Podcast appearances and mentions of Andrew Lippa

The luminous Kate Baldwin joins The Art of Kindness with Robert Peterpaul this Women's History Month to discuss acts of kindness throughout her career on Broadway, Maestra Music and more. Kate Baldwin is a two-time Tony Award and four-time Drama Desk Award nominee who has delighted audiences across the country with performances on Broadway, in concert and on television. Kate starred as Irene Molloy opposite Bette Midler, David Hyde Pierce and Gavin Creel in the hit Broadway revival of Hello, Dolly!, for which she was nominated for the Tony, Drama Desk and Outer Critics Circle awards. She originated the role of Sandra Bloom in Big Fish on Broadway and earned accolades and a Drama Desk Award nomination for her work as Leslie Lynnton Benedict in Michael John LaChiusa's Giant at The Public Theatre. She received a Drama Desk Award nomination for her role as Jen in Keen Company's 20th Anniversary revival of Andrew Lippa and Tom Greenwald's John & Jen. She garnered critical acclaim and a Lucille Lortel Award nomination for Tom Kitt and John Logan's Superhero at Second Stage. But it was her starring role in the 2009 Broadway revival of Finian's Rainbow, which drew Tony, Drama Desk and Outer Critics Circle Award nominations and put her on the map as “a real musical theatre star.” (New York Post) Kate has appeared in the Broadway casts of The Full Monty, Thoroughly Modern Millie and Wonderful Town. Other New York theatre productions include Songbird at 59e59 and in The Dead, 1904 for Irish Rep, Fiorello! and Love Life for City Center Encores! She starred in The King and I at the Lyric Opera of Chicago, Irving Berlin's White Christmas (San Francisco, Detroit, Toronto), The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at the Willliamstown Theatre Festival, and The Music Man and South Pacific at Arena Stage, earning a Helen Hayes Award nomination. She drew raves for her portrayal of Francesca Johnson in The Bridges of Madison County directed by original cast member Hunter Foster and for her turn as Dorothy Brock in 42nd Street at Goodspeed Opera House directed by original creator Randy Skinner. She has performed in concert with the American Pops Orchestra, New York Pops, Boston Pops, National Symphony, Detroit Symphony, Portland Symphony, Phoenix Symphony, Chicago Symphony, American Songbook series at Lincoln Center, the Kennedy Center and at the legendary New York nightclubs Feinstein's, Birdland and 54 Below. Her concert work also includes several appearances with Stephen Sondheim as a featured performer in his critically acclaimed evening, “A Conversation with Stephen Sondheim.”  On television, her work includes appearances on “The Gilded Age” (HBO),  “Law &Order: SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) and “First You Dream: the Songs of Kander and Ebb” (PBS) Kate is a 2023 Chicago/Midwest Emmy nominee, alongside partners at HMS Media for creating and producing “Broadway Comes Home,” a love letter to her hometown of Milwaukee. She is a proud advisory board member for Maestra Music, which provides support, visibility and community for the women and non-binary people who make the music in musical theatre. Kate's debut album on PS Classics, “Let's See What Happens” features Lane and Harburg songs from both stage and film. Her second album celebrates the work of lyricist Sheldon Harnick and is titled, “She Loves Him.”   She is a graduate of Shorewood High School in Shorewood, WI and Northwestern University. She lives with her husband and son in Maplewood, NJ. Visit: maestramusic.org Follow Kate: @realkatebaldwin Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

  City Circle Theatre Company presents Andrew Lippa's “WILD PARTY: In Concert” Feb 7-9 & 14-16 at the Coralville Center for the Performing Arts. In the studio we have director Carrie Pozdol and actress/dancer Anna Slife who will be playing the role of Jackie. This wild show explores the contrast of darker themes with the … Continue reading

Kikau and Matty speak with the amazing Adam Moxness on today's episode. Kikau was inspired to bring Adam on after his incredible presentation at the Musical Theater Educators' Alliance annual conference in New York City. They discuss Universal Design for Voice and Theatre Teaching (UDVTT). Adam's recommendations include CAST.org, which is the Universal Design for Learning (UDL) website, Think Protein Bars (specifically the peanut butter chocolate ones), John & Jen by Andrew Lippa, and the Sunset Boulevard revival by Andrew Lloyd Weber. Kikau shares that he is currently listening to Chita: A Memoir by Chita Rivera with Patrick Pacheco. Adam Moxness is a dedicated educator, accomplished performer, and innovative researcher serving as an instructor of musical theatre voice at Viterbo University in La Crosse, Wis. With an MFA in musical theatre vocal pedagogy from Boston Conservatory at Berklee, Adam has emerged as a leader in the field of inclusive voice education. His groundbreaking work in Universal Design for Voice and Theatre Teaching (UDVTT) focuses on accessibility-based and neurodiversity-affirming pedagogical approaches, aiming to create inclusive learning environments where every student, regardless of ability or background, can thrive. Adam's expertise extends beyond the classroom. He has presented his research at national and international conferences, including the Musical Theatre Educators' Alliance, Pan American Vocology Association, and the International Congress of Voice Teachers, as well as through workshops and online courses designed to empower educators to adopt more inclusive teaching practices. His research and pedagogy have been recognized with grants from Berklee College of Music and collaborations with institutions such as the Voice Study Centre and Bowling Green State University.

Hank Temple (Music & Lyrics), is a junior music composition major at Baldwin Wallace. His band, Temple Brothers, has released music on all streaming platforms. Gideon and Hank study songwriting with Scott Simons (America's Got Talent, The X Factor) and composition with Dr. Clint Needham. They also have studied composing for musical theater with Andrew Lippa, Bill Russell, and Michael Kooman & Chris Dimond. Hank recently served as the directing/writing apprentice at Theatre Aspen, where he performed in multiple shows and made his professional pit debut playing mandolin in Come From Away. Gideon Temple (Music & Lyrics), is a composer, music director and award-winning filmmaker. He's a senior studying music theater music direction at Baldwin Wallace Conservatory of Music. His first musical comedy, You're the Worst, debuted at Pittsburgh Musical Theater in May 2021. He is on the creative team at Goodspeed Musicals as the Music Assistant to Resident Music Director Adam Souza. Star Machine Jaz and Nikki are a talented sister act striving tobreak into the LA music scene in the summer of2002. Jaz craves stardom no matter the cost, while Nikki seeks approval from the Juilliard elite. When the sisters land on a ridiculous TV talent show, this conflict threatens to tear them apart. Punctuated by early-aughts nostalgia and cameos from the likes of Lance Armstrong and Bernie Madoff, Star Machine chronicles the triumphs and rock-bottoms of young performers navigating the roller coaster of show business. The show is a reflection on ambition that poses a universal question for all creatives: how do you strike a balance between commercial success and art?

THE ADDAMS FAMILY Musical by Andrew Lippa, Marshal Brickman & Rick Elice Is based on the beloved characters created by Charles Addams. THE ADDAMS FAMILY Musical centres around the eccentric, macabre, and ghoulish Addams family, led by Gomez and Morticia Addams. With witty one-liners, crazy characters, spooky effects and all the weird wonderfulness fans of the most outrageous family ever have come to expect, the show will be a holiday hit for young and old alike. A cult hit all round the world, THE ADDAMS FAMILY Musical ran on Broadway for 722 performances, garnering numerous awards and spawning many international productions. The highly anticipated South African production will feature a world-class ensemble of performers and opens on 14 December 2024 at The Homecoming Centre in Cape Town. Joining us live from our studio is Bethany Dickson who plays the role of Alice Beineke.See omnystudio.com/listener for privacy information.

part 1 originally released: January 10, 2018 Dramaturg Lauren Halvorsen is here for the first of our epic, two-part dive into both musical versions of THE WILD PARTY. Here we cover not only Andrew Lippa's off-Broadway take on Queenie, Burrs, Black, et al.; we also talk through Joseph Moncure March's novella-length poem upon which both musicals are based. part 2 originally released: January 17, 2018 The thrilling conclusion to our deep-dive into THE WILD PARTY. We talk the La Chuisa/Wolfe Broadway version, Mandy Patinkin, the philosophy of adaptation, Mandy Patinkin, which we prefer, and Mandy Patinkin in . . . (not a joke, wish it was) blackface.   Poem excerpts read and recorded by Lee Liebeskind.   Featured recordings: THE WILD PARTY - Original Cast Recording (2000) THE WILD PARTY - A Decca Broadway Original Cast Album (2000) FORBIDDEN BROADWAY - Vol. 5: Forbidden Broadway Cleans Up Its Act! (1999)   PATREON! Twitter.com/OriginalCastPod Facebook.com/OriginalCastPod OriginalCastPod@gmail.com

This week Mickey-Jo had the opportunity to sit down with the composer Andrew Lippa (The Addams Family, The Wild Party, Big Fish) to discuss the upcoming European premiere of his theatrical work: I AM HARVEY MILK. The piece will have two performances on Sunday 27th October at Cadogan Hall in London and will star Joel Harper Jackson and Sierra Boggess, with Vanessa Williams and Alex Jennings hosting a performance each. Check out the full interview for their conversations about his body of work, musical tributes to Stephen Sondheim, reflections of his own personal journey in I Am Harvey Milk and some astonishing revelations about events in the show's history. Comment down below with who you'd love to see Mcikey-Jo interview next! • book tickets to see I AM HARVEY MILK: https://cadoganhall.com/whats-on/i-am-harvey-milk-in-concert/ get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

The Dramatists Guild Foundation or DGF is a nonprofit devoted to American theater. For more than six decades they have supported writers at all stages of their careers. DGF offers grants, free spaces to create new works and emergency aid for immediate support. On the show is Rachel Routh is DGF's executive director and DGF's president, writer/composer Andrew Lippa. In 2024, DGF received a 2024 Tony Honors for Excellence in the theater. On October 28 DFG will have its gala, hosted by Amber Ruffin. The gala will honor Pulitzer Prize winning composer Tom Kitt and producer Mindy Rich. This episode was recorded October 8, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In 2021, I started this podcast with a clear goal: to give you a behind-the-scenes look at the lives and careers of Broadway drummers. Since then, we've hosted some genuinely remarkable guests who've shared their unique stories, experiences, and insights.As our audience has grown, we've realized that many of you might have missed out on some of our most inspiring interviews. So, over the next year, we're bringing back some of those classic, condensed episodes. Whether it's your first time hearing them or you're revisiting them, I hope they spark the same sense of inspiration.But don't worry, that's not all—we've got some fresh, exciting episodes in the works, along with a few surprises along the way. Stay tuned, because there's plenty more coming your way!Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this second episode of Broadway Drumming 101, I had the pleasure of talking with Damien Bassman. Damien is currently the drummer for Death Becomes Her on Broadway. Originally from Fairfax, Virginia, Damien holds a BM from the Cleveland Institute of Music, an MM and Performer's Residency Certificate from Carnegie Mellon University, and an Advanced Performer's Certificate from The Juilliard School.Damien's résumé is nothing short of impressive. Currently the drummer for the musical Death Becomes Her, he was a featured drum set soloist with the Tonkunstler Orchestra in Vienna and Italy and recorded with them on Leonard Bernstein's Mass. He's performed as a soloist and section percussionist/timpanist with the Cleveland Orchestra, the National Symphony, and the Columbus Symphony. Damien also created, arranged, and performed the hybrid percussion/drum set book for the hit musical Next to Normal. He designed the drum/percussion book for Hi-Fidelity and brought African and multi-percussion elements to The Color Purple. He's also worked on Aida, Dirty Rotten Scoundrels, Legally Blonde, Nine, Grease, Fiddler on the Roof, and Caroline or Change, to name a few.Damien also collaborated with Green Day on the Broadway adaptation of American Idiot and worked with Andrew Lippa, Nathan Lane, and Bebe Neuwirth on The Addams Family. More recently, he's been the drummer for How to Dance in Ohio, Jagged Little Pill, Almost Famous, and SpongeBob SquarePants: The Broadway Musical.Damien's versatility extends beyond Broadway. He's served as the drummer for some of Broadway's biggest stars, including Adam Pascal (Rent, School of Rock), Kristin Chenoweth (My Love Letter to Broadway), Kelli O'Hara (South Pacific, The Pajama Game), Jason Danieley (Curtains, Chicago), Julia Murney (Wicked, Lennon), and Michael Longoria (Jersey Boys).This episode is packed with great stories and insights, and I can't wait for you to hear it!Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

A two-time Tony Award winner for “Best Actor in a Musical” and one of Broadway's legendary leading men. From his humble beginning as the 7th of 11 children to originating roles on Broadway in Jason Robert Browns' The Last Five Years, Stephen Schwartz's Wicked, in Andrew Lippa's Big Fish, in Harry Connick Jr's Thou Shalt Not (Tony nomination) in the Lincoln Center 2018 revival of My Fair Lady (Tony nomination) and his two Tony Winning performances in David Yazbek's Dirty Rotten Scoundrels and in Shaiman and Whitman's Catch Me If You Can. In addition to Norbert's signature roles, this versatile hyphenate has 4 solo records. Mr. Butz' television and film credits include Netflix's Bloodline, Fosse/Verdon, Justified: City Primeval, and the soon to be released new series on FX from Ryan Murphy Gladiator: American Sports Story, as well as the recent Exorcist sequel by David Gordon Green.

