Podcasts about Watermelon Man

Dans cet épisode, Ombline Roche nous fait découvrir Herbie Hancock, l'une des figures les plus influentes du jazz du XXe siècle. Pianiste de génie, Hancock a su repousser les limites de son instrument, en fusionnant le jazz avec le rock, le funk et même le hip-hop. Enfant prodige de Chicago, il a été marqué par la rencontre avec le légendaire trompettiste Miles Davis, qui lui a appris l'importance de l'écoute et de l'improvisation. Toujours en quête de nouvelles sonorités, Hancock n'a cessé de se réinventer, passant des pianos acoustiques aux synthétiseurs modulaires. Avec des morceaux emblématiques comme "Watermelon Man" et "Rock It", il a jeté les bases du hip-hop et influencé de nombreux artistes. Cet épisode retrace le parcours fascinant de ce géant du jazz, toujours à la pointe de l'innovation musicale.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Episode 71: Harvey Mason Sr. You've heard Harvey Mason Sr., whether you realize it or not. From the iconic grooves of Herbie Hancock's Head Hunters to the GRAMMY-winning “Kiss From A Rose” by Seal, Harvey's drumming has shaped music history across genres, decades, and mediums — albums, film scores, and TV alike. He's not only a musical powerhouse, but a dear friend, and in this episode, we finally sat down to dig into his legendary run — especially his work with Herbie Hancock and the Head Hunters album. Harvey shares the story of how that band came together, the sessions behind Chameleon and Watermelon Man, and why he chose not to tour with them at the height of their success. We also dive into his solo career — how it started, how it evolved, and the surprising role Clive Davis played in making it all happen. Harvey opens up about his long-standing friendships and collaborations with Quincy Jones and Chick Corea, his approach to fatherhood (including raising his sons Harvey Mason Jr., CEO of the Recording Academy, and Max Mason, former VP of Quincy Jones Productions), and how he built a legacy both on and off the kit. Fun fact: Vic Firth was Harvey's teacher — and Harvey still receives royalties from the early days of Vic Firth drumsticks! We also get into his stunning new album Changing Partners: Trios 2, featuring the likes of Chick Corea, Gonzalo Rubalcaba, James Genus, Dave Grusin, Stanley Clarke. This conversation is a masterclass in musicianship, legacy, and love for the craft. Enjoy my sit-down with the incomparable Harvey Mason Sr. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) Intro (0:02:35) Harvey's New Album (0:05:26) Head Hunters (0:06:29) Getting the Call from Herbie Hancock (0:09:20) Making the Head Hunters Album (0:10:59) Studio vs. Touring Musician, Harvey's Background (0:14:06) Berklee, Studying with Alan Dawson (0:15:33) Vic Firth taught Harvey (0:17:55) Moving to L.A., Lucille Ball Show (0:19:41) Session Work in the 1970's (0:21:24) Working with Quincy Jones on the Bill Cosby Show (0:22:51) Instrument Collection, Harvey's Foundation (0:24:23) Session Work, Touring (0:28:00) “Chameleon” Session (0:30:56) Herbie's Hollywood Bowl Show (0:32:55) What Herbie was like in the 70's (0:33:47) “Watermelon Man” (0:35:15) The “4 A.M.” Session, Jaco Pastorius (0:36:41) Jaco Stories (0:38:22) The “4 A.M.” Session Continued (0:38:45) Focusing on Goals, Family Life (0:41:18) Harvey Mason Jr. (0:41:59) Max Mason (0:44:18) Learning from Clive Davis, Quincy, and others (0:48:22) Biggie, T.I., and Lupe Fiasco Sampled Harvey's Music (0:49:05) Funk in a Mason Jar (0:49:39) “Till You Take My Love,” David Foster, David Paich (0:51:40) Clive Davis (0:55:59) Touring with Carole King (0:57:30) Chick Corea (0:58:55) Losing Chick and Quincy (1:00:44) What Harvey is Doing Now (1:02:05) How to Keep Creativity Going (1:02:54) Playing Piano in Church (1:06:42) Playing with Duke Ellington (1:08:07) The Quincy Jones JammJam (1:09:12) Advice (1:10:47) “Changing Partners Trios II” (1:11:49) Vic Firth Stories (1:18:55) Residuals, Pension, Royalties, and Sessions (1:21:31) Sharing Stories Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Harvey: https://www.instagram.com/harveymasonsr/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Cine Teatro Renzi, La Banda, Santiago del Estero Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:50 Segmento Inicial • Consejos para ir a la plaza con tu hijo: consejos y riesgos0:07:12 Segmento Dispositivo • La cabeza de Franz Joseph Haydn0:41:46 • "A Rodar Mi Vida" ♫ Fito Páez, El Amor Después Del Amor, 1992. Segmento Humorístico • La vianda para el colegio0:58:01 Sordo Gancé / Trío Sin Nombre • Presentación1:18:55 • "Rezo Por Vos" ♫ (Único registro del truncado proyecto Spinetta/García, 1984) Privé, 1986. Parte De La Religión, 1987. • "Merceditas" ♫ (Ramón Sixto Ríos) Orquesta Típica Osmar Maderna, 1958. Renato Borghetti, 1984. • "Un Poco De Amor Francés" ♫ (P. Rey y Sus Redonditos de Ricota, La Mosca y la Sopa, 1991) • "Recuerdo Malevo" ♫ (Carlos Gardel/Alfredo Le Pera) Canta Gardel, 1933. • "Tan Solo" ♫ (Los Piojos, Chac Tu Chac, 1992) • "Por La Vereda Del Sol (On the Sunny Side of the Street) " ♫ (Jimmy McHugh, Dorothy Fields) Ted Lewis & His Band, 1930) Billie Holiday, 1944. • "Walter Nelson Man" ♫ (Contrafactum de Watermelon Man, Herbie Hancock, Takin' Off, 1962)

In this edition of Into The Smoke, Evan looks at Ross Chastain's win at Kansas and how the Watermelon Man can continue to play spoiler over the next month.See omnystudio.com/listener for privacy information.

