Podcasts about Cud

Bitter sensing protects Drosophila from developing experience-dependent cocaine consumption preference The Journal of Neuroscience Cocaine use disorder (CUD) is a highly heritable condition for which there are no effective treatments. Testing the many human genetic variants linked to CUD requires a cost-effective, genetically tractable model. This study showed that bitter-sensing neurons prevent cocaine self-administration in Drosophila. Disrupting Drosophila bitter perception enables a model for experience-dependent cocaine preference. The findings underscore the potential of Drosophila as a crucial tool for identifying the genetic mechanisms underlying CUD, aiding in the discovery of new therapeutic targets, and contributing to the development of effective treatments for this highly heritable disease.   Read this issue of the ASAM Weekly Subscribe to the ASAM Weekly Visit ASAM

W kazaniu „Bądź jak owca” usłyszysz o zaufaniu do Jezusa jako Dobrego Pasterza, który prowadzi, zaopatruje i nie opuszcza nawet w dolinie cienia. To zaproszenie do życia pełnego relacji — z Bogiem i Jego Kościołem — oraz do przyjęcia powołania, które Bóg przygotował dla każdego z nas.    Zapraszamy:         www.SpolecznoscMIASTO.pl Obserwuj nas na:

This episode was recorded in Reno, Nevada, during the 2025 Western Dairy Management Conference. The panel is reviewing a presentation given by Dr. Rick Grant, who was unable to be on the podcast. The presentation was based on the idea that crowding is a subclinical presence. If you manage it with people and resources, a dairy can do very well. But if something happens in that crowded situation, like a disease or heat stress, it can tip performance over the edge. Evaluating time budgets for cows can allow for the identification of places to improve. Beds are vitally important. If a cow doesn't have a bed due to crowding then she's not lying down, chewing her cud, which is what allows her to be as efficient as possible. (3:19)Jason thinks about time budgets as a tool for managing stress. Jim agrees and notes that crowding is part of every cow's day, but we can manage to minimize that time in most instances. Jason and Jim talk about some of their approaches to evaluating crowding when they work with a dairy, and where pain points are often located. (5:57)Jason liked Dr. Grant's takeaway message that the cow doesn't necessarily care she's overcrowded as long as she has a bed she doesn't have to fight for and room at the feed bunk she doesn't have to fight for. He describes a very successful client who is overcrowded, but everything else is managed well. All other stressors have been removed, so the only stressor remaining is the overcrowding. But when additional stressors compound crowding, then dairies experience issues. He adds there is a huge opportunity for error when feeding to slick bunks in an overcrowding situation. (16:15)Jim talks about different measures of efficiency. Is it milk per cow, milk per free stall, milk per parlor stall, or milk per pen? He thinks the real answer is “it depends,” and the answer might be different for each dairy. Jason notes that the bank wants to see assets on a balance sheet, and the cows are the assets. (19:24)The group discusses geographical differences in overcrowding. Jim's observations show crowding increases as one moves east in the US. Tom agrees and notes 20-30% of the available stalls are in his part of the world. Overcrowded cows eat faster, and this impacts rumen efficiency, probably leading to lower de novo fatty acid synthesis and overall lower components. The panel talks about whether or not there is such a thing as an “overcrowding ration.”(20:59)The panel relays some real-world examples of crowding where dairies would cull cows to decrease milk production, but production would remain the same because the cows were now less crowded. They talk more about other management strategies that need to be on point if a dairy is going to overcrowd. (27:50)The panel wraps up with their take-home thoughts for dairy producers and nutritionists. Jim and Jason share their contact information with the audience. (38:20)Scott invites the audience to Bourbon and Brainiacs at ADSA in Louisville - a bourbon tasting with all your favorite professors! Sign up here: https://balchem.com/anh/bourbon/ (45:02)The paper referenced in this conversation from Dr. Bach can be found here: https://www.sciencedirect.com/science/article/pii/S0022030208711226Please subscribe and share with your industry friends to invite more people to join us at the Real Science Exchange virtual pub table.  If you want one of our Real Science Exchange t-shirts, screenshot your rating, review, or subscription, and email a picture to anh.marketing@balchem.com. Include your size and mailing address, and we'll mail you a shirt

Katarzyna Janowska w programie "Rezerwacja" zaprasza na rozmowy z Igo, Agatą Kuleszą i Iwoną Kempą. Igo 14 marca wyda swój album zatytułowany “12”. Artysta w szczerej rozmowie opowiedział o życiu prywatnym, twórczości i nowej płycie. Wykonał utwór "Cud", który ukaże się na jego drugim solowym albumie. Agata Kulesza - aktoka oraz Iwona Kempa - reżyserka, zapraszają na spektakl, "Mój syn chodzi, tylko trochę wolniej" w warszawskim Teatrze Ateneum. 1 marca odbyła się polska premiera sztuki Ivora Martinicia. Zapraszamy też na relację Pawła Tworka z koncertu Zalii oraz rozmowę z wokalistką. W pigule kulturalnej polecamy widzom "Rezerwacji" tytuły, na które warto zwrócić uwagę. Sprawdź, jaki film wywołał sensację w Cannes! Teatralna premiera w Olsztynie na podstawie książki Joanny Kuciel-Frydryszak nagrodzonej O!lśnieniem Onetu. Poznaj biografie zuchwałych kobiet, które chciały być traktowane na równi z mężczyznami.

Wspieraj podcast "Wyzwoleni": https://patronite.pl/WyzwoleniCzym jest Dusza? Duchowość i Człowieczeństwo vs. AI i Social MediaRozmawiają: Marek Gonsior i Paweł FortunaCzym tak naprawdę jest dusza? Jak my, ludzie postrzegamy duchowość w erze AI, Instagrama i napięć politycznych? Jaka jest rola duszy i duchowości w kształtowaniu naszej tożsamości, moralności i dobrostanu?Te intrygujące pytania zadaję dr Pawłowi Fortunie, psychologowi i badaczowi potocznych koncepcji człowieczeństwa. W naszej rozmowie zgłębiamy temat duszy, który okazuje się zaskakująco aktualny i istotny we współczesnym świecie.O czym dokładnie rozmawiamy?

Cannabis Use Disorder Emergency Department Visits and Hospitalizations and 5-Year Mortality JAMA Network Open This cohort study of 11.6 million people who were studied for a median of five years investigated if individuals who have hospital-based (emergency department or hospitalization) care for a cannabis use disorder (CUD) were at increased risk of death. Researchers found that individuals with incident hospital-based care for a CUD were at a 2.8-fold increased risk of death within five years relative to the general population. These results suggest that individuals who require hospital-based care for a CUD may be at increased risk of premature death.   Read this issue of the ASAM Weekly Subscribe to the ASAM Weekly Visit ASAM

Association of State Cannabis Legalization With Cannabis Use Disorder and Cannabis Poisoning JAMA Psychiatry This longitudinal cohort study examined the association of state-level medical and recreational cannabis laws with cannabis use disorder (CUD) and cannabis poisonings in the adult population with employer-sponsored health insurance. The study showed that from 2011 to 2021, states with legalized medical cannabis experienced 42.7% and 88.6% increases in CUD and cannabis poisoning, respectively, compared to states without legalized medical cannabis. States with legalized recreational cannabis experienced a 31.6% increase in cannabis poisoning compared to states without legalized recreational cannabis. Thus, state medical cannabis legalization was associated with increased CUD and cannabis poisonings, and state recreational cannabis legalization was associated with increased cannabis poisoning in the adult population with employer-sponsored health insurance.   Read this issue of the ASAM Weekly Subscribe to the ASAM Weekly Visit ASAM

Cud w Kanie. Lekcja o tym jak zwykła woda stała się winem dzięki zaufaniu. A jaki cud może zrodzić moje zaufanie?

Cud gospodarczy!! I cud, że rośniemy. I to niestety jest o Polsce. Bo jeśli rośniemy w wyniku cudu, to wszyscy wiedzą, że cuda zdarzają się niezwykle rzadko i są raczej stanem przejściowym. Co nam zostanie po tym cudzie? Jakie mamy szanse na dalszy wzrost? Jakie szanse na wzrosty na GPW? Czy wszystko będzie drugą Japonią? Na czym polega japonifikacja w Chinach, a na czym w Europie, czyli jak będzie wyglądało życie prawie bez wzrostu PKB? REFLACJA! To jest z kolei temat głównie o Stanach Zjednoczonych, a jeśli mowa o USA, to poprosimy o opinię, jakie zachowanie rynków jest najbardziej prawdopodobne w drugiej erze Donalda Trumpa, albo turboTrumpa czy może TrumpMuska… Swoimi opiniami i poglądami na rynek oraz swoją wiedzą w czwartek dzieli się z Wami Tomasz Korab, prezes EQUES Investment TFI, w rozmowie z Robertem Stanilewiczem. Zapraszamy!!

„Rozbitkowie z telefonem”  Bardzo, ale to bardzo uwielbiam grać razem z córkami. Ich podejście i entuzjam powodują, że każda historia staje się czymś więcej - wspaniałym wspomnieniem wspólnych chwil. Nie każda gra się nadaje by rodzinnie usiąść przy planszy. Idealne są kooperacje, a najlepiej mocno związane z jakimś określonym tłem fabularne. W przeszłości świetnie sprawdziły się nam takie gry jak Opowieści z Pryncypii, Księga Cudów, czy rewelacyjne Zwierzęta z Bakerstreet.Przyszła pora na wyruszenie z Hanią na bezludną wyspę Toriki. W tej kooperacyjnej grze od Lucky Duck Games staramy się wydostać z wyspy mierząc się z dziką przyrodą i niebezpieczeństwami czyhającymi na każdym kroku. Na szczęście w tym wszystkim pomaga nam aplikacja,która prowadzi nam narrację, skanuje kody QR z kart przedmiotów oraz pozwala zapisać postępy w grze. Wyruszcie z nami na pokładzie podcastu Crash Board, by odkryć naprawdę wyjątkową przygodę zaklętą w planszy i telefonie.Nasz podcast o grach planszowych Crash Board, jest inny, ponieważ opowiadamy o grach z perspektywy taty gracza i jego córki. Ja jestem Maciek i od ponad 10 lat gram w nowoczesne gry planszowe. Nasze zbiory to ponad czterysta gier i ta liczba nadal rośnie.   Hania to moja 13-letnia córka, miłośniczka zwierząt, marzycielka, uwielbia rysować, rzeźbić oraz lepić i kolekcjonuje wszystko co się da – po tatusiu. :)  Razem tworzymy zgrany zespół, który nie zawsze się zgadza, ale zawsze dobrze się bawi nad planszą.  Gra Toriki: Wyspa rozbitków to gra dla od 1 do 4 osób. Jest przeznaczona dla graczy od 8 lat. Czas trwania przygody zależy od Was, ale całość powinna zająć Wam od 5 do 8 godzin.Jakie jest nasze zdanie o grze?  Czy Hani przygoda na bezludnej wyspie przypadła do gustu?Czy ja kręciłem nosem na wykorzystanie aplikacji?  Posłuchajcie nas i zdecydujcie czy ta gra jest dla Was i Waszej rodziny/znajomych.Jeśli macie uwagi co do podcastu lub chcecie się czymś z nami podzielić, piszcie na: crashboardpodcast@gmail.com.Nasz profil znajdziecie na Facebooku i Instagramie wpisując w wyszukiwaniu: Crash Board. Oprócz podcastu, możecie przeczytać recenzje gier na naszym blogu ZnadPlanszy.Więcej o grze dowiecie się z serwisu Planszeo.    -Maciek Ps. Grę do recenzji otrzymaliśmy od wydawnictwa Lucky Duck Games.