For this Musicals Magazine Podcast, Edward Seckerson meets Zachary James, who's currently hotting up the Underworld on the other side of that wall in Hadestown. James, who originated the role of Lurch in the Andrew Lippa musicalisation of The Addams Family, is perhaps best known to date – indeed immortalised – as The Scribe/Amenhotep III in Philip Glass's Akhnaten in the jaw-dropping Phelim McDermott, Olivier Award-winning staging at English National Opera in 2016. His work has straddled the opera and Musical Theatre worlds in intriguing ways and as an actor-singer his work is nothing if not diverse. Plus his 6'6” frame makes him hard to miss.   Never miss an issue of Musicals magazine – subscribe today The opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records.

“It's always music - and an abiding need to tell stories” - Andrew LippaBroadway composer Andrew Lippa joins me in conversation for the very first episode of “ThankYou, Half Hour - Conversations from the wings” Boasting a career spanning decades ofcomposing and performing for Broadway (Big Fish, The Addams Family, You're a Good Man,Charlie Brown) Off-Broadway (The Wild Party, John and Jen) and Concert halls (I Am HarveyMilk) around the world, Andrew and I became friends shortly after we both moved from NewYork City to Columbus, OH in 2017. Since then, there have been countless conversations aboutlove, life, theater, politics, aging (only on my part....Andrew is very much a spring chicken!) andthe inspiration for it all - “It's always music...and an abiding need to tell stories.” Today's chatleads us from Thanksgiving tablecloths to Fiddler on the Roof, Harvey Milk, and a still unwrittenmusical about the periodic table...and a very special thank you to Andrew for writing the themesong for this podcast! For now, sit back and enjoy the conversation with Columbus' own,Andrew Lippa.

Hem parlat amb Marc Pociello i Xavi Duch, intèrpret i director del musical 'John & Jen', que podeu veure al Teatre Gaudí de Barcelona fins el 26 de novembre. 'John & Jen' és un musical de petit format que tracta sobre les relacions entre mares i fills i germans. Es va estrenar a l'off-broadway de Nova York l'any 1995, amb llibret de Tom Greenwald i Andrew Lippa, música de Lippa i lletra de Greenwald. Ara ha estat adaptat al català per David Pintó, amb direcció escènica de Xavi Duch i direcció musical de Filippo Fanò, que interpreta la música en directe juntament amb Valentí Querol i Andrea Peirón. A la interpretació, Marc Pociello i Anna Valldeneu. Coneixem la feina fantàstica que han fet tant en Marc com en Xavi al musical 'Tuelf Points', del que hem parlat molt al nostre programa, i us convidem a que aneu a veure aquest musical fet amb molt d'amor al Teatre Gaudí de Barcelona. Ona Cultural Laura Clemente Òscar Boix La Clem Cultura ràdio cultura teatre musical direcció interpretació

Les promeses se les emporta el vent. Crítica teatral de l'obra «John & Jen». Música d'Andrew Lippa. Llibret de Tom Greenwald i Andrew Lippa. Adaptació catalana de David Pintó. Intèrprets: Marc Pociello i Anna Valldeneu. Músics 2023: Filippo Fanò, Valentí Querol i Andrea Peirón. Músics estrena 2018: Filippo Fanò (piano), José Manuel Martín (percussió), Bernat Hernández (contrabaix) i Andrea Peirón (violoncel). Disseny il·luminació: Daniel Gener. Disseny so: Enric Vinyeta. Escenografia i vestuari: Vocal Factory. Projeccions: Josep Palau. Disseny cartell: Zuhaitz San Buenaventura. Tècnic sala: AndriyKravchyk. Producció: Anna Valldeneu Ajudant de producció i regidoria: Ariadna Toledo Premsa: Àlex Sánchez Aragón. Direcció actors: Jose Pérez-Ocaña. Direcció musical: Filippo Fanò. Direcció escènica: Xavi Duch. La Factory Produccions. Teatre Gaudí Barcelona. Barcelona, 24 juny 2018. Reposició: 27 octubre 2023. Veu: Andreu Sotorra. Música: Welcome to the world. Interpretació: Carolee Carmelo i James Ludwig. Composició: Andrew Lippa i Tom Greenwald. Àlbum: John & Jen, 1996.

Gabriel Barre is an American director and actor. Best known for creating original musicals, his work has been seen on Broadway, throughout the United States, and across four continents internationally. Gabriel directed the Broadway production of Amazing Grace, which also toured the country and was a sit-down production at the new Museum of the Bible in Washington, DC in 2019. In New York City, he is known for his off-Broadway work: he directed the original production of Andrew Lippa's, The Wild Party at the Manhattan Theatre Club starring Idina Menzel, Taye Diggs, Brian Darcy James and Julia Murney. He was awarded the Calloway Award for Best Direction, and was nominated for five Outer Critics Circle Awards and thirteen Drama Desk Awards, both including Best Direction of a Musical. He directed the original production of John Cariani's Almost, Maine at the Daryl Roth Theatre, which has become one of the most frequently produced plays in the United States with over 4000 productions to date. It has been translated into a dozen languages and recently unseated Shakespeare as the most produced play in North American high schools. Other Off-Broadway productions include a new adaptation of Cyrano De Bergerac at the St. Clement's Theatre, using the Anthony Burgess translation, brought to life by a cast of only eight actors and featuring direction by Barre (who also appeared in the leading role), action direction by Rick Sordelet and an original musical score by Alexander Sovronsky, performed live, by the actor/musician cast.  He also directed the original productions of Summer of '42 at the Variety Arts Theatre, Honky Tonk Highway at Don't Tell Mama (winner of a MAC Award and Bistro Award for Best Review), Stars in Your Eyes at the Cherry Lane Theatre, Andrew Lippa's, john & jen at the Lamb's Theatre and Son Of A Gun at the Samuel Beckett Theater. Tricia Paoluccio is a multi talented actor, unique visual artist, and creator. Growing up on an almond farm in Modesto, CA, with an inventor as a father and school teacher mother, Tricia moved to NYC and sold her art on the street before she could make a living as an actor. Since making her Broadway debut in Arthur Miller's A View from the Bridge, she has worked consistently in NY theatre on Broadway and off, in television and film. As a visual artist, Tricia has been commissioned to create botanical designs for luminaries in the fashion, publishing, and music industries. As a creator she has created and produced an optioned web-series, and, during the pandemic, cowrote a show in which she will star, premiering this Fall of 2022, where she gets to play her lifelong idol: Dolly Parton. This show, entitled Here You Come Again, was approved by Dolly, who has given Tricia permission to play her and given the creative team the world wide grand rights to all of her music. She divides her time between her California farm and NYC, where she lives with her two sons and husband, director Gabriel Barre. She is passionate about prison reform, having spent a dozen years serving as a volunteer chaplain at Manhattan Detention Center. Bruce Vilanch is an American comedy writer, songwriter and actor. He is a two-time Emmy Award-winner. Vilanch is best known to the public for his four-year stint on Hollywood Squares, as a celebrity participant; behind the scenes he was head writer for the show. In 2000, he performed off-Broadway in his self-penned one-man show, Bruce Vilanch: Almost Famous.

In this episode, Hayley and Amy speak with theatre writer, director, and choreographer Thalia Ranjbar about using art to challenge cultural conventions, elevating underrepresented perspectives, and building cultural specificity and diversity into the DNA of theatrical works. As a bonus, we celebrate Women's History Month by spotlighting influential Cuban American playwright, director, and educator María Irene Fornés. Click here for a transcript of the episode! Episode Notes Guest: Thalia Ranjbar Hosts: Hayley Goldenberg and Amy Andrews Music: Chloe Geller Episode Resources: Women's History Month Spotlight: María Irene Fornés Read more about Thalia's work Emerging Artists - New Works Series Sanaz Toossi - English and Wish You Were Here Marjan Kamali - The Stationery Shop Johnny Mercer Foundation Songwriters Project Guest Bio Thalia Ranjbar (she/her) is a Persian-Salvadoran-Canadian multidisciplinary artist presently based in New York City. With her focus being in theatre and film, Thalia is a screenwriter, librettist, director, and choreographer with a passion for elevating and developing stories that include voices of queer and BIPOC communities. She is a recent graduate of New York University where she earned the distinction of Master of Fine Art from the "Graduate Musical Theatre Writing Program.” Immediately after, Thalia was 1 of 12 international participants selected for the “Johnny Mercer Songwriters Project,” where she received mentorship from Crag Carnelia, Andrew Lippa, Lindy Robbins, and Autumn Rowe. Thalia's theatrical writing has been developed and presented by Feinstein's 54 Below, Rattlestick Playwright's Theatre, Lincoln Centre, and NYU's Tisch School of the Arts. Her recent directing/choreography credits include The Talk at New York Theater Festival (nominated for Best Short), Unlikely Friends At Bloor St Station and Inevitable Transitions at the Emerging Artists Festival, and Then She ran at the New Studio on Broadway. Find Thalia Online: Website: http://thaliaranjbar.com Instagram: @tranjbar15 LinkedIn: Thalia Ranjbar Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

This episode Sabrina and Angie catch up with two of the cast members of the Academy's upcoming musical Andrew Lippa's THE WILD PARTY. Cameron Custer and Kellen Williams discuss the process and describe this very unique immersive approach to staging a musical. Hosted on Acast. See acast.com/privacy for more information.