NFL Week 4 winners Monday Night Football MLB Last day of regular season drama Wildcard matchups Golf United States retains the President's Cup in easy fashion NASCAR Ross Chastain wins at Kansas Playoff standings NASCAR on NBC >>> NASCAR on Fox WNBA (Split segment, sorry for the error) Game 1s of the semifinals WNBA awards All-Defensive team College Football (Split segment, sorry for the error) Week 6 AP Top 10 Week 5 recap Week 6 game picks Show music by DJ Cam One: Twitter/Instagram DJ Cam One's label: Mysteryismusic.com Mysterysoundrecordings.bandcamp.comDJ Cam One on Spotify Cover art by Xclusive Packaging & Design: InstagramEmail: x.pac.design@gmail.com Your host Uncle Dub: Twitter/InstagramPodcast Instagram Untappd (Beer Check-in app): ItsUncle_Dub Email: sportswagonpodcast@gmail.com Check out the Bald Head Logic podcast co-hosted with DJ Cam One Please consider supporting the podcast: Buy Me a Coffee Send a voicemail, subscribe, rate and tell a friend about the show! Thank you for listening!

An audio folk story examining the tradition of Black watermelon long-haulers, who drive to farms in the South for watermelon and sell them in Black neighborhoods around the US. This is a special bonus edition from KCRW's Lost Notes. 

Blender Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:02:13 • Un científico crédulo: Leibniz0:06:59 • La utilidad de cualquier milagro de porquería0:08:10 Segmento Inicial • Consejos para comprarse un Kiosco0:09:48 • Yo ingresé a la escuela primaria con 43 años0:36:57 Segmento Dispositivo • Leonor De Aquitania0:43:36 • "Ropa Sucia" ♫ (Canta El Trío Sin Nombre) Patricio Rey y sus Redonditos de Ricota, ¡Bang! ¡Bang! ¡Estás Liquidado!, 1989. Segmento Humorístico • Chat, saludos, pedidos, etc. Mención al escritor Mario Gallina1:05:00 • Usted, además, todas las cosas que tiene ahí son perfectamente inútiles: saludos que en realidad no son, elogios que no se consuman y pedidos que nadie va a complacer. • ¿Usted va a cantar con esa voz? Dolina: estar mal de la voz y cantar expresivamente1:07:45 • Reglas para reciclar regalos que no nos gustaron1:10:01 Sordo Gancé / Manuel Moreira / Trío Sin Nombre • Presentación1:37:36 • "El Deschave" ♫ (José Tiscornia/Edmundo Rivero) Canta Rivero. • "Fields Of Gold" ♫ (Sting, Ten Summoner's Tales, 1993) Canta Eva Cassidy, 1996. • "Walter Nelson Man" ♫ (Contrafactum de Watermelon Man, Herbie Hancock, Takin' Off, 1962)

Redd Foxx was one funny motherfucker. And, hell on wheels. Apparently, he was the scourge of taxi drivers in Las Vegas, where he lived, worked, and is buried - because he would either throw up in the backseat of their cabs, or refuse to pay his fare, or both. As the “King of the Party Records”, Redd made 50 dirty albums (I have a few on 8 track) - before hitting national gold on Sanford and Son, that show about a junkman and his boy that ran for six seasons, starting in 1972. I just found out that Foxx's birth name actually WAS Sanford - a factoid that makes me smile. If fact everything about him made me smile. I loved it each time he'd clutch his chest feigning a heart attack, and groaning “Elizabeth, I'm comin' to join you, honey!” And, now, hearing Quincy Jone's theme song again, I'm sporting a broad grin again in remembrance.Q was a master of innumerable musical genres, coming up as he did as Dinah Washington's arranger, Sinatra's band leader, Film scorer par excellence, and Michael Jackson's record producer, etc, etc. Here he's channelling Herbie Hancock's “Watermelon Man” - and the funky clavinet makes me want to bob my head along with the syncopation.Although the character of Fred Sanford was supposed to be in his sixties, Redd was only in his 40s when he made Sanford and Son, and he was only 68 when he died in 1991, having exhausted himself through a jam-packed roller-coaster existence. Rumor has it he died broke because the IRS has seized his assets two years earlier, so Eddie Murphy footed the bill to pay for his funeral.  As Arthur Miller once wrote: “Attention must be paid!”

Wie läuft Evelyns Familienurlaub in Ocean City? Wie verbringt Ehepaar Heinlini die Tage ohne Kids? Und warum zieht es Seeungeheuer immer häufiger an Land? Viel Spaß mit unserer letzten Folge vor der Sommerpause! Wir hören uns am 3.9 wieder. Amore! Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/heinleinundweigert

