Podcasts about Dexter Gordon

Jazz Grooves 9. Mit møde med Dexter Gordon 2: Hans Barfod præsenterer det 2. program om jazzsaxofonisten Dextor Gordon. 

Dexter Gordon levede fra 1923 til 1990. Han var tenorsaxofonist og sopransaxofonist. Gordon blev regnet for den førende bebop-tenor. Han markerede sig fra midten af fyrrerne og spillede og indspillede med de store bebop-musik-skabere. Hans Barfod har tilrettelagt. 

durée : 00:59:38 - Avec le coeur - par : Nathalie Piolé -

durée : 00:59:52 - Pretty Good Love - par : Nathalie Piolé -

Glenn Miller dijo una vez que Jimmie Lunceford tenía “la mejor de todas las bandas”, y agregó: “Duke es genial, Basie es extraordinario, pero Lunceford los supera a ambos”. Con José Manuel Corrales.

On today's show: we break down last night's big win for Canada, with a hockey watcher who was in the building in Boston; what a Hepatitis A case means for recent diners at Kensington's Meltwich; 50 years ago legendary jazz musician Dexter Gordon came to play in our city. We talk to the Calgary man who got him here.

Larry Vuckovich is an acclaimed Yugoslavian-born, 89 years young, jazz pianist. He achieved fame after immigrating to the United States. He performed with all the jazz greats including Dexter Gordon, Philly Joe Jones, Jon Hendricks, Mel Torme, Tony Bennett, Bobby Hutcherson and Bobby McFerrin. He was the first one to fuse Balkan ethnic music with American jazz. Last year he received a Lifetime Achievement award from his former country which was given to him at the Nisville Jazz Festival in Serbia. And he's got his own YouTube channel too!My featured song is my version of Miles Davis's "All Blues" from the album Miles Behind. Spotify link.    ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“LOVELY GIRLIE” is Robert's new single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

La Navidad es un tiempo alegre de fiesta y celebración familiar en muchas culturas. En la comunidad afroamericana tiene una importancia especial, la canción, el baile y la narración. Era uno de los pocos momentos en que los dueños de las plantaciones daban tiempo a los esclavos para reunirse, aunque fuera bajo su vigilancia. La emancipación en el siglo XIX hizo que la tradición occidental se uniera a elementos de la cultura africana. El Renacimiento de Harlem da una identidad y creatividad a esta música, que tiene su centro en la iglesia, donde se hacen conciertos, obras y lecturas que dan a la historia de la Navidad un anhelo de esperanza y liberación. El movimiento por los derechos civiles de los años 50 y 60 del pasado siglo, hizo que el mensaje de paz de la Navidad encontrará en esos días, su mayor plataforma. El Doctor Soul se une un año más a José de Segovia, para presentar y comentar una selección de temas de Navidad en el programa de Dynamis Radio, "El sueño se ha acabado". Luis Lapuente escoge canciones de los álbumes de soul que aparecían en estas fechas de cantantes como Aretha Franklin (Hark The Herald Angels Sing / The Christmas Song) y muestra la relación de composiciones como "Spanish Harlem" con la Navidad. El Doctor Soul introduce la vertiente jamaicana de Ken Boothe (First Noel), la voz de barítono de Lou Rawls en "Auld Lang Syne", la conciencia social de los Staple Singers (Who Took The Merry Out of Christmas) y la "Blanca Navidad" de Otis Redding. Pasamos de la ligereza de los Jackson 5 (Santa Claus Is Coming To Town), Smokey Robinson (Jingle Bells) o Darlene Love (Winter Wonderland) a la solemnidad de Diana Ross con las Supremes en "Joy To The World" y Robinson con sus Miracles en "O Holy Night". Las composiciones instrumentales que suenan de fondo a la conversación son de la banda de "surf" The Ventures, muchas del músico de jazz Kenny Burrell y el grupo de soul de Memphis, vinculado al sello Stax, Booker T & The M.G´s. Suenan también grabaciones del trompetista Chet Baker, el organista Jimmy Smith, los pianistas Ramsey Lewis y Vince Guaraldi, los saxofonistas Carla Bley, Dexter Gordon, Gene Ammons o el guitarrista Oscar Moore. La realización sonora que mezcla la música, las voces y las canciones es de Daniel Panduro.

Can you believe it's our second anniversary episode? And our fiftieth? We're celebrating both, and we have a very special guest who makes an appearance. We're discussing our namesake movie, TapeHeads, a fairly obscure 1988 cult classic film starring John Cusack and Tim Robbins as two guys who want to get into the business of making rock music videos. It also stars Sam Moore and Junior Walker as their musical idols the Swanky Modes. The soundtrack is fantastic (Todd owns it on vinyl, CD, and cassette), and the score is by Fishbone, who appear in a scene as a country band. Comparatively few people have seen this underdog of a movie, and we're thrilled to be able to share it with you. Am I crying? Well, it wouldn't surprise me if I was. Let's get into trouble, baby! (TapeHeads fact checker here: Bird is the movie about Charlie Park, obviously. The Dexter Gordon movie is 'Round Midnight.) Connect with us a tapeheadspod.com RELATED LINKS: TapeHeads, at IMDB The excellent TapeHeads soundtrack, on YouTube

In onda Fabio Barbieri. Musiche: Neil Young, Pan American, Dexter Gordon, Smiths, Iron & Wine, Mazzy Star, Duendita, Jorja Smith, Charles Lloyd and Jason Moran, Marcin Wasilewski Trio.

