Podcasts about no no nanette

durée : 01:28:55 - Alex Beaupain programme 42ème rue - par : Laurent Valière - 13 ans après "Les Bien-aimés" et 17 ans après" Les Chansons d'Amour", Alex Beaupain renoue avec la comédie musicale au cinéma avec "Joli Joli" qu'il a coécrit avec Diastème. Il partage ses goûts de comédie musicale. A 13h, une nouvelle étoile : "No No Nanette" de Vincent Youmans. - réalisé par : Céline Parfenoff

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

This week, we're headed back to South Bay MT to see this classic musical about... nothing?!

Introductory audio gives background on "The Railroad Hour" series and provides a synopsis for the featured show in this 1949 version of "No,No, Nanette. This is a musical comedy based on they type of comedies of the late 1920's. Track will be saved in "The Railroad Hour" playlist

Karen Johnson Mortimer began her professional career at the age of 15 in the Cole Porter musical, Anything Goes starring Toni Lamond. She has subsequently carved a dynamic career in musical theatre, contributing via a succession of roles.As a performer, Karen played Cassie in the original Australian production of A Chorus Line and appeared in musicals as diverse as Company, The Conquest of Carmen Miranda, Dames at Sea, Kiss Me Kate, No No Nanette, Irene, Cabaret and Footloose. Throughout the 80's Karen was also a regular solo guest artist in television variety on The Don Lane Show and The Mike Walsh Show. Karen's choreographic credits also include a variety of experiences. She crafted dance and movement for the Reg Livermore productions of Turns, Wonder Woman and Sacred Cow, Grease-The Mega Musical (GFO), Stones In His Pockets (STC), Leader of The Pack - The Ellie Greenwich Musical (Star City), Anzac Military Tattoo (Acer Arena), the 2007 Helpmann Awards, Tin Symphony (Opening Ceremony – 2000 Sydney Olympics), the Norman Gunston Show (ABC TV) and Farnham & Byrne (ABC).A new direction pursuing Directorial roles as Associate, Resident and Director in her own right, have seen her steer a number of prominent commercial productions.In 2017 Karen enjoyed the great honour of working with Dame Julie Andrews as her Associate Director for the 60th anniversary production of My Fair Lady . A role she also assumed for Crossroads Live's production of Dolly Parton's 9 TO 5. She has also been the Associate Director for Grease -The Arena Spectacular,  Andrew Lloyd Webber's The Wizard Of Oz, Dirty Dancing and the Australian tours of Wicked.  Karen remounted the Korean Language production of Wicked in Seoul. Karen was Resident Director for the 2009 production of Chicago and returned for the 2019 production. She directed the production of Saturday Night Fever starring Marcia Hines, and Annie starring Anthony Warlow. She has directed three annual Rob Guest Endowment Finalists Concerts held in both Sydney and Melbourne. Karen has returned to the rehearsal room to mount the recently launched season of Wicked and soon shifts focus to the return of another audience favourite - Kander and Ebb's Chicago.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

On this week's show:Happy Babe Ruth dayNo No NanetteTed WilliamsFake Babe Ruth nicknamesYou need an organ? Vermont has your back - or kidney, or whateverPhil Scott is the most popular governorVT to ban “no-rehire” clauses in discrimination suitsBad news for child bridesBeta Tech considering buying Airport Burlington neighborhood doesn't love the homeless podsGov. Scott wants to put homeless in mobile parksUpdate: 5 charged in deadly brawl Update: Libraries are back in Vermont State University The Master Gardner Helpline is back to rescue all you Black Thumbers(59:30) Break music: Project Jelinora - “Yes. You.”https://projectjelinora.bandcamp.com/track/yes-you Montpelier to become Poem City Local coffee champEssex PE champ Few survive the Rasputitsa What do we make of Virgie Tovar? Don't climb the Moran FRAMEFamed VT photographer dies  Do you want that Ben & Jerry's weed?(1:36:37) Break music:  Quasar Valley Band - “Off the Ground”https://patrickjcrowley.bandcamp.com/track/off-the-ground Scumbag Map Shooter arrested in Morrisville  Rutland couple keeps on firing on fleeing intrudersScumbag teacher in ChesterThis dude can't stop crimingNaked at the Cumby Farms Turkey hunting tips Are our parrots too lonely? Gator eats 88-year-old; family sues Narcan works on dogs Meet the world's shortest dogThanks for listening!Follow us on Facebook: facebook.com/VermontCatchup Follow Matt on twitter: @MatthewBorden4 Contact the show: 24theroadshow@gmail.comIntro/Outro Music by B-Complex