Freddie Kraft, Brett Griffin, T.J. Majors & Casey Boat recap a surprisingly entertaining Texas race. The “Hooters Curse” is finally broken with Chase Elliott securing his first win since 2022. How concerned should Ford fans be with the manufacturer being winless a quarter of the way into the season? Late-race drama between William Byron and Ross Chastain gets the Reaction Theatre line buzzing. Did Ryan Sieg choke or did Sam Mayer close it out? Episode Highlights Chase Elliott ends the “Hooters Curse” Jimmie Johnson = Darrell Waltrip? “He wrecked the Watermelon Man!” Does Texas need a repave after all? Ford's drought continues Want more DBC? Check out and subscribe to the new DBC YouTube channel! 21+ and present in NC. First online real money wager only. $10 Deposit req. Bonus issued as non-withdrawable bonus bets that expire 7 days after receipt. Restrictions apply. See full terms at fanduel.com/sportsbook. Gambling problem? Call 877-718-5543 or visit morethanagame.nc.gov. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Freddie Kraft, Brett Griffin, T.J. Majors & Casey Boat recap a surprisingly entertaining Texas race. The “Hooters Curse” is finally broken with Chase Elliott securing his first win since 2022. How concerned should Ford fans be with the manufacturer being winless a quarter of the way into the season? Late-race drama between William Byron and Ross Chastain gets the Reaction Theatre line buzzing. Did Ryan Sieg choke or did Sam Mayer close it out?   Episode Highlights Chase Elliott ends the “Hooters Curse” Jimmie Johnson = Darrell Waltrip? “He wrecked the Watermelon Man!” Does Texas need a repave after all? Ford's drought continues Want more DBC? Check out and subscribe to the new DBC YouTube channel!  21+ and present in NC. First online real money wager only. $10 Deposit req. Bonus issued as non-withdrawable bonus bets that expire 7 days after receipt. Restrictions apply. See full terms at fanduel.com/sportsbook. Gambling problem? Call 877-718-5543 or visit morethanagame.nc.gov. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

.See omnystudio.com/listener for privacy information.

It's a very special episode, screamers! Recently, the Fort Worth Film Club screened Melvin Van Peebles' scathing look at white privilege, 1970s Watermelon Man. At our post-screening discussion we were lucky enough to be joined by Mr. Marcellis Perkins, and Dr. Frederick Gooding Jr. It was a candid, lively, enriching conversation, and we are pleased to present that live recording here.    Next episode we'll be back to wrap up discussion on Hal Hartley and discuss the new(ish) films 'The Book of Clarence,' and 'The Iron Claw.' Until then, enjoy the live conversation with Marcellis and Dr.G.     Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Indie director Melvin van Peebles' one film for Columbia Pictures pointedly slams against the dictates and standards of studio filmmaking with his Godfrey Cambridge-starring vehicle about a white bigot who wakes up black and finds himself in a world that no longer tolerates his existence. Join our  Patreon and support the podcast!  Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Jacques Becker's Casque d'Or (1952).

Season 7: Episode 50 Melvin Van Peebles (born Melvin Peebles; August 21, 1932 – September 21, 2021) was an American actor, filmmaker, writer, and composer. He worked as an active filmmaker into the 2000s. His feature film debut, The Story of a Three-Day Pass (1967), was based on his own French-language novel La Permission and was shot in France. The film won an award at the San Francisco International Film Festival which gained him the interest of Hollywood studios, leading to his American feature debut Watermelon Man, in 1970. ----------------------------------------------------------------------- LaKisha LaTaye Davis is a certified life coach, author, event and podcast host, as well as speaker. She is the author of "The Power of Words: Affirmations to Promote You in Life and Business" as well as "The Seven Sins of Social Media: Change Your Approach to Increase Engagement". As a military veteran she has served at the White House Medical Unit, the Pentagon and Walter Reed Army Medical Center. LaTaye is a seasoned leader within the federal and state government as well as big box retail companies. Her professional and personal experiences coupled with her out of the box approach allows her to be able to work with women and men from various demographics and cultures. --- Send in a voice message: https://podcasters.spotify.com/pod/show/globalgirlspodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/globalgirlspodcast/support

Just in time for February: it's... Random Acts of Cinema's Francis Ford Coppola's Bram Stoker's Dracula.  Take me away from all of these possessives. Join our  Patreon and support the podcast!  Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Melvin van Peebles' Watermelon Man (1970).

Frank Mccomb – All You Need Is Love – 3:10 Frank Mccomb – Listen To Your Heart – 5:12 Buckshot LeFonque – Another Day – 3:33 Jazzmeeting – Interview Frank mc Comb – 23:19 Joe Sample – In All My Wildest Dreams – 4:08 Herbie Hancock – Watermelon Man – 6:28 Frank Mccomb – Love […]

Lmao google the movie title and you'll get what the title means.That aside the boys are back and with another hard hitting episode. We had to start off the right way covering Shake JMJ Day One's, the botching of Wales Bonner drop, speculate on the response to the FoG Athletics drop, and we had a long talk about how the sneaker game has changed.

The New Chitlin Circuit joins us this week for a Black ass episode! Godfrey walked so the Wayans Brothers could run. If you are uncomfy with the "n-word" please do yourself a favor and sit this one out. (Shoutout to our Virgo brethren on his bubble booty and happy birthday

Five Flavors of Funk 91 : "Herbie Hancock"   Some great #70sfunk and #80sfunk from #herbiehancock   Today's tunes include; (0:00) Rockit (1983) (5:18) Hang Up Your Hang Ups (1975) (12:45) Watermelon Man background music (1962) (14:28) Come Running To Me (1978) (22:57) Chameleon (1973) (27:33) Magic Number (1981)

Movie reviews forever. Seven 70's film to review, for you, today. We've got three greats, one really good, one good, one with a very problematic scene, and one crappy Disney film, that one of our crew has been conditioned by Disney to enjoy more than the other 2 who are less susceptible to the power of the D. That's it were done. Not really but seriously lets roll through them quick. (watermelon man 1970) summing these up today in one sentence each, this one's is. Godfrey Cambridge died way too young, but we can always see him here kicking this movies butt. (Sweet Sweetbacks bad ass song 1971) Another great example of trippy early 70's filmaking, and maybe have someone who's seen it work the remote and skip about 56 seconds of this thing. (Jeremy1973) a newly discovered gem for us that can be described in one word, beautiful. (Five on the black hand side 1973) Rad mother finds her extremely powerful voice and gives sexist asshat a last chance to be cool. (Hestor Street 1975) Kinda reminds a lil of the plot of the last movie, but further back in time, in black and white, and Carol Kane will kick your arse, with acting. (The seduction of Joe Tynan 1979) Title gets it right, also Streep, Alda's cool, but Flippin Streep. (The last flight of Noah's Ark) Not to jump the shark of an upcoming review, but this film is better than escape to witch mountain 2, wait is it? That upside down helicopter was in 2 right? Sorry this is more than one sentence. Thanks for listening friends.

