Podcast appearances and mentions of Charlie Hunter

The Jazz Show takes a side-step this long weekend from its usual programming, Host Blind Mango Chutney calling a Rock Jazz theme. Blind Mango invites local vinyl collector Johnny Dambuster as special guest Selector —with the Rock Jazz theme being a much talked about concept between Blind Mango & the Dambuster for quite some time. The pair have a blast taking a deep dive & a somewhat wild ride into the Rock-Jazz milieu. First selections come from the early Rock' n' Roll period with key vocalists Big Mama Thornton & Big Maybelle. Things get a tad trippy with psychedelic selections from Hendrix, Les Paul, & Blood Sweat & Tears, unfolding later with some unlikely surprises, as Dambuster unearths some buried nuggets from Alice Cooper, Snakefinger (the Residents), & Throbbing Gristle. Plus The MC5 enter for a totally Sonic moment! - (It's all about the track's epic Drum intro, & the Saxophones mid track folks!). Blind Mango knocks it into the End-Zone with essential tracks from King Crimson, John McLaughlin, & Larry Coryell, ending the show on a total high with Charlie Hunter's great version of Nirvana's Come as You Are — all making for an eclectic, & indeed an *electric* mix of Rock-Jazz Vibes with a busy text machine keeping the Crew busy with ppl diggin' the show's selections. (A part 2 perhaps, guys?) DJ Sassy pops in to host the Jazz Gig Guide, & adds a refreshing beverage twist — & Miss Dom to present the Vinyl Fair Guide. Rock on Folks! With big thanks to our show sponsors: San Ray at 118 Ponsonby Road

Featuring tracks from a Mount Rushmore of Erik's most influential teachers, friends, bandmates, and mentors including Charlie Hunter, Ron Miles, Art Lande, Theo Bleckmann, Tony Mason, and Dean Johnson.

Playlist: Ginger Beef - HedgehogTendavillage - Escargot and RisottoLA LOM - Ooo Baby BabyKatie Tupper - Need NothingExco Levi - Wray & NephewJackie Mittoo, The Aggrovators - Hard to UnlockDubmatix - Olympic DubObongjayar - Sweet DangerMoontricks - Solar Therapy (Original Mix)Greentea Peng - GloryDurand Jones & The Indications, featuring Aaron Frazer - Been So LongKurt Elling, Charlie Hunter, SuperBlue - Turn to StoneBaby Rose, BADBADNOTGOOD - It's AlrightBEN L'ONCLE SOUL, featuring Adi Oasis - IM GOODMaribou State, featuring Holly Walker - OthersideMajor League Djz, featuring Jorja Smith - Come with MeBLVD NOIR - 3 Play the FoolYoussou N'Dour - Bul ma laajCaribou - Come Find MeCymande - The MessageSurprise Chef - Consulate CaseFive Alarm Funk - BoowahFire At Will & FunkinRight - Burning Down This PlaceFunkadelic - Red Hot MamaYves Jarvis - The Knife in MeDJ Vadim - Black is the Night pt3 - InstrumentalAngelo Ferreri - Don't Give UpTimewarp Inc. - Round Melodies

Featuring a collection of all-stars including Thelonious Monk, Norah Jones, Stan Getz, Otis Redding, Charlie Hunter, and Serge Gainsbourg; + Mexican rising star Sylvana Estrada and electronic music courtesy of a Colorado-collab between Erik Deutsch and Stuck at Sea.

Listen to a conversation with Wynton Marsalis, a world-renowned trumpet player, composer, and educator whose artistry and influence span the worlds of jazz and classical music.  Marsalis was Born in New Orleans, Louisiana, in 1961. He grew up immersed in the jazz legacy of his hometown. His father, Ellis Marsalis Jr., was a legendary pianist and educator, and his brothers Branford, Delfeayo, and Jason are also acclaimed musicians.  A virtuoso in both jazz and classical music, Marsalis was the first musician to win Grammy Awards in both fields in the same year, a feat he achieved in 1984. Marsalis was also the first jazz musician to receive the Pulitzer Prize for Music, for his oratorio Blood on the Fields.  Marsalis has become a global ambassador for jazz, and since 1991, he's served as the artistic director of Jazz at Lincoln Center.    Also, hear an interview with the acclaimed Indianapolis jazz saxophonist Rob Dixon. He'll discuss his upcoming tribute to jazz legend John Coltrane “A Love Supreme: 60th Anniversary Tribute”.  For Indianapolis music fans, Rob Dixon needs no introduction. He's been called the “musical mayor of Indianapolis”, a reference to his prominent role in the city's music scene. Dixon has worked with many jazz luminaries, including Illinois Jacquet, Mike Clark, and Charlie Hunter. Dixon is also the artistic director of the Indianapolis Jazz Foundation.

