Podcasts about rue

durée : 00:58:20 - Cultures Monde - par : Julie Gacon - En Inde, le combat pour contrer les effets de la Révolution verte des années 60 a essaimé en de nombreuses initiatives. Subhash Palekar, Vandana Shiva : ils sont plusieurs à promouvoir avec ferveur une agriculture naturelle fondée sur des principes comme "zéro pesticides" afin de changer la donne. - invités : Frédéric Landy Géographe, directeur de l'Institut français de Pondichéry; Bénédicte Manier Journaliste et autrice de plusieurs ouvrages sur les initiatives citoyennes et sur l'Inde dont La route verte des Indes publié aux éditions Rue de l'échiquier ; Lionel Astruc Journaliste

durée : 00:34:42 - France Culture va plus loin (l'Invité(e) des Matins) - par : Guillaume Erner - La victoire d'un candidat d'extrême droite aux élections législatives des Pays-Bas éveille la crainte d'une nouvelle vague des extrémismes, à quelques mois des élections européennes. Quelles sont les dynamiques qui profitent à ces partis de plus en plus présents au sein des gouvernements en Europe ? - invités : Pietro Castelli Gattinara Professeur de communication politique à l'université libre de Bruxelles et titulaire de la bourse de recherche Marie Curie au Centre d'études européennes à Sciences-Po. Chercheur associé au centre d'études sur l'extrémisme de l'université d'Oslo.; Marion Van Renterghem Grand reporter

Maria Michaelson is the co- founder and co Director of Alchemy Art Center in NW Washington. She received her BA degree in Ceramics from the California College of Art in 2009. Maria spent many years in West Africa learning the craft of bronze casting. In 2016 she was an Artist in Residence at 69 Rue de Rivoli in Paris, and for 8 seasons she has participated in the San Juan Island Artist's Studio Tour. Since 2016, she has been working to create Alchemy Art Center, where her art practice is currently based.

We covered so much with Sian including: Sian's background and how @moonandrue started with a few weaning videos! The @moonandrue community – keeping it real. Baby led weaning – how a child needs to be developmentally ready (and the fact that a baby can still choke on purees). Allergens and how Rue reacted to egg when she first tried it. How Rue choked on a piece of apple, what Sian did and her feelings afterwards. The baby (up to 1) and child first aid training that Sian did with @stjohn_ambulance. Some tips around preparing foods for little ones and things to try and avoid. The baby and child first aid resources available via St John Ambulance and what they cover. Useful blog – What should I have in my first aid kit?‘Your Guide to...' (our downloadable webinars) - get 25% off any guide with the code ‘PODCAST' Instagram - @bespokefamily / @stjohn_ambulance Facebook - @bespokefamily TikTok - @MoonandRue St John Ambulance Bespoke Family 1:1 Parent Consultations: https://www.bespokefamily.co.uk/parent-consultations Hosted on Acast. See acast.com/privacy for more information.

We head to Paris's Rue des Martyrs, a street in the vibrant 9th arrondissement, which is brimming with dedicated food retailers that have been honing their craft for decades. Monocle's Claudia Jacob takes us through the addresses preserving France's traditional cuisine, as well as those going against the grain. See omnystudio.com/listener for privacy information.

Take a moment to consider how today's events and day-to-day life affect our mental health as adults. Now, pair that with peer pressure, questionable trends, and social media. Can you imagine what our kids may be going through? Join Dr. Imani and Meg as they break down how to start a discussion and ways to encourage our children to talk about their mental health. Plus, the duo performs a pop culture diagnosis on another fan favorite, Rue from HBO's series ‘Euphoria,' played by Zendaya.If you'd like to submit a listener letter, please email us at hello@imanistateofmind.com.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5754867/advertisement

Take a moment to consider how today's events and day-to-day life affect our mental health as adults. Now, pair that with peer pressure, questionable trends, and social media. Can you imagine what our kids may be going through? Join Dr. Imani and Meg as they break down how to start a discussion and ways to encourage our children to talk about their mental health. Plus, the duo performs a pop culture diagnosis on another fan favorite, Rue from HBO's series ‘Euphoria,' played by Zendaya.If you'd like to submit a listener letter, please email us at hello@imanistateofmind.com.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5754867/advertisement

Take a moment to consider how today's events and day-to-day life affect our mental health as adults. Now, pair that with peer pressure, questionable trends, and social media. Can you imagine what our kids may be going through? Join Dr. Imani and Meg as they break down how to start a discussion and ways to encourage our children to talk about their mental health. Plus, the duo performs a pop culture diagnosis on another fan favorite, Rue from HBO's series ‘Euphoria,' played by Zendaya.If you'd like to submit a listener letter, please email us at hello@imanistateofmind.com.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5754867/advertisement

ARTCENA et Rue du Conservatoire présentent « Première écoute », un rendez-vous audio pour découvrir un texte lauréat de l'Aide nationale à la création de textes dramatiques. Découvrez le texte « Les Essentielles » de Faustine Noguès, lecture dirigée par Marceau Deschamps-Segura, lu par Alexiane Torrès, Lucie Durand, Ben Rajca et Marceau Deschamps-Segura de Rue du Conservatoire. CRÉDITS : Production : ARTCENA et Rue du Conservatoire Création sonore : Marc Sayous