The Watermelon Man has a smashing good time in Nashville, and now it's time to take NASCAR to the streets of Chicago. Brett McMillan welcomes Davey Segal of Sirius/XM NASCAR Radio, and Bruce Martin of Speed Sport.

The "Dirty Sons of Pitches" have begun a new decade for their retrospective and they're taking aim at the 1970s, the era of autuer directors flexing their creative muscles and for new voices to emerge. They discuss two movies from 1970, the soldiers-as-scoundrels caper "Kelly's Heroes" starring Clint Eastwood and Telly Savalas and Don Rickles, and then "Watermelon Man," a social satire about racism from the vision of director Melvin Van Peebles.  Available on Spotify and Apple Episode 383 includes: -Ben learns about the breaking news of OceanGate's lost sub of billionaires touring the Titanic. Irony explodes.  -Trailer reactions to "3 Body Problem" Netflix series and "Quicksand." Yes, it's a contained thriller about a couple trapped in quicksand, the overly prevalant fear of many a child.  -Nate declares "Elemental" a cute and winning romance from Pixar.  -Is the long-gestating movie "The Flash" an unmitigated disaster? No. Is it good? Not really.  -By the Decade -- 1970 -- "Kelly's Heroes" / "Watermelon Man" -The guys discuss the men-on-a-mission WWII action movie with Clint Eastoowd leading a group of soldiers into enemy territory to rob a German bank of its gold, and then director Melvin Van Peebles' racial satire of a white man who wakes up one day and becomes black. 

This week, Adam and Kevin review the bloody sequel The Wrath of Becky and talk about some other stuff including If Footmen Tire You, What Will Horses Do?, Old Henry, Watermelon Man, The Thing, and Extraction 2. 0:00 - Intro 0:48 - The Wrath of Becky review 16:43 - Watch list 34:24 - New releases web: http://filmpulse.net twitter: http://twitter.com/filmpulsenet facebook: http://facebook.com/filmpulse

The boys from The Scoring Pylon are back once again to discuss the happenings of the NASCAR Cup Series race from Kansas Speedway. Will Porter and Jacob Simpson reconvene after an unscheduled hiatus to talk about the races from Dover (briefly) and Kansas. Denny Hamlin finally picks up his first win of the season, but it didn't come without controversy. Will and Jacob discuss their thoughts on the finish, the race on the whole, and what this means moving forward on this track type. We can thank Ross Chastain once again for making waves this week, only this time something was done about it - or at least attempted. The fellas talk about his move on Noah Gragson, the confrontation after the checkered flag, the punch that landed, and what comes next for The Watermelon Man versus everyone else in the field. Certainly another great episode awaits you, right here on The Scoring Pylon! --- Send in a voice message: https://podcasters.spotify.com/pod/show/scoringpylonpod/message

Baila de "HAPPY" (PHARRELL WILLIAMS), "LET'S DANCE"(DAVID BOWIE) o "YEAH!"(USHER) a "CAN'T BUY ME LOVE"(BEATLES), "WATERMELON MAN"(MONGO SANTAMARIA) o "BEAT IT"(MICHAEL JACKSON)... Canta de "IT'S MY PARTY"(AMY WINEHOUSE), "ABRAZAME FUERTE"(JUAN GABRIEL) a "POPOTITOS"(LOS TEEN TOPS) o "LLEVALA AL RINCON"(TITO RODRIGUEZ), "LIGADOS"(NICO FIDENCO),... Recuerda "BONANZA", "CARAVANA", "LA CIUDAD DESNUDA", "DALLAS", "VIVA LAS VEGAS"(ELVIS PRESLEY), el PLYMOUTH BARRACUDA,... Escucha a GABRIEL GARCIA MARQUEZ, RICARDO MONTANER, DOLLY PARTON,MIRLA, DE VITA,... Y mucho mas. Tres horas de colección! --- Support this podcast: https://podcasters.spotify.com/pod/show/genteenambiente/support

Fresh off his triumphant homecoming at the 1967 San Francisco International Film Festival, Melvin Van Peebles finds himself in a very different America than the one he left in 1959. There are protests against the Vietnam war, a growing counter culture culminating in the ‘Summer of Love', and The Civil Rights Movement evolving into cries of Black Power. Soaking up this chaos like a sponge, Melvin combines global politics, street conversations, and his favorite 1880's French Singer to create the worlds first hip-hop album, ‘Brer Soul'. From there, he goes to Hollywood for his first and only studio film, ‘Watermelon Man'. Facing oppressive studio oversight, Melvin uses every trick at his disposal to subvert Hollywood's racist pass from the inside out.Email us: behindtheslatepod@gmail.comInstagram: @behindtheslatepodTikTok: @behindtheslatepodYouTube: @behindtheslatepodcastJoin our weekly film club: https://www.instagram.com/arroyofilmclubProducer: Greg KleinschmidtSources:'Sweet Sweetback's Baadasssss Song' by Melvin Van Peebles (1971)'2008 Interview with Red Bull Music Academy': https://www.redbullmusicacademy.com/lectures/melvin-van-peebles-dont-write-a-check-your-ass-cant-cash'Unstoppable: Melvin Van Peebles, Gordon Parks, and Ossie Davis in Conversation': https://www.youtube.com/watch?v=AHuW5bxVamg'Interview with Olumide Productions': https://www.youtube.com/watch?v=xRn9nr5qXOgMarlon Brando Eulogy for Bobby Hutton: https://www.youtube.com/watch?v=1g05Sb9CcnEInterview with Reelin In the Years: https://www.youtube.com/watch?v=B48FJ03-tkUVisionary Project: https://www.youtube.com/watch?v=TeRJLgAbW-4&list=PLCwE4GdJdVRLS1R8f9-G8hihJQKmePpCW&t=116s'How To Eat Your Watermelon in White Company (And Enjoy It)' (2005) Dir. Joe Angio'SUBVERTING HOLLYWOOD FROM THE INSIDE OUT' by Racquel Gates: https://www.jstor.org/stable/10.1525/fq.2014.68.1.9 Hosted on Acast. See acast.com/privacy for more information.