It's the 142nd episode of the Truth About Vintage Amps! Join Skip and Jason as they field all of your pressing guitar amp questions. Plus...recipes, music and book recommendations and more!  Want to be a part of our show? Just email us a question or voice memo to podcast@fretboardjournal.com. Some of the topics discussed this week:  :00 Jingle Bell Rock and other Christmas classics 1:14 Our sponsors: Grez Guitars; Emerald City Guitars and Amplified Parts! 5:37 Supermarket Sweep; The Office 7:27 The Truth About Vintage Amps Patreon page; listener John's Angela parts list 8:27 Another Tweed Harvard by Skip? 9:33 Let's celebrate the TAVA makers; the TAVA Cookbook (Dropbox link) 11:09 A 1970 Davis PA Head with a "tube saver" switch; the Dixon Amp Company (link) 14:17 A Princeton Reverb-inspired amp with a foot switch that won't stop ticking; Vesper martinis; Body & Soul instruments (link); the $1000 tube lot 22:29 Should I be worried that one of my Silverface Champs draws more amps than the others? 26:27 Which diameter Kester solder? 28:39 Inflatable hot tubs; adding trem to a 5E3 kit; Rotel and cream cheese dip 33:48 Angela Super 6V6 Build tips 36:50 Tolex; Little Charlie's Rice redux; Jason on Guitar Magic (link)  40:02 Bomb cyclones, a Tweed Harvard serviced by Skip, homemade cranberry sauce, Weber speaker reconing (link) 45:06 Pique hot pepper sauce (link)  46:39 Bell 2325 hi-fi amp with cathode feedback; pepperoni rolls; Andy Williams 55:19 Charlie Hunter's hybrid guitars with two output jacks; Audio Guild Versatones 1:04:08 Using the reverb driver transformer as an output, Martinelli's sparkling apple cider, redux; making Mexican crema at home; taking the output of a reverb tank and using it in the normal channel for volume, treble and bass controls on the reverb 1:07:59 Two identical amps, but one sounds crappy 1:09:46 Holiday reading/watching recommendations: Joe Smith's Off the Record (link); Donald Brosnac's Guitar Electronics for Musicians (link); the Blue Nile's A Walk Across the Rooftops; Little Miss Sunshine; Master and Commander; Sampson Boat Company's Tally Ho restoration videos (link); The Only Girl in the Orchestra on Netflix; Tim Gautreaux's Same Place, Same Things (link) Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal.  Don't forget, we have a Patreon page. Join us to get show updates and get to the front of the question line. 

Cóż to był za muzyczny rok dla pasjonatów dobrej muzyki !! Baliśmy się, że ten rok będzie słabszy od 2023 jeśli chodzi o

Scott Amendola is a bay-area drummer and composer who has had long associations with artists like Charlie Hunter and Nels Cline. He performs with a trio including clarinetist Ben Goldberg and bassist Todd Sickafoose at Jazz Central on Thursday, November 7th. The group just released an album called "Here to There" consisting of music inspired by the bridge sections, i.e. the transition sections, of Thelonious Monk tunes. Amendola discusses all of this and his musical background with Jazz88's Peter Solomon. Picture by Lenny Gonzalez. From L to R: Scott Amendola (seated), Todd Sickafoose, Ben Goldberg.

Scott Amendola is a bay-area drummer and composer who has had long associations with artists like Charlie Hunter and Nels Cline. He performs with a trio including clarinetist Ben Goldberg and bassist Todd Sickafoose at Jazz Central on Thursday, November 7th. The group just released an album called "Here to There" consisting of music inspired by the bridge sections, i.e. the transition sections, of Thelonious Monk tunes. Amendola discusses all of this and his musical background with Jazz88's Peter Solomon. Picture by Lenny Gonzalez. From L to R: Scott Amendola (seated), Todd Sickafoose, Ben Goldberg.

Travis talks with Charlie Hunter about the annual Fiddle Fest. 

In this episode, we dive deep into the fascinating world of Charlie Hunter, an extraordinary American guitarist, composer, producer, and bandleader. Born on May 23, 1967, Hunter's unique style and innovative approach to the guitar have made him a standout figure in the jazz and funk scenes since the early 1990s. But what sets him apart from other guitarists? It's his remarkable ability to play bass lines, chords, and melodies simultaneously on his custom-made seven- and eight-string guitars!We'll explore how Hunter's early life shaped his musical journey, from his childhood in Rhode Island to his teenage years in Berkeley, California, where his mother repaired guitars for a living. Surrounded by music and instruments, it's no wonder that young Charlie developed a passion for the guitar. We'll talk about his formative years under the tutelage of legendary guitar virtuoso Joe Satriani, who helped Hunter refine his technique and artistry.Join us as we listen to some of Charlie Hunter's most iconic tracks and explore how he masterfully blends elements of jazz, funk, blues, and beyond. We'll also hear stories about his collaborations with some of the biggest names in music and how he continues to push the boundaries of what the guitar can do. Whether you're a longtime fan or new to his music, this episode is sure to inspire and captivate. So grab your headphones and get ready to groove with us as we uncover the genius of Charlie Hunter!Charlie Hunter | WebsiteCharlie Hunter | Spotify‎Charlie Hunter | Apple MusicCharlie Hunter | QobuzCharlie Hunter | YoutubeSocial Media Links:https://linktr.ee/turnonthemusicWelcome to Turn On the Music Podcast, where we dive deep into the world of music and explore its many facets. Whether you're a casual listener or a die-hard music aficionado, this podcast is your go-to destination for insightful discussions, fascinating interviews, and captivating stories about the artists, genres, and trends shaping the musical landscape.Join your host Kyle and CJ, along with a rotating panel of music enthusiasts and industry experts, as we dissect the latest hits, uncover hidden gems, and reminisce about timeless classics. From pop to rock, hip-hop to jazz, and everything in between, we celebrate the diversity of musical expression and its profound impact on our lives.Each episode, we'll take you on a journey through the rich tapestry of music history, exploring the cultural significance of iconic albums, dissecting the lyrics of your favorite songs, and uncovering the untold stories behind the music. Whether you're seeking recommendations for your next playlist or craving in-depth analysis of music theory, Turn On the Music Podcast has something for everyone.So, tune in, turn up the volume, and let's embark on a sonic adventure together. Whether you're commuting to work, relaxing at home, or hitting the road on a weekend getaway, Turn On the Music Podcast is the perfect soundtrack to your life. Let's make some noise and turn on the music!

