Podcasts about subrahmanya

Pujyashri Jayendra Saraswati Swamigal Chanting Subrahmanya Bhujangam

Individuals living with the sin (killing a snake) tend to have misfortunes in life. There are many problems in marriage life, career, and childbearing. Taking the Sarpa Samskara Pooja helps couples with fertility problems and childbearing issues get solved. It helps in healing dreadful diseases such as skin diseases. All men and women with marriage delays problems get help from performing the Pooja. After performing the Pooja, financial setbacks and lack of career opportunities are removed from the pilgrim's life. It also helps remove the Sarpa Dosha from one's horoscope. Performance Sarpa Samskara Pooja The Pooja is conducted every day except on Ekadashi, Dasami, Gokulashtami, Shivarathri, days with eclipse, and an annual festival day lasting 15 days. Note pilgrims shouldn't perform the Pooja during the monsoon season. The primary fact being the Kukke Subramanya temple location is in the mountains Link. For Kukke Subrahmanya temple for Sarpa Dosha Parihara booking Online https://itms.kar.nic.in/hrcehome/eservices_search.php?activity=eservices&tid=21 --- Send in a voice message: https://podcasters.spotify.com/pod/show/ramanispodcast/message

Slokas. Subrahmanya. 12. Shadaananam kumkuma Raktha Varnam mahamadhim Divya mayura vaahanam Rudrasya soonum surasainya Nadham guhaam sathaaham saranam prabhathye 13.Shanmugham Shatgunam Saiva kumaaram Kula booshanam Devasenapathim Vande Sarva Kaaryaartha Siddhaye 14.Tat purushaaya vidmahe mahasenaaya deemahi Mayuraadthi Roodam Mahavaakya koodm Manohaari Deham Mahachitta keham Mahi Deva Devam Mava baalam Mahadeva Baalam Bhaje lika paalam. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ramanispodcast/message

The treasures of  Sanatan Dharma is so rich and huge one may not even touch its periphery in one's Lifetime If one were to give up linguistic and regional bias, one may unearth these treasures. I have in many of my posts written on the myth of Tamil and Sanatana Dharma being inimical to each other They complement each other. If one were to read the Vedic texts and ancient Tamil Texts one may notice the following points 1.Shiva is not directly mentioned in the Vedas nor do we find any sukthas ascribed/devoted to Him.His name appears in Sri Rudram, Rudra being an amsa of Shiva and not Shiva in His full Glory 2.Other Gods,Narayna, Vishnu,Varuna, Indra,Agni,Vaayu,Durga, Lakshmi and a Host of others are mentioned in the Vedas 3.Ancient Tamil Spiritual texts mention the following Deities and the earliest Grammar work Tholkaapiyam assigns the territories in which they are the Chief Gods. A).Kurinji,mountainous terrain, Chief Deity is, Cheyon(means The son) called Murugan , that is Subrahmanya . Interestingly Vedas do not mention Subrahmanya directly. B)Mullai, Pastoral lands, the Chief Deity is Maayaon, Vishnu.Maayon means Illusionist, one who creates the Yoga maaya .This is in keeping with the. description of Vishnu in Vedas and the Puranas. C).Marutham, Paddy fields/arable lands, Chief Deity is Indra.. D)Neydhal, Sea and adjoining areas , Chief Deity is Varuna and E)Paalai, Desert Region, Chief Deity is Durga, called Kotravai in Tamil. Even in Tamil, which is believed to have been founded by Lord Shiva,He is not assigned a Region in the manner described above 4.The Yoga system of the Vedic system is by Patanjali. 5.Patanjali is a disciple of Shiva along with Sage Agastya and Bhogar according to Tamil Classics 6.The Yoga developed Thirumoolar, meaning The auspicious first in his Thirumandiram is different from Patanjali's Yoga Sutra. 7.Yoga developed by Agastya follows Thirumoolar and is different from Patanjali's. The meaning Shiva in Sanskrit is Auspiciousness. Mangalam. No other meaning is assigned to this word. In Tamil the etymology is slightly different.. Shiva is from Vaa Si. Vaasi when repeated in quick succession. The treasures of  Sanatan Dharma is so rich and huge one may not even touch its periphery in one's Lifetime If one were to give up linguistic and regional bias, one may unearth these treasures. I have in many of my posts written on the myth of Tamil and Sanatana Dharma being inimical to each other They complement each other. If one were to read the Vedic texts and ancient Tamil Texts one may notice the following points 1.Shiva is not directly mentioned in the Vedas nor do we find any sukthas ascribed/devoted to Him.His name appears in Sri Rudram, Rudra being an amsa of Shiva and not Shiva in His full Glory 2.Other Gods,Narayna, Vishnu,Varuna, Indra,Agni,Vaayu,Durga, Lakshmi and a Host of others are mentioned in the Vedas 3.Ancient Tamil Spiritual texts mention the following Deities and the earliest Grammar work Tholkaapiyam assigns the territories in which they are the Chief Gods. A).Kurinji,mountainous terrain, Chief Deity is, Cheyon(means The son) called Murugan , that is Subrahmanya . Interestingly Vedas do not mention Subrahmanya directly. B)Mullai, Pastoral lands, the Chief Deity is Maayaon, Vishnu.Maayon means Illusionist, one who creates the Yoga maaya .This is in keeping with the. description of Vishnu in Vedas and the Puranas. C).Marutham, Paddy fields/arable lands, Chief Deity is Indra.. D)Neydhal, Sea and adjoining areas , Chief Deity is Varuna and E)Paalai, Desert Region, Chief Deity is Durga, called Kotravai in Tamil. Even in Tamil, which is believed to have been founded by Lord Shiva,He is not assigned a Region in the manner described above 4.The Yoga system of the Vedic system is by Patanjali. 5.Patanjali is a disciple of Shiva along with Sage Agastya and Bhogar .. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ramanispodcast/message

