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On today's news roundup show Dmitri and Eleanor tackle the week's music tech news. They discuss Spotify's app store changes, Apple Music's new transfer tool, and so many AI music industry developments, including the $10 million AI music fraud case. News you might want to read: Spotify says App Store changes have boosted its subscriptions Apple Music's new transfer tool simplifies switching from other streaming services Martina McBride Speaks Out Against AI Deepfakes at Senate Hearing: ‘It's Just Terrifying' Udio launches mobile app using Apple's in-app purchases system OpenAI has hardware ambitions – and a $6.5bn deal to ignite them ‘A Billion Streams and No Fans': Inside a $10 Million AI Music Fraud Case The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
In today's episode we welcome pioneering innovator Ty Roberts, founder of Gracenote, and former CTO of Universal Music Group. We talk about some of the pivotal moments in his career including Gracenote's role in the development of iTunes, and working with David Bowie on generative music. We discuss the future of visual music experiences, the rise of AI in music creation, and the possibilities for personalized live events using advanced technologies. Shoutouts from the News Are Tech Bros Hijacking the Music Industry? An Urgent Look at the Latest AI Developments SoundCloud Says Users' Music Isn't Being Used for AI Training Following Backlash Licensing AI music: the industry is focusing on the wrong problem U.S. Copyright Office Releases New Report on Legality of AI Training, Suggesting Law Is With Rightsholders on Key Issues Taco Bell launches record club with 2025 Feed The Beat class The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
On today's episode, Dmitri and Tristra discuss the news of the week. They review recent acquisitions like Monstercat and BANDS, and discuss the economic confidence of the music sector despite economic downturns. They also talk about the evolving role of AI and the implications of recent legal copyright cases on AI training data. It's a lot of news to round up! Shoutouts Create Music Group acquires again, swooping for indie electronic label Monstercat Jay Penske Takes Control of SXSW: Will Profits, Politics Overtake Festival? Trump signals willingness to extend TikTok ban deadline again Arts agency terminates dozens of grants after Trump proposes eliminating NEA Are Music Companies Seeing Consumer Pullback? This Week's Earnings Calls Offered an Answer Live Nation predicts ‘historic year' despite revenue decline Judge in Meta case warns AI could 'obliterate' market for original works Copyright and Artificial Intelligence Report The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
“HIGH HORSE,” the brand-new single from Geoff Desiato is now available worldwide on all music streaming platforms. This song is an open letter to celebrity pastors, professional “Christians,” the Evangelical Elite. Rather than speak truth to power and stand in the gap to stem the tide of wickedness in our culture, they have decided to …
Today we are talking with Valeska Pederson Hinz, partner at Perkins Coie, about what's happening in the world of music tech investment. Valeska has extensive experience in guiding companies and investors from Series A to IPO and has an indispensable vantage point. Our conversation includes the current state of venture capital funding, the impact of generative AI on the industry and the ongoing legal debates surrounding fair use versus licensing in AI training data. She also has practical advice for startup founders from the legal standpoint of someone who guides growth stage companies. News Shoutouts UMG generated $3bn+ in Q1 Spotify posts record-high operating profit for Q1 Splice acquires Spitfire Audio Epidemic Sound acquires AI startup Song Sleuth NMPA says Spotify's Q1 growth due to ‘undercutting of songwriters' via audiobook bundling Jack Dorsey's ‘Delete All IP Law' post highlights the hypocrisy of Big Tech Billionaires Hearing Things The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
Today Dmitri talks with Cherie Hu, music industry analyst and founder of Water and Music. We start by discussing the Ouroboros project which maps the complicated and intertwined stakes in the music industry held by various entities, including private equity firms, media conglomerates, and tech companies like Tencent. We also talk about shifting power dynamics between the majors and the independents, the impact of AI – particularly generative AI, and trends in rights management and live music. Shoutouts Water and Music Ouroboros Map Water and Music Soundcloud Reverb Sold By Etsy to Fender Parent and Firm Led By SoundCloud Alum A24 Makes Its Move Into the Music Scene 'You Are Somehow a Villain If You Use It' JPMorgan CEO Says Something Everyone Can Agree On: "Kill Meetings" and Corporate Jargon The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
In the episode, 'Building Superfans in the Streaming Era of Spotify – Expert Advice for Musicians', we dive into the future of music with Nick Holmsten, the visionary behind some of Spotify's most innovative features, as he joins the MUBUTV Music Business Insider Podcast. We explore how AI, the streaming revolution, and the attention economy are shaping the fan-artist relationship, personal storytelling, and the new era of super fans. Discover why building community and authentic connections is more critical than ever for artists in today's music industry.