In this episode, we dive deep into the fascinating world of Charlie Hunter, an extraordinary American guitarist, composer, producer, and bandleader. Born on May 23, 1967, Hunter's unique style and innovative approach to the guitar have made him a standout figure in the jazz and funk scenes since the early 1990s. But what sets him apart from other guitarists? It's his remarkable ability to play bass lines, chords, and melodies simultaneously on his custom-made seven- and eight-string guitars!We'll explore how Hunter's early life shaped his musical journey, from his childhood in Rhode Island to his teenage years in Berkeley, California, where his mother repaired guitars for a living. Surrounded by music and instruments, it's no wonder that young Charlie developed a passion for the guitar. We'll talk about his formative years under the tutelage of legendary guitar virtuoso Joe Satriani, who helped Hunter refine his technique and artistry.Join us as we listen to some of Charlie Hunter's most iconic tracks and explore how he masterfully blends elements of jazz, funk, blues, and beyond. We'll also hear stories about his collaborations with some of the biggest names in music and how he continues to push the boundaries of what the guitar can do. Whether you're a longtime fan or new to his music, this episode is sure to inspire and captivate. So grab your headphones and get ready to groove with us as we uncover the genius of Charlie Hunter!Charlie Hunter's Most Iconic Guitar PartsCharlie Hunter InterviewCharlie Hunter | YoutubeCharlie Hunter | Qobuz‎Charlie Hunter | Apple MusicCharlie Hunter | SpotifyCharlie Hunter | WebsiteRhett Shull discussing Charlie HunterSocial Media Links:https://linktr.ee/turnonthemusicWelcome to Turn On the Music Podcast, where we dive deep into the world of music and explore its many facets. Whether you're a casual listener or a die-hard music aficionado, this podcast is your go-to destination for insightful discussions, fascinating interviews, and captivating stories about the artists, genres, and trends shaping the musical landscape.Join your host Kyle and CJ, along with a rotating panel of music enthusiasts and industry experts, as we dissect the latest hits, uncover hidden gems, and reminisce about timeless classics. From pop to rock, hip-hop to jazz, and everything in between, we celebrate the diversity of musical expression and its profound impact on our lives.Each episode, we'll take you on a journey through the rich tapestry of music history, exploring the cultural significance of iconic albums, dissecting the lyrics of your favorite songs, and uncovering the untold stories behind the music. Whether you're seeking recommendations for your next playlist or craving in-depth analysis of music theory, Turn On the Music Podcast has something for everyone.So, tune in, turn up the volume, and let's embark on a sonic adventure together. Whether you're commuting to work, relaxing at home, or hitting the road on a weekend getaway, Turn On the Music Podcast is the perfect soundtrack to your life. Let's make some noise and turn on the music!

On this week's episode of AHWM we're hanging with musician, producer, composer @moceanworker. I first learned about Adam at the beginning of the pandemic when he and Charlie Hunter did a podcast called “Compared to What”. Upon further investigation I found out how deep his roots ran in jazz, funk and R&B not only as a talented bassist but as a producer and beyond! We're gonna chat about that, his work as a composer for film and TV and his favorite funk records of all time; you don't wanna miss it! Hosted on Acast. See acast.com/privacy for more information.

On this episode of The Bandwich Tapes, I had the honor of chatting with the incredible Stanton Moore. Stanton Moore is a GRAMMY award-winning artist, teacher, and performer. Born and raised in New Orleans, he is a dedicated drummer, performer, and educator who is especially connected to the city, its culture, and its collaborative spirit. In the early ‘90s, Moore helped found the New Orleans-based essential funk band Galactic, which continues to amass a worldwide audience via recording and touring globally. Moore launched his solo career in 1998 and has nine records under his own name, with the most recent being "With You In Mind: The Songs of Allen Toussaint." Throughout his 25-year career, Moore has played and/or recorded with a diverse group of artists, including Maceo Parker, Joss Stone, Irma Thomas, Leo Nocentelli and George Porter (of the Meters), Tom Morello (of Rage Against the Machine), Corrosion of Conformity, Donald Harrison Jr., Nicholas Payton, Trombone Shorty, Skerik, Charlie Hunter, Robert Walter, Will Bernard, Ivan Neville, Anders Osborne, and the Preservation Hall Jazz Band. He has also made numerous appearances on the Jimmy Kimmel, Conan O'Brien, and Seth Meyers late-night TV shows. With a bachelor's degree in music and business from Loyola University, Moore stays involved in education by constantly presenting clinics and teaching master classes and private lessons worldwide. He has released two books and three video projects. His book "Groove Alchemy" was picked by Modern Drummer as one of the top 25 instructional drum books of all time. To continue his passion for teaching and become more closely connected with his students, he recently launched his own online drum academy, StantonMooreDrumAcademy.com. On a personal note, my son, Skyler, was able to study drumset with Stanton while he was artist-in-residence at Louisiana State University. I encourage you to check out Stanton's music and schedule at stantonmoore.com.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com. Please tell your friends about the show.The theme song, "Playcation", was written by Mark Mundy.

It's time to discover, learn, and play jazz piano with Andy LaViolette.Andy LaViolette is a musician and filmmaker who has co-owned his company, Mr. Magic Carpet Ride Productions (MMCRP), with his wife, Christi, since 2006. His studies in jazz guitar started in 1994 when he studied with Dr. Bob Lawrence at The Dallas School of Music up until his time at the University of North Texas (UNT) in 1998. After three years of study in the Jazz Performance program at UNT, Andy played professionally as a guitarist in an original, progressive-rock band called “Bagg” and other local Denton, Texas musicians. In 2006, Andy returned to UNT and completed his Jazz Guitar Performance degree in 2010 while he played professionally with numerous musicians including Dave Alexander's Western Swing Big Band, Willie Dees, and other local jazz musicians.It was during that time that Mr. Magic Carpet Ride Productions became a larger part of his professional life and the company evolved into specializing in multi-camera, live music recordings. After working on numerous projects with a band called, “Snarky Puppy”, the partnership culminated several hundred million views of live music films on the web and earned three Grammy awards with Andy as the Director of Photography. Mr. Magic Carpet Ride Productions has since made countless films with other notable musicians such as Charlie Hunter, David Crosby, Bokanté, Banda Magda, Forq, The Quebe Sisters, Shaun Martin, Mark Lettieri, and many others.Since 2017, Andy has worked as a Senior Video Editor, Senior Manager of Content Solutions, and Senior Manager of Content Acquisition at Shutterstock, where he works with some of the largest brands in the world through a library of commercial music, photos, footage, 3D objects, and more. He continues to create new films andother creative projects through Mr. Magic Carpet Ride Productions and through a creative series of “How To” videos on his original show called, “Life at the House.”More importantly than any professional accomplishment, Andy is a proud husband and father and enjoys a quiet life at home being creative and spending time with his family.It is my honor to introduce you to Andy LaViolette.Support the Show.

