation and improvisation. Entendre is well worth a listen. Thanks to Nik for allowing me to play extracts from the album alongside our conversation.Follow me on instagram.com/hilaryrwriterFollow me on facebook.com/HilaryRobertsonFreelanceWriterFollow me on twitter.com/hilaryrwriterSupport the show (https://www.buymeacoffee.com/HWpodcast)
Featuring a bucket of new releases from NYC legends and beyond: the brand new Vijay Iyer joint on ECM; chanteuse Cyrille Aimee's fresh duo release with guitarist Michael Valeanu; banjo-thrash from Brandon Seabrook and Three-Layer Cake; NYC keyboard icon Marc Cary's latest unreleased jam; NC funkster Daron's latest single with a little help from Charlie Hunter; the just-dropped duo project JOMORO from percussion wiz kids Mauro Refusco and Joey Waronker; an excellent new cut from Swiss pianist Nik Bartsch on the ECM label; bassist, vocalist, and mariscos-lover Karina Rykman's new party banger; and a beautiful song from drummer/vocalist Alwyn Robinson on Leftover Salmon's new LP.
In late 2020, Switzerland voted on a relatively new kind of legislation, a bill would have enforced human rights on multinational corporations based in Switzerland, which has more corporate headquarters per capita than any other nation on earth. It would have made corporations liable for offences carried out by their foreign subsidiaries and subcontractors. The vote failed to reach the necessary thresholds, but was notable in the question it posed, and how close it came to coming into effect. Today we speak with andreas missbach of "Public Eye", one of the most vocal interest groups lobbying for the passage of this legislation. - Music for this episode was provided by swiss jazz musicians Mathias Ruegg, Charly Antolini, and Nik Bartsch - if you're interested in their music, please check them out!
Pianistul elveţian Nick Bartsch a venit la festivalul de jazz de la Smida cu proiectul său Nick Bartsch's Ronin. Un quartet genial în care îi are alături pe Sha-bass clarinet şi saxofon alto, Thomz Jordi-bass şi Kaspar Rast la tobe. Am apucat să schimb câteva cuvinte cu el înainte de concert. In english. --- Send in a voice message: https://anchor.fm/bogdan-roscaz/message
Zurich keyboard player-cum-composer Nik Bartsch speaks about playing solo piano, leading the ensemble Ronin, taking part in 35-hour concerts with Mobile, founding the Ronin Rhythm Records label and running the club Exil… Part 1 is available in Episode #34.
ECM recording artist Nik Bartsch speaks of his early interest in drums, the differences between Japan and his native Switzerland, the importance of practising the non-violent martial art Aikido, and the influence of composers like Stravinksy, Feldman and Thelonious Monk on his approach to composition… Part 2 to follow in #Episode 35.
A cura di Fabio Barbieri. Musiche di Thomas Stronen/ Time is a Blind Guide, Nicolas Masson, John Surman, Nik Bartsch's Ronin.
A cura di Fabio Barbieri. Musiche di Thomas Stronen/ Time is a Blind Guide, Nicolas Masson, John Surman, Nik Bartsch’s Ronin. (seconda parte)
A cura di Fabio Barbieri. Musiche di Thomas Stronen/ Time is a Blind Guide, Nicolas Masson, John Surman, Nik Bartsch’s Ronin. (seconda parte)
A cura di Fabio Barbieri. Musiche di Nicolas Masson, Steve Tibbetts, Marc Sinan/ Oguz Buyukberber, Nik Bartsch's Ronin.
