Podcasts about Anthony Warlow

Anthony Warlow, considered one of Australia’s greatest musical performers, is returning to the stage in Annie. Known for his iconic role in The Phantom of the Opera, Warlow’s presence in the production brings gravitas and excitement to the beloved musical.See omnystudio.com/listener for privacy information.

ANNIE part 3: Anthony Warlow [Chicago, Phantom Of The Opera] reprises his role as Oliver (Daddy) Warbucks for the new Australian production of ANNIE [Crossroads Live], now playing at the Capitol Theatre before touring nationwide. Hear Anthony discuss his history with the role and show, the exciting new technology and cast assembled and (as over the years named three of Anthony's albums our Album of the Month), I ask if the song, 'Why Would I Change A Thing' written by the original songwriters Charles Stouse and Martin Charnin especially for him in this role will be seen in this production.  Watch performances: ~ 'NYC' in Annie ~ Audience reactions watching Annie the musical ~ Audience reactions with Sandy ~ 'All I Care About Is Love' Anthony Warlow in Chicago ~ 'Best of Act 1' Album of the month review ~ 'Jeykl & Hyde' Album of the month review ~ 'The Main Event' Album of the month review Let Me Entertain You- Instagram | Twitter | Facebook | TikTok | Youtube

It was a wonderful surprise to find Kevin Walters waiting for us at work this morning, and it gave a late Nikki the shock of her life - We're deep in Anthony Warlow territory and what's the difference between Waka Waka and Iko Iko?See omnystudio.com/listener for privacy information.

A musical theatre actor responsible for some of the most notable performances on our stages, Anthony Warlow began his career with the Australian Opera in 1980. He has since become a household name thanks to his work in The Phantom of the Opera, The Secret Garden, Annie, My Fair Lady, Jeckyll & Hyde to name only a few, while also performing with Opera Australia for The Magic Flute, Die Fledermaus, The Pirates of Penzance, and more. He's performed on Broadway and the West End, and has several albums to his name. In this extended version of the broadcast edition, Anthony displays his deep understanding of how to create a successful performance, time and again. We hear stories about his journey to the stage, and about some of the roles that have made him one of Australia's popular and successful musical theatre performers. Anthony Warlow plays Billy Flynn, the lawyer who lets you get away with murder, in Chicago, on now at Sydney's Capitol Theatre.

Look at us, Kimmy! Coz this week we're joined by Aussie comedy legend, Peter Rowsthorn! (Say what?! *faints*) Joining AW and Matt fresh from visiting Roxy at the Cook County Jail, the star of 'Kath and Kim', 'Crackers', and 'Chicago: the Musical' -currently touring Australia- brings his affable charms into our torture chamber for some Murderdolls' 'Women and Children Last', before we queue up to 'Ride the Cyclone' with the cult Canadian smash hit! Plus, we chat the current Chicago tour, Kath and Kim noses, Chicago again, The Comedy Company, Ownership of Characters, Mama Asabi in Chicago, Nike Moccasins, and even MORE Chicago: the Musical!'CHICAGO: the Musical' Tickets: https://chicagomusical.com.au/ - Now Playing in Brisbane, then Melbourne (March), Sydney (June), and Adelaide (August).-SOCIALS-Peter on IG: https://www.instagram.com/peterrowsthorn/Matt: https://www.instagram.com/mattyoungactor/*****Juxtaposing Metal with Musicals - joined by iconic guests from the worlds of Music, Broadway, Hollywood, and more! https://www.thetonastontales.com/listen -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasurehttps://linktr.ee/thrashntreasure*****Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks!https://www.thetonastontales.com/bookstore - TNT20 ***** ★ Support this podcast on Patreon ★

Soprano Julie Lea Goodwin performs across opera, musical theatre, and classical cross-over. She has played Musetta in La Bohème and Maria in West Side Story for Opera Australia. She performed opposite Anthony Warlow in Phantom of the Opera, and has sung as a soloist with many of Australia's Symphony Orchestras. With Christmas in the air, she'll be joining the Sydney Philharmonia Choirs for Carols at the House for three concerts from 15th to the 17th of December in the Concert Hall of the Sydney Opera House. Julie Lea knew she wanted to be a performer from a very early age, and tells stories of singing to the horses on the family's property out of Brisbane and enjoying the old Hollywood musicals on video. She charts her carer from her remarkable early break as Christine in Phantom of the Opera, through making her debut with Opera Australia and singing with orchestras and ensembles around the country.

Continuando con nuestra idea de dedicar un musical de tono navideño a nuestros “Cuentame…” del mes de Diciembre, tras “Mame” en 2020, “White Christmas” en 2021 y “Oliver” en 2022, este 2023 lo dedicamos a “ANNIE”, la pequeña huérfana salida de una tira cómica, publicada en el diario New York Daily News desde 1924 hasta 2010. Annie ha conocido muchas adaptaciones tanto en programas de radio, como en películas, telemovies y por supuesto al musical que hoy vamos a comentar. Estrenado en Broadway en 1977 con enorme éxito se sigue reponiendo con cierta asiduidad e incluso lo hemos visto en España, donde aparece de cuando en cuando de gira por la península. La grabación que hemos utilizado para el podcast es principalmente la de la producción de Broadway de 2012 dirigida por James Lapine con coreografías de Andy Blankenbuehler, con Lilla Crawford como Annie, Katie Finneran como Miss Hannigan, Anthony Warlow como Oliver Warbucks, Brynn O’Malley como Grace Farrell, Clarke Thorell como Rooster Hannigan, y J. Elaine Marcos como Lily St. Regis. 00h 00’00” Maybe / Tomorrow – Audra McDonald 00h 01’59” Presentación 00h 03’23” Cabecera 00h 04’29” Introducción 00h 05’24” Overture 00h 09’36” Maybe 00h 12’50” It’s a hard knock life 00h 15’36” It’s a hard knock life (Reprise) 00h 16’56” Tomorrow 00h 20’18” We’d like to thank you, Herbert Hoover 00h 23’07” Little girls 00h 25’56” Little girls (Reprise) 00h 26’53” I think I’m gonna like it here 00h 31’09” N.Y.C. 00h 38’26” Easy Street 00h 42’16” You won’t be an orphan for long / Finale Act One 00h 44’47” Entr’acte / Maybe (Reprise) 00h 46’16” You’re never fully dressed without a smile 00h 50’34” Easy Street (Reprise) 00h 51’57” Tomorrow (Cabinet Reprise) 00h 56’20” Something was missing 01h 00’35” Annie / We got Annie 01h 02’29” I don’t need anything but you 01h 05’19” Maybe (Second reprise) 01h 08’00” A new deal for Christmas 01h 11’26” Curiosidades y anécdotas 01h 13’26” Why should I change a thing 01h 17’52” You make me happy 01h 22’22” Don’t mes with mother 01h 26’48” Te necesito solo a ti / Annie 01h 31’06” Let’s go to the movies 01h 36’16” Firme 01h 38’51” Tonto – Sandy 01h 43’16” Easy Street 01h 49’21” Little girls 01h 52’43” Tomorrow is now 01h 54’45” It’s Christmas 01h 58’21” Bows