Amanda, Beto, and Rich gather to chat about the recent 10th anniversary of The Game Awards. Games: Indiana Jones and the Great Circle, Lorelei and the Laser Eyes, and Caves of Cud. To contact us, email call@gamerswithjobs.com! Send us your thoughts on the show, pressing issues you want to talk about, or whatever else is on your mind. Links & Show Notes

Feed your Soul! Chew the Cud! --- Support this podcast: https://podcasters.spotify.com/pod/show/buster-holzer/support

Kto z nas nigdy nie przeczytał horoskopu, nie powróżył z kart albo nie lał wosku w andrzejkowy wieczór? Kto nigdy nie obejrzał żadnego filmu, bajki w którym tajemne magiczne moce były atrybutami głównych bohaterów? Niby nic wielkiego…to tylko zabawa…są inne dużo bardziej niebezpieczne okultystyczne praktyki… A jednak Kościół na kartach katechizmu jasno przestrzega ludzi wierzących przed wszelkimi praktykami, które mają swoje jakiekolwiek konotacje z magicznymi siłami, których jedną z metod działania i wpływów jest manipulacja sacrum. Jak zatem odnaleźć się we współczesnej rzeczywistości, która choć naukę stawia na piedestale postępu jest wysoce stechnicyzowana ciągle nie chce i nie potrafi zrezygnować z magicznych praktyk? W dzisiejszym odcinku wraz z moim gościem Radosławem Brońkiem OP poruszymy niełatwe kwestie dotyczące magii we współczesnym świecie. Postaramy się zrozumieć i wyjaśnić fakt, iż pomimo diametralnych różnic magia może wkraczać w przestrzeń wiary i religii. Zastanowimy się nad tym, kiedy nasza wiara może stać się zabobonem a także poszukamy odpowiedzi na to jak reagować wobec licznych przejawów magii w popkulturze. Zapraszam do słuchania. www.puzzlewiary.pl/134 dołącz do grupy mailingowej: https://sendfox.com/puzzlewiary wesprzyj moją działalność: www.puzzlewiary.pl/wesprzyj/ 

Invitados/as: José Ortiz (AEG-CFSE), rep. Joel Sánchez (PPD), rep. Ángel Matos (PPD), Roberto Martínez (AAA), dr. Enrique Amy y Ramón Barquín (CUD). Para lo último en noticias, síguenos en Facebook, Instagram, X y Threads @radioislatv. ¡Baja nuestra aplicación en el App Store o Google Play y sintoniza nuestra programación donde quieras

Past 4-game winner Mary Randazzo is here this week to see if she can take down our returning champ. Listen in and play along! CARD 1 CLUE: Hiss Hiss CATEGORY: Things Associated with Cobras ANSWERS: King, Snake, India, Healthcare, GI Joe, Charmer, Mongoose CARD 2 CLUE: All the Rage in Europe CATEGORY: Metric Measurements ANSWERS: Meter, Kilometer, Liter, Centimeter, Kilogram, Gram, Celsius CARD 3 CLUE: Off Day CATEGORY: Things You Do on a Snow Day ANSWERS: Snowman, Shovel, Sledding, Skiing, Hot Chocolate, Snowball, Board Games CARD 4 CLUE: Public Mastication CATEGORY: Things that Are Chewed ANSWERS: Gum, Tobacco, Lip, Dog Bone, Cud, The Fat, Steak CARD 5 CLUE: Neighbors with No Fences CATEGORY: Things Associated with Canada ANSWERS: Hockey, Beer, Maple Leaf Moose, Mounties, Quebec, Niagara Falls CARD 6 CLUE: Your Day in Court CATEGORY: Terms Associated with Basketball ANSWERS: Shot, Brick, Paint, Swish, Traveling, Dunk, Break

In Part 1 of our series on water in the Central Valley of California we visited a town called East Orosi, which has been fighting for clean water for over 20 years. This week we turn our attention to their sewage system, which is also falling apart. Why has it been so difficult for East Orosi to get clean drinking water and fix its sewage problems?  To answer that question we take a look at the entities that run things like sewage and water in unincorporated towns all across California. They're called Community Utility Districts. Community Utility Districts are often one of the only forms of self governance in unincorporated towns. But they're staffed by volunteers, they're underfunded, and they're trying to share a vital resource, water, which is also slowly disappearing in the San Joaquin Valley.  We talk about the problems with Community Utility Districts and ways to save them.  Learn more about the story and find the transcript on radioproject.org. Making Contact digs into the story beneath the story—contextualizing the narratives that shape our culture. Featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world. EPISODE FEATURES: This episode features Berta Diaz Ochoa- community member of East Orosi; Janaki Anagha- Director of Advocacy, Community Water Center; Kayla Vander Schuur- Community Development Specialist, Self Help Enterprises; Carlos Sanchez- board member of the East Orosi Community Utilities District; Maricela Mares-Alatorre- Community Solutions Advocate, Community Water Center. MAKING CONTACT: This episode is hosted by Salima Hamirani. It is produced by Anita Johnson, Lucy Kang, Salima Hamirani, and Amy Gastelum. Our executive director is Jina Chung.  MUSIC: This episode includes “Blue” by  Komiku; Ocean Tapping by PC III; Friends and Apples by Alpha Hydrae; Gouttes by Hicham Chahidi; Week Twenty-five by Ben von Wildenhaus; No Light Without Darkness by Ketsa; and Thunderstorm by The Custodian of Records. Learn More: Community Water Center: https://www.communitywatercenter.org/ Self Help Enterprises: https://www.selfhelpenterprises.org/

Medytacja na Mt 14:13-21.

Olympics update. Plunge diving. Cook N' Bacon. Pumpkin spice products are already on the shelves. Things that were once normal. Sean's trip to Moody Gardens. Poopseum. CUD.

Go Fund Me. Olympics update. Plunge diving. Cook N' Bacon. Pumpkin spice products are already on the shelves. Things that were once normal. Sean's trip to Moody Gardens. Poopseum. CUD. State that drinks the most beer. Top beer brands. Winner! Olympics stories.

Cuando por ley tenés un derecho pero la obra social o quien sea te lo rechaza (o te ignoran o dan vueltas), se puede hacer un recurso de amparo, un procedimiento jurídico RAPIDO para que tu derecho se cumpla. De esto hablamos hoy con la Dra Sandra Farina, abogada.  Capítulos: 00:39 - Intro 01:59 - ¿Que es un recurso de amparo? 05:15 - Tiempo máximo 05:59 - Procedimiento  07:19 - ¿Por qué no se cubre?  13:02 - Honorarios del abogado  14:04 - Si no tengo abogado…  16:44 - Rechazar un amparo  20:19 - Enterarse  22:49 - Facilitar el amparo  23:55 - Con o sin discapacidad  27:10 - CUD vencido

Associations of cannabis use, use frequency, and cannabis use disorder with violent behavior among young adults in the United States International Journal of Drug Policy An association between cannabis use and violent behavior has previously been reported, so the authors used the 2015-2019 National Survey on Drug Use and Health to better explore this association. In adjusted models, the authors found an increased prevalence of violent behavior among males reporting daily cannabis use with and without cannabis use disorder (CUD) versus no cannabis use. However, there was no increase among males reporting non-daily cannabis use with or without CUD. Researchers found an increase in violent behavior among females reporting non-daily use with or without CUD and daily use with or without CUD. While additional research is needed to better understand this relationship and the sex differences, these findings support the importance of early screening and treatment for CUD.  Read this issue of the ASAM Weekly Subscribe to the ASAM Weekly Visit ASAM

Brett and Marlin from the Consolidated Utility District (CUD) of Rutherford County joined us on the podcast for this episode.  The 2023 Annual Report was just released from the CUD and Brett and Marlin came on the show to discuss it. The Consolidated Utility District of Rutherford County is a nonprofit organization was formed in 1968 and today serves over 160,000 people as well as operates over 5,000 fire hydrants.   CUD Vision Statement:  Consolidated Utility District (CUD) strives to be #1 through excellence and innovation. CUD Mission Statement: To be #1, CUD is committed to providing quality water and wastewater service, now and in the future, using the most cost-effective, innovative, and efficient methods and technologies available. Consolidated Utility District of Rutherford County 709 New Salem Hwy Murfreesboro, TN 37129 615-893-7225 https://www.cudrc.com/

