Podcasts about aiatsis

Today is episode one of the Broads on Boards special series of theTake on Board podcast. This series explores the history of women on Boards in the place we now call Australia. So it's fitting to kick off the discussion with an exploration of indigenous governance. So, today I'm speaking with Michelle Deshong about indigenous governance.Michelle is a Kuku Yalanji women with extensive experience in the governance. She is currently Co-Chair of Supply Nation and Council member for AIATSIS. Michelle was awarded a Churchill Fellowship, in 2017, to 'research and apply best practice on Indigenous governance and leadership models'. Her study involved immersive visits to diverse First Nations communities and institutions. The primary objective was to investigate and analyze various leadership and governance models.This research project uncovered a spectrum of self-government, sovereignty, and development approaches within these communities and provided insights into the potential adaptation and implementation of research findings and best practices within the Australian context. The research also included concepts of nation building, cultural governance, sovereignty, and identity, all of which were explored in detail within the report. Following the study, Michelle integrated key findings from the Fellowship into the work of the Australian Indigenous Governance Institute where she was CEO. As you can hear, Michelle is an expert in first nations governance. In asking around who to speak to about this, everyone pointed me her way! New Broads on Board episodes Tuesday and Fridays throughout March wherever you find your podcasts. Find the fact sheets and more information.Links and ResourcesReconciliation Australia Indigenous Governance Institute The Winston Churchill Fellowship Trust of Australia report by Michelle DeshongUpcoming TOB EventsAll eventsYou might want to:Join the Take on Board Facebook communityJoin the Take on Board LinkedIn communityFollow along on TwitterWork with meJoin the Take on Board: Kickstarter group programJoin the Take on Board: Accelerator group programFind out more about meContact me Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Forensic Focus podcast, Si and Desi explore the cutting-edge technology of deepfake videos and image manipulation. In addition to discussing the latest technological developments and efforts being made to detect manipulated media, they also examine the associated legal and ethical implications. Show notes: Boris Johnson image - https://www.theguardian.com/politics/2023/jan/10/spot-the-difference-boris-johnson-appears-scrubbed-from-photo-posted-by-grant-shapps Deep Fake Neighbour Wars - https://m.imdb.com/title/tt21371376/ Stalin image - https://www.history.com/news/josef-stalin-great-purge-photo-retouching Nvidia eye contact AI - https://www.polygon.com/23571376/nvidia-broadcast-eye-contact-ai and https://www.youtube.com/watch?v=xl87WTDrReo Birthday problem - https://en.wikipedia.org/wiki/Birthday_problem Same frightening woman in AI images - https://petapixel.com/2022/09/09/the-same-frightening-woman-keeps-appearing-in-ai-generated-images/ Inherent mysogeny of AI portraits - https://www.theguardian.com/us-news/2022/dec/09/lensa-ai-portraits-misogyny Midjourney - https://www.midjourney.org/ Deepfake porn legality - https://www.theverge.com/2022/11/25/23477548/uk-deepfake-porn-illegal-offence-online-safety-bill-proposal and https://www.technologyreview.com/2021/02/12/1018222/deepfake-revenge-porn-coming-ban/ AIATSIS - https://aiatsis.gov.au/cultural-sensitivity Fake tiger porn story - https://www.dailydot.com/unclick/tiger-porn-britain-law/ Group photo with no blinking - https://www.countrylife.co.uk/comment-opinion/curious-questions-group-photo-179102 Emma Watson deefake audio - https://www.thetimes.co.uk/article/ai-4chan-emma-watson-mein-kampf-elevenlabs-9wghsmt9c Domestika - https://www.domestika.org/en/courses/981-introduction-to-interviewing-the-art-of-conversation Investigative Interviewing - https://www.amazon.co.uk/dp/0199681899?ref=ppx_pop_mob_ap_share Forensic Focus events calendar - https://www.forensicfocus.com/events/ Si Twitter - https://twitter.com/si_biles  

The public service offers opportunity to contribute to positive outcomes for Australian communities and to pursue rewarding careers. It also comes with challenges, obstacles, ethical dilemmas, and racism for some of our First Nations public servants.In this special re-run of one of our most popular episodes of 2022, we revisit the conversation we brought to our listeners in NAIDOC Week. The conversation explores the push and pull factors for First Nations people in the Australian Public Service.We were joined by Professor Tom Calma AO FFA, Chancellor of the University of Canberra, Kate Thomann, the Executive Director, Research and Education, AIATSIS, and Geoff Richardson PSM, First Nations Development Consultant. They shared insights from decades of service in the APS.Discussed in this episode:Push and pull factors for First Nations people in the APS.Benefits of public sector careers.Dealing with the stigma of working in the APS within Indigenous communities.Addressing racism. Hosted on Acast. See acast.com/privacy for more information.