Hello Everyone This is a mythological Story of Lord Ganesha . Ganapati is one of the most important gods in Hindu mythology and he is also worshipped in Jainism and Buddhism. For the Ganapatya Hindu sect, Ganesha is the most important deity. Ganesha is highly recognisable with his elephant head and human body, representing the soul (atman) and the physical (maya) respectively. He is also the patron of writers, travellers, students, commerce, and new projects (for which he removes obstacles from one's path) and is rather fond of sweets, to the slight detriment of his figure. Early Life Ganesha is the son of Shiva and Parvati and he is the brother of Karthikeya (or Subrahmanya), the god of war. He was created by his mother using earth which she moulded into the shape of a boy. As Shiva was away on his meditative wanderings, Parvati set her new son as guard while she bathed. Unexpectedly, Shiva returned home and, on finding the boy, and outraged at his impudence in claiming he was Parvati's son, Shiva called for his gang of demons, the bhutaganas, who fought ferociously with the boy. However, the youngster easily held his own against such fearsome adversaries and Vishnu was forced to intervene in the form of Maya and, whilst the boy was distracted by her beauty, the demons, or Shiva himself, lopped off his head. At the commotion, Parvati ran from her bath and remonstrated with Shiva for so summarily killing their son. Repentant, Shiva ordered a new head to be found for the boy and, as the first animal available was an elephant, so Ganesha gained a new head and became the most distinctive of the Hindu gods. As a reward for his great courage in fighting the demons, Shiva made Ganesha the leader of the bhutaganas, hence his name.

Höre Erläuterungen zum Thema "Subrahmanya - sich einsetzen für das Gute" als Inspiration des Tages. Dies ist ein kurzer Vortrag von Sukadev Bretz, Gründer von Yoga Vidya, eine Audio Aufnahme einer Morgenansprache bei Yoga Vidya Bad Meinberg, gehalten im Yoga Vidya Ashram Bad Meinberg während der Corona-Pandemie. Infos über Yoga, Meditation und Ayurveda auf www.yoga-vidya.de