Join us on a journey to Prive Vineyard, a hidden gem in Oregon's Willamette Valley. In this podcast, we revisit a captivating newsletter from July 10th, 2021, as we explore the enchanting story of Prive and its transition under the ownership of Piper Underbrink.The 4th of July celebration sets the stage for this adventure, much like the anticipation of lighting fireworks. A chance discovery through Rusty, the Prince of Pinot, leads us to the previous owners, Mark and Tina Hammond, who lived the dream life for any wine enthusiast.With original vines planted in Jory soil, the transition to Pinot Noir in 1995 marked a pivotal moment for Prive. Tina, managing winemaking duties, and Mark, running a hardware store in town, crafted a remarkable legacy. Rusty's description of driving up to Prive in 2006 sets the scene, where aged wine barrels and a sign reading "Rue du Prive" welcome visitors to a slice of France in the Chehalem Mountains.In 2018, the Hammonds decided to pass the torch, and on October 20th, 2020, Piper Underbrink took the reins. Piper's journey, from catching the wine bug while working at Flowers Vineyard to her partnership with her dad and eventually acquiring Prive, adds a new chapter to this tale.As we delve into the visit, Piper's warmth and the quaint tasting room create a unique atmosphere. Tasting the exquisite 2019 Prive Pinots reveals the subtle but impactful influence of terroir. The elevation and slight soil differences bring distinct characters to these wines.Piper's dedication to preserving the legacy of Prive is evident, and her commitment to sourcing more fruit hints at exciting new offerings, including a potential Chardonnay with Pinot from Ribbon Ridge.Join us in savoring the story, the wines, and the essence of Prive Vineyard. And when you make that reservation, don't forget to tell Piper that A.J. sent you. The adventure continues, and the joy of living is found in every bottle at Prive Vineyard. Cheers!

ARTCENA et Rue du Conservatoire présentent « Première écoute », un rendez-vous audio pour découvrir un texte lauréat de l'Aide nationale à la création de textes dramatiques. Découvrez le texte « Risques et périls » de Dominique Chryssoulis, lecture dirigée par Marianne Wolfsohn , lu par Vincent Breton, Marion Träger, Tarik Kariouh et Marianne Wolfsohn de Rue du Conservatoire. CRÉDITS : Production : ARTCENA et Rue du Conservatoire Création sonore : Marc Sayous

durée : 00:28:39 - Les Pieds sur terre - par : Sonia Kronlund - Ils ont 30 et 82 ans. Il a franchi les frontières, il s'est contenté de traverser la rue. Il collectionne les antiquités et les souvenirs. C'est Paul Martin, par Valérie Borst.

durée : 00:28:39 - Les Pieds sur terre - par : Sonia Kronlund - Ils ont 30 et 82 ans. Il a franchi les frontières, il s'est contenté de traverser la rue. Il collectionne les antiquités et les souvenirs. C'est Paul Martin, par Valérie Borst.

Vous le savez, chez First Print, on s'intéresse aussi beaucoup aux BDs de genre made in France, et particulièrement à ce que réalisent les artistes du Label 619. Nous avions notamment entamé il y a deux ans une mini-série Les Chroniques de Doggybags pour revenir avec Run et Yuck sur l'ensemble de cette vaste anthologie. Depuis le passage du Label chez Rue de Sèvres, c'est sous l'intitulé LowReader que se poursuit cette anthologie en BD, propre à l'expérimentation, à la réalisation d'histoires parfois proprement horrifiques, et à diverses collaborations. Alors que la période d'Halloween vient de passer, nous avons profité de la sortie du 3e numéro de LowReader - et de la présence des 3/4 de l'équipe créative à Quai des Bulles, pour discuter de ce nouveau numéro en podcast !   Histoires étranges de l'ère numérique  LowReader #3 est un numéro spécial puisqu'il s'agit d'une collaboration du Label avec le podcast Québecquois Distorsion spécialisé sur les histoires étranges du numérique, qui donne donc sa thématique aux histoires de l'anthologie. En compagnie de Run, Rours et Petit Rapace, nous discutons des choix des histoires, de la réalisation du numéro qui, mine de rien, a pris pas mal d'années à voir le jour, mais aussi d'influences culturelles et d'horreur de façon plus générale. Une discussion format détendu comme toujours, dont on espère que vous apprécierez ce qu'il s'y raconte !   Vous pouvez commander LowReader #3 à ce lien !  Si vous appréciez nos podcasts et souhaitez le faire savoir, n'hésitez pas : partagez l'émission sur vos réseaux sociaux, parlez du podcast autour de vous, glissez en un mot à quiconque s'intéresse à la bande dessinée. Et vous pouvez aussi soutenir nos efforts via notre page Tipeee ! Merci de votre écoute et à très bientôt pour le prochain podcast !     Soutenez First Print - Podcast Comics de Référence sur Tipeee