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Ode to a living legend, Charlie Hunter. The humble hybrid instrumentalist's contributions to classics like Spanish Joint, The Root, and Greatdayndamornin' on D'Angelo's Voodoo album are nothing short of genius. In this episode Charlie Hunter takes us on a musical journey spanning the 1920s, 1990s and up to his most recent collaborations with emerging musicians. --- Send in a voice message: https://podcasters.spotify.com/pod/show/peace-and-lovecast/message

We got a brand new song as a secret debut for y'all! Another collab with our pals, Little Stranger, the new song is called "God at a Festival." Enjoy it.... or else. Andy & Nick open the show with the homie extraordinaire, Sam Fribush - this dude can wail on an organ like you wouldn't believe. Also: what it's like to work with a legend like Charlie Hunter. (Is 8 strings too many for a guitar? We don't think so) It's a keyboardist w3t dream as we welcome back to the Interview Hour: Jeremiah Fraites of The Lumineers! He's got a new record out and we have questions in advance of all his sage answers. Plus: insights on what it means to release an instrumental album this day & age. Drink that water and check in on your friends! And guess what... You can watch the full episodes Exclusively on Volume.com now in color!  Psyched to partner up with our buddies at Volume.com! Check out their roster of upcoming live events and on-demand shows to enrich that sweet life of yours. Call, leave a message, and tell us if you think one can get addicted to mushrooms: (720) 996-2403  Check out our new album!, L'Optimist on all platforms Follow us on Instagram @worldsavingpodcast For more information on Andy Frasco, the band and/or the blog, go to: AndyFrasco.com Check out our good friends that help us unwind and sleep easy while on the road and at home: dialedingummies.com Produced by Andy Frasco, Joe Angelhow, & Chris Lorentz Audio mix by Chris Lorentz Featuring: Arno Bakker John Shields (HBD big dog) Little Stranger

Charlie is a guitar player based in North Carolina. His credits include artists like D'Angelo, John Mayer, Frank Ocean and Norah Jones. Amongst many other things, we discussed growing up in California, the benefits of unusual guitar tunings, and belonging to the journey.I hope you enjoy our conversation as much as I did!(Recorded 15th April 2024)Support the Show.Follow me on Instagram - @nategrooveSubscribe to support the show - https://www.buzzsprout.com/2058148/supportAny questions or guest suggestions, please email nwinsessionwith@gmail.comGet 20% off all Safari Pedals plugins. Enter code Session20 at checkout!

Today, I'm sharing a conversation I had with GRAMMY-NOMINATED American guitarist, composer, producer and bandleader Charlie Hunter. He first came on to the scene in the early 1990s, and simultaneously plays bass lines, chords, and melodies, on custom seven and eight-string guitars, as featured in trios and quintet projects, as well as Garage-A-Trois. Notably, Charlie is also a student of ragtime guitar, using the true two finger technique pioneered by Arthur Blind Blake and very different from what he's known for. We talked about Charlie's upbringing in a musical family, finding his own path, the groove and authenticity, all things Blind Blake, and as usual, we geeked out on some music history. Enjoy! Charlie's Links: Official Website Instagram ___ Support Educational Programming: Tax-Exempt Donations Join the Patreon Community One-time donations: Venmo or PayPal Follow American Songcatcher: Instagram  Credits:  Nicholas Edward Williams - Production, research, editing, recording and distribution --- Send in a voice message: https://podcasters.spotify.com/pod/show/americansongcatcher/message Support this podcast: https://podcasters.spotify.com/pod/show/americansongcatcher/support

On this episode we're chatting with the Univibe Legend himself Nico Sabbadin. You've probably seen his (Sabbadius) effects pedals on a bunch of great player's boards like: Charlie Hunter, Buddy Blues and many others. I can't wait to chat with Nico on how he got started building effects and specifically about the research he had to do to nail these historic sounds! Hosted on Acast. See acast.com/privacy for more information.

On this episode we're hanging with Maritzaida and AJ Weibe to discuss the beauty of Bolero. I cannot wait to learn more about the history of this amazing style of music and hear the story of how this duo came to be;from their time in the military over seas, in Japan, to working with Charlie Hunter to resurrect this fantastic music for a new generation! Hosted on Acast. See acast.com/privacy for more information.

In this Episode we're speaking with a voice everyone on planet earth needs to hear. Victoria Victoria has one of the most beautiful voices I think I may have ever heard. Her songs run deeper than a 200 year old tree's roots and her melodies float above it like a shield made of nothing but love and hope. There's something for everyone on her new record and I want to thank Charlie Hunter for making me hip to her music… new fan here. Cozy up with me and Tori tomorrow for a fun chat! Hosted on Acast. See acast.com/privacy for more information.

On this week's episode we're chatting with a treasure of a human being, Mr. George Sluppick. I've been a fan of his since seeing him lock down grooves with Charlie Hunter over social media during the thick of the pandemic. We're gonna chat drums (obviously) but go a bit deeper into feel, pocket and mastering the art of a groove. We'll also dig a bit into his metronome app called "Wheelhouse Beats"... which is a killer way for us guitarists to work on our time! Hosted on Acast. See acast.com/privacy for more information.