Qu'ont en commun Lester Young, Stan Getz, Miles Davis, Chet Baker, Dexter Gordon, Serge Gainsbourg, les Double Six et… Claude François ? Tous ont eu affaire à René Urtreger, un type qui sait que pour jouer du piano il faut trois choses : la tête, le cœur et les tripes. Portrait en quatre épisodes dans Pour Qui Sonne le Jazz. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

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GERRY MULLIGAN SEXTET “MAINSTREAM OF JAZZ” New York, January 25, 1956 MainstreamJon Eardley (tp) Bob Brookmeyer (v-tb) Zoot Sims (ts) Gerry Mulligan (bar) Bill Crow (b) New York, September 26, 1956 Elevation, Root blues [Blues at the roots]Don Ferrara (tp) Bob Brookmeyer (v-tb,p) Zoot Sims (ts) Gerry Mulligan (bar,p) Bill Crow (b) Dave Bailey (d) BRIAN LANDRUS “PLAYS ELLINGTON & STRAYHORN” Brooklyn, NY, August 6 & 7, 2023A flower is a lovesome thing, Come Sunday, The telecasters, Lotus blossom, Sophisticated lady Brian Landrus (bar,bassax,b-cl,contra-alto-cl,pic,fl,alto-fl,bass-fl)Dave Stryker (g,el-g) Jay Anderson (b) Billy Hart (d) STAN LEVEY “THIS TIME THE DRUM'S ON ME” Los Angeles, September 27 & 28, 1955Diggin' for Diz, La chaloupee (from “Tales of Hoffman”), This time the drums on me [Max is making wax]Conte Candoli (tp) Frank Rosolino (tb) Dexter Gordon (ts) Lou Levy (p) Leroy Vinnegar (b) Stan Levey (d) Continue reading Puro Jazz 20 de septiembre, 2024 at PuroJazz.

GERRY MULLIGAN SEXTET “MAINSTREAM OF JAZZ” New York, January 25, 1956 MainstreamJon Eardley (tp) Bob Brookmeyer (v-tb) Zoot Sims (ts) Gerry Mulligan (bar) Bill Crow (b) New York, September 26, 1956 Elevation, Root blues [Blues at the roots]Don Ferrara (tp) Bob Brookmeyer (v-tb,p) Zoot Sims (ts) Gerry Mulligan (bar,p) Bill Crow (b) Dave Bailey (d) BRIAN LANDRUS “PLAYS ELLINGTON & STRAYHORN” Brooklyn, NY, August 6 & 7, 2023A flower is a lovesome thing, Come Sunday, The telecasters, Lotus blossom, Sophisticated lady Brian Landrus (bar,bassax,b-cl,contra-alto-cl,pic,fl,alto-fl,bass-fl)Dave Stryker (g,el-g) Jay Anderson (b) Billy Hart (d) STAN LEVEY “THIS TIME THE DRUM'S ON ME” Los Angeles, September 27 & 28, 1955Diggin' for Diz, La chaloupee (from “Tales of Hoffman”), This time the drums on me [Max is making wax]Conte Candoli (tp) Frank Rosolino (tb) Dexter Gordon (ts) Lou Levy (p) Leroy Vinnegar (b) Stan Levey (d) Continue reading Puro Jazz 20 de septiembre, 2024 at PuroJazz.

durée : 00:59:09 - Banzzaï du jeudi 12 septembre 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Rays Jazz ShopRays Jazz shop was originally Collets Jazz and Folk Records " The shop moved to Shaftesbury Ave in 1974 and the following year Ray came to an agreement with Chris Barber to store and sell a vast number of mint condition 78s which Chris had picked up from a warehouse in New Jersey. They were on the Savoy, DeeGee and Bop labels, still boxed in original packaging from the late 40s, by Charlie Parker, Dizzy Gillespie, Dexter Gordon, Sonny Stitt, Wardell Gray & others. The publicity raised the profile of the shop, television and radio publicity followed, and Peter Clayton interviewed Ray, with Matthew Wright, for a broadcast on the BBC World Service,In 1983, Collets wanted to move the record shop but the jazz staff – Ray, Matthew and Bob Glass - had no interest in going. Ray decided that as it had been his life for nearly thirty years, he had most to lose and was more committed to it, so he bought the lease from Collets. They closed for a few days, pulled down a wall, repositioned the counter and reopened it as Ray's Jazz Shop, ready for trading. Ray's wife, Wendy, a professional illustrator, designed the cat logo for the shop. It quickly established itself and live music sessions were held there. It was a meeting place for musicians and legendary hipster Slim Gaillard became a regular. In 2002, spiralling costs and ill health forced him to give up the lease, but thanks to the endeavours of Paul Pace, the name lives on at Foyle's in the Charing Cross Road and in the words of Georgie Fame's song “Vinyl”.In his final years he only occasionally moved out of his home area of Camden, but could be seen from time to time at gigs, usually accompanied by close friend and musician Paul Shearsmith. "From Cargo CollectiveLook out for the bonus episode coming soonThis is our website This is our InstagramThis is our Facebook group

DEXTER GORDON RE-ISSUE – HOMECOMING – LIVE “VILLAGE VANGUARD” New York, December 11 & 12, 1976 FenjaWoody Shaw (tp,flhrn) Dexter Gordon (ts) Ronnie Mathews (p) Stafford James (b) Louis Hayes (d) WAYNE SHORTER MOSAIC RE-ISSUE – SPEAK NO EVIL Engelwood Cliffs, N.J., December 24, 1964Speak no evil, Fee-fi-fo-fum, Wild flowerFreddie Hubbard (tp) Wayne Shorter (ts) Herbie Hancock (p) Ron Carter (b) Elvin Jones (d) HANK MOBLEY THE COMPLETE BLUE NOTE FIFTIES SESSIONS – PECKIN' TIME Hackensack, N.J., February 9, 1958High and flighty, Peckin' time, Stretchin' outLee Morgan (tp) Hank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Charlie Persip (d) Continue reading Puro Jazz 04 de junio, 2024 at PuroJazz.