Anthony Warlow has been thrilling audiences from the moment he arrived on the theatrical scene and has successfully inhabited a diversity of roles in opera and musical theatre, his versatility gaining him an honoured place on the international stage.From his debut with the Australian Opera in Benjamin Britten's A Midsummer Night's Dream in 1980, he has left an indelible stamp on the industry both at home and abroad. Anthony's lengthy stage credits include the London National Theatre production of Guys and Dolls, making his music theatre debut with the role of Sky Masterson in 1986, creating the role of Enjolras in the Australian production of Les Misérables (1988), and the title role of the Phantom in Sir Andrew Lloyd Webber's The Phantom of the Opera (1990 and 2007-2008). In 1995 he enjoyed a joyous season in Lucy Simon's The Secret Garden as Archie Craven, and collaborated with her again in 2010, creating the role of Dr Yuri Zhivago in the Australian premiere production of Doctor Zhivago: The Musical. Other highlights include Australian tours of Annie (2000 and 2012), seasons with Opera Australia and a critically acclaimed performance as Tevye in Fiddler On The Roof in 2016.Anthony made his Broadway debut in 2013, portraying the iconic role of Oliver “Daddy” Warbucks in the 35th Anniversary production of Annie, directed by James Lapine. His performance won him several Broadway nominations (Drama Desk, Drama League, People's Choice), and in 2015 he was invited to return to the US to perform the dual roles of Miguel De Cervantes/ Don Quixote in The Shakespeare Theatre Company of Washington production of Man of La Mancha. This portrayal won him the prestigious Helen Hayes Award for Outstanding Actor in a Musical. The same year he replaced Kelsey Grammer (Frasier) in the Broadway production of Finding Neverland, playing the roles of Charles Frohman/ Captain Hook.Anthony made his Carnegie Hall debut in 2013 but is no stranger to the concert platform, performing around Australia with our Symphony Orchestras. His studio recordings have spanned more than 20 years and include solo albums, cast recordings and live performances in concert and with Opera Australia. His love of “flawed anti-heroes” continued with his portrayal of Sweeney Todd, The Demon Barber of Fleet Street. His performance was hailed by critics and was a welcome addition to his theatrical canon.Anthony has been honoured by the nation receiving the title of Living National Treasure, and his outstanding achievements acknowledged with his investiture as a Member of the Order of Australia (AM) for his services to the performing arts. He is married to Amanda and divides his time and career between Australia's capital cities and New York.Anthony Warlow is back on the boards and will step into the shoes of the cunning and charismatic lawyer Billy Flynn in audience favourite; CHICAGO. The musical opens in Perth on November 21st, prior to a national tour.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Anthony Warlow has been thrilling audiences from the moment he arrived on the theatrical scene and has successfully inhabited a diversity of roles in opera and musical theatre, his versatility gaining him an honoured place on the international stage.From his debut with the Australian Opera in Benjamin Britten's A Midsummer Night's Dream in 1980, he has left an indelible stamp on the industry both at home and abroad. Anthony's lengthy stage credits include the London National Theatre production of Guys and Dolls, making his music theatre debut with the role of Sky Masterson in 1986, creating the role of Enjolras in the Australian production of Les Misérables (1988), and the title role of the Phantom in Sir Andrew Lloyd Webber's The Phantom of the Opera (1990 and 2007-2008). In 1995 he enjoyed a joyous season in Lucy Simon's The Secret Garden as Archie Craven, and collaborated with her again in 2010, creating the role of Dr Yuri Zhivago in the Australian premiere production of Doctor Zhivago: The Musical. Other highlights include Australian tours of Annie (2000 and 2012), seasons with Opera Australia and a critically acclaimed performance as Tevye in Fiddler On The Roof in 2016.Anthony made his Broadway debut in 2013, portraying the iconic role of Oliver “Daddy” Warbucks in the 35th Anniversary production of Annie, directed by James Lapine. His performance won him several Broadway nominations (Drama Desk, Drama League, People's Choice), and in 2015 he was invited to return to the US to perform the dual roles of Miguel De Cervantes/ Don Quixote in The Shakespeare Theatre Company of Washington production of Man of La Mancha. This portrayal won him the prestigious Helen Hayes Award for Outstanding Actor in a Musical. The same year he replaced Kelsey Grammer (Frasier) in the Broadway production of Finding Neverland, playing the roles of Charles Frohman/ Captain Hook.Anthony made his Carnegie Hall debut in 2013 but is no stranger to the concert platform, performing around Australia with our Symphony Orchestras. His studio recordings have spanned more than 20 years and include solo albums, cast recordings and live performances in concert and with Opera Australia. His love of “flawed anti-heroes” continued with his portrayal of Sweeney Todd, The Demon Barber of Fleet Street. His performance was hailed by critics and was a welcome addition to his theatrical canon.Anthony has been honoured by the nation receiving the title of Living National Treasure, and his outstanding achievements acknowledged with his investiture as a Member of the Order of Australia (AM) for his services to the performing arts. He is married to Amanda and divides his time and career between Australia's capital cities and New York.Anthony Warlow is back on the boards and will step into the shoes of the cunning and charismatic lawyer Billy Flynn in audience favourite; CHICAGO. The musical opens in Perth on November 21st, prior to a national tour.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Clairsy and Lisa opened the phones and asked about your brushes with fame and you guys really have met some big stars. In The Shaw Report, there's a bidding war for Britney Spears memoirs plus my morning TV on Channel 10 won't be the same next year. Anthony Warlow is in town to appear in Chicago, he joined Clairsy & Lisa in the studio for a chat about his long theatre career. Clairsy told Lisa about a proposal by a Joondalup Councillor to allow cats into the local library.See omnystudio.com/listener for privacy information.

Anthony Warlow has been thrilling audiences from the moment he arrived on the theatrical scene and has successfully inhabited a diversity of roles in opera and musical theatre, his versatility gaining him an honoured place on the international stage.From his debut with the Australian Opera in Benjamin Britten's A Midsummer Night's Dream in 1980, he has left an indelible stamp on the industry both at home and abroad. Anthony's lengthy stage credits include the London National Theatre production of Guys and Dolls, making his music theatre debut with the role of Sky Masterson in 1986, creating the role of Enjolras in the Australian production of Les Misérables (1988), and the title role of the Phantom in Sir Andrew Lloyd Webber's The Phantom of the Opera (1990 and 2007-2008). In 1995 he enjoyed a joyous season in Lucy Simon's The Secret Garden as Archie Craven, and collaborated with her again in 2010, creating the role of Dr Yuri Zhivago in the Australian premiere production of Doctor Zhivago: The Musical. Other highlights include Australian tours of Annie (2000 and 2012), seasons with Opera Australia and a critically acclaimed performance as Tevye in Fiddler On The Roof in 2016.Anthony made his Broadway debut in 2013, portraying the iconic role of Oliver “Daddy” Warbucks in the 35th Anniversary production of Annie, directed by James Lapine. His performance won him several Broadway nominations (Drama Desk, Drama League, People's Choice), and in 2015 he was invited to return to the US to perform the dual roles of Miguel De Cervantes/ Don Quixote in The Shakespeare Theatre Company of Washington production of Man of La Mancha. This portrayal won him the prestigious Helen Hayes Award for Outstanding Actor in a Musical. The same year he replaced Kelsey Grammer (Frasier) in the Broadway production of Finding Neverland, playing the roles of Charles Frohman/ Captain Hook.Anthony made his Carnegie Hall debut in 2013 but is no stranger to the concert platform, performing around Australia with our Symphony Orchestras. His studio recordings have spanned more than 20 years and include solo albums, cast recordings and live performances in concert and with Opera Australia. His love of “flawed anti-heroes” continued with his portrayal of Sweeney Todd, The Demon Barber of Fleet Street. His performance was hailed by critics and was a welcome addition to his theatrical canon.Anthony has been honoured by the nation receiving the title of Living National Treasure, and his outstanding achievements acknowledged with his investiture as a Member of the Order of Australia (AM) for his services to the performing arts. He is married to Amanda and divides his time and career between Australia's capital cities and New York.Anthony Warlow is back on the boards and will step into the shoes of the cunning and charismatic lawyer Billy Flynn in audience favourite; CHICAGO. The musical opens in Perth on November 21st, prior to a national tour.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

Karen Johnson Mortimer began her professional career at the age of 15 in the Cole Porter musical, Anything Goes starring Toni Lamond. She has subsequently carved a dynamic career in musical theatre, contributing via a succession of roles.As a performer, Karen played Cassie in the original Australian production of A Chorus Line and appeared in musicals as diverse as Company, The Conquest of Carmen Miranda, Dames at Sea, Kiss Me Kate, No No Nanette, Irene, Cabaret and Footloose. Throughout the 80's Karen was also a regular solo guest artist in television variety on The Don Lane Show and The Mike Walsh Show. Karen's choreographic credits also include a variety of experiences. She crafted dance and movement for the Reg Livermore productions of Turns, Wonder Woman and Sacred Cow, Grease-The Mega Musical (GFO), Stones In His Pockets (STC), Leader of The Pack - The Ellie Greenwich Musical (Star City), Anzac Military Tattoo (Acer Arena), the 2007 Helpmann Awards, Tin Symphony (Opening Ceremony – 2000 Sydney Olympics), the Norman Gunston Show (ABC TV) and Farnham & Byrne (ABC).A new direction pursuing Directorial roles as Associate, Resident and Director in her own right, have seen her steer a number of prominent commercial productions.In 2017 Karen enjoyed the great honour of working with Dame Julie Andrews as her Associate Director for the 60th anniversary production of My Fair Lady . A role she also assumed for Crossroads Live's production of Dolly Parton's 9 TO 5. She has also been the Associate Director for Grease -The Arena Spectacular,  Andrew Lloyd Webber's The Wizard Of Oz, Dirty Dancing and the Australian tours of Wicked.  Karen remounted the Korean Language production of Wicked in Seoul. Karen was Resident Director for the 2009 production of Chicago and returned for the 2019 production. She directed the production of Saturday Night Fever starring Marcia Hines, and Annie starring Anthony Warlow. She has directed three annual Rob Guest Endowment Finalists Concerts held in both Sydney and Melbourne. Karen has returned to the rehearsal room to mount the recently launched season of Wicked and soon shifts focus to the return of another audience favourite - Kander and Ebb's Chicago.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Michael Westlake is a master of creating soundscapes, carefully composing auditory experiences that transport audiences to other realms. Yet, amidst the symphony of his creative endeavours, he finds peace in the serene simplicity of silence, often finding solace in meditation to tap into his inner muse.https://www.michaelwestlakemusic.com.au/

Join us for part two of our deep dive inside the beloved musical THE SECRET GARDEN with Grammy-winning composer Lucy Simon, Pulitzer Prize-winning playwright, screenwriter and novelist Marsha Norman and host, acclaimed director and choreographer Warren Carlyle. This special episode includes a performance by original show stars John Cameron Mitchell and Daisy Eagan singing “Wick”. Featured Songs: LILY'S EYES from THE SECRET GARDEN Music by Lucy Simon, Lyrics by Marsha Norman Performed by Anthony Warlow and Philip Quest WICK from THE SECRET GARDEN Music by Lucy Simon, Lyrics by Marsha Norman Performed by Daisy Eagan and John Cameron Mitchell Learn more about your ad choices. Visit megaphone.fm/adchoices

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Tony and Olivier Award-winning musical theatre star — and two-time Disney Princess — Lea Salonga rose to international fame for originating the role of Kim in the stage musical Miss Saigon. She retraces her journey into the spotlight and struggles along the way. Also, voice and dialect coach Leith McPherson explains how she helps actors to find their character's voice and the prolific, 'critic-proof' composer Frank Wildhorn reflects on his long career and best-known work, including Jekyll and Hyde and Bonnie and Clyde.

Tony and Olivier Award-winning musical theatre star — and two-time Disney Princess — Lea Salonga rose to international fame for originating the role of Kim in the stage musical Miss Saigon. She retraces her journey into the spotlight and struggles along the way.Also, voice and dialect coach Leith McPherson explains how she helps actors to find their character's voice and the prolific, 'critic-proof' composer Frank Wildhorn reflects on his long career and best-known work, including Jekyll and Hyde and Bonnie and Clyde.