It's a listener request! Herbie Hancock's "Watermelon Man" goes under the microscope on this edition of Same Difference. Join AJ and Johnny as they listen to and discuss versions of this Hard Bop Jazz standard by Herbie, Mongo Santamaria, Woody Herman, Buddy Guy, and new-to-us artist The Langley Ukulele Ensemble.

Ben Bouman joins me on episode 81.Ben is a Dutch blues player who always strives for originality in his playing, partly inspired by his admiration for the playing of Paul deLay. Ben's current band is The Marble Tones, who took their name from the amplifier company, with Ben helping develop their range of harmonica amps.Ben also helped Seydel prototype their steel reeds before they released them some fifteen years ago, and he tells us all about polishing and profiling steel reeds, his own business selling customised Seydel harmonicas, and how he helped persuade Seydel in moving over to Compromised Just Tuning.The Harpgame Is On! is the name of Ben's self-produced album and he regularly posts YouTube videos, including his recent tuition videos on different harmonica themes.Links:Ben's website:https://www.benboumanharmonicas.nlWebshop to buy Ben Bouman custom harmonicas:https://www.benboumanharmonicas.nl/rapidcartpro/index.php?catalog/all/-/date/1Marble amplifiers:https://www.marble-amps.com/Viola Barends:https://www.violaharmonica.com/Seydel festival and harmonica competition:https://mundharmonika-live.dehttps://www.seydel1847.de/seydelopen-registrationHohner CBH chromatic: https://chromhistory.blog/2019/05/22/cbh-2012-2016/Videos:Paul deLay Harmonica Party:https://www.youtube.com/watch?v=gWepAFBqsN4Marble Tones band videos:https://www.youtube.com/@BluesMoose/search?query=marbletonesBen's Tone in a cup:https://www.facebook.com/profile.php?id=100063463839653Viola Barends harmonica orchestra:https://www.youtube.com/watch?v=gJ7sNeZUAAIBen playing Watermelon Man:https://www.youtube.com/watch?v=RnEbikuq7sIBen playing blues chromatic:https://www.youtube.com/watch?v=VNSa7VdKFXwBen gear demo recording, including Pignose amp:https://www.youtube.com/watch?v=sWFrUNKpMx8The Monkey Speaks His Mind with The Marble Tones:https://www.youtube.com/watch?v=8d4HbjTn4EIPodcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBSpotify Playlist: Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com  or on Facebook or Instagram at