Jazz saxophonist Joe Henderson was born on April 25, 1937 in Ohio. Following his stint in the U.S. Army from 1960 to 1962, Henderson made his way to New York City, where he crossed paths with fellow saxophonist Dexter Gordon. Joining Gordon's band proved pivotal for Henderson's career, exposing him to diverse musical influences including bebop, R&B, and Latin styles. Henderson's breakthrough arrived with a standout solo on Horace Silver's popular track, "Song for My Father." This led to a deal with Blue Note Records, featuring a remarkable 30 albums from 1963 to 1968.  Throughout his career, Henderson collaborated with jazz luminaries such as Miles Davis and Herbie Hancock, as well as the rock ensemble Blood, Sweat & Tears.  In 2001, Henderson died at 64 years old. Learn more about your ad choices. Visit megaphone.fm/adchoices

THIS WEEK's BIRDS: Egyptian composer Nadah El Shazly; Congolese rumba from Bopol Mansiamina and Tabu Ley Rocheareau; Italian songstress Ornella Vanoni; vintage  David S. Ware; recent Roscoe Mitchell (w. trio); brand new music from Amirtha Kidambi and Elder Ones; Kuwait/gulf singer Rabab; Dexter Gordon & Slide Hampton in Copenhagen; Kenny Duorham goes Afro-Cuban;  Cuban legend Pío Leyva; also from, Cuba ; Guillermo Pompa Montero; guaguancó fro, Principe y su; popular Brazilian bossa and samba from Maria Bathânia; Abel Silva & Roberto Menascal (w. Wanda Sá); cross-cultural collaboration in music/poetry (Brazil, Portugal, Italy, Argentina..,.) from  Vinicius de Moraes, Giuseppe Ungaretti, Sergio Endrigo, et al.  and of course much, much more!!!!  Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/18724154/Conference-of-the-Birdshttps://spinitron.com/WRFI/pl/18724154/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com  

MARIA SCHNEIDER ORCHESTRA ALLEGRESSE New York, January 26 & 27, 2000Hang gliding.Solos: Greg Gisbert (flgl), Rick Margitza (st) Maria Schneider (comp,cond) DEXTER GORDON / HARRY “SWEETS” EDISON / NAT KING COLE “HITTIN' THE RAMP” Los Angeles, 1943Sweet Lorraine, I blowed and gone, I've found a new baby, RosettaHarry “Sweets” Edison (tp) Dexter Gordon (ts) Nat King Cole (p) Johnny Miller (b) poss. Continue reading Puro Jazz 09 abril 2024 at PuroJazz.

Today on the Rarified Heir Podcast we are talking to Ed Eckstine, son of singer Billy Eckstine and actress/model Carolle Drake. Our conversation with Ed was fun, fascinating, edifying and above all, full of stories of his life as the child of a celebrity but also his own career in the music industry. Our only regret was not keeping Ed for another 90 minutes because he has stories for days. We barely scratched the surface. Part two is a must. Many of us only know Billy Eckstine as a jazz & pop singer whose baritone voice and smooth delivery made him one of the most in-demand singers from the 1930s well into the 1950s. But he also was a guitar player, trumpet player and this Billy Eckstine & his Orchestra was the first Bebop Big Band and his players and vocalists were a who's who of Jazz -  Charlie Parker, Dizzy Gillespie, Dexter Gordon, Miles Davis, Art Blakey,  Sarah Vaughan, Pearl Bailey, and Lena Horne all were part of the band in the 1950s. By 1950, his popularity rivaled Sinatra - which as you will hear wasn't a rivalry at all between these two friends. It was Eckstine's talent as well as his good looks and dapper attire that made him perhaps the first black entertainer to become a crossover star in the segregated 1950s America. But as we learn from our conversation with Ed, one photo in a major American magazine essentially put an end to all that in the must ugly and vile way possible. But to hear Ed tell it, this terrible incident was a blessing in disguise as it opened up doors for him outside America and made him an international star, touring well into the 1980s in Europe, Australia and Japan. Our conversation with Ed also focused on his own career in the music industry that took him from journalist to publicist to head of Quincy Jones Qwest Productions to stints at Polygram,  Arista and as the President of Mercury Records. As Nabil Ayers in the New York Times said, “Eckstine's story is unique because he was the first black person to be let in — to be allowed by the predominantly white music industry to helm one of its largest entities.” This is the Rarified Heir Podcast and everyone has a story. Ed Eckstine's is like none other.

durée : 00:59:16 - Banzzaï du jeudi 14 mars 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Tenor saxophonist Dexter Gordon was one of the most quintessential performers on that instrument for over 40 years. Born in Los Angeles on February 27, 1923, he was initially heavily influenced by Lester Young, but soon developed his own bebop vocabulary and a room filling sound befitting his 6'6” frame, his playing heavily influenced Sonny Rollins and John Coltrane. He was one of a number of American jazz musicians to become an expatriate, spending 14 years in Copenhagen and Paris. His bravura performance in the film Round Midnight earned him a best actor nomination, in 1986. On Sunday, the Jazz Evensong Quintet will perform a selection of his compositions from his over 90 recordings as a leader.