In this episode, Dmitri speaks with Mark Mulligan, veteran tech analyst and leading digital thinker from MIDiA Research. Topics include the slowing growth of streaming revenue, shifts in market share among major and independent labels, the rise of the global south in subscriber numbers, and the impact of super-premium subscriptions on monetization. We also talk about the future potential disruptions from AI and legal challenges and how the music industry might adapt and innovate in the face of these changes. News Shoutouts! The Music Industry Wants Solutions. But Do Listeners See Problems? Ex-Google CEO Eric Schmidt: AI That is ‘as smart as the smartest artist' Will Be Here in 3 to 5 Years Tariff-Proof, Recession-Proof Music Industry Will Thrive Despite Global Uncertainty AI Music Invasion Doubles on Deezer: 20,000 Bot-Created Tracks Now Uploaded Each DAY to Streaming Platform Record Scratch: How Tariffs and Uncertainty Are Hurting Vinyl Manufacturing in America China Halts Critical Exports as Trade War Intensifies The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
Fyre Festival is becoming a music streaming service that might not be a scam this time, Bluesky is getting blue checkmarks and an official verification system, and Retro handheld maker Anbernic is halting US shipments due to tariffs. It's Tuesday, April 22nd and this is your morning tech news roundup from Engadget. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today we have Glen Peoples from Billboard to discuss the major trends within the music industry. Our conversation covers a lot! Including the rise of rollups and acquisitions to build label services, the increasing importance of music licensing, the role of AI in the music tech investment landscape, and the cyclical nature of consolidation and its broader impacts on the future of the industry. News Shoutouts Startup oMoo Gets Hands-On With its Haptics-based music App MCP: The New “USB-C for AI” That's Bringing Fierce Rivals Together NMPA CEO Talks Spotify Podcast Takedowns and AI Strategy, Warns Against Government-Led PRO Reform Eternal Celebrities: The Multi-Billion Opportunity Coming The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
Ian Henderson, founder of MashApp and former Spotify executive, talks with Dmitri about how MashApp enables non-musicians to remix tracks without production experience, and the broader context of technological disruptions in the music industry driven by AI. He explains the challenges in securing licenses from major record labels and his vision for the future of music interactivity. We also hear the news from Dmitri and Tristra. News Roundup! 50 Million More Americans Are Buying Music Than a Decade Ago Amazon Makes Last-Minute Bid for TikTok as US Ban Deadline Looms 5 Million Songs and $288m Spent on Catalogs: 8 Things We Learned from Universal Music Group's 2024 Annual Report Udio, the Startup Sued by Record Companies Last Year, Unveils Tool to Clone ‘sonic identity' of Existing Songs Inside YouTube's Weird World Of Fake Movie Trailers The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
Ep. 166: Music Ally's Head of Insight, Stuart Dredge joins Joe Sparrow to discuss two of the most meaningful topics relating to music streaming today: the value of music on DSPs; and the big DSPs' upcoming superfan plans.This podcast connects to Music Ally's latest Insight Report called the State of Streaming in 2025 (https://musically.com/category/reports). In this podcast we discuss:The value of music on DSPs – not just the ongoing subscription price rises, but the ad-supported tiers, and the increasingly loud grumbles around them.The big DSPs' superfan plans – superfans need to be super-served: so will the streaming platforms give fans and artists what they really, really want?
