Podcasts about Watermelon Man

J and Dame are back for another week of classic Shop Talk foolishness, this time coming to you live from The Neighborhood Grocery with friend of the show, Rafael Wright.This week, J and Dame catch up on life — including a major milestone as Dame celebrates his third child turning 18 (that's three kids down and 2 left on child support — a true victory). J also shares updates on the documentary he's been filming.Then we shift gears into a real convo about what's been going on with Rafael Wright, community building, and a heated disagreement over business practices… centered around a man selling watermelons. Yeah, you read that right.We dive deep into the realities of entrepreneurship, the difference between impact vs. influence, and what it really takes to thrive in business and uplift your community. Insightful, honest, and a little wild — just how we like it.Tap in. It's a good one.Work On Sunday Youtube - Here Dame's Music Pick Of The Week Playlist❶ Youtube  ☞ YouTube.com/jjohnson313❷ Website ☞ www.shoptalkpod.com❸ Facebook ☞ ⁠https://m.facebook.com/ShoptalkPod/Follow @jjohnson313 on Instagram and TwitterFollow @dame___313 on Instagram and TwitterFollow Shoptalkpodcast on Instagram and Twitter

As we gear up for the Los Angeles Diversity Film Festival, Bella and Nick explore the work of some of the most important figures in Black Independent Cinema and Independent Cinema in general. These powerful voices are a huge reason why this podcast and the Los Angeles Diversity Film Festival exist today - so tune in for our discussion on these bold movies. We start with A Symbol of the Unconquered by the legendary Oscar Micheaux. Nick and Bella discuss this impressive silent-film work by Micheaux, as well as the inspiring journey of getting the film made and distributed. Second, independent-film icon Melvin Van Peebles dips his toe in the studio pool with his audacious and unforgettable film, Watermelon Man. Finally, Cheryl Dunye takes the torch and creates a film that blends genres, presents ideas, and remains uniquely her own in her debut feature film, The Watermelon Woman. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Why do we keep saying ancient creeds and prayers? In this message, we explore how set words teach us to pray, anchor our belief, unite our community, and help us witness to Jesuslike a melody line we improvise ondrawing from Exodus 34, 1 Corinthians 15 and Revelation 12:11. To catch up on the latest sermons from Deep Creek, go to iTunes, Spotify ordeepcreekanglican.comand check out the website for more info about whats happening. We are a welcoming and growing multigenerational church in Doncaster East in Melbourne with refreshing faith in Jesus Christ. We think that looks like being life-giving to the believer, surprising to the world, and strengthening to the weary and doubting. Read the transcript below Bible Readings Old Testament Exodus 34:18 Good morning church. This morning we are privileged to be having two or rather three readings, one from the Old Testament and two from the new. And I'm going to read from you from the Old Testament, Exodus 34, verses 1 to 8. The Lord said to Moses, chiseled out two stone tablets like the first ones, and I will write on them the words that were on the first tablets which you broke. Be ready in the morning and then come up on Mount Sinai. Present yourself to me there on top of the mountain. No one is to come with you or be seen anywhere on the mountain. Not even the flocks and herds may graze in front of the mountain. So Moses chiseled out two stone tablets like the first ones, and went up mount Sinai early in the morning, as the Lord had commanded him, and he carried the two stone tablets in his hands. Then the Lord came down in the cloud and stood there with him, and proclaimed his name the Lord. And he passed in front of Moses, proclaiming the Lord the Lord. The compassionate and gracious God, slow to anger, abounding in love and faithfulness, maintaining love to thousands, and forgiving wickedness, rebellion, and sin. Yet he does not leave the guilty unpunished. He punishes the children and their children for the sin of the parents to the third and fourth generation. Moses bowed to the ground at once and worshiped. May we too, I think, be like Moses, worshiping this God who is compassionate and gracious, slow to anger, and abounding in love and faithfulness. Amen. New Testament Readings 1 Corinthians 15; Revelation 12 And now Sam will bring us the two New Testament readings. Our New Testament readings for today are from one Corinthians chapter 15 and revelation chapter 12. Now, brothers and sisters, I want to remind you of the gospel I preach to you which you received and on which you have taken your stand. By this gospel you are saved. If you hold firmly to the word I preach to you. Otherwise you have believed in vain. For what I received, I passed on to you as of first importance, that Christ died for our sins according to the scriptures, that he was buried, that he was raised on the third day according to the scriptures, that he appeared to Cephas, and then to the 12. After that he appeared to more than 500 of the brothers and sisters at the same time, most of whom are still living, though some have fallen asleep. Then he appeared to James, then to all the apostles. And last of all, he appeared to me also as to one abnormally born are now for revelation. Then I heard a loud voice in heaven say, now I have come to the salvation, and the power, and the kingdom of our God, and the authority of this Messiah of his Messiah. For the accuser of our brothers and sisters who accuses them before our God. Day and night has been hurled down. They triumphed over him by the blood of the lamb, and by the word of their testimony. They did not love their lives so much as to shrink from death. Therefore rejoice, you heavens, and you who dwell in them. But woe to the earth and the sea, because the devil has gone down to you. He is filled. He is filled with fury because he knows that his time is sure. This is the word of the Lord. Sermon Well. Good morning again. Thank you so much for the privilege of being with you. to be part of the Staying Weird series, finding the weirdest people around to come and talk about a weird and wonderful thing, which is Christian faith and and to listen to a sermon. A 'Creed' for Listening So I've prepared, just a brief, creed for listening to a sermon. And so I wonder whether we just might encourage each other as we begin with this, this morning, so you can respond in the, in the bold type. All Scripture is God breathed. Congregation replies: And is useful for teaching, correcting, rebuking, and training in righteousness. We listen to sermons so that we might hear from God. I am really, really, looking forward to the sermon today! And even if it goes a bit too long, I wont mind at all. However, I do wonder, whats the point of reciting things that have been written for us by someone else? Wheres the authenticity in that? Which is a really great question. The 'Age of Authenticity' I'm glad you asked. We live in what sociologists call the age of authenticity, and that's what it means to be truly human, to make sure that you, you do you and you live your life in a way that aligns with with your heart, you, you, you don't just submit to what other people tell you to do, what other people say that you ought to be. You need to be authentic. Be true to yourself. Except, of course, when you come to the Anglican Church and what you do is what is in bold type on the screen. So what do you believe? Don't bother thinking. Just read these words off the screen. Would you like to confess your sins to Almighty God? No need to search your heart. Just repeat after me. would you like to, know what to say when you wake up in the morning? Well, open your prayer book and read Morning Prayer. As an advanced Anglican, there are prayers for the morning. The evening for the middle of the day, for before you go to bed, there is a special prayer to say every week of the year we've got you covered. No need to think. And is that perhaps the point of this? Adolf Hitler said, what luck for leaders that men do not think. But that's not the point, is it? Let me say very clearly that's not the point. All right, we come. We come to church so that we might think deeply about our faith. We come so that we might bring ourselves to this, that we might grow in an authentic, real Christian faith so that who we are would be what we confess to one another and to the world. And we do that joining with centuries of Christian people, theologians, philosophers, artists who have thought reflected deeply on what it means to be Christian, and many of them who also have said these prepared words of creeds and prayers. So how does this go together? How do we understand the significance, the value, the point of coming to church and saying things that someone else has written for us? Point 1 Saying what we dont know how to say I for four points as I as we go through today. The first is this why do we say prepared creeds and confessions and prayers, so that we are enabled to say what we don't know how to say? The Apostle's Creed that we said earlier that that was originally sort of from the earliest references around the fourth century, in wide use by the eighth century. These were a set of words that people would use when they are being baptised. So brand new Christians, what is the faith that you are confessing? And his. Here are the words to say it. It was a way of teaching new believers. How do we speak about God and so many of the creeds? They came out of controversy in the early years of the church. As Christians try to work out, how do we talk about God? What is God like? Where does Jesus fit? Who is the Holy Spirit? How do we answer those questions? Should we say that Jesus is created by the father? Or should we say that Jesus is sort of similar to the father? Is Jesus like a second God? That there's the father who's God? And then there's another God who's Jesus, and the Holy Spirit fits in somewhere. Like how? How should we answer? And they're deep questions, right? And so that the church elders, they got together and they thrashed this out over centuries, they worked this out. One of the great creeds of the church is having its birthday this year. The Nicene Creed was written in 425. 1700. I'm not good at maths, right? I'm employed to do different things. 1700 years ago. That's how long Christian believers have been answering the question, What is God's? What is God like? We say that God is the father, the Almighty creator of heaven and earth. God is the one Lord Jesus Christ, the only Son of God, eternally begotten of the father, God from God, light from light, true God from true God, begotten, not made of one, being with the father. There is a weight of theology and understanding in those tight words. And if only there was a college that you could go to. You could learn about what it all means. Talk to me afterwards. This sermon is not an advertorial, but there is so much to, to, to reflect on, to grasp. And that's been captured in these words for us so that we can say what we don't know how to say. And it's the same when we pray. The disciples came to Jesus and they said, Jesus, teach us to pray. And so he gave them words. In Luke's version, it's it's explicit. It says, when you pray, say this, here are the words to say when you pray. And as Anglicans, there are prayers that we have been given. Prayers that enable us to say what we don't know how to say. One of my favorites is the is the Thanksgiving. The general Thanksgiving. Megan has very helpfully printed out a number of the sort of the set prayers of the Anglican tradition. I think they'll be out in the foyer somewhere afterwards, or here at the corners of the stage. How do you say thank you to God? Well, the Anglican reformers, they knew that that English Christians weren't very good at being thankful. All right. So here are some words. Glorious, gracious God, we humbly thank you for life, for health, for safety, for freedom to work leisure, to rest, and for all that is beautiful in creation and in human life. They give me categories that I can feel goes on. But above all, we praise you for our Savior, Jesus Christ, for his death and resurrection, and for the gift of your spirit and for the hope of sharing in your glory. And I wonder of those theological phrases which ones are familiar and which ones do you tend to forget? Fill our hearts with all joy and peace in believing. Through Jesus Christ our Lord. What a gift that is. When I don't have the words, then these words written by others, written by our members of our family. They're a gift to us. Formwork, Scales Jazz Now I've lost where I'm up to in my notes. So we're unable to say what we don't know how to say. These words sort of become like formwork for faith. You know, formwork when you're. When you're laying cement. Pouring cement. You create the form that you can then pour the cement into. So it's like the framework that enables faith to sort of find its place. Right. But to shift metaphor, you could say maybe rather than just formwork, it's more like learning scales. And because we're actually doing something the, the, the creeds, the confessions, they're they actually are the expressions of faith. And but of course, nobody performs scales. You practice scales so that you can then perform faith. And really, there's something about saying these prayers, saying the creed which actually is our faith. So when we stood before and said, this is what we believe, we affirm the faith of the church. We weren't just practicing. We were confessing. We were doing what Christians do. And so, in a sense, the creed. It's like it's like the melody line in a jazz standard, right? My son is a jazz musician. And every time I go to see a jazz concert, it's like, I feel like there's an in-joke that I'm just not getting right. Have you ever been to that? So. And jazz musicians, they tell me that's exactly right. We know what we're doing. And the rest of you, you don't. And so I'm gradually learning. And I'm learning that jazz standards, they have a melody line. And then once once the band plays that melody line, then they sort of take turns at improvising, riffing on that melody line. And that's sort of what makes jazz interesting. It's the combination of head and improvisation. If it's just melody line, then it's all a bit same, same. And if it's just improvisation, then it's all a bit chaotic and but it's the improvisation on the melody line that's that's jazz. And what I've noticed when I go to see, John, I play, he goes to a, to an improv bar in, in Northcote. And it's really, it's fun. And they just get up and they'll, they'll call different people from the audience. It's like, Johnny, come play some drums with us, you know, Megan, come, come play some, some keys with us because that's what jazz people say, you know, and and then somebody says, what? What are we going to play? And somebody says, oh, you know, Watermelon Man and G. Okay. And so they just make it up and mind boggles and off they go. I've noticed that sometimes the band just gets a little bit out of hand. And they've, they've sort of lost it because I mean these are people who don't know each other. They've just sort of turned up. They haven't practiced this. And I see the bandleader tapping, tapping his head. And and I've learned that that means come back to the head, come back and play the melody line again. Again. We've all gone a little bit haywire. Let's come back to the head and just play that same thing that we know. Right? It's sort of like in the life of the church. Every now and then you'll see the