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Après un premier épisode consacré à son parcours, Matthias Leullier est de retour derrière le micro de Sold Out… Et cette fois, on entre dans l'univers du leader mondial du live entertainment : Live Nation !De l'organisation des cérémonies des JO de Paris 2024 à la diversification dans l'e-sport, l'humour ou la gastronomie, Matthias nous ouvre les portes d'un groupe qui repousse les frontières du live.Un épisode où il sera aussi question d'engagements RSE, de la renaissance du Midem, de l'évolution du marché musical… et même de phryges !
La Minute Crooner Attitude, le billet d'humeur de Jean-Baptiste Tuzet, tous les jours de la semaine, 9 h 15 et 19 h 15 sur Crooner RadioHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
La FFM (Fédération des Musiques Métalliques) crée par Pascal Gueugue à la fin de l'année 2022 fait l'objet de critiques, parfois virulentes, parmi quelques observateurs de la scène et sur les réseaux sociaux. Dans un droit de réponse accordé au podcast Contaaact, Pascal a répondu à ses détracteurs en éclaircissant notamment quelques points concernant l'organisation du tremplin MIDEM. Le Secret des Dieux s'est, pour cet épisode, acoquiné avec Contaaact pour vous proposer un débriefing de ce droit de réponse ainsi qu'une analyse de ce que nous percevons sur la FMM et son action. Pour soutenir le podcast : Tipee Tous les liens pour écouter DANS LE SECRET DES DIEUX : Linktree
Im zweiten Teil von Episode 67 sind wir immer noch auf der Suche und zwar nach einer der größten Bands der 90er, einem zu früh verstorbenen Ausnahmemusiker, einem Schauspieler, dem ein Flop zum Verhängnis wurde, einer Musikerin mit einzigartiger Stimme, einer Band, die sich nach ihrem größten Erfolg aufgelöst hat und einer Künstlerin, die sich mit dem Papst angelegt hat. Oasis - Supersonic (First TV Debut) Live The Word, UK - March18, 1994 https://www.youtube.com/watch?v=4Or8QahwlC4 Oasis - Noel and Liam Gallagher Interview - Rare! - 1994 The O-Zone (The Early Years) https://www.youtube.com/watch?v=E7MNpvShZk8 Oasis - MTV Most Wanted (18th August 1994) https://www.youtube.com/watch?v=Q8-wG5MvlV4 Oasis - Live (audio) in Bielefeld (15th January 1996) https://www.youtube.com/watch?v=bAt6F8xbIuU Oasis Performing At Knebworth August 10th, 1996 Full Concert 1st Night https://www.youtube.com/watch?v=IZqo1bYgkRs Noel Gallagher on the Battle of Britpop | Oasis vs. Blur | Roll with It vs. Country House https://www.youtube.com/watch?v=gvZ6tgcfPrM Rick Beato: What Makes This Song Great? "Wonderwall" OASIS https://www.youtube.com/watch?v=silOU_BvPWc Oasis - Slide Away https://www.youtube.com/watch?v=3GCSUSwcDwg Jeff Buckley - Fall In Light (Rare Documentary) https://www.youtube.com/watch?v=RTviRXd4L2A Jeff Buckley - Remembered Doku https://www.youtube.com/watch?v=BVp_8jYZtEE Jeff Buckley: The Tragic Death of the Musician & Making of Grace https://www.youtube.com/watch?v=Npx63XF_-RI Jeff Buckley - Forget Her https://www.youtube.com/watch?v=HO0svGjVEP8 School Ties - Trailer https://www.youtube.com/watch?v=qMsVgp0Utfk Minnie Driver and Chris O'Donnell talk about living with fame, doing an Irish accent. https://www.youtube.com/watch?v=XIBrlevCXaU Rewind: 27-yr-old Chris O'Donnell on Batman and Robin, his McDonalds commercial, Arnold, fame, etc https://www.youtube.com/watch?v=f3eo6tLTXNs Batman & Robin Trailer https://www.youtube.com/watch?v=4RBXypX4qWI Chris O'Donnell on "NCIS: Los Angeles" https://www.youtube.com/watch?v=RsaKdVxw71I Moloko - Fun For Me https://www.youtube.com/watch?v=hTjyhydMURI Nico - Icon Documentary https://www.youtube.com/watch?v=CrsD97bF48g Nico: Autopsy of an Icon https://www.youtube.com/watch?v=B3f3pYnZz7c Nico - Rare NZ Interview https://www.youtube.com/watch?v=MOeU-BF78gM Nico before The Velvet Underground https://www.youtube.com/watch?v=ueyNdpOmlyU The Velvet Underground & Nico in 4 Minutes https://www.youtube.com/watch?v=NgLMTnHgl_o Nico - The Fairest Of The Seasons https://www.youtube.com/watch?v=D5JX4-zZbiY Countdown (Australia)- Molly Meldrum Interviews The Fine Young Cannibals- October 20, 1985 https://www.youtube.com/watch?v=TVDinFosD5c Fine Young Cannibals - Johnny Come Home https://www.youtube.com/watch?v=2yvWl8EcLmo Matt Bianco & Fine Young Cannibals - Fight at Midem 86 Awards https://www.youtube.com/watch?v=yu5RW3C2_mM Fine Young Cannibals Interview 1989 Rapido https://www.youtube.com/watch?v=xkcZUk2eKso Fine Young Cannibals - I'm Not The Man I Used To Be https://www.youtube.com/watch?v=tk6bnmVRbhw Sinead O'Connor - Fearless (Full Documentary https://www.youtube.com/watch?v=-I6Tap62z10 Early Sinead O'Connor Interview https://www.youtube.com/watch?v=HcBgUYMYqRw Sinead O'Connor on ripping up Pope photo in 1992 https://www.youtube.com/watch?v=8LcmJErI8IQ Sinead O'Connor: I love about my mother that she's dead https://www.youtube.com/watch?v=_H1DsWsKLE8 Sinead O'Connor - All Apologies https://www.youtube.com/watch?v=SEVu1tcUGnc
Place des Fêtes aujourd'hui est dans le 06, en direct du Palais des Festivals de Cannes. On a même monté les marches avec Jean Fromageau. Le marché international du disque et de l'édition musicale qui avait été créé dans sa première mouture en 1967 mais que la crise du disque et le COVID ont fini d'achever. La Ville de Cannes a racheté la marque et a lancé l'année dernière MIDEM+. Ici on parle musique, business, technologie, innovation, mais aussi droits musicaux, par exemple. Et on y voit des concerts et des DJ sets. Il a mixé presque tous les albums de Depeche Mode, mais aussi de The Cure, Steve Lyon viendra nous voir dans notre studio temporaire au Palais des Festivals, en compagnie de la journaliste Alma Rota de Rolling Stone. Autre légende, le pince sans rire et si attachant Baxter Dury que j'ai rencontré autour d'un full English breakfast ce matin. Jean Fromageau nous présentera quelques-uns des jeunes talents repérés par ce MIDEM+ : Saturnz récompensée par le programme du CNM, Rappeuses en liberté, et Le Môme, jeune rappeur niçois. Last but not least, celui qui est le parrain de ce MIDEM+, figure tutélaire de la musique électronique en France, auteur des mots bleus de Christophe, qui a joué sur la Muraille de Chine, dans la Galerie des Glaces à Versailles et maintenant surtout à Oxyville, son métaverse : Jean-Michel Jarre que nous avons eu la chance de rencontrer hier ici au Palais des Festivals et qui nous raconte pourquoi il n'a pas hésité à apporter son soutien à la renaissance de l'événement cannois. Enfin c'est ce moment du mois, où Antoine Dabrowski fait semblant de s'y connaître en jeux vidéo grâce à la chronique d'Antoine Gailhanou qui nous parle de Portal 2, publié en 2011 par Valve, sur PC, avec une musique de Mike Morasky.
Place des Fêtes de retour à La Villette entre deux trains. Petite pause histoire de reprendre des forces à la Folie L1 avec quelques nouveautés glanées ici et là : le retour de Gossip, une découverte avec Sandra Nicolle, ou le nouvel EP piano-voix d'UssaR. Mais juste après le MIDEM+, on sera de retour à Paris pour un autre événement majeur, l'Hyper Weekend Festival dont la 3ème édition fera transpirer les murs historiques de la Maison de la Radio et de la Musique. Suivez le guide… ___________________________________ USSAR « Podium » SANDRA NICOLLE « Quand j'étais môme » POPPY FUSÉE « It's Over » NACH « Le temps de vivre » GOSSIP « Real Power » TUKAN « 206 (DC Salas remix) »
Première Place des Fêtes de 2024, en direct du Parc de la Villette sur Tsugi Radio. Après la Saint-Sylvestre et nos back to back endiablés, tous disponibles à la réécoute sur nos différentes plateformes, on reprend aujourd'hui le chemin du micro pour un mois de janvier qui ressemblera beaucoup au mois de juillet si l'on en juge par le nombre de festivals. Dans les semaines qui viennent vous nous entendrez au Bise Festival, à Eurosonic, au MIDEM, et à l'Hyper Week-end de Radio France... de quoi combattre avec vigueur le blues du mois de janvier. Une autre bien belle façon de ne pas céder à la déprime c'est de bloquer dans son agenda le 7 février, date de l'Olympia du producteur Molecule. Celui qui nous avait embarqué à bord d'un chalutier en Mer du Nord, sur la banquise du Groënland, sur une planche de surf à Nazaré ou au phare de Tévennec, le tout au son d'une techno dub introspective, nous révèle les premiers émois musicaux qui ont fait de lui le musicien qu'il est : la French Touch et le reggae. Pour RE_201, le space echo utilisé dans le dub, Molecule a passé 15 jours à Kingston avec quelques-unes des grandes voix du reggae, Jah Thomas, Leroy Wallace, Big Youth, Prince Alla, Cédric Myton. Et cette fois-ci c'est le studio d'enregistrement qu'il explore comme auparavant la banquise ou le grand large. Un album au générique duquel on retrouve aussi Étienne de Crécy, DJ Falcon et Boombass. Place des Fêtes, en direct sur tsugiradio.fr et aussi en vidéo sur Twitch et sur Facebook. Avec nos chroniqueurs du jour, Jean Fromageau et ça part en fav', et Nicolas Jalageas, libraire aux Cahiers de Colette venue avec deux livres : « Créatine » de Victor Malzac (Scribes / Gallimard) et le manga « Assasination Classroom » de Yusei Matsui (Kana). MOLECULE « Music feat. Jah Thomas » MOLECULE « Lonely feat. Johnny Clarke » TRICKY "Makes me wanna die" THE BEATLES "Here comes the sun" KID LOCO "A Grand Love Theme" MOLECULE « Joy feat. Big Youth » ÇA PART EN FAV' : elkka « I Just Want To Love You » SHYGIRL « f@k€ feat. Kingdom »
Andrea Dutra é carioca, cantora e compositora, lançou cinco discos solo e vários singles. Desde os anos 80, canta regularmente no circuito profissional do Rio, casas de shows e teatros: brazilian jazz, jazz, samba, mpb e black music. Desde 2001 é integrante do grupo vocal Arranco de Varsóvia , vencedor do Prêmio Tim (da Música Brasileira) de Melhor Grupo de Samba, em 2006. Com o Arranco, tem cinco CDs, e um DVD e muitos shows pelo Brasil. Desde 2016 canta na Orquestra Lunar, ao lado de Áurea Martins. Andrea estudou dança, sapateado e teatro desde criança. Foi professora de balé e sapateado em diversas academias do Rio. Morou e foi à escola em Londres. Foi babysitter em Paris. Trabalhou como tradutora e intérprete. Fez sua formação musical na Pró-Arte, onde estudou canto, piano e teóricas, e fez curso de formação para professores de música. Trabalhou como professora de música em creche, pré-escola e ensino fundamental. Estudou piano com Délia Fischer e Caio Senna, e canto com Cristina Passos e Suely Mesquita. É formada em jornalismo pela UFF. Trabalhou durante 12 anos na imprensa escrita como repórter e subeditora na Coluna da Hilde, no Caderno H e na Revista de Domingo (Globo e Jornal do Brasil). Trabalhou no mercado editorial como revisora de tradução, revisora e tradutora (inglês-português) e, produz textos por encomenda, como o livro comemorativo dos 25 anos da Escola de Verão em Química Medicinal da Lassbio/UFRJ. Foi jurada do concurso Cultura Nota 10, da Secretaria de Cultura do Município do RJ, e parecerista de projetos inscritos em editais da mesma Secretaria. Mantém o blog Avant-dernières pensées há mais de 15 anos, e tem mais de um livro pronto pra publicar. Foi curadora da Editora Multifoco e produziu diversos textos institucionais, além de fazer assessoria de comunicação web para terceiros. De 2010 a 2020 foi