Podcasts about Mabo

Journalist and author Sonya Voumard on the rare neurological condition that has stalked her since a family tragedy during her childhood.Sonya Voumard was on the precipice of teen hood when her father suddenly and unexpectedly died.In the months following his death, Sonya developed a tremor in her right hand, not dissimilar to the shaking she sometimes noticed in her father when he was cutting the top off her boiled egg at breakfast.The tremor got worse as she got older, but working late nights as a dogged journalist, fuelled by coffee and nicotine, it almost became a badge of honour for Sonya.One day, though, a terrifying moment while driving set her off on a decades-long quest through Australia's medical system.This episode of Conversations explores disability, neurological condition, brain surgery, experimental medicine, grief, untimely death, death of a father, journalism, Port Arthur massacre, Mabo, Melbourne, substance abuse, alcohol, shaking, Parkinson's, being queer, unexplained medical anomalies, neurosurgeon, neuroscience, St Vincent's hospital, writing, books, memoir, Dystonia, essential tremor, familial tremor, MS, multiple sclerosis, medical system, medicare, public versus private patients.Tremor: a movement disorder in a disordered world is published by Finlay Lloyd.Learn more about dystonia from the Dystonia Network of Australia.

Today, on the Basketball Manitoba Podcast, we have Martha Bradbury.She has been an official in Manitoba for over 25 years at all levels of the game.  She graduated from Nelson High School in Burlington, Ontario, where she was named athlete of the year.She played basketball and volleyball and competed in track and field, where she held an Ontario record for the high jump for 10 years.  She went on to graduate from the University of Manitoba.  She was a U SPORTS / CIS official for over 22 years and officiated the U SPORTS Nationals four times.  She officiated at the Canada Basketball National Championships five times and was a Referee Coach at nationals 8 times.  She is currently the Manitoba Provincial Supervisor and Board Member for the Manitoba Association of Basketball Officials (MABO).  She is currently one of MABO's lead clinicians and evaluators and represented the Canadian Basketball Officials Commission on the Jr. NBA Canadian Leadership Council.

The Mabo Centres' new partnership between The University of Melbourne and the National Native Title Council.

See omnystudio.com/listener for privacy information.

Historian, Professor Clare Wright tells the story of a formative moment — before the Mabo decision — in Australia's democracy that you may not have heard of.Historian Clare Wright moved her family to Yirrkala in North-East Arnhem land in 2010. She became a part of the Yolngu community and kept in touch after the family returned to Melbourne.Little by little, Clare learned about an extraordinary moment in Australian history, when Yolngu people used their artwork and their language, Yolngu Matha to petition the Federal government over a planned bauxite mine on their traditional lands.The bark petitions were not sent in the traditional sense, pleading up to an authority, but rather asserted Yolngu custodianship of the land, and spoke as equal partners to the Australian government.This episode of Conversations touches on Indigenous stories, Yolngu, Yirrkala, Australian democracy, the Bark Petitions, Naku Dharuk, Yolngu Matha, mining, the Australian Government, Menzies, Kim Beazley Snr.

