Podcasts about unstoppable sex machine

Catch up with or listen again to Going Indieground broadcast on Mad Wasp Radio week commencing 26 November 2024. On this show you can hear: Darling Buds – Gently FallOrchids – Caveman (Peel Session)Opinion – 19Seeing Sunshine – A Jangly LullabyElectrafixion – LowdownCarter the Unstoppable Sex Machine – Sing Fat Lady SingSmashing Pumpkins – SpaceboyBridewells … Continue reading →

Catch up with or listen again to Going Indieground broadcast on Mad Wasp Radio week commencing 29 October 2024. On this show you can hear: Northside – Take FiveKilling Joke – Tension (Peel Session)Kidnapper – CakePeter Perrett – DisinfectantBill Pritchard – New OrleansCarter the Unstoppable Sex Machine – Suppose You Gave a Funeral and Nobody … Continue reading →

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps, Canadian national team, Copa America, and Euro 2024 chat, and we're joined once again this week by Felipe Vallejo to talk about it all. It was a two-game home stand for the Whitecaps this week and to quote Carter the Unstoppable Sex Machine, you win some and you lose some, and I've lost the will to lose. That about sums up how I feel about the 'Caps home form, where they've now dropped 16 points so far this season. We look at the main talking points coming out of the win over Kansas City and the loss in the seven-goal thriller to Houston, including the concerning knee injury to their talismanic captain Ryan Gauld. The MLS transfer window is open. The Whitecaps rumours haven't been plentiful but the club will definitely be making some additions, but may also be losing some players. We look at the apparent imminent arrival of Colombian defender Edier Ocampo and the possible departures of Fafa Picault and Javain Brown, plus we look at the new MLS roster rules and how they may impact the Whitecaps in this transfer window and beyond. And there's still time to talk Canadian Premier League, League1 BC, and the Canadian national teams. Plus Cork band The Frank and Walters continue as Album of the Month, we take you back to 1974, and we've an England Euros 2024 song in Wavelength now that they didn't win it and aren't quite as insufferable! This episode of the podcast is brought to you by Recovery Family Law, family law lawyers in Surrey, working with clients to get excellent results. They support AFTN, go and support them for all your family legal needs. Here's the rundown for the main segments from the episode: 02.08: Intro 05.12: Whitecaps win at home to KC 14.20: Gauld injured as Whitecaps downed by Dynamo 45.33: Home form continues to plague Whitecaps 53.32: This Week In Whitecapsland 1974 59.40: New faces imminent but will Fafa and Javain move on? 78.20: The new MLS DP and U22 roster rules and the Whitecaps 92.00: Edier Ocampo to Vancouver transfer rumours 99.40: League1 BC semis set as Whitecaps women add players 107.12: Devin O'Hea joins Pacific and CPL round-up 129.55: Good start for Canada U20s at CONCACAF qualifiers 133.33: Canadian women set to kick off Olympic defence 136.45: Wavelength - Big Shaq - Like Wot

Only the late 80s/early 90s Britain could have produced a band like Carter the Unstoppable Sex Machine. With sarcasm and attitude to spare, Jim Bob and Fruitbat pilloried modern British culture in a way no one else could. That talent got them a number one album and a headlining spot at Glastonbury in 1992. Eventually the band went their separate ways and Jim Bob has been on a roll ever since releasing album after album of wry cultural criticism packed with hard won wisdom. His latest, Thanks For Reaching Out, comments on the world today in a way we can all relate to (and laugh about). He tells us about all of it and more. Enjoy!  www.jim-bob.co.uk  www.patreon.com/thehustlepod