As one wades through ancient Indian History,one finds astounding information that makes one sit up and check what has been passed off as Indian history. One finds that, Alexander did not defeat Porus, Rig Veda is the oldest literary work by Man, Rama,Krishna and other persons mentioned in Indian Puranas are not fictitious characters,but Real persons who lived, Indian history dates back to thousands of years, All Major Religions have borrowed extensively from Hinduism, Many of the sacred sites of these Religions were Hindu sites, Sanatana Dharma, Hinduism was prevalent throughout the world,in all world cultures……. That Kaaba is a Hindu temple, Muslims worship Shiva Linga, 786 is Flipped OM, Vedic practices are followed in Kaaba, The temple complex in Kaaba is after Vedic construction, I have written and also more on these subjects. The concepts of Shiva,Vishnu,Subrahmanya,Devi….all are found in world Religions. Now more on Kaaba. An ancient Sanskrit couplet from Harihsreswara Mahatmiya mentions the Foot Prints of Lord Vishnu being sanctified in three places. They are Gaya,India, Kaaba,Saudi Arabia and Avebury/ United Kingdom ‘Lord Vishnu's holy footprint consecrated at three main centres in the world, namely one in Gaya (in India), the other in Mecca, and the third near Shukla Teertha, i.e. Abiry. The Vishnu Statue in Britain In the opening part of the introduction to the volume titled A Complete History of the Druids [1], it is stated, “It will be necessary to give an explanation of the pillars, the Circle and Serpent.” On page 9 of the same book it is observed, “This Serpent was the symbol of light and wisdom. Its name Seraph, particularly is so expressive.” The term Seraph is a malpronunciation of the Sanskrit term Serp (i.e. Serpent), which indicates that the ancientmost language of the British Isles, as also of other parts of the world, was Sanskrit. On page 15 of the same book, it is asserted, “It may rationally be concluded from the various opinions of the best historians that this island received its first inhabitants from the eastern parts of the world.” Since people from the East (i.e. India) were the earliest inhabitants of Britain, they naturally erected a statue of Lord Vishnu, the progenitor of the world. Since people from the East (i.e. India) were the earliest inhabitants of Britain, they naturally erected a statue of Lord Vishnu, the progenitor of the world. The name “Isle of Angelsey” in Britain derives from the Sanskrit name of Lord Vishnu as Angulesh, i.e. the Lord of the Angul country. The British Isles were designated Angulsthan, i.e. a finger-size, finger-length country. If the European continent is likened to a palm, then the British Isles appear to be an extended finger. Therefore Sanskrit-speaking explorers named it Angulsthan. It is that same term which later came to be pronounced as Angul and i.e. England. The book on Druids mentioned above states on page 36 that “Many temples of the Druids are said to be yet in part remaining in this island (i.e. the Isle of Man) and that of Angelsey … many of them were made of extraordinary large stones as at Abiry and Stonehenge.” Page 54 describes: “Abiry [now known as Avebury] is founded on the more elevated part of a plain … the entire figure of it (the ruins) is a Seraph or winged serpent transmitted through a circle. … The outer part of the grand circle is a vast and lofty Vallum, with a very deep ditch on the inside of it near 80 ft or 45 cubits broad. Its diameter 750 cubits, its circumference 225 cubits, the enclosed area about 22 acres. Within the ditch was formed a circle of 100 enormous stones set upright, which were generally 15, 16 or 17 ft high, and near as much in breadth. … Out of these 100 stones, 44 were still visible when Dr. Stukeley was there in the year 1722, whereof 17 were standing and 27 thrown down..more at www.ramanisblog.in --- Send in a voice message: https://anchor.fm/ramanispodcast/message

Sri Subrahmanya Aksharamalika Stotram श्री सुब्रह्मण्याक्षरमालिका स्तोत्रम

Ein Beitrag zum Sanskritwort: Subrahmanya Hier findest du: Sanskrit Wörterbuch Seminare zum Thema Sanskrit Seminare mit Sukadev Seminarübersicht Yoga Vidya YouTube Live Kanal Online Seminare Video Seminare Yoga Vidya kostenlose App Yoga Vidya Newsletter Yoga Vidya Online Shop Schon ein kleiner Beitrag kann viel bewegen... Spende an Yoga Vidya e.V.!

Ein Beitrag zum Sanskritwort: Subrahmanya Hier findest du: Sanskrit Wörterbuch Seminare zum Thema Sanskrit Seminare mit Sukadev Seminarübersicht Yoga Vidya YouTube Live Kanal Online Seminare Video Seminare Yoga Vidya kostenlose App Yoga Vidya Newsletter Yoga Vidya Online Shop Schon ein kleiner Beitrag kann viel bewegen... Spende an Yoga Vidya e.V.!

Eine sehr spirituelle Yogastunde: 85 Minuten Pranayama und Asanas als Bhakti Yoga Praxis: Yoga Übungen zur Entwicklung von Hingabe an Gott sowie für Gottesliebe. Asanas als Ganzkörpergebet. Gerade in einer Yogastunde kann es besonders leicht sein, Göttliche Gegenwart zu erfahren. Am Ende Tiefenentspannung mit Visualisierung von Sharavanabhava, auch Subrahmanya, Karttikeya, Skanda bzw. Muruga genannt. Diese Yogastunde ist geeignet für dich, wenn du mit der Yoga Vidya Grundreihe vertraut bist, und an den spirituellen Aspekten des Yoga interessiert bist. Mehr Infos, auch für Yoga Anfänger, unter www.yoga-vidya.de - Dieser Beitrag ist ein Repost aus dem Jahr 2012