Welcome to another episode of the NASCAR Gambling Podcast on the Sports Gambling Podcast Network! Every Rod Villagomez and Cody Zeeb bring their love of NASCAR and their love of sports betting to you to help you set your bets for the weekend of NASCAR action. From the Camping World Truck Series to the Xfinity Series, to the Cup Series, Rod and Cody have you covered. Today, Rod and Cody break down several NASCAR head to head driver wins bets and give you their favorite side of each. Can last year's champion Joey Logano reach four wins again in 2023, if not, can he still outperform Ryan Blaney? Which Hendrick Motorsports driver will have the better season between Kyle Larson and Chase Elliott? Will Denny Hamlin's feud with Ross Chastain fuel him to more wins than the "Watermelon Man?" We'll answer these questions and more on this week's episode. Be sure to subscribe to the NASCAR Gambling Podcast on the SGPN App, and on Apple Podcasts or Spotify. Find Rod (@rjvillagomez) and Cody (@Husker_Zeeb) on Twitter. SUPER BOWL 57 SGP LIVE SHOW The guys are doing a special live recording of the Sports Gambling Podcast at The Ainsworth in downtown Phoenix. Get all the details here - https://sg.pn/biggame SGPN Merch Store - https://sg.pn/store Download The Free SGPN App - https://sgpn.app Check out SGPN.TV Support us by supporting our partners WynnBET - Bet $100 and get a $100! - https://sg.pn/WynnBET Underdog Fantasy code SGPN - 100% Deposit Match up to $100 - https://sg.pn/underdog Follow The Hosts On Social Media Rod Villagomez - http://www.twitter.com/rjvillagomez Cody Zeeb - http://www.twitter.com/Husker_Zeeb   Watch the Sports Gambling Podcast YouTube - https://www.sg.pn/YouTube Twitch - https://www.sg.pn/Twitch   Read & Discuss - Join the conversation Website - https://www.sportsgamblingpodcast.com Discord - https://sg.pn/discord Reddit - https://www.sg.pn/reddit Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to another episode of the NASCAR Gambling Podcast on the Sports Gambling Podcast Network! Every Rod Villagomez and Cody Zeeb bring their love of NASCAR and their love of sports betting to you to help you set your bets for the weekend of NASCAR action. From the Camping World Truck Series to the Xfinity Series, to the Cup Series, Rod and Cody have you covered.Today, Rod and Cody break down several NASCAR head to head driver wins bets and give you their favorite side of each. Can last year's champion Joey Logano reach four wins again in 2023, if not, can he still outperform Ryan Blaney? Which Hendrick Motorsports driver will have the better season between Kyle Larson and Chase Elliott? Will Denny Hamlin's feud with Ross Chastain fuel him to more wins than the "Watermelon Man?" We'll answer these questions and more on this week's episode.Be sure to subscribe to the NASCAR Gambling Podcast on the SGPN App, and on Apple Podcasts or Spotify. Find Rod (@rjvillagomez) and Cody (@Husker_Zeeb) on Twitter.SUPER BOWL 57 SGP LIVE SHOWThe guys are doing a special live recording of the Sports Gambling Podcast at The Ainsworth in downtown Phoenix. Get all the details here - https://sg.pn/biggameSGPN Merch Store - https://sg.pn/storeDownload The Free SGPN App - https://sgpn.appCheck out SGPN.TVSupport us by supporting our partnersWynnBET - Bet $100 and get a $100! - https://sg.pn/WynnBETUnderdog Fantasy code SGPN - 100% Deposit Match up to $100 - https://sg.pn/underdogFollow The Hosts On Social MediaRod Villagomez - http://www.twitter.com/rjvillagomezCody Zeeb - http://www.twitter.com/Husker_Zeeb Watch the Sports Gambling PodcastYouTube - https://www.sg.pn/YouTubeTwitch - https://www.sg.pn/Twitch Read & Discuss - Join the conversationWebsite - https://www.sportsgamblingpodcast.comDiscord - https://sg.pn/discordReddit - https://www.sg.pn/reddit Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to another episode of the NASCAR Gambling Podcast on the Sports Gambling Podcast Network! Every Rod Villagomez and Cody Zeeb bring their love of NASCAR and their love of sports betting to you to help you set your bets for the weekend of NASCAR action. From the Camping World Truck Series to the Xfinity Series, to the Cup Series, Rod and Cody have you covered. Today, Rod and Cody break down several NASCAR head to head driver wins bets and give you their favorite side of each. Can last year's champion Joey Logano reach four wins again in 2023, if not, can he still outperform Ryan Blaney? Which Hendrick Motorsports driver will have the better season between Kyle Larson and Chase Elliott? Will Denny Hamlin's feud with Ross Chastain fuel him to more wins than the "Watermelon Man?" We'll answer these questions and more on this week's episode. Be sure to subscribe to the NASCAR Gambling Podcast on the SGPN App, and on Apple Podcasts or Spotify. Find Rod (@rjvillagomez) and Cody (@Husker_Zeeb) on Twitter. SUPER BOWL 57 SGP LIVE SHOW The guys are doing a special live recording of the Sports Gambling Podcast at The Ainsworth in downtown Phoenix. Get all the details here - https://sg.pn/biggame SGPN Merch Store - https://sg.pn/store Download The Free SGPN App - https://sgpn.app Check out SGPN.TV Support us by supporting our partners WynnBET - Bet $100 and get a $100! - https://sg.pn/WynnBET Underdog Fantasy code SGPN - 100% Deposit Match up to $100 - https://sg.pn/underdog Follow The Hosts On Social Media Rod Villagomez - http://www.twitter.com/rjvillagomez Cody Zeeb - http://www.twitter.com/Husker_Zeeb   Watch the Sports Gambling Podcast YouTube - https://www.sg.pn/YouTube Twitch - https://www.sg.pn/Twitch   Read & Discuss - Join the conversation Website - https://www.sportsgamblingpodcast.com Discord - https://sg.pn/discord Reddit - https://www.sg.pn/reddit Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mike and I had a great time talking to Bill Summers (who was in Herbie Hancock's band The Headhunters)!  We talk about various drums, his first meeting with Herbie Hancock, and the famous sound Bill created for one of the best known Jazz songs ever ... called Watermelon Man... Bill even demonstrates for us how the sound was created. About Bill: During the 1990s, Summers played with Los Hombres Calientes along with co-leader of the group, trumpeter Irvin Mayfield and Jason Marsalis.  However, Summers has a much longer musical career, often working behind the scenes on film scores for various movies such as The Color Purple and the television miniseries Roots with Quincy Jones. He also played with Herbie Hancock during The Headhunters years, and is mentioned in passing by the liner notes of The Headhunters' 2003 release Evolution Revolution as contributing to that recording.   Check out the Headhunters newest album (sections of 4 of the new songs can be heard on our podcast) THE HEADHUNTERS - Speakers in the House released in November 2022: Speakers In The House is the legendary jazz-funk ensemble's first new album in 11 years. Co-lead by percussionist Bill Summers and drummer Mike Clark with support from NEA Jazz Master Donald Harrison on alto saxophone, The Headhunters latest studio effort arrives just in time to celebrate this American music institution's 50th anniversary in 2023, having formed around Herbie Hancock's classic recording, Head Hunters, in 1973. An eight-track set available on Ropeadope Records, highlights from Speakers In The House include the New Orleans' second-line grooves of "Rocking At The Mole House," the world music-influenced jazz-fusion of "Kongo Square" and a modern post-bop re-imagination of the classic Headhunters' composition "Actual Proof," first released on their 1974 album, Thrust. Joining Summers, Clark and Harrison for the recording are keyboardist Stephen Gordon and bassist Reggie Washington plus special guests Jerry Z on organ, One Drop aka Scott Roberts on drums, Fode Sissoko on Kora and Ashlin Parker on trumpet. ******** KNOW GOOD MUSIC can be found on Podbean (host site) Spotify, Apple Podcasts, Iheart Radio, Pandora and almost anywhere you listen to podcasts.     Visit our YouTube Channel where you can see 3 short video segments from our interviews.  Just search "know good music".   Thank you for listening! - Jim  COPYRIGHT CLAIM: The songs : "WE CALL IT THE BOX" by Bill Summers & Summer Heat / "OVER THE BAR", "STOOP", "STOP WATCH" and "ROCKIN' IN THE MOLE HOUSE" by The Headhunters used with permsission by Greg Lucas

Joey Logano gets his second NASCAR Cup Championship, while The Watermelon Man has to settle for second. Doug Rice subs for Brett McMillan this week and welcomes Jim Utter of Motorsport.com, and Jamie Little of Fox Sports to the panel.

