Podcasts about paperchain

[Enjoy our podcast this week that we share with our sister Maremel Network podcast, Creative Innovators.] Dick Huey claims that his career jumps have been "educated luck."  "Because they they are luck. And I'm, I'm I don't ever pretend that I have more information than everybody else does. But I think I'm good at identifying opportunity. So for me, this felt like opportunity. And I jumped at it. And then of course that launched a 25-year career in digital music."  And so Dick shares with us his 25-year career, ranging from teaching software applications to getting his first music management client to building his digital music chops at Beggars Group to building Toolshed.  He works now on his three-legged stool of interests: helping big picture enhancements of the music business, working with record companies, and engaging in ed tech and new technologies. Guest: Dick Huey, Founder/President, Toolshed Dick Huey moved to New York City in 1997 to work for independent label powerhouse the Beggars Group (XL Recordings, 4AD, Matador Records, Rough Trade. He created and staffed the group's digital media department as global head of digital in the early days of digital music, determined the group's strategic direction, and licensed its groundbreaking catalog of world-class independent music from artists like the Pixies, the Prodigy, Throwing Muses, and many others.   Huey launched his NY Hudson Valley-based digital strategy company Toolshed in 2002, long before remote work was in vogue. Toolshed offered an early bespoke label and artist digital marketing, direct music service licensing, and download hosting service that created groundbreaking digital campaigns for Arcade Fire, Sufjan Stevens, Indigo Girls, Ani DiFranco, and Aimee Mann amongst hundreds of hundreds of others. Labels and distributors including Matador Records, Beggars Group, The Orchard, Touch and Go, PIAS, Righteous Babe, and Merge Records were also clients. In 2010, Toolshed expanded into music rights acquisition for consumer brands, media, tech, sports, and entertainment companies. Spotify contracted with Huey to lead its US independent label licensing efforts prior to and during Spotify's US launch in 2011. Red Bull Music Radio, SoundExchange, 8tracks, Digital Rights Agency, Red Mountain Ski Resort, Jaxsta, and Tunecore are all past clients or advisory relationships.   Huey is currently a Business Development Consultant to AIMS API, an artificial intelligence music search platform based in the Czech Republic, as well as to Entertainment Intelligence, a high end music analytics platform for direct-license content owners. He is a music license consultant to the US independent record label Merge Records and to stealth cloud radio startup HijackRadio, and an advisor to Techstars accelerator winner Paperchain and Australian personal social media monetization platform OkTY.   Outside of the music industry, Huey is a senior teaching assistant at NYU Professor Scott Galloway's two-year old educational sprint startup Section4. Huey regularly TA's online classes of up to 200 students on the topics of Subscription strategy, Brand, Platform, Product, Data Analytics, Growth Innovation (brand association with physical stores), and Storytelling. Several of the classes Huey TA's are taught by Galloway himself.   He held a 9-year board seat at SoundExchange representing Matador Records. He is a past Executive Director and board chairman of the Future of Music Coalition, based in Washington DC. He was chairman of the new media committee at the American Association of Music (A2IM) from its earliest days, as well as a consultant to independent entity the Association of Independent Music (AIM).   Huey is a USSA-certified downhill ski racing coach and committed biker and mountain biker. He moved from the New York area to the Columbia River Gorge in 2021. He began his career as a musician, then a music manager, and signed and...

The flow of money in the music business is notoriously slow, involves too many changes of hands, and too often leaves artists on the hook waiting for cash flow. This is especially true when it comes to streaming royalties.   In this episode of Creative Juice, we're joined by Daniel Dewar, Founder and CEO of Paperchain to discuss how they are revolutionizing how artists get paid for their streams! Learn how the current model of royalty payments functions, how Paperchain is solving the velocity of money in the streaming sector, and where blockchain technology plays a part in the process.   As an artist or musician, if you're even the slightest bit interested in streaming royalties as a revenue stream in your music business, you absolutely MUST hear what Paperchain is up to!   DISCOVER: How Dynamic Streaming Payouts Currently Work What Music Revenue Problems Paperchain Aims To Solve How Paperchain Uses Streaming Data to Get Artists Paid Faster Where Blockchain Technology Comes Into Play with Paperchain's Wallet How Artists Can Get Yields on Their Streaming Royalties   RESOURCES: Learn Top Music Marketing Strategies Inside IndiePRO Sign Up For Paperchain! Join Us In The Indepreneur Discord Server! Looking to expand your team or bring on an agency in 2022? Apply to work with IndieX!