Eine sehr spirituelle Yogastunde: 85 Minuten Pranayama und Asanas als Bhakti Yoga Praxis: Yoga Übungen zur Entwicklung von Hingabe an Gott sowie für Gottesliebe. Asanas als Ganzkörpergebet. Gerade in einer Yogastunde kann es besonders leicht sein, Göttliche Gegenwart zu erfahren. Am Ende Tiefenentspannung mit Visualisierung von Sharavanabhava, auch Subrahmanya, Karttikeya, Skanda bzw. Muruga genannt. Diese Yogastunde ist geeignet für dich, wenn du mit der Yoga Vidya Grundreihe vertraut bist, und an den spirituellen Aspekten des Yoga interessiert bist. Mehr Infos, auch für Yoga Anfänger, unter www.yoga-vidya.de - Dieser Beitrag ist ein Repost aus dem Jahr 2012

Karttikeya ist ein anderer Name für Subrahmanya, Sharavanabhava, Skanda, Muruga, Shanmukha. Erfahre mehr über diesen ewig jugendlichen Gott, Heerführer der Götter mit einpünktiger Konzentration. Lass dich inspirieren von dem, was Swami Sivananda zu diesem Thema sagt. Sukadev zitiert Sätze aus dem Buch "Inspiration und Weisheit" und ergänzt diese aus seiner kreativen Intuition.

Karttikeya ist ein anderer Name für Subrahmanya, Sharavanabhava, Skanda, Muruga, Shanmukha. Erfahre mehr über diesen ewig jugendlichen Gott, Heerführer der Götter mit einpünktiger Konzentration. Lass dich inspirieren von dem, was Swami Sivananda zu diesem Thema sagt. Sukadev zitiert Sätze aus dem Buch "Inspiration und Weisheit" und ergänzt diese aus seiner kreativen Intuition.

Karttikeya ist ein anderer Name für Subrahmanya, Sharavanabhava, Skanda, Muruga, Shanmukha. Erfahre mehr über diesen ewig jugendlichen Gott, Heerführer der Götter mit einpünktiger Konzentration. Lass dich inspirieren von dem, was Swami Sivananda zu diesem Thema sagt. Sukadev zitiert Sätze aus dem Buch „Inspiration und Weisheit“ und ergänzt diese aus seiner kreativen Intuition. Dies ist ein Podcast von und mit Sukadev Bretz von www.yoga-vidya.de. Der Beitrag Karttikeya – Kreative Lesung erschien zuerst auf Yoga Vidya Blog - Yoga, Meditation und Ayurveda.

Notations -> http://www.shivkumar.org/music/#a Abhayaambikaayaa Ragam: Kedaragowla (28th Mela Janyam) https://en.wikipedia.org/wiki/Kedaragaula ARO: S R2 M2 P N2 S || AVA: S N2 D2 P M1 G3 R2 S || Talam: Jhampa {sung as khanda ekam or khanda chapu} Composer: Dikshitar Version: Hyderabad Brothers Lyrics/Meanings Courtesy: www.sangeetham.com, http://guru-guha.blogspot.com/2007/08/dikshitar-kriti-abhayaambikaayaah-anyam.html Youtube Class / Lesson: https://www.youtube.com/watch?v=K-nMT3QFRuc MP3 Class / Lesson: http://www.shivkumar.org/music/abhayambikaya-kedaragowla-class.mp3 Pallavi Abhayaambikaayahah Anyam Na Jaane Ajnaanaatmane Aparokshajnaane Anupallavi: Ibharaaja Gatyaahah Ishvaryaahah Jagatyaahah Nabhomanigatyaahah Naada Laya Gatyaahah Charanam : Baalaadi Naamadheya Prakaashinyaa Kaadi Tatvaanta Prakaashinyaahah Moolaadi Dvaadashaanta Prakaashinyaahah Sthoolaadi Maunaanta Prakaashinyaahah Trailokya Moolaprakrtyaahah Svashaktyaahah Saaloka Saamipya Saaroopya Muktayaahah Maalinee Mantramaalaadi Tantroktyaahah Shoolini Guruguha Svaanubhava Gatyaahah Meaning: (www.sangeetham.com) I know (“jaane”) of none other (“na”) than Abhayambika! She removes ignorance (“aparoksha”) and is knowledge (“jnane”) personified (“anantatmane”)! Her gait (“gatyaahah”) is like the King (“raja”) of Elephants (“ibha”) ! She is the supreme Goddess (“ishvaryaahah”) of this Universe (“jagatyaahah”)! She causes the sun (“nabhomani”) to shine (“gatyaahah”)! She embodies (“gatyaahah”) sound (“nada”) and beat (“laya”)! She shines (“prakaashinyaahah”) forth in various manifestations (“naamadheya”) like Bala! She is radiant (“prakaashinyaahah”) as the Kaadi method of Tantra (“tatvaanta”) worship! She radiates (“prakaashinyaahah”) from the twelve (“dvadasha”) nerve centres (“anta”) beginning with Mula (“moolaadi”)! She manifests (“prakaashinyaahah”) progressively from the gross (“sthoolaadi”) to the esoteric (“maunaanta”)! She is the creator (“svashaktyaahah”) and the energy (“moolaprakrutyaahah”) behind the three (“thrai”) worlds (“lokya”)! She provides the four stages of liberation (“muktyaahah”) namely - Saloka, Sarupa, Samipya and Sayujya! She is the essence of the hymns (“tantroktyaahah”) such as the Malini! She is Shulini! She is experienced (“svaanubhava gatyaahah”) by Subrahmanya! Notes: This is one of the Abhayamba Vibhakti kritis and is on the Goddess at Mayuram. The raga was the 28th melakarta as per the asampoorna scheme.