Tony and Olivier Award-winning musical theatre star — and two-time Disney Princess — Lea Salonga rose to international fame for originating the role of Kim in the stage musical Miss Saigon. She retraces her journey into the spotlight and struggles along the way. Also, voice and dialect coach Leith McPherson explains how she helps actors to find their character's voice and the prolific, 'critic-proof' composer Frank Wildhorn reflects on his long career and best-known work, including Jekyll and Hyde and Bonnie and Clyde.

Darryl Lovegrove is a blend of corporate speaker, entertainer, storyteller, stage performer, musician and full-contact opera guy (it'll make sense). He is one of Australia's most in-demand speakers, headlining many Top 500 company conferences, including the famed ‘Million Dollar Round Table' in the USA. Inspired by the world's greatest opera singers The Three Tenors, Darryl and his business partner established the operatic corporate entertainment phenomenon ‘The Three Waiters' which quickly became the most performed corporate entertainment act in the world, experienced by over three million people in 70 countries. Darryl was in the original Australian casts of ‘Les Miserables', ‘Chess' and featured with Sarah Brightman and Anthony Warlow in The Music of Andrew Lloyd Webber. He received critical acclaim for his portrayals of John Lennon in ‘Looking Through a Glass Onion' and Jesus in ‘Jesus Christ Superstar'. Enjoy.  See omnystudio.com/listener for privacy information.

A soprano and actress who has established an international career spanning opera, theatre, concert and film, Anna O'Byrne has performed with the likes of Anthony Warlow and Emma Thompson, sung for Charles and Camilla, and appeared in everything from West Side Story to Barnum, and Guys and Dolls to A Little Night Music. But her most well known role on these shores was as Eliza Doolittle in the 60th Anniversary production of My Fair Lady, at the Sydney Opera House, for which she won the Helpmann Award for Best Female Actor in a Musical. Anna appears at the Playhouse of the Sydney Opera House in her own one-woman show, Becoming Eliza, from 9-12 June. In this conversation, Anna shares stories of working with and learning from her childhood idol Julie Andrews, her remarkable start in The Phantom of the Opera, only a few weeks after finished her degree, plus being part of the recreation of the role of Christine Daaé for Love Never Dies when it got its second start in Melbourne.

Jackson Harnwell is a former singer and conductor, having studied at the Melbourne Conservatorium of Music and worked with artists including Anthony Warlow, David Hobson, Helena Dix, Teddy Tahu Rhodes and Yvonne Kenny. Today, Jackson oversees the clinical training of medical and health discipline students at the University of Melbourne, following a 10-year career in higher education.QUOTES“Church choir was an amazing opportunity that connected with me. To be able to create on my own, bond with others, sing in a group and share the emotion.”“I have memories of my choir master having to settle me down because the church choir went to stand, they're all very stoic and grim faced as they sing perfectly constructed vowels and I wanted to dance. I wanted to move around and express that emotion that was inside me.”“I started to have some self doubt, maybe there's more work that I need to do that I didn't understand I needed to do.”“Going into university, my perspective was that I was very good. That changed quickly when I became part of a cohort of people that, in my mind, singing came easier to.”“No matter how hard I worked, how much I did, I couldn't seem to overcome some of these hurdles.”“People really identified that one of my skills was that I could jump into unknown territory and be really crystal clear on the outcome that I wanted to achieve.”“It's probably only in the last three or four years, I've been able to recognize and accept just how much my creative self influences the work that I do, and is valuable to the organization and that it's not something that should be kept separate.”“I realised if I was going to make a living from performing, I knew how much work that would be. But what did “making it” look like? It means taking gigs that you don't want because you need to pay the bills and you don't get to choose what performance opportunities come up. That wasn't for me. The idea of this thing that I loved  so much becoming a chore was terrifying.”“The pandemic has really brought to the fore my performing background. I've identified that I thrive in a crisis, because I'm so used to not knowing what's around the corner, not knowing what might happen on stage.”“The saddest thing that I have seen, with some incredibly talented, passionate musicians and performers, is that they leave it too late and lose the love of it. Eventually they're forced into a career transition and they cannot bring themselves to engage with their creative self anymore and that is an awful thing.”LINKSFind Jackson on LinkedIN“Think Again” by Adam GrantOpera Scholars AustraliaPODCAST TEAMProduction Support from Molly Jenkins Audio Engineering from Frazer RuddickTheme Music Composed by Danna YunTheme Music Performed by Jasper LyRECORDEDRecorded on 27 August 2021

Australian tenor and composer David Hobson is one of Australia's best-known operatic, concert and stage performers, with a repertoire that spans the gamut of musical styles from Baroque through to Pop.Beginning his career in rock and jazz bands, David's potential as a ‘classical' singer was discovered by the Victoria State Opera in the 1980s. He subsequently made his name with Opera Australia in his award winning performance of Rodolfo in La Boheme directed by Baz Luhrmann. Since then he has gone on to become a well regarded classical performer, major recording artist, most recently a music theatre leading man and a frequent television performer on shows like Carols By Candlelight, Carols in The Domain, Spicks and Specks, Dancing With the Stars, It Takes Two, and as a presenter on Foxtel's Studio. He has performed for Her Majesty Queen Elizabeth in the Great Hall in Canberra and sung at the AFL Grand Final.His many operatic roles include Don Ottavio (Don Giovanni), Ferrando (Cosi Fan Tutte), Tamino (The Magic Flute), Don Ramiro (La Cenerentola), Count Almaviva (The Barber of Saville), Nadir (Pearl Fishers), Lindoro (L'Italiana in Algeri), Belmonte (Die Entführung aus dem Serail), Nemorino (l'elisir d'amore), Eisentein (Die Fledermaus), Danilo (The Merry Widow), Frederic (The Pirates of Penzance) Nanki-Poo (The Mikado), Marco (The Gondoliers), Ralph Rackstraw (H.M.S. Pinafore), the Defendant (Trial By Jury), the title roles in Orphee and Candide, The Architect in the world premiere of The Eighth Wonder and, most recently, Caractacus Potts in the Australian premiere of Chitty Chitty Bang Bang. His international roles include Chevalier Danceny in Dangerous Liaisons with Renée Fleming and Thomas Hampson for San Francisco Opera.Recordings include The Promise, A Little Closer, Presenting David Hobson, The Exquisite Hour, Cinema Paradiso, French and Italian Arias, Handel Arias, Inside This Room, Tenor and Baritone (with Anthony Warlow), You'll Never Walk Alone (with Teddy Tahu-Rhodes) and Singing for Love (with Yvonne Kenny).He is Musica Viva's In Schools Ambassador, an Ambassador for Heart Kids and Patron of the Ballarat Arts Foundation.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Australian tenor and composer David Hobson is one of Australia's best-known operatic, concert and stage performers, with a repertoire that spans the gamut of musical styles from Baroque through to Pop.Beginning his career in rock and jazz bands, David's potential as a ‘classical' singer was discovered by the Victoria State Opera in the 1980s. He subsequently made his name with Opera Australia in his award winning performance of Rodolfo in La Boheme directed by Baz Luhrmann. Since then he has gone on to become a well regarded classical performer, major recording artist, most recently a music theatre leading man and a frequent television performer on shows like Carols By Candlelight, Carols in The Domain, Spicks and Specks, Dancing With the Stars, It Takes Two, and as a presenter on Foxtel's Studio. He has performed for Her Majesty Queen Elizabeth in the Great Hall in Canberra and sung at the AFL Grand Final.His many operatic roles include Don Ottavio (Don Giovanni), Ferrando (Cosi Fan Tutte), Tamino (The Magic Flute), Don Ramiro (La Cenerentola), Count Almaviva (The Barber of Saville), Nadir (Pearl Fishers), Lindoro (L'Italiana in Algeri), Belmonte (Die Entführung aus dem Serail), Nemorino (l'elisir d'amore), Eisentein (Die Fledermaus), Danilo (The Merry Widow), Frederic (The Pirates of Penzance) Nanki-Poo (The Mikado), Marco (The Gondoliers), Ralph Rackstraw (H.M.S. Pinafore), the Defendant (Trial By Jury), the title roles in Orphee and Candide, The Architect in the world premiere of The Eighth Wonder and, most recently, Caractacus Potts in the Australian premiere of Chitty Chitty Bang Bang. His international roles include Chevalier Danceny in Dangerous Liaisons with Renée Fleming and Thomas Hampson for San Francisco Opera.Recordings include The Promise, A Little Closer, Presenting David Hobson, The Exquisite Hour, Cinema Paradiso, French and Italian Arias, Handel Arias, Inside This Room, Tenor and Baritone (with Anthony Warlow), You'll Never Walk Alone (with Teddy Tahu-Rhodes) and Singing for Love (with Yvonne Kenny).He is Musica Viva's In Schools Ambassador, an Ambassador for Heart Kids and Patron of the Ballarat Arts Foundation.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Bev Kennedy is generally regarded as one of Australia's leading Musical Directors & accompanists, having worked on over 40 professional productions. Shows she has worked on include Billy Elliot, Mamma Mia! The Producers, We Will Rock You, The Lion King, Priscilla Queen of the Desert, Chicago, Wicked, & The Concert version of Sunset Boulevard with Judi Connelli.She was assistant Musical Director for Simon Gallaher's Pirates of Penzance, which is the highest selling recording of a musical in Australian history & also won an Aria award for best soundtrack. Most recently Bev has been working on the shows Charlie and the Chocolate Factory, School of Rock, Evita featuring Tina Arena, Muriel's Wedding, Jersey Boys, Jekyll and Hyde in concert with Anthony Warlow & was Musical Director on the touring version of Avenue Q and the Australian premiere of Heathers for which she was nominated for a Sydney theatre critics award. She was also nominated for a Green room award for her work as Musical Director on Gutenberg the Musical.Bev has also worked for Cove Musical Theatre Agents booking musicians & entertainers at the Regent Hotel during the 2000 Olympics when it was the official SOCOG hotel & host to several international dignitaries & Royal families. She has worked as Musical Director for two years on Short, Sweet & Song and for several Mardi Gras ‘Hats Off' Concerts, including the 2008 Hats Off Meets the Stars Come out concert. She has also worked as Musical Director on the Light the Night charity concerts raising money for leukemia research.In 2008, Bev was the official pianist at the World Youth Day Papal Welcome which was televised worldwide. The year before she played at Kerry Packer's memorial which was also broadcast live around the World. In 2011 Bev was Musical Director for the Luminale Festival at the Sydney Opera House under the direction of Paul Capsis.In the past Bev has accompanied International artists such as Joan Rivers and Grammy award winners Liz Callaway, Jose Carreras, Basement Jaxx, Thelma Houston and Sir Bryn Terfel. She continues to play for award winning artists such as Bob Downe, Trevor Ashley, Tina Arena & Anthony Warlow. She is also a Consultant & Adjudicator for the Sydney Eisteddfod and a teacher at the Actor's Centre & the Talent Development Project. Bev is currently the talent co-ordinator for Sydney's premiere cabaret venue, Claire's Kitchen.The STAGES podcast is available from Apple podcasts, Spotify, Whooshkaa and where you find your favourite podcasts. www.stagespodcast.com.au