Russell chats with Music Director and UNCG professor Dominick Amendum about his music career when he was apart of the Broadway musical "Wicked" as well as receiving a Grammy nomination for "The Prince of Egypt" and also finding balance between his teaching profession in the UNCG Musical Theatre department and his family life.Brought to you by Real Creative Heart, Like, Review, Share, & Subscribe.DOMINICK AMENDUM served for nearly a decade as Associate Music Supervisor of the International Mega-Hit Musical Wicked, also having Conducted and Music Directed Wicked on Broadway, in Los Angeles, and in cities across the U.S. on the First National Tour. Additionally, Dominick was the Arranger and Music Supervisor for the Broadway musical First Date (starring Zachary Levi). Other credits include:  Heathers (Off Broadway- New World Stages); Gigantic (Off Broadway- The Vineyard); The Blue Flower (Off Broadway- SecondStage); The Kid (Off Broadway- The New Group); The Romance of Magno Rubio (Off Broadway- DR2 Theatre); Cabaret (National Tour); Oliver! (National Tour); Moonshine (Dallas Theatre Center); LMNOP(Houston TUTS); Elf (Paper Mill Playhouse); Secondhand Lions (Seattle's 5th Avenue Theatre). As part of his continuing collaboration with Stephen Schwartz, Dominick is the Arranger and Music Supervisor of The Prince of Egypt, currently running at the Dominion Theatre in London's West End. The Prince of Egyptwas developed at Fredericia Teater in Denmark and TheatreWorks in California. Dominick received a GRAMMY nomination for his production of The Prince of Egypt Original Cast Recording. He also produced the First Date Broadway Cast Recording and the Studio Cast Album of the world premiere musical Secondhand Lions.  Additional recordings as Producer include Stephanie J. Block (“This Place I Know”); Carrie Manolakos (“Echo”), Will Van Dyke (“Chasing The Day”) and Paul Loesel and Scott Burkell (“Sorta Love Songs”).  In the studio, Dominick has collaborated with the likes of Dolly Parton, Rupert Holmes, Andrew Lippa, Stephen Schwartz, and Marvin Hamlisch.   Dominick is the Smart-Tillman Artist in Residence at his alma-mater, The University of North Carolina at Greensboro. At UNCG, he serves as Coordinator of the Musical Theatre Program, Professor of Musical Theatre Performance, and resident Music Director. He also continues to work professionally around the globe developing new musicals.https://vpa.uncg.edu/home/directory/bio-domamendum/

Alex Puette (alexpuette.com)(IG:@apuette) currently in Hadestown on Broadway was born and raised in a small town outside of Cleveland, OH, Alex fell in love with performing at a very early age. He made his stage debut in the pivotal role of Frog #1 in a local youth theatre production of Narnia: The Musical. The bug had bitten and Alex continued performing and training in Cleveland. He began working professionally at the age of twelve when he was cast in Pittsburgh Civic Light Opera's production of Bye Bye Birdie, and worked at several other notable regional theatres in the area.  At the age of eighteen, Alex was accepted into University of Michigan's highly selective and prestigious musical theatre program, where he graduated with a Bachelor of Fine Arts. In NYC, Alex completed the two year Meisner training program at The William Esper Studio, and has studied acting with powerhouse teachers Scott Freeman, Matthew Corozine, and Andrew Stewart-Jones. He has also had the honor of studying voice with Matt Farnsworth and Mike Ruckles.  During his junior year of college, Alex got his Actors' Equity card at the St. Louis MUNY in the first regional production of The Producers, shortly followed by the first Broadway national tour of Legally Blonde upon graduating. Following Blonde, he continued to tour the country with the first national tours of Young Frankenstein and A Christmas Story. Internationally, Alex had the honor of performing at the distinguished Théâtre du Châtelet in Paris as Riff in West Side Story. In New York City, he has performed off-Broadway at the award-winning Irish Repertory Theatre in the first revival of New Girl In Town, as well as in various workshops, readings, and festivals. After performing in Andrew Lippa's opera I Am Harvey Milk at Lincoln Center, Alex was personally selected by Lippa to participate in the out of town try out of his companion operas I Am Anne Hutchinson/I Am Harvey Milk at the Strathmore Arts Center outside of Washington, D.C., starring Kristen Chenoweth. Alex has been seen at some of the country's best regional theatres, including Kansas City Starlight, The MUNY, Ogunquit Playhouse, Berkshire Theatre Festival, Ford's Theatre (Washington, D.C.), and North Shore Music Theatre. Favorite roles regionally include Don Lockwood in Singin' in the Rain, Nick Massi in Jersey Boys, Pharaoh in Joseph and the Amazing Technicolor Dreamcoat, and Ernst in Cabaret.  Alex currently lives on the Upper West Side of Manhattan with his husband, choreographer Billy Griffin, and their dog, Archie. 

With a celebrated career spanning over 25 years, David is one of Australia's most acclaimed leading men. Based in New York City, David is currently starring as the Duke of Monroth in the North American production of Moulin Rouge! The Musical and is delighted to return to Do You Hear the People Sing? after appearing in the show since its inception in Shanghai, Manila, and Taipei. David gained critical acclaim for his portrayal of Chris in Claude-Michel Schönberg and Alain Boublil's new production of Miss Saigon which earned him Helpmann and Sydney Theatre Award nominations for "the year's most truthful and moving stage portrayals" (Sydney Morning Herald). He received a further Helpmann Award nomination for his performance as Fiyero in Wicked. David was awarded a Green Room Award for Best Actor as well as Helpmann and Sydney Theatre Award nominations for his portrayal of Emmett Forrest in Legally Blonde and was awarded Theatre People's Award for Best Actor for his portrayal of The Baker in Victorian Opera's production of Into The Woods. In 2018, David was nominated for his fourth Helpmann Award and second Green Room Award for his portrayal of Tick in Priscilla Queen of the Desert. Relocating to New York City in 2014, David received a Connecticut Critics Circle Award nomination for Best Actor for his performance of Dan in Next to Normal and starred as Jean Valjean in Les Misérables which co-starred and was directed by Tony Award winner Terrence Mann. He starred as Billy Crocker in Anything Goes, as Father in Ragtime and originated the role of Max Bronfman in the new, reworked production of Rags with Stephen Schwartz. Other Australian performances include; the dual roles of Adam and Noah in the Australian premiere performance of Stephen Schwartz's Children of Eden (Theatre People Award nomination for Best Actor in a Musical); Malcolm in The Full Monty; The Beast in Beauty and the Beast; Greg in The Boy From Oz; Joe Hardy in Damn Yankees; John Brookes in Little Women; Prez in The Pajama Game; Perchik in Fiddler On The Roof alongside Topol; John in Andrew Lippa's John & Jen; Oscar in The Wild Party; Orville Wright in Richard Maltby Jnr and David Shire's new musical Take Flight; and Jimmy Smith in the Australian premiere of Thoroughly Modern Millie. David originated the role of Bud in the Australian premiere production of the two-man comedy, Gutenberg! - The Musical; created the numerous male roles in the Australian premiere of Breast Wishes; and received a GLUG Award for Best Actor in a Musical for his performance in LOVEBiTES. David began his professional career in the original Australian productions of The Boy From Oz and Mamma Mia and was awarded a MO Award for Best New Talent in 1997. In concert, David toured with Michael Ball on his Australian tour; performed with Lea Salonga in Vietnam; performed with Stephen Schwartz in Stephen Schwartz and Friends; with Andrew Lippa in Lippa and Friends. In 2016, David starred alongside Sutton Foster, Aaron Tveit, Betty Buckley, Joanna Ampil and Helen Dallimore in Defying Gravity - the songs of Stephen Schwartz. David has released two solo albums, 'Til The Night Is Gone and At This Stage. He premiered his solo show, ‘Til The Night Is Gone to sold out audiences at the 2010 Adelaide Cabaret Festival and Newcastle's Civic Theatre and returned to the Adelaide Cabaret Festival in 2014 to headline the Australian premiere of Picture Perfect. David's most recent solo show, Time Is a Traveller premiered to a sold out, extended season at the Hayes Theatre and toured nationally to great acclaim, being awarded the Theatre People's Award for Best Male Cabaret in 2014. Do You Hear the People Sing? plays the Hamer Hall, Arts Centre, Melbourne, September 27th and 28th. Then the Concert Hall, Sydney Opera House, September 30th to October 2nd www.davidharrisofficial.com The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favouri

Alex Puette (alexpuette.com)(IG:@apuette) currently in Hadestown on Broadway was born and raised in a small town outside of Cleveland, OH, Alex fell in love with performing at a very early age. He made his stage debut in the pivotal role of Frog #1 in a local youth theatre production of Narnia: The Musical. The bug had bitten and Alex continued performing and training in Cleveland. He began working professionally at the age of twelve when he was cast in Pittsburgh Civic Light Opera's production of Bye Bye Birdie, and worked at several other notable regional theatres in the area.  At the age of eighteen, Alex was accepted into University of Michigan's highly selective and prestigious musical theatre program, where he graduated with a Bachelor of Fine Arts. In NYC, Alex completed the two year Meisner training program at The William Esper Studio, and has studied acting with powerhouse teachers Scott Freeman, Matthew Corozine, and Andrew Stewart-Jones. He has also had the honor of studying voice with Matt Farnsworth and Mike Ruckles.  During his junior year of college, Alex got his Actors' Equity card at the St. Louis MUNY in the first regional production of The Producers, shortly followed by the first Broadway national tour of Legally Blonde upon graduating. Following Blonde, he continued to tour the country with the first national tours of Young Frankenstein and A Christmas Story. Internationally, Alex had the honor of performing at the distinguished Théâtre du Châtelet in Paris as Riff in West Side Story. In New York City, he has performed off-Broadway at the award-winning Irish Repertory Theatre in the first revival of New Girl In Town, as well as in various workshops, readings, and festivals. After performing in Andrew Lippa's opera I Am Harvey Milk at Lincoln Center, Alex was personally selected by Lippa to participate in the out of town try out of his companion operas I Am Anne Hutchinson/I Am Harvey Milk at the Strathmore Arts Center outside of Washington, D.C., starring Kristen Chenoweth. Alex has been seen at some of the country's best regional theatres, including Kansas City Starlight, The MUNY, Ogunquit Playhouse, Berkshire Theatre Festival, Ford's Theatre (Washington, D.C.), and North Shore Music Theatre. Favorite roles regionally include Don Lockwood in Singin' in the Rain, Nick Massi in Jersey Boys, Pharaoh in Joseph and the Amazing Technicolor Dreamcoat, and Ernst in Cabaret.  Alex currently lives on the Upper West Side of Manhattan with his husband, choreographer Billy Griffin, and their dog, Archie. 