vicar tapping ahead. Let's come on. Let's let's come back to the come back to the Creed. This is what we believe. Here is the anchor. These are the words that we say. This is the thing that holds us together. These are the words that we say that we don't know how to say. That's point one. Point 2 We say what we can all say Second point. We say what we can all say. I'm going to come back to those slides in a moment. Keep going. We get to the. There you go. We say what we can all say. Oh, no. No. That was the point. That was the end of the argument. Yeah yeah yeah yeah, yeah. Because I need to refer to the Bible reading the Bible reading Exodus 34. This is great, isn't it? It's jazz. It's jazz. Yeah. Yes. Moses asks God, what's your name? Okay. Because Moses doesn't know. How will we know what God is like unless God tells us? Moses asked God, what is your name? And God says, the Lord, the the compassionate and gracious God, slow to anger, abounding in love and faithfulness. There is God's name. That is what God is like. There's the. There's the head, there's the melody line. There's the creed. Now listen to the words of the people of Israel. When the psalmist prays in Psalm 86, you, Lord, are a compassionate and gracious God, slow to anger, abounding in love and faithfulness. They've learned how to address God in prayer. When Joel calls God's people to repent, he says, return to the Lord your God, for he is gracious and compassionate, slow to anger, and abounding in love. And he relents from sending calamity, even when Jonah complains to God after the Ninevites repent, I knew that you are a gracious and compassionate God, slow to anger and abounding in love, a God who relents from sending calamity. In all these times. They're all improvisations. They're riffing on Exodus 34, on the Creed. That's that's the Christian life. We take these words that we've been given. And then we apply them in all the different aspects of our lives here in the creeds, in the confessions drawn from the words of Scripture. They give us a set of words that enables us to live this faith. Now we're on to my second point, which is that we say in the creeds what we can all say. I wonder if you're familiar with this song from Matt Redman. It's a beautiful song called The Heart of Worship. Matt Redman is essentially singing a confession. He is coming back to the heart of worship, to living all of life for Jesus, rather than just thinking that worship is all about singing a song. And this is a song that I find really difficult to sing. No, it's not because it's got a difficult melody or anything. It's hard to sing. It's easy to sing. It's a lovely song and it's just. It's just not my song. I'm really glad that Matt Redman has the opportunity to confess this change of understanding that he's moved from a position where he thought that where he had made worship all about a song, and now he's back to the point of recognizing no, actually, worship is all about Jesus. That's just not my story. There's lots of other things I have to confess. All right. So I could write lots of other songs about how Graham needs to confess sin. Okay, don't get me wrong, but this is just not one of them. So I find it hard to sing. I'm glad Matt can sing it. Contrast that with the words of the confession. Prayers. We have done what we ought not to have done. We have left undone what we ought to have done. Well, that's true of all of us. We have sinned against you in thought, word and deed, and in what we have failed to do. That's true of all of us. We have not loved you with our whole heart, and we have not loved our neighbor as ourselves. That is true of all of us. These these are words that we can all say. We can say this together. In the second reading from one Corinthians 15, Paul uses the language of handing on a tradition is it there? Yeah. I passed on to you what I first received. He's using the language of a relay race. You get the baton from somebody else and you hand the baton onto the next person. That's the gospel. That's the message that he preaches. His point is, this isn't new. What I am bringing to you, Corinthians, this message of Jesus who died in accordance with the scriptures and then who was raised in accordance with the scriptures and then appeared. This isn't new. This is not Paul's gospel that he has just made up. This is the church's gospel. This is God's gospel. And so when you come to Deep Creek and you say the words of the the Creed, this is not what Deep Creek believes, not just what Deep Creek believes or not what only deep, Deep Creek believes. This is what churches across Melbourne believe. But not just Anglicans believe this. Not just Australians, but people across the world. People of all denominations. This is what Christians believe. We say these things together. Point 3 We say what our community says In the scriptures and through the creeds and confessions of the church. We're given to say what we can all say together, and therefore we say what our community says. Hey, can we, skip onto the next slide for me, please? Fabulous. We say what our community says. I think at the moment we might just have a musical interlude. and I wonder whether anybody would like to join me in the next song. We're going to have to click through. Here's the song. Who would like to sing this with me? Please stand boldly. I'm not getting any takers. Now, partly that might be because we're all blues fans, and we're also thoroughly disappointed and disgusted and let down. This is the Carlton team song. Blue baggers sing this with pride when we get the opportunity to. And. You know, like the football song. This is, this is a song which it binds a community together. I'm glad that not everybody chose to sing this song, because if you're not a blue bagger, you don't get to sing this song. All right. Because this is our song. It's not yours. And there are other songs that I will not sing. I'm not the proud that I'm not the the pride of Brisbane town. I am certainly not with the mighty Fighting Hawks. So let's move on. The Creed is like our team song. That's what we get from revelation chapter 12. Revelation 12 A loud voice from heaven comes in and interprets our world. It announces salvation in the death and resurrection of Jesus. It says, now have come the salvation and the power, and the kingdom of our God, and the authority of His Messiah, Jesus has conquered. The voice reminds us that though the devil has been defeated, he has been cast down. He is not yet destroyed. Verse ten, he has been hurled down, no longer able to accuse us before God in heaven, but able to wreak havoc on the earth. He is filled with fury because he knows that his time is short. And so how will God's people live? How do Christians function in this kind of world? Knowing the victory of Jesus. And yet so often looking around the world and it does not look like Jesus is ruling. Sometimes it looks like the exact opposite. How do we live in that, in that space? Well, the answer comes in verse 11, there in bold, in the middle, and in two parts they triumph. First by the blood of the lamb. That's the answer by Jesus death on our behalf. Satan's hold over us is broken and we are free. But there's a second part. They triumph over him by the blood of the lamb and by the word of their testimony. It's true. The defeat of Satan is only established. It's only secured by the work of Jesus. But we take hold of that victory for ourselves by the word of our testimony. Whether this is sharing our faith with one another here in church, or as we proclaim our faith to the world around us, the word of our testimony takes hold of the victory of Christ. Whether we make our testimony under the threat of death, or as an ongoing work of perseverance all the way until death. We hold on to the victory of Christ by the word of our testimony. Revelation 12 verse 11 says that there is a power in the act of testifying. It's not that the power to defeat Satan comes from the strength of your conviction. In the same way that just singing where the team that never lets you down means that you're never going to be disappointed when you go to watch Carlton play football, right? I know that that's true. I can tell you about that more later, but I'll need to go into therapy. Just saying something doesn't make it make it true. But we take hold of Jesus victory. We take our place in the fellowship of the church. And we triumph, therefore, over the devil's schemes. In reciting creeds and confessions, we say what our community says. We find our place in this community, this community of triumph. In the Lord Jesus. The church historian Jaroslav Pelikan. It's got an excellent name, but he was asked once, why do you say the Creed? This was his answer. My faith life, like that of everyone else, fluctuates. There are ups and downs and hot spots and cold spots and boredom and ennui and all the rest can be their own way. If you've seen Inside Out too. You'll know what that means. A feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement. Yeah, that describes Christian life for me often. UPS and downs. And so I'm not asked on a Sunday morning as of 920. What do you believe? And then you sit down with a three by five index card saying, now let's see, what do I believe today? No, that's not what they're asking me. They are asking me, are you a member of a community which now and for a millennium and a half has said, we believe in one God. And that for me, is the great power in the Creed to share in this shared confession. This privilege of testimony. You know, when you think about it, there's an added privilege of being able to confess this creed on Sunday mornings in Australia because it's like there is this Mexican wave of praise and confession that is going around the globe in these next 24 hours. We didn't kick it off, but there's not many people in the Pacific or in New Zealand. So where, you know, this is this is the when the Mexican wave really takes off, right. And we stand and we say the creed. And then across the day, across the planet, our brothers and sisters will say the same words, confess the same truth. We are part of this community. What a privilege that is. We don't overcome Satan on our own. We don't have to do this on our own. We participate in this community of faith. And you know, the same is true when we pray. When we confess together, we are confessing that we are part of this community. Confession Community You know, often when it comes to the confession, prayer in the service. This is how I hear it introduced. We're going to make this prayer of confession. And so we're going to have a time of silence for you to think about all the ways that you've failed Jesus over the last week. And then we'll pray the prayer together. And then I've got 15 seconds to think, which either completely underestimates how much I'm able to disappoint and fail Jesus over the last seven days, right? Or overestimates my the speed at which I can process all of that sin? And then what happens if after that 15 seconds I can't think of anything? I actually, I'm good today. You guys go for it. But but, I'll I'll join you in a moment. That's not the point, is it? There are some times that you will come to the confession prayer, and your mind will be filled with all the different ways that your life has not measured up to what it is that Jesus has invited us into. And you can be so overwhelmed with failure. But then here are words that just find a way through that mess. And there'll be other days when you'll come thinking that you're sort of okay. And here are words that remind you. Thought, word, deed. What we have failed to do. Really? When we come to confession, the invitation is are you ready and willing to join this community? This is a community that says this to God, that we confess that we have wandered from his way. We confess that we have failed to do what is right. We confess that God alone can save us. We have not loved one another with our whole heart. We have not loved our neighbor as ourselves. This is what defines this community. Are you ready and willing to be part of that? To recognize that this is you? And that there is grace and salvation to be found in this community that holds on to the Lord Jesus. Increases in confessions. We say what we ought to say. We say what we can all say. We can say what our community says. And finally, finally take us to the next slide. We say what we want to be able to say with our last breath. Point 4 What we want to be able to say with our last breath In my early ministry, one of the very hardest things that I ever had to do was also one of the most privileged things that I ever got to do, and that was to go to minister at the bedside of people who were dying. And I had to go one day to visit Joan in palliative care. She was a member of our congregation not far from the kingdom. I was terrified. And I was I was given instructions. I said, go read the 23rd Psalm. And then take your prayer book and pray. Pray the confession. Pray the Lord's Prayer. Pray the general thanksgiving. pray the collect. And I read Psalm 23, and Joan was she. She was sort of unresponsive and labored breathing and thought, what the what am I doing here? And then as I opened the prayer book and began the prayer of confession. Her lips began to move, and and she prayed with me. And through the fog and all these years of praying just came out. It it was it was like muscle memory, but also it was it was soul memory. And her body had now remembered how to bring these words to God. And if I'm given the grace of knowing that I'm about to die. Then I want to build a habit of saying these creeds and confessions and liturgical prayers, so that I can declare my faith in the Lord Jesus when I'm dying, that I believe in the resurrection of the body and the life everlasting so I can confess my sins. As I wait to meet my Savior, I want to be able to thank God for life and health and safety. I want to be able to greet the morning, praying for my family and thanking God for bringing us safely to this new day. Asking that he would keep us by his mighty power. And grant that today we fall into no sin, neither run into any kind of danger, but that he would lead in govern us in all things that we might always do. What is righteous in his sight? By reciting creeds and confessions, we are offered an invitation to build soul memory. And to say what we want to be able to say with our final breath. Conclusion So what's the point? What's the point of reciting things that have been written for us by someone else, or memorized words, remembered words, known words, familiar words. They can become rich practices of faith. Not just things that we do, but things we do that form us. We enlist our bodies as we. We stand or bow our heads. We use our voices. We declare, we pray, and we do it together. Not just me, but us. Together. And not just us, but together with believers across the globe and throughout the centuries. And so we see that these creeds and confessions, they they become for us like the good news of Jesus itself. Right? They're not my own invention. They're not the result of my creativity, my insight, or my spiritual fervor. These aren't originally my words, but they become my words when I receive them as a gift. And so, in the same way, the good news of Jesus, we didn't come up with this. We didn't create it ourselves. We don't need to construct this. We receive the good news. Christ died for our sins in accordance with the scriptures and has risen that we might be saved. And that can be the gift to our hearts. We don't have to say these things in order to be Christian, but we get to say these things because we are Christian. What an amazing grace that is. Amen.