Connected and completed

Interested in DeFi projects designed for the music industry? Then don't miss this episode of the podcast with Dan Dewar, CEO of Paperchain, which I believe tops the list. https://paperchain.io Follow: @alexbranson (Twitter & Instagram) / www.facebook.com/abcmusictalk Video: https://youtu.be/DfFnUWN9wzU / www.rotorvideos.com/abcmusic Music Branding: https://www.audioassassinsblog.com & Listen: https://levelmusic.lnk.to/egyT6i

If you are an artist or aspire to be one, this episode is required listening. Pavel talked to music industry pros, Ursula Sage from Patreon and Toolshed founder, Dick Huey about how Covid-19 has impacted the music industry and live performances, how artists are finding creative ways to diversify their revenue streams, and connect with fans, and why artists need to educate themselves on the business of music. Singer/Songwriter JustFrenchie talks to Tamara about how the Covid-19 pandemic and shutdown caused her to dig deep, embrace the hustle, and inspired her to create her latest EP, It's All Love, available on Spotify, Tidal, Google Play, Apple Music, and basically everywhere. We cover everything from creativity and inspiration to how being an independent artist is more than a full time job. Frenchie talks about how she learned the business side of the music industry, turned herself into a brand and company, and became an expert marketer. Plus we'll hear a song or two from her new album. Ursula Sage is a product leader with an IPO track record (NASDAQ: RP 2010, and APPF 2015). She was a speaker at the 2014 Lean Startup Conference [When Failure Is a Success] and her specialties include SaaS, market validation, customer development, strategic planning, product management, solution selling. Dick Huey's 25 year music career includes management of several music artists, which led him to take on the role of global head of digital at the independent record label powerhouse, the Beggars Group in New York city. Huey was a consultant to Spotify and led its US independent label licensing efforts prior to and during its US launch in 2011. He has also provided digital licensing and consulting services or was an early advisor to Red Bull Music Radio, SoundExchange, Jaxsta, 8tracks, The Orchard, Digital Rights Agency, Red Mountain Ski Resort, and Tunecore. Huey is currently Head of Partnerships for the Sydney-based official music credits and metadata supply company Jaxsta, a strategic digital consultant to the US independent record label Merge Records, and an advisor and strategic consultant to Techstars accelerator winner Paperchain. He is a past Executive Director of the Future of Music Coalition, based in Washington DC. He is a current and original committee member of the American Association of Music (A2IM). Follow JustFrenchie on Instagram @justfrenchie, Twitter @justfrenchie1, and YouTube Check out the book Dick mentioned, How to Build a Sustainable Music Career and Collect All Revenue Streams by Emily White at Bookshop.org and support indie book sellers. We want to hear from you! Find us on Instagram and Twitter @affectedbypod or email us at affectedbypod@gmail.com. If you like this episode, please subscribe, rate, review, and tell a friend! We strive for intersectionality, believe that diverse voices make us stronger, and support the Black Lives Matter Movement.

Daniel is the founder of Paperchain. Paperchain delivers early access for streaming revenue to artists, management and label teams.

Centrifuge is building the operating system for trade finance. In this episode, Brian is joined by Lukas Vogelsang, CEO of Centrifuge, to speak about the technologies Centrifuge is building to enable more efficient, transparent, and privacy-preserving supply chain financing. We start by exploring the background of the idea and the founders’ decade long background in the area of trade finance with Taulia, a company focused on invoice financing and working capital management, which is currently handling over $20bn in invoices a year. Lukas then goes into how his interest in crypto and the idea for Centrifuge, which is to build to tools to bring off-chain financial assets into the decentralized finance ecosystem, came about. He goes into how Centrifuge turns off-chain documents such as invoices into NFTs and how these NFTs can be bundled into collateralized pools to enable their usage in DeFi using Centrifuge’s asset-backed lending protocol Tinlake. Lukas explains the advantages of transparency for asset-backed lending, Tinlake’s tranched two token model, and their experiments using this system in collaboration with the Maker team and other partners such as Paperchain and Shuttle One. Lukas goes into how real-world assets as collateral could bring stability to Maker’s Multi-Collateral DAI system. Finally, Lukas talks about launching their own Substrate-based chain that allows Centrifuge to mint tokenized assets using Tinlake while maintaining privacy for asset originators. Centrifuge Website: https://centrifuge.io Tinlake: https://centrifuge.io/products/tinlake/ Centrifuge Twitter: https://twitter.com/centrifuge Centrifuge Blog: https://medium.com/centrifuge Chorus One: https://chorus.one Chorus One Twitter: https://twitter.com/chorusone   Chorus One Telegram: https://t.me/chorusone