Rufus Reid is an extremely important but under-recognized figure in modern jazz. He's always been someone who's had one foot in the mainstream and one in the avant-garde — he did a lot of work with soul jazz and jazz-funk saxophonist Eddie Harris in the early 1970s, before joining Dexter Gordon's band when Gordon made his famous US comeback after years in Europe. He was also part of Andrew Hill's band in the late '80s, and has done a ton of straightahead records. But he was also a member of Jack DeJohnette's Special Edition in the early '80s, and he was one of the four bassists on Henry Threadgill's X-75 album, and he played on Muhal Richard Abrams' Things To Come From Those Now Gone, and he played with Anthony Braxton on the two Seven Standards 1985 albums with Hank Jones on piano and Victor Lewis on drums. He was also a member of the World Bass Violin Ensemble, which was a group of six bassists that made an album for Black Saint in 1984. Reid has also done a lot of work as a leader. He's made a string of albums in collaboration with drummer Akira Tana and various other musicians; he's done bass duo albums with Michael Moore; and he's led the Out Front trio with pianist Steve Allee and drummer Duduka Da Fonseca. In 2014, he released Quiet Pride: the Elizabeth Catlett Project, an album that featured a total of 19 instrumentalists and a singer all paying tribute to a sculptor whose work focused on the Black female experience in America. Reid is also an educator and the author of The Evolving Bassist, a book originally published in 1974 that's still a standard text for bassists. In this interview, we talk about Reid's work with Eddie Harris, with Dexter Gordon, with Henry Threadgill, and with his own ensembles. We talk about a six-CD set he made with Frank Kimbrough a few years ago, recording all of Thelonious Monk's compositions. We talk about his approach to the instrument, his influences, and about his new album, which is a duo collaboration with pianist Sullivan Fortner. This was a really enjoyable and informative conversation, and I think you'll come away from it with a new or perhaps a renewed appreciation for someone who's been a major figure in jazz for 50 years and isn't stopping yet.

durée : 00:59:58 - Chanter, changer - par : Nathalie Piolé -

Air Week: February 5-11, 2024 R&B Influences: Lionel Hampton Lionel Hampton's big band was a training ground for so many of the all-time great musicians: Dizzy Gillespie, Charles Mingus, Dexter Gordon, Joe Morris, Dinah Washington, Wes Montgomery, Little Jimmy Scott and Clifford Brown. His musical education began on drums and piano while attending the Holy […]

Ready for some good, fun straight ahead Jazz? AJ and Johnny take a look at the Sonny Rollins Jazz standard "Doxy"! You'll hear versions by Miles Davis with Sonny, Dexter Gordon, Red Mitchell, Branford Marsalis, Mike Jones, and new-to-us artist David Finck.

durée : 00:59:14 - Sens dessus dessous - par : Nathalie Piolé -

Welcome to the Digging Deeper Jazz Podcast. This podcast was originally released on September 18th, 2020, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #171, Jeff gives you the secret behind the rhythm changes playing of Sonny Stitt, JJ Johnson, Monk, Dexter Gordon, Art Tatum, Don Byas and more. You've never been hipper than you'll be after watching this video! Send Jeff some flowers or something. Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • Digging Deeper Jazz - All of the DDJ episodes include a pdf. Just write us at diggingdeeperjazz@gmail.com, and we'll offer you the pdfs in bundles of 50, or all 200 for a discount! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

It's time to discover, learn, and play Jazz Piano with special guest Paul Croteau.Paul grew up in Bloomfield, CT. His father was a passionate jazz fan with a modest but finely refined record collection, immersing him in the sounds of Dexter Gordon, Oscar Peterson, Dave Brubeck, Phil Woods, Jack McDuff, and many other jazz greats. He took up the saxophone at the age of 10, then taught himself piano during high school. He studied classical saxophone with Philip Delibero, earned All-State and All-New England recognition, along with several jazz soloist awards during competitions at Berklee in Boston. He then attended the renowned music school at North Texas where he studied with Jim Riggs. Paul played lead alto in the 1988 Disneyland All-American College Band in Anaheim, and won first place in the 1989 North American Saxophone Alliance Jazz Competition in Washington DC. Upon graduation Paul traveled the world as a freelance musician for many years playing in a variety of genres from classic jazz and shows to R&B and smooth jazz. Later in life after building a family with his North Texas college sweetheart, Paul shifted his focus to composing music for television and film, forming Yo Paulie Music (YPM) in 2015 out of his home studio in San Antonio, TX. Today, Paul creates not only classic jazz and solo piano works, but genres he never imagined writing such electronic/orchestral tension music, string quartets, hip hop and trap, and pop music of all kinds. Today Paul's music has been heard on more than 75 unique television series, across 40+ networks in 30+ countries, as well as in feature films. You can find Paul's music on Spotify, iTunes and other streaming services, and he has a humble YouTube channel dedicated to teaching people about writing for tv/film. paul@yopauliemusic.comwww.yopauliemusic.comIG: @YoPaulieMusic  Spotify: https://bit.ly/ypm_spotifyIMDB: https://www.imdb.com/name/nm14263646/YouTube: https://www.youtube.com/@yopauliemusicSupport the show

Ad Colen, Dexter Gordon, Coleman Hawkins, Houston Person, Lucas Santana, Stan Getz...Veel saxofoons, dit eerste uur van All That Jazzz. Vindt niemand erg, toch...?