residente da única casa internacional de jazz da Lapa, o Triboz, com o Andrea Dutra Quarteto. Foi residente, por cinco anos, da Modern Sound, tendo feito 275 shows por lá. Cantou no Ano do Brasil na França, no Palácio de Versailles, em 2005, e no Midem, a maior feira de música independente do planeta, em Cannes, representando o jazz brasileiro, em 2014. Trabalhou ao lado de Tim Maia, Sandra de Sá, Dona Ivone Lara, Alcione, Moyseis Marques, Emilio Santiago, Teresa Cristina, Chico Alves, Claudio Jorge, Áurea Martins, Martinho da Vila, Nelson Sargento, Casuarina, Grupo Semente e Arlindo Cruz e gravou com Mart'nália, com o baixista norte-americano Marcus Miller, e com Fatima Guedes. A faixa A linha e o linho, de Gilberto Gil, do seu CD O amor de uns tempos pra cá, foi tema de personagem do remake da novela Tititi, em 2010. Em 2017, Andrea estreou trabalho solo totalmente autoral, fez shows de Brazilian jazz em duo com Domingos Teixeira, e apresentou show todo voltado para a obra de Elton Medeiros, ao lado de Rafael Mallmith e João Camarero, no Teatro Café Pequeno, em Belo Horizonte, e na Casa do Choro, em 2018. Em março de 2019, lançou, nas plataformas digitais, o single Reconsidere, pela Mills Records, com produção de Muri Costa e arte de Beá Meira. Realizou o show Agora esse mundo é meu, em homenagem à compositora Fatima Guedes, no Teatro Rival, em 2019 e na Sala Nelson Pereira dos Santos, em janeiro de 2020. Em 2020 lançou os singles Onde a dor vira beleza e Rua da Amargura (Eduardo Calil e Sandor Buys), ambos incluídos em playlists editoriais, na Apple Music e no Spotify, respectivamente. Foi finalista no Festival Toca 2020, com a composição Arrastão Carioca, de sua autoria. Durante a pandemia, estreou o programa de entrevistas Variações sobre o mesmo tema, sobre a profissão de músico e seus novos caminhos. Em setembro de 2020, ingressou no curso Música e negócios, na PUC – Rio de Janeiro. Em 2021 a Mills Records lançou o álbum Black Museu Brasileiro, em que Andrea canta suas composições, ao lado de canções consagradas de artistas da black music brasileira.
Welcome to the episode 21 of "Women In The Music Industry", a podcast that shines a spotlight on the remarkable women who are breaking barriers and making their mark in an industry that has long been dominated by men. Today's episode features my dear sweet friend, International Music Publisher & Songwriting Coach, Suzan Koç! Her career in the music industry started as an intern at Warner Chappell in Paris in 1989 after meeting Nesuhi Ertegun, co-founder of Atlantic Records with his brother, the legendary Ahmet Ertegun. In 7 years she worked her way up to be the Director of International Creative and signed rising Swedish pop group Ace of Base (50 million records sold). In 1996, she moved to New York, where she was VP of Creative for Hit & Run Music (Phil Collins, Genesis) where she met songwriter Shelly Peiken (“What A Girl Wants” (#1), “Bitch (#2)) and landed cuts with Reba McEntire, Brandy, and *NSYNC. She then became the VP of Writer Development at BMG Publishing in 2001. Since 2008 she has mentored songwriters through individual online workshops (see suzankoc.com). Notable alumni include MILCK (whose song “Quiet” was the anthem of the 2017 Women's March and garnered 15 million views in 48 hours). She also teaches music publishing, songwriting, and creativity classes at UCLA Extension and Musician's Institute. If you are enjoying this video series, please rate/review/subscribe/tell everyone about it. Every little bit helps. Instagram: @suzkoc Web: www.suzankoc.com
Jean-Jacques Goldman est la star antistar par excellence. Le chanteur est un mythe, même s'il n'a jamais cherché à l'être. Son dernier album "Un tour ensemble" est sorti en 2003. Ses chansons accompagnent pourtant toujours des millions de foyers. L'artiste, qui fût longtemps la personnalité préférée des Français, est un faiseur de tubes depuis le début. "J'ai eu une sorte de fulgurance" se souvient Monique Le Marcis. La directrice de la programmation musicale de RTL pendant plus de 27 ans est au Midem, à Cannes, au début des années 1980 quand elle le voit sur scène. C'est une révélation.
Abiola Oke is a highly accomplished and esteemed entrepreneur, recognized internationally as a media executive and revered business strategist. Currently, he holds the position of Founder and CEO at Adisa Consultants, a reputable independent business strategy consulting firm. Abiola and his team at Adisa Consultants provide invaluable guidance to companies and entrepreneurs, skillfully navigating the complexities of the ever-evolving business landscape, with a particular focus on the dynamic intersection of entertainment, media, and technology. Additionally, Abiola is a Co-Founder of OkayMedia, a comprehensive international media and entertainment company. With his exceptional leadership, he served as CEO for an impressive duration of 5 years. OkayMedia serves as the parent company for renowned digital media brands such as OkayAfrica, Okayplayer, Okaymusic, and a range of other entertainment subsidiaries, operating across 4 countries. Abiola's tenure at OkayMedia allowed him to forge strategic partnerships with globally recognized brands including Uber, Nike, Disney, Apple, DIAGEO, Samsung, and the NBA, to name just a few. Abiola's expertise extends beyond entrepreneurship, as he is also widely recognized as a captivating speaker and accomplished journalist. He has shared his insights and knowledge through various articles and interviews, delving into the captivating realm where business, media, technology, music, culture, and Africa intersect. Abiola's contributions have been featured in esteemed publications such as CNN, Black Enterprise, Al Jazeera, BBC, and BET, among others. Notably, he has had the opportunity to interview prominent individuals including filmmaker Ryan Coogler, Chiwetel Ejiofor, David Oyelowo, Adepero Oduye, and Rep. John Lewis, showcasing his remarkable communication skills and in-depth industry knowledge. Abiola Oke, an esteemed speaker and leader, has made significant contributions through his participation in esteemed panels and delivery of keynote speeches at prestigious institutions worldwide. He has shared his expertise and insights at renowned universities such as Stanford University, Oxford University, Columbia University, Chicago Booth, Haas School of Business, Haiti TECH Conference, AfroTech, and many other esteemed platforms. In recognition of his influence and accomplishments, Abiola was honored in 2018 as one of the most influential people of African Descent by the UN. He also served as a judge at MIDEM's Artist Accelerator program alongside executives from UTA, Viacom, and other notable organizations. Notably, he was presented with the Amplifier of the Year award at the inaugural AfroBall gala by Congresswoman Karen Bass, further highlighting his outstanding achievements. Beyond his professional pursuits, Abiola demonstrates a deep commitment to activism and humanitarian causes. He has served on various boards, including MoCADA (Museum of Contemporary Diaspora Arts), FACE Africa, Monrovia Football Academy, Global Citizen Live, and NABU.org. Additionally, Abiola generously shares his expertise and mentors students through the Student Sponsor Partners program. Abiola holds a B.A. in Economics with a minor in Black Studies from the City University of New York. In his leisure time, he indulges in his passions as an avid reader, film producer, critic, and music producer. Abiola resides in Manhattan, NY, with his wife Farrah, embracing both his personal and professional pursuits with dedication and enthusiasm. Follow him on Instagram: https://www.instagram.com/abiolaoke/
(Rec. 16th March 2023) Author and host of the Amazon #1 best-selling How to Build a Sustainable Music Career and Collect All Revenue Streams and the book's accompanying podcast of the same name respectively,(which is the #1 Music Business podcast globally, charting on six continents with listeners in 140+ countries), founder of #iVoted Festival and Partner at Collective Entertainment, Emily White's portfolio in music management began at the tender age of 23 and went on to include a stunning roster of path-breaking artists that include the likes of Imogen Heap, The Dresden Dolls and consequent collaborators like Billie Eilish, Trey Anastasio of Phish, Playboi Carti, Jim James of My Morning Jacket, Maggie Rogers, Colin Meloy of The Decemberists, Living Colour, Young the Giant and countless more who have participated in her pathbreaking #iVoted Festival. An in-demand speaker and consultant due to her expertise within the modern music and sports industries, artist development, social media, and beyond, White has been on the cover of Pollstar Magazine with her name also gracing the cover of Billboard magazine. Her work has been additionally profiled in Variety, Fast Company, Forbes, Bloomberg, Rolling Stone, Pitchfork, Alternative Press, Brooklyn Vegan, The Fader, Stereogum, Relix, CNN, Vox, The Huffington Post, ESPN, and more. She is a frequent guest blogger for Hypebot as well as Midem in Cannes, France, where she is a regular speaker. In addition, White has proudly served on the boards of Well-Dunn, Future of Music, CASH Music, SXSW, The David Lynch Foundation Live while additionally serving on The Grammys' Education Committee and Pandora's Artist Advisory Council. She was named to Billboard's 2020 Women in Music Executives of the Year list. In this long-form conversation, we delve deep into the perils of falling prey to social media trends, why artists are entrepreneurs by default, and how physical movement arts and music are potentially powerful partners for a healthy artistpreneur mindset. This episode is brought to you by: www.everynowheremusic.com www.holisticmusicianacademy.com Music & Audio Production by: www.everynowheremusic.com Audio Production: T.L. Mazumdar Episode Notes / Text : www.tlwrites.com Recorded on a Zoom Podtrak P4 kindly sponsored by: https://www.sound-service.eu Connect with Emily: Website: https://www.collectiveentinc.com/ Instagram: https://www.instagram.com/emwizzle/ Twitter: https://twitter.com/emwizzle Facebook: https://www.facebook.com/emwizzle/ LinkedIn: https://www.linkedin.com/in/emily-white-457095110/ Connect with T.L. Artist Website: www.everynowheremusic.com Mentorship & Coaching: www.holisticmusicianacademy.com Piano & Music Lessons: www.holisticpianoacademy.com Content Writing: www.tlwrites.com Instagram: https://www.instagram.com/everynowheremusic/ Spotify: https://spoti.fi/3JxiGmH Facebook: https://www.facebook.com/tlmusician Twitter: https://twitter.com/tlmazumdar
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La music story du jour c'est celle du Midem… Aujourd'hui s'ouvre à Cannes le Midem, marché international de l'édition musicale. Pour faire vite, le marché de la musique. S'y retrouvent des labels et maisons de disques par centaines, des artistes en live, chaque pays venant faire son marché parmi les œuvres, à la découverte de jeunes talents. Et les talents des débuts nous ramènent à loin, notamment la jeune chanteuse qui a marqué la croisette : Diana Ross
Emission spéciale consacrée au Midem 2023, marché international de l'édition musicale, qui se tient à Cannes.