Episode #166 : Under the current distribution model, labels and rights holders typically only get paid once a month by their distributor, and those payouts are often for streams and downloads that occurred well before the pay period. In an era where artists and labels are able to see nearly real-time usage data for their catalog, these delays in payment have made rapid growth difficult in some cases, and now there are companies stepping in with solutions. On this episode, we speak with Bruno Guez of Revelator and Daniel Dewar of Paperchain about their efforts to increase the liquidity of assets for rights holders by advancing payments to them based upon their catalog's performance on DSP's.

Music Tectonics at Midem continues with Dan Dewar of Paperchain, a fintech company creating solutions for music biz problems with a real-time payment model. Paperchain is a 2019 Midemlab finalist. This annual pitch competition launched the likes of SoundCloud, KickStarter, Soundcharts, and The Echo Nest. Get to know the startups at this year’s Midemlab competition before they break out! Stay tuned for more of our #MidemTectonics coverage. Podcast host Dmitri Vietze is recording interviews on the spot in Cannes!      Listen to the podcast here on our website, or on your favorite podcast platform.   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Weekly episodes include news roundups, interviews with music tech movers & shakers, and more.

All the action from the launch of Capital Yarns Volume 2 from Paperchain paperstore in Manuka, Canberra. Hosted by Angharad Lodwick from Lost the Plot podcast, and illustrator Juliette Dudley. Not to mention a sneak peak of one of the stories now in print, 'A Susan Boyle Christmas Carol'

All the details about the launch of volume two of my short stories at Paperchain Manuka on 29 November 2018. A fresh, new collection short stories set in Canberra, inspired by you.

Nigel Dewar-Gibb, specialist media lawyer at Lewis Silkin + Rahul Rumalla, Founder and Chief Technology Officer of Paperchain We hear Nigel and Rahul discussing the so called ‘Black Box’ royalties that remain unclaimed by music artists, the need to audit performing rights organisations, such as PRS for Music, PPL and BMI, and the potential for Blockchain in the music industry. They also discuss the Radiohead/Lana Del Rey copyright bust up, when is the right time for a legal scrap, the joy of buying the Ramones in four different formats and living a more minimalist life by selling everything except a back pack and guitar. About the guests: Nigel Dewar-Gibb is an experienced commercial IP lawyer and his focus is on digital media and technology sectors. He advises companies on the acquisition, production and licensing of content including ‘fingerprint’ tech companies, which track and report revenue. Because of the increasing complexity of copyright, he has set up a team to investigate royalty income flows worldwide to promote transparent and accurate accounting. Previously he was senior in-house Counsel for a number of multinational companies including Virgin Records and its affiliated music publishing company and for Picture Music International, a division of EMI Records active in film, TV and video production. Rahul Rumalla is founder and Chief Technology Officer of Paperchain, a technology company empowering music copyright owners with products which solve the problem of unpaid royalties. He is a technology professional turned entrepreneur and now builds products and services for the music industry. He has a Master’s in Music Business from Berklee College of Music and was a Fellow at the Open Music Initiative.