In dieser Folge feiern wir! Und zwar die 50. Folge Jeannes Varieté, tolle Frauen, das Leben und die Liebe und, und, und.Zu diesem Anlass schau ich auch zurück auf die größte Party, die ich jemals geschmissen habe, nämlich die Launchparty von Jeannes Varieté vor einem Jahr – noch ein Jubiläum! Damals hab ich tolle Frauen auf die Bühne eingeladen, und ein paar davon hörst du in dieser Folge: Anna Mabo, Claire du Foucauld, Violeta Parisini und Anna Riess.Außerdem: Wer Geburtstag feiert, singt mit hoher Wahrscheinlichkeit auch “Happy Birthday” – ich habe mir angeschaut, woher das Lied eigentlich kommt und was es damit auf sich hat. Und ich stell dir die Wow-Frau Anna Sacher vor, die nicht nur für ihre Parties berühmt war, sondern die auch Unternehmerin und langjährige sowie legendäre Chefin des Hotel Sachers war. Wie gefällt dir Jeannes Varieté? Was feierst du? Schreib mir per E-Mail an jeanne@ohwow.eu oder auf Instagram an @jeanne_drach! Abonniere den Jeannes Varieté Newsletter: ohwow.eu/newsletter.Links zur Folge:Anna SacherDie geheime Liebe der Anna Sacher20 Happy Birthday SongsWho is the Writer Behind “Happy Birthday To You?”Copyright claim Happy BirthdayDekadenzWebsite Anna MaboInstagram Claire de FoucauldWebsite Violetta ParisiniWebsite Anna RiessIn dieser Folge haben mitgewirkt: Jeanne Drach, Anna Muhr, Catharina Ballan, Hanna Bergmayr; Trompete: Almut Schäfer-Kubelka. Foto: Christian Zagler. Grafik: Catharina Ballan. Strategische Beratung: Milo Tesselaar.Dieser Podcast wird präsentiert von OH WOW. Hosted on Acast. See acast.com/privacy for more information.

Sir Gerard Brennan has been one of Australia's most important barristers and judges since World War II. As a judge, he made many significant contributions to Australian jurisprudence. The most consequential of these was the leading judgment in the High Court's decision in Mabo recognising the rights of occupation of Australia's indigenous peoples.  A few short years later in the Wik case, Brennan CJ dissented from the Court's decision that native title had not been extinguished by grants of pastoral leases under Colonial and State legislation.  The key to understanding the fundamental consistency of these two judgments lies in an appreciation of Brennan's fidelity to the constraints upon judicial decision making required by the constitutional separation of legislative and judicial power.About the speakerThe Honourable Patrick Keane AC KC is a graduate of the University of Queensland and Oxford University where he was awarded numerous academic prizes and accolades. He was admitted to the Queensland Bar in 1977, appointed Queen's Counsel in 1988 and was Solicitor-General for Queensland from 1992 to 2005. In 2003 His Honour was awarded the Centenary Medal in recognition of his contributions to the legal profession. He was appointed a judge of the Supreme Court of Queensland Court of Appeal in 2005. The Hon Keane was appointed as the third Chief Justice of the Federal Court of Australia in 2010, and served thereafter as a justice of the High Court of Australia from 2013 until retirement in 2022. In 2023, he was appointed a Non-Permanent Judge of the Court of Final Appeal of Hong Kong. View the lecture.Support the show

Theaterregisseurin Anna Marboe hat für ihre Musik-Karriere das „r“ und das ohnehin stumme „e“ aus ihrem Familiennamen entfernt. „Minimaler Buchstabenverlust“, sagt sie, „hat noch niemandem geschadet.“ Und M A B O könnte sie sich halt auch viel besser auf die Knöchel tätowieren. Aber warum ist sie zuerst zum Studium ausgerechnet in die wenig attraktive deutsche Stadt Gießen gegangen, dann aber doch an renommierte Theater? Wo sie schon als Kind Klavier, Cello und später auch Gitarre gelernt hat? „Weil ich wahnsinnig schlecht war“. Ihr merkt schon, die Frau ist nicht nur sympathisch und talentiert, sondern auch offen bis hin zu dezenter Selbstironie – wie kaum jemand sonst in dieser Branche.

Vincent Lingiari led a seemingly insignificant strike in 1966 that was a stepping stone to Mabo, the High Court's Native Title decision in 1992.     If we let injustice slide by unchecked because if doesn't affect us - we set ourselves up to encounter the same injustice when we are in need ourselves. How we treat the most vulnerable in our society sets the standard for us all and often it is a small step that gets things going.