I first heard about Lucy Woodward through Charlie Hunter. She has one of my favorite voices out there doing today! Lucy is one of the hardest working musicians on the scene and has a long illustrious history in the industry. I cannot wait to hear more of her story...I'm a fan! Hosted on Acast. See acast.com/privacy for more information.

On this week's episode we have one of my favorite drummers on planet earth... Geoff Clapp! You may have seen Geoff playing around with a slew of amazing artists like: Charlie Hunter, Sam Fribush, Wynton Marsalis and many more! Watching Geoff play is a masterclass for any musician, regardless of your instrument, so stop in and hang with us while we hear Geoff's story. Hosted on Acast. See acast.com/privacy for more information.

I have been following Headstrong Amplifiers from afar since around 2012 when I saw one in Charlie Hunter's rig; fast forward several years and now all my buddies are playing them (and for good reason). In this Episode I sit down with the man responsible for these beautiful creations, Wayne Jones. It's gonna get nerdy and I couldn't be more pumped! Hosted on Acast. See acast.com/privacy for more information.

On this episode, I sit down to discuss Charlie's life as a trailblazer and pioneer of the blues/jazz scene. I'd be lying if I said I wasn't stoked for this one! Hosted on Acast. See acast.com/privacy for more information.

I sit down with Jordan Rose, one of my favorite drummers out there doing it! You may have seen him on the road with Theo Katzman, or Cory Wong or casually sitting in with folks like Charlie Hunter. Either way, he's the best and I wanna see how he tunes his drums because they always sound stellar!!! Hosted on Acast. See acast.com/privacy for more information.

Listen every Friday from 21 till 22 (Moscow time) Jazz FM (radiojazzfm.ru) Subscribe in iTunes: https://itunes.apple.com/ru/podcast/funk-and-beyond-weekly/id1063844118?mt=2 for more details please visit beyondfunk.ru Tracklist: 1. Yarni - Little Island (feat. Emily Marks) 2. Everwave - Paper Planes 3. Move 78 - Technologies Of Freedom 4. Everwave - Eclipse 5. Bassolino - Malavita 6. Kidding - Seriously 7. Skeewiff - Exclusive Blend 8. Jahari Massamba Unit - Massamba Afundance 9. Kolonel Djafaar - Sirens' Glitch 10. Bacao Rhythm Steel Band - Treasure Quest 11. Kurt Elling, Charlie Hunter, Nate Smith - Baby Hold On 12. Rockid Sound Machine - Ursa Major 13. Doctor Bionic - Wire Fraud 14. The New Mastersounds - Smoothie 15. Sault - I Just Want to Dance 16. Domu - Repercussions 17. Feiertag - Give A Little (Instrumental) 18. Cannonball Adderley - Walk Tall

Listen every Friday from 21 till 22 (Moscow time) Jazz FM (radiojazzfm.ru) Subscribe in iTunes: https://itunes.apple.com/ru/podcast/funk-and-beyond-weekly/id1063844118?mt=2 for more details please visit beyondfunk.ru Tracklist: 1. Dominic Pierce - Leaf 2. Ghost Funk Orchestra - Totality 3. Orgone - The Husk 4. Connie Price & The Keystones - Get Thy Bearings 5. Sun Atlas - Return To The Spirit 6. OLUMA - Tangerine 7. Shay Hazan - A Bite of Sand 8. Ezel x Rona Ray - Can We Love and Be Free 9. Cotonete - Satori 10. Kurt Elling, Charlie Hunter, Nate Smith - Wrap It Up 11. Mildlife - Future Life 12. Go.Soul.Map. - Walkin' A Dream feat. Derane Obika 13. Anatoly Ice - Savannah 14. Dawn Again - Hard Earned Thirst 15. Move 78 - Regular Groove 16. Kurt Elling - Bounce It 17. Queen Esther Marrow - Ghetto

On today's episode, Scott interviews Tori Elliott, an American singer/songwriter/producer, and founder of her North Carolina indie pop band, Victoria Victoria. Tori's songwriting style has been compared to the likes of Regina Spektor and Carole King, and a number of her songs have been featured on reality tv shows and film. In addition to her own works, Tori has released a number of recordings with her writing partner, the legendary guitarist/producer, Charlie Hunter, including a new collaborative album, to drop in May 2024. Jazz and Beyond Intel said that Tori has a creative vision as a tunesmith, and Rolling Stone Magazine said her band, Victoria Victoria, is a rising act. This multi-talented singer/songwriter/producer, certainly GOT CHOPS! Follow Victoria Victoria on  Website: https://www.victoriavictoria.org/ Instagram: https://www.instagram.com/victoriavictoriamusic/ Facebook: https://www.facebook.com/victoriavictoriamusic YouTube: https://www.youtube.com/c/victoriavictoriamusic Spotify: https://open.spotify.com/artist/7HCC7kE2A7UW1IGOzajebg?si=tj3W0dSGSBSd1GBT6qogHQ&nd=1&dlsi=4a516efab59f4bb0 TikTok: https://www.tiktok.com/@victoriavictoriamusic Follow Got Chops on Instagram: https://www.instagram.com/gotchopspodcast/ Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://podcasters.spotify.com/pod/show/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: https://www.instagram.com/scottgrimaldimusic/ Website: www.grimaldimusic.com Spotify: https://open.spotify.com/album/6DKn05Vy0ABShIU37u58vR --- Send in a voice message: https://podcasters.spotify.com/pod/show/gotchops/message