ARTCENA et Rue du Conservatoire présentent « Première écoute », un rendez-vous audio pour découvrir un texte lauréat de l'Aide nationale à la création de textes dramatiques. Découvrez le texte « Sans poser de question » de Coralie Nonnenmacher-Guérin, lecture dirigée par Margot Abascal, lu par Christophe Reymond et Margot Abascal de Rue du Conservatoire. CRÉDITS : Production : ARTCENA et Rue du Conservatoire Création sonore : Marc Sayous

ARTCENA et Rue du Conservatoire présentent « Première écoute », un rendez-vous audio pour découvrir un texte lauréat de l'Aide nationale à la création de textes dramatiques. Découvrez le texte « Mulu » de Delphine Peraya, lecture dirigée par Antoine Doignon, lu par Léa Mounier, Christine Laurent, Ben Rajca et Antoine Doignon de Rue du Conservatoire. CRÉDITS : Production : ARTCENA et Rue du Conservatoire Création sonore : Marc Sayous

Comment devenir un géant de l'e-commerce en rachetant des marques totalement différentes, et souvent déficitaires ? Notre invitée de la semaine, Karine Schrenzel, vous prouve que c'est non seulement possible, mais aussi extraordinairement lucratif. En tant que fondatrice et dirigeante de Shopinvest et CEO des 3 Suisses et Rue du Commerce, c'est la pépite la plus cachée de l'e-commerce. Au sommaire de cet épisode captivant : Karine Schrenzel : son parcours, ses premiers pas dans l'e-commerce et comment elle en est venue à racheter des entreprises iconiques. L'art du rachat d'entreprise : Comment Shopinvest sélectionne les entreprises à racheter et les intègre rapidement dans son écosystème ? Entreprendre en couple : comment Karine et son compagnon Olivier se répartissent les rôles ? L'acquisition des 3 Suisses et de Rue du Commerce : un cas d'école sur la manière de revitaliser une marque bien établie. Les clés pour valoriser une entreprise en ligne : des techniques et des stratégies pour réussir dans un secteur compétitif. E-commerce : ce que vous ne saviez pas sur ce métier qui se joue sur des détails. Si vous avez toujours voulu comprendre les tenants et aboutissants de l'e-commerce et des rachats d'entreprises, cet épisode avec Karine Schrenzel, peut-être la meilleure dans son domaine, est fait pour vous. Appuyez sur "lecture" et plongez dans le monde fascinant de l'e-commerce, des acquisitions d'entreprises et des stratégies de croissance. TIMELINE : 00:00:00 - Introduction 00:07:00 - Les débuts de Karine Schrenzel dans l'e-commerce 00:24:00 - Google Ads 00:27:00 - Les premiers rachats d'entreprises (débuts de Shopinvest) 00:31:00 - S'associer avec son conjoint 00:41:00 - Le rachat de Bijourama 00:53:00 - Comment racheter et intégrer rapidement une entreprise ? 01:00:00 - Les critères pour racheter une entreprise chez Shopinvest 01:06:00 - Le SEO 01:08:00 - Pourquoi ne pas créer sa propre marque ? 01:22:00 - Le rachat des 3 Suisses 01:34:00 - L'e-commerce, un métier de détails 01:41:00 - Les nouveaux enjeux de l'e-commerce 02:04:00 - Comment bien racheter et valoriser une entreprise ? 02:14:00 - L'organisation de Shopinvest 02:19:00 - La Redoute, leur principal concurrent 02:21:00 - La gestion de la dette financière 02:25:00 - L'enfance de Karine, entre l'Europe et l'Amérique 02:32:00 - Les plus grandes difficultés de Karine 02:39:00 - L'importance de l'intuition 02:45:00 - Les traditionnelles questions de fin d'épisode Avec Karine, nous avons cité d'anciens épisodes de GDIY : #324 - Antoine Freysz - La méthode pour s'entourer des meilleurs #352 - Juliette Lévy - Oh My Cream ! - Se mesurer aux géants de la beauté, casser les codes des DNVB, et tout rafler #205 - Franck Ladouce - 1,5 million de CA en huit mois avec des produits bios et innovants #127 Paul Lê - De la résilience, de l'honnêteté et du travail pour réussir big time #252 - Michaël Benabou - L'autre fondateur de Veepee qui s'est émancipé pour créer son empire #290 - Gary Anssens - On ne choisit pas ses accidents, mais on peut choisir ce qu'on en fait #323 - Bruno Bonnell - 54 milliards pour l'innovation, l'industrie et la transition écologique #174 - Nathalie Balla - De moins 50 millions à 1 milliard, réinventer un géant en embarquant toute l'entreprise #344 - Robert Plomin - Et s'il était possible de prédire vos atouts dès votre naissance ? #342 - Thierry Marx - De la cité à la cuisine étoilée : l'extraction sociale d'un titan #346 - Jean-Claude Biver - Leçons d'une légende de l'horlogerie de luxe Avec Karine, nous avons parlé de : Les marques Bijourama, Rue du Commerce, Les 3 Suisses, Comptoir de l'homme Le podcast Le Panier Alvo Karine vous recommande de lire: L'autobiographie de Stefan Zweig La musique du générique vous plaît ? C'est à Morgan Prudhomme que je la dois ! Contactez-le sur : https://studio-module.com. Vous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ? Contactez mon label Orso Media via ce formulaire. Vous pouvez suivre Karine Schrenzel sur LinkedIn.