Notations -> http://www.shivkumar.org/music/#a Ragam: kumudakriyA {51st Melakartha (Panthuvarali) Janyam} ARO: S R1 G3 M2 D1 S || AVA: S N3 D1 M2 G3 R1 S || Talam: Rupakam Composer: Muthuswamy Dikshitar Version: Semmangudi Srinivasa Iyer Lyrics Courtesy: Lakshman Ragde Pallavi: ardhanArIshvaram ArAdhayAmi satatam atri bhrgu vasiSThAdi muni brnda vanditam shrI Anupallavi: ardhayAma alankAra vishESa prabhAvam ardhanArIshvarI priya karam abhayakaram shivam Charanam: nAgEndra maNi bhUSitam nandi turagArOhitam shrI guruguha pUjitam kumudakriyA rAganutam AgamAdi sannutam ananta vEda ghOSitam amarEshAdi sEvitam Arakta varNa shObhitam Meaning: (Approximate – please report errors): P: I always (“satatam”) worship (“ArAdhayAmi”) Ardha Nareeswara, who was saluted (“vanditam”) by the group of saints (“brnda”) like Athri, Brugu and Vasishta. A: The special (“vishESa”) decoration (“alankAra”) at midnight (“ardhayAma”) is powerful and wonderful (“prabhAvam”). He is liked (“priya”) by Ardha Nareswari, and he gives fearlessness (“abhayakaram”). C: He is adorned (“bhUSitam”) by the serpent (“nAgEndra”) stone (“maNi”). He rides on the bull (“turagArOhitam”) Nandi. He is worshipped by Subrahmanya (“guruguha”). He is praised by Raga (“rAga-nutam”) Kumuda Kriya, He is praised (“sannutam”) by Agamas and extolled (“ghOSitam”) by Vedas, He is served (“sEvitam”) by Indra and others (“amarEshAdi”). He shines (“shObhitam”) in his red (“Arakta”) colour (“varNa”).

Notations -> http://www.shivkumar.org/music/#p Pamarajana Palini Ragam: Simhendramadhyamam (Sumadyuti): 57th Melakartha ARO: S R2 G2 M2 P D1 N3 S || AVA: S N3 D1 P M2 G2 R2 S || Talam: Rupakam Composer: Dikshitar Version: Hyderabad Brothers Lyrics/Meanings Courtesy: www.sangeetham.com Pallavi Paamarajana Paalini Paahi Bruhannaayaki Samishti Charanam: Kaamithaarttha Phaladaayini Kaarunyaamruta Vaahini Komala Hrudaya Nivaasini Guruguha Mati Prakaashini Seemantini Nata Mantrini Shree Mahaadeva Ranjani Meaning: (www.sangeetham.com) This kriti is on the presiding Goddess at the Big Temple in Tanjavur. This kriti is set to the 57th melakarta that is now called Simhendramadhyamam, but was known to Dikshitar as sumadyuti O Protector (“paalini”) of the helpless (“pamara-jana”)! Goddess of the enormous (“bruhann”) form (“naayaki”)! Protect me (“paahi”)! Giver (“daayini”) of all desired (“kaamithaartha”) boons (“phala”)! One who rains (“vaahini”) the nectar (“amruta”) of compassion (“kaarunya”)! Residing (“nivaasini”) in the hearts (“hrudaya”) of those who are soft (“komala”) natured! One who shines (“prakaashini”) as Subrahmanya's (“guruguha”) intellect (“mati”)! Goddess (“seemanthini”) ! Worshipped (“nata”) by Mantrini! Enchantress (“ranjani”) of Mahadeva!