Val Kelly, the brains behind the Mid-Atlantic VoiceOver Conference, joins Anne Ganguzza in a special BOSS preview of MAVO. The BOSSES discuss Val's journey into voiceover, the challenges and lessons learned from organizing the conference, and the evolution of MAVO over the years. Her passion for the craft is evident as she discusses creating her own company to champion voice actors, offering a fascinating glimpse into the challenges and rewards of hosting a successful conference. The BOSSES shares insights on adapting to online events, the importance of providing educational resources for voice actors, and the exciting lineup of speakers and sessions planned for the upcoming conference. With a diverse lineup of guests, this year's conference is a great event for anyone looking to elevate their skills and overcome the industry's evolving challenges. VO BOSSES can save $75 by using the code VOBOSS at checkout when purchasing your MAVO tickets 00:01 - Anne Ganguzza (Host) Hey bosses, Anne Ganguzza here. Are you ready to take the next step in your voiceover career? At Anne Ganguzza Productions, I specialize in target marketing, coaching and demo production. That gets you booked. If you're thinking about elevating your performance or creating an awesome demo, check me out at anneganguzza.com.  00:24 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza.  00:43 - Anne Ganguzza (Host) Hey, hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I am so excited and happy to be here with a very special guest voice actor and owner, president and very boss CEO of the Mid-Atlantic VoiceOver Conference, Val Kelly. Yay, hey, hi, val, it's so wonderful to have you here today.  01:08 - Val Kelly (Guest) Oh, thanks so much for having me on your show. I really appreciate it.  01:11 - Anne Ganguzza (Host) Absolutely, and I'll tell you what I am so excited to talk to you today. Number one, first of all. So what does it take to be boss and CEO, not only just being a voice actor I know a lot of people that listen to the Boss podcast for us to be successful voice actors, but you're also an educator, which I love, and also to run a conference. Now my husband I'll just say my husband works, he's an event manager for multiple companies for many years and I know what it takes to run an event and it's no small task. So I'm excited to talk to you about yourself and what it took for you to become such a CEO of such a great event, and I'm excited. I'm going to let you talk, I swear I'm excited because it's my first year presenting with Amevo. So I'm very excited to do that this year and I'm already planning my wardrobe.  02:03 - Val Kelly (Guest) Oh my gosh, same same.  02:05 - Anne Ganguzza (Host) All right, what am I going to wear? So I'm very excited how many outfit switches.  02:09 - Val Kelly (Guest) Am I going to have Right?  02:11 - Anne Ganguzza (Host) exactly what are my costume changes. So let's first talk about you and how you got started in voiceover, because I know that you still are teaching, correct, yeah?  02:23 - Val Kelly (Guest) So I'm doing a little bit of everything. Yeah, nothing wrong with that, I'll tell you are teaching, correct?  02:26 - Anne Ganguzza (Host) Yeah, so I'm doing a little bit of everything. Yeah, Nothing wrong with that. I'll tell you Nothing wrong with that, and especially if you're teaching, because that's just near and dear to my heart.  02:33 - Val Kelly (Guest) Yeah, absolutely. So I got started in voiceover in. About 1999 was when I first kind of stuck my foot in it a little bit and I didn't really know what I was doing of course, because back then there were only a handful of people that were really booking work. So basically, I just took a class and you know they were like oh, you have a lot of talent. Of course, like that's. You know, the typical thing when you take a class. They're like, oh, you should definitely do this with your life, you know.  03:06 And you're like, oh great, that's exactly what I wanted to hear. Thanks for telling me what I wanted to hear. And then I took a class with these people for six weeks and then I recorded my first demo after six weeks, which was totally crazy. I had no idea what I was doing and it was a commercial demo, so I also really just had no concept of the technique or anything about what I was supposed to be doing.  03:30 - Anne Ganguzza (Host) And probably even the industry, right? I mean being educators. Right, we know Like six weeks is really nothing. It may not have been every day for six weeks. Right that you were training. You were probably training once a week yeah.  03:40 - Val Kelly (Guest) No, it was like once a week yeah exactly Exactly.  03:44 - Anne Ganguzza (Host) So yeah, being educators, we know it takes a while to acquire skills.  03:57 - Val Kelly (Guest) Yeah for sure. But I mean fast forward to basically 2011, when I just had my second daughter and I never stopped thinking about voiceover and I just said to my husband you know, I really want to get back into this, like I feel like I have a lot of talent to offer to this industry and I just really want to try and make something of it. You know, not give up teaching because I had been teaching French for such a long time and that's a big part of who I am as a person.  