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NO, NO NANETTE (1971) COMPOSER: Vincent Youmans LYRICIST: Irving Caesar, Otto Harbach BOOK: Otto Harbach, Frank Mandel DIRECTOR: Burt Shevelove CHOREOGRAPHER: Donald Saddler PRINCIPLE CAST: Ruby Keeler (Sue), Patsy Kelly (Pauline), Susan Watson (Nanette) OPENING DATE: Jan 19, 1971 CLOSING DATE: Feb 03, 1973 PERFORMANCES: 861 SYNOPSIS: In 1920s New York, Nanette is betrothed to Tom but she has never really experienced life because of her strict guardian, Sue. Before Nanette gets married, with the help of her maid Pauline, she decides to sneak away to the lascivious world of Atlantic City for one last adventure before she says “I do.”  Robert W Schneider illustrates the surprising success held by the 1971 revival of the 1925 musical comedy, No, No, Nanette. Amidst contemporary musicals whose scores and lyrics were specifically linked to the psyches of characters and whose narratives sought to challenge the collective perceptions of audiences, No, No, Nanette's subject matter seemed trite and its songs felt disconnected and superfluous. The aging Hollywood stars tied to the show, Busby Berkeley and Ruby Keeler, furthered the public's assumptions that this production would fail, and the Boston tryout led to major artistic changes. Upon opening, audiences and critics agreed that the show provided a welcome escape from the political turmoil of the day and it was a box office success. The financial victories of the production launched a craze of revivals adhering to director Burt Shevelove's traditionalist approach; honoring the original feel of the piece but tailoring its form for modern audiences. Conversely, this chapter dictates the tenets of revisionist revivals, which seek to reimagine existing works, and outlines other notable motives for reviving works on Broadway. Robert W. Schneider holds academic appointments at Penn State University, New York Film Academy, and Mount Union University, as well as serving as the Artistic Director for The J2 Spotlight Musical Theater Company and as an original programming producer at Feinstein's/54 Below in New York City. He is the host of the podcasts Behind The Curtain: Broadway's Living Legends, Gay Card Revoked, and This Was A Thing. For the past fifteen years Robert has been one of the most prolific leaders of online education in the arts. He is a proud member of SDC, AEA, and AGVA.  SOURCES No, No, Nanette, Revival Cast Recording, Columbia (1971) The Making of No, No, Nanette by Don Dunn, published by Citadel Press (1972) No, No, Nanette starring Bernice Claire and Alexander Gray, directed by Clarence G Badger, First National Pictures (1930) No, No, Nanette starring Anna Neagle and Zazu Pitts, directed by Herbert Wilcox, Suffolk Productions (1940) Learn more about your ad choices. Visit megaphone.fm/adchoices

Joshua and Dan head to Atlantic City and you'll just never guess who is there! Hey Nanette, we just watched a show about you. Beth Leavel reacted to applause. Sandy Duncan gave off mischievous airs. Also, the musical has changed since we've seen you Nanette. Tune in to next week's episode when we discuss Andrew Lippa's The Wild Party; specifically, the Off-Broadway press reels recorded in 2000! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast

It seemed a fairly ordinary night when cohosts Dan and Joshua, two variously-aged messy kids, left Frankenstein Place that late August evening to visit the Circle in the Square Theatre for the Broadway revival of The Rocky Horror Show. It's true, there were many topics touched upon on the drive over, such as the accumulation of expectations, Lea DeLaria's prowess, and the dangers of those who impede the Daphne Rubin Vegaissance. It was an episode they were going to remember for a very long time. Tune in to next week's episode when we discuss No No Nanette; specifically, the Encores! production's performance from May 11th 2008! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast

  Fifty years ago, the Tonys celebrated Company, The Rothschilds, No No Nanette, and more during a very complex and pivotal season; listen to all the nominees and winners.  

Join me for all things MUSICAL beginning with the Letter N. This week’s podcast includes No No Nanette, Natasha, Pierre and the Great Comet of 1812, Nightingale, Napoleon, Anthony Newley, Nine, next to normal, Marni Nixon, Newsies, Notre Dame de Paris and more.

Why was Ray Chapman not wearing a batting helmet when a fastball to his temple killed him? How come Babe Ruth was there? And what do John D. Rockefeller, 'No No Nanette,' the toaster and the zipper have to do with this story? I answer those questions in this episode. *** Courtesy: Sandlot/20th Century Fox The Babe/Universal  Eight Men Out/Orion Major League/Paramount  Field of Dreams/Universal 

Brains over beauty but money is always first. From housewife to the big house Nanette Johnston has it all but then wants more. Especially when it comes to last names. Ocregister.com Oxygen.com Eastcountymagazine.com CBSNews.com NYDailynews.com Thesportster.com

Here's our program would be like back in 1971; songs from shows currently running--Follies, No No Nanette--and a special visit in our studio with the young Tim Rice and Andrew Lloyd Webber with their concept album, Jesus Christ Superstar.

Today WPMT Presents: “No, No, Nanette” with music by Vincent Youmans, lyrics by Irving Caesar and Otto Harbach, and book by Otto Harbach and Frank Mandel. Starring Doris Day as "Nanette," Gordon MacRae as "Tom Trainor," Alan Reed as "Jimmy Smith," and Verna Felton as "Sue Smith." Listen to an unforgettable hour of Classic Musicals from the Golden Age of Radio.

durée : 00:25:06 - Vincent Youmans "No no, Nanette" - par : Anne-Charlotte Rémond - Ce No, no, Nanette qui arrive à Paris en avril 1926 est tout auréolé de la gloire qu'il a acquise outre-Atlantique et outre-Manche. Deux jours avant la première, le journal Excelsior prévenait le public : "Paris va enfin entendre cette opérette qui s'est jouée seize mois consécutifs à Chicago !" - réalisé par : Claire Lagarde

Welcoming in December with music from No, No, Nanette, Pippin, and The Band's Visit!

Today is our Summer Sale here at Behind The Curtain: Broadway's Living Legends. Three for one! In this episode you will hear portions of interviews with three guests whose interviews we have not aired. When we decide not to air an interview it’s for many reasons. Either the audio quality was not strong enough, or the guest only wanted certain portions aired, but it is never because what the guest had to see was not interesting. Because of their importance to the evolution of the American musical we wanted to give you our favorite portions of their interviews. Up first is Susan Watson. Susan was the original Kim MacAfee in Bye Bye Birdie, Nanette in the 1971 revival of No No Nanette, and was in Ben Franklin in Paris, A Joyful Noise, and many others. We interviewed her over the phone from her home in Los Angeles. John Simon was one of the most controversial theater critics of the 20thCentury. His reviews were vicious, harsh, hysterical, and quite often took the performer’s physical attributes to task. His reviews got him kicked out of the New York Drama Critics Circle. Sylvia Miles dumped food on his head. And, if he gave you a negative review, you can quote it from memory. If you are a big MGM fan then the name of Carleton Carpenter must be familiar to you from the opening credits of such films as Father of the Bride, Three Little Words, Summer Stock, and Two Weeks With Love where, with Debbie Reynolds, he sang the infamous “Abba Daba Honeymoon.” Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 To book a room at Shetler Studios, head on over to: https://www.shetlerstudios.com