Order my first book here: https://amzn.eu/d/eCfijRuIn this latest episode of Figuring Out Podcast we are in conversation with Priyanka Khimani, founder of Khimani & Associates, a full-service law firm that is highly recognized for its entertainment and intellectual property practice. We talk about- Her life's journey and career- Work life balance- Connecting, convincing and networking with people- Her experience of working with celebrities and more!She has been able to coalesce her legal expertise with her sharp business sense, and in the process, has emerged as an opinion leader with a deeply nuanced understanding of an ever-changing technology and entertainment landscape.Much of her legal career has been devoted to bridging gaps in the consumption of Indian music between the East and the West with a purpose to ultimately connect artists with its global audience.Her counsel is highly regarded in eminent product launches, mergers and acquisitions in the technology and entertainment sector, as well as market entry by foreign multinationals.• Listed as one of India's “top individual lawyers” by Forbes in the first edition of its “India Legal Powerlist” in 2020.• Recognized as one of the most “Powerful Women in IP” in India in 2021 by the World IP Forum.• Elected as the first Chairperson of the India Chapter of “Women in Music” (“WIM”), a global not-for-profit organisation dedicated to championing the female voice across global music spaces.• The only Indian to be invited to speak during the Grammy Week in January, 2018, and is a regular speaker at NylonConnect.• The only Indian lawyer to be invited to the prestigious “MIDEM” conference since 2017.• • •
Tom and Andrew talk about the Music Publishing business. For young musicians and writers how do you protect yourselves? What do you own rights to? Do you get paid for co writing a song? What about cover songs..who makes money? They also discuss Taylor Swift's re-recordings and the amazing value of catalog sales Tom finds another artist who has flown Under the Radar but deserves a listen, Andrew does a "quick take" on the best book on Patti Smith and they both argue over the greatest - Rock Bassist.... who is your pick? They get advice from an expert -Greg Stephens Greg Stephens is a leading practitioner in music and copyright law, and has experience in film, television, animation, Internet and new media matters. Intellectual property protection (trade-mark and copyright), book publishing and fine arts are other areas of interest and experience. Corporate / Commercial work for creative clients and Wills and Estates work rounds out the practice. Greg is a frequent panelist and speaker at workshops and music industry conferences and frequently attends the annual international MIDEM music conference in Cannes, France. Greg has served on the boards of the Songwriters Association of Canada, the Canadian Independent Recording Artists' Association and Toronto Artscape, and has been a part-time professor at the Music Management Program at Durham College. Greg is a former songwriter and professional musician who signed with a Canadian independent record label and then with Capitol Records in the 1980's. He wrote, sang and performed on albums and toured with several well-known pop groups of the time. A Multi Platinum music producer/manager and a music super fan talk music. The focus is both Global and Canadian. Over his 40 yr music career, Tom Treumuth worked as a talent scout for RCA (USA) including working closely with Gene Simmons. His Hypnotic label released over 100 albums via A&M/Universal. Tom also ran a recording studio, did artist management/bookings and he produced over 60 albums with 8 achieving Gold and Platinum awards ( Honeymoon Suite, Helix, Big Sugar). More recently Tom was Co Managing Director of indie label Frostbyte (Universal) . His career started as a musician in True Myth who recorded the world's 1st digital rock album. Co -host Andrew Schalk a chef and a self professed music junkie. Eric Morrison , the producer of the podcast, is a television producer, executive and journalist Artists discussed include: Kaili Kinnon, Patti Smith, Steve Gorman, The Black Crows, Tears for Fears,Justin Bieber, Ed Sheeran, Jagger and Richards, Hendrix, Joe Cocker, Johnny Cash, Nine Inch Nails,Jeff Buckley, Corey Hart, Otis Redding, Aretha Franklin, Soft Sell, Aerosmith, Van Halen, The Kinks,Linda Ronstadt, William Shatner, Pat Boone, Celine Dion, Sid Vicious, The Expensive Winos, Alanis Morisette, Taylor Swift, Neil Young, Bob Dylan, Celine Dion, Max Webster, Geddy Lee, Michael Anthony , Flea, Chris Squires
Tous les mois dans Serge, l'émission, on plonge avec délice dans la chanson en français sans barrière de style ou d'époque. Et si nous avons à cœur de vousfaire découvrir celles et ceux qui seront, on l'espère les stars de demain, comme ce fut le cas avec Yseult, Marie-Flore ou UssaR. On aime aussi retourner dans le passé surtout avec des artistes qui ont traversé les décennies. Notre invitée du jour n'est pas du matin parce qu'elle ne sait pas toujours comment s'habiller. Elle a été révélation féminine du Midem 1967, a travaillé avec Fugain, Maurane, Dave, Montand, Jeane Manson ou Pierre Barouh. Elle a écrit un tube planétaire avec Ready to follow you interprété par la jeune Afro-Américaine, Dana Dawson en 1988. Les Japonais l'adorent, Bertrand Burgalataussi. On entend ses chansons sur les spots de Louis Vuitton, Lolita Lempicka, Bentley, Google et dans quelques BO de film comme la guerre est déclarée de Valérie Donzelli ou Le Serpent. Elle est née en 1948 à Tunis. Allez, je vais arrêter de faire questions pour un champion : elle s'appelle Jacqueline Taïeb.
Ashton Martin, a lyricism, deft arrangements, and pristine songwriting abilities—Ashton Martin puts a brand-new shine on Hip-Hop. Hailed as "One of Florida's most versatile artists on the rise”, Ashton Martin grew up around a variety of genres of music with a close family tie to Hip Hop, Gospel, and R&B-greatly influencing his sound today. Ashton Martin has made many impacts in the music industry while garnering critical acclaim from outlets such as ABC News, Fox News, Voyage Magazine, and Hip Hop Xclusives. Born and raised in Marianna, Florida, a small town in the panhandle—Martin's musical influences were artists like Ace Hood, T-Pain, and Andre 3000 to name a few. Following the lead of such impeccable icons, the young lyricist moved to Atlanta with the goal of impacting the world with his talents. Shortly after the release of one of the artist's most notable albums, "Solid" in 2019, Martin set off on a summer tour hitting the stages in 5 countries, including the largest international festival, Midem. Taking the Independent scene by storm, the multi-award nominated artist has collaborated on songs with bigger industry names such as Gank Gaank and Translee and has opened up for artists including Atlanta's own Money Man. Not only does Martin rock stages and mics, but he has a passion for giving back to the community. In partnership with a nonprofit organization, Arts Service Initiatives of Western New York, Martin hosts community events and has acquired notable financial sponsors such as Sonny's BBQ and Planet Fitness. Since launching his own music group, Ashton Martin Entertainment, Martin has accomplished many of his career goals. He has released over 7 projects that has over 31,000 views on YouTube, and Martin makes it evident he has no plans of slowing down. Reach out to Ashton via his website www.ashtonmartin.info instagram.com/itsashtonmartin Facebook.com/itsashtonmartin twitter.com/itsashtonmartin
Mickey ZhangMickey Zhang(张然)是中国电子舞曲⽂化的领军人物。在将近20年的⾳乐生涯中， Mickey不仅仅以DJ、制作人、派对活动主办方的身份推动着中国电音文化的发展，他更像是中国乃⾄亚洲的电⾳⼤使，是最被国际认可的亚洲电⼦音乐人之一。来⾃宁夏的Mickey出身于艺术世家，从⼩就深受中国古典⾳乐、舞蹈和戏曲的熏陶，11 岁时便考⼊北京舞蹈学院。结束6年的深造后，Mickey被分配到⼴东⼯作，凭借那里临近⾹港的地理优势，第⼀次为电子舞曲的魅力所撼动。在观看了Technasia的现场之后， Mickey决定搬到北京，全⼼投⼊音乐事业。第⼀个在柏林传奇俱乐部Tresor演出，第⼀个登上ADE(阿姆斯特丹电子音乐节)、⻄班牙Sonar(享誉全球的前卫艺术、科技及音乐节)、法国MIDEM(法国戛纳国际音乐博览会)，以及Wire(⽇本最⼤的室内 Techno音乐节)等国际顶级⾳乐节，第⼀个在国内发⾏原创电子乐专辑——Mickey创造了中国电⼦乐发展史上的许多个第一。他还曾与Laurent Garnier、Ken Ishii、⽯野卓球、Technasia等国际级DJ同台献艺，在不断与众多电子⾳乐高⼿的切磋中磨砺出猛烈纯粹的Tehcno风格，并逐步确⽴起他在中国电⾳界的领军地位。2004年，Mickey参与成立「凹凸⽂化」，推出了派对活动品牌「焱- YEN」。为了推动中国电子⾳乐文化的发展，「焱-YEN」更⻘睐于冉升起的本⼟明 星，⽽不是为了短期票房去盲目追求国外艺人。历经三年，「焱-YEN」已成为代表中国电子音乐的国际知名Party品牌，吸引和培养了大量的电子⾳乐从业者和爱好者。不仅如此，Mickey还将⾃己对电子音乐的热爱延伸⾄其他诸多领域。他的作品China和 Good evening Beijing被娄烨选中，作为配乐分别呈现在电影《春⻛沉醉的夜晚》(第 62届戛纳电影节最佳编剧奖)和《浮城谜事》之中。他还与哥哥张巍组建WHAI(坏)乐队，尝试催化电子节拍与中国古典乐器之间的化学反应;还曾担任汽⻋广告⽚、Burning Man Promotion Video (中国版)、上海时装周等项目的音乐总监;为叶明子的Listen to Your Heart(由小室哲哉谱曲)、Ken Ishii 的The Axe Murderer、华⼈乐坛⼀哥陈奕迅 《娱乐天空》制作Remix;参与ADE、加拿大⾳乐周、IMS亚太峰会等音乐论坛与交流项⽬;受邀担任2017年迷笛电子⾳乐节总导演......Mickey下⼀步将迈向哪里?让我们拭目以待。Mickey Zhang (Zhang Ran) is a godfather of Chinese dance music. His massive 20 year career spans DJing, producing, sound tracking, and numerous album releases. Taken together, he has become an ambassador for China's burgeoning electronic music scene.So where did he come from? Well, most people outside of China wouldn't know the inland Chinese province of Ningxia, but that's where young Mickey was grew up. His artistic family ( = classical music, opera, and dance) was the ideal launch pad into the Beijing Dance Academy at age 11. A dance background may not be the norm for electronic music producers, but if you think about it, it makes perfect sense for China's premier dance music DJ.As his career took off, Mickey went on to set many “firsts” in China's growing electronic music scene: the 1st Chinese artist to perform at Berlin's legendary Tresor club, the first to play at Sonar in Spain, MIDEM in Cannes, Wire in Japan; and the first to release an original electronic album in China itself. He also has a myriad of international collaborations under his belt – including Laurent Garnier, Ken Ishii, Ishino, and Technasia (to name but a few).Mickey has also played a key role in the wider electronic music industry in China. Back in 2004, he co-founded 02 Culture the company behind China's massive electronic party brand YEN. Mickey helped push YEN to support domestic music talent, rather than following others to slavishly chase after foreign DJs for the sake of a bit of ticket revenue. After just three years, it was clear that the strategy paid off – YEN was established as a leading player in the Asian electronic music scene and the hub for electronic music in China.