Des racines africaines au Bayou : une odyssée afro-américaine pour Alune Wade #SessionLive #playlist. Tous les mois, le critique musical Sophian Fanen propose 5 nouveautés : Playlist Sophian Fanen - Alune Wade, Gris-gris Gumbo Ya Ya, tiré de l'album New African Orleans (Enja Yellowbird, 2025) - Lady Wray, Best for Us, tiré du EP Time (Big Crown Records, 2025) - Gabriel da Rosa, Sabor Humanidade, tiré de l'album Cacofonia (Stone Throw Records, 2025) - Képa, Korafola, single (Heavenly Sweetness, 2025) - Adriana Lizcano et Los Champetos del Jùjú, La Muralla, single (Edson Velandia, 2025).   Puis la #SessionLive reçoit Alune Wade et ses 6 musiciens pour la sortie de New African Orleans Le Sénégalais Alune Wade est parti enregistrer en Afrique de l'Ouest le fruit de ses recherches sur les racines du jazz, poussant le périple jusqu'en Louisiane où a éclos ce genre musical. En trois étapes de voyages réalisés au Nigeria, au Sénégal et à la Nouvelle-Orléans, Alune raconte la transmission des traditions musicales du continent africain au continent américain, et l'influence des brass bands, des cuivres et du jazz sur la musique africaine actuelle. Une histoire d'héritages, de synergies et de différences, d'une terre à l'autre. New African Orleans fait défiler un casting international de 30 musiciens ! Ce projet est à la fois un album, New African Orleans, et un documentaire, Tukki, des Racines au Bayou. Un récit exaltant joué par des musiciens et exposé par des historiens, qui met en lumière le folklore africain avec majesté, en racontant sa traversée en Amérique. A Great Black Music. Titres interprétés au grand studio - Boogie & Juju Live RFI - Medley Cd : Water No Get Enemy (Féla), Watermelon Man (Herbie Hancock), Voodoo Child (Jimi Hendrix) et Night Tripper (Dr John) - Same Fufu Live RFI. Line-up : Alune Wade, chant, basse - Camille Passeri, trompette - Harry Ahonlonsou, saxophone - Cédric Duchemann, claviers - Alix Goffic, batterie - Baptiste Andreani : sousaphone - Axel Foucan : trombone. Son : Benoît Letirant, Camille Roch ► Album New African Orleans (Enja 2025).   Site - Spotify  #alunewade #africanjazz #afrojazz #afrobeat #bassguitar