Episode 12: Buried in the Sand: Digging deep into Gudjal language and culture William Santo is a Gudjal elder, author and musician. Opening with William's song, ‘Buried in the Sand', this episode discusses William's long-term aspiration to uncover Gudjal language resources held in archives and utilise them to rediscover Gudjal history and culture and revitalise the Gudjal language. He is joined by colleagues in this project: linguist Peter Sutton, music researcher Myfany Turpin and linguistic student Alex Anderson. Included in the episode are excerpts from recordings made by Peter in the 1970's with Gudjal elders and excerpts of the language learning podcast created by William and Alex. The Sutton recordings are made available courtesy of AIATSIS, Sutton Collection, item 1913A. AIATSIS has the largest recording of Indigenous Australian ethnographic recordings. You can search their catalogue here: https://iats.ent.sirsidynix.net.au/client/en_AU/external

In this episode of Movements & Sounds, Dominic Allen shares his work on a multi-platform project he initiated and directed: Carriberrie. Carriberrie showcases song and dance by various Indigenous cultural groups across Australia, which can be watched in planetariums as a fulldome experience, through VR, and is also accessible through an online website. Dominic sheds light on his experiences working with First Nations artists, as a non-First Nations Australian, and explains why VR can be such a powerful tool to bridge understanding and awareness between peoples in Australia and all over the world. Please be advised that this episode contains the name of a person who has passed. Show full script: https://docs.google.com/document/d/1k3ugiB4EUsmQYSKQ0ac55ow2m51nNHfmdF2z221jhRc/edit?usp=sharing Links for more information: • Carriberrie website: https://www.carriberrie.com/ • Carriberrie online: https://www.carriberrieonline.com/ • Spinifex Gum: https://www.spinifexgum.com/home • AIATSIS map of Indigenous Australia: https://aiatsis.gov.au/explore/map-indigenous-australia • Seed: https://www.seedmob.org.au/

Danny Teece Johnson yarns with NIRS News Director Adam Evens … Continued

This year the AIATSIS Summit is being convened in partnership with Queensland South Native Title Services and hosted by the Kabi Kabi people.The annual Summit brings together Indigenous communities, native title stakeholders, academics, legal experts, and government departments to address the biggest issues facing traditional owners.CEO of Queensland South Native Title Services, Kevin Smith, spoke to Aboriginal Way about the significance of the Summit which aligns with the 30th anniversary of the Mabo decision.AIATSIS Summit dates: 30 May to 3 June 2022Location: Novotel Sunshine Coast Resort, Twin WatersMore info: aiatsis.gov.au/whats-new/events/2022-aiatsis-summitwww.kabikabination.com.au