74 years later and the chaos continues in the world of NASCAR. Sunday's race at the Las Vegas Motor Speedway went down on the wire between Ross Chastain and Joey Logano. Joey got the best of the "Watermelon Man" as he took the checkered flag and became the first of four drivers to punch their ticket to the NASCAR Championship race. However, that wasn't the biggest topic of conversation, Bubba and Larson tangled and had a bit of a shoving moment. Kenny and Rene will talk about the incident and some of NASCAR's inconsistent moments from 2022 and in the past.  Then the duo will give their predictions for this weekend's race at Homestead-Miami Speedway.

On today's episode of our daily NYFF60 edition, director Elvis Mitchell and executive producer Steven Soderbergh discuss Is That Black Enough For You?!?, a Spotlight selection of this year's festival, with NYFF Executive Director Eugene Hernandez. American film critic Elvis Mitchell's kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs. With Is That Black Enough for You?!? (the title referencing a recurring line from Ossie Davis's 1970 benchmark Cotton Comes to Harlem), Mitchell takes a personal and panoramic approach, expressing his own experiences as a viewer while detailing the cinematic and political histories that led to this extraordinary flowering of a newly ascendant Black heroism. The Learning Tree, Watermelon Man, Shaft, Sweet Sweetback's Baadasssss Song, Cool Breeze, Sounder, Super Fly, Coffy, The Spook Who Sat by the Door, Claudine, Uptown Saturday Night, Cornbread, Earl and Me, Killer of Sheep, and dozens more are analyzed with Mitchell's customary verve and perspicacity. This is a work of painstaking scholarship that's also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated. Featuring interviews with Margaret Avery, Harry Belafonte, Charles Burnett, Laurence Fishburne, Whoopi Goldberg, Samuel L. Jackson, Suzanne de Passe, Glynn Turman, Billy Dee Williams, Zendaya, and more. A Netflix release. To learn more and get tickets for this year's NYFF, taking place through October 16 in all five boroughs of NYC, visit filmlinc.org/tix.

The Freedom of Independent Films: A Review of The Watermelon Man | Episode 92 We watched The Watermelon Man directed by Melvin Van Peebles. Join us in a discussion on being in the South from Chicago, and all the different kinds of racism. Works Cited:  Amber's and Ben's Articl in The Washington Post:  https://www.washingtonpost.com/dc-md-va/interactive/2022/interracial-couples-tiktok-racism/ WATERMELON MAN - Movie Review by Kicking the Seat https://www.youtube.com/watch?v=S6vUlDcnNDU Join our Patreon: https://www.patreon.com/thescifisigh?ltclid=74dee16e-c704-48b4-a577-240e80313ce7 Follow on Instagram: https://www.instagram.com/thescifisighpodcast/ Follow on Tik Tok: https://www.tiktok.com/@burr_iam?lang=en Subscribe on YouTube: https://www.youtube.com/watch?v=A-quzNQbZTQ&list=PLRgBIvxlI3NZ8OyviVDNrn71KxhFWSBhK Click here to listen on Apple Podcast, Spotify, Amazon Music and Vodacast: https://linktr.ee/thescifisighpodcast  

Cuando Herbie Hancock debutó con Takin Off apenas tenía 22 años. En aquel inmenso disco, editado por Blue Note, aparecía ya Watermelon Man, una de las piezas más reproducidas de la historia del jazz. Con aquel primer trabajo Hancock demostró que tenía un talento fuera de lo normal.Los primeros pasos de la carrera de Hancock estuvieron marcados por su talento, por los enormes músicos que rodearon al joven prodigio y por la innovación. En apenas tres años el pianista editó su debut, My Point of View, Inventions & Dimensions (1963), Empyrean Isles (1964) y el inmenso Maiden Voyage (1965). Una racha tremenda que compaginó con sus grabaciones y giras junto a Davis. Esta semana dedicamos el Sofá Sonoro a recorrer estos primeros discos de la carrera de Herbie Hancock y lo hacemos de la mano del periodista Manuel Recio y con los reportajes de Lucía Taboada.Diez discos eternos de la historia del jazz

Join Brad and Jamie this week as they talk about Chase winning the Dover Rain Delay, talk about the tire fall off for the first time all season, cover Ross and MTJs race run in, tell you what motels to avoid in Darlington SC, and help you with your Darlington Fantasy picks!

Talladega delivers with a fun race that shows us what kind of fight this season is shaping up to be. We look at the recent comments from Kyle Busch and what it could mean for his future. We also look forward to the Monster Mile.

Draft talk and JQ is back!

Well a bit of a throwback before the weekend proclaimed as throwback weekend in a couple weeks. Chris and Cj sit down to discuss all things Talladega along with a few other obscure things. Sit back, relax and enjoy the nonsense as the instability of this week was just beautiful. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/nascardosage/message

We answer the big question kids, sock or donkey? 