Croire, c'est faire exister une théorie pour répondre à l'inexplicable. Dans une société qu'on croyait en perte de spiritualité, de nouveaux mouvements mystiques apparaissent. Néochamanisme, néodruidisme, néopaganisme, éco-spiritualité... Ces mouvements, toujours en lien avec les nouveaux enjeux du monde comme le féminisme, l'écologie ou la décroissance se veulent progressistes et connaissent un véritable engouement depuis la crise du Covid. En 2020, le Syndicat national de l'édition (SNE) a constaté une croissance de 13% pour le secteur des ouvrages consacrés à l'ésotérisme. Alors, pourquoi la société produit-elle ces dogmes, aux frontières parfois floues ? Que disent-ils de notre époque ?   Avec :• Thierry Jobard, auteur de Je crois donc je suis (Rue de l'échiquier, 2023)  •  Damien Karbovnik, historien des religions, chercheur au laboratoire ARCHE de l'Université de Strasbourg et enseignant dans le master spiritualités, religions, utopies et mondes symboliques à l'Université Paul Valéry-Montpellier 3• Dodji Amouzouvi, sociologue spécialiste des religions. Professeur à l'université d'Abomey Calavi au Bénin.Programmation musicale :► Danger – Onipa ► Magie - Sofiane Pamart et Yg Pablo.

Croire, c'est faire exister une théorie pour répondre à l'inexplicable. Dans une société qu'on croyait en perte de spiritualité, de nouveaux mouvements mystiques apparaissent. Néochamanisme, néodruidisme, néopaganisme, éco-spiritualité... Ces mouvements, toujours en lien avec les nouveaux enjeux du monde comme le féminisme, l'écologie ou la décroissance se veulent progressistes et connaissent un véritable engouement depuis la crise du Covid. En 2020, le Syndicat national de l'édition (SNE) a constaté une croissance de 13% pour le secteur des ouvrages consacrés à l'ésotérisme. Alors, pourquoi la société produit-elle ces dogmes, aux frontières parfois floues ? Que disent-ils de notre époque ?   Avec :• Thierry Jobard, auteur de Je crois donc je suis (Rue de l'échiquier, 2023)  •  Damien Karbovnik, historien des religions, chercheur au laboratoire ARCHE de l'Université de Strasbourg et enseignant dans le master spiritualités, religions, utopies et mondes symboliques à l'Université Paul Valéry-Montpellier 3• Dodji Amouzouvi, sociologue spécialiste des religions. Professeur à l'université d'Abomey Calavi au Bénin.Programmation musicale :► Danger – Onipa ► Magie - Sofiane Pamart et Yg Pablo.

Hoy vamos a acercarnos a la música de esos maestros franco flamencos que tuvieron gran influencia en nuestras tierras, bien por sus obras, bien porque ellos mismos se desplazaron hasta territorios hispanos para ejercer sus funciones como músicos o maestros de capilla. Por eso tendremos obras de Arcadelt, Manchicourt, Mateo Romero, Pierre de la Rue, Philippe Rogier y Nicolas Gombert. Bueno también tendremos música de Josquin pero reelaborada por otros autores.Escuchar audio

Rue Mapp is the Founder and CEO of Outdoor Afro, a national not-for-profit organization that has become the nation's leading, cutting-edge network in celebrating and inspiring Black connections and leadership in nature. She is also the author of Nature Swagger, a book showcasing Black joy and strength in spaces from which they have either historically been excluded, or less represented, and makes for an inventive and uplifting celebration of Black joy in nature. In this episode of Nature Revisited, Rue recounts the formative experiences growing up in Oakland, CA - as well as the greater Bay Area - that instilled in her a love of nature and a strong desire to help make empowering experiences in nature available to the Black community. Outdoor Afro website: https://outdoorafro.org/ Rue Mapp's website: https://ruemapp.com/ Rue's book: https://www.chroniclebooks.com/products/nature-swagger Listen to Nature Revisited on your favorite podcast apps or at https://noordenproductions.com Subscribe on Spotify: https://tinyurl.com/bdz4s9d7 Subscribe on Google Podcasts: https://tinyurl.com/4a5sr4ua Subscribe on Apple Podcasts: https://tinyurl.com/5n7yx28t Support Nature Revisited https://noordenproductions.com/support Nature Revisited is produced by Stefan Van Norden and Charles Geoghegan. We welcome your comments, questions and suggestions - contact us at https://noordenproductions.com/contact

durée : 00:58:50 - Vincent Dedienne programme " 42e rue " - par : Laurent Valière - Vincent Dedienne tournera en janvier dans sa première comédie musicale avec des chansons de Alex Beaupain et Diastème. C'est ce qu'il révèle notamment aujourd'hui dans « 42e rue » à Laurent Valière en programmant les comédies musicales qu'il aime : de Mamma Mia à Victor Victoria. - réalisé par : Céline Parfenoff