04 January 2022 | Media release | Joint media release The Hon Scott Morrison MP Prime Minister The Hon Ken Wyatt AM MP Minister for Indigenous Australians The Morrison Government will build Ngurra, an Aboriginal and Torres Strait Islander cultural precinct, on the shores of Lake Burley Griffin in the Parliamentary Triangle, on Ngunnawal country (Canberra). Ngurra, meaning ‘home', ‘country' or ‘place of belonging', will include a learning and knowledge centre, a national resting place to care for Aboriginal and Torres Strait Islander ancestral remains and a new home for the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS). Prime Minister Scott Morrison said the new $316.5 million precinct would take its place among Australia's premier institutions in the parliamentary triangle as a place of national pride and significance. “Ngurra is the realisation of a long-held desire to have a home for Aboriginal and Torres Strait Islander cultures and histories at the heart of our nation,” the Prime Minister said. “It will be a national landmark of the highest order, standing proudly for us all to celebrate, educate, reflect and commemorate. “It will be built in Commonwealth Place, on the primary axis in the Parliamentary Triangle – between Old Parliament House and the Australian War Memorial - demonstrating the importance and reverence this institution should hold. “It will be built fully in accordance with the proposal developed by AIATSIS and presented to Government for approval, as a result of their consultation processes.” “All Australians and visitors to our nation will be able to gain a deeper appreciation of Aboriginal and Torres Strait Islander peoples' diversity and cultures, and the richness this offers our country. “This new world-class facility will contribute to our continuing journey of reconciliation, where Indigenous Australians can tell their stories, in the way they want, for all visitors to have a greater understanding of our shared history.” Minister for Indigenous Australians Ken Wyatt said the learning and engagement, exhibitions, research and curation that would occur at Ngurra would be significant acts of truth-telling. “At its heart will be a national resting place where the remains of Indigenous Australians taken from their country will be cared for until they are able to be returned to their communities,” Minister Wyatt said. “And in instances where provenance has been forgotten or erased, they will be cared for in perpetuity with dignity and respect. “As new home to AIATSIS, the precinct will also house and make accessible the world's largest collection of Aboriginal and Torres Strait Islander cultural and heritage items. “Ngurra will provide a new perspective on our shared history, as a significant moment for truth-telling, and a new place where the diversity of Indigenous Australia and one of the world's oldest living cultures will be celebrated.” An architectural design competition will be run in 2022 to develop an iconic design fitting for the location and that reflects Aboriginal and Torres Strait Islander peoples' aspirations, achievements and deep connection to Country. Further content is available at Ngurra announcement video (Dropbox). --- Send in a voice message: https://anchor.fm/kado-muir/message

Marlee Silva is an Indigenous Australian podcaster and author. Marlee wrote a best seller called My Tidda, my Sister. Marlee is also a volunteer charity worker, a speaker, and also sits on the board of a charity called ID. In 2019, along with her sister, Marlee was named as a finalist in the Australian Human Rights Commission 'Young People's Human Rights Medal.'As a youngster, Marlee went through her own struggles as she tired to find her identity. Marlee felt like she had to justify her indigenous culture to her peers and was subjected to bullying and racist taunts. Marlee also is no stranger to mental health issues, battling a fairly significant episode of depression and anxiety whilst she was in high school. Nowadays Marlee helps others by involving herself in charities, public speaking and her podcasts.Here is the AIATSIS map of Indigenous Australia:https://aiatsis.gov.au/explore/map-indigenous-australiaMarlee's podcasts:https://open.spotify.com/show/1TMZMcKnu2xQXfrPHvdMMZ?si=lf1zKGDfTaSqE8Ldz3N4yQhttps://open.spotify.com/show/1sdYuws35Ea1ogtjZwjw0o?si=QdDnomuSQYWIhp8nMFmbfQMarlee's Book:https://www.booktopia.com.au/my-tidda-my-sister-marlee-silva/book/9781741177114.htmlhttps://www.hardiegrant.com/au/publishing/bookfinder/author/marlee-silvaTear It Down is a Six10 Media Production. Cover art by my talented sister in law, Courtney Woods. Theme song by Baba Beats. Follow us on Apple Podcasts and spotify, or wherever you are listening to this now. You can follow us on instagram @Tearitdownpodcast on Instagram and Facebook, and @six10mediagroup and facebook @six10media. If you want to get in touch you can head to six10mediagroup.com or send an email to info@six10mediagroup.com If you need help or are struggling with mental health, you can call lifeline on 13 11 14. Support this show http://supporter.acast.com/tear-it-down. Hosted on Acast. See acast.com/privacy for more information.

During Reconciliation Week 2021, Aboriginal Way attended the first AIATSIS Summit at the Adelaide Convention Centre. This was a combination of the National Native Title Conference and Indigenous Research Conference usually held separately. Delegates from around the country attended the summit, where academics, legal experts, and community sectors shared the challenges regarding research and native title.Craig Ritchie is the CEO of AIATSIS which stands for the Australian Institute of Aboriginal and Torres Strait Islander Studies. In this episode, the Dhunghutti man shares what it's like to be an Aboriginal bureaucrat operating "biculturally in a white system".