We bid farewell to BHM and check out some new releases. Also: Aleksi Campagne, Gordie MacKeeman, the events calendar, and more. To End: Laura Reid and Krzysztof Sujata (Osmanthus).Playlist: Brittany Howard - History RepeatsMagnolia Buckskin - Putting Out FiresGordie MacKeeman and His Rhythm Boys - Run With UsThe Dead South - A Little DevilAleksi Campagne - Wheels Like A ChevroletSabrina Sabotage - Jeune ForeverFrancois Couture - La bibliothecaireBernard Adamus - HidalgoDaShawn Hickman with Charlie Hunter, featuring Wendy Hickman - ShoutJake Blount - Move, DanielVictoria Williams and The Holmes Brothers - My Lord and IDr. Orlando Omoh & His Ominah Band - Omo Ni YeThe Hykkers - I Want A Break Thru!Talia Schlanger - Narrow BridgeHelena Deland - Strawberry MoonOsmanthus - Bloom

Some thoughts on how to vary your song approach and arrangement to create dynamics, emotion, and interest. Don't work super hard on learning to pick every syllable, instead use broad strokes within your playing and get more results for your efforts!- New forum area: https://community.liveukulele.com/session/sso?return_path=https://community.liveukulele.com/- Ukulele Chord Shapes print book: https://liveukulele.com/store/ukulele-chord-shapes/print/- Easy ukulele songs database: https://liveukulele.com/songs/easy-ukulele-songs/- One-on-one ZOOM lessons with Brad: https://liveukulele.com/store/one-on-one-lessons/- Charlie Hunter: https://www.youtube.com/watch?v=gkP7BbcB5MQ- Jake's "Toastmaker's Revenge": https://www.youtube.com/watch?v=cOn4zdhagrA- Groove Ukulele strumming ebook/videos: https://liveukulele.com/store/groove-ukulele/Support the showJoin my newsletter! It's free and I won't spam you. Get updates on new lessons and access to exclusive resources: https://liveukulele.com/signup/Support the podcast: Buy video lessons or a book: https://liveukulele.com/store/ Use my Sweetwater affiliate link next time you need to buy some gear! https://sweetwater.sjv.io/9WbER0. Enter their gear giveaway every month while you're there (affiliate link): https://sweetwater.sjv.io/rQ4n9G Gear I use to create this podcast: https://sweetwater.sjv.io/eKJb6zCREDITS- Hosted, produced, edited, and mixed by Brad Bordessa - Theme music by Brad Bordessa; available on If Only: https://bradbordessa.bandcamp.com/album/if-only- Ad spot music: "Hoʻale" and "Honaunau Rodeo" by Dagan Bernstein (https://daganmusic.com/hoale/)

This set focuses on Andrew Hill, Herbie Nichols, Bob Dorough and Oliver Nelson, four American originals and various generations of musicians they've inspired. The playlist features Kurt Elling, Charlie Hunter, Superblue; Kristen Lee Sergeant [pictured], Ted Nash; Ben Allison, Steve Cardenas; Ron Horton; Russ Johnson; and Audible Spirits. Detailed playlist at https://spinitron.com/RFB/pl/18457659/Mondo-Jazz (from "Naughty Number Nine" to "Stolen Moments"). Happy listening!

Featuring a plethora of thought-provoking, toe-tapping jams courtesy of Sylvana Estrada and Charlie Hunter, Thelonious Monk, Stereolab, Joe Lovano's Trio Tapestry, Steven Bernstein's Diaspora Soul, Wayne Horvitz, Tom Hagerman, 10 Foot Ganja Plant, and a cut from the soundtrack of modern classic Roma.

At this stop we focus on up and coming pianists, Butcher Brown's eclecticism and some interesting European projects. The playlist features also Charlie Hunter; Lawrence Fields; Isaiah J. Thompson; Reverso [pictured]: Frank Woeste, Vincent Courtois, Ryan Keberle; Emilio Teubal; Lluc Casares; and Henry Spencer. Detailed playlist at https://spinitron.com/RFB/pl/18395861/Mondo-Jazz (from "Espionage" onwards). Happy listening!

Bonus Episode: Charlie Hunter Breaks Down His Most Iconic Guitar Parts //SPONSORS// Gear Exchange (Sweetwater) - https://sweetwater.com/used The Guitar Sanctuary - https://theguitarsanctuary.com Neural DSP - https://ndsp.co/chairmen (use discount code "chairmen" for 30% off) Mono - https://monocreators.com/chairmen (use code "chairmen" for 10% off) Best-Tronics - https://btpa.com (use code "dachairs" for 10% off) Stringjoy - https://stringjoy.com (use code "boards" for 10% off) //HOSTS// Grant Klassen (Goodwood Audio) - grant@goodwoodaudio.com Brian Omilion (Omilion Audio) - omilion@theguitarsanctuary.com Mason Marangella (Vertex Effects) - mason@vertexeffects.com //YOUTUBE// Watch COTB Podcast live: https://bit.ly/3VhbNea

Guitar guru Charlie Hunter teams up with the singer Victoria Victoria for resilience and redemption after a dose of  personal existential angst in the form of a pop-punk anthem on “Peanut M&M's. 

Today, I speak with Candice Ivory about her new project, When The Levee Breaks. As said on her website After releasing three acclaimed albums of jazz-driven original songs, vocalist Candice Ivory reveals a whole new sound on When the Levee Breaks: The Music of Memphis Minnie. Raised in Memphis and based in St. Louis, Ivory hails from an illustrious musical family that shaped Memphis's secular and sacred sounds. Her great-uncle was the singer and guitarist Will Roy Sanders of the Fieldstones, one of the premier Memphis blues bands from the 1970s to the 1990s. Ivory grew up in the church, and by the age of eleven, she was singing in a choir that featured the soon-to-be-famous R&B artist D'Angelo. When the Levee Breaks brings together all of her formative musical experiences in a tribute to Memphis Minnie (1897-1973), whose powerhouse vocals and compositional creativity served as inspiration for Ivory's own innovations as the Queen of Avant Soul. Produced by singular guitarist-bassist Charlie Hunter, a onetime D'Angelo collaborator, Ivory's When the Levee Breaks is a midnight run to the crossroads, where jazz, blues, gospel, and R&B all converge. https://candiceivory.com/ paypal.me/LamontJack  Join Patreon⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/africanamericanfolklorist/message

Kurt Elling has been a jazz singer for nearly 30 years. He's won two Grammys and been nominated for more than a dozen. And now he's snagged another nomination in an all new category: Best Alternative Jazz Album. Reset chats with Kurt Elling about his latest album “SuperBlue: The Iridescent Spree” after working on it with fellow musicians Charlie Hunter, Corey Fonville and DJ Harrison during the COVID-19 lockdown. We spoke to Kurt as a part of our Chicago Grammy nomination week. To hear more of those interviews, go to wbez.org/reset.