Dans cet épisode, Ombline Roche nous fait découvrir Herbie Hancock, l'une des figures les plus influentes du jazz du XXe siècle. Pianiste de génie, Hancock a su repousser les limites de son instrument, en fusionnant le jazz avec le rock, le funk et même le hip-hop. Enfant prodige de Chicago, il a été marqué par la rencontre avec le légendaire trompettiste Miles Davis, qui lui a appris l'importance de l'écoute et de l'improvisation. Toujours en quête de nouvelles sonorités, Hancock n'a cessé de se réinventer, passant des pianos acoustiques aux synthétiseurs modulaires. Avec des morceaux emblématiques comme "Watermelon Man" et "Rock It", il a jeté les bases du hip-hop et influencé de nombreux artistes. Cet épisode retrace le parcours fascinant de ce géant du jazz, toujours à la pointe de l'innovation musicale.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Episode 71: Harvey Mason Sr. You've heard Harvey Mason Sr., whether you realize it or not. From the iconic grooves of Herbie Hancock's Head Hunters to the GRAMMY-winning “Kiss From A Rose” by Seal, Harvey's drumming has shaped music history across genres, decades, and mediums — albums, film scores, and TV alike. He's not only a musical powerhouse, but a dear friend, and in this episode, we finally sat down to dig into his legendary run — especially his work with Herbie Hancock and the Head Hunters album. Harvey shares the story of how that band came together, the sessions behind Chameleon and Watermelon Man, and why he chose not to tour with them at the height of their success. We also dive into his solo career — how it started, how it evolved, and the surprising role Clive Davis played in making it all happen. Harvey opens up about his long-standing friendships and collaborations with Quincy Jones and Chick Corea, his approach to fatherhood (including raising his sons Harvey Mason Jr., CEO of the Recording Academy, and Max Mason, former VP of Quincy Jones Productions), and how he built a legacy both on and off the kit. Fun fact: Vic Firth was Harvey's teacher — and Harvey still receives royalties from the early days of Vic Firth drumsticks! We also get into his stunning new album Changing Partners: Trios 2, featuring the likes of Chick Corea, Gonzalo Rubalcaba, James Genus, Dave Grusin, Stanley Clarke. This conversation is a masterclass in musicianship, legacy, and love for the craft. Enjoy my sit-down with the incomparable Harvey Mason Sr. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) Intro (0:02:35) Harvey's New Album (0:05:26) Head Hunters (0:06:29) Getting the Call from Herbie Hancock (0:09:20) Making the Head Hunters Album (0:10:59) Studio vs. Touring Musician, Harvey's Background (0:14:06) Berklee, Studying with Alan Dawson (0:15:33) Vic Firth taught Harvey (0:17:55) Moving to L.A., Lucille Ball Show (0:19:41) Session Work in the 1970's (0:21:24) Working with Quincy Jones on the Bill Cosby Show (0:22:51) Instrument Collection, Harvey's Foundation (0:24:23) Session Work, Touring (0:28:00) “Chameleon” Session (0:30:56) Herbie's Hollywood Bowl Show (0:32:55) What Herbie was like in the 70's (0:33:47) “Watermelon Man” (0:35:15) The “4 A.M.” Session, Jaco Pastorius (0:36:41) Jaco Stories (0:38:22) The “4 A.M.” Session Continued (0:38:45) Focusing on Goals, Family Life (0:41:18) Harvey Mason Jr. (0:41:59) Max Mason (0:44:18) Learning from Clive Davis, Quincy, and others (0:48:22) Biggie, T.I., and Lupe Fiasco Sampled Harvey's Music (0:49:05) Funk in a Mason Jar (0:49:39) “Till You Take My Love,” David Foster, David Paich (0:51:40) Clive Davis (0:55:59) Touring with Carole King (0:57:30) Chick Corea (0:58:55) Losing Chick and Quincy (1:00:44) What Harvey is Doing Now (1:02:05) How to Keep Creativity Going (1:02:54) Playing Piano in Church (1:06:42) Playing with Duke Ellington (1:08:07) The Quincy Jones JammJam (1:09:12) Advice (1:10:47) “Changing Partners Trios II” (1:11:49) Vic Firth Stories (1:18:55) Residuals, Pension, Royalties, and Sessions (1:21:31) Sharing Stories Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Harvey: https://www.instagram.com/harveymasonsr/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Cine Teatro Renzi, La Banda, Santiago del Estero Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:50 Segmento Inicial • Consejos para ir a la plaza con tu hijo: consejos y riesgos0:07:12 Segmento Dispositivo • La cabeza de Franz Joseph Haydn0:41:46 • "A Rodar Mi Vida" ♫ Fito Páez, El Amor Después Del Amor, 1992. Segmento Humorístico • La vianda para el colegio0:58:01 Sordo Gancé / Trío Sin Nombre • Presentación1:18:55 • "Rezo Por Vos" ♫ (Único registro del truncado proyecto Spinetta/García, 1984) Privé, 1986. Parte De La Religión, 1987. • "Merceditas" ♫ (Ramón Sixto Ríos) Orquesta Típica Osmar Maderna, 1958. Renato Borghetti, 1984. • "Un Poco De Amor Francés" ♫ (P. Rey y Sus Redonditos de Ricota, La Mosca y la Sopa, 1991) • "Recuerdo Malevo" ♫ (Carlos Gardel/Alfredo Le Pera) Canta Gardel, 1933. • "Tan Solo" ♫ (Los Piojos, Chac Tu Chac, 1992) • "Por La Vereda Del Sol (On the Sunny Side of the Street) " ♫ (Jimmy McHugh, Dorothy Fields) Ted Lewis & His Band, 1930) Billie Holiday, 1944. • "Walter Nelson Man" ♫ (Contrafactum de Watermelon Man, Herbie Hancock, Takin' Off, 1962)

In this edition of Into The Smoke, Evan looks at Ross Chastain's win at Kansas and how the Watermelon Man can continue to play spoiler over the next month.See omnystudio.com/listener for privacy information.

NFL Week 4 winners Monday Night Football MLB Last day of regular season drama Wildcard matchups Golf United States retains the President's Cup in easy fashion NASCAR Ross Chastain wins at Kansas Playoff standings NASCAR on NBC >>> NASCAR on Fox WNBA (Split segment, sorry for the error) Game 1s of the semifinals WNBA awards All-Defensive team College Football (Split segment, sorry for the error) Week 6 AP Top 10 Week 5 recap Week 6 game picks Show music by DJ Cam One: Twitter/Instagram DJ Cam One's label: Mysteryismusic.com Mysterysoundrecordings.bandcamp.comDJ Cam One on Spotify Cover art by Xclusive Packaging & Design: InstagramEmail: x.pac.design@gmail.com Your host Uncle Dub: Twitter/InstagramPodcast Instagram Untappd (Beer Check-in app): ItsUncle_Dub Email: sportswagonpodcast@gmail.com Check out the Bald Head Logic podcast co-hosted with DJ Cam One Please consider supporting the podcast: Buy Me a Coffee Send a voicemail, subscribe, rate and tell a friend about the show! Thank you for listening!

An audio folk story examining the tradition of Black watermelon long-haulers, who drive to farms in the South for watermelon and sell them in Black neighborhoods around the US. This is a special bonus edition from KCRW's Lost Notes. 