Back in the summer of 2020, the lockdowns were in full swing, there was so much uncertainty around Covid and what the pandemic would mean for the arts, and there was a new Netflix docuseries everyone was talking about, a little show called Tiger King. Well, in the midst of all that I sat down with composer and lyricist Andrew Lippa. He talked about a few of his bigger profile shows like The Addams Family, Big Fish, and of course The Wild Party as well as a Tiger King parody he did with Kristin Chenoweth. We discuss the years of writing and rewriting he's put into his various shows as well as the challenges and big budgets that come with creating a Broadway musical—something that I have seen firsthand this summer with Anne of Green Gables and its continuing creative journey. So join me as I take a look back at this insightful and honest conversation with my friend and fellow artist Andrew Lippa. (Recorded April 8, 2020) Website - https://andrewlippa.com Twitter - https://twitter.com/lippaofficial Instagram - https://www.instagram.com/lippaandrew Recent shows: The Man in the Ceiling, I Am Harvey Milk, Unbreakable Join Why I'll Never Make It as a monthly supporter to get access to Bonus Episodes  and also check out WINMI's YouTube Channel.   Thank you for your continued understanding through Anne of Green Gables rehearsals and performances here at Goodspeed in Connecticut. Due to limited time and resources I'm not able to to get out a new episode each week, but I hope you're enjoying the smaller bonus episodes and encore interviews like this one.  Donate to increase the production efforts of this podcast Follow Why I'll Never Make It on Instagram or Twitter Get a free copy of WINMI's collection of Creative Wisdom from former guests  

JERSEY BOYS COMPOSER: Bob Gaudio LYRICIST: Bob Crewe BOOK: Marshall Brickman, Rick Elice DIRECTOR: Des McAnuff CHOREOGRAPHER: Sergio Trujillo PRINCIPLE CAST: Christian Hoff (Tommy), Daniel Reichard (Bob), John Lloyd Young (Frankie) OPENING DATE: Nov 06, 2005 CLOSING DATE: Jan 15, 2017 PERFORMANCES: 4,642 SYNOPSIS: The rise and fall of The Four Seasons, a real-life band that dominated the 1960s music scene, is told through rotating narrators, who all offer their own theories as to why the band succeeded and subsequently dissolved.  The early 2000s saw an onslaught of failed jukebox musicals which aimed to capitalize on the disposable income of former rock fans by luring them to the theatre with familiar songs. Jersey Boys was successful because it tells the true, engrossing story of the Four Seasons and juxtaposes the violence of the narrative against the sterile, cherry tunes for which the band was known. Rick Elice examines how contradicting stories from the three living band members lent the show a multi-perspective narrative frame. The show set the standard for jukebox musicals which tell the story of the artists behind the music and led a fleet of such shows to Broadway for decades such as Beautiful and Tina. Rick Elice co-wrote Jersey Boys (winner 2006 Tony Award, 2007 Grammy Award and 2009 Olivier Award for Best Musical) with Marshall Brickman. His play, Peter and the Starcatcher, received nine 2012 Tony Award nominations (including two for Rick) and won five, more than any play of the season. It's currently playing in New York and on tour across North America. Also on Broadway, Elice wrote The Addams Family (with Marshall Brickman, music and lyrics by Andrew Lippa), currently touring North America, with productions in Europe and South America. In 2014, the Old Globe Theatre in San Diego presented the world premiere of his new musical, Dog and Pony (music and lyrics by Michael Patrick Walker). Rick is currently writing a musical for Disney Theatricals with Benj Pasek and Justin Paul, based on the film Make Believe, and Super Fly (co-written with Seth Zvi Rosenfeld), directed and choreographed by modern dance legend, Bill T. Jones. Heartfelt thanks to those whose work in the theatre makes him grateful for the day he was born: Sondheim, Stoppard, Bennett, Prince, Fosse, Robbins, Nichols, Tune, Nunn, Laurents, Stone, Kushner, Taymor, Papp, Schumacher, Schneider, Coyne, Brickman, Timbers and Rees. Rick thinks about them a lot. He never thought about Jersey much. He does now. SOURCES Jersey Boys, Original Cast Recording. Decca Records (2005) Jersey Boys starring Erich Bergen and John Lloyd Young, directed by Clint Eastwood. Warner Brothers (2014) Jersey Boys: The Story of Frankie Valli & The Four Seasons by David Cote, published by Broadway (2007) Learn more about your ad choices. Visit megaphone.fm/adchoices

AIN'T MISBEHAVIN COMPOSER: Fats Waller LYRICIST: Fats Waller BOOK: Richard Maltby Jr and Murray Horwitz DIRECTOR: Richard Maltby Jr CHOREOGRAPHER: Arthur Faria PRINCIPLE CAST: Nell Carter (Nell),Andre DeShields (Andre), Ken Page (Ken) OPENING DATE: May 09, 1978 CLOSING DATE: Feb 21, 1982 PERFORMANCES: 1,604 SYNOPSIS: Using the pre-existing music of 1930s jazz pianist Fats Waller, Ain't Misbehavin uses three women and two men to sing Waller's songs in a plotless revue celebrating his music.   Richard Dueñez Morrison's highlights the significance Ain't Misbehavin' had as a highly regarded, character-driven Broadway revue. Though a comparatively simple lineup of Fats Waller songs without book, elaborate set, sizable ensemble, or major stars, the show brought the world of the Harlem Renaissance to life in a way that was both novel and accessible for largely white audiences. Director-lyricist Richard Maltby Jr., and writer Murray Horwitz abandoned the idea of crafting a conventional, dialogue-driven telling of Waller's life in favor of a more nuanced evening which showcased the diverse talents of the five Black performers in the cast, including future stars Nell Carter and Andre DeShields. Maltby carefully guided the transition of the show from its intimate premiere at Manhattan Theatre Club's off-Broadway venue to the larger Longacre Theatre, ensuring the intimacy at the heart of the piece translated to a Broadway stage. When the revue won the 1978 Tony Award for Best Musical, new avenues were opened for Broadway revues as well as Black representation on the Broadway stage. Richard Dueñez Morrison - Richard Dueñez Morrison is a music director and voice teacher in San Diego, California. He holds a bachelor's degree in Stage Management from Webster University and a master's degree in Musical Theater from San Diego State University. His favorite musicals include Sweeney Todd, Nine, Andrew Lippa's A Little Princess, The Will Rogers Follies, and Caroline, or Change. Eternal thanks to husband Kurt, parents Renee and Dennis, piano teacher Dorothy Winnard, and theatrical mentors Neil Rothschild, Debbie Luce, Mary Elledge, and Ole Kittleson.  SOURCES Ain't Misbehavin, Original Broadway Cast Recording. RCA (1978) Ain't Misbehavin, starring Nell Carter and Andre DeShields, directed by Don Mischer. NBC Television (1982) Learn more about your ad choices. Visit megaphone.fm/adchoices

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Andrew Lippa may have the biggest mic in the room, but does he have the biggest knowledge of obscure Broadway music? Find out if the size of the mic matters in this week's Game Show competition with special guests Kate Baldwin, Julia Murney, Gordon Greenberg, and Brad Oscar. Our guests played today's game in recognition of Beit T'Shuvah: https://beittshuvah.org Find more episodes, watch the video versions, and get more information about The Great Broadway Gameshow Competition by visiting bpn.fm/gameshow. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kids, kids, and more kids! And super smart ones, at that! Diego Locana, Lucy Krubiner, Harrison Hauptman, & Sophia Sorge join big kids Andrew Lippa and Lon Hoyt for a musical theater trivia showdown you can't miss. Or maybe you can? Who knows, we can't tell you what to do. Now go to your room! ... and listen to Broadway show tunes. Our guests played today's game in recognition of: Dramatist Guild Foundation The Trevor Project Find more episodes, watch the video versions, and get more information about The Great Broadway Gameshow Competition by visiting bpn.fm/gameshow. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the final episode of this series, we're chatting to the amazing Cameron Blakely! Cameron originated the role of Gomez when The Addams Family  made its UK premiere in 2017. He is currently reprising his performance for the musical's latest UK tour.Directed by Matthew White, with choreography by Alistair David, The Addams Family has book by Marshall Brickman and Rick Elice with music and lyrics by Andrew Lippa. Cameron is well known for his long association with Les Miserables. He has played Thenardier countless times in the West End and on tour. He recently played Bamatabois/Babet in the concert version of the show at the Sondheim Theatre, having played the role for the 25th Anniversary Concert  at the O2 Arena.Just a few of Cameron's other credits include: Dennis Dupree in Rock of Ages (UK Tour), W T Steadi in Calon Lan (Swansea Grand Theatre), Lex Hogan in Eugenius (The Other Palace), Narrator/Mysterious Man in Into the Woods (Royal Exchange Theatre), Fagin in Oliver! (Watermill Theatre), Gatch/Twimble in How to Succeed in Business Without Really Trying (Concert), Lazar Wolf in Fiddler on the Roof (Grange Park Opera), Mr Lucas/Mr Scruton in The Secret Diary of Adrian Mole (Leicester Curve) and Sam in Mamma Mia! (international tour), Cameron has worked extensively at the Regent's Park Open Air Theatre, where his roles have included: Charley  in Where's Charley?, Badger in The Wind in the Willows, Puck in A Midsummer Night's Dream, Rosencrantz in Hamlet, Peter in Romeo and Juliet and Nathaniel in The Taming of the Shrew.The Addams Family resumes its UK tour on 11th January in Milton Keynes and is booking through to June 2022. Visit www.theaddamsfamily.co.uk for info and tour dates.Hosted by Andrew Tomlins. @Andrew_Tomlins Thanks for listening! We're taking a little break in January, but will be back next year with lots more incredible guests. Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. 

Andrew Lippa Award-winning composer of The Addams Family, Big Fish, The Wild Party, and many other musicals joins me for the podcast. In addition to his incredible talent and many accomplishments, he was also the Oberon to my Titania, the Brack Weaver to my Jennie Parsons, and the Ralph Rackstraw to my Josephine. My high school leading man joins me to talk about arts education, creativity, and the work of the arts. Here's more about Andrew. And really, go listen to the episode. It's incredible! About Andrew Andrew Lippa's “Unbreakable” had its world premiere with The San Francisco Gay Men's Chorus on June 22nd and 23rd, 2018 with 300 artists onstage, including Mr. Lippa. It is now available for purchase and streaming. He conducted the Royal Philharmonic Orchestra in a new production of his “A Little Princess” in concert in London at the Royal Festival Hall in May, 2018 to a sold-out crowd of nearly 3,000 people. His hit song “Evil Like Me” appears in Disney's “Descendants”. Written for Kristin Chenoweth, that soundtrack hit #1 on the “Billboard 200” album chart, #1 on the iTunes and Billboard soundtrack charts. “Evil Like Me” was certified gold in 2017. His epic oratorio for men's chorus, orchestra and soloists, I Am Harvey Milk has seen over 30 productions including Disney Hall and Lincoln Center.  Andrew's new musical, The Man in the Ceiling, released a world premiere studio album in May of 2019.   Broadway credits include: Music and lyrics for Big Fish directed and choreographed by Susan Stroman; the Tony-nominated music and lyrics for the Broadway musical The Addams Family (directed by Jerry Zaks) as well as the music for Aaron Sorkin's Broadway play The Farnsworth Invention (directed by Des McAnuff). Other musicals include the Drama Desk award winning musical The Wild Party (book/music/lyrics); A Little Princess (music); john & jen (music/book); Asphalt Beach (music and lyrics); Life of the Party (a compendium of Mr. Lippa's works); and You're A Good Man, Charlie Brown (additional music/lyrics and arrangements).  Awards include Tony and Grammy nominations; shared Emmy for Nickelodeon's “The Wonder Pets”; SFGMC Vanguard Award; The Drama Desk Award; The Outer Critics Circle Award. A graduate of the University of Michigan, Mr. Lippa serves as president of the board of The Dramatists Guild Foundation (dgf.org).andrewlippa.com 

Watch Stagedoor Manor alumni Nathan Ayotte, Molly Hagerty, Zachary Huseman, Oliva Kelly and Maxwell Seelig compete alongside Andrew Lippa to test their ultimate knowledge of Broadway musical music trivia! Find out more about Stagedoor Manor by visiting http://stagedoormanor.com. Our guests played today's game in recognition of YourMomCares: https://yourmomcares.org Stagedoor Manor is the premier summertime training ground for young performers ages 10 to 18 from all over the world. Stagedoor has 8 theaters and produces 42 full-scale shows each season. Notable alums include Robert Downey Jr., Natalie Portman, Beanie Feldstein, and Ansel Elgort, but Stagedoor Manor's primary purpose is to create an enriching summer atmosphere where young people can learn and grow through the fun of theater. No audition is required to enroll. Visit StagedoorManor.com for more information. Find more episodes, watch the video versions, and get more information about The Great Broadway Gameshow Competition by visiting bpn.fm/gameshow. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week it's our bumper Christmas special filled with festive cheer. West End star, Kerry Ellis drops in to tell us about her new book, award-winning composer Andrew Lippa drops by to tell us about writing a Christmas song for Kristin Chenoweth and Broadway legend, Stephanie J. Block comes over to tell us about her new Christmas single.