A cura di Fabio Barbieri. Musiche di Nicolas Masson, Steve Tibbetts, Marc Sinan/ Oguz Buyukberber, Nik Bartsch’s Ronin. (seconda parte)
A cura di Fabio Barbieri. Musiche di Nicolas Masson, Steve Tibbetts, Marc Sinan/ Oguz Buyukberber, Nik Bartsch’s Ronin. (seconda parte)
Everyone is familiar with MIT and the university's reputation as a serious force in the world of science, tech, and research, but how many are aware of MIT's legacy in the arts? Did you know that MIT's founder had envisioned incorporating the arts from the very beginning?In this episode we speak with Leila Kinney and Evan Ziporyn of MIT's Center for Art, Science, and Technology (CAST) about MIT's culture of creativity and exploration, the institution's mission to humanize science and tech, and the exciting projects that have emerged from CAST, like Tomás Saraceno's Arachnid Orchestra.-About Leila Kinney-Leila W. Kinney is the Executive Director of Arts Initiatives and of the MIT Center for Art, Science & Technology (CAST), working with Associate Provost Philip S. Khoury, the School of Architecture and Planning (SA+P), the School of Humanities, Arts, and Social Sciences (SHASS), the Creative Arts Council, the Council for the Arts at MIT, the MIT List Visual Arts Center, and the MIT Museum, to advance the arts at MIT in the areas of strategic planning, cross-school collaborations, communications and resource development.Kinney is an art historian with experience in both SA+P, where she was on the faculty in the History, Theory and Criticism section of the Department of Architecture (HTC) and SHASS, where she taught in the Program in Women’s Studies and in Comparative Media Studies. She specializes in modern art, with an emphasis on media in transition, arts institutions and artists’ engagement with mass culture. She is a member of the Executive Committee of a2ru (Alliance for the Arts in Research Universities) and of the Advisory Committees of the Catalyst Collaborative at MIT, the MIT List Visual Arts Center and the MIT Museum.-About Evan Ziporyn-Evan Ziporyn makes music at the crossroads between genres and cultures, and between East and West. He studied at the Eastman School of Music, Yale University, and UC Berkeley with Joseph Schwantner, Martin Bresnick, and Gerard Grisey. He first traveled to Bali in 1981, studying with Madé Lebah, Colin McPhee’s 1930s musical informant. He returned on a Fulbright in 1987.Earlier that year, he performed a clarinet solo at the First Bang on a Can Marathon in New York. His involvement with Bang on a Can continued for twenty five years. In 1992, he co-founded the Bang on a Can All-stars (Musical America’s 2005 Ensemble of the Year), with whom he toured the globe and premiered over one hundred commissioned works, collaborating with Nik Bartsch, Iva Bittova, Don Byron, Ornette Coleman, Brian Eno, Philip Glass, Meredith Monk, Thurston Moore, Terry Riley, and Tan Dun. He co-produced their seminal 1996 recording of Brian Eno’s “Music for Airports,” as well as their most recent CD, “Big Beautiful Dark & Scary” (2012).Ziporyn joined the MIT faculty in 1990, founding Gamelan Galak Tika in 1993, and beginning a series of groundbreaking compositions for gamelan & Western instruments. These include three evening-length works, 2001’s “ShadowBang,” 2004’s “Oedipus Rex” (Robert Woodruff, director), and 2009’s “A House in Bali,” an opera which joins Western singers with Balinese traditional performers, and the Bang on a Can All-stars with a full gamelan. It received its world premiere in Bali that summer and its New York premiere at BAM Next Wave in October 2010.As a clarinetist, Ziporyn recorded the definitive version of Steve Reich’s multi-clarinet “New York Counterpoint” in 1996, sharing in that ensemble’s Grammy in 1998. In 2001, his solo clarinet CD, “This is Not A Clarinet,” made Top Ten lists across the country. His compositions have been commissioned by Yo-Yo Ma’s Silk Road, Kronos Quartet, American Composers Orchestra, Maya Beiser, So Percussion, Wu Man, and the Boston Modern Orchestra Project, with whom he recorded his most recent CD, “Big Grenadilla/Mumbai” (2012). His honors include awards from the Massachusetts Cultural Council (2011); The Herb Alpert Foundation (2011); USA Artists Walker Fellowship (2007); MIT’s Gyorgy Kepes Prize (2006); the American Academy of Arts and Letters Goddard Lieberson Fellowship (2004); as well as commissions from Meet the Composer/Commissioning Music USA and the Rockefeller MAP Fund. Recordings of his works have been been released on Cantaloupe, Sony Classical, New Albion, New World, Koch, Naxos, Innova, and CRI.He is Kenan Sahin Distinguished Professor of Music at MIT. He also serves as Head of Music and Theater Arts, and in 2012 was appointed inaugural Director of MIT’s Center for Art Science & Technology. He lives in Lexington, Massachusetts, with Christine Southworth, and has two children, Leonardo (19) and Ava (12).-About MIT CAST-The MIT Center for Art, Science & Technology (CAST) creates new opportunities for art, science and technology to thrive as interrelated, mutually informing modes of exploration, knowledge and discovery. CAST’s multidisciplinary platform presents performing and visual arts programs, supports research projects for artists working with science and engineering labs, and sponsors symposia, classes, workshops, design studios, lectures and publications. The Center is funded in part by a generous grant from the Andrew W. Mellon Foundation.