Mickey ZhangMickey Zhang(张然)是中国电子舞曲⽂化的领军人物。在将近20年的⾳乐生涯中， Mickey不仅仅以DJ、制作人、派对活动主办方的身份推动着中国电音文化的发展，他更像是中国乃⾄亚洲的电⾳⼤使，是最被国际认可的亚洲电⼦音乐人之一。来⾃宁夏的Mickey出身于艺术世家，从⼩就深受中国古典⾳乐、舞蹈和戏曲的熏陶，11 岁时便考⼊北京舞蹈学院。结束6年的深造后，Mickey被分配到⼴东⼯作，凭借那里临近⾹港的地理优势，第⼀次为电子舞曲的魅力所撼动。在观看了Technasia的现场之后， Mickey决定搬到北京，全⼼投⼊音乐事业。第⼀个在柏林传奇俱乐部Tresor演出，第⼀个登上ADE(阿姆斯特丹电子音乐节)、⻄班牙Sonar(享誉全球的前卫艺术、科技及音乐节)、法国MIDEM(法国戛纳国际音乐博览会)，以及Wire(⽇本最⼤的室内 Techno音乐节)等国际顶级⾳乐节，第⼀个在国内发⾏原创电子乐专辑——Mickey创造了中国电⼦乐发展史上的许多个第一。他还曾与Laurent Garnier、Ken Ishii、⽯野卓球、Technasia等国际级DJ同台献艺，在不断与众多电子⾳乐高⼿的切磋中磨砺出猛烈纯粹的Tehcno风格，并逐步确⽴起他在中国电⾳界的领军地位。2004年，Mickey参与成立「凹凸⽂化」，推出了派对活动品牌「焱- YEN」。为了推动中国电子⾳乐文化的发展，「焱-YEN」更⻘睐于冉升起的本⼟明 星，⽽不是为了短期票房去盲目追求国外艺人。历经三年，「焱-YEN」已成为代表中国电子音乐的国际知名Party品牌，吸引和培养了大量的电子⾳乐从业者和爱好者。不仅如此，Mickey还将⾃己对电子音乐的热爱延伸⾄其他诸多领域。他的作品China和 Good evening Beijing被娄烨选中，作为配乐分别呈现在电影《春⻛沉醉的夜晚》(第 62届戛纳电影节最佳编剧奖)和《浮城谜事》之中。他还与哥哥张巍组建WHAI(坏)乐队，尝试催化电子节拍与中国古典乐器之间的化学反应;还曾担任汽⻋广告⽚、Burning Man Promotion Video (中国版)、上海时装周等项目的音乐总监;为叶明子的Listen to Your Heart(由小室哲哉谱曲)、Ken Ishii 的The Axe Murderer、华⼈乐坛⼀哥陈奕迅 《娱乐天空》制作Remix;参与ADE、加拿大⾳乐周、IMS亚太峰会等音乐论坛与交流项⽬;受邀担任2017年迷笛电子⾳乐节总导演......Mickey下⼀步将迈向哪里?让我们拭目以待。Mickey Zhang (Zhang Ran) is a godfather of Chinese dance music. His massive 20 year career spans DJing, producing, sound tracking, and numerous album releases. Taken together, he has become an ambassador for China's burgeoning electronic music scene.So where did he come from? Well, most people outside of China wouldn't know the inland Chinese province of Ningxia, but that's where young Mickey was grew up. His artistic family ( = classical music, opera, and dance) was the ideal launch pad into the Beijing Dance Academy at age 11. A dance background may not be the norm for electronic music producers, but if you think about it, it makes perfect sense for China's premier dance music DJ.As his career took off, Mickey went on to set many “firsts” in China's growing electronic music scene: the 1st Chinese artist to perform at Berlin's legendary Tresor club, the first to play at Sonar in Spain, MIDEM in Cannes, Wire in Japan; and the first to release an original electronic album in China itself. He also has a myriad of international collaborations under his belt – including Laurent Garnier, Ken Ishii, Ishino, and Technasia (to name but a few).Mickey has also played a key role in the wider electronic music industry in China. Back in 2004, he co-founded 02 Culture the company behind China's massive electronic party brand YEN. Mickey helped push YEN to support domestic music talent, rather than following others to slavishly chase after foreign DJs for the sake of a bit of ticket revenue. After just three years, it was clear that the strategy paid off – YEN was established as a leading player in the Asian electronic music scene and the hub for electronic music in China.
Welchen Einfluss hatten rechtspopulistische Parteien auf die Diskurse, Politisierung und Polarisierung in Zeiten der Corona-Pandemie? Dies untersuchte die MIDEM-Jahresstudie 2021 ‚Corona und Rechtspopulismus‘ in vergleichender Weise in zwölf europäischen Ländern. Denn Krisenzeiten sind die Stunde der Populisten, dies zeigte die Migrationskrise. Doch sind Rechtspopulisten auch Profiteure der Corona-Pandemie? Die Ergebnisse der MIDEM-Studie zeichnen ein uneinheitliches Bild. Diese Episode stellt das methodische Design unserer Untersuchung vor und beleuchtet die Ergebnisse für Deutschland und Sachsen im Detail. Im Gespräch mit den MIDEM-Forschern Steven Schäller und Ender Yilmazel diskutiert MIDEM-Direktor Prof. Hans Vorländer, welche Rolle das Thema Migration in der Corona-Debatte spielte, warum populistische Parteien in Regierungsverantwortung sachlicher kommunizieren als in der Opposition und wieso die AfD einen Kurswechsel vom Plädoyer für einen starken Staat zur vermeintlichen Verfechterin bürgerlicher Freiheiten vollzog. Denn die Jahresstudie 2021 ergibt: Corona war kein Gewinnerthema für die AfD. Dennoch zeigen die Ergebnisse der Bundestagswahl 2021, dass sie unter der Pandemie nicht wirklich gelitten und ihr Wahlergebnis gehalten hat.
Have you ever wanted to be an influencer online? Of course you have. Who wouldn't want to get paid just to live your life, post some things and have brands send you money. Sounds like a great side hustle but it's not easy. This is the world Antony Demekhin lives in and has a focus on music rights for the creator space.Antony is also a classically trained musician, entertainment marketer, entrepreneur, hip-hop head and tech junkie.He spent more than a decade in advertising and entertainment marketing, working with some of America's biggest ad agencies and creating award-winning marketing campaigns for Coca-Cola, Procter & Gamble, Pfizer Consumer Health (Thermacare, Advil, Robitussin), American Express and Nintendo. In 2017, he partnered with Grammy-nominated producer Filip Mitrovic to launch Ear Candy Shop, a music production boutique aimed at providing genuine, inspired soundtracks for advertising, television & film. In 2020, after seeing the demand for high volume low cost music options skyrocket, Filip and he partnered with our tech co-founder Maciej Kurek to build Library X, a self-generating smart music library which combines human musicianship with artificial intelligence to create great sounding music at scale. Antony still consults as a tech and music marketing specialist, advising innovative early-stage companies and established brands on how to leverage music and culture to create meaningful connections with consumers. For fun he has been a speaker and jury member at industry events including Digital Music Week, Cannes Lions, Dubai Lynx, Midem and CMJ Marathon. Join us today to lear nore about the intersection of music, crypto, blockchain technology and the revolution of NFT's on the creator space.Support the show (https://paypal.me/sidehustlecity)
本集特別邀請我的粉絲，愛餅社團的會長 、副會長，愛上台與Duncan！連線來聊聊當初是如何開始的？怎麼能成為像朋友一樣的粉絲～ 2022/1/22(Sat) 18TC DJ Cookie (Sony Music) #歡迎加入Line官方好友！ #不定期提供會員專屬限量好康優惠 當代電音女力代表 DJ COOKIE 以優質的電子音樂與混音技巧聞名，並深受各界國際肯定，從「亞洲前五十大熱門女 DJ DJANEMAG SEA TOP 50」的亞軍後座，到官方邀請前往法國坎城參與「全歐最大唱片展2018 Midem」節慶宮演出，到「2019 台北最 HIGH 新年城跨年演唱會」指定演出DJ創下高收視率，完美跨足品牌活動，商業廣告拍攝，和各大電子音樂季和派對，亞洲多項重要演出活動，皆指定 DJ COOKIE！ 當日暢飲票價: #女生整晚免費入場暢飲 #男生500入場暢飲 暢飲包廂一律2000 (#皆不限人數） #2230前訂包廂即贈野格蹦及LemonDrop各一壺 RSVP：0932 674 483 2300-1230 @dj_anchor_ 1230-0130 @djlynnetw+ @chen_anns 0130-0230 @ilovedjcookie 0230-0330 @dj_rao 0330-0400 @djalex36 防疫入場須知： �入場請配掛口罩、量測體溫、掃描實名制QR CODE、手部酒精消毒 �需接種過最少一劑疫苗且超過14天以上 F疫苗接種紀錄卡(小黃卡)實體證件或電子檔/或出示健保快易通App 並且攜帶實體身分證件核對資料 (純出示健保卡上貼紙是不行的喔!!!) FMTaiwan 原創節目 喜歡請五星評分與留言
Karim Kanji and Gregg Tilston welcome to the podcast, Bad Skin! 4 girls not afraid to kick ass and deliver a phenomenal performance each time they set foot on stage! They love to take every opportunity to show the world what they are capable of! They played a lot of shows and festivals in Quebec: Music 4 Cancer, Pop Montreal, Pouzza Fest, 77 Festival, Rockfest pour la santé mentale, Le Phoque Off and many more! Throughout the festivals they met and spend time with their main inspiration, the members of L7 and last summer they went on an adventure, the biggest convention in the world at Cannes for MIDEM. It all started with Dope, (signer/ rhythm guitarist) from Laval. Since birth she knew she would leave her mark on the world. Everywhere she goes people always remember her phenomenal energy, no one even knows when she sleeps! In late 2016 she wanted to start a crazy all girl Punk/Rock Band and quickly found her accomplices! With some flyers and posters, she eventually met Caro (lead guitarist) and automatically knew it was a match in heaven… hell they have the same brain! Afterwards, thanks to Facebook she found the sweet, adorable and very smart Aurély (bassist) and the final missing piece, that pop red cherry on a Sunday, the beast, Christine (drums). With passion and dedication, they had one mission in mind, speak for the voiceless! They connect with their fans in the most incredible way and they help them raise awareness on daily injustices through their songs. Soon enough they were signed by Dance Plant Records who is helping and mentoring them along the way to be the best version of themselves and take off on that unbelievable journey…. which is just starting!