In this episode, Carlos Gonzalez de Villaumbrosia interviews Ashok Bania, Senior Vice President of Product at SoundCloud.SoundCloud is the original open platform that disrupted the music industry alongside Spotify, providing massive distribution to millions of artists, including superstars like Billie Eilish and Post Malone. It's a free music app available on web and mobile that connects DJs and singers with over 150 million fans worldwide. After a period of strategic shifts, SoundCloud became profitable for the first time in 16 years.Ashok oversees product strategy, growth, and monetization at SoundCloud. He has a proven track record of building successful consumer subscription products and marketplaces at companies like Spotify, Lyft, Tumblr, and Headspace.In this episode, we'll explore SoundCloud's turnaround from near collapse to profitability, specific AI use cases that enhance music discovery and community engagement, and Ashok's unique approach to product development and growth strategies.What you'll learn:- Ashok's journey to becoming SVP of Product at SoundCloud and his insights on the platform's transformation.- The challenges and strategies involved in revitalizing a global, open music platform.- How to prioritize features and innovations in a fast-paced, creator-centric environment.- The future of music technology, including AI-powered remixes and personalized discovery.Key Takeaways
This hour, the conversation winds around to the zipper merge, Don McLean’s “American Pie,” our 15th anniversary party, model trains (again), music streaming services, advice for caregivers in times of grief … Anything. (Seemingly) everything.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
The RIAA says vinyl revenue hit $1.4 billion in the US last year, the highest figure in four decades. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Author Liz Pelly on how Spotify changed how we consume music. Help support our independent journalism at theguardian.com/infocus
Liz Pelly, author of Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist, speaks to Weekend AM's Melissa Tobin.
KAMELOT Drummer Officially Launches ROKK – Music Streaming for Rock & Metal Fans with Fair Compensation for Artists Today, a new chapter begins for rock and metal music with the launch of ROKK—the ultimate streaming platform for all things Hard and Heavy, with superior sound quality and finally fair compensation for artists at its core. Co-founded by Alex Landenburg—drummer for Kamelot and Cyhra—and Peter Moog, guitarist for Mentalist, ROKK is the first service to offer direct artist support for your favourite band or musician right in the app. Fair music streaming, by artists for artists, and real music fans! A Special Launch Offer: A free trial month to experience the platform. Exclusive introductory pricing: €8.99/month for the first three months after your trial month. After which standard pricing of €10.99/month applies. No strings attached—cancel anytime. The offer and the reduced price is only available if you register AND subscribe through our website. Offer valid until March 31st. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this AVForums Podcast, we cover highlights from the 2025 Bristol Hi-Fi Show, explore subwoofers in home cinema and Hi-Fi, and chat with Ian Morrish from Together for Cinema about their amazing work. Tune in for expert insights, industry news, and AV enthusiasm!
Today Dmitri speaks with Con Raso of Tuned Global, about the evolving landscape of music streaming. They talk about profitability and innovation opportunities, and Con shares thoughts on making music more social, advancing curation and discovery through AI, and the role of personalization in listening experiences. Social Radio Punchline Connect The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
In this episode of The Art of Music Law, we dive into the world of entertainment law with Sarah Falzon, an accomplished associate at Taylor Oballa Murray Leyland LLP. With her expertise in music and entertainment law, Sarah shares her insights on the unique legal challenges artists and music companies face today.Episode Highlights:1. Background & Career PathSarah shares her journey into entertainment law and the experiences that sparked her interest in the field.How her background in mathematics and statistics shapes her approach to legal work and problem-solving.The transition from law school to practicing entertainment law and the lessons she learned along the way.2. Music & Entertainment LawThe biggest legal challenges artists and music companies face today, and how they can protect their interests.A breakdown of a common legal issue Sarah helps artists navigate, from contract negotiations to copyright concerns.The significant impact streaming platforms and digital media have had on music law.Legal protections that emerging artists should prioritize early in their careers to safeguard their work.3. Personal Connection to MusicSarah reflects on her personal connection to music, having played the violin for over 20 years, and how this influences her work as a lawyer.How being a musician herself helps Sarah relate to her clients and advocate for their needs in a more empathetic and effective manner.4. Advice & Future TrendsSarah offers valuable advice for young lawyers interested in pursuing a career in entertainment law.The trends and legal issues shaping the future of the music industry, including the evolving relationship between artists and digital platforms. W: SARAH FALZON