Planety, ale czy to Twój Kosmos? Och, tak. Możesz ułożyć tu swój. Ale czy masz już swoją ulubioną planetę? Ja bym szukała po brzmieniu. Pomogą najprawdziwsze nagrania. NASA. Free licence, oczywiście. Tao oto wędrujemy w kosmosie. Ale żeby nie zachowywać się jak bezmyślny turysta – chwyćmy cienkie nici wiedzy. Bo w sumie – wciąż więcej nie wiemy, niż wiemy o kosmosie. Zaczynamy! Aha, to będą takie trzy części: zanurzenie w muzyce sfer (św. Hildegardę przy okazji, polecam. Serio. Warto sprawdzić); będzie część krótka, acz teoretyczna, potem rozmowa z moją ulubioną malarką Dorotą Roszkowską, która maluje planety. I wystawia. Ostatnio w Białymstoku w „Kwestii Czasu” www.instagram.com/restauracjakwestiaczasu (PS. Zawsze smakowicie!) Potem wiersz. Uprzedzam. To mi, jak nic, zetnie zasięgi, ale przysięgam że Kosmos wymaga poezji. Od każdego z nas. Nie tyko tej napisanej, ale szczere westchnienie zachwytu – to poezja, pokazanie palcem komuś – to iście poetycki gest. Wracając do wiedzy: Planety…. W starożytności planety rozumiano jako „gwiazdy błądzące”, które poruszały się po niebie względem stałych gwiazd. Starożytni Grecy i Rzymianie nazywali planety imionami swoich bogów, takich jak Merkury, Wenus, Mars, Jowisz i Saturn. Cud, że bogowie okazali się na tyle solidni, że dotrwali do dziś w tych nazwach. Oczywiście starożytni nie obawiali się astrologii, wręcz przeciwnie: ustalali zależności, przeliczali trajektorie. A astronomowie, tacy jak Arystoteles, Ptolemeusz i Hiparch, próbowali wyjaśniać ruchy planet za pomocą modeli geocentrycznych, czyli Ziemia w centrum wszechrzeczy, a planety krążyły po złożonych orbitach zwanych epicyklami. Elegancko, ale już nieaktualne. Sto lat temu planety rozumiano już jako ciała niebieskie, okrążające Słońce w modelu heliocentrycznym, - Kopernika, Galileusza i Keplera. A W 1930 roku odkryto Plutona, (polecam historię dzikiego plemienia Dogonów, w Afryce, którzy przed wiekami ustalili, że pluton jest i u zarania dzieją miał się dobrze). Potrzebowaliśmy trochę czasu, żeby przyznać Dogonom racę. Dzikusy, wiadomo. Wiec po odkryciu Plutona uznano za dziewiątą planetę, ale później zdegradowano do rangi planety karłowatej. A potem pojawiły się teleskopy, sondy kosmiczne i satelity, aby badać planety i odkrywać nowe fakty o ich budowie, atmosferze, klimacie, geologii, magnetosferze i księżycach. I wtedy pojawia się Dorota Roszkowska… tadam tadam!!! powiedziałabym cala w bieli, ale Dorota jest cała w złocie, i chodzi tu o planety! I tak dzięki planetom możemy skomponować swój kosmos, bo kto powiedział, że kosmos nie jest nasz? Calutki. Kto powiedział, że my jesteśmy maluścy, a planety są duże? Kwestia perspektywy. No a teraz wiersz. Dźwięki: NASA oraz freesound.org @milka.malzahn ________________________ Chcesz wiedzieć więcej? Zajrzyj do mnie: facebook: https://www.facebook.com/Milka.Malzahn moja strona: https://www.milkamalzahn.pl podcasty: https://anchor.fm/milkamalzahn Radio Białystok: https://www.radio.bialystok.pl/chillout Kawa dla Miłki: https://buycoffee.to/dziennik.zmian --- Send in a voice message: https://podcasters.spotify.com/pod/show/milkamalzahn/message

Will Potter is the bass player in Cud. Formed in Leeds in 1987, the group disbanded in 1995, reformed in 2006, and have been active ever since. He is also a comic book artist and writer. This podcast urges you to support his new project with legendary British comics artist Philip Bond, GEEZER.Watch this episode here: https://www.youtube.com/watch?v=2y5RR-K2L5o&t=1207sShow theme by Bis.Want more? Join The James McMahon Music Podcast Patreon. https://www.youtube.com/watch?v=U5jY33R9cXAThankyou to our Patreon members! John Foley.Wilfreda Beehive.Andrew McMahon.Joe Frost.Conor McNicholas.John Earls.Laura Norton.Mike Clewley.Richey D.Ricky Murray.Danielle Walker.Claire Harris.Dana Landman. Laura Kelly Dunlop.  Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/

"Cud sprawił, że mnie odratowali, tunelu nie widziałem, chociaż śmierć kliniczna była" - mówił Michał Figurski w Mellinie w Esce Rock. Dziennikarz muzyczny związany kiedyś z Eską Rock wspomina również te czasy, kiedy o jego odejściu było głośno:"ja w ogóle nie żyję przeszłością. To zresztą w moim przypadku byłoby idiotyczne, bo hamulcowego bym sobie sam zakładał. Ja postanowiłem po udarze odciąć wszelkie balasty"Figurski wykonał tytaniczną pracę, żeby wrócić do zdrowia a książka "Najsłodszy" bywa wręcz nazywana biblią cukrzyka. Figurski przyznaje, że lekceważył chorobę - dlaczego wypierał fakt, że jest cukrzykiem o tym w rozmowie z Marcinem Mellerem. Będzie też o pracy przy filmach dla dorosłych, rosyjskich korzeniach i stosunku do wojny na Ukrainie.

Derek Philpott in conversation with David Eastaugh Amazon UK https://a.co/d/5t6o7QM Amazon Worldwide For close to a decade and a half the Philpotts have been getting under the skin of musical artistes. Picking up on glaring errors in their lyrics or sometimes getting completely the wrong end of the stick (perhaps to irritate things a little further) they totally misunderstand the meaning of ‘poetic license'. Hundreds of missives have landed on the real and virtual doormats of musicians, worldwide. In return, these lyrical legends have exercised their right to reply, correcting and sometimes confirming the authors' summation of what went wrong... or right. In this book, enquiries were aimed directly at U.K. Indie bands.. These included Adorable, The Bevis Frond, Bis, Catherine Wheel, Crazyhead, Cud, David Devant and this Spirit Wife, Flowered Up, Fuzzbox, Goodbye Mr. Mackenzie, The June Brides, Ned's Atomic Dustbin, New Fast Automatics Daffodils, The Nightingales, The Orchids, Paris Angels, Pele, Salad, Senseless Things, The Soup Dragons, Spacemen 3, Swervedriver, Talulah Gosh, That Petrol Emotion, 3 Colours Red, Thousand Yard Stare, The Telescopes and The Woodentops 'Dear Catherine Wheel" is the result.

Dr Sice Rowbottom, famously known as singer/songwriter of the Boo Radleys, is also a chartered psychologist, associate fellow of the British Psychological Society, a prolific practising counsellor and is respected voice within the music industry mental health field. We talk through why he did a doctorate in counselling psychology following his exit from the music industry, his choice to become a stay-at-home dad, his research on male gender norms, his return to music after a long hiatus, how he balances music and therapy work, and the new solo shows he's developed around mental health called 'The Secret to Happiness'. The Boo Radleys are currently on a UK tour co-headlining with Cud – buy tickets here: www.thebooradleys.com Dr Sice Rowbottom: Twitter: @SiceBooRadleys Instagram: @sice_boo_radleys More on Sice and his work with MITC: https://musicindustrytherapists.com/simonrowbottom/ More on Balanced Psychology project: http://www.balancedpsychology.co.uk/ More about Sice's solo shows 'The Secrets of Happiness': https://drsrowbottom.wixsite.com/thesecretofhappiness Get in touch with me at Sound Affects Pod: soundaffectspodcast@gmail.com Connect with Sound Affects Pod on social media: Twitter: @SoundAffectsPod Insta: sound_affects_podcast Support Sound Affects Pod: www.kofi.com/SoundAffectsPod I've just set up a Patreon page. Become a Patron at: https://patreon.com/user?u=7816406&utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link    

Lead Story: Chronic pain, cannabis legalisation, and cannabis use disorder among patients in the US Veterans Health Administration system, 2005 to 2019: a repeated, cross-sectional study The Lancet Psychiatry The prevalence of cannabis use disorder (CUD) in patients with chronic pain is increasing. This study considered the impact of both recreational (RCL) and medical cannabis laws (MCL) on the diagnosis of CUD using a VA population with chronic pain. Results demonstrate that MCL led to a 0.135% increase in the prevalence of CUD. Enacting RCL led to a 0.188% increase in its prevalence. The authors emphasize the importance of these findings and their public health implications, with a focus on clinician monitoring and patient education.   Read this issue of the ASAM Weekly Subscribe to the ASAM Weekly Visit ASAM

What's the first thing you think of when you hear the word “CUD”??Probably a cow chewing their cud (at least that's what I think of). BUT, there is an entirely different definition of “CUD” that can help you jumpstart a profitable creative business (stick with me here!)In today's episode, I define how to use the “CUD Method” (clear, unique, doable) to select the best product to sell in your business. To be successful, your product needs to be ALL 3 of these things:C – CLEAR: Easy for customers to understand and see its use in their lifeU – UNIQUE: Something that sets your product apart from the rest in the marketD – DOABLE: Able to easily be made by you in a timely manner and within cost parametersI'll also share with you some of my most successful (and not-so-successful) products to date – as well as some of the best products my students have created to sell!AND if you've been dreaming of launching your own business but keep setting it on the backburner, my “Launch Your Profitable Product” Bootcamp is starting October 22nd 2023! Each day of boot camp, we'll be taking concrete steps together to choose a product and launch it into the world for sale! By the end of our 7 days together, you will have a fully marketable product set up to sell (just in time for the holidays!). I'll be walking you through each step of the process, and answering all your questions along the way!I'm hosting this FREE for anyone currently enrolled in my “Biz Starter Guide” OR anyone who enrolls in the course before October 22nd (SURPRISE!! We're finally offering the Biz Starter Guide to the public!!! **Doors open October 16th, 2023). Click here to join the waitlist for Bootcamp & Purchase the Biz Starter Guide!! **Current MC101/MC201 students NOT enrolled in the Biz Starter Guide have the option to purchase the course at any time in your course portal page. See final course modules for enrollment info.New “Profitable Calligraphy” 1-Hr WorkshopLearn how to go from Beginner to Side Hustle in just 6 Months!Register for free: crookedcalligraphy.com/workshopFOLLOW SHINAH:Follow along with my Radical Business Experiment of 2023 over on Instagram:  @crookedcalligraphySUBSCRIBE:Love podcasts? Listen to The Shinah Show wherever you get your podcasts, and leave us a review on Apple Podcasts!

Cud przy pompie, okupiony plagą "awarii dystrybutorów" (jak państwowy Orlen nakazał oznaczać te, w których zabrakło paliwa), gwałtownie szarpnął inflacją w dół. We wrześniu ceny ogółem w gospodarce rosły o 8,2 procent w skali roku. Wciąż sporo, ale już wyraźnie mniej niż ponad 10 procent notowane jeszcze w sierpniu. Eksperci nie mają żadnych wątpliwości: to efekt sztucznego trzymania cen paliw na jakie przed wyborami zdecydował się państwowy gigant, czyli Orlen (paliwa są o 7 procent tańsze niż rok temu!). Do tego państwo dołożyło swoją serię przedwyborczych prezentów: bezpłatne leki dla seniorów i juniorów, darmowe autostrady czy wsteczną obniżkę rachunków za prąd - i mamy przepis na odtrąbiony przez państwowe instytucje inflacyjny sukces. A że sztucznie napędzony? Ważne, że można się chwalić! Sponsorem odcinka jest OANDA TMS Brokers.