What IMDB has done for the movie industry is what Vibrate is doing for the music business. How popular are you as an artist? Are your followers a good reflection on your success, or even your visibility? Is your album or touring success an accurate barometer of where your career is at? Vibrate helps with the analytics of it all. It provides the data to show you that a slightly lower fan base isn't such a bad thing if their engagement in your musical path is higher. Vasja Vebar who is the creator and co-found of Vibrate is an experienced music business professional with a background in marketing. After earning his Master's degree in economics, he co-founded a digital marketing agency and earned a senior partnership in an event management company. Knowing his way around brands and events led him into the music industry. He co-founded a music management company, taking over all business aspects of a famous DJ's career and his music label as well as a start-up called Viberate.com, a live music marketplace. He regularly speaks at industry events such as WMC, Midem and LMC. The Business Side of Music ™ Lotta Dogs Productions LLC Co-Produced and Hosted (by the guy who has a face for podcasting): Bob Bender Co-Producer, Creator, and Technical Advisor (the man behind the curtain): Tom Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Audio/Video Editor Mark Sabella Midnight Express Studio Olian, NY Marketing and Social Media: Kaitlin Fritts Executive Assistant to Bob and Tom (the one who keeps us on track and our schedules straight) Tammy Kowalski All Around Problem Solver: Connie Ribas Recorded at: The Bunker in Franklin, TN (except during the Covid 19 pandemic, then it's pretty much done VIA Skype or over the phone, with the exception for those fearless enough to come to Bob Bender's living room… and there are a few). Mixed and Mastered at Music Dog Studios in Nashville, TN Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to Tom Sabella and Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast, and trusting us to carry on their legacy. Website: Sponsorship information Interview submission
Water Towers, Global Travels & Overcoming Addiction Feat. Kenny FeinsteinIn this episode Durell is joined by singer, songwriter, music teacher, and the front-man of the folk band called Water Tower Kenny Feinstein. Durell and Kenny begin the episode talking about him being the driving force behind the band. Kenny shares that he's originally from Northern California but spent his early years overseas due to his dad being an executive in international business. Kenny shares that he came back to the states to finish off high school in Portland, Oregon. Durell and Kenny talk about his earliest memories of music and he distinctly remembers being him crawling into his brother's room and finding a cassette tape of Paula Abdul in the trash can and putting it into the cassette player and loving her music.Durell and Kenny talk about the ability to see other parts of the world and the opportunity to visit places and how that really makes a difference. Durell shares that he's been to six different countries and that attending the Midem conference is what helped to create these great opportunities to see the world through music. Kenny shares that he has booked 7 UK tours but he remembers booking the first one on Myspace in 2009 and how that not only got his fans excited in the states but really helped to create the building blocks of establishing a worldwide fanbase. Durell talks about creatives being able to understand that the journey to success takes time and that comparing themselves to other people's experiences will ultimately cause you as an artist to go crazy. Durell shares that the main goal for indie creatives should be to find their tribe and serve them.Kenny shares that early on when he first started his band (originally called the Water Tower Bucket Boys) he thought that he had to follow and emulate his musical heroes and that started him down a path of battling with addiction and now that he is headed down a path of sobriety he only wants to put clean water into the bucket and this has been the driving force behind his rebrand. Durell says that when indie creatives begin to chase fame there's no metric to quantify it and fame is something that is always fleeting. Durell and Kenny talk about how most people need to be ready for success and often times aren't. Kenny and Durell talk about the reason he left Portland was because of how much it rained there. One of the ways he funded his move to Los Angeles was to hone his craft by playing for tips in the early morning traffic. Durell says that everyone's story is different and finding what works is what really matters. Durell and Kenny talk about his experiences as a music teacher and also playing as a hired gun for other people as what brings him joy to be able to do what he loves. Durell shares that he loves to share knowledge and the opportunity to make a difference can never be taken lightly. Kenny shares about his experiences producing for several incredible gifted artists like Tim Armstrong, Coffey Anderson, Mondo Cozmo. He has also had the opportunity to work on some great projects for Disney, Sesame Street as well as teaching at the School Of Rock and being featured on Netflix. Durell and Kenny speak about how his global travels around the world have intertwined directly with his songwriting which came to show with a song called “Fromage” which was inspired by a trip he took to Paris. He shares that music is a reflection of what is going on around him and he loves to channel that energy into his songwriting.Durell and Kenny end the episode talking about the origin and history of his band Water Tower. He said when he first started the band it was about having fun and then by the time he was 21 years old touring the world he knew he wasn't ready for that kind of success personally. He talks about signing with an indie label in Portland in 2013 and it took the band 7 years to put out their album called “Fly Around” and all of the experiences up until now have shaped the way he looks at the journey. For More Information On Kenny and his band Water Tower, please visit their website:https://www.watertowerband.com/
Water Towers, Global Travels & Overcoming Addiction Feat. Kenny FeinsteinIn this episode Durell is joined by singer, songwriter, music teacher, and the front-man of the folk band called Water Tower Kenny Feinstein. Durell and Kenny begin the episode talking about him being the driving force behind the band. Kenny shares that he's originally from Northern California but spent his early years overseas due to his dad being an executive in international business. Kenny shares that he came back to the states to finish off high school in Portland, Oregon. Durell and Kenny talk about his earliest memories of music and he distinctly remembers being him crawling into his brother's room and finding a cassette tape of Paula Abdul in the trash can and putting it into the cassette player and loving her music.Durell and Kenny talk about the ability to see other parts of the world and the opportunity to visit places and how that really makes a difference. Durell shares that he's been to six different countries and that attending the Midem conference is what helped to create these great opportunities to see the world through music. Kenny shares that he has booked 7 UK tours but he remembers booking the first one on Myspace in 2009 and how that not only got his fans excited in the states but really helped to create the building blocks of establishing a worldwide fanbase. Durell talks about creatives being able to understand that the journey to success takes time and that comparing themselves to other people's experiences will ultimately cause you as an artist to go crazy. Durell shares that the main goal for indie creatives should be to find their tribe and serve them.Kenny shares that early on when he first started his band (originally called the Water Tower Bucket Boys) he thought that he had to follow and emulate his musical heroes and that started him down a path of battling with addiction and now that he is headed down a path of sobriety he only wants to put clean water into the bucket and this has been the driving force behind his rebrand. Durell says that when indie creatives begin to chase fame there's no metric to quantify it and fame is something that is always fleeting. Durell and Kenny talk about how most people need to be ready for success and often times aren't. Kenny and Durell talk about the reason he left Portland was because of how much it rained there. One of the ways he funded his move to Los Angeles was to hone his craft by playing for tips in the early morning traffic. Durell says that everyone's story is different and finding what works is what really matters. Durell and Kenny talk about his experiences as a music teacher and also playing as a hired gun for other people as what brings him joy to be able to do what he loves. Durell shares that he loves to share knowledge and the opportunity to make a difference can never be taken lightly. Kenny shares about his experiences producing for several incredible gifted artists like Tim Armstrong, Coffey Anderson, Mondo Cozmo. He has also had the opportunity to work on some great projects for Disney, Sesame Street as well as teaching at the School Of Rock and being featured on Netflix. Durell and Kenny speak about how his global travels around the world have intertwined directly with his songwriting which came to show with a song called “Fromage” which was inspired by a trip he took to Paris. He shares that music is a reflection of what is going on around him and he loves to channel that energy into his songwriting.Durell and Kenny end the episode talking about the origin and history of his band Water Tower. He said when he first started the band it was about having fun and then by the time he was 21 years old touring the world he knew he wasn't ready for that kind of success personally. He talks about signing with an indie label in Portland in 2013 and it took the band 7 years to put out their album called “Fly Around” and all of the experiences up until now have shaped the way he looks at the journey. For More Information On Kenny and his band Water Tower, please visit their website:https://www.watertowerband.com/
WISCONSIN MUSIC PODCAST Season 2, Episode 46 Emily White Author and Podcast host of: How to Build a Sustainable Music Career and Collect All Revenue Streams This week we have the author of the book and podcast under the same name titled: How to Build a Sustainable Music Career and Collect All Revenue Streams Emily White is a Partner at Collective Entertainment and the Founder of #iVoted Festival. She is the author of the #1 Amazon best-selling How to Build a Sustainable Music Career and Collect All Revenue Streams and the Host of the book's accompanying podcast of the same name. The podcast is the #1 Music Business podcast in America and has charted on six continents with listeners in 115+ countries. After witnessing slim margins in the 2016 U.S. Election, White was inspired to get out the vote. The result was a new initiative called #iVoted in which over 150 venues in 37 states let fans in on election night 2018, who showed a selfie from outside of their polling place. The movement pivoted in 2020 due to the pandemic and created the largest digital concert in history, which took place on election night 2020. Over 450 artists participated in #iVoted Festival 2020, all booked per the data of the top streaming artists in key swing states whose margins are often decided by the size of a concert venue. Artists including Billie Eilish, Trey Anastasio of Phish, Playboi Carti, Jim James of My Morning Jacket, Maggie Rogers, Colin Meloy of The Decemberists, Living Colour, Young the Giant and countless more have participated in #iVoted Festival. The #iVoted team quickly followed up by creating #iVoted Festival Georgia for the 2021 special elections that determined control of the U.S. Senate. #iVoted is currently building #iVoted Festival 2022 for The United States' next national Election Day - November 8th, 2022. White is an in-demand speaker and consultant due to her expertise within the modern music and sports industries, artist development, social media, and beyond. In the media, White has been on the cover of Pollstar Magazine with her name additionally gracing the cover of Billboard magazine. Her work has