“กิต-ตูน Three Man Down” โตมายังไง? กิต: สร้อยคอ ตัวแทนของครอบครัว / กาแฟ / คอลเล็กชันเครื่องเล่นเกม ตูน: กีตาร์ / หมอนกอด / กระเป๋าที่พกทุกสิ่งในชีวิต วันนี้พี่จุ๊ย-กุลธิดา ติดธุระฉุกเฉิน ขอส่ง ‘อ้อย-รชนีกร' โฮสต์เฉพาะกิจจาก Salmon Podcast มาพูดคุยกับแขกรับเชิญ ‘กิต-กฤตย์ จีรพัฒนานุวงศ์' และ ‘ตูน-พีรพล เอี่ยมจํารัส' จาก Three Man Down ถึงชีวิตการเติบโตของพวกเขาตั้งแต่เด็กจนถึงวันนี้ ผ่านสิ่งของ 3 ชิ้นที่พวกเขาเลือกมา ฟัง “ขอโทษที่ติดต่อไป” เพลงใหม่จาก Three Man Down Feat. NAP the NAP ได้ทาง https://www.youtube.com/watch?v=SPb4lpamYC0 และทุกช่องทาง Music Streaming https://linktr.ee/TMYPodcast #SalmonPodcast #โตมายังไง #TMYPodcast _____ ติดต่อโฆษณาได้ที่ podcast.salmon@gmail.com Follow โตมายังไง on Instagram Salmon Podcast https://www.instagram.com/salmon_podcast/ จุ๊ย กุลธิดา https://www.instagram.com/jkunthida/ Learn more about your ad choices. Visit megaphone.fm/adchoices
The differences between Spotify, Apple Music and the rest of the major music streamers are subtle but significant. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Season 3: Episode 40 - FairplayWelcome back to 78644 Podcast! In this episode, we jump into Lockhart's lively scene with wrestling, live music, and community-driven events. Host Steven Collins takes us through a night of Austin Wrestling Revolution, a performance from Heavy Meddo, and back stories of the Gaslight Baker Theater's 24-Hour Play Festival. We also feature Local Tracks: Deadman, showcasing great local music, and premiere the Mexico Lindo video and discuss the struggles musicians face in the streaming era and introduce Curios, a platform aiming to change how artists get paid.Guests in this Episode:Chayo Rodriguez - Founder of Austin Wrestling Revolution, sharing his passion for wrestling.Heavy Meddo - Band members perform live.Eric Beck - Director of the Gaslight Baker Theater, discussing the 24-Hour Play Festival.Curios - Gregory Keogh talking about a new way for musicians and creators to earn from their work.What's InsideThe Austin Wrestling Revolution and its impact on Texas wrestling.The difference between Mexican wrestling (lucha) and American wrestling.How the Gaslight Baker Theater's 24-Hour Play Festival brings creative challenges.Local Tracks Deadman: the Mexico Lindo Video Premiere showcasing local music, including a special feature.Curios, a new platform helping artists get fairly paid.The struggles of musicians in the streaming era and why the system is broken.Episode Breakdown:[00:42] - Tumble in Tank Town - Austin Wrestling Revolution with Chayo Rodriguez[08:54] - Heavy Meddo Live Performance[14:51] - Eric Beck Interview: The Gaslight Baker Theater's 24-Hour Play Festival[22:24] - Mexico Lindo Song Premiere[27:47] - The Future of Music Streaming with Gregory Keogh from CuriosFollow our Guests:Chayo Rodriguez: https://www.linkedin.com/in/chayo-rodriguez-4ba8b2ab/ Gregory Keogh: https://www.linkedin.com/in/gregorykeogh/ Heavy Meddo: https://heavymeddo.bandcamp.com/Curios: https://www.linkedin.com/company/curiosdotcom/ Gaslight Baker Theatre: https://mygbt.org/ Follow 78644 Podcast:Website: https://www.78644podcast.com/Facebook: https://web.facebook.com/people/78644-Podcast/100089192381124/Instagram: https://www.instagram.com/78644podcast/ Youtube: https://www.youtube.com/@78644Podcast Support this podcast at — https://redcircle.com/78644/exclusive-content
Is Netflix about to enter the music streaming arena? We look at what this means for Spotify, Apple Music, and the future of streaming. Apple's making headlines again with their innovative AirPods featuring built-in cameras, and a game-changing FaceTime update that lets you remotely control screens.WhatsApp finally brings multiple account support to iPhone users, perfect for separating your personal and business life. But as our devices get smarter, we're asking the big question - are we too dependent on our smartphones? Discover why the "dumb phone" movement is gaining traction and my plea to legacy mobile phone companies like Motorola, Nokia, and Ericsson to consider bringing back their classic phones.End your week with another installment of Scrolling Deep, where we break down the most interesting social media moments, from ninja road rage to the some of internet's most entertaining content.Topics covered:Netflix's ambitious music streaming plansApple's revolutionary camera-equipped AirPodsFaceTime's new screen sharing and control featuresWhatsApp's multiple account support for iPhoneSmartphone addiction and digital wellnessThe case for bringing back retro phonesScrolling Deep: This week's best social momentsCredits: Mohit Singh / BeebomApple Wants to Add Cameras to AirPods Along With AI Features & Advanced Sensors - https://beebom.com/apple-add-cameras-airpods-report/Relaxify (Instagram)@_relaxifyhttps://www.instagram.com/reel/DFJSD4BuXa0/?igsh=MWtvaThnNWFyYjg4eA==The Creative Sav (Instagram)@thecreativesavhttps://www.instagram.com/reel/DFPUk5ts3L4/?igsh=ajc0dzV1MGJ6a3Jr Terrell Brown @RellTheRemedy (Instagram)https://www.instagram.com/reel/DCz-6amyn0C/?igsh=MXZocXFscm82NWR5cA==Highsiiii (Tiktok)https://vm.tiktok.com/ZGdULQpx2/Please hit follow so you don't miss an episode. You can also follow me on social media:Instagram: https://instagram.com/thecontentpro_Tiktok: https://www.tiktok.com/@thecontentproducerThreads: https://www.threads.net/@thecontentpro_ Want to work with me, be a guest or collab?Website: https://www.thecontentproducer.co.uk Email: andrew@thecontentproducer.co.uk
In September last year, musician Michael Smith of North Carolina was charged with stealing millions from music streaming services. The US Department of Justice has accused him of using artificial intelligence tools and thousands of bots to fraudulently stream songs billions of times - taking millions of dollars of royalties which otherwise would have been paid to real artists. The case has been labelled as ‘unprecedented' and ‘the first of its kind'. But could fraud on music streaming services actually be much more prevalent than any of the platforms let on? BBC Trending speaks to music industry insiders, and those fighting back against streaming fraud.
Confusing and capricious, Trump started as he means to go on: chaos, dysfunction and a coalition of creeps; Ruby Franke was a social media star who made viral videos about her six children – until she was jailed for child abuse. Now her eldest daughter Shari is telling her side of the story; and No Dylan but loads of Coldplay! What the songs with a billion streams on Spotify tell us about music taste today.
Artists of today are still making albums, however with so much emphasis being put on streaming charts how many of today's album streams are being made up by a few hit tracks? That distinction is the focus of today's episode of Stats and Stories with guest Chris Dalla Riva. Chris Dalla Riva is an analyst for the music streaming service Audiomack by day while spending his nights writing and recording music and writing about music for his newsletter Can't Get Much Higher.
Streaming Music, Streaming Capital (Duke University Press, 2024) provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Streaming Music, Streaming Capital (Duke University Press, 2024) provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Streaming Music, Streaming Capital (Duke University Press, 2024) provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Streaming Music, Streaming Capital (Duke University Press, 2024) provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Streaming Music, Streaming Capital (Duke University Press, 2024) provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Streaming Music, Streaming Capital (Duke University Press, 2024) provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics
Streaming Music, Streaming Capital (Duke University Press, 2024) provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
Streaming Music, Streaming Capital (Duke University Press, 2024) provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode OverviewJoin Thomas as he sits down with Ryder Havdale, CEO/Founder of HIO Music, to discuss how they're transforming music streaming on Solana with a platform that prioritizes artist compensation and community engagement.Key Topics & TimestampsRyder's Journey & HIO's Origins [00:01:50]* From web developer to musician with Broken Social Scene* Personal experience with streaming payouts* Identifying transparency issues in current streaming modelsThe HIO Difference [00:03:40]* 100% of subscription revenue goes to creators* Current catalog of 6M+ songs, expanding to 100M* Direct artist uploads and minting on Solana* Comparison to traditional streaming platforms' payment modelsPlatform Features [00:05:15]* In-app merch sales capabilities* User-generated content integration* Community engagement rewards* Upcoming social feed and artist-fan interaction featuresSolana Integration [00:09:30]* Why they chose Solana over other blockchains* Integration with Solana Mobile/Saga* Benefits of blockchain technology without complexity* Making Web3 accessible to mainstream usersUpcoming Features [00:31:20]* Pre-release capabilities* Ticketing integration* Live show recordings* Direct artist-fan messaging* Playlist import functionalityToken Launch & Community [00:34:00]* HIO token utility and rewards* Community engagement incentives* Airdrop plans for early users* Platform growth strategyNotable Quotes"Our mission is to get a billion creators paid. It's not about onboarding a billion people to Web3, it's about actually getting creators paid." - Ryder HavdaleTeam Highlights* Recent addition of Arabian Prince (NWA founding member) as Chief Innovation Officer* Collaboration with George Brown University on music discovery AI* Partnership with Merge RecordsWhere to Find HIO Music* Website: heomusic.com* Twitter/X: @hiomusic* Instagram: @hiomusicforever* Available on Apple App Store, Google Play, and Solana SagaLooking Forward* Token launch coming within next few weeks* Major platform updates incoming* Expanding catalog and feature set* Focus on building creator-fan relationships This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thomasbahamas.substack.com
