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On tonight's show: Bing Crosby, Sweet Georgia Brown, 1932 Chu Berry, Body and Soul, 1938 The Spencer Trio, Baby, Won't You Please Come Home? 1938 Winifred Atwell, Choo Choo Samba, 1950s Claude Williamson Trio, Stella by Starlight, 1956 Illinois Jacquet, Have You Met Miss Jones? 1957 Doris Day, There Will Never Be Another You, 1957 Clark Terry, Take the A Train, 1957 Duke Ellington, Night and Day, 1958 Howard Roberts, When the Sun Comes Out, 1959 Ella Fitzgerald, In the Wee Small Hours of the Morning (Live at the Crescendo), 1961 Oscar Peterson Trio, Moten Swing, 1963 Paul Desmond, The Theme from Black Orpheus, 1963 Zoot Sims, The Girl from Ipanema, 1977 The Rosenberg Trio, Django, 1995 The Spencer Wyatt Big Band, Blues in The Bucket, 2001
Welcome to Jazz Piano Skills; it's time to discover, learn, and play Jazz Piano!Every Jazz Piano Skills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today, you will discover, learn, and play "There Will Never Be Another You." In this Jazz Piano Lesson, you will:DiscoverAn improvisational approach for “There Will Never Be Another You”LearnImprovisational Zones, Patterns, and Motifs for “There Will Never Be Another You”PlayAscending and Descending Patterns and Motifs through the changes of “There Will Never Be Another You”Use the Jazz Piano Podcast Packets for this Jazz Piano Lesson for maximum musical growth. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while you discover, learn, and play There Will Never Be Another You.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join Jazz Piano SkillsLesson RationaleExploration of Jazz Piano SkillsConclusionClosing CommentsVisit Jazz Piano Skills for more educational resources that include a sequential curriculum with comprehensive Jazz Piano Courses, private and group online Jazz Piano Classes, a private jazz piano community hosting a variety of Jazz Piano Forums, an interactive Jazz Fake Book, plus unlimited professional educational jazz piano support.If you wish to donate to JazzPianoSkills, you can do so easily through the Jazz Piano Skills Paypal Account.Thank you for being a Jazz Piano Skills listener. I am pleased to help you discover, learn, and play jazz piano!Support the show
Programa 251. A continuación, se indica los apartados y las piezas musicales con el variado estilo con el que dan la nota cada uno de los Tenores. ADIVINA LA PELÍCULA Los Panchos. MI CAFETAL. SAN TORAL Monique Thibaut. ¡AY, RAMON! Lester Young – THERE WILL NEVER BE ANOTHER YOU. CELEBRACIONES Paloma San Basilio. QUE SEAS FELIZ. Joaquín Sabina. […] The post Los Tres Tenores 17/01/2024 first appeared on Ripollet Ràdio.
Welcome to Jazz Piano Skills; it's time to discover, learn, and play Jazz Piano!Every Jazz Piano Skills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today, you will discover, learn, and play "There Will Never Be Another You." In this Jazz Piano Lesson, you will:DiscoverA Melodic Analysis of the jazz standard, “There Will Never Be Another You”LearnMelody, Guide Tones, Fingerings, Phrases, and Target Notes of “There Will Never Be Another You”PlayThree different MelodicTreatments of “There Will Never Be Another You” Use the Jazz Piano Podcast Packets for this Jazz Piano Lesson for maximum musical growth. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while you discover, learn, and play There Will Never Be Another You.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join Jazz Piano SkillsLesson RationaleExploration of Jazz Piano SkillsConclusionClosing CommentsVisit Jazz Piano Skills for more educational resources that include a sequential curriculum with comprehensive Jazz Piano Courses, private and group online Jazz Piano Classes, a private jazz piano community hosting a variety of Jazz Piano Forums, an interactive Jazz Fake Book, plus unlimited professional educational jazz piano support.If you wish to donate to JazzPianoSkills, you can do so easily through the Jazz Piano Skills Paypal Account.Thank you for being a Jazz Piano Skills listener. I am pleased to help you discover, learn, and play jazz piano!Support the show
Welcome to Jazz Piano Skills; it's time to discover, learn, and play Jazz Piano!Every Jazz Piano Skills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today, you will discover, learn, and play "There Will Never Be Another You." In this Jazz Piano Lesson, you will:DiscoverA classic jazz standard, “There Will Never Be Another You”LearnForm, Chord Changes, and Harmonic Function for “There Will Never Be Another You”Play“There Will Never Be Another You” using my suggested Voicings plus Five Common Harmonic Progressions for Ear Training Development.Use the Jazz Piano Podcast Packets for this Jazz Piano Lesson for maximum musical growth. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while you discover, learn, and play There Will Never Be Another You.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join Jazz Piano SkillsLesson RationaleExploration of Jazz Piano SkillsConclusionClosing CommentsVisit Jazz Piano Skills for more educational resources that include a sequential curriculum with comprehensive Jazz Piano Courses, private and group online Jazz Piano Classes, a private jazz piano community hosting a variety of Jazz Piano Forums, an interactive Jazz Fake Book, plus unlimited professional educational jazz piano support.If you wish to donate to JazzPianoSkills, you can do so easily through the Jazz Piano Skills Paypal Account.Thank you for being a Jazz Piano Skills listener. I am pleased to help you discover, learn, and play jazz piano!Support the show