I sat down with Johanna Perheentupa to discuss her new book on Aboriginal activism and the push for self-determination in Redfern in the 1970s. We discuss the conditions and social changes that made Redfern ripe for such radical change and the development of landmark organisations such as the Aboriginal Legal Service, the National Black Theatre, Aboriginal Medical Service, Murawina preschool, and the Aboriginal Housing Company. We discuss the relationship between these organisations and the well known demonstrations of the time (such as the Tent Embassy). We discuss the way the ALS emerged as a response to police violence, how the Black Theatre sought to shape a national Indigenous identity, and how the ALS and AHC engaged the fight for land rights in the city.Buy the book through Aboriginal Studies Press at the AIATSIS shop.Dr Johanna Perheentupa is a lecturer in the Nura Gili Centre for Indigenous Programs at UNSW. Johanna grew up in Finland, where she completed a Master's degree at the University of Turku before completing her PhD in History at UNSW. Her research centres on First Nation rights and the engagement of settler-colonial governments with Indigenous peoples. Johanna's recent publication Redfern: Aboriginal Activism in the 1970s, by Aboriginal Studies Press, explores the ways in which local Aboriginal organisations pursued self-determination in the diverse fields of law, health, arts and culture, education and housing. Find more episodes Follow the Show: @RinseRepeatPod // Follow me: @liammmiller87Love Rinse Repeat is supported by Uniting Mission and Education, part of the Uniting Church in Australia Synod of NSW/ACT - thanks team :) Music by Fyzex

Welcome to the first episode of Women Like You! Sarah is a GP who works in fertility and women's health, and Gab is a radio producer and journalist. You'll hear how they went from total fitness slackers to building a daily exercise habit in just 2 minutes. WLY resources and recommendations: Map of Indigenous Australia by AIATSIS https://bit.ly/35D4Awp    Women Like You Instagramhttps://bit.ly/3zBgIMa  Atomic Habits by James Clear https://bit.ly/3zGJsTV  30 Days of Yoga by Yoga with Adriene https://bit.ly/35GmTRg  Find What Feels Good (Yoga With Adriene subscription app) fwfg.com/ Nike Run Club app (free) - guided runs or beginner's running programs https://swoo.sh/3gGtVvV  Sticky Date Puddings by Recipe Tin Eats https://bit.ly/3iZXOZH   Contact us: womenlikeyoupodcast@gmail.com The Women Like You podcast is recorded on the lands of the Gadigal people of the Eora nation. We pay our respects to elders past, present and emerging. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and exercise. See omnystudio.com/listener for privacy information.

From 8CCC in Central Australia, MJ Bakewell asks: what does ‘justice’ even mean if no one speaks your language? Supervising production from Belinda Lopez. Training from the Community Media Training Organisation. Distributed by the Community Radio Network. Produced for the 2020 CBAA National Features and Documentary Series. There are over 17 Aboriginal languages spoken in and around Alice Springs – but there’s only been an Aboriginal interpreter service since the year 2000. MJ Bakewell looks to the past, and one Yankuntyjatjara man’s legacy, to see how far we’ve come to ensure Aboriginal language speakers have the right to understand, and be understood. Music Trailrunner by Blue Dot Sessions Algorithms by Chad Crouch Passed Tense by Anne van Schothorst Low Coal Camper by Blue Dot Sessions 4th Chair by Blue Dot Sessions. Sound Effects Power Down by peepholecircus hospital_lobby by tim.kahn cassette-tape by albertomarun. Special Thanks Linda Rive for indulging me with her recollections and suggestions Rob Rosenthal for his structural guidance and generous feedback Natalie at AIATSIS for helping me dig out the archive tape Avery special thanks to Karina Lester, who opened her home to me. See omnystudio.com/listener for privacy information.

We are transported to the Western Desert of Central Australia as Pintupi-Luritja woman Linda Tjungkata Anderson listens to her father Nosepeg Tjupurrula singing songs from the Wanji Wanji public song set recorded by musicologist Professor Richard Moyle in 1976. These legacy recordings, held at AIATSIS in Canberra, were taken back to the community in 2018 by Dr Myfany Turpin. Linda’s interview is archived in MMT1, a PARADISEC collection of interviews Myfany has made with descendants of such legacy recordings and the sound of her father’s voice and his songs evoke Linda’s memories of a time when corroborees were part of everyday life.