Blender Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:02:13 • Un científico crédulo: Leibniz0:06:59 • La utilidad de cualquier milagro de porquería0:08:10 Segmento Inicial • Consejos para comprarse un Kiosco0:09:48 • Yo ingresé a la escuela primaria con 43 años0:36:57 Segmento Dispositivo • Leonor De Aquitania0:43:36 • "Ropa Sucia" ♫ (Canta El Trío Sin Nombre) Patricio Rey y sus Redonditos de Ricota, ¡Bang! ¡Bang! ¡Estás Liquidado!, 1989. Segmento Humorístico • Chat, saludos, pedidos, etc. Mención al escritor Mario Gallina1:05:00 • Usted, además, todas las cosas que tiene ahí son perfectamente inútiles: saludos que en realidad no son, elogios que no se consuman y pedidos que nadie va a complacer. • ¿Usted va a cantar con esa voz? Dolina: estar mal de la voz y cantar expresivamente1:07:45 • Reglas para reciclar regalos que no nos gustaron1:10:01 Sordo Gancé / Manuel Moreira / Trío Sin Nombre • Presentación1:37:36 • "El Deschave" ♫ (José Tiscornia/Edmundo Rivero) Canta Rivero. • "Fields Of Gold" ♫ (Sting, Ten Summoner's Tales, 1993) Canta Eva Cassidy, 1996. • "Walter Nelson Man" ♫ (Contrafactum de Watermelon Man, Herbie Hancock, Takin' Off, 1962)

Redd Foxx was one funny motherfucker. And, hell on wheels. Apparently, he was the scourge of taxi drivers in Las Vegas, where he lived, worked, and is buried - because he would either throw up in the backseat of their cabs, or refuse to pay his fare, or both. As the “King of the Party Records”, Redd made 50 dirty albums (I have a few on 8 track) - before hitting national gold on Sanford and Son, that show about a junkman and his boy that ran for six seasons, starting in 1972. I just found out that Foxx's birth name actually WAS Sanford - a factoid that makes me smile. If fact everything about him made me smile. I loved it each time he'd clutch his chest feigning a heart attack, and groaning “Elizabeth, I'm comin' to join you, honey!” And, now, hearing Quincy Jone's theme song again, I'm sporting a broad grin again in remembrance.Q was a master of innumerable musical genres, coming up as he did as Dinah Washington's arranger, Sinatra's band leader, Film scorer par excellence, and Michael Jackson's record producer, etc, etc. Here he's channelling Herbie Hancock's “Watermelon Man” - and the funky clavinet makes me want to bob my head along with the syncopation.Although the character of Fred Sanford was supposed to be in his sixties, Redd was only in his 40s when he made Sanford and Son, and he was only 68 when he died in 1991, having exhausted himself through a jam-packed roller-coaster existence. Rumor has it he died broke because the IRS has seized his assets two years earlier, so Eddie Murphy footed the bill to pay for his funeral.  As Arthur Miller once wrote: “Attention must be paid!”

Wie läuft Evelyns Familienurlaub in Ocean City? Wie verbringt Ehepaar Heinlini die Tage ohne Kids? Und warum zieht es Seeungeheuer immer häufiger an Land? Viel Spaß mit unserer letzten Folge vor der Sommerpause! Wir hören uns am 3.9 wieder. Amore! Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/heinleinundweigert

Freddie Kraft, Brett Griffin, T.J. Majors & Casey Boat recap a surprisingly entertaining Texas race. The “Hooters Curse” is finally broken with Chase Elliott securing his first win since 2022. How concerned should Ford fans be with the manufacturer being winless a quarter of the way into the season? Late-race drama between William Byron and Ross Chastain gets the Reaction Theatre line buzzing. Did Ryan Sieg choke or did Sam Mayer close it out? Episode Highlights Chase Elliott ends the “Hooters Curse” Jimmie Johnson = Darrell Waltrip? “He wrecked the Watermelon Man!” Does Texas need a repave after all? Ford's drought continues Want more DBC? Check out and subscribe to the new DBC YouTube channel! 21+ and present in NC. First online real money wager only. $10 Deposit req. Bonus issued as non-withdrawable bonus bets that expire 7 days after receipt. Restrictions apply. See full terms at fanduel.com/sportsbook. Gambling problem? Call 877-718-5543 or visit morethanagame.nc.gov. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Freddie Kraft, Brett Griffin, T.J. Majors & Casey Boat recap a surprisingly entertaining Texas race. The “Hooters Curse” is finally broken with Chase Elliott securing his first win since 2022. How concerned should Ford fans be with the manufacturer being winless a quarter of the way into the season? Late-race drama between William Byron and Ross Chastain gets the Reaction Theatre line buzzing. Did Ryan Sieg choke or did Sam Mayer close it out?   Episode Highlights Chase Elliott ends the “Hooters Curse” Jimmie Johnson = Darrell Waltrip? “He wrecked the Watermelon Man!” Does Texas need a repave after all? Ford's drought continues Want more DBC? Check out and subscribe to the new DBC YouTube channel!  21+ and present in NC. First online real money wager only. $10 Deposit req. Bonus issued as non-withdrawable bonus bets that expire 7 days after receipt. Restrictions apply. See full terms at fanduel.com/sportsbook. Gambling problem? Call 877-718-5543 or visit morethanagame.nc.gov. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

.See omnystudio.com/listener for privacy information.

It's a very special episode, screamers! Recently, the Fort Worth Film Club screened Melvin Van Peebles' scathing look at white privilege, 1970s Watermelon Man. At our post-screening discussion we were lucky enough to be joined by Mr. Marcellis Perkins, and Dr. Frederick Gooding Jr. It was a candid, lively, enriching conversation, and we are pleased to present that live recording here.    Next episode we'll be back to wrap up discussion on Hal Hartley and discuss the new(ish) films 'The Book of Clarence,' and 'The Iron Claw.' Until then, enjoy the live conversation with Marcellis and Dr.G.     Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Indie director Melvin van Peebles' one film for Columbia Pictures pointedly slams against the dictates and standards of studio filmmaking with his Godfrey Cambridge-starring vehicle about a white bigot who wakes up black and finds himself in a world that no longer tolerates his existence. Join our  Patreon and support the podcast!  Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Jacques Becker's Casque d'Or (1952).

Season 7: Episode 50 Melvin Van Peebles (born Melvin Peebles; August 21, 1932 – September 21, 2021) was an American actor, filmmaker, writer, and composer. He worked as an active filmmaker into the 2000s. His feature film debut, The Story of a Three-Day Pass (1967), was based on his own French-language novel La Permission and was shot in France. The film won an award at the San Francisco International Film Festival which gained him the interest of Hollywood studios, leading to his American feature debut Watermelon Man, in 1970. ----------------------------------------------------------------------- LaKisha LaTaye Davis is a certified life coach, author, event and podcast host, as well as speaker. She is the author of "The Power of Words: Affirmations to Promote You in Life and Business" as well as "The Seven Sins of Social Media: Change Your Approach to Increase Engagement". As a military veteran she has served at the White House Medical Unit, the Pentagon and Walter Reed Army Medical Center. LaTaye is a seasoned leader within the federal and state government as well as big box retail companies. Her professional and personal experiences coupled with her out of the box approach allows her to be able to work with women and men from various demographics and cultures. --- Send in a voice message: https://podcasters.spotify.com/pod/show/globalgirlspodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/globalgirlspodcast/support

Just in time for February: it's... Random Acts of Cinema's Francis Ford Coppola's Bram Stoker's Dracula.  Take me away from all of these possessives. Join our  Patreon and support the podcast!  Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Melvin van Peebles' Watermelon Man (1970).

Frank Mccomb – All You Need Is Love – 3:10 Frank Mccomb – Listen To Your Heart – 5:12 Buckshot LeFonque – Another Day – 3:33 Jazzmeeting – Interview Frank mc Comb – 23:19 Joe Sample – In All My Wildest Dreams – 4:08 Herbie Hancock – Watermelon Man – 6:28 Frank Mccomb – Love […]

Lmao google the movie title and you'll get what the title means.That aside the boys are back and with another hard hitting episode. We had to start off the right way covering Shake JMJ Day One's, the botching of Wales Bonner drop, speculate on the response to the FoG Athletics drop, and we had a long talk about how the sneaker game has changed.