Notations / Meanings -> http://www.shivkumar.org/music/#s Ragam: ShivaPanthuvarali (or Shubha Panthuvarali){ 45th Melakartha Ragam} https://en.wikipedia.org/wiki/Shubhapantuvarali ARO: S R₁ G₂ M₂ P D₁ N₃ Ṡ || AVA: Ṡ N₃ D₁ P M₂ G₂ R₁ S || Talam: rUpakam (2 kalai) Composer: Muthuswami Dikshitar Version: T M Krishna (https://www.youtube.com/watch?v=5UjTzBDxwwg ) Lyrics & Meanings Courtesy: Sangeetham.com Pallavi: shrI satyanArAyaNam upAsmahE nityam satya~nAnAnandamayam sarvam viShNumayam { shrI satyanArAyaNam} Anupallavi : vAsavAdi pUjitam varamunigaNa bhAvitam dAsajana paripAlitam bhAsamAna badarIsthitam { shrI satyanArAyaNam } caraNam : vaishyajAti kAraNam vaTuvEShadhAriNam kaliyugaprasannam vasupradAnanipuNam matsyakUrma varAhAdi dashAvatAraprabhAvam shankhacakrAbjahastam gurugughanuta prasiddham { shrI satyanArAyaNam } Meaning: (Courtesy: Sangeetham.com) P: I worship (“upAsmahE”) everyday (“nityam”) Lord Satyanarayana! He is full (“mayam”) of true (“satya-anAna”) knowledge and bliss (“ananda”)! He is all pervasive (“sarvam”) and is Vishnu (“viShNumayam”)! A: He is worshipped (“pUjitam”) by Indra (“vAsava”) and others (“Adi”) ! He is contemplated (“bhAvitam”) upon by the great sages (“vara muni gaNa”) ! He protects (“paripAlitam”)his devotees (“dAsa-jana”). He is enshrined (“sthitam”) at the radiant (“bhAsamAna”) Bhadari – BADRINATH (“badarI”)! C: He created (“kAraNam”) the business (“vaishya”) community (“jAti”) ! He donned (“dhAriNam”) the garb (“vESha”) of a young Brahmacchari (“vaTu”) ! He delights (“prasannam”) in Kaliyuga (“kaliyuga”)! He is an expert (“nipuNam”) in granting (“pradAna”) fertility (“vasu”) ! He influenced (“prabhAvam”) the ten incarnations (“dasha-AvatAra”) beginning (“Adi”) with the fish (“matsya”), the turtle (“kUrma”) and the boar (“varAha”)! His hands (“hastam”) wield the conch (“shankha”), the discus (“cakra”) and the lotus (“Abja”)! He is famed (“prasiddham”) for worship (“nuta”) by Subrahmanya (“guru guha”) !

Full Notation -> http://www.shivkumar.org/music/#v Ragam: Mayamalavagowlai {15th Melakartha Ragam} https://en.wikipedia.org/wiki/Mayamalavagowla ARO: S R1 G3 M1 P D1 N3 S || AVA: A N3 D1 P M1 G3 R1 S || Talam: Adi Composer: Thyagaraja Version: M.S. Subbulakshmi (https://www.youtube.com/watch?v=llsETzsGWzU ) Pallavi: Sahityam: vidulaku mrokkEda sangIta kO Meaning: I salute (mrokkeda) the maestros (kOvidulaku) of music (sangIta). Sahityam: mudamuna shankara krta sAma nigama vidulaku nAdAtmaka sapta svara Meaning: I joyously (mudamuna) salute - the masters (vidulaku) of sAma vEda (nigama) created (kRta) by Lord Sankara and the maestros (vidulaku) of sapta svara – nAda embodied (Atmaka) (nAdAtmaka). Sahityam:kamalA gaurI vAgIshvari vidhi garuDa dhvaja shiva nAradulu amarEsha bharata kashyapa Meaning: I salute these chieftains (pramukhulaku) – lakshmI (kamalA), pArvatI (gaurI), sarasvati – Goddess (ISvarI) of speech (vAk) (vAg-ISvarI), brahmA (vidhi), Lord vishNu – having garuDa as flag (or banner) (dhvaja), Lord Siva, sage nArada (nAradulu), indra – Lord (ISa) of celestials (amara) (amarESa), sages bharata, kASyapa, Sahityam:caNDIsha AnjanEya guha gajamukhulu su-mrkaNDuja kumbhaja tumburu vara sOmEshvara Meaning: caNDISa, AnjanEya, subrahmaNya (guha), vinAyaka – elephant (gaja) faced (mukhulu), sages mArkaNDEya – son of mRkaNDu (su-mRkaNDuja), agastya – pitcher born (kumbhaja), tumburu – chief of gandharva – celestials musicians, the blessed (vara) sOmESvara, Sahityam:shArnga dEva nandi pramukhulaku tyAgarAja vandyulaku brahmAnanda sudhAmbudhi marma Meaning: SArnga dEva, nandI – the bull – carrier of Lord Siva, and all others worshipped (vandyulaku) by this tyAgarAja - knowers of the secrets (marma) of the Ocean (ambudhi) of nectar (sudhA) (sudhAmbudhi) of Supreme Bliss (brahmAnanda).