We've got you covered...nah. Duck and cover...nope. Maybe you can judge a song by its cover...forget it, that's dumb. Well, after laboriously trying to find the right "cover" pun, we'll just leave it at this: This week, we're talking about cover versions. In short, versions of songs that were originally recorded by another artist. And there were oodles and gobs of brilliant cover versions during the O3L era, including many by the wildly popular British '90s band Carter the Unstoppable Sex Machine. Hey, maybe we're better at segues than we are at puns, because our Third Lad this week is Jim Bob from Carter USM! With his musical partner Fruitbat in Carter, Jim racked up four Top 10 albums, 14 Top 40 singles, including a string of classics like 'Sheriff Fatman,' 'Bloodsport For All,' 'After The Watershed,' and 'The Only Living Boy In New Cross,' and headlined Glastonbury before calling it a day (for the first time) in 1997. Carter defied categorization, with an anything-goes juxtaposition of styles of punk to dance, with biting wit, keen social commentary and a knack for clever wordplay. But Jim Bob couldn't stop there, and has become one of pop's renaissance men. Since Carter, he has written two memoirs, six novels, a stage production, and released 12 solo records, including his latest, Thanks For Reaching Out, out from Cherry Red on 30th June. The album contains 38 minutes of pop, punk rock, devastatingly moving ballads and more topical than an episode of Newsnight, with songs about Putin (‘The Day of Reckoning'), the Taliban (‘This is End Times') and whoever ‘Billionaire in Space' is about. It's not all doom and gloom though (it's mostly doom and gloom). ‘Sebastian's Gone On A Ridelaong' is a hilarious psychobilly romp and the pre-coronation written ‘The Prince of Wales' is like a pub lock-in, it's Bowie's ‘Kooks' for older people. During this episode, you'll also get a first listen of Jim's cover of The Psychedelic Furs' 'Pretty In Pink,' which is featured on a covers bonus disc available with the CD version of Thanks For Reaching Out. Among the topics "covered" during this episode: Power ballads! Duck Hunt! Interior decorating! The brilliance of Mark Reynolds aka Stuff by Mark! Serial killer chic! Music video controversy! Milwaukee! Drowning bands! Stevie Wonder in a sock! Jim entering his Young Americans period! And loads of British enthusiasm! Proudly part of the Pantheon Podcasts family. #musicpodcast #musicpodcasts #carterusm #cartertheunstoppablesexmachine #90smusic #coversongs #coverversions #punkrock #newwave #1stwave #classicalternative #grebo #80smusic #70smusic Learn more about your ad choices. Visit megaphone.fm/adchoices

We've got you covered...nah. Duck and cover...nope. Maybe you can judge a song by its cover...forget it, that's dumb. Well, after laboriously trying to find the right "cover" pun, we'll just leave it at this: This week, we're talking about cover versions. In short, versions of songs that were originally recorded by another artist. And there were oodles and gobs of brilliant cover versions during the O3L era, including many by the wildly popular British '90s band Carter the Unstoppable Sex Machine. Hey, maybe we're better at segues than we are at puns, because our Third Lad this week is Jim Bob from Carter USM! With his musical partner Fruitbat in Carter USM, Jim racked up four Top 10 albums, 14 Top 40 singles, including a string of classics like 'Sheriff Fatman,' 'Bloodsport For All,' 'After The Watershed,' and 'The Only Living Boy In New Cross,' and headlined Glastonbury before calling it a day (for the first time) in 1997. Carter defied categorization, with an anything-goes juxtaposition of styles of punk to dance, with biting wit, keen social commentary and a knack for clever wordplay. But Jim Bob couldn't stop there, and has become one of pop's renaissance men. Since Carter, he has written two memoirs, six novels, a stage production, and released 12 solo records, including his latest, Thanks For Reaching Out, out from Cherry Red on 30th June. The album contains 38 minutes of pop, punk rock, devastatingly moving ballads and more topical than an episode of Newsnight, with songs about Putin (‘The Day of Reckoning'), the Taliban (‘This is End Times') and whoever ‘Billionaire in Space' is about. It's not all doom and gloom though (it's mostly doom and gloom). ‘Sebastian's Gone On A Ridelaong' is a hilarious psychobilly romp and the pre-coronation written ‘The Prince of Wales' is like a pub lock-in, it's Bowie's ‘Kooks' for older people. During this episode, you'll also get a first listen of Jim's cover of The Psychedelic Furs' 'Pretty In Pink,' which is featured on a covers bonus disc available with the CD version of Thanks For Reaching Out. Among the topics "covered" during this episode: Power ballads! Duck Hunt! Interior decorating! The brilliance of Mark Reynolds aka Stuff by Mark! Serial killer chic! Music video controversy! Milwaukee! Drowning bands! Stevie Wonder in a sock! Jim entering his Young Americans period! And loads of British enthusiasm! Proudly part of the Pantheon Podcasts family. #musicpodcast #musicpodcasts #carterusm #cartertheunstoppablesexmachine #90smusic #coversongs #coverversions #punkrock #newwave #1stwave #classicalternative #grebo #80smusic #70smusic Learn more about your ad choices. Visit megaphone.fm/adchoices