Sales and Crabb look back at the best of 2017. Recorded live at Llewellyn Hall, ANU on Sat 9 December.The matching outfits - Sales and Crabb didn't cross check their wardrobes.12 days of Christmas - as performed by Crabb and SalesPaul McCartney on six decades of making music - interviewed by Leigh Sales (via ABC 7.30, 2017 Dec 04)Interviewing your heroes can have its pitfalls, but Paul McCartney avoids them all - by Leigh Sales (via ABC 7.30, 2017 Dec 05)Armando Iannucci in Conversation with Annabel Crabb - Wheeler Centre (2017 May 08)Rachel Cusk - Author profile (via Goodreads)Outline - Rachel CuskPrayer For Owen Meany - by John IrvingCardinal: The Rise and Fall of George Pell - by Louise MilliganA Writing Life: Helen Garner and Her Work - by Bernadette BrennanGood Night Stories for Rebel Girls: 100 Tales of Extraordinary Women - by Elena Favilli, Francesca CavalloNot for the Faint-hearted: A Reflection on Life, Politics and Purpose - by Kevin RuddSassy Trump - by Peter Serafinowicz (via YouTube)I Have a Message for You - by Matan Rochlitz (NYT Op-Docs, 2017 Oct 10)Ben Mendelsohn performs 'The Lion King' - TripleJ interview (via YouTube)Brad Pitt Talks Divorce, Quitting Drinking, and Becoming a Better Man - by Michael Paterniti (GQ, 2017 May 03)Who let Brad Pitt's fashotainment shoot happen? - by Marina Hyde (Guardian, 2017 May 05)The Handmaid's Tale - 10 part TV series adapted from the novel by Margaret AtwoodThe People v. O.J. Simpson : American Crime Story - Netflix DramaMaster of None, Season 2 - starring Aziz AnsariThe simple beauty of Master of None season 2's long Uber ride home - by Christopher Hooton (The Independent 2017 May 25)Hidden Figures - biographical drama about 3 African-American women working at NASAO.J. Made in Amereica - A documentary examining Simpson's 1995 trial through the lens of the history of race relations in Los Angeles.O'Keeffe, Preston, Cossington Smith: making modernism - Art Gallery of NSW (1 Jul - 2 Oct 2017)Dior exhibition - National Gallery of Victoria (27 Aug - 7 Nov 2017)Revisionist History Season 2 - Podcast with Malcolm Gladwell- Miss Buchanan's Period of Adjustment - Season 2 Ep3S-Town Podcast Crack: chocolate caramel crack(ers) - original recipe via Smitten KitchenSpiced pumpkin cookies - take your pick!Sour Heart - by Jenny ZhangGelato Messina Pistachio Praline - fior di latte gelato with white chocolate and pistachio fudge and pistachio pralineDixie Chicks - Melbourne 2017 1st AprilBarbara and the Camp Dogs - starring Ursula Yovich, Elaine Crombie Belvoir Theatre (2017 Dec 2-23)Kiki and Kitty: follows the adventures of a young, black woman in a big, white world, where her vagina is her best friend - starring Nakkiah Lui and Elaine Crombie.Voters Abandoned Parliament's Biggest Marriage Equality Opponents - by Josh Butler (HuffPost, 2017 Nov 15)Labor MP Emma Husar's full speech: 'I am a survivor of family violence' - (via SMH 2017 Nov 24)Jacqui Lambie bids tearful farewell to Senate after shock British citizenship finding forces her out - by Lucy Sweeney (via ABC News 2017 Nov 15)The Death of Stalin - directed by Armando IannucciThe Seven Deaths of Evelyn Hardcastle - by Stuart TurtonFlora's Fancies - by Leigh Sales (Cover designed by Amelia Manzies, Paperchain bookstore, Manuka) (See also backcover)The Crown (Season 2) - starring Claire Foy and Matt SmithDeadly Kerfuffle - by Tony MartinDavid Hockney Retrospective - Metropolitan Museum of Art (2017 Nov 27 - 2018 Feb 25)Hello, Dolly! - Starring Bette MidlerAustralian Parliament Breaks Into Song After Passing Same-Sex Marriage Law - by Lydia Smith (The Independent 2017 Dec 7)John Redwood, Secretary of State for Wales - singing the National Anthem - 1993 (via YouTube)Malcolm Turnbull Couldn't Name His Favourite 'AC/DC' Song On Triple M - by Karen Barlow (HuffPost Australia 2017 Nov 20)Chat 10 Looks 3 - artwork presented to Sales and Crabb by the ANU (artist Lucien)