Since graduating from WAAPA in 2006, Lucy has cemented her reputation as one of Australia's musical theatre leading ladies. When the Covid-19 Pandemic hit, she was about to preview at Brisbane's Lyric Theatre QPAC in Charlie and the Chocolate Factory (GFO) as Charlie's mum Mrs Bucket, which had just finished two very successful seasons in Melbourne's Her Majesty's Theatre and Sydney's iconic Capitol Theatre. She was nominated for a 2019 Helpmann Award for Best Supporting Actress for her performance in the show. Lucy was also about to start rehearsals for MTC's Australian Premiere of the Tony Award winning Best Musical Fun Home in the role of Alison. Throughout 2018 Lucy starred in Beautiful: The Carole King Musical (Michael Cassel Group) as sassy Cynthia Weil on its critically acclaimed Australian tour earning a Green Room Nomination for Best Supporting Actress in a Musical. Prior to this, with her newborn baby in tow Lucy played Miss Honey in the Australian/New Zealand tour of Tim Minchin's Matilda: The Musical (Louise Withers and Associates, RSC), and was nominated for a 2017 Helpmann Award for Best Supporting Actress. Lucy originated the role of Heather Chandler in the smash Australian Première of Heathers: The Musical, she created the role of Patty in Tim Finn's new musical Ladies in Black (QTC, MTC) and starred in Grease as Rizzo (GFO) earning Helpmann, Glug and Sydney Theatre Award nominations for the show's Australian and Asian tour. Lucy also created the role of Lara in the world première of Doctor Zhivago: A New Musical (GFO) opposite Anthony Warlow earning Helpmann and Sydney Theatre Award nominations for Best Actress in a Musical. Other career highlights include Cinderella in Into the Woods (Victorian Opera, Helpmann and Green Room Nominations); Georgia Hendricks in Curtains (The Production Company); Gertrude Lawrence in Noël and Gertie (CDP Theatre Producers, Glug Award for Best Actress in a Musical); Polly in The Threepenny Opera (STC, Malthouse, Victorian Opera); Janet in The Rocky Horror Show (TML Enterprises); Emma in Jekyll & Hyde (TML Enterprises) and Anne in A Little Night Music (Opera Australia). Lucy's one-woman show Irving Berlin: Songs in the Key of Black toured Australia to rave reviews at venues such as the prestigious Spiegeltent, the Adelaide Cabaret Festival, The Noosa Longweekend Festival, His Majesty's Theatre, Perth and La Salon at Claire's Kitchen. Her album featuring arrangements and musical direction by Daniel Edmonds is available on iTunes, Spotify and Apple Music.

Leslie Bricusse es un compositor y letrista inglés que con el actor y cantante Anthony Newley escribió los musicales “STOP THE WORLD, I WANT TO GET OFF” (1961), “THE ROAR OF THE GREASEPAINT – THE SMELL OF THE CROWD” (1965), o THE GOOD OLD BAD OLD DAYS (1974) que incluyen canciones como “Feelin’ Good” o “What kind of fool am I?" que siguen versionando intérpretes como Anthony Warlow o Michael Bublé. Escribió musicales para el cine como “DOCTOR DOOLITTLE” (1967), GOODBYE MISTER CHIPS” (1969), MUCHAS GRACIAS, MISTER SCROOGE (1970) y UN MUNDO DE FANTASÍA. Ha sido requerido como letrista por los mejores compositores de música desde Henry Mancini a John Barry, Jerry Goldsmith o John Williams.  Espero te guste la selección de canciones que hemos preparado en las que mientras no se indique lo contrario la música y letras son suyas y cuando la música sea de otro compositor lo indicamos. 00h 00'00" Presentación 00h 04'03" Cabecera 00h 04'38" My kind of girl - Matt Monro 00h 07'31" STOP THE WORLD I WANT TO GET OFF 00h 07'31" Gonna buid a mountain - Matt Monro 00h 10'15" Once on a lifetime - Anthony Newley 00h 12'11" Someone nice like you - Anthony Newley & Anna Quayle 00h 15'29" What kind of fool am I? - Linda Eder 00h 17'02" GOLDFINGER (John Barry) 00h 17'02" Goldfinger - Shirley Bassey 00h 19'48" THE ROAR OF THE GREASEPAINT - THE SMELL OF THE CROWD 00h 19'48" Feelin' good - Michael Bublé 00h 23'40" Nothing can stop me now - Anthony Warlow 00h 26'40" The joker - Shirley Bassey 00h 29'00" Who can I turn to? - Anthony Warlow 00h 31'21" THUNDERBALL (John Barry) 00h 31'21" Mr. Kiss Kiss Bang Bang - Dionne Warwick 00h 34'18" THE SAND PEBBLES (Jerry Goldsmith) 00h 34'18" And we were lovers - Matt Monro 00h 36'30" DOCTOR DOLITTLE 00h 36'30" Talk to the animals - Sammy Davis jr 00h 39'19" When I look in your eyes - Matt Monro 00h 42'02" IN LIKE FLINT (Jerry Goldsmith) 00h 42'02" Your zowie face 00h 44'27" TWO FOR THE ROAD (Henry Mancini) 00h 44'27" Two for the road - Peggy Lee 00h 47'09" YOU ONLY LIVE TWICE (John Barry) 00h 47'09" You only live twice - Nancy Sinatra 00h 49'51" GOODBYE MISTER CHIPS 00h 49'51" Fill the world with love - Richard Harris 00h 53'36" Tomorrow with me - Petula Clark 00h 56'05" Walk through the world - Petula Clark 01h 00'12" WILLY WONKA AND THE CHOCOLATE FACTORY 01h 00'12" I have a golden ticket / I want it now - Harry Connick jr 01h 03'58" The candy man - Barry Manilow & Sammy Davis jr 01h 06'59" Pure imagination - Barbra Streisand & Seth MacFarlane 01h 11'06" SCROOGE 01h 11'06" Happiness - Suzane Neve 01h 14'02" Thank you very much - Anton Rogers 01h 17'28" SUPERMAN (John Williams) 01h 17'28" Can you read my mind - Peggy Lee 01h 20'50" VICTOR VICTORIA (Henry Mancini) 01h 20'50" Crazy world - Julie Andrews 01h 23'19" Le jazz hot - Julie Andrews 01h 27'40" You and me - Julie Andrews & Robert Preston 01h 30'31" SANTA CLAUS (Henry Mancini) 01h 30'31" Every Christmas eve - Aled Jones 01h 34'13" Making toys - Childrens choir 01h 38'47" Thank you Santa 01h 42'11" THAT'S LIFE (Henry Mancini) 01h 42'11" Life in a looking glass - Tonny Bennett 01h 45'45" HOME ALONE (John Williams) 01h 45'45" Somewhere in my memory - Bette Midler 01h 49'33" JEKYLL & HYDE (Frank WIldhorn) 01h 49'33" A new life - Linda Eder 01h 54'06" If you only knew - Brandi Burkhardt 01h 56'54" Till you came into my life - Colm Wilkinson & Linda Eder 02h 02'26" HOOK (John Williams) 02h 02'26" When you're alone 02h 05'32" SHERLOCK HOLMES 02h 05'32" London is London - John Tobias, Louise English & Ray Stratchen 02h 08'47" The best of you, the best of me - Louise English & Robert Powell 02h 12'17" THE SEA WOLVES (Richard Adinsell) 02h 12'17" Precious moment - Matt Monro 02h 15'46" CYRANO DE BERGERAC (Frank Wildhorn) 02h 15'46" Love is here at last - Linda Eder 02h 18'28" No finner man - Linda Eder 02h 21'15" So young, so beautiful - Linda Eder 02h 23'02" Roxanne - Douglas Sills 02h 25'42" Someone - Linda Eder 02h 27'59" THE PERFECT SONG (Andrew Lloyd Webber) 02h 27'59" The perfect song - Michael Ball