Get ready for a sonic journey through diverse soundscapes, featuring some of the best local and national acts. This episode showcases everything from high-energy ska and punk to soulful indie rock and catchy pop.Tune in for infectious rhythms from local pop and soul legend Dezi 5, high-octane ska punk from Kill Lincoln, and dreamy indie pop from Sunny Disposition. We'll also be featuring the raw energy of The Infamists and the introspective lyrics of Overshare.So, whether you're a fan of classic rock, hip-hop, or electronic dance music, this episode has something to offer. Let the music move you!Music By: BOP(Harvey) - Orange KingThe Infamists - Death By MisadventureSunny Dispostion - Help MeDezi 5 - Pick Up Your PhoneSet The Tone - Too HotKill Lincoln - I'm Fine (I Lied)Spector 45 - EmulateFat By The Gallon - Letting GoArtemus Funk - Hold It DownOvershare - I'm Sad *DISCLAIMER: I hereby declare that I do not own the rights to this music/song. All rights belong to the owner. No Copyright Infringement Intended. All bands have given permission to use their music.*
Linktree: https://linktr.ee/AnalyticIn this insightful segment of "Notorious Mass Effect," Analytic Dreamz delves into the significant announcement of the global shutdown of TikTok Music, scheduled for November 28, 2024. Here's what you need to know about this pivotal move in the music streaming industry:Shut Down Overview: TikTok Music, ByteDance's venture into music streaming, will cease operations worldwide by late November 2024. Originally launched in 2023 in select markets like Indonesia and Brazil, it later expanded but never made it to the U.S. due to various challenges.Reasons Behind the Closure: Analytic Dreamz examines ByteDance's strategic decision to discontinue TikTok Music, focusing instead on leveraging TikTok's vast user base for music discovery through partnerships with existing streaming services. This shift aims to enhance the music app integration experience on TikTok.User Impact: Listeners will learn about the deadlines for transferring playlists and the process for obtaining refunds. Users have until October 28, 2024, to save their playlists, with refund requests or automatic issuances set for those subscribed beyond the shutdown date.Music Discovery Statistics: A look into the power of TikTok in shaping music trends, where a significant portion of its users are more inclined to explore new music after discovery on the platform.Competitive Landscape: We discuss how TikTok Music struggled against giants like Spotify, Apple Music, and YouTube Music, which offer extensive libraries and sophisticated technology for user engagement.Industry Relations: Analytic Dreamz will touch on ByteDance's rocky relationship with major music labels, including a resolved dispute with Universal Music Group, highlighting how such conflicts can influence business decisions in the music streaming sector.Strategic Pivots: The segment will cover ByteDance's new strategy to enhance features like "Add to Music App," facilitating easier integration with other music services, reflecting a broader trend towards collaboration rather than competition in the streaming world.Join Analytic Dreamz in this comprehensive analysis to understand the implications of TikTok Music's shutdown, the future of music discovery on TikTok, and how these changes could affect the industry landscape, listeners, and the music artists themselves. Stay informed on the latest shifts in the digital music ecosystem right here on "Notorious Mass Effect."Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Nintendo shocks fans, not with a new console, but with their latest venture into music services, offering a library of game soundtracks from 40 years of Nintendo history to Nintendo Switch Online members, alongside a quirky 'Alarm-O' smart clock—strategies expected to tide fans over until the next big hardware release. FOX's Eammonn Dignam with the details in this "FOX on Games." Learn more about your ad choices. Visit megaphone.fm/adchoices
Steve and Stuart find out why Björn Ulvaeus and Thom Yorke are among thousands of signatories of a statement warning AI companies over copyright, and discuss the news that Lily Allen says she makes more money from OnlyFans foot pictures than she does from music streaming. Send in your questions for Stuart and Steve on thepriceofmusicpodcast@gmail.com Follow Steve on X - @steve_lamacq Follow Stuart on X - @stuartdredge Follow The Price of Music on X - @PriceofMusicpod Support The Price of Music on Patreon: https://www.patreon.com/ThePriceofMusic For sponsorship email - info@adelicious.fm The Price of Music is a Dap Dip production: https://dapdip.co.uk/ contact@dapdip.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices
How did streaming change music? Not like how did it change the music industry (we talk about that plenty, obviously). And not how did it change bitrate. But how did streaming change the nature of the music that you listen to? How and why and does it matter that you now pay a limited rate for an unlimited amount of music? Within capitalism, how does it matter that "streaming" functions under a fundamentally different system of copyright and finance and technology than…say buying? And how does that all service data collection, listening habits, personalized feeds and everything else? These questions are at the heart of Eric Drott's wonderful new book “Streaming Music, Streaming Capital,” which starts to grapple with the fundamental questions of what streaming is exactly—and what it's done to us. Subscribe to our Newsletter! Buy Eric Drott's Book "Streaming Music, Streaming Capital"
TOPICS: Do music streaming services need to change their models amid recent Justice Department actions; indie tour cancellations are continuing to pile up; our guest this week is Grammy-winning music luminary Charlie Peacock. Charlie's new album “Every Kind of Uh Oh” dropped on August 30th and his memoir “Roots and Rhythm: A Life in Music” will come out early next year. You can find out more about our guest's work by visiting charliepeacock.com.Rate/review/subscribe to the Break the Business Podcast on iTunes, SoundCloud, Stitcher, and Google Play. Follow Ryan @ryankair and the Break the Business Podcast @thebtbpodcast. Like Break the Business on Facebook and tell a friend about the show. Visit www.ryankairalla.com to find out more about Ryan's entertainment, education, and business projects.” Hosted on Acast. See acast.com/privacy for more information.
6pm: Rantz: Homeless man erects White House encampment in Seattle // City of Tacoma using 'hostile architecture' to deter homeless encampments // The Bands and the Fans Were Fake. The $10 Million Was Real. How a man used AI to game the music streaming services for $10 million // Raygun apologizes for sucking in the Olympics.
Hello everyone, it's Bill Thompson – T Bill. Some of the things covered on today's session include: August labor report weaker than expected. A $10 million alleged music streaming fraud. Circle K looking to Buy 7-Eleven. The first authorized Jimi Hendrix documentary. The fan owned Not-For-Profit NFL Team.
We cut through the many confusing options for streaming music to help you decide which path to take. From choosing a streaming service on a mobile device to investing in a dedicated hardware module, we examine the advantages and disadvantages of the various approaches, suggest some options and also examine whether there's a quality trade off for the convenience of so much music.
Send us a Text Message.In this episode, Deb, Pete, and Jess discuss Garth Brooks' exclusive streaming deal with Amazon Music, including some exciting streaming news.The digital age of music sure has changed the way we consume albums - what do you think of Garth's news and his exclusive streaming with Amazon? Let us know on any of our social media accounts!Support the Show.Find us at:Facebook: facebook.com/garthologycastTwitter: twitter.com/garthologycastInstagram: instagram.com/garthologycastWebsite: garthology.comgarthologycast@gmail.com
Spotify! Is the audio quality a problem? Can you evaluate mixes through it? And, is the pay structure harmful to artists? Do playlists make music worse? Justin Colletti gives answers. ►
Mike Warner is an author, podcaster, and music executive. He wrote the book Work Hard Playlist Hard and is the host of Streamline With Mike Warner podcast. Mike's experience spans over two decades, with his most recent role as Head of Editorial Marketing Partnerships, North America at Believe. His insights have been shared across various platforms, making him an instrumental figure in the music industry.In this episode, Mike, a firm believer in the power of diversified platforms, discusses the latest tools and features provided by music streaming platforms. He emphasizes the importance for artists to connect with audiences across various platforms.Takeaways:Discover the latest tools like Amazon Music's HypeCards and Apple Music's Promote, helping artists create custom assets and track engagement.Learn about Tidal's collaborative features and the live broadcasting ability, providing artists with unique opportunities to connect with fans.Understand the efficacy of gating content and implementing subscription models in building a dedicated fanbase.-----To learn more about Mike Warner, visit his website: https://www.askmikewarner.com/Tune into the live podcast & join the Modern Musician community here: https://link.modernmusician.me/join-podcastApply for a free Artist Breakthrough Session with our team: https://masterclass.modernmusician.me/apply-success?utm_source=podcast