S'acaba de publicar "Together again", un disc que recull el concert que va fer Tete Montoliu amb la cantant Laura Sim

S'acaba de publicar "Together again", un disc que recull el concert que va fer Tete Montoliu amb la cantant Laura Sim

Welcome to the Digging Deeper Jazz Podcast. This podcast was originally released on June 26th, 2020, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #159, we look at the amazing Tritone Substitute, but in a very different setting than most of us are used to seeing it. Join Jeff, John Coltrane, and Dexter Gordon as we look at the Triton Sub on a "II" chord. It's a super hip sound, and a great concept and option to be aware of. Let's dig in!Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • Digging Deeper Jazz - All of the DDJ episodes include a pdf. Just write us at diggingdeeperjazz@gmail.com, and we'll offer you the pdfs in bundles of 50, or all 200 for a discount! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

Jono McNeil returns from our last episode, joining Alexa to discuss licks, riffs, runs, and how to master that vocal style. Jono has served as Head of Vocals at the Academy of Contemporary Music (ACM), designing degree vocal curriculum content. He's also an external examiner for institutions like Leeds Conservatoire, combining his passion for popular music and artistry with innovative research. With academic qualifications including a Jazz degree and a Voice Pedagogy master's, he's dedicated to realising the potential of popular music. KEY TAKEAWAYS According to Jono, ornamentation serves as a delightful artistic tool, reminiscent of classical music's intricacies. He suggests that ornamentation, encompassing turns, formants, borders, trills, and more, adds a layer of decoration to the vocal performance. This not only enhances the musical experience but also enables singers to infuse their personal touch into each phrase. Jono's believes that exploring various onsets, from the breathy and balanced to the glottal, shapes the vocal narrative in profound ways. By employing these diverse onsets within a single phrase, singers can achieve a rich dynamic palette that captivates the audience's attention, offering a distinctive auditory journey. Dynamics aren't merely about loudness but encompass shading and texture. These nuanced shifts in volume and intensity create a vivid musical landscape, effectively evoking emotions and intensifying the listeners' engagement. From Jono's perspective, vocal embellishments like licks, runs, and riffs are essential tools for expressing agility and technical prowess. He believes these techniques add an exciting layer of creativity and individuality to a performance. Jono encourages singers to incorporate these elements organically, allowing their vocal expression to flourish while captivating their audience with the art of improvisation. Jono's approach emphasises the fusion of technique and musicality. He believes that true mastery of style involves knowing when to apply specific techniques, a skill that comes from musical wisdom. For Jono, style is not just about adding ornamentation or variations; it's about weaving a tapestry of musicality that resonates deeply with listeners, turning each performance into a unique artistic statement. Smooth Singing and Ornaments: When discussing terms like licks, riffs, and runs, we're talking about singing agilely across notes with smooth, connected execution. For instance, "lick" might refer to a melodic ornament, while "riff" could mean a repeating motif in pop. The goal is to master these elements to create engaging performances. Different Runs and Combinations: Vocal stylization involves various runs. Some are single-note embellishments, while others are combination runs with distinct sections. Learning and combining these parts enhances vocal skills. Breaking down complexity into manageable portions contributes to dynamic performances. Technique and Artistic Expression: Achieving vocal stylisation balances technique and creativity. Mastering techniques like maintaining jaw looseness, proper airflow, and posture enhances licks, runs, and riffs. These elements become easier with a strong technical base. Combining technique and creativity leads to captivating performances. Enhancing vocal agility begins with dissecting licks, riffs, and runs. Natalie Weiss's approach of breaking them down simplifies understanding, making it accessible for all skill levels. Slow, methodical practice is foundational; starting with a deliberate pace establishes precision and awareness of physical sensations. Gradually increasing tempo with a metronome builds discipline and muscle memory, leading to mastery. Achieving vocal agility requires steady, patient progress. Recognizing individual differences is crucial. The metaphor of the hare and tortoise holds true; steady, consistent practice leads to substantial growth in the industry. While some may advance quickly, embracing a patient mindset fosters sustainable improvement. Building a foundation and gradually progressing towards ambitious goals forms the essence of the journey towards vocal agility. BEST MOMENTS ‘Style gives you a discernible sound, making your performance stand out'‘Dynamics are about shading, texture, creating a sonic landscape'‘True style mastery is knowing what to include and exclude, weaving musicality into a unique performance'‘At the core of mastering vocal style lies a focus on foundational elements'‘Get those licks on clicks, use a metronome' EPISODE RESOURCES Website: www.jonomcneiled.com Social Media:  Instagram: @jonomcneil Relevant Links & Mentions:  Artists mentioned: Miles Davis; Lester Young; Dexter Gordon; John Coltrane; Karen Carpenter; Whitney Houston; David Bowie; Doja Cat; PinkPantheress; Bella; No Guidance; Scissor; Lalah Hathaway; Yebba Singing Teachers Talk Podcast - Ep. 123 Insights into TV Vocal Coaching with The Masked Singer's Jono McNeil  Youtube - Natalie Weiss' Breaking Down the Riffs: https://www.youtube.com/@NatalieWeissOfficial ABOUT THE GUEST Jono McNeil has provided vocal coaching, arranging and production for pop artists, groups and vocalists in a range of influential positions within the UK music and entertainment industries for over 15 years.  He works as a vocal coach across a variety of TV shows including The Voice UK, The Voice Kids, The Masked Singer, Little Mix, The Search, Wedding Day Winners and Change Your Tune.  He also does coaching and vocal arrangement for touring acts such as JLS, New Rules, Needanamebro and July Jones to name a few.  An artist and singer in his own right, Jono has performed with Michael Buble, Paloma Faith, Josh Groban, Nelly, Jamie Cullum, Philip Selway (Radiohead), Lemar, George Ezra and Jocelyn Brown, with also several original albums available on streaming platforms. ABOUT THE PODCAST BAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events.Website: basttraining.comGet updates to your inbox: Click here for updates from BAST TrainingLink to presenter's bios: basttraining.com/singing-teachers-talk-podcast-biosThis show was brought to you by Progressive Media