Simon Nelson - Milltown Brothers - in conversation with David Eastaugh https://milltownbrothers.wordpress.com Their first release, in 1989, was the "Coming From The Mill" EP which became single of the week in the NME magazine, and featured the songs "Roses", "We've Got Time" and "Something On My Mind". The same publication tipped Milltown Brothers for stardom in the 1990s, along with The Hoovers, Carter the Unstoppable Sex Machine, The Charlatans, The Mock Turtles and New Fast Automatic Daffodils. The band's second indie single was "Which Way Should I Jump", with "Silvertown" as the B-side. After the band signed to A&M Records worldwide in 1990, "Which Way Should I Jump?" was re-recorded and entered the UK Singles Chart at number 38, and reached number 10 in the U.S. Billboard Modern Rock chart.

We're joined by author and musician, CJ Thorpe-Tracey on this week's Sheer Isolation. His loyal fanbase know him better as Chris TT. Over two decades, Chris released ten albums and over a hundred songs. The Huntsman Comes A-Marchin' was frequently covered by Frank Turner in his early days of touring. Chris has now published his first book - Buried in the English Earth. It's a lyric book that features every one of his published songs, along with detailed notes and analysis of the meaning. He tells us that he has retired as a songwriter, but is now turning his attention to novel writing. Music this week is provided by post-punk poet Bristolian, Emily Breeze, and Chris picks a track from Jim Bob; a band fronted by James Morrison from indie punk chart-toppers, Carter the Unstoppable Sex Machine. We also cover the news that previous guest, Thomas Haynes - aka Grasslands - has created his own local music magazine in print, and the Wiltshire wurz-rap artist, Corky, has announced in EP launch - some 15 years after his debut album!

3:00:20 – Frank in New Jersey, plus the Other Side. Topics include: Universal decorations, Zarach, clear plastic for the elite, Carter the Unstoppable Sex Machine, 120 Minutes, rock music, listener email (Dave in Kentucky – science, religion, human origins, etc.), concerts, The Umbrella Academy, The Neath Debris Puppet Players, 70s/80s Instrumentals, The Spirit of the Sea (poem from […]

3:00:20 – Frank in New Jersey, plus the Other Side. Topics include: Universal decorations, Zarach, clear plastic for the elite, Carter the Unstoppable Sex Machine, 120 Minutes, rock music, listener email (Dave in Kentucky – science, religion, human origins, etc.), concerts, The Umbrella Academy, The Neath Debris Puppet Players, 70s/80s Instrumentals, The Spirit of the Sea (poem from […]

It's the musical battle of the 90s -- BLUR vs. OASIS -- winner takes all! This week on Modern Musicology we talk all things BritPop! The bands that set the stage and inspired the movement, the "Big Four" (Blur, Oasis, Suede and Pulp), the big BritPop chart war, some of the other BritPop bands like Echobelly, Kenicki, Corner Shop, Ocean Color Scene, the amazing Kula Shaker, and yes, even Carter the Unstoppable Sex Machine!), and then we name our favorites from the post-BritPop era.  1:00 - Listener Comments 5:00 - What We've Been Listening To 12:15 - RIP Julee Cruise 15:00 - 60th Anniversary of the Beatles' First Studio Recording 17:40 - BRITPOP! Who are your favorite bands from the BritPop era? Let us know! Email us at modernmusicology1@gmail.com or leave us a comment wherever you're listening! Find us on Facebook: https://www.facebook.com/ModernMusicology Follow us on Twitter: https://twitter.com/ModrnMusicology Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/

Singer, song writer and author Jim Bob from Carter The Unstoppable Sex Machine joins me to go through their UK number one album, 1992 - The Love Album. This phenomenal slice of 90's goodness mixes witty, biting lyrics full of clever references and amazing insights with thumping samples, driving guitars and a dash of accordian.  This album had a huge impact on me in my teenage years and it stills has a regular place in my album rotations.  Jim and I go track by track through the album and discuss the mixed feelings of reaching number one, Ian Dury induced hang overs, the scorching Adelaide Big Day Out of 1993 and Mudhoney's tree.  Carter's albums and Jim Bob's solo records are available on all streaming services. Physical copies, merch and books are available at www.jim-bob.co.uk The music in this podcast has been removed for rights reasons.