Vamos a tratar el musical “Jekyll & Hyde” basado en la popular novela de Robert Louis Stevenson que critica y público aplaudieron desde el momento de su estreno en 1990. A pesar de ella tuvieron serios problemas financieros para poder llevarlo a Nueva York donde no se estrenó hasta siete años más tarde en Broadway. El musical lo estrenó en España Raphael en 2001 y tuvo gran éxito si bien el CD que se publicó sólo tenía los temas más importantes del musical, por lo cual, decidimos escoger para el podcast la grabación que produjo el compositor en 1994 con el título de “Jekyll & Hyde: Un thriller gótico musical” con el excelente Anthony Warlow como Jekyll & Hyde, Linda Eder como Lucy y Carolee Carmello como Lisa Carew. 00h 00'00" This is the moment 00h 03'37" Presentación 00h 05'26" Cabecera 00h 06'34" Inicio 00h 07'20" Prologue / Lost in the darkness 00h 10'10" I need to know 00h 14'07" Façade 00h 18'52" Bitch, bitch, bitch 00h 28'33" The engagement party 00h 22'28" Possessed 00h 24'22" Take me as I am 00h 27'54" Lisa Carew 00h 30'38" Board of Governors 00h 40'31" Bring on the men 00h 46'10" Lucy meets Jekyll 00h 49'30" How can I continue on? 00h 50'51" This is the moment 00h 54'44" Transformation 00h 59'33" Lucy meets Hyde 01h 02'01" Alive 01h 07'19" Streak of madness 01h 11'25" His work and nothing more 01h 16'28" Sympathy, tenderness 01h 17'49" Someone like you 01h 22'44" Mass 01h 23'37" Murder, murder 01h 29'57" Lettin' go 01h 33'24" Reflections 01h 35'46" In his eyes 01h 40'19" The world has gone insane 01h 43'47" The girls on the night 01h 48'12" No one knows who I am 01h 51'11" It's a dangerous game 01h 55'59" Once upon a dream (Lisa) 01h 59'14" No one must ever know 02h 05'03" A new life 02h 09'58" Once upon a dream (Jekyll) 02h 13'03" Confrontation 02h 18'29" The wedding reception 02h 22'41" Curiosidades 02h 23'35" Love has come of age 02h 29'29" We still have time

This week we chat with Matt Young about which of life's lessons can be learned from the classic little-girl musical - Annie!Say what you will about the current version of “Annie,” which is directed with a slightly tremulous hand by James Lapine and features the virtuosic Katie Finneran as the villainous Miss Hannigan, you can’t fault the timing of its return to Broadway…It would seem that Mr. Lapine is hoping to introduce at least a tincture of psychological shading to a show that is only, and unapologetically, a singing comic strip. In its first incarnation “Annie” was an unstoppable sunshine steamroller. This version, which flirts with shadows, moves more shakily…In 1977 Miss Hannigan was portrayed by Dorothy Loudon as a juicy gargoyle, with equal parts Dickensian villainy and showbiz oomph. Ms. Finneran, a two-time Tony winner, takes a more humanizing approach…As Warbucks...Anthony Warlow also ventures into naturalism, inflecting his songs with unexpected emotional variety...The delicate-featured but indefatigable Ms. Crawford, who is possessed of both a golden glow and a voice of brass, is pretty close to perfect in the title role.https://en.wikipedia.org/wiki/Annie_(musical)https://en.wikipedia.org/wiki/Annie_(1982_film)https://stageagent.com/shows/musical/673/anniehttps://www.mtishows.com/anniehttps://broadwaymusicalhome.com/shows/annie.htmLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanon.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Support this show http://supporter.acast.com/musicals-taught-me-everything-i-know. See acast.com/privacy for privacy and opt-out information.

Season 2 here we go!! To kick things off this year, we are so excited to be sharing with you our three way chat with actors Sara Reed, Stefanie Caccamo and Emily Havea! Perth was lucky enough to have it's theatre doors open in 2020, with Black Swan Theatre Company rounding out the year with a wonderfully joyous and thought provoking reimagining of Rogers and Hammerstein's Oklahoma (Directed by Richard Carroll), with these three badass ladies at the helm. A little bit about these women: Hailing originally from Eagle Lake, Texas, Sara is a graduate of the Western Australian Academy of Performing Arts (WAAPA) with a BA in Music Theatre. Her credits include City Homicide (Seven Network), Knowing, (with Nicholas Cage), the Australian tour of Little Britain Live, Billy Elliot, Cameron Mackintosh's Mary Poppins, and prior to attending WAAPA, Sara played Bielke in Fiddler on the Roof, opposite Anthony Warlow. In 2019, Sara played the roles of Marta in Company and dance soloist Frug Girl in Sweet Charity. Sara has most recently been part of Oklahoma! For Black Swan Theatre Company. Emily is a Sydney based actor, singer and dancer. A 2014 NIDA acting grad, Emily has worked across theatre, music, film and TV. Theatre credits include 'Julius Caesar' (Calphurnia/Octavius) Bell Shakespeare Co; 'A Midsummer Night's Dream' (Hermia), Bell Shakespeare; 'BU21' (Thalissa) Old 505, Outhouse Theatre Co; 'Dogfght', Hayes Theatre; 'Sing To Me', Apocalypse Theatre and 'Brown Skin Girl' with Blackbirds for Griffin Theatre Batch Festival and the WITS Festival Fatale. Emily trained full time with Danceworld Studios in 2011 and teaches and performs regularly with Retrosweat, the 80ties aerobic workout. Her TV credits include season 6 'Wentworth' (Mon Alston) Fremantle Media/Showcase and 'Growing Up Gracefully', ABC. Film credits include 'Stem' (Nurse Henderson) with Goalpost Pictures and web series; 'Resting Pitch Face' (Olivia), Google/ Grumpy Sailor Productions. In 2020 Emily was cast as the world first female Curly in Okalhoma! At Black Swan Theatre. Stefanie Caccamo is a graduate of the Western Australian Academy of the Performing Arts (WAAPA) and her credits include Dead Man Walking the Opera, Beautiful: The Carole King Musical, Applause, Once, HAIR: The Musical 50th Anniversary Tour, Irene, and most recently, Laurie in Oklahoma! In this episode we talk about all things Oklahoma, self esteem and body image, creative boundaries, and the impact of telling your truth as an artist. If you would like to find out more about these woman, you can follow them each on instagram @texas_gold, @thetheatrejew and @stefcaccamo. We'd love to hear your thoughts on this episode and open up discussion with you on our instagram @companypod, and our facebook Company Podcast. Please leave us a rate and review, and let us know what you'd love to hear in our upcoming episodes at companymediaoz@gmail.com Hosted and Created by Giorgia Kennedy and Tiana Catalano Edited and Produced by David Duketis Music by David Duketis Graphic Design by David Duketis

Benjamin Fifita Makisi was born in Wellington, NZ and is of Tongan and Samoan descent. He began singing at a young age with the Tongan Wesley Methodist church choir in Wellington. He graduated with a Master of Performance (Opera) with High Distinction from the University of Sydney Conservatorium of Music and a Bachelor of Music (Performance) from Victoria University Wellington. He had also received his tutoring in New York, London and in Italy.   He was a semi-finalist at the Vinãs Concourso Internationale in Barcelona, Spain 2005. He was the winner of the prestigious Sydney McDonalds Eisteddfod Aria in 2002. He was winner of the NZ Aria (Rotorua) in 2001. He was awarded creative arts NZ Iosefa Enari Memorial Award in 2002.   His concert performances include performances with Operatunity ‘Viva Italia’ NZ Tour and Operatif in Brisbane, Australia; Government House Dominion Post Summer Pops 2012; Government House Gardens Auckland 2011; The Tenor Soloist in BRITTENS Les Illuminations for Wellington Vector Orchestra 2009; the Third Jew in Salome by STRAUSS with the Auckland Philharmonia 2008; Christchurch Symphony Orchestra Opera Gala in 2007.   He has performed for TVNZ Media Awards, Westfield Style Pasifika, NZ Pacific Island Sports Award, NZ Samoan Sports Awards and has sung the National Anthem for the All Blacks.   He has performed alongside Dame Kiri Te Kanawa and has performed with Dame Malvina Major, Sir Donald McIntyre and the Late Sir Howard Morrison. He had also sung for the State funeral of Sir Edmund Hillary broadcasted all around the world.   Benjamin has also travelled extensively and performed in concerts in New York, London, Tuscany, Barcelona, London, Hong Kong, Sydney, Melbourne, Brisbane and the Pacific Islands.   He recently performed the role of Abdallo in Nabucco by VERDI for Auckland Philharmonia Ochestra – Opera in Concert and Leicester in Maria Stuarda by DONIZETTI for Days Bay Opera, Wellington; the Narrator in Berlioz L'enfance du Christe for Bach Musica Viva in Auckland; St Nicholas by BRITTEN for Nota Bene in Wellington; the Tenor Soloist in Carmina Burana by ORFF for Auckland Philharmonia Orchestra and Conte Libenskof in The Journey to Rheims by ROSSINI for Days Bay Opera 2010; Edgardo in Lucia di Lammermoor by DONIZETTI for Opera Australia 2008; Pang in Turandot by PUCCINI and Arturo in Lucia di Lammermoor by DONIZETTI for NBR NZ Opera 2007; Ferrando in Cosi Fan Tutte by MOZART 2004 and Count Almaviva in Barber of Seville by ROSSINI 2003 for NBR NZ Opera Tour. He also performed the role of Prisoner/Muleteer/Turkish Moor alongside Anthony Warlow and Caroline O'Connor in the musical Man of La Mancha by WASSERMAN 2002   INTERNATIONAL COMPETITIONS & AWARDS   2005                Semi Finalist      Francesco Viñas Int’l Concourso           Barcelona, Spain                         Recipient           Willi Fels Memorial Award                    New Zealand See omnystudio.com/listener for privacy information.