Notations / meanings -> http://www.shivkumar.org/music/#s Raga: Shuddha Dhanyasi (22nd Melakartha (Kharaharapriya) Janyam) ARO: S G₂ M₁ P N₂ Ṡ || AVA: Ṡ N₂ P M₁ G₂ S || Meaning Courtesy: https://guru-guha.blogspot.com/2008/10/dikshitar-kriti-subrahmanyena-raga.html Sahityam: subrahmaNyEna rakshitO(a)haM ashTA-daSa lOcanAkhaNDEna Meaning: I am protected by Subramanya, the all pervading one with eighteen eyes. rakshitOhaM - I am protected subrahmaNyEna - by Subrahmanya, ashTA-daSa lOcana- akhaNDEna - the all-pervading one with eighteen eyes, Sahityam: prabravAmAdi pUjita padEna purandara manOllAsa karaNEna Meaning: - The one whose feet are worshipped with the mantras “pra-bra-va”,… the causer of delight to the heart of Indra .. prabravAmAdi pUjita padEna - the one whose feet are worshipped with the mantras “pra-bra-va”, purandara manOllAsa karaNEna - the causer of delight to the heart of Indra, Sahityam: kanka Saila vihArENa varENa Meaning: the One sporting in Kazhugumalai, … the eminent one kanka Saila vihArENa - the one sporting in Kazhugumalai, varENa - the eminent one Sahityam: vallI dEva sEnA ramaNEna Meaning: the giver of joy to Valli and Devasena, vallI dEva sEnA ramaNEna - the giver of joy to Valli and Devasena, Sahityam: akAra vRttEna sAnandEna Meaning: the one manifesting as the letter ”a", … the blissful one, akAra vRttEna - the one manifesting as the letter ”a", sAnandEna - the blissful one, Sahityam: bhOga mOksha pradAnEna nityEna Meaning: the giver of worldly pleasures and salvation,… the eternal one, bhOga mOksha pradAnEna - the giver of worldly pleasures and salvation, nityEna - the eternal one, Sahityam: vEnkaTESvara su-pUjitEna vicitra viSAkha mahOtsavEna Meaning: the one worshipped by (King) Venkateshvara … - the one who has a splendorous Vishakha festival, vEnkaTESvara su-pUjitEna - the one worshipped by (King) Venkateshvara, vicitra viSAkha mahOtsavEna - the one who has a splendorous Vishakha festival, Sahityam: Suka rahasya prakASa guru guhEna kRttikA suta Suddha dhanyEna Meaning: Guruguha, who expounds the Shuka-Rahasya Upanishad, … the pure, virtuous son of the Krittika maidens. Suka rahasya prakASa guru guhEna - Guruguha, who expounds the Shuka-Rahasya Upanishad, kRttikA suta Suddha dhanyEna - the pure, virtuous son of the Krittika maidens.

Detailed Notation -> http://www.shivkumar.org/music/#balasubramanyam Note: Sri Mahaganapathi (Gowlai) and Balasubramanyam (Surutti) are invocation songs for Ganesha and Subramanya respectively, sung before the Kamalamba Navavarna krithis. Pallavi : Baalasubrahmanyam Bhajeham Bhakta Kalpa Bhuruham Sri { Baalasubrahmanyam } Anupallavi: Neelakantha Hrudaanandakaram Nitya Shuddha Buddha Muktaambaram { Baalasubrahmanyam } Charanam : Velaayudha Dharam Sundaram Vedaantaarttha Bodha Chaturam Phaalaaksha Guruguha Avataaram Paraashakti Sukumaaram Dheeram Paalita Geervaanaadi Samooham Pancha Bhootamaya Maayaamoham Neelakanthavaaham Sudeham Niratishaya Ananda Pravaaham { Baalasubrahmanyam } Meaning: (www.sangeetham.com and TK Govinda Rao's book) I ("aham") chant the name ("bhaje") of the young ("bala") Subrahmanya, who is like the Kalpaka Tree ("bhuruham") in giving all that his devotees desire ("kalpa")! He delights ("ananda-karam") the heart ("hruda") of Lord Shiva ("neelakanta")! He is eternal ("nitya"), pure ("shuddha") and is knowledge ("buddha") personified ("muktha-ambaram")! He carries ("dharam") the spear ("vela-ayudha")! He is beautiful ("sundaram"). He is an expert ("chaturam") in explaining ("bodha") the purport ("artha") of Vedanta! He incarnated ("avataaram") as a teacher ("guru-guha") to Lord Shiva from the third eye ("phaala-aksha") of Shiva! He is the brave ("dheeram") son ("su-kumaram") of the Supreme ("paraa") Goddess ("shakti")! He protects the community ("samooham") of Gods ("geervaana-aadi")! He creates ("maya") the five ("pancha") elements ("bhoota") and the illusory ("maaya-moham") universe! He rides ("vaaham") the peacock ("neelakantha") and is of a handsome ("su-") form ("deham")! He is a never ending ("nir-athishaya") stream ("pravaaham") of joy ("ananda")!