Sintonía: “Taking a Chance on Love” - Al Haig “Fine and Dandy” y “I Didn’t Know What Time It Was” - George Wallington; “Bop-Kick” - Nat King Cole; “There Will Never Be Another You” - Wynton Kelly; “Bop’s Your Uncle” - George Shearing; “Bopmatism” - Dodo Marmarosa; “Nameless” - Oscar Peterson; “Opus Caprice” y “Liza” - Al Haig; “Safari” - Horace Silver; “Trinkle Tinkle”, “Sweet and y “Bye Ya” - Thelonious Monk; “Un poco loco”, “Tempus Fugue It” y “Parisian Thoroughfare” - Bud Powell Todas las músicas extraídas del número 32 de la serie gala de cds “Saga Jazz”, dedicado a pianistas de Bebop (“Bebop Piano”, Saga Jazz 2003) Escuchar audio
1. Bob Baldwin – Never Can Say Goodbye (5:21) 2. Chet Baker – There Will Never Be Another You (2:59) 3. Aretha Franklin; Rev. James Cleveland – Precious Memories (9:03) 4. Ronny Jordan – Seeing Is Believing (4:56) 5. Shapes – Missing You (4:39) 6. Nancy Wilson – I Remember (4:15) 7. Stan Getz – […]
Gotta get my old tuxedo pressed, gotta sew a button on my vest,'cause tonight I've gotta look my best, Lulu's back in town!Okay, you probably never heard of a songwriter named Harry Warren. But we bet that you know —and can even hum — many of his tunes. Warren was nominated 11 times for the Academy Award for Best Original Song, and he won three of those Oscars, for “Lullaby of Broadway” in 1935, for “You'll Never Know” in 1943 and for “On the Atchison, Topeka and the Santa Fe” in 1946.In a career spanning six decades, Warren wrote more than 800 songs. Besides those Oscar biggies, Warren's better known pieces include novelty tunes like “Jeepers Creepers,” “You Must Have Been a Beautiful Baby” and “Chattanooga Choo Choo” (which was the first gold record in history). And ballads like “I Only Have Eyes for You” and “There Will Never Be Another You.” He also penned signature tunes like “That's Amore,” which Dean Martin claimed as his own, and — best of all! — “At Last,” which simply belonged to the great Etta James.At the MoviesDespite his million-dollar portfolio, Warren remains “the invisible man,” observed journalist William Zinsser, “his career a prime example of the oblivion that cloaked so many writers who cranked out good songs for bad movies."Uh, LOTS of bad (and, well, some good) movies. Harry Warren songs have been featured in more than 300 films over the years. He wrote the music for the first blockbuster film musical, 1933's “42nd Street,” choreographed by Busby Berkeley, with whom Warren often would collaborate. But perhaps an even greater claim to fame for our generation is that fact that Warren songs starred in no fewer than 112 Warner Bros., Looney Tunes and Merrie Melodies cartoons.Welcome Home, Lulu!In 1932, Harry went to work for Warner Brothers studio, where he was paired with an old friend, lyricist Al Dubin. Over the next six years, the two would churn out five dozen songs for 33 musicals, including a long-time favorite of ours.“Lulu's Back in Town” was first performed by the Mills Brothers in the 1935 musical “Broadway Gondolier.” While the film was a highly forgettable Dick Powell-Joan Blondell vehicle, the song itself had legs, especially when it was recorded that same spring by Flood hero Fats Waller, who charted with “Lulu.”Subsequently, the song charmed everyone from Mel Tormé and Wingy Manone to Art Tatum to Oscar Peterson. In the Floodisphere, an especially influential rendition of the song was Leon Redbone's performance on his 1975 “On the Track” debut album. Our first recording of it was 20 years ago on our 2nd album. And Lulu has has come back to visit us with each new configurations of the band.Our Take on the TuneWe'll be returning next week to one of our all-time favorite local venues, playing for the good folks up the hill at Woodlands Retirement Community. It's a wonderful place where we've played regularly for the past 20 years or more. And this time, our old buddy, Floodster Emeritus Paul Martin, is back to sit in with us. Here's something we're dusting off for the evening … you know, just in case Lulu is in the audience. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com
Sintonía: "Bikotzaren Barraaldea" - The Machetazo "Prohibition Swing", "Good Luck", "The Amazing Washboard Machine", "Arbet" y "Spanish Blues" - Tomaccos; "Olimpo", "I´m Confessin´ That I Love You" y "There Will Never Be Another You" - Antonio Grande Ensemble; "Donostia" - The Machetazo Escuchar audio
Hi and welcome to my very first episode, where I will be going through the chord progression for the beautiful tune: There Will Never Be Another You. I hope you will like it and find it beneficial. If you have anything you want to ask or say, please feel free to comment - also if you have a suggestion for a new tune for me to break down. Thank you very much for listening!