Join Professor Marcia Langton, Dr James Rose and Dr Len Smith as they discuss Digital Curation in the Indigenous Data Network. Based at the University of Melbourne, the Indigenous Data Network was created in 2017. Its dual purpose is to strengthen local Indigenous communities’ agency in managing their data and to strengthen policy and decision making. The Network aims to archive orphan data sources and increase visibility of existing data; work with government agencies and non-government organisations to ensure Indigenous communities’ access and ownership of data; ensure that official data collection reflect Indigenous priorities; and coordinate educational programs to ensure Aboriginal and Torres Strait Islander people have expertise in data science. Joint event with Digital Preservation and AIATSIS.

25 years since the Native Title Act was passed, where to from here? Industry and legal experts discuss the next step towards economic empowerment of Aboriginal and Torres Strait Islander communities.

Thabi is a public genre of individually-composed song indigenous to the west Pilbara region. The songs are sung by one or two singers without dance accompaniment, and are held by members of the Ngarluma, Yindjibarndi, Palyku, Martuthunira, Kurrama, Nyiyaparli, Banyjima, Yinhawangka, Kariyarra, Nyamal and Ngarla language groups – collectively referred to as Ngarda-ngarli. While performances thrived from at least the 1930s to the 1960s and were recorded up until the 1980s, today only a small number of elders hold knowledge and perform the songs. In this workshop we examine the process of building a song database that draws on legacy recordings of thabi, text sources and photos, for use by contemporary and future nyinirri (singers). In the first half, Ngarluma PhD student Andrew Dowding discusses how the project came about, starting over ten years ago when he first came across recordings of his maternal grandfather and prolific thabi composer Robert Churnside among hundreds of thabi songs in the AIATSIS archives, and how initial play back sessions conducted by Dowding, Treloyn and Brown with thabi custodians and elders informed the concept of an online digital archive to support revitalisation. In the second half, Jared Kuvent and Reuben Brown will discuss the workflow for digitising text sources, splitting audio files and consolidating audio metadata, and demonstrate the project’s database in File Maker Pro, as a rapid prototype for a song database and as a step toward future migration of the project’s data to public content management systems such as Mukurtu for community use and ownership beyond the life of the research project.

Adam Kendon’s in-depth analysis of Australian Indigenous sign languages still remains the most broad-reaching to date (Kendon, 1988), even as steps are being taken to build on the foundations he laid (Adone & Maypilama, 2013; Carew & Green, 2015; Green & Wilkins, 2014). Kendon called these sign languages ‘alternate’, as they are not generally the primary mode of communication but rather are used instead of speech in particular cultural circumstances. Kendon’s fieldwork in the late 1970s and the 1980s in Central Australia generated valuable records of sign used in Warlpiri, Kaytetye, Warumungu, Warlmanpa, Jingulu, Mudburra and Anmatyerr speaking communities. The original 16 mm film and VHS video recordings, housed at AIATSIS, comprise more than 50 hours of archival material. The collection includes metadata with various fields, including spoken language, semantic domain, language sign glosses with English translations, and a phonetic transcription in a unique font that Kendon devised especially for the purpose. There is also a time-code that points to locations in the film media. I discuss some of the steps that can be taken to get the most out of this metadata, link it to the media it refers to, and make this unique collection searchable. This is a first step in forming a comparative corpus of Indigenous sign that combines old and new sources. The format and structure of archival deposits and their delivery to users leads to some steps forward…and some backwards. The lessons learnt also have implications for the ways that structure our contemporary archival collections. The presentation will end with some suggestions for further uses of this material and a bid for collaboration. Adone, D., & Maypilama, E. (2013). A Grammar Sketch of Yolŋu Sign Language. Darwin: Charles Darwin University. Carew, M., & Green, J. (2015). Making an online dictionary for Central Australian sign languages. Learning Communities - International Journal of Learning in Social Contexts. Special Issue: Indigenous Sign Languages, 16, 40–55. Green, J., & Wilkins, D. P. (2014). With or Without Speech: Arandic Sign Language from Central Australia. Australian Journal of Linguistics, 34(2), 234–261. https://doi.org/10.1080/07268602.2014.887407 Kendon, A. (1988). Sign languages of Aboriginal Australia: Cultural, semiotic and communicative perspectives. Cambridge University Press.