How yuhs doin'! This week we'll get Louder with some LGBTQ representation, we'll chew some Cud, and host Adam-Michael James chats with outside-the-box country crooner Lawrence Maxwell ahead of his Merle Haggard tribute show. It's all genres. All decades. All-inclusive. And all PEI!Subscribe on Patreon for exclusive videos: https://www.patreon.com/isletunesJoin the "isletunes" community! https://www.facebook.com/isletunes

Lead Story: Prevalence of Cannabis Use Disorder and Reasons for Use Among Adults in a US State Where Recreational Cannabis Use Is Legal JAMA Network Open This cross-sectional study investigated the prevalence of cannabis use disorder (CUD) among primary care patients in states with legal recreational cannabis. Patients were asked to report medical use, nonmedical use, or both, with 42.4% reporting medical use only, 25.1% nonmedical use only, and 32.5% reporting both. The prevalence of any CUD was 21.3%; for moderate to severe CUD prevalence was 6.5% overall, with 1.3% reporting medical use, 7.2% nonmedical use, and 7.5% reporting both. Those reporting medical use only tended to be older, female, and retired. Those reporting nonmedical use or both were more likely to disclose withdrawal; use in hazardous situations; use despite persistent or recurrent social or interpersonal problems; important social, occupational, or recreational activities given up or reduced; and use despite persistent or recurrent social or interpersonal problems. Hence, screening for CUD among patients who use cannabis is paramount.

Lead Story Signaling-specific inhibition of the CB1 receptor for cannabis use disorder: phase 1 and phase 2a randomized trials  Nature Medicine Cannabis use disorder (CUD) is widespread, and there is no pharmacotherapy to facilitate its treatment. AEF0117, the first of a new pharmacological class, is a signaling-specific inhibitor of the cannabinoid receptor 1 (CB1-SSi). AEF0117 selectively inhibits a subset of intracellular effects resulting from Δ9-tetrahydrocannabinol (THC) binding without modifying behavior per se. In mice and non-human primates, AEF0117 decreased cannabinoid self-administration and THC-related behavioral impairment without producing significant adverse effects. In healthy human volunteers with CUD, AEF0117 was well tolerated and did not precipitate cannabis withdrawal. These data suggest that AEF0117 is a safe and potentially efficacious treatment for CUD. Read this issue of the ASAM Weekly Subscribe to the ASAM Weekly Visit ASAM

La organización 'Borrón y cuenta nueva' se dedica a cancelar las deudas de personas y empresas que cumplan con los requisitos de la buena fe concursal. El abogado Antoni Cudós es su portavoz nacional y pone como ejemplo a un autónomo que, tras endeudarse por abrir un negocio, tiene que cerrarlo por falta de éxito. "Cualquier persona que ha tenido un problema y quiere empezar una nueva vida tiene derecho a esta segunda oportunidad", afirma en los micrófonos de Radio Nacional de España. Para ello, recurren precisamente a la conocida como ley de la segunda oportunidad, que desde el mes de septiembre adquirió notoriedad en España gracias a la trasposición de una directiva europea: "Ya no es una facultad que los juzgados otorgan de forma discrecional, sino que se convierte en un derecho de todos los ciudadanos europeos". Se trata de un procedimiento judicial similar a unconcurso de acreedores. Cudós asegura que es sencillo y rápido, pese a que necesita de la intervención de un letrado. De cara a las administraciones públicas, pueden cancelarse deudas de 10.000 euros como máximo, pero frente a proveedores o bancos no hay límites: "Nosotros hemos conseguido exonerar de responsabilidad a gente que tenía deudas de 50.000 o 600.000 euros". Escuchar audio

¡Buen fin de semana largo! Maricarmen Rivera Sánchez sustituye a Luis Penchi.   Invitados: Lisoannette Gonzalez Ruiz (Sec. Interina del DACO), Lourdes Aponte (Presidenta del CUD), Tomás Ramírez (VP del DMO), Juan Carlos Blanco (Presidente del OGP), Amaury Rivera (Portavoz Residentes de Condado), Luis Rodríguez (Director Ejecutivo CST), alcalde Gabriel Hernández, alcalde Luis Javier Hernández y Pablo José Hernández. 

- Premier Morawiecki powiedział, że to nie jest zły pomysł z tym upraszczaniem podatków. Przykład mamy świetny, czyli nowy ład, polskich ład czy PiS-owski nieład. Uprościli strasznie. Ale były premier Donald Tusk, który ostatnio obiecywał kredyty za darmo, dopłaty do czynszów i jeszcze parę innych rzeczy, też jakby coś o tych podatkach wspomniał. W tym samym kierunku. Cud? No cud. No bo Konfederacja ma 13 proc. – zauważa Robert Gwiazdowski w najnowszym odcinku podcastu video „Gwiazdowski mówi Interii”.

Cud spilling or broken cud is a colloquial term for an abnormality in sheep. We typically notice dark staining around the bottom lip and jaw when the sheep is eating or chewing their cud. Affected sheep are usually culled and definitely not breed with as they usually do not grow or thrive well. But what causes cud spilling and how come it is such a mystery?What causes the staining?The staining around the mouth is due to the animal dribbling saliva and ingesta during rumination. This is most likely from an inability to control the cud efficiently. Although the nature of cud spilling is generally not understood very well in either farming or research circles there is one piece of research on the topic in the archives which we can look at to shed some light on the mystery.WIB Beveridge researched cud spilling. His research was reported in The Australian Veterinary Journal in 1936, eight out of the 13 cases examined were due to partial or complete absence of the free end of the tongue. Of the five remaining cases that Beveridge looked at, two showed no obvious structural abnormality, one had deformed cheek teeth and one had a cyst in the pharynx and one had an old fracture of the mandible (jaw bone). Beveridge concluded that the staining was most commonly caused by the partial or complete absence of the free end of the tongue. He noted that the amount of staining varied as did the degree of deformity of the tongue. The cause of the deformity of the tongue is not known. Interestingly in Beveridge's paper he suggested that the tongue issues may have been caused by foxes who are partial to lamb's tongue it seems. Other causes or theories on cud spillingDysphagia is difficulty swallowing — taking more time and effort to move food or liquid from the mouth to the stomach. Dysphagia can be painful for the animal. The technical word for cud spilling is that the sheep or lamb is dysphagic and drops it cud, this can arise for a number of reasons. It can be an indication of diseases of the teeth, gums, or conditions that would cause a sore mouth. Less commonly it has been seen in sheep with high stomach acidity or on poor feed. This arises because the acidic cud has a sharp pH, bad taste, or because of pain.If you have a sheep who is dropping cud, then the first step would be for you/your vet to perform an oral examination. The teeth, soft tissues, and bone should be examined and palpated, as you need to check for dental disease but also inflammation or abscessation of the gums, ulcerations/lacerations/vesicles of the mucosa, changes to the tongue (for example, wooden tongue) and swellings of the bone (like lumpy jaw). The lymph nodes under the jaw should be checked as these can enlarge with infectious and inflammatory causes of oral disease. The most common cause of throat injury is from improper use of a drench gun. Where anthelmintics have trace elements added, especially copper, the damaged throat lining can become ulcerated. Poor bolus administration can cause the same problem. Many with this injury do not improve.Some suggest that lambs with cud spilling will grow out of it once their mouth and teeth have developed fully. Most stud breeders have zero tolerance and simply don't risk it and cull from the first sight of cud spilling regardless. So the jury is still out on what we and the researchers think causes cud spilling. What ideas do you have? If you are interested you can find the full Beveridge article online at Wiley Online library which is a paid online library service.Want more! Want to show us some sheep love? Sign up for extra content via our sheep supporters tab !https://www.buzzsprout.com/954910/supporters/new

 Join us for our season finale of Chew the Cud! Host, John Houston, will recap the previous episodes in the series and give pointers to get you through the spring season! Listen now! 

Ludzka kreatywność jest niesamowita. Na zwykłym skrawku ziemi potrafimy tworzyć piękne i cudowne budowle. Używając naszego sprytu i umiejętności, tworzymy niesamowite rzemiosło, praktycznie od podstaw. I choć wokół nas właściwie codziennie powstają godne uwagi budowle, to są takie momenty w historii, ze cos przebija wszystko dotychczasowe. Coś na zawsze zapisuje się na kartach wieczności. I wówczas takie osiągniecie otrzymuje tytuł „cudu świata” , stając się prawdziwą celebracją ludzkiej kreatywności. Ich powalająca na kolana architektura, ich ambitne plany i jeszcze bardziej ambitna realizacja wciąż zaskakują – wielu inżynierów nawet dziś miałoby problem z powtórzeniem tych antycznych wyczynów. Pomyślcie tylko – cuda te zostały zrobione w czasie, kiedy nie było maszyn budowlanych, komputerów, programów architektonicznych, ba – nawet nie było tak rozwiniętej matematyki i fizyki. A mimo to udało się je zaplanować i zbudować. Jest wiele cudów świata, te antyczne, jak i te późniejsze. Opowiem wam dziś o tych najstarszych, starożytnych. Każdy cud świata ma odrębną historię, a także swoje tajemnice. Historia każdego z nich czego nas uczy. Każdy z nich jest inny, a łączy je jedna rzecz – ze warto mierzyć wysoko! Tak właśnie myślę o cudach świata i mam nadzieję, że wy również po wysłuchaniu dzisiejszego odcinka podzielicie moja opinie. Uruchamiamy zatem nasz wehikuł czasu! Piramida Cheopsa, Wiszące ogrody Semiramidy w Babilonie, Świątynia Artemidy w Efezie, Posąg Zeusa w Olimpii, Mauzoleum w Halikarnasie, Kolos Rodyjski i Latarnia morska w Faros. Wielki Mur Chiński; Pomnik Chrystusa Odkupiciela w Rio de Janeiro; Koloseum w Rzymie; Tadż Mahal; Petra; Chichén Itzá; Machu Picchu Dziękuję moim Patronom: https://pastebin.com/j9EfqhD0 Dajecie mi wysokooktanowe paliwo do działania! Jeśli Ci się podoba - wesprzyj Podcast Historyczny :) https://patronite.pl/podcasthistoryczny/ Muzyka:Open Music Revolution (www.openmusicrevolution.com) Whitesand: https://whitesand.bandcamp.com, https://open.spotify.com/artist/3GXunV3wsCpSdKp0L5tcNH Zrodla: https://pastebin.com/7WXRUSTH Facebook: https://www.facebook.com/podcasthistoryczny Mój Twitter: https://twitter.com/sadowski_rafal Mój Instagram: https://www.instagram.com/rafal_sadowskii 0:00 Wstęp 8:32 Piramida Cheopsa 29:51 Wiszące ogrody Semiramidy w Babilonie 40:46 Posąg Zeusa w Olimpii 53:58 Świątynia Artemidy w Efezie 1:07:21 Mauzoleum w Halikarnasie 1:22:03 Kolos Rodyjski 1:39:35 Latarnia morska w Faros 1:49:15 Nowe 7 Cudów Świata 1:58:33 Moja propozycja nowych 7 Cudów Świata