"I don't consider myself a jazz musician," says guitarist Charlie Hunter on this episode of Wong Notes—essentially refuting how he's known in the music world. "I am maybe jazz adjacent." Most listeners probably wouldn't agree, but if nothing else, Hunter is experimental. He's known for playing a guitar that's strung with both bass and electric guitar strings, that has two pickups—one for bass and one for guitar—and two input jacks, which go to separate amps for the respective sounds.As the conversation unfolds, Charlie shares with Cory about the importance of interdependence, especially in jamming. "All I want to do is be a part of an extension of [the drummer's] beat," he explains. "Everything has to take a backseat to that." He compares the level of resources he had with young musicians today—back then, for better or for worse, all he had was a metronome and the discipline exemplified by the older musicians he played with. Something else that shapes modern musical culture, he says, is globalization: Having access to every genre and the music of every guitar player can make it harder for people learning to pick a specialty.Charlie goes on to share about how he got his stripes largely from his time performing as a street musician in Europe. "I would not trade those three, four years of being a street musician for anything," he says, describing the experience as a kind of boot camp. His first lessons were in playing 12 hours a day on an unfamiliar instrument at the time—acoustic bass—on the streets of Zurich.Towards the end of the interview, Charlie and Cory reflect together on the values of bonding with your musical community in person, something that's more of a challenge with the rise of internet culture. However, Charlie has lately been using Instagram as a vehicle to share the music of Blind Blake, someone who he thinks is "literally better than any of us [on guitar]."Listen to the full episode here: https://bit.ly/WongNotesGet 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywongVisit Charlie Hunter: http://charliehunter.comHit us up: wongnotes@premierguitar.comVisit Cory: https://www.corywongmusic.comVisit Premier Guitar:

In "Multifaceted Discourse" John discusses various topics and gives shout-outs. Here's a summary of the episode: The humorous and diverse "Multifaceted Discourse" delves into a smorgasbord of subjects, with the usual touch of self-deprecating charm. Being a jazz vocalist is a real thing We saw Kurt Elling & Charlie Hunter at Yoshi's, where they always have a great accessible seating setup It was cool to see a jazz vocalist headliner; they scat on every song Bow Down John dishes out shout-outs, paying homage to a variety of individuals, and even reflects on reaching a milestone 201st episode. Shout out to slartibartfast who loves the production Shout out to Jersey girl, who ideated the blind musicians kfjc special Shout out to Nathan Mary tibby & butters who wrote in to Let me know, this is my 201st episode Shout out to the sandman who said "it's good and reassuring that AI cannot describe your show. Your show is about a specific human experience. I am glad that AI does not understand that yet, it means we still have time" Onus Removed? This could be a moment to rethink the A.D.A.'s framework. The Justice Department could take a larger role in enforcing the law, and Congress could amend the statute to give businesses a window to correct violations. Evelyn Clark We nearly take a thought-provoking turn reading The New York Times' article, "It's Time to Rethink the Americans With Disabilities Act," shedding light on disability-related discussions. Always Protect Yourself A viewing of the film "Million Dollar Baby"; delving into thoughts on body limitations and the pursuit of perfection. As Lennard Davis himself has written, "what is universal in life, if there are universals, is the experience of the limitations of the body". Yet in films like Million Dollar Baby, and seemingly in every other ideological corner, we confront what Davis calls a "fantasy…of the perfection of the body and its activities". We cannot step into this ring alone. Jay Dolmage &William DeGenaro, Ph.D. Submission The episode then takes a poetic turn, inspired by Joe Imwalle. I've submitted my poetry around to some places and that's a lot of fun and disheartening, but I'm more having fun with it. Still need a lift Wheelchair lift issues are ongoing. Book Rundown Book reviews include "2021 Best Sports Writing" anthology, Brandon Taylor's "The Late Americans" and "Biography of a Phantom" by Mack McCormick. Letting AI sum up "Multifaceted Discourse" is a delightful blend of humor, insight, and intrigue.

It's time for another monthly edition of iHearIC Radio here on the RHC feed! This time, bassist Blake Shaw came over to talk about all his various projects and play some tracks, including a couple from when he was just 18 years old! Buy some music from Blake at https://blakeshawbass.bandcamp.com Go see Blake open for Kurt Elling & Charlie Hunter at the Englert on 9/30: https://ci.ovationtix.com/36399/performance/11282346 and go see the Blake Shaw Big(ish) Band at Noce in Des Moines on 10/13: https://www.simpletix.com/e/the-blake-shaw-big-ish-band-tickets-138421 Here's the Little Village article about Blake: https://littlevillagemag.com/blake-shaw-jazz-department (also where I pulled the photo for this episode's image; photo credit to Sid Peterson) BCJsPs w/ M Denney at PS1 Close House on 11/17: https://www.facebook.com/events/879851253559552 Find all the old iHearIC stuff at http://ihearic.com, and stay subscribed to Rock Hard Caucus to get future podcast episodes. https://rockhardcauc.us