Maggie speaks with percussionist Joey DeLeon and bassist Eddie Resto about  “The Global Salsa Explosion and Its Origins” and play the incredible, iconic music that caused such a sensation when it stormed out of New York in the 1970s.Joey De Leon is a percussionist, educator and producer who's performed or recorded with artists of almost every genre from jazz to Latin, pop to contemporary classical and film scores. The long list of artists he's worked with include Queen Latifah, Al Jarreau, Jennifer Lopez, Bette Midler, Cyndi Lauper, Poncho Sanchez, Arturo Sandoval and Gordon Goodwin's Big Phat Band.Joey DeLeon was born in the Hell's Kitchen section of New York City, holds a bachelor's degree from the prestigious Manhattan school of music and is currently a faculty member at Cal Arts here in Sothern California.Eddie Resto is a bassist whose credits are just as astoundingly diverse as Joey DeLeon's. Eddie's resume includes his work with Tony Bennett, Rita Moreno, Sonny Stitt, Tito Puente, Dizzy Gillespie, Paul Simon, Kenny Burrell, Herbie Hancock, Chick Corea, Carlos Santana, Jaco Pastorius, Dexter Gordon, Max Roach, Eddie Palmieri and Joni Mitchell.Eddie holds a master's degree in Afro-Latin music from California State University of Los Angeles and serves his communities through his work with the Mancini Institute, The Urban League, The Boys and Girls Club of America and other youth organizations.Source: https://www.labella.com/artists/eddie-resto/#:~:text=Born%20and%20raised%20in%20Manhattan,major%20performers%20and%20music%20groups.Source: https://www.joeydeleonmusic.com/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

Relaxing Jazz. Artists include: Sonny Rollins, Samara Joy, Jeremy Pelt, Norah Jones, Dinah Washington, Dexter Gordon, Jason Gay  and more...Thanks to my returning guest Omar "The Manger"Become a premium member today to enjoy over 70+ bonus shows & content at djbenniejames.supercast.comTips Welcome at: Cash App $djbenniejames or Venmo @dj-bennie-jamesLicensed by  ASCAP 400009874Special Thanks as always to:  Donna at Life Destiny SOULutions, The Gardner Family, Omar Boyles Promotions and Brian Marshall  Support the showI.G: benniejames3Twitter: @benniejames123FB: bennie.james.10Website: djbeniejames.comStudio Line: 1-856 295-1753 - leave a voicemail messageLicensed by ASCAP 400009874

Rufus Reid With an incredible resume as a sideman, bandleader, and educator, bassist Rufus Reid represents one of the most significant links to the great jazz tradition. His remarkable accomplishments have not gone unnoticed, and Reid has worked and recorded with legends like Eddie Harris, Dexter Gordon, Andrew Hill, The Thad Jones/Mel Lewis Quartet, Kenny Barron, Stan Getz, J.J. Johnson, Jack DeJohnette, and many others.  In fact, he has recorded on over 500 albums. His reputation as an educator is equal to that of his musical achievements.  His book⁠ ⁠The Evolving Bassist⁠⁠ (Myriad Limited, 1974) remains the industry standard for double bass methodology.  Reid and Dr. Martin Krivin created the Jazz Studies and Performance Bachelor of Music Program at William Paterson University.  This program offered the first professional academically accredited Bachelor of Music in Jazz Studies in the NY, NJ, and CT tri-state areas. On November 19, 2022, Mr. Reid was honored as part of the Giants of Jazz Series at the South Orange Performing Arts Center in New Jersey. Before the celebration, I was asked to interview the bassist for New Jersey Jazz Magazine, and here is that interview. For more on Rufus Reid ⁠https://rufusreid.com/⁠ For Jay's article on Rufus Reid ⁠(https://www.newjerseystage.com/articles/getarticle2.php?titlelink=giants-of-jazz-bassist-rufus-reid-to-be-honored-at-annual-sopac-concert) 