Get out your tap shoes, Francis, because four time Tony nominated choreographer, Randy Skinner, is here to waltz us all back in time for an intimate retrospective of his career. From working at the famed Kenley Players to being the keeper of the 42nd Street flame, Randy's career includes turns (both onstage and off) with 42nd Street, Babes in Arms, Ain't Broadway Grand, State Fair, Do Re Mi, George M, Lone Star Love, White Christmas, Of Thee I Sing, No No Nanette, On Your Toes, Dames at Sea, and many more! Randy pulls back the curtain on his career to discuss how Ginger Rodgers influenced his work, what it was like learning from Gower Champion, and why he loves the art of teaching. Also, Randy shines the spotlight on Fred Astaire, David Merrick, and John Kenley! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 

In January of 2017, Rob and Kevin sat down with two time Tony Award winner Helen Gallagher to discuss her incredible life and career. If you are a listener of the podcast you will know that a virus erased the entire interview. But, through the sheer kindness of Ms. Gallagher, Rob and Kevin got a second chance to interview her. So, without further ado, here is that interview: You can dance with any girl at all but why would you when the lovely Helen Gallagher is right here and ready to look back on her amazing journey which includes the original productions of Billion Dollar Baby, Brigadoon, High Button Shoes, the 1952 Pal Joey (for which she won a Tony Award), Make a Wish, Hazel Flagg, The Pajama Game, Sweet Charity, and the 1971 No, No, Nanette for which she won her second Tony Awards. Helen pulls back the curtain on her career to discuss how she won over Agnes DeMille, what it was like sharing a dressing room with Elaine Stritch, and why she went from refusing Sweet Charity to getting a Tony nomination! Also, Helen shines the spotlight on Cole Porter, Benny Goodman, Nanette Fabray, Gwen Verdon, and Bobby Van! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

Live from Planet Hollywood at Velocity Dance Convention Nationals, this episode of The Gina Pero Show introduces you to Mark Goodman, teacher at Velocity Dance Convention. In this episode, Mark shares his story and how his passion for tap has, and continues to inspire him, and those around him, daily. Mark's story will inspire you to follow your passion.    Mark travels and teaches both in the United States and internationally. After graduating from the University of New Hampshire, he joined The American Tap Dance Orchestra. Mark has worked with such tap legends as Gregory Hines, Savion Glover, Buster Brown and Sandman Sims. He has performed at Carnegie Hall, Lincoln Center, and with Savion Glover and Friends at Central Park. His stage performance credits include 42nd Street, No No Nanette and Anything Goes. Mark has also appeared in the Movie The Polar Express, and is currently working on a screenplay based on the legend of Don Quixote as well as his own tap company MGTC.  

Every week director Robert W Schneider and actor Kevin David Thomas pull back the curtain on neglected, forgotten, and under appreciated musicals, as well as bizarre performances, endearing television appearances, and all things show business. This week: Updating Hans Christian Anderson & inventing the nostalgia musical.

Steven Wishnoff is an actor and producer and, as he says, “anything in the arts.” How true. He knew early and says very clearly that theater acting was his oxygen. Did his parents take him to auditions. He laughs, says it was New York and you took yourself to auditions. He landed a part in No No Nanette at the age...

Ever wondered what the avid musical theatre fan did a hundred years ago?  Join Thos and Tim as they look into the world before MusicalTalk to a time when the musical theatre magazine was king and, in particular, The Play Pictorial ruled the roost for insights into the latest musicals.  Learn how shows like No No Nanette, Funny Face, Words and Music and 1909's Nellie Neil were covered - and how theatre merchandising is anything but new!