My guest today is Casey Burgess.  Casey is a singer/songwriter, dancer, actor and presenter from Sydney. She's easily recognisable as one of the previous member of internationally acclaimed children's show, Hi-5 as well as co-presenter on Girl TV.   Casey also starred in Annie the Musical alongside Anthony Warlow as well as TV roles on Home Away, White Collar Blue and RAKE as well as many others.    You have more than likely seen Casey on a bunch TV commercials or presenting Australia's largest school Story-Dance Festival Wakakirri, fronting girl group The Diamonds or hosting Carols in the Domain.   But have you heard her music? Casey has recently released her debut album Space to Breathe.    In this chat today, Casey and I talk about her career to date, the highs and lows, the trials and tribulations. We talk about her new music, listen to some songs together and she explains her process in making this remarkable album.  So ladies and gentleman, without further adieu, please give a up for the delightful Casey Burgess.    This conversation was recorded 29/10/2020.    For more information on Casey: Instagram Website Facebook Space to Breathe Album  ------------------------------------------------------------------------------------------------------------------------------   Click here to securely donate or tip The Gig Life Podcast via PayPal. Your support is very much appreciated. Thank you. The Gig Life Podcast: Website Instagram Facebook  Twitter

We revisit some highlights from our time as theatregoers, including our encounter with the 'critic proof' Broadway composer Frank Wildhorn. Also, Anthony Warlow performs, Bangarra dancer Beau Dean Riley Smith shares his Top Shelf and we pay tribute to dance educator Athol Willoughby.

We revisit some highlights from our time as theatregoers, including our encounter with the 'critic proof' Broadway composer Frank Wildhorn.Also, Anthony Warlow performs, Bangarra dancer Beau Dean Riley Smith shares his Top Shelf and we pay tribute to dance educator Athol Willoughby.

In Part 2 of the Stages’ conversation with Producer John Frost, he describes the rise of the Gordon Frost Organisation and, after the tragic loss of his co-founder Ashley Gordon; the necessary task of taking the helm as C.E.O. of the company.G.F.O. launches onward and finds success with shows like Big River, South Pacific, Hello Dolly! and Smokey Joe’s Cafe. Frost’s production of The King And I, rewards with considerable triumph, scooping several Tony Awards after the production transfers to Broadway. The show hadn’t been produced in Australia for 20 years. It was a major win for Frost, and opened many doors internationally. A West End production followed, with Elaine Paige playing Anna Leonowens.There have also been the theatrical misfires that confirm the business gamble of producing commercial product. Frost ponders these missteps and responds to the comments that have often questioned his choices of show, his casting decisions and his development of original product.He is loyal to a legion of performers who were on the ground floor of our industry and is enthused by any opportunity to develop a new ‘star’. He is happiest when he’s making theatre and still gets star-struck when finding himself working with idols like Julie Andrews, who directed his 60th Anniversary production of My Fair Lady.During the early 2000s, Frost partnered with James Erskine and Basil Scaffidi’s Sports Entertainment Ltd (SEL) and expanded the notion of entertainment, creating arena spectaculars with Grease and The Main Event featuring Olivia Newton John, Anthony Warlow and John Farnham.Eventually re-forming GFO, he gave us The Sound of Music (starring Lisa McCune), The Wizard of Oz (starring Nikki Webster), Annie (starring Anthony Warlow) and Footloose. The repertoire goes on with productions of Wicked, The Producers, Phantom of the Opera, Dream Lover and Legally Blonde. The list is extensive.In 2020, The Gordon Frost Organisation presents Chicago, Charlie and the Chocolate Factory, Shrek, The Book of Mormon, Nine to Five and Waitress throughout Australia.In part 2 of this absorbing conversation with impresario John Frost, he relishes the triumphs, analyses the disasters and contemplates the future of Musical Theatre and Entertainment. He is indeed evidence of a boy who had a dream, pursued it, and won.

'The Secret Garden' returns to Australia for the 25th anniversary tour, with Anthony Warlow reprising his role as Archibald Craven. I was thrilled to speak to Rodney Dobson who will star as Ben Weatherstaff, at the launch ahead of the opening in August 2020 and hear more about his character the beloved musical. Tickets: The Secret Garden Follow: Rodney Dobson Let Me Entertain You @LMEYpodcast - Instagram | Twitter | Facebook | TikTok | Youtube

'The Secret Garden' returns to Australia for the 25th anniversary tour, with Anthony Warlow reprising his role as Archibald Craven. I was thrilled to speak to Alinta Chidzey who will star as Martha, at the launch ahead of the opening in August 2020. Hear more about her character this beloved musical. Tickets: The Secret Garden Follow: Alinta Chidzey Let Me Entertain You @LMEYpodcast - Instagram | Twitter | Facebook | TikTok | Youtube

This week Samsara reviews Hades Fading (Hades Memudar) which is part of the Asia TOPA programming. She also tells us a bit more about Fast Fashun which is part of the Arts Program for the Virgin Australia Melbourne Fashion Festival. As a very special treat Samsara has also included a recording of the media launch for the adult cast of the upcoming The Secret Garden and it includes songs by Anthony Warlow, Georgina Hopson, and Rob McDougall.whatdidshethink.comSupport What Did She Do? by donating to their Tip Jar: https://tips.pinecast.com/jar/what-did-she-do

Tim Winton's Cloudstreet returns to the stage, we look back at when Stephen Sondheim and Harold Prince staged some of the most inventive and challenging musical theatre Broadway had ever seen, we tour The Australian Ballet Centre's pointe shoe room and learn that it takes a firm hand to mould a soft shoe, and playwright Michelle Law drops by to share the Best Advice she ever got.

Tim Winton's Cloudstreet returns to the stage, we look back at when Stephen Sondheim and Harold Prince staged some of the most inventive and challenging musical theatre Broadway had ever seen, we tour The Australian Ballet Centre's pointe shoe room and learn that it takes a firm hand to mould a soft shoe, and playwright Michelle Law drops by to share the Best Advice she ever got.

Tim Winton's Cloudstreet returns to the stage, we look back at when Stephen Sondheim and Harold Prince staged some of the most inventive and challenging musical theatre Broadway had ever seen, we tour The Australian Ballet Centre's pointe shoe room and learn that it takes a firm hand to mould a soft shoe, and playwright Michelle Law drops by to share the Best Advice she ever got.

Gordon Rytmeister. Drummer from Sydney, Australia. When you look at the upper echelon of any field, there's usually a handful of people that come to mind, right? Within the Australian drumming community, Gordo is one of those people. You only need to google his name to see the enormous body of work he's amassed over his 3 + decades on the instrument. And that work continues, as he's still one of the most in demand drummers around. Attitude, facility and reliability keep Gordo as that first call guy, be it sessions or live gigs for jazz, big band, pop, rock, fusion and even metal. Some of the people Gordon has worked with are: Don Burrows, Steve Hunter, James Morrison, Australian Idol House Band, Steve Vizzard Show, Bob Mintzer, Emma Pask, Mark Costa, Leo Sayer, Bob James, Tom Jones, Bob Florence, The Commodores, Bob Geldof, Barry Harris, Nat Adderley, Maria Schnieder, Lee Konitz, Glenn Shorrock (from Little River Band), Alex Koritni, Tina Arena, The Sydney All Star Big Band, Roger Frampton, Bobby Shew, Anthony Warlow, Russell Watson, Rob McConnell, Don Rader, Dale Barlow, Eartha Kitt, Jimmy Barnes and many, many more. This episode is Part 2 of 2.  Get Part 1 here. Episode recorded 26/09/2019. Episode Music. Intro: : "Reminiscing" by The Sydney All Star Big Band: Drums - Gordon Rytmeister Outro:  "Dirty Letter" by Alex Koritni: Drums - Gordon Rytmeister Photo by Bill Risby (@oasisbill) https://www.drumscene.com.au/back-issues/item/610-drumscene-issue-86 http://www.gordonrytmeister.com/ https://au.yamaha.com/en/artists/g/gordon_rytmeister.html https://www.youtube.com/results?search_query=gordon+rytmeister+   -------------------------------------------------------------------------------------------------------------------------------------- Click here to securely donate to The Gig Life Podcast. Your support is very much appreciated. Thank you.   https://www.thegiglifepodcast.com https://www.facebook.com/thegiglifepodcast/ https://www.instagram.com/thegiglifepodcast/?hl=en https://open.spotify.com/playlist/5KahER1yXZQP3rh1mhSUqX?si=0O1lB7TJTaKfuD34xm7B7w Email: thegiglifepodcast@gmail.com #thegiglifepodcast  #thegiglife

Gordon Rytmeister. Drummer from Sydney, Australia. When you look at the upper echelon of any field, there's usually a handful of people that come to mind, right? Within the Australian drumming community, Gordo is one of those people. You only need to google his name to see the enormous body of work he's amassed over his 3 + decades on the instrument. And that work continues, as he's still one of the most in demand drummers around. Attitude, facility and reliability keep Gordo as that first call guy, be it sessions or live gigs for jazz, big band, pop, rock, fusion and even metal. Some of the people Gordon has worked with are: Don Burrows, Steve Hunter, James Morrison, Australian Idol House Band, Steve Vizzard Show, Bob Mintzer, Emma Pask, Mark Costa, Leo Sayer, Bob James, Tom Jones, Bob Florence, The Commodores, Bob Geldof, Barry Harris, Nat Adderley, Maria Schnieder, Lee Konitz, Glenn Shorrock (from Little River Band), Alex Koritni, Tina Arena, The Sydney All Star Big Band, Roger Frampton, Bobby Shew, Anthony Warlow, Russell Watson, Rob McConnell, Don Rader, Dale Barlow, Eartha Kitt, Jimmy Barnes and many, many more. This episode is Part 1 of 2. (Part 2 coming soon...) Episode recorded 26/09/2019. Episode Music. Intro: "Pendulum" - Mark Costa (Textures): Drums - Gordon Rytmeister Outro: "Heart Donation" - Alex Koritni: Drums - Gordon Rytmeister Photo by Bill Risby (@oasisbill) https://www.drumscene.com.au/back-issues/item/610-drumscene-issue-86 http://www.gordonrytmeister.com/ https://au.yamaha.com/en/artists/g/gordon_rytmeister.html https://www.youtube.com/results?search_query=gordon+rytmeister+   -------------------------------------------------------------------------------------------------------------------------------------- https://www.thegiglifepodcast.com https://www.facebook.com/thegiglifepodcast/ https://www.instagram.com/thegiglifepodcast/?hl=en https://open.spotify.com/playlist/5KahER1yXZQP3rh1mhSUqX?si=0O1lB7TJTaKfuD34xm7B7w Email: thegiglifepodcast@gmail.com #thegiglifepodcast  #thegiglife

Prolific American musical theatre composer Frank Wildhorn in conversation about his long career and the man who defined his Jekyll and Hyde: Anthony Warlow.