“I became very verklempt. It was such a wonder to play it and hear it again. It's hard to describe. When I was down here and the organ was being demonstrated, he (Tony Thomas) was playing ‘There Will Never Be Another You.' And I had a flashback. All those hundreds of people who courted in this theatre, during the war . . . they were all around me. Funny how that happens. It's amazing, really, when you think through all of this, all the things that have happened in this room . . .” That's historian and organist Vincent Astor, and the longest-tenured ‘driver' of the Orpheum's Mighty Wurlitzer, talking about returning to the seat in front of the majestic keyboards – the manuals – of the organ. For an extra special edition of StoryBoard 30, join host Mark Fleischer and filmmaker Willy Bearden as they visit Mr. Astor on the Orpheum stage and at the organ's controls for a little reminiscing, a little education, a little music, and a lot of magic from the Mighty Wurlitzer. Recorded November 5th, 2020, by Willy Bearden and Bearden Company for StoryBoard 30 and FM 89.3 WYPL.
Puerto Rico Jazz @ Brave New Radio WPSC 88.7FM, William Paterson University, New Jersey & @TuneIn Radio! http://tun.in/seoPJRecordamos la visita y concierto en Puerto Rico hace 41 años del saxofonista Dexter Gordon. Y estrenamos el album There Will Never Be Another You de la agrupación Calle Loiza Jazz Project.TuneIn Radiohttp://tun.in/pjADHApple Podcasthttps://podcasts.apple.com/us/podcast/puerto-rico-jazz/id1508259152Sounder FMhttps://puertoricojazz.sounder.fm/show/puerto-rico-jazzLo Mejor del Jazz Boricua en Puerto Rico Jazz Radio @ Brave New Radio!Primer programa en la radio dedicado al Jazz Boricua!Todos los Domingos 9am (Puerto Rico Time) 8am (New York Time)! @TuneIn Radio! http://tun.in/seoPJ & @ Brave New Radio WPSC 88.7 William Paterson University, New Jersey*Diseño de logo de Puerto Rico Jazz por @Shaney LaraPara enviarnos su música o interesados en entrevistas; jazzinmagazine@gmail.com o 787-942-9772
Night Jazz in Aruba, "There Will Never Be Another You" played by Jeanoir Koolman "There Will Never Be Another You" played by Jeanoir Koolman Recorded on Sunday, February 16, 2020 with an iPod Touch using Voice Record Pro.Click to play "There Will Never Be Another You"
Night Jazz in Aruba, "There Will Never Be Another You" played by Jeanoir Koolman "There Will Never Be Another You" played by Jeanoir Koolman Recorded on Sunday, February 16, 2020 with an iPod Touch using Voice Record Pro.Click to play "There Will Never Be Another You"
The Groove Business Plays Jazz in Color The group includes Charlie Bubenik - guitar, bass, drums; Brandon Martinez - guitar, bass, drums; Loc Nguyen - keyboard; Patrick Ong - keyboard; Jacob Orr - guitar, bass; Jack Tran - keyboard; Benson Thomas - keyboard, bass, drums. Under the direction of Dr. Joel LoveTheir Program will be selected from the following standards (plus a couple surprises): Autumn Leaves, Blue Monk, Don’t Get Around Much Anymore, The Girl from Ipanema, Misty, Take the A Train, There Will Never Be Another You, Watermelon Man.