September 29, 2021: Whirling fiercely in the wake of wildfires, fear-induced headlines and a pandemic in its path was the too-real tornado that struck Nashville in March 2020. Admittedly shaken up by the storm, Folk-Americana singer/songwriter Calista Garcia snapped out of fear by turning to music… specifically, “Banana Pancakes” by Jack Johnson. As howling winds have continued over the past year, Calista has kept her calm by tapping back into this feeling through renewed awareness of the beauty that remains. On nature walks by her house, for example, she has come to notice how the canopies of leaves wave hello as she walks by; it is from this tender place, she has created a musical world to reflect what she has witnessed. Lending her lyrics now to listeners, Calista Garcia's “A Beautiful World” EP, out October 29th, 2021, provides refuge through the power of rose-colored perspective. “I created ‘A Beautiful World' to be an expression of radical optimism,” Calista shares. “Optimism, not because life is full of sunshine and rainbows, but rather in spite of how tough it can be... I think holding knowledge of the bad and still believing good can prevail is the bravest thing we can do.” As she has accessed hope through songwriting, Calista has found herself writing the EP in solitude from safe places like the park benches nearby, her piano and the floor of her bedroom. Notably, the only co-write on the EP, “After You're Gone,” came from a Zoom collaboration with Rachel Weisbart and Patrick Oberstaedt of the Gender Gnomes; speaking to the loss of family members during the pandemic, this song has already moved listeners to tears including composer/lyricist Andrew Lippa. Produced by Buddy Speir and Calista Garcia at 38 North Studio, “A Beautiful World” was engineered by Sean Russell (Damien & Stephen Marley, Allison Krauss, Bruno Mars), mixed by Grammy Award Winner Jim Scott of Plyrz Studios (The Rolling Stones, Tom Petty, Sting, Foo Fighters) and mastered by Grammy Award Winner Richard Dodd (Dixie Chicks, Tom Petty, Boz Scaggs). Featured musicians include Calista Garcia (vocals, acoustic, electric and resonator guitar, harmonica, Wirlitzer electric piano), Buddy Speir (acoustic & electric guitar, Wurliter electric piano, percussion), Harrison Finks (Hammond B3 organ, piano), Eric Scott (bass, backing vocals), Ben Tufts (drums, percussion), Denise Garcia (backing vocals) and Jim Scott (percussion). Without question, Calista Garcia's fiercely-hopeful disposition has continued to propel her music career forward. In spite of its challenges, 2021 has managed to be a hallmark year as Calista was recently nominated Chris Austin Songwriting Finalist at MerleFest, playing a summer of live shows alongside Bad Cameo and as a part of Show X's tour with The Last Real Circus. Previous releases include her critically-acclaimed debut EP “Wild Woman” (2019) which was selected in the 2020 Independent Music Awards for “Best Roots/Country EP,” recognized by the International Music Awards (IAMA), International Songwriting Competition (ISC) and the Mid-Atlantic Songwriting Contest (MASC). In addition, Calista Garcia's extensive musical history includes her title as 2020's National YoungArts Gold Winner in Voice/Singer-Songwriter, 2021 Alicia Key's She is the Music Foundation Songwriting Fellow, 2020 Johnny Mercer Songwriting Project Fellow, 2017-18 Berklee Performance Showcase Winner, 2017 Bernard Ebbs Young Songwriter of the Year and two-time Grammy Foundation Young Songwriter Program Artist. As Calista continues to shine light onstage, tour plans continue with an upcoming show at The Birchmere alongside the renowned Rick Wakeman of “Yes” on October 24th, 2021. In Calista's words, “My greatest wish is that this song helps you as a listener let go of your fears, and feel a little freer from your hangups. This really is a beautiful world we get to live in.” -https://www.themarketingmixtape.com/pressrelease-abeautifulworld --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/loveletterstovirginia/message Support this podcast: https://anchor.fm/loveletterstovirginia/support

This week we remember the unparalleled genius of Stephen Sondheim and chat with Joanna Gleason and Andrew Lippa about their memories of him. In our second hour, we go full out Christmas and catch up with Lucie Jones to find out more about her concerts in London and Cardiff.

Watch and listen as Annaleigh Ashford, Liz Larsen and Marc Shaiman square off against Andrew Lippa, Annie Golden, and Scott Wittman. The nasty words come out, the championship rings are bragged about, and no one can seem to remember the lyrics to 'Whatever Lola Wants'!? HELP US, BROOKS ASHMANSKAS! This episode is brought to you by THE HUMANS, now in theaters and streaming on Showtime. Watch the trailer here. Please learn more and consider donating to the following charities represented in this episode: Dramatists Guild Foundation: https://dgf.org Women's Prison Association: https://www.wpaonline.org La MaMa Experimental Theatre Club: https://www.lamama.org The Actors Fund: https://actorsfund.org The B+ Foundation: https://www.bepositive.org/ The Actors Fund: https://actorsfund.org/ The Singing Lippagram portion of The Great Broadway Game Show Competition is presented by Stagedoor Manor, the premier summertime training ground for young performers ages 10 to 18 from all over the world. Stagedoor has 8 theaters and produces 42 full-scale shows each season. Notable alums include Robert Downey Jr., Natalie Portman, Beanie Feldstein, and Ansel Elgort, but Stagedoor Manor's primary purpose is to create an enriching summer atmosphere where young people can learn and grow through the fun of theater. No audition is required to enroll. Visit StagedoorManor.com for more information. Find more episodes, watch the video versions, and get more information about The Great Broadway Gameshow Competition by visiting bpn.fm/gameshow.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Power couple Orfeh and Andy Karl square off against Angela Grovey and Andrew Lippa in our juggernaut of a second episode.  Whether you're new to Broadway or know every single lyric of every song ever written (as does Lippa, it seems!?), this show puts your Broadway knowledge to the test. Or if you simply want to watch everyone dance to “Can't Take My Eyes Off You,” this episode was made specifically for you.  This episode is brought to you by THE HUMANS, now in theaters and streaming on Showtime. Watch the trailer here. Please learn more and consider donating to the following charities represented in this episode: Dramatists Guild Foundation: https://dgf.org Broadway Inspirational Voices: https://broadwayinspirationalvoices.org St. Jude Children's Research Hospital: https://www.stjude.org The Humane Society of NY: http://www.humanesocietyny.org The Singing Lippagram portion of The Great Broadway Game Show Competition is presented by Stagedoor Manor, the premier summertime training ground for young performers ages 10 to 18 from all over the world. Stagedoor has 8 theaters and produces 42 full-scale shows each season. Notable alums include Robert Downey Jr., Natalie Portman, Beanie Feldstein, and Ansel Elgort, but Stagedoor Manor's primary purpose is to create an enriching summer atmosphere where young people can learn and grow through the fun of theater. No audition is required to enroll. Visit StagedoorManor.com for more information. Find more episodes, watch the video versions, and get more information about The Great Broadway Gameshow Competition by visiting bpn.fm/gameshow.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Actress and singer Julia Murney originated the role of Queenie in Andrew Lippa's Wild Party (earning her first Drama Desk Award nomination), and later became one of the most well known Elphaba's in both the national tour and Broadway companies of Wicked. Her other New York credits include her 2005 Broadway debut in the musical Lennon, Falling (earning her second drama desk nomination), A Class Act, The Landing, Saved, Crimes of the Heart, Queen of the Mist, and Time and Again (Lucille Lortel nomination). Julia was also seen in the Actors' Fund benefit concerts of Funny Girl, Chess, Hair, and the World AIDS Day Benefit Concert Pippin. She has been featured on television in Sex and the City, Ed, NYPD Blue, 30 Rock, Elementary, Succession, and Madam Secretary, among many others. She can now be seen in the Out of the Box Theatrics production of the Tony nominated musical Baby, which opened November 14th. In addition to our wonderful chat with Julia, we had friend Andrew Lippa crash the interview! Born and raised in New York City, Julia grew up making up shows in her childhood bedroom, and fell in love with singing after joining the choir in junior high. She shares an inside look at her newest project, a revival of the 1980's musical Baby, noting the necessity for rewrites, and the beauty of having same sex and interracial couples represented on stage. She opens up about the ups and downs of playing the iconic Elphaba: from the weight of people's expectations to the extraordinary high of finishing the first act with broom in hand, aloft in a cherry picker. Julia also reunites with longtime friend and colleague Andrew Lippa, and together they share memories of their first meeting and the instant kinship they felt.  In this episode, we talk about:  Working with Baby lyricist Richard Maltby The influence of her childhood choir director  The fun of community and chosen family in theatre  Singing Meadowlark for Stephen Schwartz, accompanied by Andrew Lippa Recognizing a kindred spirit in Andrew Lippa Connect with Julia: IG: @pepamama Twitter: @JuliaMurney Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, we chat with the writer of The Addams Family musical, Andrew Lippa, as well as Joanne Clifton who's starring as Morticia in the UK Tour. We also catch up with Emma Salvo to chat about the UK version of A Killer Party.

We are excited to bring you our next episode featuring Adam Cates!Adam Cates has built a career as a theatre artist working as a choreographer, director, performer, educator and writer. He created choreography for a new production of Puccini's La Boheme at The Santa Fe Opera and provided choreography for the American premiere of the Olivier-winning play Jeeves Wooster in Perfect Nonsense at Hartford Stage for UK director Sean Foley. He collaborated with Larry Grossman, Andrew Lippa, director Kaitlin Hopkins, and Peanuts Worldwide to create The World According to Snoopy as both the choreographer and co-book writer.In New York, Adam's work has been performed at Lincoln Center, The Juilliard Opera, and the New York Musical Festival off-Broadway. Adam is on the faculty of Pace University and wrote the guidebook for young professionals: The Business of Show. Adam has choreographed musicals and opera for Arkansas Rep, Music Theatre Wichita, Gulfshore Playhouse, Theatre Under the Stars, Theatre Aspen, Anchorage Opera, Memphis Playhouse on the Square, Pacific Conservatory Theatre, Bard Music Festival, New London Barn Playhouse, and commercial work in Reno/Lake Tahoe, Atlantic City, Las Vegas, Orlando, Walt Disney World, and Barcelona. He choreographed and appeared on the TV series Chicas de Viaje in Argentina, and associate choreographed episodes of 90210 (CW Network) and Live from Lincoln Center (PBS). On Broadway, Adam was the associate choreographer of the musical Anastasia by Lynn Ahrens, Stephen Flaherty and Terrence McNally. He also associate- choreographed the Tony-winning “Best Musical” A Gentleman's Guide to Love Murder (also the First and Second national tours), and was an assistant to Kathleen Marshall on the Tony-winning revival of Anything Goes starring Sutton Foster and Joel Grey. He assisted and was the dance captain for Tommy Tune's Doctor Dolittle national tour.Our conversation with Adam was inspiring, authentic and informative.  We hope you enjoy this weeks episode!Follow us on Facebook: JAM Joe and Michelle's Dance PodcastFollow us on Instagram: @jam_dance_ podcastFollow Adam Cates on Instagram: @adamcnyc