Welcome back! On this episode I was delighted to speak again to Will Potter of CUD. Will talked about the forthcoming 30 year anniversary tour of Asquarius, how the band were formed, musical influences and the writing process of their new material. I had a great time catching up with Will again and it was great to get the low down on whats next for Martin Bland and Geezer! Here are links to the bands website where you can get tickets to for the tour and the hear about forthcoming releases.  CUD - links As always, thank you so much for your support! If you would like to contribute financially to help keep things ticking along, here's a link where you can buy me a virtual coffee!  Buy me a coffee And you can follow me on the socials: Twitter Instagram Facebook

While recovering from his injuries, Lemuel Roberts (The Deadeye Kid) must try and make peace between two local factions - a group of Swedish loggers (please overlook our sincere attempt at translation) and a team of Yorkshire miners - neither of which speaks any English that Lem can understand... Written and Produced by Julie Hoverson Cast List Lemuel Roberts /Deadeye Kid - J. Spyder Isaacson Clarence Fanshaw - J. Hoverson Doc - Russell Gold Mrs. Doc - Gwendolyn Gieseke-Woodard Ezra - Reynaud LeBoeuf Mrs. Beamish - Judith Moore The Yorkshire Miners: Scabby Bill:  John Lingard Will Watt Stevie K. Farnaby Danar Hoverson Paul Green The Swedish Loggers: Oly - Lothar Tuppan Nels - Danar Hoverson Mark Olson Cary Ayers Bill Jones Reynaud Leboeuf Julie Hoverson Cover Design:  Brett Coulstock Announcer:  Glen "Ole Hoss" Hallstrom Opening theme:  "The Wreck of Old '97" from public domain recording found on archive.org Any incidental music:  Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson No gunshots herald his approach. No trademark left behind him when he leaves.  The Kid had his fill of notoriety in days gone by - as plenty of empty boots can surely testify.   Some say he rides alone.  That's the Deadeye Kid. **********************************************************************   Taste of the Beholder [DeK6] Taste of the Beholder [DeK6] EPISODE 5 FANSHAW    Lem!  Everyone's gathering!  It looks a bit of a party. LEM    What's them Swedes a-doin? FANSHAW    They're standing by.  Like a menacing wall of blonde. LEM    [laugh, then coughs] FANSHAW    Are you quite sure you're up for this?  The doctor said you'd worn yourself nearly into a relapse. LEM    Why you think I'm a-lyin here, stead-a being out there? MRS. DOC    [behind door] You all right in there?  May I come in? LEM    [up] Yes ma'am.  SOUND    DOOR OPENS, SHE ENTERS LEM    Jest tryin t'sort out some words as might work with these fellers. MRS. DOC    That sounds wise.  You've already done wonders.  But I have a favor--? LEM    Anythin' ma'am. MRS. DOC    [hesitant] If you can, can you perhaps get them to-- uh-- LEM    Go on? MRS. DOC    To fix my window, there?  They are the ones that broke it. LEM    I already planned on jest that, ma'am.  Donchoo worry. MRS. DOC    Mr. Roberts, you are a veritable angel. LEM    Oh, no ma'am.  Just a man of plain talkin. [laughs, then coughs a bit] MRS. DOC    Get you round a bit more of this and rest you til you're good and ready to come on out.  They can just hold their hosses. FANSHAW    I'll go and see how far the "royal progress" has come.     FADE SOUND    OUTSIDE FANSHAW    [sigh] Still out of sight.  Come along Ezra, let us see if we can catch a glimpse of this mysterious lady. EZRA    Are they gonna fight? FANSHAW    [definite] No.  My friend Lem has maneuvered them into peace talks.  EZRA    It would be fun to watch them fight, but ain't very angelic, is it? FANSHAW    No.  Wouldn't want anyone to get hurt, now, would we?  EZRA    Is that the lady, in the cart?  With the big hat and veil? FANSHAW    I would assume so.  A bit of an affectation for the wilds, but everyone has their little vanities. EZRA    Why'ud a lady wear a veil?  Is she really ugly? FANSHAW    I don't know about this particular lady, but many ladies wear them to protect their delicate skin from the harsh sun. EZRA    Ain't much sun under all these trees. FANSHAW    And some ladies, well, they wear a veil to put men at a disadvantage.  No one is entirely comfortable talking to someone they cannot rightly see.  [pause]  I need to let Lem know what all is going on.  I'll be back shortly. SOUND    SHOUTS FANSHAW    What? EZRA    Thought you said they wasn't a-gonna fight! FANSHAW    They weren't supposed to!  Blast!  That looks like more of the Swedes, taking the cart! MRS. BEAMISH    [screams]  Tyke yer bleedin' 'ands off me, ye dodgy swine! FANSHAW    Not much of a lady.  And nothing much we can do here. EZRA    Oh, lookee!  That feller got punched right off the cart! SOUND    GRUNTS FANSHAW    I need to go and tell Lem.  Would you stay with them and see where they go? EZRA    [eager] That would help ya? FANSHAW    It would be very helpful. EZRA    I'm your man.  [distracted] Oh goodness!  That fellow slammed into the tree!  That's gotta smart something fierce!     FADE LEM    They here yet? DOC    No.  It's not so far from the camp that they shouldn't be in sight yet. FANSHAW    Lem!  Ambush! LEM    [quiet] Aw hell. DOC    What? LEM    [sigh, considering best way to say]  I think I ...heard something. DOC    [more joking than suspicious] You must have the plumb smartest ears I ever did encounter, Mr. Roberts.  The way you keep hearing things. LEM    [covering] Uh... Gotta be, livin' raw on the range.  Ya don't hear sumpin a-comin up on you, well, you deserve whatever ya get. DOC    I reckon so. LEM    And with the window broken, sound can get in more. DOC    What is it you heard? LEM    Fighting.  Or leastways a yell.  Sumpin that spoke "fight" to ma mind. DOC    You think there's still trouble? LEM    I'll lay odds that lady ain't gonna make it here any time soon. DOC    Dag nabbit. SOUND    STORMS OUT OF ROOM FADE SOUND    OUTSIDE SOUND    SOMEONE RUNS UP OLY    Vad är det? [What is it?] KJELL    [out of breath] Vi tog henne! [We took her!] OLY    [incredulous and angry] Du gjorde vad? [You did WHAT?] KJELL    [uncertain] Vi ... tog kvinnan tillbaka.  [We ... took the woman back.] SVEN    Bra! Nu har vi vad vi betalat för!  [Good!  Now we have what we paid for!] OLY    Du idioter! Nu blir det krig! [You idiot!  Now there will be war!]     FADE FITCH    What wasp flee up thon jacksey? [what got into them?] SCABBY BILL    'Appen t'were skrike I heered? Lads-- [That might have been a shout.  The lads--] PIKEY    Clack on't devil!  Eyup Jimmy!   [speak of the devil.]  SOUND    RUNNING FEET JAMES    [gasping and in some pain]  Eyup!  Them brutes come out't snicket, 'ave cart upskelled and auld lass gone, bahn for none can ken, afore aught'n us could raise 'and. [those fellows come out of the bushes and attacked!  Tipped the cart and took the woman before we could react!] FINCH    Good night!  Could smell t beer, sae close to settlin' t' slate, and such 'appens. [Damn!  Just when this was going to settle peacefully, this happens.] JAMES    Canna settle now!  Yon 'eads want thumpin'!  Paid in full.  [too late to make peace! I want to beat some heads!  They deserve it!] FINCH    Dustup does nae good for aught-- [a fight won't do anyone any good] PIKEY    [playing devil's advocate] Nae, lad.  Tha path's neither nowt nor summat.  Time fer muckin out.  Nae room fer them as tek such libertines - to clamber out t' shrubbery and ketch up what's nowt fer them.  [no, lad.  Your way is doing no good.  Time to clean this up.  There's no place for those who would lay in ambush.] SCABBY BILL    Tha's the pot!  Us'm tek'er first!  [You're one to talk!  We took her first] PIKEY    [making his point]  S'truth, do we chance to scutch, mayhap yan or two might fall - and then us left must delve t' more. [Of course, if we fight, if we strike a blow, some of us may die - which leaves the rest of us to work even harder at digging.] MINERS    [mutters]  "s'truth."  "Ba gum."  "It gets right up ma cuff."  "'Arsh, that."  "Toes up o'er grub?  Nae!" JAMES    Us'll clean them clocks!  [we won't lose!] PIKEY    Ne'er seen clock tha could clean. DOC    [loud, trying to get all attention] CALM DOWN! ALL GO QUIET DOC    Bother.  That's about all I got.     FADE LEM    This's how wars get lit. FANSHAW    Who is this woman anyway?  Helen of Troy? LEM    Was she on the stage or sumpin? FANSHAW    [chuckles] no, she was a king's wife who was abducted by another king and a great and glorious war was begun. LEM    Ain't no war great and glorious.  Not till everyone as been there's long dead. FANSHAW    Oh. LEM    How'd they end that war? FANSHAW    [a bit embarrassed] They made a giant wooden horse. LEM    [laughs] I think mebbe you gotta tell me this story later, when we ain't about to have all hell cut loose on us.  [groans, getting up] SOUND    RUSTLING OF CLOTHES, ETC. FANSHAW    Don't--! LEM    Ain't no choice here.  Both them top fellers seem to lissen t'me.  Much as doc's a good man, he don't have the touch. SOUND    DOOR OPENS FANSHAW    Speak of the devil! DOC    Here now!  What are you doing, Mister roberts? LEM    I'm planning on facing them in full gear fer once.  DOC    You are not facing them at all... you know what's happening? LEM    I gotta right good guess.  Since the miners were a-bringing her here, I spect twas the loggers jumped em and done took her.  DOC    I think so. LEM    Hitch up the cart.  We're gonna mosey to the logging camp.     FADE SOUND    OUTSIDE LARS    [commanding] Du! Kock! [You!  "cook"] MRS. BEAMISH    [snide] Ain't never understood one bloomin word out ye mouf, but vat sounds rigth filthy ye cheesehead! LARS    Du kom hit för att laga mat för oss. Du är skyldig en skuld.  [you came here to cook for us.  You owe a debt.]  MRS. BEAMISH    Gah-on.  Say somfing in normal talk.  Ah dare ya. LARS    [to Kjell] Tror du att hon förstår? [Do you think she understands?] ARN    Hon låter lite arg. [She sounds a little angry.] FREDEK    Jag tror att hon låter galen. [I think she sounds insane.] NELS    Sure, it is like standing to the knees in a mire. EZRA    Why's that, Mr. Nels? NELS    You!  Can you do something? EZRA    What should I do? NELS    Get that woman over here.  The one that was calling out. EZRA    Who?  Oh!  [laughs] That's no woman!  That's Mr. Fanshaw. NELS    Well, he sounds like one to me.  Is there anything he can do?     FADE DOC    Brought the wagon round.  Come on then, lemme give you a hand. LEM    You kin carry my kit, if you would. DOC    You need support-- LEM    [definite] No.  Gettin me to the door, that's right fine, but outside, I gotta put the fear o' god in them, best I can.  And being carried round like a cripple sorta puts a bonnet on that. DOC    I'll be right behind you, then.  Just in case. SOUND    FOOTSTEPS MRS. DOC    [slightly defiant] I, on the other hand, could use all the support you care to give. DOC    Irene? MRS. DOC     Not from you, dear.  Mr. Roberts, if you might give me your arm, sir? DOC    Irene! MRS. DOC    I've already got my hat on, husband.  We might as well get moving. DOC    What exactly do you think you are doing, woman? MRS. DOC    [super sweet] Why, I'm accompanying my beloved husband and his patient on a little wagon ride. LEM    [tries not to laugh] DOC    I forbid it! MRS. DOC    [sweetly]  Oh, of course, dear!  If you prefer, I can wait here at home, the home these silly men have already broken into - from both sides, I might add.  Wait until someone decides that the easiest way to get this to end is perhaps to take me hostage, or threaten-- DOC    [losing steam] Oh hush!!  LEM    The lady has a point, doc.  