Prolific American musical theatre composer Frank Wildhorn in conversation about his long career and the man who defined his Jekyll and Hyde: Anthony Warlow.

Peter Casey is one of Australia’s most versatile Musical Directors, having established a career spanning the genres of musical theatre, arena presentations, symphonic concerts, orchestration, television and recording.Over several decades he has been at the helm for many commercial musical theatre productions; guiding, nurturing and supporting talent as they navigate the storytelling required by this demanding genre. Mr Casey has been Musical Director on a vast array of shows that have covered different styles and the work of many composers. These include Les Miserables, The Sound of Music, The king and I, Evita, The Producers, Chicago, Smokey Joe’s Cafe, The Wizard of Oz, Company, Song and Dance, Chitty, Chitty, Bang, Bang, Anything Goes and Annie.He has been an Orchestrator and Arranger for many Australian artists including Anthony Warlow, Debra Byrne, Olivia Newton-John, David Hobson and John Farnham.Peter Casey has worked extensively in South East Asia, co-composing and orchestrating several musical productions, operas and recordings in Singapore and Korea. He was co-composer and Orchestrator for the Korean musical opera The Last Empress, which toured to London, Los Angeles and New York, and the Orchestrator and Conductor for the Korean film, Typhoon.He has been Guest Conductor and Orchestrator for the West Australian Symphony, Adelaide Symphony and Queensland Symphony Orchestras.In 2018 Peter Casey was named on the Queen’s Birthday Honours List as a Member of the Order of Australia (AM) in recognition of 40 years of service to the Musical Theatre industry.Stages conversations available in iTunes, Spotify and Whooshkaa.

We always need more Judi Dench in our lives. And in our opinion one of her best performances was in A Little Night Music. So let’s take a look back at our discussion with Sam Boyd about it!Learn more about Circa!- FURTHER READING -WIKI - Musical, Movie, Eine kleine Nachtmusik, Smiles of a Summer NightIMDbSpotifyiTunes- CELEBRITY SHOUTOUTS -Stephen Sondheim, Hugh Wheeler, Ingmar Bergman, Harold Prince, Elizabeth Taylor, Len Cariou, Lesley-Anne Down, Diana Rigg, Glynis Johns, Hermione Gingold, Victoria Mallory, Judith Kahan, Mark Lambert, Laurence Guittard, Patricia Elliott, Taina Elg, Jill Perryman, Geraldine Turner, Toni Collette, Sigrid Thornton, Anthony Warlow, Angela Lansbury, Catherine Zeta-Jones, Bernadette Peters, Elaine Stritch, Judi Dench, Siân Phillips, Joanna Riding, Patricia Hodge, Issy van RandwyckLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

Stream podcast episodes on demand from www.bitesz.com (mobile friendly).Theatre First Episode 204Sweeney Todd, The Demon Barber of Fleet Street (40th Anniversary Production)The pre-eminent leading man of Australian musical theatre, Anthony Warlow, is joined by one of Australia’s best-known stage and screen performers, the incomparable Gina Riley, as the pair join forces in this spectacular re-imagined concert version of the musical thriller SWEENEY TODD: The Demon Barber of Fleet Street.For more information visit  https://www.hmt.com.au/whats-on/sweeney-todd/Theatre First RSS feed:   https://feeds.megaphone.fm/ivetheatrereviews  Subscribe, rate and review Theatre First at all good podcatcher apps, including Google Podcasts, Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, CastBox.FM, Podbean, ACast etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.#theatre #stage #reviews #melbourne #australia Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

An all new episode of Hey Hey It’s The Podcast is here. Join Criss Fresh, Mitch and Jonsey as they recap episodes of Australian TV institution Hey Hey It's Saturday. This episode looks at the 17th Hey Hey of 1995. This episode features Jimmy Barnes, Janet Jackson, Anthony Warlow and more. Please subscribe to us on iTunes and you can find us at: www.facebook.com/heyheyitsthepodcast Twitter: @heyheypodcast Instagram: @heyheypodcast

David Ashton Smith tells us about the Welsh Male Choir Peter Hitchener and Philip reminisce about Brisbane in the 60s and 70s . Donna Demaio chats to Anthony Warlow, Gina Reilly, and Debra Byrne John Doremus tells the story of “Grace Darling” in ep 747 of The Passing Parade. Bruce’s piece is “What is there to live for?” Tony Moclair previews Australia Overnight. Producer: Mark Petkovic

In the 1970s, composer-lyricist Stephen Sondheim and director-producer Harold Prince made some of the most inventive and challenging musical theatre that Broadway had ever seen. Two of those shows — A Little Night Music and Sweeney Todd: The Demon Barber of Fleet Street — return to Australian stages this month. Also on the program, we're joined by New York Times theatre reporter Michael Paulson for all the latest news ahead of the 73rd Tony Awards, and MTC are touring a production of Finegan Kruckemeyer's The Violent Outburst That Drew Me to You for young people in regional Victoria and Tasmania — so what is the impact of seeing professional theatre for the first time?

In the 1970s, composer-lyricist Stephen Sondheim and director-producer Harold Prince made some of the most inventive and challenging musical theatre that Broadway had ever seen. Two of those shows — A Little Night Music and Sweeney Todd: The Demon Barber of Fleet Street — return to Australian stages this month. Also on the program, we're joined by New York Times theatre reporter Michael Paulson for all the latest news ahead of the 73rd Tony Awards, and MTC are touring a production of Finegan Kruckemeyer's The Violent Outburst That Drew Me to You for young people in regional Victoria and Tasmania — so what is the impact of seeing professional theatre for the first time?

Sin duda Claude Michel Schönberg es con Andrew Lloyd Webber el compositor de musicales más famoso de Europa. Schönberg con “Los Miserables” y Lloyd Webber con “Cats” hicieron temblar a los que creían que el teatro musical era patrimonio de los americanos. Las preventas en Broadway de “Miss Saigon” o “El Fantasma de la Ópera” superaron todas las expectativas demostrando que en el campo del musical no todo estaba dicho. Llegaban nuevas voces que conectaban con el gran público como no se conocía desde mucho tiempo atrás. Cuando Alain Boublil escuchó en la radio una canción que le gustó llamó a la emisora interesándose por el nombre del compositor de la misma y así surgió el “principio de una bonita amistad”. Ambos compartían la afición por la ópera y por el teatro musical y hoy en esta playlist vamos a dar un repaso a los musicales de Schonberg y Boublil. "La revolution française" (1973) fue el musical en el que Alain Boublil, que escribia las letras con Jean-Max Riviére llamó a Schönberg para que se encargase de la música con Raymond Jeannot. Aquel sería su bautismo en el campo del musical que les animaría a escribir un musical ellos dos solos. Y así llegarían Los Miserables (1978), "Miss Saigon" (1989), "Martin Guerre" (1996) y "The Pirate Queen" (2007) y hemos preparado una playlist de forma que te contaremos un poco de cada musical antes de dejarte algunos de los mejores temas del mismo en las voces de Hugh Jackman, Anthony Warlow, Michael Ball, Lea Salonga, Susan Egan, John Owen Jones, Jonathan Pryce, Simon Bowman, Claire Moore, Peter Polycarpou, Russell Watson, Marie Zamora, Rebecca Lock, Ian Glen, Joanna Riding, Jerome Pradon, Stephanie J. Block o Hadley Fraser entre otros. Espero os guste 00h 00'00" Les États Généraux (Claude-Michael Schönberg) 00h 00'41" Presentación 00h 01'54" Cabecera LES MISERABLES (1978) 00h 02'30" Presentación 00h 03'34" Valjean soliloquy (Hugh Jackman) 00h 06'49" The ABC Cafe - Red and black (Anthony Warlow & Michael Ball) 00h 11'24" Do you hear the people sing? (London Cast) 00h 14'55" On my own (Lea Salonga) 00h 18'58" I dreamed a dream (Susan Egan) 00h 24'03" Master of the house (Alun Armstrong & Susan Jane Tanner) 00h 29'00" Bring him home (John Owen-Jones) 00h 32'27" Stars (Anthony Warlow) 00h 35'40" Empty chairs at empty tables (John Owen-Jones) 00h 38'49" Suddenly (Hugh Jackman) 00h 41'16" One day more (London Cast) MISS SAIGON (1989) 00h 44'42" Presentación 00h 45'23" The heat is on in Saigon (London Cast) 00h 49'58" The movie in my mind (Isay Alvarez & Lea Salonga) 00h 54'34" Why, God, why? (John Owen-Jones) 00h 50'40" Sun and moon (Lea Salonga & Simon Bowman) 01h 01'21" The last night of the world (Lea Salonga & Simon Bowman) 01h 05'42" I still believe (Lea Salonga & Claire Moore) 01h 10'07" I'd give my life for you (Lea Salonga) 01h 13'54" Too much for one heart (Russell Watson) 01h 17'05" Bui Doi (John Owen-Jones) 01h 20'58" Please (Lea Salonga & Peter Polycarpou) 01h 23'46" The American dream (Jonathan Pryce) MARTIN GUERRE (1996) 01h 29'47" Presentación 01h 30'54" Here comes the morning (Russell Watson) 01h 33'34" Live with somebody you love (Maria Zamora & Michael Ball) 01h 37'19" Tell me to go (Rebecca Lock & Ian Glen 01h 41'40" The Holy fight (London Cast) 01h 43'37" All I know (Rebecca Lock & Ian Glen) 01h 46'52" I will make you proud (Jerome Pradon) 01h 49'07" How many tears (Joanna Riding) 01h 52'44" The imposter is here (London Cast) 01h 57'04" The land of the fathers (Marcus Cunningham, Rebecca Lock & Matt Rawles) THE PIRATE QUEEN (2007) 02h 03'08" Presentación 02h 03'53" Woman (Stephanie J. Block) 02h 06'31" Here on this night (Stephanie J. Block & Hadley Fraser) 02h 09'28" Rah-rah, tip-top (Linda Balgord & William Youmans) 02h 12'40" The choice is mine (Styephanie J. Block, Jeff McCarthy, Hadley Fraser) 02h 17'00" The wedding (Jeff McCarthy, Joseph Mahowald, Aine Ui Cheallaig) 02h 19'50" I'll be there (Hadley Fraser) 02h 22'59" The sea of life (Russell Watson) 02h 26'01" Sail to stars (Hadley Fraser, Marcus Chait, Aine Ui Cheallaig) MARGUERITE (2008) 02h 29'08" Presentación Y hasta aquí los musicales de Schönberg y Boublil. Si te ha gustado, en breve publicaremos otra playlist dedicad a los trabajos de Claude Michel Schönberg como compositor de canciones, bandas sonoras y ballets que os descubrirá un Schönberg menos conocido, sin por ello dejar de ser muy muy  interesante.