The New Chitlin Circuit joins us this week for a Black ass episode! Godfrey walked so the Wayans Brothers could run. If you are uncomfy with the "n-word" please do yourself a favor and sit this one out. (Shoutout to our Virgo brethren on his bubble booty and happy birthday

Five Flavors of Funk 91 : "Herbie Hancock"   Some great #70sfunk and #80sfunk from #herbiehancock   Today's tunes include; (0:00) Rockit (1983) (5:18) Hang Up Your Hang Ups (1975) (12:45) Watermelon Man background music (1962) (14:28) Come Running To Me (1978) (22:57) Chameleon (1973) (27:33) Magic Number (1981)

Movie reviews forever. Seven 70's film to review, for you, today. We've got three greats, one really good, one good, one with a very problematic scene, and one crappy Disney film, that one of our crew has been conditioned by Disney to enjoy more than the other 2 who are less susceptible to the power of the D. That's it were done. Not really but seriously lets roll through them quick. (watermelon man 1970) summing these up today in one sentence each, this one's is. Godfrey Cambridge died way too young, but we can always see him here kicking this movies butt. (Sweet Sweetbacks bad ass song 1971) Another great example of trippy early 70's filmaking, and maybe have someone who's seen it work the remote and skip about 56 seconds of this thing. (Jeremy1973) a newly discovered gem for us that can be described in one word, beautiful. (Five on the black hand side 1973) Rad mother finds her extremely powerful voice and gives sexist asshat a last chance to be cool. (Hestor Street 1975) Kinda reminds a lil of the plot of the last movie, but further back in time, in black and white, and Carol Kane will kick your arse, with acting. (The seduction of Joe Tynan 1979) Title gets it right, also Streep, Alda's cool, but Flippin Streep. (The last flight of Noah's Ark) Not to jump the shark of an upcoming review, but this film is better than escape to witch mountain 2, wait is it? That upside down helicopter was in 2 right? Sorry this is more than one sentence. Thanks for listening friends.

The Watermelon Man has a smashing good time in Nashville, and now it's time to take NASCAR to the streets of Chicago. Brett McMillan welcomes Davey Segal of Sirius/XM NASCAR Radio, and Bruce Martin of Speed Sport.

The "Dirty Sons of Pitches" have begun a new decade for their retrospective and they're taking aim at the 1970s, the era of autuer directors flexing their creative muscles and for new voices to emerge. They discuss two movies from 1970, the soldiers-as-scoundrels caper "Kelly's Heroes" starring Clint Eastwood and Telly Savalas and Don Rickles, and then "Watermelon Man," a social satire about racism from the vision of director Melvin Van Peebles.  Available on Spotify and Apple Episode 383 includes: -Ben learns about the breaking news of OceanGate's lost sub of billionaires touring the Titanic. Irony explodes.  -Trailer reactions to "3 Body Problem" Netflix series and "Quicksand." Yes, it's a contained thriller about a couple trapped in quicksand, the overly prevalant fear of many a child.  -Nate declares "Elemental" a cute and winning romance from Pixar.  -Is the long-gestating movie "The Flash" an unmitigated disaster? No. Is it good? Not really.  -By the Decade -- 1970 -- "Kelly's Heroes" / "Watermelon Man" -The guys discuss the men-on-a-mission WWII action movie with Clint Eastoowd leading a group of soldiers into enemy territory to rob a German bank of its gold, and then director Melvin Van Peebles' racial satire of a white man who wakes up one day and becomes black. 

This week, Adam and Kevin review the bloody sequel The Wrath of Becky and talk about some other stuff including If Footmen Tire You, What Will Horses Do?, Old Henry, Watermelon Man, The Thing, and Extraction 2. 0:00 - Intro 0:48 - The Wrath of Becky review 16:43 - Watch list 34:24 - New releases web: http://filmpulse.net twitter: http://twitter.com/filmpulsenet facebook: http://facebook.com/filmpulse

The boys from The Scoring Pylon are back once again to discuss the happenings of the NASCAR Cup Series race from Kansas Speedway. Will Porter and Jacob Simpson reconvene after an unscheduled hiatus to talk about the races from Dover (briefly) and Kansas. Denny Hamlin finally picks up his first win of the season, but it didn't come without controversy. Will and Jacob discuss their thoughts on the finish, the race on the whole, and what this means moving forward on this track type. We can thank Ross Chastain once again for making waves this week, only this time something was done about it - or at least attempted. The fellas talk about his move on Noah Gragson, the confrontation after the checkered flag, the punch that landed, and what comes next for The Watermelon Man versus everyone else in the field. Certainly another great episode awaits you, right here on The Scoring Pylon! --- Send in a voice message: https://podcasters.spotify.com/pod/show/scoringpylonpod/message

Baila de "HAPPY" (PHARRELL WILLIAMS), "LET'S DANCE"(DAVID BOWIE) o "YEAH!"(USHER) a "CAN'T BUY ME LOVE"(BEATLES), "WATERMELON MAN"(MONGO SANTAMARIA) o "BEAT IT"(MICHAEL JACKSON)... Canta de "IT'S MY PARTY"(AMY WINEHOUSE), "ABRAZAME FUERTE"(JUAN GABRIEL) a "POPOTITOS"(LOS TEEN TOPS) o "LLEVALA AL RINCON"(TITO RODRIGUEZ), "LIGADOS"(NICO FIDENCO),... Recuerda "BONANZA", "CARAVANA", "LA CIUDAD DESNUDA", "DALLAS", "VIVA LAS VEGAS"(ELVIS PRESLEY), el PLYMOUTH BARRACUDA,... Escucha a GABRIEL GARCIA MARQUEZ, RICARDO MONTANER, DOLLY PARTON,MIRLA, DE VITA,... Y mucho mas. Tres horas de colección! --- Support this podcast: https://podcasters.spotify.com/pod/show/genteenambiente/support

Fresh off his triumphant homecoming at the 1967 San Francisco International Film Festival, Melvin Van Peebles finds himself in a very different America than the one he left in 1959. There are protests against the Vietnam war, a growing counter culture culminating in the ‘Summer of Love', and The Civil Rights Movement evolving into cries of Black Power. Soaking up this chaos like a sponge, Melvin combines global politics, street conversations, and his favorite 1880's French Singer to create the worlds first hip-hop album, ‘Brer Soul'. From there, he goes to Hollywood for his first and only studio film, ‘Watermelon Man'. Facing oppressive studio oversight, Melvin uses every trick at his disposal to subvert Hollywood's racist pass from the inside out.Email us: behindtheslatepod@gmail.comInstagram: @behindtheslatepodTikTok: @behindtheslatepodYouTube: @behindtheslatepodcastJoin our weekly film club: https://www.instagram.com/arroyofilmclubProducer: Greg KleinschmidtSources:'Sweet Sweetback's Baadasssss Song' by Melvin Van Peebles (1971)'2008 Interview with Red Bull Music Academy': https://www.redbullmusicacademy.com/lectures/melvin-van-peebles-dont-write-a-check-your-ass-cant-cash'Unstoppable: Melvin Van Peebles, Gordon Parks, and Ossie Davis in Conversation': https://www.youtube.com/watch?v=AHuW5bxVamg'Interview with Olumide Productions': https://www.youtube.com/watch?v=xRn9nr5qXOgMarlon Brando Eulogy for Bobby Hutton: https://www.youtube.com/watch?v=1g05Sb9CcnEInterview with Reelin In the Years: https://www.youtube.com/watch?v=B48FJ03-tkUVisionary Project: https://www.youtube.com/watch?v=TeRJLgAbW-4&list=PLCwE4GdJdVRLS1R8f9-G8hihJQKmePpCW&t=116s'How To Eat Your Watermelon in White Company (And Enjoy It)' (2005) Dir. Joe Angio'SUBVERTING HOLLYWOOD FROM THE INSIDE OUT' by Racquel Gates: https://www.jstor.org/stable/10.1525/fq.2014.68.1.9 Hosted on Acast. See acast.com/privacy for more information.

It's a listener request! Herbie Hancock's "Watermelon Man" goes under the microscope on this edition of Same Difference. Join AJ and Johnny as they listen to and discuss versions of this Hard Bop Jazz standard by Herbie, Mongo Santamaria, Woody Herman, Buddy Guy, and new-to-us artist The Langley Ukulele Ensemble.