Paddy, Ian and Martin in this episode review Carter USM's second album 30 Something.

Strange as it may seem to us nowadays, Carter the Unstoppable Sex Machine had an actual official number one album back in 1992. Grebo is an oft-overlooked genre from the time: is that for the best or are we unfairly overlooking what it had to offer? With opinions ranging from "not really bothered" to "actively disliked them" between Krister and Dave will this album win them round? We talk about loads more in this episode as well including the likes of En Vogue, R. Kelly and Aphex Twin. You can hear all of the songs we discuss in our companion Spotify playlist and immerse yourself more fully in 90s goodness with our ongoing "best of the albums we've featured" playlist. Links to everything on our website as usual.

Lotje IJzermans praat met Meindert Talma over zijn nieuwe album en archiefopnames van Carter the Unstoppable Sex Machine. Met: Fugazi - Waiting Room Sports Team - The Races JGrrey - For Keeps Elliott Smith - Waltz #2 (XO) Algiers - Dispossession BabyJake - Blue Cellophane Meindert Talma - Anarchist Camberwell Now - Daddy Needs a Throne Mark Ronson & Anderson .Paak - Then There Were Two Baxter Dury - Slumlord Carter The Unstoppable Sexmachine - Sherrif Fatman Angie McMahon - Silver Springs Hockey Dad- I Missed Out Soccer Mommy - Your Dog

Hello You Lucky people. On tonight's show join me Bryan Wells (dj freaklips) and my good friend Mr Kenny Lyon as we play some of our favourite game changing tracks, pushing through as many genres as we possibly can in one hour. We have some amazing tunes on tonight's show from the likes of Carter the Unstoppable Sex Machine, Skindred, Cycle, Battles, Prophets of Rage, Tribal Seeds, The Joy Formidable, Marie Davidson with Soulwax, and Chinese Man Basically our mission (which we totally accept) is to play some of the best and most original music out there from independent unsigned acts right through to stadium filling supergroups and we cordially invite all of you along for the ride. So get in and get ready for some musical treats from the Riff monkeys team here at Radio Mix 106

You have received a transmission from The Rod Pod. Jon and Maggie are trapped on a spacecraft shaped like Rodimus' head, hurtling through space with only the IDW Transformers Phase 2 comics to keep them company. So they are sending their thoughts about these stories through subspace, hoping that someone will hear and send help. Or at the very least be entertained.   TF Nation may have all of the writers, artists, celebrities, and toys associated with all aspects of Transformers, but we have something it doesn't: The Fire and Water Podcast Network's Ryan Daly, who we transported to the Rod Pod completely by accident and also completely against his will! Luckily, he was a good sport about the whole thing, and helped us review the next two comics on our journey through Phase 2: Spotlight:Trailcutter and Spotlight: Hoist, before we got him safely home (presumably).   We also debut two new segments, which are the same as two of our old segments but with different music and different names!  With all the insight, commentary, and wacky hijinx that you've come to expect (presumably).   Soundtrack: "No One Said This Would Be Easy" by Cloud Cult https://www.youtube.com/watch?v=fQyhNfmjcOg Only Living Boy in New Cross by Carter the Unstoppable Sex Machine https://www.youtube.com/watch?v=fAxNf4yGqiE   Enjoy Your Worries, You May Never Have Them Again by The Books https://www.youtube.com/watch?v=8Cx10MrMYB4   The Distance, by Cake https://www.youtube.com/watch?v=cno20onK9dY

Author JB Morrison, who you might know better as Jim Bob, frontman of Carter the Unstoppable Sex Machine, joins Robin and Josie in the studio this week. They talk about moving from songwriter to novel writer and his new memoir In the Shadow of My Former Self which is out very soon. Plus there's chat of Cormac McCarthy, Jean Rhys and Status Quo. Because of course there is. Support the podcast at patreon.com/bookshambles to get extended editions of each and every episode.