H. Alan Scott/Sadie Pines and Kerri Doherty watch the 1989 Halloween TV movie "The Wickedest Witch," starring Rue McClanahan as a gorgeous bitch of a witch! They discuss their own memories of 1989 Halloween, Rue bringing her theater background to this project, and magical powers they wished for as weird little children.  You can watch "The Wickedest Witch HERE. For more Golden Girls greatness, visit OutOnTheLanai.com and follow us at... instagram.com/OutOnTheLanaiOfficial facebook.com/GoldenGirlsPodcast twitter.com/GoldenGirlsPod FOLLOW H. ALAN SCOTT/SADIE PINES... instagram.com/SadiePines instagram.com/HAlanScott linktr.ee/HAlanScott FOLLOW KERRI DOHERTY... instagram.com/squidsy twitter.com/SquidEatSquid Learn more about your ad choices. Visit megaphone.fm/adchoices

Van 4 t/m 15 oktober vond in Nederland de jaarlijkse kinderboekenweek plaats. Traditiegetrouw krijgt iedereen die in die week voor een bepaald bedrag aan kinderboeken koopt een speciaal geschreven boekje cadeau. Dit jaar werd het kinderboekenweekgeschenk geschreven door Sanne Rooseboom. Voor leesconsulent Larissa de Rue de perfecte aanleiding om de reeks Het Ministerie van Oplossingen te bespreken.

Elisabetta Sancino"L'ocra in punta di lingua"LietoColleRonzani Editorewww.ronzanieditore.itLa poesia di Elisabetta Sancino brucia da sempre per autocombustione. L'ossidazione della sua densissima sostanza avviene per lampi, improvvise incandescenze, potentissime e inaudite cariche energetiche, e innesca il principio generatore del fuoco. Per questo Boudicca la rossa, lingua imbrattata di sottopassaggi, ustione e versi, apre la silloge a gambe aperte, a gola spalancata, e scardina, e divelle. E canta senza grazia (con oscena, erotica bellezza) dal marciapiede, dall'asfalto della strada. E ciò che canta urla: chiudi tutti i libri | leggimi. Accade dentro la città, al fondo del bestiale ventre di cemento e moto: Milano, covatoio di fiore interstiziale; Milano, mora di rovo e spina nel costato. L'ocra in punta di lingua, la sezione successiva che titola la raccolta, si apre poi come un regno vegetale rimpolpato e re-impastato: terra e cenere, umido e dolcissimo miele selvatico, magma di linfa scorrente in canale del grido. La poesia di Elisabetta Sancino, anche in questa nuova prova, è l'urgenza, l'epifania, una fame imprevista inestinguibile che non semplicemente arriva, ma sgronda. La fame prodigiosa della vera poesia che ci fa saltare | nel sole, il gioco dell'essere umano al cospetto di dio che certo ci prova (che forse ci riesce) a tenere un po' a bada la morte.Elisabetta Sancino, nata e residente in provincia di Milano, è laureata in Lingue e Letterature Straniere Moderne e lavora come docente di lingua e letteratura inglese e guida turistica autorizzata. Ha pubblicato tre raccolte di poesia, Frammenti viola, 96, Rue de-La-Fontaine Edizioni, 2016, Il pomeriggio della tigre, Terra d'Ulivi, 2018 (terzo premio concorso Don Luigi di Liegro 2019) e Collezione Privata, Puntoacapo Editrice, 2021 (primo premio concorso internazionale Michelangelo Buonarroti 2021, premio della giuria Concorso Internazionale Lord Byron 2021). I suoi testi sono presenti in antologie (Il Segreto delle Fragole, LietoColle 2016 e 2019, La forma dell'anima altrui, LietoColle, 2019, Connessioni, Vita Activa Nuova, 2022), siti, blog e riviste letterarie e sono stati premiati in numerosi concorsi nazionali. Fa parte della redazione del blog Versante Ripido e ha partecipato, in qualità di giurata, alle prime due edizioni dell'omonimo premio per la sezione poesia edita.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Q is for Queer. In this episode, I'll give you an insight into Gay Paris. And by gay I mean LGBTQIA+. Where is the gay quarter... or perhaps a better question.... what's happened to the gay quarter now that gentrifcation has hit the Marais?  Also: What's a gay bookshop? What do they sell and to whom? Featured in this episode: Bryan Pirroli from The Gay Locals, Boris from Le Ju' cafe, and Nicolas Wanstok from Les Mots à la Bouche bookshop. Find more from The Gay Locals here. Find the bookshop Les Mots à la Bouche here: Address - 37 Rue Saint-Ambroise, 75011 Paris Find the bar with the rainbow umbrellas, Le Ju' cafe, here: 16 Rue des Archives, 75004 Paris Do you like this podcast? Become a Patreon member of The Earful Tower here to support this show and get extras. Want to do a tour? Get in touch on The Earful Tower's social media or book directly here: www.theearfultower.com/tours The music in this episode is from Pres Maxson, find his Substack here: https://presmaxson.substack.com/

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

durée : 00:04:10 - Le Pourquoi du comment : histoire - par : Gérard Noiriel - Les polémiques concernant le changement de noms de nos rues posent le problème des critères que l'on retient pour remplacer un patronyme par un autre. Pour montrer qu'il ne s'agit pas là d'un débat uniquement franco-français, l'exemple privilégié ici concerne l'Autriche.