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here twentyfifth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Tamils have an ancient past and rich literature. .Earliest available Tamil works go back to over 16,000 yeras. Tamil poems were composed ,approved and then made available by Poets" Conclave called Tamil Sangam. There were three Tamil Sangams.These Sangams were an assembly of Poets where the King was a participant.. The Pandya Kings were the promoters of the Sangam. Chera and Ch0zha Kings also promoted Tamil and there were Kings who were great Tamil Poets. There were three such Poets' Conclave.The first Tamil Sangam was held at Then Madurai, the capital of Pandyas. Lord Siva was the President of this Sangam.His son Murugan aka Subrahmanya and Sage Agastya assisted Him.Siva founded the Tamil Language and Tamil arose simultaneously with Sanskrit from Siva's Damaru.The First Sangam produced Two works .Irayanar Ahapporul by Lord Siva and Aindiram By Indra, Chief of Devas. Both are works on Grammar.Second Sangam produced Tholkaapiyam, and Agathiyam. Both are also on Works on Grammar. The books on Grammar from First Sangam, Irayanar Ahapporul,Aindiram and Agathiyam are lost.Only Tholkaapiyam remains and is available .The third Sangam Produced three great Literary works .One of them is Thirumurukaatruppadai, A Spiritual work addressed to Subrahmanya, also called as Murugan In Tamil. I shall be Translating the Thirumurukaatruppadai in English in the following episodes. --- Send in a voice message: https://anchor.fm/ramanispodcast/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here twenty first shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here twenty fourth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here twenty third shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here twenty second shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here nineteenth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here twentieth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Bonus episode for Skanda Shashti. In this podcast Dr. C. Hariharan of Madras Sanskrit College chants entire Subrahmanya Bhujangam of AdiShankara in 11 mins. You can practice by chanting along or meditate with closed eyes while listening to this.BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here eighteenth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here thirteenth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here fourteenth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here fifteenth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here sixteenth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here seventeenth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here eleventh shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here ninth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here twelth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here seventh shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here eighth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here tenth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here sixth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning in Tamil language. Here first shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here second shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here third shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here fourth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Dr. C. Hariharan of The Madras Sanskrit college gives short lecture series (3-5 mins each) with one Shloka a day with simple meaning inTamil language. Here fifth shloka of Adi Shankara's Subrahmanya Bhujangam is explained. BGM by Raghav Ramanujam --- Send in a voice message: https://anchor.fm/harisanskrit/message

Bhakti Yogastunde 85 Minuten – Yoga als Hingabe an Gott Eine sehr spirituelle Yogastunde: 85 Minuten Pranayama und Asanas als Bhakti Yoga Praxis: Yoga Übungen zur Entwicklung von Hingabe an Gott sowie für Gottesliebe.   Asanas als Ganzkörpergebet. Gerade in einer Yogastunde kann es besonders leicht sein, Göttliche Gegenwart zu erfahren. Am Ende Tiefenentspannung mit Visualisierung von Sharavanabhava, auch Subrahmanya, Karttikeya, Skanda bzw. Muruga genannt. Diese Yogastunde ist geeignet für dich, wenn du mit der Yoga Vidya Grundreihe vertraut bist, und an den spirituellen Aspekten des Yoga interessiert bist. Mehr Infos, auch für Yoga Anfänger findest du auf den Yoga Der Beitrag Bhakti Yogastunde: Yoga als Hingabe an Gott erschien zuerst auf Yoga Vidya Blog - Yoga, Meditation und Ayurveda.