been additionally profiled in Variety, Fast Company, Forbes, Bloomberg, Rolling Stone, Pitchfork, Alternative Press, Brooklyn Vegan, The Fader, Stereogum, Relix, CNN, Vox, The Huffington Post, ESPN, and more. She is a frequent guest blogger for Hypebot as well as Midem in Cannes, France where she is a regular speaker. In addition, White has proudly served on the boards of Well-Dunn, Future of Music, CASH Music, SXSW, The David Lynch Foundation Live while additionally serving on The Grammys' Education Committee and Pandora's Artist Advisory Council. She was named to Billboard's 2020 Women in Music Executives of the Year list. White's career spans the entertainment industry, carving out a unique path that defines a modern maven. White began her journey at Northeastern University in Boston, with experiences at Powderfinger Promotions, WBCN-FM, Q Division and Skope Magazine. Upon seeing The Dresden Dolls play on campus, White introduced herself to front-woman Amanda Palmer, quickly integrating into a core member of the band's team. White and The Dresden Dolls grew up professionally together beginning at SXSW and continuing through White's graduation day, in which she did graduate, but didn't walk due to the band kicking off a three continent tour with Nine Inch Nails at Coachella. Prior to graduating, White completed work with Boston's legendary promoter, Don Law Company, while working deep within the local music scene before becoming a world-class tour manager. An internship at MTV / VH1 UK solidified White's early love for international business and view of a modern, global economy. Retiring from tour managing at age 23, including runs with Imogen Heap and festivals ranging from Glastonbury to Fuji Rock, White accepted a position at Madison House Inc. in New York working with artists such as The Fiery Furnaces, Dinosaur Jr., The Secret Machines, Angelique Kidjo, and Taj Mahal, as well as members of The String Cheese Incident and Drive-By Truckers. White wrote a pre-Radiohead In Rainbows “name your own price” distribution model that was passed along to iconic producer Bob Ezrin in 2007. A job offer at Michael Cohl's Live Nation Artists followed with White project managing Zac Brown Band's debut release when he was signed along with Madonna, U2 and Jay-Z. In 2008, White launched Whitesmith Entertainment with Keri Smith to oversee the careers of musicians and comedians such as Brendan Benson of The Raconteurs, Margaret Cho, The Hush Sound, Amanda Palmer, Eric Burdon, Family of the Year, Hockey, The Autumn Defense, Fox Stevenson and W. Kamau Bell. Whitesmith additionally successfully consulted on Jay Mohr's goal of being nominated for Comedy Album of the Year at the 2016 Grammys. White is a former Division I scholarship swimmer, who is the daughter and granddaughter of award winning swim coaches. Following the 2012 Olympic games White launched a sports management division with inaugural client Anthony Ervin, an Olympic gold medalist known as the “rock star” of Olympic swimming. In 2016, White signed head U.S. Olympic Women's Swim Coach David Marsh and Olympic gold medalist Kaitlin Sandeno, expanding the sports' division further. White additionally works with the world's leading expert in sports and politics, Dave Zirin. And began working with Japanese-American triplet and two-time Olympian Jay Litherland following his silver medal performance at the Tokyo 202(1) Olympics. In 2017 White released her debut book, Interning 101; a how-to guide for interns in modern business. The book is based on the “intern manifesto” handbook created by White and is published by 9GiantStepsBooks. How to Build a Sustainable Music Career & Collect All Revenue Streams is White's second book. It is a #1 Amazon best-seller and a course book at countless universities. In 2019, White became an adjunct instructor at New York University's Clive Davis Institute of Recorded Music within NYU's Tisch School of The Arts. In 2021, How to Build a Sustainable Music Career and Collect All Revenue Streams launched as a podcast. White brings her best-selling book to life by interviewing hand-picked guests whom she considers experts on each chapter or even the entire book. Guests include Justin Vernon of Bon Iver, Imogen Heap, Kam Franklin of The Suffers, Warped Tour Founder Kevin Lyman, Songtrust President Molly Neuman, CAA's Akin Aliu, Zoë Keating, Ariel Hyatt, Artivist Steff Reed, Patrick Sansone of Wilco and The Autumn Defense, Donald S. Passman, Bandcamp Founder Ethan Diamond, Terrorbird's Lauren Ross, Symphonic GM Nick Gordon, #iVoted CMO and Co-Founding Collecting Entertainment Partner Melissa Garcia, Mandolin CEO Mary Kay Huse, Artist Nikki Hill, ASCAP's Loretta Muñoz, and more. White is thrilled to have Co-Founded Collective Entertainment with longtime colleague Melissa Garcia. Collective Entertainment houses all of White's entrepreneurial work and beyond. Website: https://www.collectiveentinc.com/emily-white Facebook: https://www.facebook.com/Collective-Entertainment-532081957157605 Twitter: http://twitter.com/CollectiveEnt_ iVote: http://ivotedfestival.com/news Podcast: https://anchor.fm/sustainablemusiccareer ---------------------------------------------------------- ---------------------------------------------------------- Wisconsin Music Podcast is: Created, hosted, mixed, mastered, and edited by: Zach T Fell of ZTF Studio (www.ztfStudio.com) Sponsored by: Diamond Dave Photography ZTF Studio Podcast Theme Music created by: Nate Wycoff of Frequency Farm Recording Studio Podcast Voice Over performed by: Dean Bundy Syndicated on: cwHipHop.com – Wisconsin's online Hip Hop radio station
Find out more on our website: https://bit.ly/3qC3nQ8 In this webinar, Jeremy Silver, CEO of Digital Catapult - the UK's authority on advanced digital technologies - discusses how innovation in the UK needs to evolve for the 21st century. What impact has covid-19 had on speeding up innovation and adoption of cutting edge technologies like virtual and augmented reality, 5G, the internet of things, and artificial intelligence? How will these technologies combine in the future to affect dramatic change and further development and investment in the UK economy. Speaker: Jeremy Silver is an entrepreneur, author and angel investor. He is a Trustee of the British Library and a member of the UK Creative Industries Council. Jeremy sits on the boards of HammerheadVR Ltd, Imaginarium Studios Ltd and FeedForward.AI. He was previously Executive Chairman of Semetric (acquired by Apple), Founder CEO of Featured Artists Coalition (FAC), a strategic advisor to Shazam (acquired by Apple), and CEO of Sibelius Software (acquired by Avid). Jeremy was Worldwide Vice-President of New Media for EMI Group in Los Angeles and Head of Media at Virgin Records where he worked with Genesis, Massive Attack, Brian Eno and Bryan Ferry, among others. His book “Digital Medieval” is a history of the music industry online. He has spoken at TEDx Houses of Parliament, the CBI, SXSW and Midem among many trade events. He is an Industry Fellow at the University of Glasgow.
Episode Title: Veteran Eye The Chief DIYIn this episode Durell is joined by indie hip-hop creative and entrepreneur Veteran Eye. Durell and Veteran Eye start off the episode talking about his early introduction to music and being heavily influenced by New York hip hop culture even though his origin is from the south in Greensboro, North Carolina. Veteran Eye talks about although being true to the culture, it's still hard to not get caught into the trap of trying to keep up with the mainstream to achieve success. He also talks about the journey ,the grind and early days of paying the dues along the way. The journey is where the real success lies. He also talks about the early days in his journey chasing a record deal in the early 2000's. Veteran is always conscious about how to stay true to his self expression, while still having a career that's viable that can bring in income and develop a solid brand as an indie creative.Veteran Eye talks about how he found out about the Midem conference in Cannes France and how that played a major role in him being able to stay independent by being able to do business deals on an international level without the need of a major record label. He also talks about his ability to wear multiple hats between being the creative and executive in being able to provide opportunities to other creatives and music business entrepreneurs. Durell and Veteran Eye end the episode by talking about the importance for indie creatives to have an understanding of copyrights work, the ability to use merch and VIP experiences to generate income that allow creatives to have a career doing things their way without having to sacrifice personal and professional integrity.For more information on Veteran Eye please visit his website:https://chiefdiy.com/
Episode Title: Veteran Eye The Chief DIYIn this episode Durell is joined by indie hip-hop creative and entrepreneur Veteran Eye. Durell and Veteran Eye start off the episode talking about his early introduction to music and being heavily influenced by New York hip hop culture even though his origin is from the south in Greensboro, North Carolina. Veteran Eye talks about although being true to the culture, it's still hard to not get caught into the trap of trying to keep up with the mainstream to achieve success. He also talks about the journey ,the grind and early days of paying the dues along the way. The journey is where the real success lies. He also talks about the early days in his journey chasing a record deal in the early 2000's. Veteran is always conscious about how to stay true to his self expression, while still having a career that's viable that can bring in income and develop a solid brand as an indie creative.Veteran Eye talks about how he found out about the Midem conference in Cannes France and how that played a major role in him being able to stay independent by being able to do business deals on an international level without the need of a major record label. He also talks about his ability to wear multiple hats between being the creative and executive in being able to provide opportunities to other creatives and music business entrepreneurs. Durell and Veteran Eye end the episode by talking about the importance for indie creatives to have an understanding of copyrights work, the ability to use merch and VIP experiences to generate income that allow creatives to have a career doing things their way without having to sacrifice personal and professional integrity.For more information on Veteran Eye please visit his website:https://chiefdiy.com/
In honor of Mark Rothko’s Latvian heritage, Latvian jazz ensemble the Māris Briežkalns Quintet commissioned ten Latvian composers to each create an original jazz composition, arranged and performed by the Quintet. Each composition is created to illustrate the moods and atmosphere evoked by an iconic Rothko painting selected by the composer. This program is underwritten by Peter Ragauss. Performers include Māris Briežkalns – drums, band leader; Viktors Ritovs – piano, keys; Raimonds Macats – harmonica, cello, keys; Kristaps Lubovs – saxophone; and Andris Grunte - double bass Māris Briežkalns Quintet (MBQ) is one of the leading acoustic mainstream bands on the Latvian jazz scene, stretching special accents on pop, jazz, and Latin jazz. MBQ has performed on several international stages, including MIDEM, Pori Jazz, London Jazz Festival, Ottawa Jazz, Jazz at Castle in Prague, Venice Jazz Festival, Blue Note Jazz Club in New York, and Tokyo Jazz Fest. MBQ’s project Latvian Evergreens has two volumes, showcasing Latvian classical and pop music in versatile jazz arrangements. Māris Briežkalns Quintet released five albums: Felix Jazz, Latvian Evergreens Vol 1, Jazz At Castle, Latvian Evergreens Vol 2, and Rothko In Jazz. Māris Briežkalns, the leader of the quintet, is a drummer and producer. Among other things, he is the Head of Latvian Radio Recording Studios Department, was the Artistic Director of Latvian Radio Big Band for several years and has participated in the recording of over 70 music albums, has hosted workshops in Norway, Germany, Great Britain. He runs the Contemporary Music Centre and produces the "Rigas Ritmi Festival” and the International Jazz Artists Competition “Riga Jazz Stage”. Māris Briežkalns has been nominated for and received many awards, including the highest Latvian state honor, The Order of the Three Stars.