På mange måder har vi mødt Hr. Harmonika i denne episode. For selvom vi ser os selv som harmonikanørder, så bliver det næsten svært at finde en mere nørdet entusiast indenfor harmonika her i Danmark.Mogens Bækgaard er denne episodes gæst og her får vi lejlighed til at få mandens egne ord på hvordan en rigtig harmonikanørd er.Musikken:Mogens Bækgaards Orchestra - Gamla Nordsjön fra CD'en The Sound of ScandinaviaMogens Bækgaard - There Will Never Be Another You fra CD'en Medley Med Mer'Arne Färm & Mogens Bækgaard - Klarinetpolka fra CD'en Svensk På DanskSøren Brix - The Barber Of Sevilla Blues fra CD'en Søren BrixDorte Birch & Mogens Bækgaard - Harmonikaspilleren fra CD'en Tag og kys det hele...Sundeqvist og Bækgaards Kvintett - Pensèer fra CD'en Gammeldans 5Bækgaard, Halaas, Dahle & Brix - Bye Bye Blackbird fra CD'en FestivalLæs mere om Mogens Bækgaard og Jyderup Piano & Harmonikaservice her http://borsini.dk/Værter:Øyvind Ougaard & Kristian Rusbjerg
Welcome to episode 169 of the LJS Podcast where we conclude "Jazz Standards Month." This lesson goes over composing target notes over the jazz standard There Will Never Be Another You and then using those target notes to create a jazz solo. This is a great way to start developing improv skills by slowing things down and intentionally composing jazz lines under the parameter of target notes. View Show Notes: https://www.learnjazzstandards.com/episode169 Sign up for the Newsletter: https://www.learnjazzstandards.com/newsletter/
Welcome to episode 161 of the LJS Podcast where today I go over an in-depth analysis of the jazz standard "There Will Never Be Another You." This is a fantastic tune that has a lot to teach us about traditional diatonic jazz harmony, with a few fun surprises along the way. Learn how to start approaching this great jazz standard. View Show Notes: https://www.learnjazzstandards.com/episode161 Sign up for the Newsletter: https://www.learnjazzstandards.com/newsletter/
This month's tune of the month episode is a tune I have been playing and thinking a lot about lately. There Will Never Be Another You is a great jazz standard with many of the chord movements that we talk about on this show. The circle of fourths is very present in this particular composition and gives us a chance to work on many concepts relating to tension and release. This is exactly what we are doing this week when we look at a #9 to b9 resolution model. These two notes sound fantastic in tandem with one another and when they resolve is one of the most effective sounds in jazz. In this episode we feature an exercise utilizing this line in multiple keys and then we have written an etude for you featuring this sound in many different situations. Enjoy! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!
Kenny Burrell leikur lögin Warm Valley, For Once In My Life, Minha (All Mine), Old Folks, They Can't Take That Away From Me, There Will Never Be Another You og The Night Has A Thousand Eyes. Tríó píanóleikarans Jacky Terrason leikur lögin Just A Blues, He Goes On A Trip, My Funny Valentine, What A Difference A Day Makes, Time After Time, Bye Bye Blackbird og For Once In My Live. Miles Davis og hljómsveit hans leika lögin Baby Won't You Please Come Home, Basin' Street Blues, I Fall In Love To Easily og Joshua.
This week Beebs, Smith and Quayle welcome back YouTube jazz educator Jens Larsen to discuss their approaches to harmonic analysis, chord scale theory and tonal centres. This episode is not a lesson, much more of a discussion of ideas and gets pretty heavy into the weeds with the considerations of jazz harmony - but we know you guys love this deep nerd stuff! So grab yourselves a massive coffee, a chart for the standard There Will Never Be Another You (if you want to follow along with some of the back and forth) and smash that play button! Episode Links & Pictures: Jens’ Warez www.jenslarsen.nl Jens - YouTube YT Jazz Guitar Insiders Facebook Group Modern Jazz Guitar Concepts - Jens’ New Book Useful Links Tom’s Jazz Harmony Tutorial Beebee’s Pathways To Jazz Tutorial The Jazz Theory Book - Levine Berklee book of Jazz Harmony - Mulholland & Hojnacki Chord Scale Theory - Graf & Nettles Show Links Live stream on Tom’s YT channel www.theguitarhour.com TGHP Facebook discussion group TGHP on Twitter TGHP on Instagram Rogue Links Beebs www.davidbeebee.com Beebee - Instagram Beebee - YouTube Fibenare Guitars Hawk Picks Smith www.dansmithguitarist.co.uk Instagram Youtube Fibenare Guitars Quayle www.tomquayle.co.uk Tom - Instagram Tom's Signature Ibanez Guitar Wampler Pedals
Þrjú tríó sjá um Sveifludansana. Fyrst er Tríó Bud Powell leikur lögin Over The Rainbow, There Will Never Be Another You, Jump City, Elegy, Topsy Turvy, Coscrane og Blues For Bessie. Síðan kemur Tríó Jespet Thilo og leikur lögin Midnight Sun, Just Friends, Blue Monk, Till There Was You, On Green Dolphin Street, Stardust og Thou Swell. Síðasta tríóið er íslenskt, Tríó Sunnu Gunnlaugs, sem leikur lögin Tltekt, Dry Cycle, Workaround, All Agaze, Compassion og Endastopp.