Pat Irwin is a renowned film and television composer; some of his scores include Dexter: New Blood, Rocko's Modern Life, Pepper Ann, and Nurse Jackie. He's also a multi-instrumentalist who was a member of the B52s for 18 years; he founded The Raybeats and 8 Eyed Spy, and more recently the band SUSS of which I'm a fan. Pat also teaches film composition at NYU, and Brooklyn College at the Feirstein Graduate School of Cinema, and this conversation wove it's way into important topics for all of us: a life well-lived, grief, the importance of creativity and of having a good hang. As always, I've included detailed timestamps, so if you want to jump to his days with the B52s or Dexter, go ahead, but I hope you'll take the time to listen to this whole episode which is rich with music and stories. Pat is as articulate as he is creative. You may be surprised that the episode begins with his time in Paris interviewing jazz musicians and learning from John Cage. Please buy me a coffee! https://ko-fi.com/leahroseman Like all my episodes in this series, this is also a video, and the transcript is linked here as well: https://www.leahroseman.com/episodes/pat-irwin Pat Irwin: https://patirwinmusic.com/ Rocko's Modern Life soundtrack album link: https://open.spotify.com/artist/4cxM57oL5yL3wIDlagQyOG Timestamps: (00:00) Intro (02:51) Paris meeting Dexter Gordon, Bill Coleman, Mal Waldron, Steve Lacey, Nadia Boulanger, John Cage (09:54) intro to clip from Rocko's Modern Life (10:21) clip from Rocko's Modern Life the Pogo Stick Scenario (10:52) Nadia Boulanger, love of jazz (13:25) intro to Lost and Found albums (14:02) Swing Time from Volume 3 of New Sounds From the Lost and Found (15:51) Open Window from Volume 4 of Lost and Found (17:06) intro to Rocko's Modern Life (18:11) Rocko Versus Food Boy from Rocko's Modern Life soundtrack (20:11) Rocko's Modern Life, Kevin Norton, Art Barron (22:12) Walter Hawkes, Long Island City, Ernie Brooks, Don Cherry, The Talking Heads (26:07) In Another Time from Wide open Sky with J. Walter Hawkes (30:36) NYC 8 Eyed Spy, The Raybeats, the B-52s, deaths of Ricky Wilson and George Scott (37:24) touring life and joining the B-52s (44:03) writing music for film and television, collecting instruments (47:12) Early Morning Song from volume 5 The Lost and Found (52:56) Dexter: New Blood (57:21) music from Dexter: New Blood Suite part 1 (59:12) SUSS, Gary Leib (01:06:06) Winter Was Hard SUSS (01:07:59) pedal steel, lap steel, Jonathan Gregg (01:09:00) teaching film composition at NYU, advice to young composers, the importance of the arts (01:17:30) SUSS (01:24:54) SUSS Across the Horizon (01:30:46) Pat's start composing for film, changes in film composition industry (01:35:27) reflections on the importance of music --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

58 minutes du meilleur de la musique

Celebrating the glorious music of Dexter Gordon on the centenary of his birth, February 27, 2023, with the brilliant Eric Person.     Photo credit: Dexter Gordon at Mountain Winery Jazz Festival, Saratoga CA_1981 Brianmcmillen, CC BY-SA 4.0 creativecommons.org-licenses-by-sa-4.0, via Wikimedia Commons

Celebrating the magnificent Dexter Gordon on the centenary of his birth, February 27, 2023, with the brilliant Eric Person.     Photo credit: Dexter_Gordon at Mountain Winery Jazz Festival, Saratoga CA_1981 Brianmcmillen, CC BY-SA 4.0 creativecommons.org-licenses-by-sa-4.0, via Wikimedia Commons

Celebrating the incomparable Dexter Gordon on the centenary of his birth, February 27, 2023, with the brilliant Eric Person.     Photo credit: Dexter Gordon at Mountain Winery Jazz Festival, Saratoga CA_1981 Brianmcmillen, CC BY-SA 4.0 creativecommons.org-licenses-by-sa-4.0, via Wikimedia Commons

This week on Agee & Gates we have a crazy Hoop Dreams journey with the grandson of the man who Rucker Park was named after and who is the founder of the clothing brand, The Rucker Brand. Mr. Chris Rucker joins Will Gates and Arthur Agee on the show to give us his origin story and to share some history on one of the most famous street ball courts in the world, Rucker Park in New York.Chris goes way back and shares his grandfather Holcombe Rucker's origin story and his contributions to basketball which led to Rucker Park adopting his name. Chris also talks about his business partner in The Rucker Brand, Dexter Gordon, and how they came together to build Rucker Brand and some of the plans they have for the future. The guys get into the famous names who have played, coached and been to Rucker Park and what the park means to basketball fans worldwide. Don't miss this episode if you are a true basketball fan because if you don't know about Rucker Park then you better read up. Listen & Subscribe now on all your podcasts platforms.An Unlearning Network ProductionHosted by Will Gates and Arthur AgeeProduced by Matt HoffarWritten by Matt Hoffar, Will Gates and Arthur AgeeEditing by: Matt Savagewww.unlearningnetwork.com

HAPPY NEW YEAR! The BIRDS is THREE HOURS AGAIN! We've returned to our Friday night slot, 9:00-MIDNIGHT (EST), on WRFI: 88.1FM Ithaca, 89.7fM Odessa, 91.9FM WINO Watkins Glen. and online at WRFI.ORG. This week: Cancanilla; Chico Alvarez; Baby Gonzalez & Orquesta Riviera; Dexter Gordon; Val Xalino; Quirino do Canto; Conjunto Contratempo; Janel Leppin; Ubiet; An Bichwi; Fadwa Oubied; Abade al Johar; Mohammed Ruicha;  Ould Baba; L. Khaloul; much more...! Always FREE of charge to listen to the radio program on WRFI at our new time Sundays 7:00-9:00PM (New York time), and free also to stream, download, and subscribe to the podcast online: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/m/playlist/view/16855742 and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Explore the music of the late Max Hartstein, an important Indiana visual artist, activist, and jazz bassist. While Hartstein's contributions to jazz music are often overlooked, he performed with some of the greatest players in jazz history, including Cannonball Adderely, Ben Webster, Kenny Clark, Dexter Gordon, Bud Powell, Dizzy Gillespie, and Benny Goodman.