L'émission 28 Minutes du 17/10/2023 "La danseuse" ou le pas de deux de Patrick Modiano avec ses souvenirs Il est, après Marcel Proust, l'autre grand écrivain français à la recherche du temps perdu. Après « La Place de l'Étoile », son premier roman en 1968, Patrick Modiano n'a cessé d'explorer sa mémoire et son passé, livre après livre. Prix Goncourt en 1978 pour « Rue des boutiques obscures », son œuvre toute entière est consacrée en 2014 quand il reçoit le prix Nobel de littérature. Depuis, le romancier, qui écrit tout à la main et garde ses manuscrits dans une valise, publie un livre tous les deux ans en moyenne. Cette année, il est de retour avec « La Danseuse », un texte court dans lequel il raconte la fascination qui fut la sienne, adolescent, pour la danse. Une discipline proche de celle de la littérature, où il s'agit de s'astreindre à une pratique quotidienne pour ne perdre ni le rythme, ni la légèreté. Patrick Modiano est notre invité. La France est-elle suffisamment armée pour lutter contre le djihadisme ?  Hier à Bruxelles, un terroriste demandeur d'asile tunisien a ouvert le feu sur deux supporters suédois. La France a renforcé ses contrôles à la frontière belge alors qu'elle est en alerte « urgence attentat », le niveau le plus élevé du dispositif Vigipirate. Ces mesures font suite à l'assassinat d'un professeur de français à Arras par un ancien élève d'origine tchétchène, fiché S et suivi depuis cet été par la DGSI. Ce « trou dans la raquette » interroge sur la capacité de notre dispositif sécuritaire à empêcher ce genre de drames mais aussi l'efficacité de nos règles juridiques. De nombreuses voix demandent que désormais tout étranger considéré comme dangereux par les services de renseignement soit systématiquement expulsé. Quitte à prendre quelques libertés avec l'État de droit. L'attaque d'Arras interroge aussi sur le profil de ces terroristes non affiliés à une organisation comme Daech, leur mode de radicalisation, leurs cibles. Cela fait planer une « atmosphère de djihadisme », selon les termes de Gérald Darmanin. La société française peut-elle « faire corps » et rester debout ? On en débat. Enfin, retrouvez également les chroniques de Xavier Mauduit et Marie Bonnisseau !  28 Minutes est le magazine d'actualité d'ARTE, présenté par Elisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement : 17 octobre 2023 - Présentation : Élisabeth Quin - Production : KM, ARTE Radio

Join Dave and Wayne for genre television show news, a glimpse into what the hosts are currently watching, and commentary and analysis of the Apple TV+ series Foundation. This week on the SciFi TV Rewatch podcast we discuss the history lesson Cleon I's hologram gives to Rue and Dusk in the hidden chamber. We question why Demerzel was not destroyed with the others at the conclusion of the Robot Wars, and whether she continues to play a long game with the Cleonic dynasty. In our What We're Watching segment, Wayne gives us all a dose of reality and brings up the conflict between Israel and Palestine. Dave laments not finding any genre shows that interest him and spends time with the Prime Video historical drama Billy the Kid.  In Listener Feedback, Cincinnati Joe feels some scenes were a bit melodramatic, and Fred from the Netherlands questions how the secret chamber could be so clean after centuries of neglect. Alan in England hangs in there with Manifest, and Alan in Minnesota gives the episode a full on A grade.  Remember to join the genre television and film discussion on the SciFi TV Rewatch Facebook group for the latest genre television show news and podcast releases. Episode Grade: A

Les séries ado ont toujours évoqué de près ou de loin la santé mentale des jeunes mais les fictions modernes ont poussé le curseur plus loin avec des personnages plus représentatifs et identifiables pour toute une nouvelle génération. Dans le cadre des semaines de la santé mentale, AlloCiné s'interroge sur ces nouvelles représentations d'un sujet de plus en plus évoqué dans notre société.Jean-Victor Blanc, médecin psychiatre à l'APHP de Paris, auteur, conférencier et créateur de Culture Pop & Psy, décrypte pour AlloCiné 3 personnages désormais incontournables dans la fiction pour jeunes adultes, dont l'arc narratif touche à la santé mentale.Dans cette deuxième partie, c'est le personnage de Rue de Euphoria qui est décrypté sous l'œil expert de Jean-Victor Blanc. N'hésitez pas à partager, noter, commenter l'émission et à vous abonner à AlloCiné Podcasts.Tous nos épisodes sont à retrouver sur les plateformes de podcast, dont Deezer, Spotify, Apple Podcasts, Acast...Crédits :Journaliste - présentatrice : Mégane ChoquetRéalisation : Alexandre EarMontage : Chanelle Morvan