Sin duda Claude Michel Schönberg es con Andrew Lloyd Webber el compositor de musicales más famoso de Europa. Schönberg con “Los Miserables” y Lloyd Webber con “Cats” hicieron temblar a los que creían que el teatro musical era patrimonio de los americanos. Las preventas en Broadway de “Miss Saigon” o “El Fantasma de la Ópera” superaron todas las expectativas demostrando que en el campo del musical no todo estaba dicho. Llegaban nuevas voces que conectaban con el gran público como no se conocía desde mucho tiempo atrás. Cuando Alain Boublil escuchó en la radio una canción que le gustó llamó a la emisora interesándose por el nombre del compositor de la misma y así surgió el “principio de una bonita amistad”. Ambos compartían la afición por la ópera y por el teatro musical y hoy en esta playlist vamos a dar un repaso a los musicales de Schonberg y Boublil. "La revolution française" (1973) fue el musical en el que Alain Boublil, que escribia las letras con Jean-Max Riviére llamó a Schönberg para que se encargase de la música con Raymond Jeannot. Aquel sería su bautismo en el campo del musical que les animaría a escribir un musical ellos dos solos. Y así llegarían Los Miserables (1978), "Miss Saigon" (1989), "Martin Guerre" (1996) y "The Pirate Queen" (2007) y hemos preparado una playlist de forma que te contaremos un poco de cada musical antes de dejarte algunos de los mejores temas del mismo en las voces de Hugh Jackman, Anthony Warlow, Michael Ball, Lea Salonga, Susan Egan, John Owen Jones, Jonathan Pryce, Simon Bowman, Claire Moore, Peter Polycarpou, Russell Watson, Marie Zamora, Rebecca Lock, Ian Glen, Joanna Riding, Jerome Pradon, Stephanie J. Block o Hadley Fraser entre otros. Espero os guste 00h 00'00" Les États Généraux (Claude-Michael Schönberg) 00h 00'41" Presentación 00h 01'54" Cabecera LES MISERABLES (1978) 00h 02'30" Presentación 00h 03'34" Valjean soliloquy (Hugh Jackman) 00h 06'49" The ABC Cafe - Red and black (Anthony Warlow & Michael Ball) 00h 11'24" Do you hear the people sing? (London Cast) 00h 14'55" On my own (Lea Salonga) 00h 18'58" I dreamed a dream (Susan Egan) 00h 24'03" Master of the house (Alun Armstrong & Susan Jane Tanner) 00h 29'00" Bring him home (John Owen-Jones) 00h 32'27" Stars (Anthony Warlow) 00h 35'40" Empty chairs at empty tables (John Owen-Jones) 00h 38'49" Suddenly (Hugh Jackman) 00h 41'16" One day more (London Cast) MISS SAIGON (1989) 00h 44'42" Presentación 00h 45'23" The heat is on in Saigon (London Cast) 00h 49'58" The movie in my mind (Isay Alvarez & Lea Salonga) 00h 54'34" Why, God, why? (John Owen-Jones) 00h 50'40" Sun and moon (Lea Salonga & Simon Bowman) 01h 01'21" The last night of the world (Lea Salonga & Simon Bowman) 01h 05'42" I still believe (Lea Salonga & Claire Moore) 01h 10'07" I'd give my life for you (Lea Salonga) 01h 13'54" Too much for one heart (Russell Watson) 01h 17'05" Bui Doi (John Owen-Jones) 01h 20'58" Please (Lea Salonga & Peter Polycarpou) 01h 23'46" The American dream (Jonathan Pryce) MARTIN GUERRE (1996) 01h 29'47" Presentación 01h 30'54" Here comes the morning (Russell Watson) 01h 33'34" Live with somebody you love (Maria Zamora & Michael Ball) 01h 37'19" Tell me to go (Rebecca Lock & Ian Glen 01h 41'40" The Holy fight (London Cast) 01h 43'37" All I know (Rebecca Lock & Ian Glen) 01h 46'52" I will make you proud (Jerome Pradon) 01h 49'07" How many tears (Joanna Riding) 01h 52'44" The imposter is here (London Cast) 01h 57'04" The land of the fathers (Marcus Cunningham, Rebecca Lock & Matt Rawles) THE PIRATE QUEEN (2007) 02h 03'08" Presentación 02h 03'53" Woman (Stephanie J. Block) 02h 06'31" Here on this night (Stephanie J. Block & Hadley Fraser) 02h 09'28" Rah-rah, tip-top (Linda Balgord & William Youmans) 02h 12'40" The choice is mine (Styephanie J. Block, Jeff McCarthy, Hadley Fraser) 02h 17'00" The wedding (Jeff McCarthy, Joseph Mahowald, Aine Ui Cheallaig) 02h 19'50" I'll be there (Hadley Fraser) 02h 22'59" The sea of life (Russell Watson) 02h 26'01" Sail to stars (Hadley Fraser, Marcus Chait, Aine Ui Cheallaig) MARGUERITE (2008) 02h 29'08" Presentación Y hasta aquí los musicales de Schönberg y Boublil. Si te ha gustado, en breve publicaremos otra playlist dedicad a los trabajos de Claude Michel Schönberg como compositor de canciones, bandas sonoras y ballets que os descubrirá un Schönberg menos conocido, sin por ello dejar de ser muy muy  interesante.

This week Julie, Miranda, and Zane will chat with Patrick Aiken about which of life's truths can be gleaned from Jekyll & Hyde!- FURTHER READING -Wiki - Musical, Novella- CELEBRITY SHOUTOUTS -Robert Louis Stevenson, Leslie Bricusse, Frank Wildhorn, Steve Cuden, Colm Wilkinson, Linda Eder, Chuck Wagner, Robert Cuccioli, Christiane Noll, Kelli O'Hara, Anthony Warlow, David Hasselhoff

In the latest Downstage Center, "Annie" stars Katie Finneran (Miss Hannigan) and Anthony Warlow (Daddy Warbucks) discuss the current revival, James Lapine, past roles, the audition process, reputation, and awards, among other topics.

In the latest Downstage Center, "Annie" stars Katie Finneran (Miss Hannigan) and Anthony Warlow (Daddy Warbucks) discuss the current revival, James Lapine, past roles, the audition process, reputation, and awards, among other topics.

In the latest Downstage Center, actors Rob McClure and Christiane Noll discuss "Chaplin", from the research they put into their roles (Mr. McClure as the legendary silent film actor and Ms. Noll as his mother) to the audience and Chaplin family reaction to the production. They also discuss past roles: Mr. McClure in "Avenue Q" and Ms. Noll in "Ragtime" and "Jekyll and Hyde," and the special moment when Mr. McClure met his hero, Anthony Warlow, backstage.

In the latest Downstage Center, actors Rob McClure and Christiane Noll discuss "Chaplin", from the research they put into their roles (Mr. McClure as the legendary silent film actor and Ms. Noll as his mother) to the audience and Chaplin family reaction to the production. They also discuss past roles: Mr. McClure in "Avenue Q" and Ms. Noll in "Ragtime" and "Jekyll and Hyde," and the special moment when Mr. McClure met his hero, Anthony Warlow, backstage.