How does a record label, or distribution platform work these days, especially in such parts of the world where the technology opportunities are quite different than in the United States or Europe? Is there a demand in other continents deemed worthy of creating outlets for artists to provide music on? Diego Farias who is the CEO and co-founder of the record label and music distributor Amuse, explains how in this music climate they provide that platform, along with other features, affording almost every artist the opportunity to succeed in this ever-changing and challenging industry. Amuse has been named one of Fast Company's Most Innovative Companies and one of Europe's hottest startups by WIRED UK. As its creator, Diego spends his days bringing new perspectives to the music industry. Prior to Amuse, Diego was a part of Warner Music Sweden, taking the company to fully embracing music streaming. In 2017 he co-founded Amuse to answer one question - what would a record label look like if it was started today? Diego has previously spoken at conferences including DLD, Midem, Winter Music Conference, the A3C Festival & Conference, Amsterdam Dance Event (ADE), and Bogotá Music Market (Bomm). He was named to Billboard's 2019 Indie Power Players List. To find more information on Amuse and the services they offer, go to www.amuse.io The Business Side of Music ™ © 2021 Beyond the Music Co-Produced and Hosted (by the guy who has a face for podcasting): Bob Bender Executive Producer, Creator, and Technical Advisor (the man behind the curtain): Tom Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Editor (the “ums' and “aahs' removal guy who makes us sound good): Mark Sabella Marketing and Social Media: Kaitlin Fritts Talent Acquisition and Scheduling, (the keeper of the calendar) Tammy Kowalski All Around Problem Solver and keeper of the key to the vault: Connie Ribas Recorded at: The Bunker in Franklin, TN (except during the Covid 19 pandemic, then it's pretty much done VIA Skype or over the phone, with the exception for those fearless enough to come to Bob Bender's living room… and there are a few). Mixed and Mastered at Music Dog Studios in Nashville, TN Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Website: businesssideofmusic.com Stream or Download (free) businesssideofmusic.com To submit to be interviewed: musicpodcast@mail.com Sponsorship information businesssideofmusic.com/sponsor-affiliate/ Join our mailing list for show announcements, career advice, industry discounts, free gifts, and more. Like Free Special Thanks to Tom Sabella and Traci Snow for producing and hosting over 100 episodes of the original “Business Side of Music” podcast, and trusting us to carry on their legacy. For our disclaimer and all its details, please click on the applicable link on our website. The music provided for this episode is from: Artist: Whitney Wattenbarger Single: Feel Like Home Composer: Whitney Wattenbarger
Sign up to the free TellyCast+ newsletter http://eepurl.com/hkehBjOn this week’s show Lucy Smith director of MIPTV and now MIPCOM at Reed Midem, clinical psychologist and leadership coach Merete Wedell-Wedellsborg and wellbeing coach Tracy Forsyth discuss what's in store for MIPTV and MIPCOM in 2021, leadership when you're exhausted and how to deal with a shouty boss. Merete's linkshttps://meretewedell.dk/en/HBR article https://hbr.org/2020/12/how-to-lead-when-your-team-is-exhausted-and-you-are-tooLucy's linksStory of the Week - https://www.c21media.net/doc-society-opens-climate-fund/ Hero of the Week - https://www.hollywoodreporter.com/live-feed/barack-michelle-obama-higher-ground-sets-6-projects-netflix Get in the Bin - https://www.indiewire.com/2021/02/i-may-destroy-you-golden-globes-snub-outrage-hollywood-1234614686/ Tracy’s Fasttrack to Fearless https://fasttracktofearless.com/ Film & TV Charity https://filmtvcharity.org.ukSamaritans https://www.samaritans.org/MIND https://www.mind.org.uk/CALM https://www.thecalmzone.net/SHOUT https://giveusashout.org/ TellyCast+ website http://bit.ly/3a0dCqvTellyCast insta - tellycast_tv TellyCast Twitter - @TellyCastTV TellyCast is edited by Ian Chambers. Recorded in London in lockdown 3.0Music by David Turner, lunatrax. Recorded in lockdown March 2020 by David Turner, Will Clark and Justin Crosby. Voiceover by Megan Clark.
Wow! Today my guest is superstar music attorney Dina LaPolt. If you don't know who she is, she is one of the most well respected, well known music attorneys in the world. The amount of awards she has is unfathomable: Hollywood Reporter, Billboard's Power 100, Variety, MIDEM, Recording Academy, GRAMMYs. She's also been the attorney for 2Pac's estate, deadmau5, 21 Savage, Britney Spears, and Steven Tyler. She co-founded Songwriters of North America (SONA) in 2015. They're an advocacy organization representing songwriters. She was also instrumental in getting the Music Modernization Act passed in 2018, which has done wonders for songwriters and artists across the board. The Music Modernization Act was the first major update to copyright law in decades. She regularly advocates for artists, musicians, and songwriters on Capitol Hill. This conversation was fiery. We got into it. I told the challenges that independent artists and songwriters are dealing with and how we rarely get a seat at the table. When drafting new laws, independent musicians need a seat at the table. Dina also talked about what she did with the CARES Act. She made sure musicians and songwriters were included in the CARES Act and HEROES Act. Additionally, she made sure that a mixed earners stipulation was added in the follow-up bill. She described what she's working on right now with the new Administration to make sure that musicians and songwriters don't get left behind.Dina is an absolute rockstar on the business and overall. It was such a pleasure and honor to have her on the show. I know you're gonna love this conversation. She does not hold back! --Quick links:4:57 - About the CARES Act10:55 - Dina breaks down the Digital Millennium Copyright Act (DMCA) and where it's at now21:35 - Major music publishers like UMPG always get the best deal while smaller independent artists get screwed26:58 - What is the solution from the Copyright Office? What is the ask from the music industry? 39:45 - About the Music Licensing Collective (MLC) and how it functions43:56 - How politics gets involved in music activism (and how to communicate with Republicans and Democrats)49:06 - What it means to Dina LaPolt to make it in the new music business --Get involved: Songwriters of North America (SONA): https://www.wearesona.com/Music Artists Coalition (MAC): https://www.musicartistscoalition.com/Black Music Action Coalition (BMAC): https://www.bmacoalition.org/American Association of Independent Music (A2IM): https://a2im.org/--Connect with Ari’s Take:Website: https://aristake.comAcademy: https://aristakeacademy.comInstagram: https://www.instagram.com/aristake_/TikTok: https://www.tiktok.com/@aris.takeTwitter: https://twitter.com/ArisTakeYouTube: https://www.youtube.com/user/aristake1Facebook:
*Bu günden itibaren kendime sevgiyle hoş görü ile bakıyorum. *Kendime karşı sevecenim ve bundan keyif alıyorum. *Sağ ve sol beynim eşit çalışıyor ve uyum içindeler. *Duygularım düşüncelerim muazzam denge içinde . *Alma verme döngün düzeliyor. *Maddi manevi konuda daha dengeliyim. *Sevgiyi alıyor ve sevgiyi veriyorum. *Tüm bedenim enerjim denge içinde. *Akışta ve dengedeyim. *Dişi veya Eril enerjimle olaylara tepki gösteriyorum. *Dişi veya Eril enerjimi aktif ettim ve bundan keyif alıyorum. *Ses tonum beden dilim yaydığım enerjim tamamen dişi veya Eril enerjide. *Dişiliğimi veya Eril enerjimi kabul ediyorum ve göstermekten keyif alıyorum. *Kendime duygularıma güveniyorum . *Güven enerjisini yaşamıma çekiyorum. *Kendime ve insanlara hoş görülü ve şefkatliyim. *Olaylara ve insanlara karşı anlayışlı ve sakinim ve bundan keyif alıyorum. *Dingin enerjideyim. *Hoş görülü ve huzurluyum. *Duygularımı kolaylıkla keyifle ifade ediyorum. *İçim umutla sevgiyle dolu. *Hayata kendime hoş görü ve şefkatle bakıyorum. *Midem ruhum zihnim şifalanıyor. *Her geçen gün daha anlayışlı daha sempatik hoş görülü oluyorum. *İnsanları olduğu gibi kabul ediyor ve seviyorum . *Olaylara hoş görü ile bakmak beni keyiflendiriyor. *Sevgiyi hak ediyorum. *Mutluyum ve mutlu ediyorum. *Güvendeyim ve güvenilir insanları yaşamına çekiyorum. *Her düşlediğim kolaylıkla gerçek olur.
Año 1970. En España no sabemos casi nada de Folk y Blues. Algunos aficionados pioneros sí, pero la mayoría no. Carlos Guitart (bajista de Los Sonor) es entonces director artístico de Movieplay. Parece que en el MIDEM de Cannes del año anterior entra en contacto con un subsello de Barclay llamado BYG orientado al jazz, la vanguardia (Actuel) y las ediciones más alternativas, menos comerciales y por tanto más asequibles, entre ellas el folk y el blues. Guitart compra los derechos de Folk & Blues Story, proyecto de Jacques Barsamian, y le encarga la edición a Joaquín Díaz. Se publican tres volúmenes, de los cuales hoy repasamos el segundo. Ayer al revisar el primer volumen nos tropezamos con dos temas de Ray Charles. Joaquín Díaz no estuvo por la labor de que quitaran el espacio de Cisco Houston en la edición original, pero Guitart consideró que sí, que así daba un toque más atractivo para los jóvenes; incluso puso su nombre en portada en primer lugar, aunque no hubiera más temas. En el volumen 2 hizo lo mismo con John Lee Hooker. En este volumen 3 no he detectado ningún cambio. Volumen 2: B4–Big Bill Broonzy: See See Rider B5–Pete Seeger: The Greenland Fisheries B6–Pete Seeger: Winns Boro Cotton Mill Blues B7–Sonny Terry: Long John Volumen 3: A1–Lightnin' Hopkins: Long Time A2–Lightnin' Hopkins: Rainy Day Blues A3–Josh White: Git along home Cindy A4–Josh White: So Soon A5–Big Bill Broonzy: Feelin' Lowdown A6–Big Bill Broonzy: All I Got Belongs To You A7–Pete Seeger: Road to Eilat A8–Cisco Houston: Ezekiel Saw The Wheel B1–Sonny Terry: Lost John B2–Sonny Terry: Chain Gang Blues B3–Lightnin' Hopkins: Baby B4–Lightnin' Hopkins: Long Gone Like The Turkey Through The Corn (Habrá un cuarto capitulo, mañana) Escuchar audio
Año 1970. En España no sabemos casi nada de Folk y Blues. Algunos aficionados pioneros sí, pero la mayoria no. Carlos Guitart (bajista de Los Sonor) es entonces director artístico de Movieplay. Parece que en el MIDEM de Cannes del año anterior entra en contacto con un subsello de Barclay llamado BYG orientado al jazz, la vanguardia (Actuel) y las ediciones más alternativas, menos comerciales y por tanto más asequibles, entre ellas el folk y el blues. Guitart compra los derechos de Folk & Blues Story y le encarga la edición a Joaquín Díaz. Se publican tres volúmenes, de los cuales hoy repasamos el segundo. Ayer al revisar el primer volumen nos tropezamos con dos temas de Ray Charles. Joaquín Díaz no estuvo por la labor de que quitaran el espacio de Cisco Houston en la edición original, pero Guitart consideró que sí, que así daba un toque más atractivo para los jóvenes; incluso puso su nombre en portada en primer lugar aunque no hubiera más temas. En este volumen 2 hace lo mismo con John Lee Hooker quitando dos blues de Lightning Hopkins. B7–Big Bill Broonzy: Sixteen tons Volumen 2: A1–Woody Gutherie: Pretty Boy Floyd A2–Woody Gutherie: Poor Boy A3–Cisco Houston: The Golden Vanity A4–Cisco Houston: Cumberland Gap A5–Josh White: Bon Bon's A6–Josh White: What I Want From You A7–Leadbelly: Burrow Love' Go B1-John Lee Hooker: It Hurts me so B2-John Lee Hooker: Tease your Daddy B3–Big Bill Broonzy: Ridin' On Down B4–Big Bill Broonzy: See See Rider El finde no os perdáis Discópolis Jazz a la misma hora. Mañana con Ramón Leal en 1982 y el domingo con Ernesto Aurignac tocando en un establo de Austria el verano pasado. Escuchar audio
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Durell Peart is a speaker, artist manager, and music business consultant. He has over 15 years of professional entertainment industry experience. He has worked within the areas of artist management, brand development, marketing, promotion, and consulting. He has worked mostly within the urban and pop genres but his skill set can be easily adapted to any genre of music. He made the decision to pursue a career within the music industry because the formula for success in the industry is predicated on loving people and the ability to build meaningful relationships. Durell is a graduate of Full Sail University where he earned a Bachelors Of Science Degree in Entertainment Business as well being named Valedictorian and Advanced Achiever. He started his second company Double N Management & Marketing Group, LLC in 2015, with the primary focus of being a positive advocate for indie creatives. After spending so many years as an artist manager and utilizing his relationships only for the creatives on his immediate roster, he felt that it would be a great idea to expand and help creatives that he wasn’t doing day-to-day management for. He also noticed what was lacking in a majority of the creatives was the lack of education they had in choosing to embark on a professional career as a creative. Durell knew that he could make his greatest impact on his work with indie creatives by making their focus more about becoming global rather than being famous. The most important thing for creatives in today’s marketplace is to establish and execute a framework for building their own unique core audience rather than trying to appeal to everyone. Durell has been hard at work establishing his global footprint since 2016. He started attending the Midem conference in Cannes France where many of his international business partners and friendships began to form and fit into his professional network. He has played a key role in helping to secure international touring opportunities for the creatives ranging in territories including India, Spain, Luxembourg, The Netherlands, and France. In May of 2019, Durell secured an exclusive digital distribution deal and licensing partnership deal with Sound Republica Inc in Seoul Korea, which he can now use as a vehicle to help indie creatives build an audience in the 6th largest music market in the world. In January of 2020, Durell became an official partner of New Skool Rules, the number one urban music conference and festival in Europe (Rotterdam, Netherlands). He continues to provide value by aligning himself with strong global movements taking place in several international territories that support indie artists. Durell has been featured in Brash Magazine, Urban Magazine, as the cover story in Urban Grand Stand Digital Magazine: “The Power Issue” & We Are Jersey Magazine & Let Us Live Magazine Issue 2: Love Is Power Edition for the work he does in helping indie creatives. He looks forward to continuing to be a bridge for indie creatives worldwide as an advocate and speaker. Durell was born with a disability called Spastic Diplesia Cerebral Palsy in which he was diagnosed at the age of one. He has been fortunate over the years to be able to impact many people due to his Cerebral Palsy being mild. He is constantly using his voice to show others that even though living with a disability can be difficult at times it’s not impossible to live a normal and meaningful life. The special needs is filled with many who don’t have a platform and voice (literally) to share their concerns and how at times they can feel disconnected from those who can’t understand what it’s like to live with a physical or mental impairment daily. He will continue to work hard and use his voice and platform to be someone who can be their voice and advocate.