It's time to finish that "book report" on "Edgar Allan Poe" as hosts Bobby and Kristina discuss 1971's You're A Good Man, Charlie Brown and 1982's Snoopy! The Musical on episode seventeen of My Favorite Flop.   ABOUT YOU'RE A GOOD MAN, CHARLIE BROWN Based on the characters created by cartoonist Charles M. Schulz in his comic strip Peanuts, You're A Good Man, Charlie Brown shares the story of a day in the life of everybody's favorite blockhead, Charlie Brown. The musical features music and lyrics by Clark Gesner and a book by John Gordon. Following an unprecedented run of 1,597 performances off-Broadway, the musical finally opened to mixed reviews on The Great White Way on June 1, 1971 and closed 32 performances later. Many critics had felt that much of its original charm had evaporated during the transfer. Despite that, the musical became a popular staple in the amateur theater market and is known as one of the most beloved musicals of all time. In 1998, a significantly revised version of the musical set out on a national tour before opening on Broadway the following year. It featured new dialogue by Michael Mayer, who also directed, and additional songs and orchestration written by composer Andrew Lippa. The character of Patty was replaced with Sally Brown, inspired by the same change Schulz made in the animated TV adaptation in the 1980s. The cast featured Anthony Rapp as Charlie Brown, B.D. Wong as Linus, Ilana Levine as Lucy, and Stanley Wayne Mathis as Schroeder. Also featured were Kristin Chenoweth and Roger Bart as Sally and Snoopy, with each winning the Tony award in the respective category. Despite its Tony wins, the musical failed to gain an audience and closed after just 149 performances.   Original Broadway Cast Dean Stolber as Charlie Brown Liz O'Neal as Lucy Stephen Fenning as Linus Carter Cole as Schroeder Lee Wilson as Patty Grant Cowan as Snoopy ABOUT SNOOPY! THE MUSICAL An official sequel to You're a Good Man, Charlie Brown, Snoopy! The Musical shares the story of a day in the life of everybody's favorite beagle, Snoopy. The musical features music by Larry Grossman, lyrics by Hal Hackady, and a book by Warren Lockhart, Arthur Whitelaw, and Michael Grace. Despite You're A Good Man, Charlie Brown's Broadway failure in 1971, it had already become a worldwide sensation, and producer Arthur Whitelaw felt that it needed a follow-up. This time, however, he would both write and direct the piece. Snoopy! The Musical premiered on December 9, 1975 at the Little Fox Theatre in San Francisco, California and, despite mixed reviews, ran for 7 months. The musical was then produced Off-Broadway at the Lamb's Theatre in 1982 starring David Garrison as Snoopy. The show performed 152 performances until it closed on May 1, 1983. The Off-Broadway production received similar reviews to the San Francisco production. Later, when Lorna Luft replaced Peppermint Patty, a new song was written for her, entitled "Hurry Up, Face". This song was used in later productions, including the West End later that year. The 1983 West End production was a critically acclaimed success and ran for 479 performances. A revised version of Snoopy! The Musical opened Texas State University in 2017 with a new song co-written by Andrew Lippa and restored material that had been cut from previous versions of the show. This version, now called The World According To Snoopy, is available to license alongside the original.   Original Off-Broadway Cast David Garrison as Snoopy Terry Kirwin as Charlie Brown Vicki Lewis as Peppermint Patty Kay Cole as Lucy Stephen Fenning as Linus Deborah Graham as Sally Brown Cathy Cahn as Woodstock

Dan and Joshua are double-dipping the two musical versions of The Wild Party, first swinging by Off-Broadway to mingle among the guests at Andrew Lippa's take! Booze, belting and Bidina Menzel occur as our hosts share info about why we managed to gain two Wild Party adaptations weeks apart from each other, weight the pros and cons of a commitment to source material, and Dan showcases yet another unique pronunciation of a word. Tune in to next week's episode when we discuss Michael John LaChiusa's The Wild Party; specifically, the Broadway production's performance from June 8th 2000! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast

Joshua and Dan head to Atlantic City and you'll just never guess who is there! Hey Nanette, we just watched a show about you. Beth Leavel reacted to applause. Sandy Duncan gave off mischievous airs. Also, the musical has changed since we've seen you Nanette. Tune in to next week's episode when we discuss Andrew Lippa's The Wild Party; specifically, the Off-Broadway press reels recorded in 2000! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast

THIS IS A PREVIEW PODCAST. NOT THE FULL EPISODE. Please check out the full episode on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Join the Next Best Theater team for a wild, wild party. That's right; we're tackling both the Andrew Lippa and John Michael LaChuisa iterations of "The Wild Party." Not only were there two stage adaptations of the classic poem, but they both debuted on New York stages in the same season. Join Nicole Ackman, Dan Bayer, Casey Lee Clark, Cody Dericks, Lauren LaMagna, and me as we take a deep dive into both productions, state our favorite elements, and compare and contrast. It's sure to be a wild, wild time! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Parties don't always go as planned, in at least 2 cases, people die!!! Tune in this week as Sammie and Logan discuss Andrew Lippa's version of "The Wild Party" and the musical adaption of cult classic horror movie "Carrie" --- Support this podcast: https://anchor.fm/logan-keller/support

Drummer/percussionist Damien Bassman is currently the drummer for the Broadway musical Jagged Little Pill. Originally from Fairfax, Virginia, he received his BM from the Cleveland Institute of Music and a MM and Performer's Residency Certificate from Carnegie Mellon University. He also earned an Advanced Performer's Certificate from The Juilliard School.  He was a featured drumset soloist with the Tonkunstler Orchestra in Vienna and Italy and recorded with the orchestra playing drumset and hand drums on Leonard Bernstein's Mass. Damien has performed as both soloist and section percussionist/timpanist with the Cleveland Orchestra, the National Symphony, the Columbus Symphony and wrote, arranged, and performed the hybrid multi-percussion/drumset book for the hit musical Next To Normal. He also created the drum/percussion book for Hi-Fidelity, created and performed the African/multi-percussion book for The Color Purple. He played drums for Mario Cantone's Laugh W***e and has worked on shows such as Aida, Dirty Rotten Scoundrels, Legally Blonde, Nine, Grease, Never Gonna Dance, Fiddler On The Roof, Caroline Or Change, The Wedding Singer, Xanadu, Glory Days, Baby, BatBoy, Radiant Baby, and Making Tracks.He collaborated with the band Green Day on the Broadway adaptation of their CD American Idiot and with composer Andrew Lippa, Nathan Lane, & Bebe Neuwirth on the Broadway musical The Addams Family. Before Jagged Little Pill, he was the drummer for Spongebob The Musical.Damien also serves as drummer/percussionist in the bands of many of Broadway's biggest stars, including Adam Paschal (Rent, School of Rock), Kristin Chenoweth (My Love Letter To Broadway), Kelli O'Hara (South Pacific, The Pajama Game), Jason Danieley (Curtains, Chicago), Julia Murney (Wicked, Lennon), and Michael Longoria (Jersey Boys). Clayton Craddock, the drummer of the hit broadway musical Ain't Too Proud. He earned a Bachelor of Business Administration from Howard University's School of Business and is a 28 year veteran of the fast-paced New York City music scene. He has played drums in several hit broadway and off-broadway musicals, including "Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, and Lady Day At Emerson's Bar and Grill. Also, Clayton has worked on: Footloose, Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants, The Musical, Evita, Cats, and Avenue Q.Follow him on Instagram, Twitter or read more on his website: claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