This week the boys sat down to discuss all the crazy happenings at Circuit of the Americas. Starting off with breaking down the trucks series ending from the chaos that loomed from Cup Series drivers vs Truck series regulars. How that final set of laps really told us all we needed to know for the rest of the weekend. After the truck series race we showcase what made the Xfinity Series so great compared to the trucks. How again Cup Series drivers vs the lower series fairs when they want more track time vs other drivers in the Cup Series. Watch out as we break into quite the conversation at one point showcasing why we can run the show how we want to compared to other shows out there. The comic relief section kicks in very hard. Last but not least we engage in a great conversation about the Cup Series event from Sunday and how almost nothing we've seen on Road Courses compares to the sights and thrills of the entire race from COTA. Was this the best road course race since Watkins Glen with the infamous battle between Keselowski and Ambrose? Or more along the lines of the first Charlotte Oval race? Let us know! Finally, we give our picks for the upcoming race at Richmond for the seventh race of the season. For all things nascar news follow @nascardosage on Instagram and Twitter For all things motorsports news follow @ontheovertake on Instagram and Twitter and check out the website at On the Overtake --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/nascardosage/message

Fjallað um vísnasöngkonuna, gítarleikarann, lagasmiðinn og textahöfundinn Bergþóru Árnadóttur. Fyrsti hluti af fjórum. Lögin sem hljóma í þættinum eru Þorlákshafnarvegurinn, Watermelon Man, Þrjá Ég elska, Ráðið, Vöggugjöf, Eftirmæli, Verkamaðurinn, Júdas, Gott áttu veröld og Ein á báti. Umsjón: Jónatan Garðarsson.

Y: The Last Man is an FX on Hulu television series (whatever that means) based on the DC comics series. It stars Diane Lane as President Jennifer Brown and Ben Schnetzer as Yorick Brown, the last living person with a Y chromosome. And: Gabby Petito and Brian Laundrie were (at least aspiring) #vanlife influencers. Tragedy, and our culture around this particular sort of tragedy, has turned them into pop culture figures of an entirely different kind. Some other stuff that happened this week, give or take: Melvin Van Peebles, Godfather of Black Cinema, Dies at 89 He directed ‘Watermelon Man,’ did everything on ‘Sweet Sweetback’s Baadasssss Song’ and wrote a pair of Broadway musicals. Beloved ‘Sex And The City’ Actor Willie Garson Dies At 57 Chris Rock says he has COVID-19, urges vaccination The Song That Never Ends: Why Earth, Wind & Fire’s ‘September’ Sustains The Man Behind Those Annual ‘Sept. 21’ Videos Has Made His Last Masterpiece Not Enough Has Changed Since Sanford and Son The unwritten rules of Black TV James Corden Is Getting Called Out For Making An Ageist Joke About BTS Fans And…Yikes When will celebs learn not to come for the fandoms?! Johnny Depp Says Cancel Culture Is “So Far Out Of Hand” & “No One Is Safe”, Asks People To “Stand Up” Against “Injustice” The Emmys Underlined the Paradox of Too Much TV The people handing out the awards were a diverse lot. The ones receiving them, much less so. Japanese school students sent a message in a bottle. 37 years later, it washed up in Hawaii No sign of £4.8m golden toilet stolen from Blenheim Palace, two years on World’s first 108-key concert grand piano built by Australia’s only piano maker Netflix now owns the screen rights to Roald Dahl’s entire catalog The acquisition of the Roald Dahl Story Company follows three years of partnership Eddie Murphy Signs Three-Picture & First-Look Film Deal With Amazon Studios Reading a Novel Set Entirely in Slack In “Several People Are Typing,” Calvin Kasulke takes office agony to its outer limits. Elon Musk and Grimes break up after three years together GUESTS: Raquel Benedict - Claims to be the most dangerous woman in speculative fiction; hosts the Rite Gud podcast Brian Slattery - Arts editor for the New Haven Independent and a producer at WNHH radio Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

در هشتمین قسمت پادکست جزباز می‌شنوید: در بخش استانداردهای جز از هربی هنکاک و ساخته ی مشهورش، واترملون من و همچنین کویینتت بزرگ دوم مایلز دیویس می‌شنوید. آیتم قصه های جز در این قسمت از هاروکی موراکامی و عشقش به موسیقی جز خواهد گفت. بهار راد شما را با این نویسنده‌ در کافه‌ی خودش همراه خواهد کرد تا به چند اثر محبوب که از میان آثارش انتخاب شده‌اند گوش کنید. و در آیتم جز معاصر علی نوروزی در بحث جذابی درباره استفاده از هوش مصنوعی در موسیقی جز حرف خواهد زد و دو آلبوم تازه‌منتشرشده را مرور خواهد کرد: The Westerlies, (Songbook Vol. 1) 2021 Lady Blackbird, (Black Acid Soul) 2021 OpenAI Jukebox: Broccaloo - Medieval Jazz 02 Broccaloo - Medieval Jazz 03 Musica Project's Jazzkell: Donya Quick - The Cube Squared Donya Quick - Lobophyllia II گویندگان: امید سلطانی بهار راد علی نوروزی لوگو و کاور: حمیدرضا زبیری حمایت مالی و ارزی از جزباز تمام آهنگ‌های این قسمت دریافت نسخه‌ی پی‌دی‌اف ویژه‌نامه‌ی مایلز دیویس پلی‌لیست موراکامی در اسپاتیفای Telegram | Twitter | Instagram | Email

Chord ChartWatermelon Man - Head Hunters (1973)Watermelon Man - Mongo Santamaria (1963)Watermelon Man - Takin' Off (1962)MERCH!PATREON!INSTAGRAM!FACEBOOK!