The Popinjays special with Wendy Robinson in conversation The band was formed by Wendy Robinson (vocals) and Polly Hancock (vocals, guitar), initially with a drum machine. This line-up recorded the debut "Don't Go Back" EP on Big Cat UK (catalogue number BBA02) in August 1988)  achieving "Single of the Week" in Melody Maker. A John Peel session, produced by Dale Griffin and recorded at the BBC studios in Golders Green, London, was first broadcast on 21 September 1988 and repeated on 11 October 1988. It featured four original songs; "Perfect Dream Home", "Fine Lines", "Dr Fell" and "Backward" Daydream. They then recruited Dana Baldinger (b. Seattle, WA), and signed to One Little Indian Records, releasing "Please Let Me Go" as a single in April 1990; this too attained Single of The Week in Melody Maker. Baldinger was eventually replaced by Anne Rogers of The Crowd Scene. In December 1989, the British music magazine NME reported that the Popinjays, along with others such as Power of Dreams, Carter the Unstoppable Sex Machine and The Charlatans, were their pick as 'stars of tomorrow'.  Their debut album Bang Up To Date With The Popinjays was released in April 1990 and was followed by a live tour in May and June 1990 with One Little Indian label mates Kitchens of Distinction. In the autumn of 1990 Seamus Feeney joined the line up on drums making the band a four-piece for the first time. The band continued with live shows through the autumn, touring with both Cud and The Heart Throbs. The next single Vote Elvis was produced by Jessica Corcoran at The Greenhouse studios in London. In 1991 The Popinjays signed to US Independent label Alpha International and the single Vote Elvis was released in the United States in April 1991 entering the billboard Modern Rock charts the following month peaking at number 17 in June 1991. In August 1991 the band played at the Reading Festival UK and in December of that year the second album Flying Down to Mono Valley was recorded at The Farmyard with Ian Broudie producing. On 11 May 1992 the single Monster Mouth was released by One Little Indian records and a UK tour to support the release of the album Flying Down to Mono Valley followed from August through to October 1992. In 1992 the rhythm section was replaced by two brothers and former members of the band Airhead, namely bassist Ben Kesteven and drummer Sam Kesteven. In 1994 the third and final album Tales from the Urban Prairie was recorded and released, again on One Little Indian Records. a BBC Radio live session with Mark Radcliffe was broadcast on 1 June 1994. After a 21-year hiatus, in April 2015 The Popinjays original line up of Wendy Robinson and Polly Hancock played their first live show in 21 years at The Lexington, London on April 4, 2015, and again at Indie Daze at The Forum London on October 3, 2015.

Iain is joined by Jim Bob formerly of Carter the Unstoppable Sex Machine, Kiana talks being separated from her daughter after becoming ill and attempting suicide, Giselle is annoyed, Concerts in video games?, Iain’s house is haunted? and Iain goes down a podcast rabbit hole

So. Here we are. Another show, another opportunity for me to fail at being witty in the liner notes. I'm sure I could think of something clever to say, but I simply can't be bothered. So enjoy. -=-=-=-=-=-=-=- Setlist: "Zooropa" - U2 "Chemistry" - Jesus Jones "Idiots And Swindlers" - Little Red Riding Hood "Hands In The Air" - Girl Talk "New Frontier" - Donald Fagen "Basic Brain" - James & Brian Eno "I'm So Free" - Lou Reed "Holy Water" - Taking Back Sunday "Heartbreak Beat" - The Psychedelic Furs "Overtime" - Buffalo Tom "You Got Lucky" - Tom Petty & The Heartbreakers "False Directions" - Buckethead & Travis Dickerson "Full Of Life (Happy Now)" - The Wonder Stuff "Irgendwo Ist Immer Sommer" - Wingenfelder "Fire" - Wild Cub "Rainy Day And Day" - Dragon Ash "Cheer Up It May Never Happen" - Carter the Unstoppable Sex Machine "1964" - Too Much Joy "Know Me From" - Stormzy "Corporate Elect" - Killing Joke "Surfin' On The Planet Zorch" - The Meteors "Her Last Wave" - The Go! Team "Ocean Drive" - The Telescopes "Pretty Crime (Superman)" - Juno Reactor "Melodies Haunt You" - Dodgy "If I Could Give All My Love (Richard Manuel Is Dead)" - Counting Crows "Leaving The World" - Kuersche