04:19 But I wanted to add this creative side that I have. I wanted to offer that as well. So I started training with a studio in New York and then just kept training with them for a couple of years with multiple coaches and things like that, and then it was probably 2010. 12 or 13 that I went to Voice Over Atlanta for the first time and I met so many people I think that's actually the first time that I met you and I was just so impressed by that whole event and everything like that, and so that really opened a lot of doors for me in the Voice Over world. I started booking more stuff after I went to that event and then a few more years passed and I just thought there's something here, like in this mid-Atlantic region, that's missing, you know, and I want to give back to the community in a way that's going to be helpful for other voice actors.  05:16 So I was flying to France actually on a trip, and I said to my best friend on the flight I was like what if I started my own company? And he's like, okay, he's like maybe you should get some best friend on the flight. I was like what if I started my own company? And he's like okay, he's like maybe you should get some more sleep on this flight. And I was like, no, but seriously. And he's like, oh, can we talk about this when we get to France? So the whole trip I was, you know, working and everything like that. It was for work, but I was also thinking, like, you know, I have a lot of ideas, like maybe I could really pull this together. So in 2014, I started Minute Landing VoiceOver and it was a real eye-opener, that first event with 28 people showed up for it.  05:56 - Anne Ganguzza (Host) you know Was your initial idea with your company? Was it to do specifically just the event, or was it just to start a company of your own to do voiceover? And it evolved.  06:06 - Val Kelly (Guest) I think my idea was to do this event but also to see where else I could take it you know what else could be offered through this company and then also to like expand it and kind of umbrella my own voiceover work underneath it, which ultimately it's separate from who I am as a voice actor. But that was something I kind of had to figure out a little bit later. But the first event was really great, even though it was tiny. It was absolutely tiny and I just I remember like calling you up and being like and what am I going to do? Like there's only 20 people signed up for my event, and you're like okay, val, okay, okay, let's send some email blasts.  06:45 - Anne Ganguzza (Host) Yeah, I mean honestly, I think sometimes smaller is better. I have been at VO Atlanta since pretty much gosh every year, except for the first year, and there's something to be said. That's a big event and it got even bigger. But there's really something to be said for a small, intimate event and people can be overwhelmed by going to an event that is so large, especially those people starting out in the industry. So I think that your conference really serves a niche where it can make people feel more comfortable. It can be a first conference or it could be a 10th conference for them. There are just lots of people who feel comfortable in a smaller conference, a smaller environment. They feel that they get much more out of it. And so, yeah, with that first year being smaller, what did you learn?  07:28 I guess my question would be is and having organized my own smaller events not huge events, but, and also having a husband who works in the event industry, I know how much work it takes, especially when you want it to be a great conference and you want people to get something out of it. It's a lot of work behind the scenes that a lot of people don't see. What they see is a ticket price. And they say, oh, all they do is multiply that ticket price by the amount of attendees. And they say, well, you're making a ton of money. I mean, I don't understand, why is it so expensive? And I'm thinking to myself, oh my gosh, there are so many, so many things.  08:00 So let's talk about the evolution of this conference and things that you learned along the way. And had you planned an event before? I mean, did you love planning an event? Was it your first time? I mean, I liked planning my wedding and I thought, oh, I could do event planning. And then I'm like, well, you know what, it does take an awful lot of time. So what was going through your head when you're like, oh, it was fun to manage event, this is my first event. Was it your fifth event?  