Ben Bouman joins me on episode 81.Ben is a Dutch blues player who always strives for originality in his playing, partly inspired by his admiration for the playing of Paul deLay. Ben's current band is The Marble Tones, who took their name from the amplifier company, with Ben helping develop their range of harmonica amps.Ben also helped Seydel prototype their steel reeds before they released them some fifteen years ago, and he tells us all about polishing and profiling steel reeds, his own business selling customised Seydel harmonicas, and how he helped persuade Seydel in moving over to Compromised Just Tuning.The Harpgame Is On! is the name of Ben's self-produced album and he regularly posts YouTube videos, including his recent tuition videos on different harmonica themes.Links:Ben's website:https://www.benboumanharmonicas.nlWebshop to buy Ben Bouman custom harmonicas:https://www.benboumanharmonicas.nl/rapidcartpro/index.php?catalog/all/-/date/1Marble amplifiers:https://www.marble-amps.com/Viola Barends:https://www.violaharmonica.com/Seydel festival and harmonica competition:https://mundharmonika-live.dehttps://www.seydel1847.de/seydelopen-registrationHohner CBH chromatic: https://chromhistory.blog/2019/05/22/cbh-2012-2016/Videos:Paul deLay Harmonica Party:https://www.youtube.com/watch?v=gWepAFBqsN4Marble Tones band videos:https://www.youtube.com/@BluesMoose/search?query=marbletonesBen's Tone in a cup:https://www.facebook.com/profile.php?id=100063463839653Viola Barends harmonica orchestra:https://www.youtube.com/watch?v=gJ7sNeZUAAIBen playing Watermelon Man:https://www.youtube.com/watch?v=RnEbikuq7sIBen playing blues chromatic:https://www.youtube.com/watch?v=VNSa7VdKFXwBen gear demo recording, including Pignose amp:https://www.youtube.com/watch?v=sWFrUNKpMx8The Monkey Speaks His Mind with The Marble Tones:https://www.youtube.com/watch?v=8d4HbjTn4EIPodcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBSpotify Playlist: Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com  or on Facebook or Instagram at

Welcome to another episode of the NASCAR Gambling Podcast on the Sports Gambling Podcast Network! Every Rod Villagomez and Cody Zeeb bring their love of NASCAR and their love of sports betting to you to help you set your bets for the weekend of NASCAR action. From the Camping World Truck Series to the Xfinity Series, to the Cup Series, Rod and Cody have you covered. Today, Rod and Cody break down several NASCAR head to head driver wins bets and give you their favorite side of each. Can last year's champion Joey Logano reach four wins again in 2023, if not, can he still outperform Ryan Blaney? Which Hendrick Motorsports driver will have the better season between Kyle Larson and Chase Elliott? Will Denny Hamlin's feud with Ross Chastain fuel him to more wins than the "Watermelon Man?" We'll answer these questions and more on this week's episode. Be sure to subscribe to the NASCAR Gambling Podcast on the SGPN App, and on Apple Podcasts or Spotify. Find Rod (@rjvillagomez) and Cody (@Husker_Zeeb) on Twitter. SUPER BOWL 57 SGP LIVE SHOW The guys are doing a special live recording of the Sports Gambling Podcast at The Ainsworth in downtown Phoenix. Get all the details here - https://sg.pn/biggame SGPN Merch Store - https://sg.pn/store Download The Free SGPN App - https://sgpn.app Check out SGPN.TV Support us by supporting our partners WynnBET - Bet $100 and get a $100! - https://sg.pn/WynnBET Underdog Fantasy code SGPN - 100% Deposit Match up to $100 - https://sg.pn/underdog Follow The Hosts On Social Media Rod Villagomez - http://www.twitter.com/rjvillagomez Cody Zeeb - http://www.twitter.com/Husker_Zeeb   Watch the Sports Gambling Podcast YouTube - https://www.sg.pn/YouTube Twitch - https://www.sg.pn/Twitch   Read & Discuss - Join the conversation Website - https://www.sportsgamblingpodcast.com Discord - https://sg.pn/discord Reddit - https://www.sg.pn/reddit Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to another episode of the NASCAR Gambling Podcast on the Sports Gambling Podcast Network! Every Rod Villagomez and Cody Zeeb bring their love of NASCAR and their love of sports betting to you to help you set your bets for the weekend of NASCAR action. From the Camping World Truck Series to the Xfinity Series, to the Cup Series, Rod and Cody have you covered.Today, Rod and Cody break down several NASCAR head to head driver wins bets and give you their favorite side of each. Can last year's champion Joey Logano reach four wins again in 2023, if not, can he still outperform Ryan Blaney? Which Hendrick Motorsports driver will have the better season between Kyle Larson and Chase Elliott? Will Denny Hamlin's feud with Ross Chastain fuel him to more wins than the "Watermelon Man?" We'll answer these questions and more on this week's episode.Be sure to subscribe to the NASCAR Gambling Podcast on the SGPN App, and on Apple Podcasts or Spotify. Find Rod (@rjvillagomez) and Cody (@Husker_Zeeb) on Twitter.SUPER BOWL 57 SGP LIVE SHOWThe guys are doing a special live recording of the Sports Gambling Podcast at The Ainsworth in downtown Phoenix. Get all the details here - https://sg.pn/biggameSGPN Merch Store - https://sg.pn/storeDownload The Free SGPN App - https://sgpn.appCheck out SGPN.TVSupport us by supporting our partnersWynnBET - Bet $100 and get a $100! - https://sg.pn/WynnBETUnderdog Fantasy code SGPN - 100% Deposit Match up to $100 - https://sg.pn/underdogFollow The Hosts On Social MediaRod Villagomez - http://www.twitter.com/rjvillagomezCody Zeeb - http://www.twitter.com/Husker_Zeeb Watch the Sports Gambling PodcastYouTube - https://www.sg.pn/YouTubeTwitch - https://www.sg.pn/Twitch Read & Discuss - Join the conversationWebsite - https://www.sportsgamblingpodcast.comDiscord - https://sg.pn/discordReddit - https://www.sg.pn/reddit Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to another episode of the NASCAR Gambling Podcast on the Sports Gambling Podcast Network! Every Rod Villagomez and Cody Zeeb bring their love of NASCAR and their love of sports betting to you to help you set your bets for the weekend of NASCAR action. From the Camping World Truck Series to the Xfinity Series, to the Cup Series, Rod and Cody have you covered. Today, Rod and Cody break down several NASCAR head to head driver wins bets and give you their favorite side of each. Can last year's champion Joey Logano reach four wins again in 2023, if not, can he still outperform Ryan Blaney? Which Hendrick Motorsports driver will have the better season between Kyle Larson and Chase Elliott? Will Denny Hamlin's feud with Ross Chastain fuel him to more wins than the "Watermelon Man?" We'll answer these questions and more on this week's episode. Be sure to subscribe to the NASCAR Gambling Podcast on the SGPN App, and on Apple Podcasts or Spotify. Find Rod (@rjvillagomez) and Cody (@Husker_Zeeb) on Twitter. SUPER BOWL 57 SGP LIVE SHOW The guys are doing a special live recording of the Sports Gambling Podcast at The Ainsworth in downtown Phoenix. Get all the details here - https://sg.pn/biggame SGPN Merch Store - https://sg.pn/store Download The Free SGPN App - https://sgpn.app Check out SGPN.TV Support us by supporting our partners WynnBET - Bet $100 and get a $100! - https://sg.pn/WynnBET Underdog Fantasy code SGPN - 100% Deposit Match up to $100 - https://sg.pn/underdog Follow The Hosts On Social Media Rod Villagomez - http://www.twitter.com/rjvillagomez Cody Zeeb - http://www.twitter.com/Husker_Zeeb   Watch the Sports Gambling Podcast YouTube - https://www.sg.pn/YouTube Twitch - https://www.sg.pn/Twitch   Read & Discuss - Join the conversation Website - https://www.sportsgamblingpodcast.com Discord - https://sg.pn/discord Reddit - https://www.sg.pn/reddit Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mike and I had a great time talking to Bill Summers (who was in Herbie Hancock's band The Headhunters)!  We talk about various drums, his first meeting with Herbie Hancock, and the famous sound Bill created for one of the best known Jazz songs ever ... called Watermelon Man... Bill even demonstrates for us how the sound was created. About Bill: During the 1990s, Summers played with Los Hombres Calientes along with co-leader of the group, trumpeter Irvin Mayfield and Jason Marsalis.  However, Summers has a much longer musical career, often working behind the scenes on film scores for various movies such as The Color Purple and the television miniseries Roots with Quincy Jones. He also played with Herbie Hancock during The Headhunters years, and is mentioned in passing by the liner notes of The Headhunters' 2003 release Evolution Revolution as contributing to that recording.   Check out the Headhunters newest album (sections of 4 of the new songs can be heard on our podcast) THE HEADHUNTERS - Speakers in the House released in November 2022: Speakers In The House is the legendary jazz-funk ensemble's first new album in 11 years. Co-lead by percussionist Bill Summers and drummer Mike Clark with support from NEA Jazz Master Donald Harrison on alto saxophone, The Headhunters latest studio effort arrives just in time to celebrate this American music institution's 50th anniversary in 2023, having formed around Herbie Hancock's classic recording, Head Hunters, in 1973. An eight-track set available on Ropeadope Records, highlights from Speakers In The House include the New Orleans' second-line grooves of "Rocking At The Mole House," the world music-influenced jazz-fusion of "Kongo Square" and a modern post-bop re-imagination of the classic Headhunters' composition "Actual Proof," first released on their 1974 album, Thrust. Joining Summers, Clark and Harrison for the recording are keyboardist Stephen Gordon and bassist Reggie Washington plus special guests Jerry Z on organ, One Drop aka Scott Roberts on drums, Fode Sissoko on Kora and Ashlin Parker on trumpet. ******** KNOW GOOD MUSIC can be found on Podbean (host site) Spotify, Apple Podcasts, Iheart Radio, Pandora and almost anywhere you listen to podcasts.     Visit our YouTube Channel where you can see 3 short video segments from our interviews.  Just search "know good music".   Thank you for listening! - Jim  COPYRIGHT CLAIM: The songs : "WE CALL IT THE BOX" by Bill Summers & Summer Heat / "OVER THE BAR", "STOOP", "STOP WATCH" and "ROCKIN' IN THE MOLE HOUSE" by The Headhunters used with permsission by Greg Lucas