An extraordinary number of the greatest jazz musicians were deeply involved in psychoactive drug use – to the extent that the history of jazz and the history of drugs during the middle third of the 20th century are inseparable. The King of Jazz, Louis Armstrong, never went a day without marijuana. The great “Lady Day,” Billie Holiday, became during the 1950s “the most famous drug addict in America.” Most of the great saxophonists – Charlie Parker, Sonny Rollins, John Coltrane, Stan Getz, Art Pepper, Gerry Mulligan, Dexter Gordon and many more – used heroin as well as other drugs. Martin Torgoff, author of Bop Apocalypse, has probably thought about this subject more deeply than anyone else. Why did so many jazz musicians use heroin and other drugs? How did it impact the music they made and the lives they led? What role did racism and the nascent war on drugs play in all this? And what's the connection with famous Beat writers like Jack Kerouac and the poet Allen Ginsberg?See omnystudio.com/listener for privacy information.

Our 100th episode! To help us celebrate this milestone, Skip and Jason are joined this week by friends of the show Nels Cline (Wilco), Barry Grzebik (Grez Guitars), Jesse Quitslund (Acme), Steve Melkisethian (Angela Instruments), and Colleen Fazio (Fazio Electric). We tackle a few amp questions, get the first-ever ambient remix of our podcast, catch up, and announce the winners of our 100th episode giveaways.  This week's episode is sponsored by Calton Cases, Jupiter Condenser Co., Amplified Parts and Grez Guitars. You can also use the discount code FRET10 to save 10% off your Izotope purchase. Support us on Patreon.com for added content and the occasional surprise.  Some of the topics discussed this week: 4:48 'California Burning' book (Amazon link) 7:05 Special guest: Nels Cline: Daybreak Seaweed Flakes (link)  8:26 Our TAVA 100 Giveaways: A Grez Mendocino Junior; a Skip-modded SF Fender champ; a Madsen Amplification GE Boost (use the discount code TAVA 20 at madsenamps.com); a FirstCoast Amplification-modified Masco-turned-5F2A Princeton (FirstCoast's Reverb store); Eric Daw's new book 'Solid Sound: 23 Schematics for Wiring Vintage and Modern Single-Coil, Solid-Body Guitars' (order link) 11:01 Special guest: Barry from Grez Guitars 11:23 Special guest: Jesse Quitslund (Acmeverb.com) 17:55 Special guest: Steve Melkisethian (Angela Instruments), a rough tomato season, the Angela SSE amp project 21:52 Special guest: Colleen Fazio (fazioelectric.com) 26:35 Marty from the Oregon Coast 28:05 Carlsbro amps, haunted amps 33:38 What does a wattage rating really mean? 38:29 Derek the Cruise Ship Guy's ambient TAVA remix; increasing the tremolo on old Fender amps, pulling the tremolo pre-amp tube to increase gain, McGohan PA amps 48:14 Building the Angela SSE amp (link to the catalog/schematic) 53:35 Favorite speakers for black panel Fenders, Colleen's test cabinet 56:26 A philosophical question: What if the modded vintage amp you bought was modded by a genius?; homemade hot sauce, mica caps, replacement Fender Silverface pilot light washers 1:07:19 The amp that Barry at Grez puts all his guitars through 1:09:06 Was the Vox AC-30 circuit inspired by a Gibson design? EL34s in early AC-30s 1:12:19 Music recommendation: Billy Jack Wills' Crazy Man Crazy (YouTube link), Bob Wills' 1941 Martin D-45 (catch Jason in this Emerald City Guitars' YouTube video) 1:13:54 How to tell a tube's origin from its appearance? 1:18:06 Thoughts on putting a vintage transformer in a Champ kit; single-ended Hammond output transformers (125 BSE, ESE, etc); 5932 tubes 1:33:52 TAVA's most boring or brilliant moments; laptop-to-tube-amp connections (speaker-driven line out from a headphone jack?) 1:36:22 The differences found in top boost and bright switches 1:39:22 The Coriolis effect on electrons in a pre-amp tube in the Southern hemisphere, the Goldentone amp book (link) 1:40:51 Grid leak bias amps and giving an amp more headroom 1:46:57 Barry describes the Grez Mendocino Junior that we're giving away 1:48:08 Special guest Nels Cline joins us, again! Nels' touring amp with Wilco, eating on the road, Standels, hot sauce, and more 2:00:39 Homemade coconut rice; Hank Mobley's 'Roll Call' or 'Soul Station;' Dexter Gordon; Wynton Kelly's Piano with Kenny Burrell; the best progression for a Champ clone to a Filmosound; 'Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar Clements/David Holland/Jethro Burns'; Fripp & Eno; Bill Evans' 'Live at the Village Vanguard' 2:08:23 More advice for those wanting to build a Champ 2:10:15 Adding a speaker jack to a Tweed Champ; balanced power? homemade hot sauce 2:13:53 One last "giveaway" Submit your amp questions, recipes and life hacks to the podcast via podcast@fretboardjournal.com and don't forget to share the show with friends on social media. 

Music includes: Salt Peanuts, Skippy, Bird's Nest, Boplicity, Dexter Digs In, Lady Bird & A Night In Tunisia. Musicians include: Dizzy Gillespie, Charley Parker, Bud Powell, Dexter Gordon, Miles Davis, Fats Navarro and Thelonious Monk.