Seein as I still think we gotta a fair chance of stoppin this without none getting hurt, it'ud likely be safer, ma'am, if you were to stay by us. MRS. DOC    Good.  Now take my arm, Mr. Roberts, for goodness sake!  You're swaying like a sapling.     FADE EZRA    Mr. Fanshaw!  [laughs]  Nels says you sound like a lady. FANSHAW    It is just my accent.  The way I talk.  EZRA    You do talk funny. FANSHAW    Can you go and ask Nels if his men understand a white flag of truce? EZRA    What is that? FANSHAW    When men - or even armies - want to talk rather than fight, they will come bearing a white flag. EZRA    Where do they get a white flag? FANSHAW    They just make one.  Please.  It is important that we know.     FADE SOUND    OUTSIDE SOUND    SCUFFLE MINERS    [Arguing]  "More brass'n brains"  "near as makes n'matter" " that's a threp in't steans"  "caffelin' t' 'oil works, am I." SWEDES    [arguing] SOUND    FOOTSTEPS LEM    [sigh]  Shut up! SOUND    STILL FIGHTING LEM     Pardon me ma'am.  Step aside if you please. SOUND    HER STEPS SOUND    GUNSHOT ALL    [go quiet] SOUND    SOMETHING DROPS     Taste of the Beholder [DeK6] EPISODE 6 1_MOVING OUT LEM    You miners.  You... uh... manskers.  Um.  [slowly, with gestures]  We go in cart to your-- OLY    Mig? LEM    Yes, your camp.  You lead us.  SCABBY BILL    [slightly out of breath] Right.  Nowt wait aught mair.  Us'm goin - wi'thee, or nowt. LEM    We's all a-goin.  [to Mrs. Doc] You get on up in the wagon now, ma'am. MRS. DOC    [a bit shaky]  All right.  DOC    [quiet]  Doesn't look like anyone is hurt too bad. LEM    They's all still on their feet. OLY    [slowly, trying to be understood]  detta var inte min idé.  Inte jag.  Jag kommer att tala strängt till dem. [this was not my idea.  Not me.  I will speak sternly to them.] LEM    You lead.  [turns to Scabby Bill]  You follow.  Reckon? SCABBY BILL    Reckon.  FADE 2_GRADY1 SOUND    SOMEONE RUNNING IN PANIC GRADY    [gasping muttered mantra]  Don't slow down, don't slow down.  A log!  Oh sweet Jesus! SOUND    THUMP, SCRAMBLE, SLOW MOVEMENT SOUND    BEHIND HIM, MEN MAN1    Keep heading downhill! MAN2    Brush too thick over there!  This way! GRADY    [barely there prayer] Pity me!  [couple of deep breaths] [sound of exertion] SOUND    RUNNING AGAIN FADE 3_AGREEING SOUND    CART PLODDING DOC    [quietly] That was a foolhardy thing you done back there, Irene.  MRS. DOC    I cannot disagree. DOC    You should never've - what? MRS. DOC     [sweet] I was merely agreeing with you, husband. LEM    [quiet chuckle] DOC    [trying to stay annoyed] But-but you-- [loses it, laughs]  My mother always said you would be a handful. MRS. DOC    I believe mine said something very similar. DOC    About me? MRS. DOC    [laughing] No, about me. LEM    If I was a man to interfere, I might say you're a lucky feller. DOC    I cannot disagree. LEM    Lucky the lady is on your side, if you don't mind me saying so, ma'am. ALL    [laugh]     FADE 4_LOGGING CAMP FREDEK    Många män kommer! [Many men are coming!] LARS    Vi kommer inte ge upp! [We will not surrender!] FREDEK    Detta är inte något att dö för! [This is not something to die for!] ARN    Jag skulle hellre dö än att äta en annan måltid tillagad av dig. [I would rather die than eat another meal cooked by you.] LARS    Jag ser Oly. [I see Oly.] ARN    Han ser arg. [He looks angry.] FREDEK    De måste ha vapen. [They must have guns.] NELS    Nothing worse than to have to sit and listen to them babble. OLY    [off, yelling] Alla ni! Stå vid sidan! [All of you!  Stand aside!] NELS    And cannot do anything when Oly tells them to calm down. LARS    [yelling] Är de hotar dig? [Are they threatening you?] OLY    [off, yelling, pissed off] Du är en idiot! Vi var överens. Då har du stört! Du står åt sidan! [You are an idiot!  We were in accord.  Then you interfered!  You stand aside!] FADE 5_CHUCKIE JAMES    Tha gormless bastard!  Guns or nowt, us could take 'em! [Idiot.  Even with the guns, we could win.] PIKEY    And 'oo ist 'aveta send tha mam word o thy beefing.  Appen I should say 'er son died of 'is own barm, or sweeten tha death wi' claims thee lost fight to a chuckie. [And I will have to write to your mother.  What would you like me to tell her, that you died of being stupid, or that you lost a fight to a chicken?] TED    [sigh]  And us start sommat, it'll nae stop 'ere.  [If we do start something, the fighting will not end here.] FITCH    I dinna feel fer the fight.  Yon stormcloud, 'im seems a fair measure.  [I don't feel like fighting.  That fellow - he seems fair.] PIKEY    Cud gang fer a slurp missen.  [This would be a good time for a drink.] FADE 6_GRADY2 SOUND    RUNNING MAN1 and MAN2    [closer than before] [yelling "Just over that ridge!"  "Get him!" "Yeller bastard!"] GRADY    [gasping and ragged]  Good god above, [gasp] please, [gasp] send me into a river.  Anything.  [gasp] Just to get me [gasp] get me away... FADE 7_CART SOUND    HORSES.  CART NOT MOVING. DOC    [whispered]  Irene, I prefer strongly that you remain in the cart.  MRS. DOC    As always, I defer to your wisdom, dear husband. DOC    [rueful laugh] Hah.  Good. SOUND    HE CLIMBS DOWN MRS. DOC    I'll also keep a close eye on the shotgun. DOC    The what? LEM    I'll leave my satchel here as well, if you please, ma'am. MRS. DOC    Happy to be useful.  [like speaking to kids] You two go on now and make peace. FADE 8_OLY KOMMER FREDEK    Oly! De kommer! [Oly!  They are coming!] OLY    Var inte dum. De är redan här. [Do not be stupid.  They are already here.] FREDEK    Fler män! Bakom åsen! [More men!  Behind the ridge!] NELS    Sure I do not think those fellows are of these men.  EZRA    More fighting? FANSHAW    And this must be Nels. NELS    And you must be from England. FANSHAW    Why, yes.  Though I do not sound much like my "countrymen" down there. NELS    Nay.  You sound like most Britishers. FANSHAW    I suppose I do. NELS    Just like a woman. FANSHAW    I do not! EZRA    You do a bit. FANSHAW    [grinding out, trying to change the subject] You said something about more men? NELS    Sure, over the ridge.  Quite a ways off.  I can barely get close enough to see, but they are traveling fast, for men on foot. FANSHAW    We'll have to keep an eye out for them, though I am quite certain that all the men I've seen - on either side - are here. EZRA    Mister Fanshaw? NELS    All of my men are here.  Even those with a head full of porridge. FANSHAW    That's a blessing anyway. EZRA    Mister Fanshaw! FANSHAW    I am so sorry, Ezra.  I was lost in thought.  EZRA    You want I should go and look at the men a-coming? FANSHAW    They sound like they're rather far off. EZRA    I can go real far off. FANSHAW    [interested] Really.  Very well.  You'll go and see how many there are? EZRA    I'll find out everything for ya. FANSHAW    I wonder just how far "real far" is. FADE 9_teh dam SOUND    CROWD RUMBLE, BUT NO TALKING SOUND    LEM'S SLOW FOOTSTEPS LEM    Um, [to Oly] Dam? OLY    Ta kvinnan här! [Bring the woman out here!] LARS    [grumbling] Vi var bara försökte hjälpa [We were only trying to help] OLY    Go! [Go!] NELS    If they wanted to help so bad, sure, why did they never make the time for to learn some words? FANSHAW    Always much easier to see mistakes when it is too late. NELS    Ya. SOUND    DOOR OPENS, LARS AND MRS. BEAMISH COME OUT FANSHAW    This?  This is the woman all the trouble has been over?  She's ...hardly what I expected. LEM    Ma'am.  They's been quite a ruckus over you. BEAMISH    Oh, Luvly.  Anuvver what don't speak the Queen's English. LEM    I guess I speak American, then.  But I hazard you understand me fine. BEAMISH    [begrudging] I kin mike yer out. LEM    That's good.  Now these fellers, they have some claim to you? NELS    Sure, she owes us five years service. BEAMISH    [grudgingly admitting] Aye... They do. LEM    Five years.  Legal. BEAMISH    [annoyed sigh] Aye. DOC    [whispered] How'd you get that? LEM    [whispered] Guessed.  Standard indenture. DOC    Ah! BEAMISH    [whining a bit] But I can't unnerstand a bleeding word outtav'em! FANSHAW    I say, Nels, you paid for that?  Under all that veiling, she sounds rather... old. NELS    What do you expect in a cook?  Sure we don't have to look at her while we eat. FANSHAW    A cook!  Good gad! LEM    But you had no trouble doing the work they put you to? BEAMISH    Good plain cooking.  Even such as they musta liked it, for I dessay they never let a plate go cold. DOC    Cooking?  They're willing to fight over a cook? LEM    I reckon with a wife like your good missus, you've never had to eat day-old burnt scratch.  DOC    Well... MRS. DOC    [calling from off, excited] Husband? LEM    Go on. DOC    [walking off] Yes, dear? FADE 10_grady hides SOUND    MEN SLOWLY SEARCHING SOUND    BREATHING, IN A TIGHT SPACE GRADY    [trying to quiet his breathing] EZRA    That's a lot of men to send out fer one fella.  You must be a bad man. GRADY    [whispered]  Someone up there, please help me! MAN1    I think I heard something! FADE 11_shares LEM    [whispered, to fanshaw]  Ask Nels the word for "share". FANSHAW    You're thinking to split the baby again. LEM    Amazing how many problems boil down to something that simple. DOC    Lem?  We - my wife and I - might have a congenial answer for all this fuss. LEM    Do tell. DOC    Well, Mrs. - uh - Beamish, is it? BEAMISH    Beamish.  Aye. DOC    My good lady wife suggested I extend an invitation for you to stay with us. BEAMISH    Where's 'at, then? DOC    Our house.  It's rather in the middle of all this.  BEAMISH    Won't say no to sleepin in proper 'ouse.  Not them shanties. DOC    [a bit slowly, trying to make it understandable to all]  You stay our house-- SOUND    [rumble of muttering on both sides] DOC    Cook.  Cook a lot. BEAMISH      I dearly 'ope you're tryin'a talk t'them, cos I ain't that bleeding thick. DOC    They are the ones who need to agree. BEAMISH    Go'ahn then. DOC    [to miners] You come. Eat. [to loggers] You.  Eat. LEM    [quiet] Eat?  Nels? NELS    [Eat] ata LEM    Thankee.  [up, to doc] "ata" DOC    Oh?  All right.  You.  Come to house.  "ata". LARS    [annoyed] Jag tror att han säger att hon ska laga för honom. [I think he is saying she will cook for him.] NELS    Sure, they do not want to give her over to the doctor either.  He has a wife to cook for him. OLY    Nej, säger han vi äter, också.  Tror jag. [No, he says we eat, also.  I think.] FANSHAW    No, no.  He's trying to say that the woman will be in the middle, and both sides can come and eat in peace.  No more fighting. NELS    Tell them ["You eat too"]  du äter för. FANSHAW    Lem?  Did you-- LEM    Doo ah-ter fore. OLY    Ya.  Mycket bra. [Yes. very good] LEM    And you all? PIKEY    Nae more tae eat bab out Bill?  [snort] I don't gi' a chuff where's hersen rest.  [No more eating the shit Bill cooks?  I don't care where she stays.] TED    'Appen 'at's a relief! [That's for sure!] JAMES    Eh, by gum. SCABBY BILL    Ere, now! PIKEY    Tha noz thee's no' called Scabby fer Nowt.  [You know they don't call you scabby for nothing.] LEM    Good.  DOC    Nice to know that people can be peaceable, even-- SOUND    GUNSHOTS, DISTANT LEM    Damn! ALL    [reactions!  Gasps, expletives] "Hellfire!" "Wha's't faff?" "flipping 'eck!" EZRA    Mister Fanshaw?  I think they's heading this way.     Taste of the Beholder [DeK6] EPISODE 7 MUSIC SCENE 1.    AMB    OUTSIDE LEM    [urgent, but even voice] Doc, I fancy it's time you take the ladies back to that fine house of your'n. DOC    But I can help-- LEM    [more forceful] BY taking THEM to safety.  If we's needin you atall, it's like to be after the battle.  