400 Episodes!! I can't believe I'm at this milestone. How exciting. In celebration, I've decided to explore the biggest lessons I've learned from doing hundreds of interviews and making 400 episodes of the show. And, of course, I couldn't just chat. I also have fabulous prizes! Listen to the episode to find out how to enter or see the transcript below for the explanation. Here are the prizes. You could get this super fun sticker of the show (just follow the podcast's IG page and DM me that you've done it). You win a copy of any of my books. Or, you could win copies of all of them (with a pdf of the one that will come out later this autumn). Subscribe to the show or listen on any podcast platform. Connect with me. https://www.instagram.com/izoldat/ https://www.linkedin.com/in/izoldat/ https://twitter.com/IzoldaT Episode transcript 400th episode [00:00:00] We're better when we're together and we're better when we're contributing. So don't wait, start, try, do, and grow. And you are going to be amazed at the things that you will uncover and achieve. If you just start where you are, but start that thing. You want to try to start it. It is crucial and key for all of us. [00:00:20] If you bring your particular creative genius out into the world. [00:00:29] Hi, and welcome to the innovative mindset podcast. I'm your host,  izolda Trakhtenberg. On the show, you get my conversations with peak performing thought leaders, creatives, and entrepreneurs. We explore how you can innovate through creativity, compassion, and collaboration. I believe that innovation combined with compassion and creative thinking can save the world and I aim to bring you ways you can do it. [00:00:53] If you're enjoying the show, I'd be super grateful. If you could support it by buying me a cup of coffee, you can buy me a cup [00:01:00] at buymeacoffee.com/IzoldaT. And now let's get on with the show. [00:01:14] Hello, and welcome to the innovative mindset podcast. My name is Izolda Trakhtenberg I'm your host and I am thrilled and honored that you have chosen to listen to the show today and spend a little time with me because I am celebrating today. This episode marks 400 episodes of this podcast. I can't believe it. [00:01:35] I'm super excited. And as promised, if you listen all the way through to the end, We're going to have fabulous prizes. I'm super excited. So here's the thing I have to say that I am. I just I'm privileged. I'm privileged to be able to interview peak performing creatives and Changemakers. These are people who are working in the social impact, creative, environmental, and [00:02:00] animal rights space. [00:02:01] To change the world. That is their mission. That's what they're trying to do. And I'm honored to bring their ideas, their thought processes, the way they do things and how they achieve what they achieve to you. It's incredible. And I'm thrilled that I've gotten a chance to be part of their lives and their process, even though it's a tiny, tiny bit. [00:02:22] But I'm so glad that they have enriched my life, my world. And of course, this podcast, when I first started the podcast, I had no thought in my head, it was going to be like this. At first, it was five minutes a day. And I'm just going to talk about creativity. And as it evolved, I realized I'm not the only one who should be talking. [00:02:40] You know what I mean? I wanted to be, I wanted to bring you information from people who are change-makers, who are peak performing innovators. Many fields and the ones that are closest to my heart are of course, creativity, art, and music, and social impact. How are they [00:03:00] making the world a better place? And of course, animal rights and environmental activism. [00:03:05] So there's, so there's such a wealth of knowledge and, and the people who I interview are incredibly gracious with their wisdom. So I'm really grateful for that. I decided that the way to celebrate these 400 episodes is actually to sort of detail out what I've learned across these 400 episodes. And so I'm going to talk to you a little bit about that. [00:03:31] And if you have questions, if you have thoughts and ideas, I'd love to hear about them. If you have any realizations about what I'm talking about while I'm talking about it. I'd love to hear about that too. And as I said, if you stay to the end fabulous prizes and fabulous, of course, is in quotes I've actually discovered and coined a new word recently. [00:03:51] I'm calling things, fabtastic, so fabulous and fantastic together, fabtastic. So you'll probably start hearing me say that a lot more [00:04:00] because that's really the glee and the joy that I feel whenever I get a chance to talk to some of these incredible change-makers. So. In order, no, that's not true. [00:04:11] Maybe in order, maybe not in order, but these are the things that I've learned after 400 episodes of the podcast. One, people are generous with their time and wisdom. They'll come on the show and let me ask them hard questions and they go deep to bring what they really believe and how they really behave. [00:04:31] They bring such a wealth of knowledge, such wisdom, and they do it incredibly generously. Number two, the causes you believe in are the ones to dedicate your life to. I believe in art and music, and I believe in saving the planet and the animals. And the more I talk about these things, the more doors open for me to do more and serve better. [00:04:54] So dedicating yourself to what you believe in. [00:05:00] We'll help you find others who believe what you believe or who at least are interested in supporting you on your journey as you support them on their. Number three, don't be afraid to innovate. Don't be afraid to solve problems in weird ways and try new stuff. [00:05:19] I've recorded this show on my phone. I've recorded while my guests dog threw up in the corner. I've recorded in busy conference rooms. I've recorded while walking my dog in the rain. We're better when we're together. Right. And we're better when we're contributing. So don't wait, start, try. Do. And grow, and you are going to be amazed at the things that you will uncover and achieve. [00:05:46] If you just start where you are, but start that, then you want to try start. It. It, it is, it is crucial and key for all of us. If you bring [00:06:00] your particular creative genius out into the. Number four. This is something I've known about myself for a long time, but it came home yet again, doing this podcast. I'm nosy. [00:06:14] I love learning about people. I love hearing what makes them tick. I love hearing what their processes are. I love helping in any way I can to get their message out. And sometimes it's really cool is that they, while. Really deep in these conversations, they'll have realizations John Kao, who was recently on the show. [00:06:32] I asked him a question about his six intelligences and how they relate to music and live on the show he went through and related them all. And he'd never done that before. So it was so amazing to be. Even a little part of his process as he realized those things and that whole idea of being nosy. I don't know if I've talked to you. [00:06:52] I think I've talked to you about this before the overheard project that I have been [00:07:00] doing for a while. And that is that I'm a shameless eavesdropper, and I happen to have a terrific memory. So I'm able to keep entire conversations in my head. And I have been overhearing shamelessly eavesdropping on people's conversations. [00:07:13] For years and I've notated them all down. And the book overheard life lessons through eavesdropping is going to be dropping sometime this autumn probably in time for the holidays. It's going to be some sort of an art book and I'm excited about it because it's again, bringing that little bit of slice of life, about how we do things about the things we care about, about the things we love with love and sex and family and friendship and work. [00:07:38] All of these things we talk about. And we, we all say such wisdom. We don't pay attention to it though. It's almost like I wish I could find all of those people who have given me gifted me with such wisdom as they just go on about their lives. And I shamelessly eavesdrop because I love to give them credit, but you know, maybe then maybe they'll [00:08:00] maybe they'll buy the book and they'll realize, oh, that was me. [00:08:04] I don't know if that'll ever happen, but it would be really amazing and hilarious. Number five. The podcasting industry has exploded where they used to be a few hundred thousand. There are now millions of podcasts. So if you've got something to say and you want to start one, don't wait until you have just the right equipment. [00:08:26] Don't wait until your studio is perfect. There will always be another super cool microphone and more soundproofing and better gear. You'll have gear envy like crazy, but what's more important is to get your words out there. Do you remember the movie pump up the volume? Talk hard. My favorite moment in the whole movie is the credits. [00:08:46] When you start hearing all the people who grabbed the courage with both hands and started talking into a microphone, so start and build your gear and your show along the way. There are people out there who are building their businesses, teaching other people how [00:09:00] to start their shows. You can also find everything you need. [00:09:03] On YouTube. I promise you can totally do that. If you've got the resources and you can also bootstrap and start talking about your topic on your phone, number six, your topic can evolve. You can start out like I did and talk about storytelling and then move to creativity only. But then I moved to innovation because I've always loved creativity. [00:09:24] With a purpose. That to me is the most important part is a creative on a mission. That's what an innovator really is. As someone who's a creative, who thinks laterally, who thinks from, from different angles to solve problems, to come up with new ideas and new ways of doing things, that person is a creative on a mission. [00:09:44] And that's what an innovator is. That's what. Do. And it's really exciting to me to get a chance to talk to so many different innovators from so many different possible arenas. You know, I never in my life, what I have [00:10:00] imagined, some of the people who were willing to come on the show and talk to me about how they innovate. [00:10:04] And that brings me to number seven, communication is the vehicle and connection as the result. Really honestly, I had no thought in my head that someone like Tom Peters, who is a communication guru, he is arguably the greatest leadership expert in our generation. And certainly for the last few generations, not only has he been willing to come on the show once, but twice to talk about his ideas about. [00:10:30] What he calls extreme humanism. And that is that we should be leading thinking about the people first and not the bottom line. He believes we should always promote from within that women should be on the boards and leading businesses because women are so much better at investing at communication at looking at and dealing with people and figuring out how to grow businesses and companies and organizations. [00:10:55] Long-term. I had no thought in my head that we would connect and communicate [00:11:00] and, and have such substantive discussions. Another person who's just thrilled me that he was just on the, he just recorded his episode, his episodes actually going to come out sometime in August or September. Peter Shankman was willing to come on the show and talk about how. [00:11:16] His ADHD, his attention deficit and hyperactivity disorder is actually his super power to innovate and to be a creative thinker who thinks laterally and who helps companies and businesses all over the world and organizations and people all over the world innovate and make incredible inroads. Yeah. The way the world will be formed and move moving forward. [00:11:42] How can, how can you possibly, I can't even get over it because I'm just. I'm just lucky. That's I'm lucky. That's not true. I okay. I'm not going to be falsely modest. I worked my patootie off. That's true, but I don't do it alone. And that brings me to number eight, [00:12:00] calling your friends. They will be there and they'll help you along the way. [00:12:03] Like Al Pettaway, Grammy award, winning guitarist and musician and Andrew Lippa, Tony nominated and also Grammy award winning and Emmy nominated. He just got nominated for an Emmy Andrew lipo, who is. An amazing composer and lyricist, and who wrote the music and lyrics to the Broadway sensation, the Adams, family, and other shows and T Morris, who is an incredible author and entertainer and the author of books like podcasting for dummies. [00:12:33] They have all been on the show and have been very gracious with their wisdom. And I'm very glad because. They they were willing to give me their, their wisdom and their knowledge and be part of the process as this show has evolved. And you know what it's about time to get them all back and see where they are now because ti was last on the show. [00:12:54] Last autumn, Andrew was last summer and Al Pettaway was left, was not this [00:13:00] past spring, but the previous spring and why not see where they are so I can get even more information and get even more wisdom from these wonderful men. Privileged to call my friends, but then that brings me to number nine. And number nine is actually about solo episodes. [00:13:18] One of the things that has been such a revelation to me is that when I first started out, I did only solo episodes. And please, in case, because it won't know how should I put this really? Mainly because I was, I was a little trepidatious. I was a little afraid. What would I ask for people to join me to talk about? [00:13:37] And would anybody ever come on the show and. Certainly they have and they continue to, and I do incredible I get incredible information and interviews with such gracious wisdom from all of the people who come on the show. But then there are some times when I have things that I would like to ruminate on discuss and explore, and those are the solo episodes. [00:13:59] And one of the [00:14:00] things that I've learned is that there is a time and place for both. You can indeed do. Both solo episodes and interview episodes. If you want on this kind of a podcast, you know, when, when T Morris was gracious enough to put the innovative mindset podcast into podcasting for dummies, he and his co author placed it in the slice of life section of the, of podcasts that they recommend. [00:14:25] And I thought that was really interesting because. It's not, this show is not so much business, not so much entrepreneurship, not so much slice of life, but yet it's an amalgam of all of them as we explore what it means to change the world for the better, ultimately through different and various forms, whether it's creativity, social impact, environmentalist, or animal rights, the show aims to explore how we all can make a difference and make a change and make the world a better place. [00:14:55] So sometimes. Privileged, as I said to have [00:15:00] interviews, to have people come on the show and give their wisdom. And sometimes these solo episodes are an opportunity for me to give you substantive ideas on how you yourself can take some of the principles that the people who've been on the show have talked about and make them your own and become your own change maker. [00:15:17] If that is what you want to do. Number 10. Yeah, I think I've just talked about this, but here we go. Interviews, as you start out, people come on, your show are doing you a favor they're giving of their time and resources to help you yet. At the same time, if you have even one listener, you'll helping your guests reach someone who didn't know about them before. [00:15:41] Be generous with your time, wisdom and resources. The host guest relationship is important and you can build lifelong friendships and relationships. If you treat your guests with courtesy and respect. And I'm so, as I said, honored and privileged to have these incredible people on the show. [00:16:00] And I'm so grateful that they're willing to do this to be on the show and to give of their time and their knowledge. [00:16:08] It's it's incredible. Number 11 ask. Good questions. Be different, figure out what your podcast point of view is. And then use that as the lens through which you take your listener on a journey. And that's kind of what I do I think. Or at least that's what I try to do. This podcast is a little different because these conversations go really deep. [00:16:31] And one of the things that a lot of my guests say is, you know, No one's ever asked me that question before or, wow. That's a great quote. I need to think about that for a minute. And that's one of the things that I aim to do is to ask questions that give people, pause that make them, give them the opportunity to go deeper into what they've been talking about. [00:16:54] And I said this recently to a guest of mine mayor Meredith Gren dye, she and I were talking [00:17:00] about. This notion of asking deep questions. And one of the reasons that I said to her, one of the reasons that I, that I like asking deep questions is because frankly, if you're a podcast guest, for example, and your audience listens to you, they probably listen to you talk about a lot of the same things a lot, but what if someone asks a question. [00:17:24] That you've never answered before. Wow. The mysteries you could be solving. Right. So that's one of the things that I aim to do with asking deep, good questions. And I, and I plumbed the depths as much as I can. I'm patting myself on the back here a little bit, but I really do try. And the reason for that is because. [00:17:43] My guests to feel like they have benefited in some small way from being on the show, as much as the amazing ways I've benefited from having them on the show. Number 12, a podcast is a [00:18:00] sacred trust, like the Y storytellers in many of our myths. As a podcaster I've taken on the task of telling stories or inviting other people to share their stories only instead of sitting around the bonfire under the cover of darkness, I'm sitting at a mic and telling stories, or I'm inviting the person I'm interviewing. [00:18:22] To sit behind their mic and tell you their story. And there's something so powerful about that hearing stories. We we've been doing it as long as we've been verbal. Someone has asked why or what or how, and someone else has answered. Or they've explored together. And that's one of the things that I aim to do with this show is to give us all an opportunity to explore together what it means to be an innovator, a creative thinker, and someone who wants to change the world for the better. [00:18:55] My guests are going to be. They're, they're all [00:19:00] amazing. They're going to floor you over the next 400 episodes because I'm not going anywhere. This, this show is going to be around. As long as I'm around, I'm going to, I'm going to be 98 years old and barely able to talk. But by gum, I'm going to be out here somehow trying to do this. [00:19:19] Because I think the notion of innovation and how we can be creatives on a mission to make the world a better place. I think it could potentially save all of us. And I would be remiss if I did not, I would be shirking my responsibilities if I did not make that a priority in my life because we have. [00:19:44] Such an incredible responsibility at this tipping point in our species, survival and this at this time of great climate change and habitat destruction, and so many other things, being challenging, that innovation, I [00:20:00] think being creative on a mission will allow us the opportunity to change the world and make it a better place. [00:20:11] So, those are the things that I've learned from doing this podcast. And I am thrilled and honored that you have been listening and being on the show and being on the show. My brain, see, my brain is fried. I've had, I did three interviews today. It was a busy day. So my brain's a little fried, but I, but I do, I do feel like you're on the show with me because I feel like I'm talking to you when. [00:20:39] When I'm doing the show and I feel like we're all sitting around in the end. It's funny. Whenever I'm welcoming a guest to the show, I always say, imagine we're sitting in a cafe and having a cup of coffee together or to two or whatever, it's just a chat. And yet, sometimes. Somebody makes small talk and, oh, hi, how are you? [00:20:57] How's the weather. And sometimes all of [00:21:00] a sudden the conversation goes intense and deep, and you're really thinking, and you're really innovating. And you're really coming up with ideas that you're articulating that you may never have articulated before. And you're doing it for thousands of people who are listening. [00:21:14] It is such an honor and so incredible. And I'm super grateful that you're part of this journey. So here we go. I promised you fabulous prizes in the show notes. If you look on the website, you'll see that there's this really cool. It almost looks like dichroic, but it's not. It's like a reflective, really cool rainbow sticker. [00:21:38] Of the innovative mindset podcast. And I have recently started an actual innovative mindset podcast, Instagram. And so here's how the fabulous prizes are going to go. The first 20 people who follow the Instagram account for the innovative mindset podcast, which is just at innovative mindset podcast, [00:22:00] all one word. [00:22:01] And DM me that you to let me know that you did it because you listened to this episode, we'll get a sticker of the first 20 people. One person is going to get all six books and a PDF of the next one that will come out. This autumn of my stuff, and three people. We'll get, can you tell I'm making some of this up because I can't read the words that I wrote. You'll get a book of your choice for my catalog. So if you go to his old, a t.com and you go to about, and then books, you'll be able to see the six books. [00:22:45] And if you. If you're there and you're in the top 20 and you've DMD me, I'm going to choose someone at random from all the people who follow. And it, you don't have to be in the top 20 to win the, the second prize or the first prize, [00:23:00] but the first top 20 who follow and tell me that they followed will absolutely get a sticker that you can put on your computer or on your coffee cup or wherever, because they're waterproof and you can put them in the dishwasher. [00:23:10] It's really cool. And. Of all the people who follow in DME that they've, that they have followed the Instagram account. You'll get, I'm going to choose three people who get one book out of the catalog and you can choose your book. When I let you know you've won. And in one person I'm going to choose is going to get all six plus the PDF of the new one. [00:23:32] When it comes out in. Hopefully around the holiday season in December. Okay. That was a long and involved way of saying, I didn't quite think this through as well as I could have. Huh. All right. Cool. So here we are. We are at the end of the 400th episode last week was Mike cam. Who's a personal branding expert. [00:23:53] He joined me on the show and next week is Chris Niemeyer who. He's an interesting [00:24:00] man who is taking, he's decided that his goal in his life is to spend more time with his family. So he's developed some strategies and ideas on how to make income so that he has time to spend time with his family. That is his goal. [00:24:15] And one of the things that's really cool is that that applies equally. Well, if you want to be an activist, if you want to be an artist, if you want to do all of these things, however you want to do it, the ideas that he talks about. We'll work. If you want to spend time with your family, if you want to make great art, if you want to be an activist with the SPCA or the sea shepherd conservation society or wherever it is, you want to put your energies. [00:24:40] If what you want to do is make money in one way and do work of your heart in another, or maybe you just love making money. I don't know. Chris will be there to talk you through. How to do it. It's a really cool episode. It made me think in some really interesting ways. And August has incredible guests as well. [00:25:00] [00:25:00] Evan stern is going to be joining me. Meredith granddad is going to be joining me. Angela angle is going to be joining me, star Hayward. It's going to be amazing and I'm going to be doing just so you know, every month, one episode a month is going to be a solo show. It's going to be me talking to you about how to be. [00:25:17] Innovator about how to be a creative on a mission so that you can do the things that you want to do in the, in a different and amazing and exciting and inspiring. All righty. I hope you've enjoyed this episode and all of the things that I've learned after 400 episodes of the innovative mindset podcast. [00:25:37] I am Izolda Trakhtenberg. If you're liking the show, please leave a review. I'd love to hear from you until next time I send you all of my love and I remind you to listen, learn, laugh, and love a whole lot. And as often as possible, be a creative on a mission. [00:26:01] [00:26:00] Thanks so much for joining me today. I really appreciate you being here. Please subscribe to the podcast if you're new and if you like what you're hearing, please review it and rate it and let other people. And if you'd like to be a sponsor of the show, I'd love to meet you on patrion.com/innovative mindset. [00:26:18] I also have lots of exclusive goodies to share just with the show supporters there today's episode was produced by Izolda Trakhtenberg in his copyright 2021 as always, please remember. For educational and entertainment purposes, only past performance does not guarantee future results. Although we can always hope until next time, keep living in your innovative mindset.    