08:26 - Val Kelly (Guest) Yeah, that was my first, I mean, as you said, planning a wedding, which I did plan, my own wedding and that was a big. I loved it, it was great and I was very, very good at planning my wedding which I felt like was a good preparation for the first event, you know, I said to my husband I was like it's like planning a wedding every single year, except no one ever gets married. You know. And he was like yeah, okay.  08:51 - Anne Ganguzza (Host) Except you to the event. You get married to your event. Yeah, yeah.  08:56 - Val Kelly (Guest) So yeah, I mean, I learned so much after that first year. I just learned so much about the business side of everything that I didn't know. You know, that was one thing. I wish that I had had more business training before I decided to start, because I had to learn everything. I mean, I had my friend help me figure out how to build a website. And that took. I mean just the countless hours of work that go into just trying to do everything yourself because you're starting out and you can't afford to hire anyone.  09:29 - Anne Ganguzza (Host) Right, right.  09:30 - Val Kelly (Guest) And so those are the biggest lessons I've learned, I would say from the beginning until now is just every year I learn something new about the business and how to manage the money side of things. And you know, like you said, people look at the price and they go oh, she's making a billion dollars.  09:48 - Anne Ganguzza (Host) And it's like actually actually no.  09:51 - Val Kelly (Guest) Actually no because I have to pay for the venue, I have to pay for all the guest speakers, I have to pay for the marketing and all the stuff that goes into it.  09:59 - Anne Ganguzza (Host) And.  09:59 - Val Kelly (Guest) I do a lot of it myself, just simply for the fact that I am a small company. It's a boutique you know sized company and we kind of evolved into that whole boutique world where I had this idea Maybe this happened about five years ago where I said someone said to me, why don't you call it a boutique event?  10:19 And I was like, oh, that's cute you know, and that's how the whole thing kind of started and I was like, oh, that's cute, you know, and that's how the whole thing kind of started. And then I took it and really had to explain to people what does that even mean, you know? And just being a French teacher, it's like, well, when you think of a boutique, what do you think of? You think of like a high-end, smaller place where you're going shopping and you're buying super high-quality items and everything is planned down to to like every tiny detail you know, and that's kind of what I wanted to transfer to my event without being snobby about it, obviously, like you know.  10:54 So that's kind of how I delivered that message to people is just like think of it as a high-end boutique. You know you're coming in.  11:01 I'm hiring only the top tier talents that are in the industry, people that are not appearing at every single event every year because I want to offer something different, and once we had that, we kind of ran with in the conference as far as the number of people and just the organizational part of it and just understanding how things work. And then after that, 2018 was really great too. We skipped to 2017. And then in 2020, covid hit. So then we had to go from being what was supposed to be in-person event, switching it to an online event at the last minute, and that was totally crazy.  11:48 - Anne Ganguzza (Host) It was so nuts, I'm sure that was a whole new learning curve for you, because online events are so much different than in-person events and, plus, I don't know if you had already like secured a venue. At that point I mean because typically the planning for events like this it runs all year. That point I mean because typically the planning for events like this, it runs all year. Right, I mean, you're planning for this event, you're planning the next year before the one is even done, basically.  12:12 - Val Kelly (Guest) So when we had to take it online, luckily because it was COVID and out of your control type of scenario I was able to figure it out in enough time to say to the venue we're canceling. And then I took it to a virtual studio in Baltimore and I had someone do like the live streaming for me because. I had no idea what I was doing.  12:37 - Anne Ganguzza (Host) And I can vouch for that because myself doing mostly I mean after 2015, I stopped doing in-person events at my home and I started doing everything online and that live streaming. Back in the day, it hadn't really evolved or developed, and so there were lots of live streaming technologies that were just coming out, and so I literally yeah, I had to learn it myself, and then I also hired somebody to help me live stream it, and then I also wanted to do a hybrid event. So it was crazy having people at my house plus live streaming it online, and so that alone and especially if you want it to be a quality event right, that live stream you have to have good cameras, you have to have the ability for people to be able to switch between people that are presenting to the audience and just to make it engaging. Otherwise, one of the biggest complaints about COVID right and online teaching I'm sure you taught online as well was the fact that it was hard to engage, and I know that even today, people like they're fatigued by Zoom.  13:37 I still love it because I feel like Zoom filled a void for, let's say, just people that couldn't physically be together. I mean it was the next best thing. However, when you're trying to educate over an online platform, it really does become difficult or harder to engage people, and so running an online event you've got to be that much more paying attention to detail so that you can put on a great online event, and that is not a cheap thing to do either. To hire somebody for the cameras and that knows the technical backend to do the live streaming, to make the recordings right, you probably offer the recordings to be available for people who couldn't attend every session, and all that backend work on the website is crazy. It's crazy.  