SOUND    GUNSHOTS, DISTANT MRS. DOC    [off, a bit worried] Husband? LEM    Mrs. Beamish, you go on now with these good folk.  We got some rough work ahead of us. MRS. BEAMISH    Ain't never been one to run, but finking feedin th'lads come vict'ry's more my place. SOUND    SHE WALKS TO WAGON DOC    [quiet, but knowing it will do no good] You should come with us. LEM    And hosses should lay eggs. [chuckles]  I'll stay still as I can.  But I'm the king pin yokin these fellers one side t'other.  Go on now.  [up] Ma'am, if you could hand me down my sack?  I might find myself in need of a few more shells. MRS. DOC    Here you go.  [very concerned] You make sure and look after yourself, you hear?  My husband put a lot of work into you. DOC    [amused but still worried]  You heard her - and you know how ornery she can be. LEM    I reckon I do. DOC     [confidential] You fire three shots in the air, all at once, and I'll be back lickety-split with the shotgun. LEM    Preciate it. SOUND    DOC WALKS OFF SCENE 2.    LEM    [slight groan]  Quickly - You, Bill.  You, Oly. SCABBY BILL    Right. OLY    Ja? SOUND    SCRATCHING IN THE DIRT LEM    [talking while drawing terrain and pointing at things]  Sun.  There.  Hill. There.  Ja? OLY    Ja.  Bäck. Ge. [stream.  Give.] LEM    Take it. SOUND    MORE SCRATCHING SCABBY BILL    Thass river? OLY    Bäck. [stream] LEM    Close enough I think.  Bill, can y'all circle round here, over to the left, with yer fellas, and come up alongside?  They got guns and you don't, so I suggest comin on 'em from hidin. SCABBY BILL    Us'm? LEM    Course, it ain't yer fight, but-- SCABBY BILL    Nay problem, lad.  Lads're pantin' fer a good donnybrook.  [shrug] Canna beat on't Swedes, them ticks'll haveta play the Judy. LEM    All righty then, sounds like yer all in.  Go on.  Get ye some stout branches and knock em down, but try not t'kill em.  SCABBY BILL    Why them tea party manners? LEM    In case they ain't the villians here. SCABBY BILL    Ah.  Right.  We're bahn. SOUND    WALKS OFF SCABBY BILL    [off, calling] Ayup lads!  There'll be cracked pates afore sundown, I'll be bahn! LEM    Now for the tricky one. OLY    Du vill att vi ska åka på detta sätt. Runt den andra sidan. Och angrepp från bakhåll? [You want us to go this way.  Around the other side.  And attack from ambush?] NELS    He says do you want our men to go around the other way and attack from ambush as well? LEM    [startled laugh]  Oly, old son, we'll get you tricked up with English talkin yet. OLY    vad är det?  [What is that?] LEM    Later. After dust settles. NELS    Tell him "senare" [Later] LEM    Senare OLY    Ja.  Bakhåll?  Ja?  [Ambush] NELS    [translating] Attack from behind. LEM    Ya.  Go on. OLY    [going off] komma mäniskor! Dags att slå några huvuden! [come on men!  Time to beat some heads!] LEM    [heavy sigh, slight groan] FANSHAW    Lem? LEM    [quiet]  I'm alright.  I'm alright.  Just tuckered out.  Ain't nothin better for fellers like these, but to fight together 'gainst some other varmints.  Think this will end it once and fer all. FANSHAW    I certainly hope so.  LONG MUSIC SCENE 3.    AMB    NIGHT, CAMPFIRE ON LEFT OLY    [clearly storytelling] Vi reste snabbt och tyst. Då vi hörde dem. Arn gömde sig bakom ett träd. Lars var under en fallen stock. [We traveled fast and quiet.  Then we heard them.  Arn hid behind a tree.  Lars was beneath a fallen log.] ARN    Hah!  Bra att vara kort, eh, Lars? [Hah!  Good to be short, eh, Lars?] LARS    Bah! SWEDES     [general laughter] OLY    Vi ser tre kommer! En lång en i en hatt och två andra.  Gräslig. Cruel söker. De rör sig långsamt, letar efter något-- [We see three coming!  A tall one in a hat and two others.  Ugly.  Cruel looking.  They move slowly, looking for something--] MUSIC WIPE ACROSS THE SOUNDSCAPE SCENE 4.    AMB    CAMPFIRE ON RIGHT SCABBY BILL    Nowt but three up't front, but us cud 'ear more clamberin in't lee.  PIKEY    [bragging]  Like scratch hisself in't garden, I were oop on deadfall like bird in't nest.  Thass nowt ne surer as none'll raise them eyen. [I'd crawled like snake up along a fallen trunk, like a bird in a nest.  And no one ever looks up] SCABBY BILL    Aye, lad.  Ain't soul in t' world cud suss windy sot might drop out of clear blue ont' im's pate. [I'll give you that.  No one expects a flatulant drunk to fall out of the sky on his head.] MINERS    [general laughter] PIKEY    [correcting him haughtily] Nay, nay.  Windy sot wieldin' t' grandest thump 'im ever see'd. [A flatulant drunk with a great big stick, I remind you!] MINERS    [more laughter] MUSIC WIPE SCENE 5.    AMB    CAMPFIRE ON LEFT OLY    Att en - med skriande skratt - var upp i ett träd. Jag fruktade för dig som han tappade på toppen av. [That one - with the braying laugh - was up a tree.  I feared for anyone he dropped atop of.] ARN    Åtminstone var det inte oss! [At least it wasn't us!] SWEDES    [general laughter] OLY    Han vinkade till mig. Då pekade förbi männen. Sedan lyfte han två händer fingrar. Många män skulle komma! [He waved to me.  Then pointed past the men.  Then he raised two hands of fingers.  Many men were coming!] FANSHAW    It sounds like a fascinating story.  I wish I could understand a word of it. NELS    He was saying that the noisy fellow-- FANSHAW    Aren't they all rather noisy? NELS    [laughs]  THAT one - got above.  High up.  Counted the men coming behind.  Showed him fingers for the count. FANSHAW    Accord without a single word.  Lovely. MUSIC WIPE SCENE 6.    AMB    CAMPFIRE ON RIGHT FITCH    Beyond tha' ken, Bill, our Pikey gives the wrist to yon tall tallow hair. [girlish noise] Ooooh!  Tis in ma mind him's a sight too long wi'out a damp scuffle. [But what YOU didn't see, Bill, was Pikey making obscene hand gestures across to the tall blonde fellow.  I think he's been alone too long.] SOUND    SLIGHT SCUFFLE - FRIENDLY SMACK PIKEY    Dinna fash.  Tha'd be first choice, fitchy m'lad.  Smack afore yows and kine.  Past that, mayhaps Swede.  Blondes ain't nivver turned ma top. [kiss kiss noise]  [You'd be my first choice, Fitch, right before ewes and cows.  I have never been fond of blondes.]  FITCH    [teasing] Ooh-ah.  Get a good scrub on thee aught often, afore thee clack.   [Bathe.  Then we'll talk.] MINERS    [general laughter] SCABBY BILL    Right.  'oo's keeping a tally?  [jokingly making a list] Needed f'r camp - butter, shot, tobacy, loose females. [Right.  Someone make a list of things we need for the camp.  Start with some loose women.] MINERS    [hysterical laughter] MUSIC SCENE 7.    AMB    CAMPFIRE ON LEFT OLY    De var fortfarande ute. Kanske för en person. Kanske för ett djur. Något som kunde dölja sig. Vi sprider vidare bakom dem, lugn och vaksam. [They were still looking.  Maybe for a person.  Maybe for an animal.  Something that could hide itself.  We spread further behind them, quiet and watchful.] LARS    Jag var längst.  När den sista passerade, jag slog ner honom snabbt.  [hit noise] [I was furthest.  When the last passed by, I hit him down quickly.] SWEDES    [approving mumble] MUSIC WIPE SCENE 8.    AMB    CAMPFIRE ON RIGHT SOUND    WAGON SLOWLY MOVING IN FROM A DISTANCE PIKEY    Afore mine eyen, them axes circle up the jacksey, and I knew us'd ne'er let it be said us'd come up short in t' tally! [I saw them blonde fellers moving behind.  I knew we'd never want to lag behind.] SCABBY BILL    No.  So... Pikey made t' shrill-- SOUND    SHARP WHISTLE SCABBY BILL    [reacts in pain] NOWT up ma lug!  [angry sigh] Wi' a cry t' lads pounced! [Not in my ear!  And we attacked] FITCH    Like yoked set of dannys, us come right side, cack side!  And them'us jiggered like clemmy shale.  [Like a pair of hands, we came from right and left.  They broke like lose rock.] MUSIC WIPE SCENE 9.    AMB    LEFT CAMPFIRE OLY    Var och en föll. Slås ner av våra modiga händer. Eller våra vänner händer. [Every one fell.  Struck down by our brave hands.  Or our friends' hands.  [raising his voice]] ALL GOOD! SCABBY BILL    [off] I hears that!  [yelling back] Ayup lads?  ALL GOOD! SWEDES and MINERS [not very much in unison- just loud] ALL GOOD! DOC    [off] Ho there!  Sounds like it's safe to approach? MUSIC SCENE 10.    AMB    INSIDE SOUND    [OUTSIDE] THE MEN YELLING AND LAUGHING FANSHAW    Lem? LEM    [rousing from half sleep]  Yup?  Sounds like peace at last. FANSHAW    And the doctor just arrived.  [chuckles] With a kettle of something hearty, and some lovely- LEM    Biscuits?  [chuckles] FANSHAW    [chuckles too]  He'll be in here in a moment, I'm sure.  [beat]  The men - both factions - were rather impressive.  Possibly less impressive than the tales they're telling at the moment, but they did very well. LEM    Who was it they's up against? FANSHAW    Looks like outlaws.  Chasing a fugitive. LEM    And the feller they'us after? FANSHAW    [sigh]  He was already ... done for.  Gone. LEM    [sigh]  The Doc's spare room is looking like heaven just about now. DOC    [outside]  Mister Roberts? LEM    [a bit weaker] In here! LONG MUSIC SCENE 11.    AMB    DOC'S HOUSE DOC    I will not hear of you leaving that bed for at least a week, Mister Roberts.  MRS. DOC    [from off]  Don't you get it into your head that you'll be able to sweet-talk your way past me neither. LEM    I got no plans to budge aught farther than the broth and biscuits require to reach my mouth. DOC    Good. MUSIC SCENE 12.    AMB    DOC'S HOUSE LEM    Alone? FANSHAW    They're all in the kitchen, yes.  From the smells, that Beamish woman is very nearly as accomplished in the kitchen as our lady hostess, despite her lack of - ahem - refinement.  They have set the men to building a sort of cookhouse.  Just an annex big enough for her to serve out of.  The doctor's wife objected, you see, to having all these men troop through the house at mealtimes. LEM    Cain't say that I blame her.  Catch me up a bit? FANSHAW    They say the way to man's heart is through his stomach - and we now have clear evidence this works for groups of men as well as it works on individuals.  They've all become the best of chums.  And those Swedish follows are learning English, bit by bit. LEM    One more victory for-- FANSHAW    Civilization? LEM    [down]  I was gonna say salvation.  Had a might too much time to ponder my past while I been laid up here. FANSHAW    I shan't pry, but you know I will gladly listen to anything you feel the need to unburden yourself of. LEM    Thankee kindly, but my burden is my own. FANSHAW    Well.  When you are up to visting, We should make a trip to speak to the fellow who was being chased by the outlaws. LEM    Where ARE they, anyway? FANSHAW    Several of the men took them down a flatboat on the river to the next landing.  Haven't made the return yet - I gather it takes a few days. LEM    Mm.  Good. FANSHAW    But, you see... this fellow was ...killed a bit further out than I can reach.  It's very frustrating.  Ezra, though... LEM    Oh, yup - this Ezra you been talking about?  How come I ain't seen him, never? FANSHAW    I don't know.  He's a child.  A spirit.  Who prefers to think of himself an angel.  I rather think he's been here quite a long time.  And Lem... LEM    Yup? FANSHAW    I-I feel quite dreadful about this, but - you understand, I have been endeavoring to find some way to help him pass on.  But there's this--- LEM    Spit it out and let's see what color it is. FANSHAW    Ezra can go just about anywhere within the entire valley.  That is rather a long distance.  He seems to have very few of the limitations that I find myself so hampered by.  I don't understand it one bit, and I have this - notion - to try and figure out why.  Before I help him find his way onward. LEM    Guess it's a good thing I'm laid up, then, ain't it?    