Joey Logano gets his second NASCAR Cup Championship, while The Watermelon Man has to settle for second. Doug Rice subs for Brett McMillan this week and welcomes Jim Utter of Motorsport.com, and Jamie Little of Fox Sports to the panel.

74 years later and the chaos continues in the world of NASCAR. Sunday's race at the Las Vegas Motor Speedway went down on the wire between Ross Chastain and Joey Logano. Joey got the best of the "Watermelon Man" as he took the checkered flag and became the first of four drivers to punch their ticket to the NASCAR Championship race. However, that wasn't the biggest topic of conversation, Bubba and Larson tangled and had a bit of a shoving moment. Kenny and Rene will talk about the incident and some of NASCAR's inconsistent moments from 2022 and in the past.  Then the duo will give their predictions for this weekend's race at Homestead-Miami Speedway.

On today's episode of our daily NYFF60 edition, director Elvis Mitchell and executive producer Steven Soderbergh discuss Is That Black Enough For You?!?, a Spotlight selection of this year's festival, with NYFF Executive Director Eugene Hernandez. American film critic Elvis Mitchell's kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs. With Is That Black Enough for You?!? (the title referencing a recurring line from Ossie Davis's 1970 benchmark Cotton Comes to Harlem), Mitchell takes a personal and panoramic approach, expressing his own experiences as a viewer while detailing the cinematic and political histories that led to this extraordinary flowering of a newly ascendant Black heroism. The Learning Tree, Watermelon Man, Shaft, Sweet Sweetback's Baadasssss Song, Cool Breeze, Sounder, Super Fly, Coffy, The Spook Who Sat by the Door, Claudine, Uptown Saturday Night, Cornbread, Earl and Me, Killer of Sheep, and dozens more are analyzed with Mitchell's customary verve and perspicacity. This is a work of painstaking scholarship that's also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated. Featuring interviews with Margaret Avery, Harry Belafonte, Charles Burnett, Laurence Fishburne, Whoopi Goldberg, Samuel L. Jackson, Suzanne de Passe, Glynn Turman, Billy Dee Williams, Zendaya, and more. A Netflix release. To learn more and get tickets for this year's NYFF, taking place through October 16 in all five boroughs of NYC, visit filmlinc.org/tix.

The Freedom of Independent Films: A Review of The Watermelon Man | Episode 92 We watched The Watermelon Man directed by Melvin Van Peebles. Join us in a discussion on being in the South from Chicago, and all the different kinds of racism. Works Cited:  Amber's and Ben's Articl in The Washington Post:  https://www.washingtonpost.com/dc-md-va/interactive/2022/interracial-couples-tiktok-racism/ WATERMELON MAN - Movie Review by Kicking the Seat https://www.youtube.com/watch?v=S6vUlDcnNDU Join our Patreon: https://www.patreon.com/thescifisigh?ltclid=74dee16e-c704-48b4-a577-240e80313ce7 Follow on Instagram: https://www.instagram.com/thescifisighpodcast/ Follow on Tik Tok: https://www.tiktok.com/@burr_iam?lang=en Subscribe on YouTube: https://www.youtube.com/watch?v=A-quzNQbZTQ&list=PLRgBIvxlI3NZ8OyviVDNrn71KxhFWSBhK Click here to listen on Apple Podcast, Spotify, Amazon Music and Vodacast: https://linktr.ee/thescifisighpodcast  

Cuando Herbie Hancock debutó con Takin Off apenas tenía 22 años. En aquel inmenso disco, editado por Blue Note, aparecía ya Watermelon Man, una de las piezas más reproducidas de la historia del jazz. Con aquel primer trabajo Hancock demostró que tenía un talento fuera de lo normal.Los primeros pasos de la carrera de Hancock estuvieron marcados por su talento, por los enormes músicos que rodearon al joven prodigio y por la innovación. En apenas tres años el pianista editó su debut, My Point of View, Inventions & Dimensions (1963), Empyrean Isles (1964) y el inmenso Maiden Voyage (1965). Una racha tremenda que compaginó con sus grabaciones y giras junto a Davis. Esta semana dedicamos el Sofá Sonoro a recorrer estos primeros discos de la carrera de Herbie Hancock y lo hacemos de la mano del periodista Manuel Recio y con los reportajes de Lucía Taboada.Diez discos eternos de la historia del jazz

Join Brad and Jamie this week as they talk about Chase winning the Dover Rain Delay, talk about the tire fall off for the first time all season, cover Ross and MTJs race run in, tell you what motels to avoid in Darlington SC, and help you with your Darlington Fantasy picks!

Talladega delivers with a fun race that shows us what kind of fight this season is shaping up to be. We look at the recent comments from Kyle Busch and what it could mean for his future. We also look forward to the Monster Mile.

Draft talk and JQ is back!

Well a bit of a throwback before the weekend proclaimed as throwback weekend in a couple weeks. Chris and Cj sit down to discuss all things Talladega along with a few other obscure things. Sit back, relax and enjoy the nonsense as the instability of this week was just beautiful. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/nascardosage/message

Y: The Last Man is an FX on Hulu television series (whatever that means) based on the DC comics series. It stars Diane Lane as President Jennifer Brown and Ben Schnetzer as Yorick Brown, the last living person with a Y chromosome. And: Gabby Petito and Brian Laundrie were (at least aspiring) #vanlife influencers. Tragedy, and our culture around this particular sort of tragedy, has turned them into pop culture figures of an entirely different kind. Some other stuff that happened this week, give or take: Melvin Van Peebles, Godfather of Black Cinema, Dies at 89 He directed ‘Watermelon Man,’ did everything on ‘Sweet Sweetback’s Baadasssss Song’ and wrote a pair of Broadway musicals. Beloved ‘Sex And The City’ Actor Willie Garson Dies At 57 Chris Rock says he has COVID-19, urges vaccination The Song That Never Ends: Why Earth, Wind & Fire’s ‘September’ Sustains The Man Behind Those Annual ‘Sept. 21’ Videos Has Made His Last Masterpiece Not Enough Has Changed Since Sanford and Son The unwritten rules of Black TV James Corden Is Getting Called Out For Making An Ageist Joke About BTS Fans And…Yikes When will celebs learn not to come for the fandoms?! Johnny Depp Says Cancel Culture Is “So Far Out Of Hand” & “No One Is Safe”, Asks People To “Stand Up” Against “Injustice” The Emmys Underlined the Paradox of Too Much TV The people handing out the awards were a diverse lot. The ones receiving them, much less so. Japanese school students sent a message in a bottle. 37 years later, it washed up in Hawaii No sign of £4.8m golden toilet stolen from Blenheim Palace, two years on World’s first 108-key concert grand piano built by Australia’s only piano maker Netflix now owns the screen rights to Roald Dahl’s entire catalog The acquisition of the Roald Dahl Story Company follows three years of partnership Eddie Murphy Signs Three-Picture & First-Look Film Deal With Amazon Studios Reading a Novel Set Entirely in Slack In “Several People Are Typing,” Calvin Kasulke takes office agony to its outer limits. Elon Musk and Grimes break up after three years together GUESTS: Raquel Benedict - Claims to be the most dangerous woman in speculative fiction; hosts the Rite Gud podcast Brian Slattery - Arts editor for the New Haven Independent and a producer at WNHH radio Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Chord ChartWatermelon Man - Head Hunters (1973)Watermelon Man - Mongo Santamaria (1963)Watermelon Man - Takin' Off (1962)MERCH!PATREON!INSTAGRAM!FACEBOOK!