https://cartermclean.com Carter was born in San Francisco and shortly thereafter moved to Connecticut. This is where McLean listened to and fell in love with music and especially the drums. At age 10, he started his journey as a musician. Broadway wasn't even on his radar when he started working at Manny's Music in Manhattan just prior to 9/11. The self-taught musician had just wrapped up his studies at University of Colorado, Boulder and was hoping to land a gig with someone like Sting, Peter Gabriel or Paul Simon. But then, while working his shift and playing at the store, he got noticed by a vet of Stevie Wonder's band Dennis Davis and got invited to play with legendary musician Roy Ayers in Harlem. While touring with Melvin Sparks in 2002 McLean was approached to be a sub at The Lion King in NYC. This eventually lead to McLean taking over the chair at the hit show in 2011. From Charlie Hunter to the Lion King on Broadway, McLean has been busy touring and doing studio work as well as having a busy teaching schedule. In addition McLean has shared the stage or recorded with Jamie McLean, Greg Holden, Charlie Hunter, Victor Wooten, Anthony Hamilton, Bernie Worrell (Parlament Funkadelic), Fred Wesley (James Brown), Shelby Johnson (Prince), Melanie Gabriel (Peter Gabriel) Leni Stern, Matt Duke and many others.For more, subscribe to Broadway Drumming 101 here: When you subscribe for only $10 a month, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway through YouTube videos, bi-weekly podcasts, and articles on what you need to know. We also have merchandise! https://merchandise.broadwaydrumming101.comClayton Craddock hosts the Broadway Drumming 101 Podcast and has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud. He has been a sub drummer on Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants-The Musical, Evita, Cats, Avenue Q, and The Big Apple Circus. The next project he's working on is The Hippest Trip – The Soul Train Musical.Clayton has performed on various TV shows, including Good Morning America, The Colbert Report, The View, The Jimmy Fallon Show, The CBS Early Show, the Today Show, and the 2010 and 2019 TONY Awards at Radio City. He's shared the stage with legends such as The Stylistics, Denise Williams, Chuck Berry, and Ben E. King and was in the Netflix DWYCK episode of Luke Cage with the Delfonics and the HBO version of Lady Day at Emerson's Bar and Grill.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

We double-dip to close out our exploration of Les Claypool & The Holy Mackerel Presents Highball With The Devil by discussing the two instrumentals at the end. Me and Chuck features guitar great Charlie Hunter on one of Les's guitars, and Carolina Rig lays down a dirty groove underneath a fishing program that Les captured from his television. Two disparate tracks that reveal the brilliant musicianship of the principles, albeit in different fashions. Were you aware that Carolina Rig dates back to 1991? We have its original incarnation - check it out. Get involved:InstagramTwitterEmailBurn your money

This week's guest is the one…the only Stanton Moore. Stanton is GRAMMY award-winning drummer, educator and performer born and raised in New Orleans. His pride for his hometown is pretty unmatched.  In the early ‘90s, Moore helped found the New Orleans-based essential funk band Galactic who continue to amass a worldwide audience via recording and touring globally. The band has averaged 100 shows a year for the last 25 years. Moore launched his solo career in 1998. He has 8 records under his own name. In 2022 Moore started a new project with Grammy award winning guitarist and producer Eric Krasno. The Krasno / Moore Project's current record is “Book of Queens”. Throughout his 25 year career, Moore has played and or recorded with a diverse group of artists including Maceo Parker, Joss Stone, Irma Thomas, Leo Nocentelli and George Porter (of the Meters),Tom Morello (of Rage Against the Machine), Corrosion of Conformity, Donald Harrison Jr., Nicholas Payton, Trombone Shorty, Skerik, Charlie Hunter, Robert Walter, Will Bernard, Ivan Neville, Anders Osborne and the Preservation Hall Jazz Band and Les Claypool (Primus) to name a few. With a bachelor's degree in music and business from Loyola University, Moore stays involved in education by constantly presenting clinics and teaching master classes and private lessons all over the world. He has released two books and three video projects. His book Groove Alchemy was picked by Modern Drummer as one of the top 25 instructional drum books of all time. To continue with his passion for teaching and to become more closely connected with his students, he recently launched his own online drum academy, StantonMooreDrumAcademy.com. He's the man and this is one for the books. I hope you enjoy the 5 records that shaped Stanton Moore into the drummer he is today. Cheers! SUBMIT YOUR LISTENER PICKS HERE STANTON'S BIG FAT FIVE

Jordan Rose is the drummer for Theo Katzman,Cory Wong, Caleb Hawley, Darren Criss,Charlie Puth, Pomplamoose, Charlie Hunter, Jeff Coffin, Joe Louis Walker,Louis Cato, sub for Dear Evan Hansen (on Broadway), Rufus Wainwright, Ruel,SZA, Maddie Poppe, and held the chair for Only Gold (Off-Broadway). Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This episode was recorded on January 22nd, 2023 at the Culture Center Theater in Charleston, WV. The lineup includes Victoria Victoria feat. Charlie Hunter, Cass McCombs, Scott Mulvahill, Juliana Riolino, and Steady Holiday. https://bit.ly/3KUVrnk

On this Hershel Yatovitz Interview: Getting the gig with Chris Isaak and how it almost didn't happen, GREAT conversation about getting sober and some really amazing advice about asking for help, experiences playing with Joe Walsh, Stan Getz, Dizzy Gillespie, Warren Haynes, Bonnie Raitt… growing up in Palo Alto and moving to Portland, Charlie Hunter, Wicked Game, kindness and more. Really sincere convo: Cool Guitar & Music T-Shirts, ELG Merch!: http://www.GuitarMerch.com Hershel's been Chris Isaak's lead guitar player since 1995, playing on 12 LPs, touring the world, and appearing as a cast member on The Chris Isaak Show. Hershel's also played with Art Alexakis, Junior Brown, James Burton, Mark Ford, Warren Haynes, Joe Pass, Bonnie Raitt, Richie Sambora, Joe Walsh and LOADS of other artists Subscribe & Website: https://www.everyonelovesguitar.com/subscribe Support this show: http://www.everyonelovesguitar.com/support