14:22 So I have a lot of respect for the fact that you were able to turn that around. And so, what year is it this year for Mavo? How many years has it been that you've been running?  14:31 - Val Kelly (Guest) So we've been in business since 2014. So, this is 10 years in business and it's actually our ninth conference this year, wow.  14:39 - Anne Ganguzza (Host) So there's a lot to be said for that as well, for the longevity of it. I mean the fact that you know you didn't give up after the first year and you weren't frustrated, right, because it's tough, I mean, and you learn as you go. So you must have a passion for this conference and a passion for putting together something great, educationally resourceful for the community, which I, as a teacher with a teacher heart, I can totally appreciate and respect. That because it's one of the reasons why I started the VO Boss podcast. It's one of the reasons why I did the VO Peeps networking groups, because I wanted to be able to provide a resource. And I believe that that's where your heart is in terms of wanting to provide a resource for the community.  15:18 Because I know it's not about the money and I always try to strive to remind people that venue costs are not cheap. I mean my gosh especially when you're talking about wanting to host someplace. Decent rentals of ballrooms and just sites are so expensive it's along the lines of like tens of thousands of dollars, I would imagine to do that and especially when you're doing it over multiple days and then you're trying to provide reasonably priced rooms for people, and especially when you're keeping it on a smaller scale. It must be harder to find a venue that wants to work on a smaller scale with you. Is that correct? Or they get more expensive.  16:00 - Val Kelly (Guest) I think it's not so much the venue that is not willing to work with you on a smaller scale, it's just the difficult balance, I think is, if you're saying, okay, we're only going to have 120 to 150 people, well, the venue isn't going to lower its price because of how many people you have, because they its price because of how many people you have, because they don't actually care how many people you have.  16:24 What you end up paying for is the meals that you provide. So that's where the big, big expense comes in with any type of food that you offer, because it's based on how many people, and so it's really a difficult challenge of saying like, okay, if we're going to keep it this small, then we actually have to raise the price, so that I can cover all of my costs and at first people were like whoa, what the heck.  16:50 And I was like guys, like you have to understand, like if you want me to hire good people to come in, like great people to come in and speak at this event, they won't do it for free and nor would I want them to, you know. So it's like that's the biggest. Biggest expense beyond the venue is the guest speakers.  17:10 - Anne Ganguzza (Host) You know Sure sure, I know how hard it is to sell to this industry because I mean, I sell events myself, I sell coaching services and demos, and so you're selling to an industry where I think we all wish we had more money to spend.  17:23 I mean, I think that's just human nature, I wish we had more money to spend. But especially when you're talking about a creative industry where it is their own business, they're all their own CEOs, they're all entrepreneurs and everybody's kind of just as they go learning the ropes of the business, of it all, it astounds me how much people are willing to spend for, let's say, performance classes, but yet business classes, which I think is imperative for us as voice actors and businesses to be able to make a profit right in order to support, support your habit, support your business, to pay the mortgage, to feed the family, that kind of thing. And so business skills are essential. And I know that your conference in the beginning it was very much geared towards, I would say, more animation and character, but you've evolved it now, especially because I'm involved, you've evolved it to really include many more genres. So let's talk a little bit about what you're offering this year and maybe last year, what you've done to kind of broaden the offerings of the conference.  