Miguel Alanis aka Disconnection, es precursor y líder del movimiento House en México. A lo largo de su carrera de más de 35 años, posee una técnica para mezclar impresionante, su estilo ecléctico va desde ritmos con vinilo como Jazz, Deep, Latin Beats, Disco, Funk, Soulfull Classics y Acid House. Entre sus principales influencias musicales destacan Larry Levan, David Mancuso, Frankie Knuckles, Kraftwerk y SalSoul. Es uno de los DJ ́s más reconocidos de la escena electrónica en México, recorriendo y tocando en los mejores clubs del país, desde hace más de 3 décadas. Es residente de Tokyo Music Bar, SUPRA, Blanco Colima, Departamento estudio bar, entre otros importantes spots y fiestas de la CDMX como Sunday Sunday y SUMAI by Casa Disco. A nivel internacional a realizado giras por Brasil, Canadá, Costa Rica, Colombia, República Dominicana, Estados Unidos, Además de compartir tornamesas con algunos de los DJ ́s más reconocidos a nivel mundial. Es CEO Founder de Dj World Music Conference que También ha participado en importantes convenciones internacionales de música y seminarios, como: ADE en Amsterdam, MIDEM en Francia, The New Music Seminar en Nueva York y elWinter Music Conference en Miami.
I went to MIDEM once in the late 1990s. This is the annual music gathering in Cannes, France and was full of coincidences for me.
主播／倪兵 嘉宾／沈立嘉 Nico封面设计／相征 录音支持／Lavie 后期剪辑／相征文案整理／Verena 音频上传／Observer在结束了英国之行后，倪兵老师来到戛纳，参加每年一次的世界唱片工业大会（MIDEM）。今年是MIDEM五十周年，但受英国脱欧的影响，欧洲音乐产业产生了比较大的变化，音乐人也不得不面临各种各样的问题。在互联网高速发展的今天，版权进入到一场新的战役。同时，独立音乐的发展更需要找到优质的内容和合适的推广形式。在这次的旅行中，倪兵老师收获了什么新的观点和体验，让我们同嘉宾沈立嘉、Nico一起在节目中找寻答案。 ／Song List／01 . Lulu Gainsbourg、Scarlett Johansson -Bonnie&Clyde02 . Nvdes - Before The Weekend Comes03 . Club Cheval、LOUISAHHH!!! - Nobody Rules The Streets04 . Synapson - All In You(feat.Anna Kova)05 . Molecule - Harvard Oppression06 . Kate Simko - Closer Feat.Jem Cooke07 . Freia - Hypnotized 08 . 崔健 - 死不回头09 . 2 Many DJ's - Be Good 2 Me大内密谈的新浪微博帐号“大内密谈”大内密谈的微信公共帐号“大内密谈”欢迎加入 欢迎互动：
主播／倪兵 嘉宾／沈立嘉 Nico封面设计／相征 录音支持／Lavie 后期剪辑／相征文案整理／Verena 音频上传／Observer在结束了英国之行后，倪兵老师来到戛纳，参加每年一次的世界唱片工业大会（MIDEM）。今年是MIDEM五十周年，但受英国脱欧的影响，欧洲音乐产业产生了比较大的变化，音乐人也不得不面临各种各样的问题。在互联网高速发展的今天，版权进入到一场新的战役。同时，独立音乐的发展更需要找到优质的内容和合适的推广形式。在这次的旅行中，倪兵老师收获了什么新的观点和体验，让我们同嘉宾沈立嘉、Nico一起在节目中找寻答案。 ／Song List／01 . Lulu Gainsbourg、Scarlett Johansson -Bonnie&Clyde02 . Nvdes - Before The Weekend Comes03 . Club Cheval、LOUISAHHH!!! - Nobody Rules The Streets04 . Synapson - All In You(feat.Anna Kova)05 . Molecule - Harvard Oppression06 . Kate Simko - Closer Feat.Jem Cooke07 . Freia - Hypnotized 08 . 崔健 - 死不回头09 . 2 Many DJ's - Be Good 2 Me大内密谈的新浪微博帐号“大内密谈”大内密谈的微信公共帐号“大内密谈”欢迎加入 欢迎互动：
Jeni Paulson, owner of Copycat Music Licensing, a music licensing service for music publishers, composers and songwriters, dishes on the world of music licensing, lessons learned from a great mentor, and the necessity of building relationships for success in the music industry. The Dish: Jeni talks about the ever evolving world of music licensing and how she keeps ups with it What she learned from Jim Slutz, her college advisor and mentor, and how it has impacted her career How she recovered from a devastating job loss How her superpowers of attention to detail and a good memory benefit her in the world of music licensing The value of learning “the history of things” Her first experience at MIDEM and what she got out of it Why you need to build relationships if you want to be successful in the music business Networking strategies for industry events How NOT to pitch your music Internet streaming and music licensing Links & Resources: Coypcat Music Licensing LLC Indiana State Music Business Program MIDEM IMBD Pro Harry Fox Agency Ways to Join the conversation & spread the word: If you found a nugget or two of value, or just enjoyed the conversation, drop by iTunes to leave a rating, review, and subscribe. Follow on twitter The Brassy Broad on Facebook Subscribe to The Brassy Broadcast Click here to subscribe via iTunes · Click here to subscribe via Stitcher Click here to subscribe via RSS
Tough Talk with Tony Gambone with Guests Ron Broussard & Tracy Woody Internationally celebrated Speaker, Author, and Expert in the field of business and personal relationship transformation, Ron Broussard has empowered people worldwide with the MOMENTUM, DESIRE and POWERHOUSE STRATEGIES to: Increase sales • Manage change • Embrace accountability • Lead more effectively • Attract more customers • Develop long-lasting relationships • Stay healthy…and enjoy life more along the way! All of which helps you to STRETCH YOURSELF, grow, profit, and succeed! http://www.stretchyourself.org/ Tracy Woody TV and Radio Shows were weekly on Saturdays with it's first episode on July 13, 2013 at 2:00 pm EST on ARCRADIO247 to August 10, 2013 and ongoing on W4CY.com at 9 pm EST at w4cy.com/radio-shows/tracy-woody-radio-show/ Hollywood Music in Media Showcases in Raleigh, NC show events will feature Tracy Woody singing hit songs along with other talented Artist. Woody is scheduling to perform in venues for Raleigh, NC Showcases and MIDEM. Artist consideration is still under review and a variety of music is being considered! Events and updates will be posted at: https://www.facebook.com/#!/HollywoodMusicinMediaShowcaseRaleighNc With thankfulness Songs from Woody's EP's were nominated for 3 Hollywood events which includes "Nothing Can Come Close to You" and "Your Love Remix" Hollywood Music in Media Awards in Nov. 15, 2012. "Your Love Remix" won the Dance category 2012 Hollywood Music in Media Award. http://www.reverbnation.com/
David Madden - composing, arranging, singing, and playing the trumpet for.. Bob Marley & the Wailers, Ernie Ranglin, Freddie McGregor, Jimmy Cliff, Burning Spears, Bob Andy, Peter Tosh, Beres Hammond, Ziggy Marley, Dawn Penn's ' Dennis Brown, Sean Paul....David began playing the trumpet at Alpha Boys school. David teamed with saxophonist Cedric "Im" Brooks as the duo Im and David to record for the legendary producer Sir Coxon Dodd at the famous Studio One. Two significant compositions "Money Maker" and "Candy Eye" became smash hits landing at number one and number ten respectively on the charts.David penned another chart-topper "Mystic Mood" . "Tonight We Love", "Scandal Corner", "This is Reggae Music", and "Sweet Loving Love". David Madden, is on19 of Bob Marley's hit songs, His debut album, "Going Bananas", David solo titled "Chained", on his own Large, Medium and Small Music (LMS) label. David has recorded "reggae Trumpetaa", "Changing Times", and "Dance Haawan". With four albums to his credit, David then released his first CD, "Cyber-Charged Ska", which he took to Midem, France to introduce his cyber-ska to the audiences. He then went on to record the compilation set "Horny Reggae Horn: The Best of David Madden". On this restropective set, can be found David's work from the early 1980s. "Lonely People", the beautifully arranged "She She Mugae", "Mystic Mood", and the romantic "Love Light" are among the album's stand outs. Other CDs released are "Cybernetix Online" and "Long Live Reggae Music".In keeping with the times, his latest singles "Fast Lane Slow" and "Pon de Internet" are currently available on itune.
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