Don’t ya wanna be the life of the party? This week the girls are truly giddy to talk about one of their all time favorite shows Andrew Lippa’s Wild Party. Listen along as they chat geometry, discuss the interesting* choices made for the NYCC production, and the juicy juicy role of Burrs. You’ll also get a chance to hear Kat wax poetic about the production she did off the G Train in Brooklyn. They’re discussing the importance of Intimacy in this show, and the hope for intimacy choreographers to always work on this show. Finally we have a full beat by beat breakdown (literally) of the song ‘Make Me Happy’.**Trigger Warning** Domestic Violence, Gun Violence, Mention of Suicide, Drug Use, and Sexual Assault.Performance Links:https://youtu.be/zLImQWKmIkQ - 'Make Me Happy' performed by the original casthttps://youtu.be/VnHT69LNv6E - ‘Listen to Me’ (song not featured on the Cast Recording)https://youtu.be/IvKW5ObDM9g - ‘What is it about her’ performed by Stephanie J Blockhttps://youtu.be/tevBzvcIN9E - Highlights from the NYCC production in 2015https://youtu.be/ZToiZNKk4W0 - Highlights from the original Off Broadway ProductionFollow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterHosts:Kat Shaw, @katlynwithak on all platformsSavannah-Lee Mumford @dntcallmesavannah on instagram and @dntclmesavannah on twitterTheme Song written and performed by:Rachel Lind @rachellindnyc on instagram and @rachelglind on twitter.Special Thanks to these incredible Humans for sharing their thoughts for this episode.Daniel Lopez - @realdaniellopez on instagram.Haley Jones - @haleys_comet_nyc (checkout her poetry @travel_guide_for_broken_hearts and her yoga classes @lions_breath_yoga) all on instagram.April Leonhard - @aprilleonhard on instagram.This Episode was edited by Savannah-Lee Mumford.

       On Episode 58, Pete is thrilled to speak with friend, former colleague, and comedy writer and actor with The Groundlings, Michael Aspinwall. Mike and Pete talk about Mike's formative years involving comedy, his inspirations, his days with The Groundlings, what he looks for in good comedy writing, his incredible run on WWE as Dr. Shelby, and some of his own writing and writing process.             Michael Aspinwall was inspired to move to Los Angeles and become an actor after a very successful performance in a Paris Gibson Middle School play entitled Tied to the Tracks in his home town of Great Falls, Montana.  Many of his mom's friends said he was good, and Michael took them seriously.  He went on to high school where he really fell in love with theatre, which further solidified his desire to act, direct, and write professionally, while simultaneously solidifying his social position in the caste system that is high school.  Michael attended UCLA's School of Theatre, Film, and Television, and while there, he studied performance primarily, in John Hall's Musical Theatre Workshop.  He appeared in John's productions of Andrew Lippa's The Wild Party and West Side Story (not by Andrew Lippa).  He was the 2004 recipient of the Carol Burnett Award for Outstanding Male Performer.  In 2005, Michael earned his Master's degree from UCLA's TFT under the guidance of Dr. Pat Harter.  He created a program that paralleled the California Arts Bridge program, using theatre and art to help younger students access the core curricula.  After college, Michael began his career as an actor by waiting tables at the Bubba Gump Shrimp Company, where he performed Forrest Gump themed trivia nightly, and acted as though he cared about whether the temperature of the guests' fare was to their liking.  He worked a slew of odd jobs, became a certified yoga teacher and a credentialed high school English teacher, and eventually found his home as an actor at The Groundlings' Theater in Hollywood.   Michael found The Groundlings at a moment when the LA audition process was taking its toll.  That place and the people in it breathed life back into a ten-year-old kid who used to stay up to watch SNL, then perform Mike Myers's bits in front of his fourth grade class.  At The Groundlings, Michael met his sketch group, Big Boss Comedy, and a slew of other mind-blowingly talented people he gets to call his friends.  Since his turn in the Groundling's Sunday Company, Michael continues to write and produce original work with his writing partner and fellow Sunday Company Alum, Patric Cagle.   He has toured Southern California with Kevin Broberg's Quote/Unquote show, was a featured performer at Chicago Sketch Fest 2014 with Big Boss Comedy, and he appeared on television as WWE's anger management specialist, Dr. Shelby.    Allusions and References from Episode 58   Mike Aspinwall's IMDB Page   Dr. Shelby's Wiki   Dr. Shelby talks about Kane & Daniel Bryan's progress getting over their anger issues during the commercial break of Raw (Video)   Dr. Shelby “Enough” Meme At about 3:20, Mike talks his early influences, including his hilarious father and his lifelong love for Saturday Night Live   At about 6:45, Mike talks about his early forays into writing comedy sketches   At about 8:00, Mike talks about his early innocent humor and how he realized the pull of dark comedy, too   At about 9:20, Mike talks about early comedy influences   At about 10:15, Mike talks about observational humor and its draw   At about 11:50, Mike talks about gratuitous humor, lowbrow humor, and different kinds of comedy   At about 13:30, Mike discusses crafting a joke without making people think about it too much, thereby lessening the humor   At about 14:45, Mike recounts the story of a “eureka” moment when he felt much more confident that he could do comedy work-the “oasis” that was The Groundlings-with a story involving the great Mikey Day   At about 18:45, Mike talks about his comedy training at The Groundlings   At about 20:00, Mike uses the example of an everyday observation through a Trader Joe's trip as an an illustration of comic voice and tone   At about 24:45, Mike talks about taking reactions to autobiographical comedy “personally,” and the gift of “sitting in silence,” and being resolute in one's comedy, as seen with friends and colleagues Allison Dunbar and Stephanie Allynne    At about 28:20, Mike shouts out some of his favorite comedy writers, like Tina Fey and Jordan Peele, Danny McBride   At about 30:35, Mike and Pete discuss the comedy ethic of “punching up, not down”   At about 33:00, Mike helps out Pete, who has always wondered what exactly it means that “the writing is so good” in a tv show, etc.   At about 36:00, Mike talks about his thrilling run as Dr. Shelby on WWE   At about 40:45, Mike talks about the incredible adrenaline rush involved in taking part in WWE   At about 43:20, Mike talks about the later iteration of Dr. Shelby, including his being immortalized as a meme   At about 46:00, Mike talks about the video for Funny or Die that he performed in and wrote-“Baby, It's Cold Outside”   At about 49:30, Mike talks about the sketch that he wrote that plays off the questionable lyrics of “Alone,” covered by multiple artists   At about 54:50, Mike talks about whether or not some laughs are undesirable and problematic, and how he likes “losing people at the turn” in the sketches he writes   At about 57:50, Mike reads from his storytelling piece, “Surprises are Foolish Things,” and he also discusses some of the background of the piece   At about 1:09:15, Mike discusses upcoming creative projects   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.

On today's show, we chat about Public Domain, a dark, funny, verbatim musical about the internet with creators and stars, Francesca Forristal and Jordan Paul Clarke are with us now. We also chat with Rachel Tucker, Lewis Cornay and Guy Retallack and 
John and Jen, an emotional rollercoaster that explores the dynamics of family relationships. This production at London’s Southwark Playhouse is the world premiere of a brand new updated version of the show by writers Andrew Lippa and Tom Greenwald.

★ Support this podcast on Patreon ★

After forty years, Twin Cities Gay Men's Chorus is spilling the tea - so pour yourself a cup and settle in for our podcast, Voices of the Twin Cities Gay Mens Chorus. Join our hosts as they cover the chorus history with a singer who has been there for 33 years, David Anderson, and fabulous relative newcomer Brandon Sieck. Singing songs of remembrance and resistance from TCGMC's concerts such as “Sticks and Stones” from I Am Harvey Milk by Andrew Lippa. So grab your earbuds, listen in, and Carry On with us as we start our next decade.