Iain is joined by Musician and Author James “Jim Bob” Morrison in the studio who talks writing his books, Carter the Unstoppable Sex Machine, His albums and more!, Iain plays Station poker where anyone can come to the table with a word or thing with station in it, Nick Knowles’ beautiful ballad, Iain catches up […]

The dozenth episode of the podcast which asks: were Senser any good at Laser Quest? This episode – another pop-blather behemoth – sees us stepping right out of our comfort zone and looking at an episode from the mid-Nineties. A golden era when, as we all know, the charts were weighed down with young men with guitars and Paddington coats that made us all proud to be British again. The episode we examine, however, sees The Greatest Pop TV Show Ever at the beginning of its death throes as it begins its run of celeb presenters with Tetley Tea Folk-soundalike Mark Owen and Robbie Williams, who is already starting to get on all right-thinking peoples’ tits with his endless mugging. The charts – our precious, beautiful, immaculate charts! – are treated with the utmost distain while we’re constantly reminded of an exclusive premiere of a Madonna video, which is an advert for a film we’ve never heard of. Yes, Blur are on at the beginning, but that’s your Britlot. What follows is a parade of people we thought we’d safely left behind in the Eighties, loads of Euro-acts both good and bad, Alison Moyet being forced to submit to an unrelenting biff-boff beat and a No.1 that left us hankering for the days of Jive Bunny. On the upside, Roachford manages to get through a song without shitting himself (allegedly). Luckily, Al Needham is joined by Neil Kulkarni and Simon Price – who both worked for Melody Maker at the time, and take the opportunity to offer invaluable advice for anyone looking to break into the music press a quarter of a century ago and trade war stories about riding bikes on a dancefloor with the Sugarcubes, finding a message on their answering machine from lead singers threatening to break their legs, apologising for being gingist in the past, and having a potential fight being broken up by Carter the Unstoppable Sex Machine. (swearing a-plenty) See acast.com/privacy for privacy and opt-out information.

#162: 30 Something by Carter the Unstoppable Sex Machine Our first Requested Review of the year gives us a chance to check out Carter the Unstoppable Sex Machine, and their 1991 sophomore album 30 Something. Carter USM run the proverbial gamut of music history, from orchestral waltzes to Pet Shop Boy-esque dance anthems to Ministry and Sex Pistol vitriol, but with a bevy of digital help. Does the 1991 keyboard and drum programming stand the test of time? Tune in to find out. Songs in this Episode: Intro - Bloodsport for All 2:42 - History of the Band 7:32 - A Prince in a Pauper's Grave 14:51 - Billy's Smart Circus 20:12 - Surfin' USM Outro - Anytime Anyplace Anywhere Follow on Twitter / Facebook Request A Review / Buy A T-Shirt

#162: 30 Something by Carter the Unstoppable Sex MachineOur first Requested Review of the year gives us a chance to check out Carter the Unstoppable Sex Machine, and their 1991 sophomore album 30 Something. Carter USM run the proverbial gamut of music history, from orchestral waltzes to Pet Shop Boy-esque dance anthems to Ministry and Sex Pistol vitriol, but with a bevy of digital help. Does the 1991 keyboard and drum programming stand the test of time? Tune in to find out.Songs in this Episode:Intro - Bloodsport for All2:42 - History of the Band7:32 - A Prince in a Pauper's Grave14:51 - Billy's Smart Circus20:12 - Surfin' USMOutro - Anytime Anyplace AnywhereFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt

PILOT: This is the 'Do The Right Thing' pilot episode recorded back in April 2011. It is so rough-and-ready that we forgot to introduce any of the teams - hence Producer Ben chips in at the start with a stultifyingly unfunny but mercilessly brief factual introduction. After that we get onto the serious business of plummeting lifts, punching piranhas and penis extensions. Alongside regulars Danielle Ward, Michael Legge and Margaret Cabourn-Smith, the pilot features comedy writer and performer Dan Maier and musician, author and renaissance man Jimbob from Carter the Unstoppable Sex Machine. See acast.com/privacy for privacy and opt-out information.