On the Shelf for October 2023 The Lesbian Historic Motif Podcast - Episode 269 with Heather Rose Jones Your monthly roundup of history, news, and the field of sapphic historical fiction. In this episode we talk about: Getting back to blogging The Anne Lister Research Summit, Oct. 14-15, 2023 Recent and upcoming publications covered on the blogPalmer, Paulina. 1999. Lesbian Gothic: Transgressive Fictions. Cassell, New York. ISBN 0-304-70154-8 Yiannitsaros, Chirstopher. 2010. “'I'm scared to death she'll kill me: Devoted Ladies, feminine monstrosity, and the (lesbian) Gothic Romance” in The Irish Journal of Gothic and Horror Studies 8: 41-52. Parker, Sarah. 2008. “'The Darkness is the Closet in Which Your Lover Roosts Her Heart': Lesbians, Desire and the Gothic Genre” in Journal of International Women's Studies, Vol. 9, Issue 2: 3-16. McCallum, E.L. & Mikko Tuhkanen, eds. 2014. The Cambridge History of Gay and Lesbian Literature Cambridge University Press, New York. ISBN 978-1-107-03521-8 Recent Lesbian/Sapphic Historical FictionWar and Solace (Tales from Norvegr #3) by Edale Lane Cities of Women by Kathleen B. Jones Let the Waters Roar by Geonn Cannon The Heart of the Banshee (series #2) by Carolyn Elizabeth A Lady to Treasure by Marianne Ratcliffe Mary and the Birth of Frankenstein by Anne Eekhout Western Blue by Suzie Clarke Deeds and Words: A Sapphic Historical Mystery (Louisa & Ada #2) by Sarah Bell Lovesick Blossoms by Julia Watts Other Titles of InterestMenewood (The Light of the World #2) by Nicola Griffith Unsettled by Patricia Reis Gin, Turpentine, Pennyroyal, Rue by Christine Higdon A Glimpse into Your Soul by Char Dafoe Songs of Irie by Asha Ashanti Bromfield What I've been consumingA Study in Garnet by Meredith Rose Thornhedge by T. Kingfisher The Adventures of Amina al-Sirafi by Shannon Chakraborty A Nobleman's Guide to Seducing a Scoundrel by K.J. Charles Call for submissions for the 2024 LHMP audio short story series. See here for details. A transcript of this podcast is available here. (Interview transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

durée : 00:03:52 - La chronique d'Aymeric Lompret - Aymeric Lompret fait sont retour dans Le grand dimanche Soir. En surfant sur l'actualité, il nous apprend que 2000 enfants sont à la rue en France. C'est 20% de plus que l'année dernière ! La faute à l'été indien qui se prolonge, donnant envie aux enfants de rester dehors ? Pas seulement...

Poet, novelist, playwright, and critic Dr. George Elliott Clarke is a native of Windsor, Nova Scotia. He is a seventh-generation Canadian of African American and Mi'kmaq Indigenous descent. He earned his BA from the University of Waterloo, MA from Dalhousie University, and PhD from Queen's University in Kingston, Ontario (which is where I first met him.) Clarke has served as both Poet Laureate of Toronto, Ontario and Parliamentary Poet Laureate of Canada, and he teaches Canadian literature at the University of Toronto. He is a member of the Order of Nova Scotia and the Order of Canada. He has written too many books to mention but some particular favourites of mine are Saltwater Spirituals and Deeper Blues, Whylah Falls which he later adapted for the radio and stage, Lush Dreams, Blue Exile: Fugitive Poems, Execution Poems: The Black Acadian Tragedy of George and Rue, which won the Governor General's Literary Award, Red, Black, Blue, Gold, White, Canticles, War Canticles, Canticles III, and Where Beauty Survived: An Africadian Memoir (2021.) He's also the author of many critical and scholarly works, including Odysseys Home: Mapping African-Canadian Literature (2002).George Elliott Clarke is no stranger to the Detroit River borderlands and to BookFest/Festival du Livre Windsor in particular, and this October, he'll be appearing BookFest Windsor again. On October 14th, he'll be appearing at the Windsor launch of his latest project, Black Scientist, Black Activist, Black Icon, and on October 15th, he'll be part of the always popular BookFest Windsor event, the Poetry Café.Available from Nimbus Publishing.About BookFest / Festival du Livre Windsor https://www.literaryartswindsor.ca/bookfest/

durée : 00:58:54 - Maxime Pascal programme 42e rue - par : Laurent Valière - Le chef d'orchestre Maxime Pascal dirige en octobre sa formation Le Balcon dans l'Opéra de quat'sous à la Comédie Française. A Noël dernier, il avait choisi de diriger la Petite Boutique des Horreurs à l'Opéra-Comique sous la mise en scène de Christian Hecq et Valérie Lessort. - réalisé par : Céline Parfenoff

durée : 00:04:23 - Le Reportage de la Rédaction - C'est une association qui œuvre pour l'accueil d'urgence de personnes sans domicile en réinsertion dans les locaux d'entreprise le soir et le week-end. Comme à Étampes, dans l'Essonne, dans l'entreprise Handicall, qui accueille chaque soir, un jeune sans domicile en cours de formation.