Kailee joins Brian for this month’s kratom news. Florida Drug Policy Council considers a kratom ban in the state. A Florida car accident involving a passed out man with a needle in his pocket is blamed on kratom. Big cannabis news: Bill for federal decriminalization of cannabis introduced. WNBA athlete Brittney Griner sentenced to 9 … 87. Kratom News for August 2022 Read More » The post 87. Kratom News for August 2022 first appeared on Kratom Science.

Associations of cannabis potency with mental ill health and addiction: a systemic review The Lancet Psychiatry Cannabis potency, defined as the concentration of Δ9-tetrahydrocannabinol (THC), has increased internationally, which could increase the risk of adverse health outcomes for cannabis users. This is the first systematic review of the association of cannabis potency with mental health and addiction. Overall, use of higher potency cannabis, relative to lower potency cannabis, was associated with an increased risk of psychosis and Cannabis Use Disorder (CUD). Evidence varied for depression and anxiety. The association of cannabis potency with CUD and psychosis highlights its relevance in health-care settings and for public health guidelines and policies on cannabis sales. Standardization of exposure measures and longitudinal designs are needed to strengthen the evidence of this association.   Read this issue of the ASAM Weekly Subscribe to the ASAM Weekly Visit ASAM

In this episode - the Doyle Sisters get a new neighbor; an intrepid reporter receives an unusual award for her investigative reporting; and a reunion with his old crew is anything but a happy trip down memory lane for Captain Fremulon. Recorded live at Firehouse Theatre in Richmond, VA on April 24, 2022. Featuring: Joe Bishop (Doyle Sisters Announcer, Captain Fremulon, PBR Listener; Kid in Dairy Delight commercial); Helen Hardymon (Annie Doyle; Julia; Dr. Piper; Kid in Dairy Delight commercial); Reid Hardymon (Man in Cud commercial; Mailman; Doctor; Oliver); Corey Hull (Mr. Doyle, Editor, Fremulon announcer, Guard); Dale Leopold (Agent Stack, Stop the Press announcer, Captain Rake); Gina McKenzie (PBR Listener; Woman in Cud Commercial; Mrs. Nesbitt; Actress playing Julia; Wanda); Don Polaski (Craig Tapper, Tony; Fremulon narrator); Kristina Schneider (PBR announcer, Mrs. Doyle, Petey, Mom in Dairy Delight commercial); Anja Thomas (Molly Stein, Patty Doyle, Ciggy, Wendy) Written by Jack Mooney; Directed by James Nygren; Music composed and performed by Free Jambalaya; Sound effects performed by David Hightower Tickets are on sale now for our next live show - Sunday, July 31st at 7:30 pm at Richmond's Firehouse Theatre. Click here to buy yours today.  You can also click here to buy tickets for our 2022 production of "The War of the Worlds" on Sunday, October 16th at 7:30 pm. 

Do you find yourself thinking and thinking about something that seems so small? Do you start to spin on it over and over again? In this episode, I share how you can shorten your amount of time that you spend on thoughts that continue to spin in your head. We all know that feeling. :) Don't let anything stop you from being you. . . even the spinning.   IN THIS EPISODE, I TALK ABOUT:When you begin to spin, GET CURIOUS!Ask a question: “What information is here?” Your body is trying to get your attention. Are you willing to listen?  If you loved this episode, it would mean the world to me if you SUBSCRIBED to the podcast on your favorite podcast app and give it a 5 star review. I would be forever grateful! Thank you!!  ✅  CLASSES:“UNSTUCK YOUR MONEY” In-Person Workshop in Los Angeles: SUNDAY, JUNE 5TH: DM me on Instagram with the word: UNSTUCK and get the latest notices when my classes open up!  ​​ ✅  RESOURCES:Text: CREATE to 323-524-9857 to apply for my Get Up Girl Gang community If you enjoyed this episode, make sure and give us a five star rating  and leave us a review on iTunes, Podcast Addict, Podchaser and Castbox. ✅  LET'S CONNECT:The Get Up GirlInstagramFacebookMonthly online fitness academy 

Did you know multiple countries have legalized assisted suicide, as well as numerous states in the US? Are you for or against it? Tim gives his thoughts on said topic and gives more details behind it all. This episode also goes over another new acronym for Tim, CUD, Cannabis Use Disorder and then how people are now smoking toad venom... yup. Tim also goes into myths about bipolar and the difference between mania & hypomania. If you want to submit a question, comment or just have something you want to say. Go to 20TIMinutes.com and click 'Contact Tim' or Text Tim at 781-523-9333 If you or someone you know are feeling suicidal, please use these numbers 1-800-273-8255 - National Suicide Prevention Lifeline Text HOME to 741741 - Crisis Text Line Donate to the non-profit Plymouth County Suicide Prevention Coalition on PayPal! Intro by Dave w/ the Beer in Front podcast Purchase Merch:Phx Print Co Collab20TIMinutes Gear Follow Tim on YouTube - Instagram - Twitter - Facebook Download the FREE 20TIMinutes App Support 20TIMinutes on BuyMeACoffee.com DISCLAIMER: This podcast is for entertainment purposes only & informs all listeners of the podcast, that the views, thoughts, and opinions expressed in the each episode belong solely to the host of 20TIMinutes, Tim McCarthy, and not necessarily to the podcast hosts employer, organization, committee or other group or individual. Tim is NOT a mental health professional. Tim only speaks about his own personal struggles and what works for him. If you're in need of help mentally or physically, please contact your primary care provider, a mental health professional or in case of an emergency, dial 911.See omnystudio.com/listener for privacy information.

On The Cloud Pod this week, the team discusses Peter's concept of fun. Plus digital adventures with AWS Cloud Quest game, much-wanted Google price increases, and a labyrinthine run-through of the details of Azure Health Data Services. A big thanks to this week's sponsor, Foghorn Consulting, which provides full-stack cloud solutions with a focus on strategy, planning and execution for enterprises seeking to take advantage of the transformative capabilities of AWS, Google Cloud and Azure. This week's highlights