A fierce advocate of new music and particularly minimalism, pianist Vicky Chow has been described as “brilliant” (New York Times) and “a monster pianist” (Time Out New York). In Episode 7 of Liquid Music's Playlist podcast, Chow describes the emotional and physical experience of performing minimalist music — from Steve Reich’s Piano Counterpoint to Tristan Perich’s Surface Image, a recently commissioned work that was co-presented by Liquid Music with the Walker Art Center last March. Chow also recommends to us the music of Swiss pianist and composer Nik Bärtsch, whose extended techniques and ritualistic, pattern-heavy structures push our conception of the piano's possibilities and show us minimalism’s groove.
MELANIE PAPPENHEIM has devised work with many leading multimedia groups such as Lumiere & Son, DV8 Physical Theatre (Strange Fish) and The Shout, of which she is a founder member. Melanie can be heard on TV and film soundtracks including Derek Jarman's Edward II and The Garden and Martin Scorsese’s Gangs of New York. REBECCA ASKEW is a performer and songwriter. She studied jazz at the Guildhall School of Music and Drama. She has been a member of The Shout, the award-winning 16 piece vocal band, since 1999 and has contributed pieces to their repertoire. She is a regular soloist with the Voice Project in Norwich and has performed with them new work by Gwiliym Simcock, Arve Henrikson, Jan Bang, Nik Bartsch, Karen Wimhurst and Jon Baker. They also recently undertook the Artist Development Scheme at Snape Maltings.
MELANIE PAPPENHEIM has devised work with many leading multimedia groups such as Lumiere & Son, DV8 Physical Theatre (Strange Fish) and The Shout, of which she is a founder member. Melanie can be heard on TV and film soundtracks including Derek Jarman's Edward II and The Garden and Martin Scorsese’s Gangs of New York. REBECCA ASKEW is a performer and songwriter. She studied jazz at the Guildhall School of Music and Drama. She has been a member of The Shout, the award-winning 16 piece vocal band, since 1999 and has contributed pieces to their repertoire. She is a regular soloist with the Voice Project in Norwich and has performed with them new work by Gwiliym Simcock, Arve Henrikson, Jan Bang, Nik Bartsch, Karen Wimhurst and Jon Baker. They also recently undertook the Artist Development Scheme at Snape Maltings.
MELANIE PAPPENHEIM has devised work with many leading multimedia groups such as Lumiere & Son, DV8 Physical Theatre (Strange Fish) and The Shout, of which she is a founder member. Melanie can be heard on TV and film soundtracks including Derek Jarman's Edward II and The Garden and Martin Scorsese’s Gangs of New York. REBECCA ASKEW is a performer and songwriter. She studied jazz at the Guildhall School of Music and Drama. She has been a member of The Shout, the award-winning 16 piece vocal band, since 1999 and has contributed pieces to their repertoire. She is a regular soloist with the Voice Project in Norwich and has performed with them new work by Gwiliym Simcock, Arve Henrikson, Jan Bang, Nik Bartsch, Karen Wimhurst and Jon Baker. They also recently undertook the Artist Development Scheme at Snape Maltings.
MELANIE PAPPENHEIM has devised work with many leading multimedia groups such as Lumiere & Son, DV8 Physical Theatre (Strange Fish) and The Shout, of which she is a founder member. Melanie can be heard on TV and film soundtracks including Derek Jarman's Edward II and The Garden and Martin Scorsese’s Gangs of New York. REBECCA ASKEW is a performer and songwriter. She studied jazz at the Guildhall School of Music and Drama. She has been a member of The Shout, the award-winning 16 piece vocal band, since 1999 and has contributed pieces to their repertoire. She is a regular soloist with the Voice Project in Norwich and has performed with them new work by Gwiliym Simcock, Arve Henrikson, Jan Bang, Nik Bartsch, Karen Wimhurst and Jon Baker. They also recently undertook the Artist Development Scheme at Snape Maltings.
Modul 8_9 Nik Bartsch from HishiryoNik Bartsch websiteBuy direct from the artistStumbled Peter Hammill from PNO GTR VOX yellow room reviewBuy direct from the artistLost BalloonPatrick Smithfrom Scattered HeartsBuy direct from the artistThe Mercy Peter Hammillfrom PNO GTR VOX yellow room reviewBuy direct from the artistGo Your WayAnne Briggsfrom Anne Briggs A CollectionBuy from AmazonMeandering Moonlight (edit) The Theo TrioTheo May (violin) Julie Tippetts (voice) Keith Tippett (piano)Not yet releasedKeith Tippett websiteTheo May website Sang For Min FruMandrake Project from TransitionsMadrake Project websiteThe Comet, The Course, The TailPeter Hammill from PNO GTR VOX yellow room reviewBuy direct from the artist
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