Biennale AMOUR VIVANT

On this week's episode Rue discusses things he has learned in his 30's. --- Subscribe to Sofrito Speaks to unlock extra content this season! https://anchor.fm/sofritospeaks/subscribe --- Check all our platforms out!: https://linktr.ee/sofritospeaks --- Share, Like or Comment for free! Thank You for tuning in. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sofritospeaks/message

On this week's episode Rue discusses things he has learned in his 30's. --- Subscribe to Sofrito Speaks to unlock extra content this season! https://anchor.fm/sofritospeaks/subscribe --- Check all our platforms out!: https://linktr.ee/sofritospeaks --- Share, Like or Comment for free! Thank You for tuning in. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sofritospeaks/message

In this week's Mockingjay episode, Suz pulls it off and everyone cries.Gus' finalized bingo card is HERE!~~~Material covered in this episode: Chapters 25 through the Epilogue of MOCKINGJAYThis episode contains SPOILERS through THE END of MOCKINGJAY~~~SUPPORT STRIKING ACTORS AND WRITERS BY DONATING TO THE ENTERTIANMENT COMMUNITY FUNDCheck out our TWITTER, INSTAGRAM, and TIKTOKCheck out our Patreon at patreon.com/wheeltakesEmail us at wheeltakespodcast@gmail.comUS-friendly MERCHANDISE: https://www.zazzle.com/store/wheeltakesmerch/productsEurope-friendly MERCHANDISE: https://wheel-takes-merch.myspreadshop.co.uk/allSend us a card!Wheel Takes PodcastP.O. Box 1457El Segundo, CA 90245~~~Support the Prague Shakespeare Company!US-based donation link: https://urldefense.com/v3/__https:/www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=P3XXBTWT4SKLY__;!!LpKI!yRseJwkaasaNLZf5LUF-SJG--u97dLQUppRndhKmWCQxNXuV5SUOaJdbb7svXF1Kug$Donate via check:Payable to: Prague Shakespeare Company AmericaPrague Shakespeare Company America1111 North Country Club DriveShoreacres, TX 77571Memo: In Support of PSCEuropean resources: https://www.pragueshakespeare.com/support-psc.html~~~Music: THE GREAT BATTLE by Alexander Nakarada.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5747467/advertisement

durée : 00:04:27 - Le Reportage de la Rédaction - C'est une association qui œuvre pour l'accueil d'urgence de personnes sans domicile en réinsertion dans les locaux d'entreprise le soir et le week-end. Comme à Étampes, dans l'Essonne, dans l'entreprise Handicall, qui accueille chaque soir, un jeune sans domicile en cours de formation.

2023-09-17 Homélie - Rue du Bac (Paris) by Radio Maria France

In this week's Mockingjay episode, everything is terrible and Gus can't imagine how it could possibly get worse, even though Gale isn't here.Gus' filled-in bingo card is HERE!Check out Ali's new podcast, THE HOT NUANCE BOOK CLUB!~~~Material covered in this episode: Chapters 22 through 24 of MOCKINGJAYThis episode contains SPOILERS through CHAPTER 24 of MOCKINGJAYERRATA: Gus actually definitely can say what his "anything else, Gus?" joke is a reference to, because it's an animated show. It's a reference to Avatar: The Last Airbender.~~~SUPPORT STRIKING ACTORS AND WRITERS BY DONATING TO THE ENTERTIANMENT COMMUNITY FUNDCheck out our TWITTER, INSTAGRAM, and TIKTOKCheck out our Patreon at patreon.com/wheeltakesEmail us at wheeltakespodcast@gmail.comUS-friendly MERCHANDISE: https://www.zazzle.com/store/wheeltakesmerch/productsEurope-friendly MERCHANDISE: https://wheel-takes-merch.myspreadshop.co.uk/allSend us a card!Wheel Takes PodcastP.O. Box 1457El Segundo, CA 90245~~~Support the Prague Shakespeare Company!US-based donation link: https://urldefense.com/v3/__https:/www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=P3XXBTWT4SKLY__;!!LpKI!yRseJwkaasaNLZf5LUF-SJG--u97dLQUppRndhKmWCQxNXuV5SUOaJdbb7svXF1Kug$Donate via check:Payable to: Prague Shakespeare Company AmericaPrague Shakespeare Company America1111 North Country Club DriveShoreacres, TX 77571Memo: In Support of PSCEuropean resources: https://www.pragueshakespeare.com/support-psc.html~~~Music: THE GREAT BATTLE by Alexander Nakarada.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5747467/advertisement

durée : 00:22:50 - France Culture va plus loin (l'Invité(e) des Matins) - par : Guillaume Erner - À la fois foyer familial et lieu de création, le 5 bis Rue de Verneuil est indissociable de l'œuvre de Serge Gainsbourg. Le 20 septembre, la maison de l'artiste ouvrira ses portes au public, 32 ans après la mort du chanteur. - invités : Charlotte Gainsbourg Actrice et chanteuse franco-britannique