Þrjú tríó sjá um Sveifludansana. Fyrst er Tríó Bud Powell leikur lögin Over The Rainbow, There Will Never Be Another You, Jump City, Elegy, Topsy Turvy, Coscrane og Blues For Bessie. Síðan kemur Tríó Jespet Thilo og leikur lögin Midnight Sun, Just Friends, Blue Monk, Till There Was You, On Green Dolphin Street, Stardust og Thou Swell. Síðasta tríóið er íslenskt, Tríó Sunnu Gunnlaugs, sem leikur lögin Tltekt, Dry Cycle, Workaround, All Agaze, Compassion og Endastopp.
This week we take a look at some material by the great trumpeter, Woody Shaw. We focus in on what and where he uses tension to create a fantastic sound with the altered scale. There were two lines from his solo on There Will Never Be Another You that demonstrate a fantastic concept we should all be thinking about. Playing 'inside' and then contrasting it with playing 'outside.' This episode has some great stuff for people of all ability levels so be sure to grab the PDF and incorporate some of these concepts into your practice routine. Enjoy! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! SIGN UP TO BE A PATRON TODAY!
Billy Eckstine syngur lögin Love Is Just Around The Corner, I Gotta Right To Sing The Blues, Imagination, What A Little Moonlight Can Do, I Cover The Waterfront, (I Don't Stand) A Ghost Of A Chance og That's All. Tríó Red Garland leikur lögin I Wish I Knew, Going Home, The Second Time Around, On A Clear Day, It's Alright With Me og You'd Better Go Now. Lee Konitz og Warne Marsh flytja lögin Topsy, I Can't Get Started, There Will Never Be Another You, Donna Lee og Two Not One. Boulou Ferré og hljómsveit leika Ice Cream Konitz, Lennie-Bird, Avant de Mourir og La ballade de Sacco et Vanzetti.
Billy Eckstine syngur lögin Love Is Just Around The Corner, I Gotta Right To Sing The Blues, Imagination, What A Little Moonlight Can Do, I Cover The Waterfront, (I Don't Stand) A Ghost Of A Chance og That's All. Tríó Red Garland leikur lögin I Wish I Knew, Going Home, The Second Time Around, On A Clear Day, It's Alright With Me og You'd Better Go Now. Lee Konitz og Warne Marsh flytja lögin Topsy, I Can't Get Started, There Will Never Be Another You, Donna Lee og Two Not One. Boulou Ferré og hljómsveit leika Ice Cream Konitz, Lennie-Bird, Avant de Mourir og La ballade de Sacco et Vanzetti.
Tríó Jacky Terrasson leikur lögin What A Difference A Day Makes, My Funny Valentine, Time After Time, He Gos On A Trip, I Love Paris og For Once In My Life. Svend Asmussen og kvartett leika lögin Trubbel, In A Sentimental Mood, There Will Never Be Another You, Once Upon A Summertime, Pent Up House og Paco's Delight. Marcus Belgrave og hljómsveit flytja lögin It's Good To Be Home, No 3, Our Gang, Night's Shadow, Batista's Groove og Silence and Song.
Retirement beckons: I'm heading to the University of Chicago for graduate school in financial mathematics! Look for the new website "Mathematician Dan" in which I will post a new differential equation every day. (Just kidding. Sort of.)...Today at Nordstrom, a woman asked me the following question:"Is that canoodling?"She evidently meant this in some musical sense, but I've never heard it used that way. I pretended to think she was asking if I was playing a song called "Canoodling" (though I know of no such song). Altogether an awkward exchange.There Will Never Be Another You