18:31 - Val Kelly (Guest) Yeah, I mean, I think what we had to do was really gauge over the years what the level of interest was with. You know, everybody loves a good animation guest speaker because they're so interesting and everybody wants to work for well, maybe not everybody wants to work for Disney Channel but you know you know, and so that's kind of always where my creative mind went and like where do my interests lie?  18:58 a little bit selfishly, but not really, because it's like I know a lot of people are also interested in that. So I would always try to go with a keynote that was somehow involved with animation, just so.  19:10 - Anne Ganguzza (Host) It's a big seller. I know that, even A big seller. Yeah, it's a big seller.  19:15 - Val Kelly (Guest) So then last year we had Serena Irwin who is a casting director and she casts freelance for a lot of different studios and has been on Spongebob and she's amazing like, and I really tried to find somebody that was kind of off the grid a little bit for last year because I wanted to find a less mainstream type of person kind of, I guess I would say. And so it was really successful to have somebody who is a casting director, because getting that viewpoint for people like in the animation world, what are you actually looking for? You?  19:52 know, so for me that was very interesting, for a lot of people was very interesting. And then there have been certain years when we've offered a lot of you know know audio book stuff and it's not to say that we're not ever going to offer audio book guest speakers again. But I felt like for this year I wanted to kind of go in a different direction completely and I feel like having Tim Friedlander as the keynote is such an important thing because Tim is doing such amazing work for NAVA and the National.  20:23 Association of Voice Actors and I just have so much respect for him as a person and as an actor that I just felt like it was like the natural. That's what my creative mind was telling me to go in that direction for this year.  20:36 - Anne Ganguzza (Host) It's very relevant to the times in our industry. He's done a lot of work with NAava, along with Karin and the board, and they've done a lot of really wonderful work and so they're going to bring a lot of value, I believe, to your conference, absolutely. So let's talk about who else you have this year that might be different besides me, I mean, but we'll talk about me in a minute. I mean, we can talk about you.  20:58 Well, I'm just super excited to kind of bring what I consider my specialties all of the genres, the long format narration, all the stuff that I think right now is really it's important to be an actor, no matter what genre we're talking, whether it's animation, whether it's promo. I mean it's important to be an actor, and even more so now, with all of the synthetic voice, the AI stuff that's out there. It's more important than ever that we hone our skills as actors, and so I want to bring that aspect to the conference to help attendees that are looking to really up their game in the narration, which is a large part of the non-broadcast market out there, and so I'm happy to be there doing. Do you call it a breakout session or a session?  21:45 - Val Kelly (Guest) A mastery session.  21:46 - Anne Ganguzza (Host) A mastery session.  21:47 - Val Kelly (Guest) Yeah, the three-hour sessions are mastery ones and I'm so excited about especially about your e-learning one, because that's a genre for me that I've always wanted to explore and I haven't enough, and you should.  22:00 - Anne Ganguzza (Host) And you should because you're a teacher.  22:03 - Val Kelly (Guest) Yeah, it seems like a natural thing to kind of dive into that world a little bit. So I'm very excited, I'm very honored to have you this year and I think it's going to be really great. It's been a long time coming to actually be able to invite you and everything like that, and so I'm very very excited.  22:20 - Anne Ganguzza (Host) Yeah, so I'm going to be doing two mastery sessions one on acting for narration, and that's all types of narration corporate, medical, all of the geeky narrations explainer and then also the other aspect of the narration genres, which would be e-learning or training. So I'm very excited to have one of each of those to address all those topics. And so, guys, in order to do this, you need to sign up for MAVO, and so hopefully you'll sign up and then you'll look for my mastery classes, but you've got a lot of amazing offerings this year for MAVO, so you want to talk about who else you have for mastery sessions.  23:02 - Val Kelly (Guest) I mean, we have so many great people on board. I'll just highlight a few of them because there's just so many. But Jessica Blue is coming and she's doing some sessions on dubbing live action dubbing and I'm so excited about that because I've never had the chance to meet her in person and we've never offered sessions on dubbing before at Mavo.  23:21 - Anne Ganguzza (Host) That's great.  23:22 - Val Kelly (Guest) So it's something brand new and very exciting for people. So she's amazing, so that will be really great. Ever Oliver is coming and offering a special teen program on Saturday only of the event, so that's for teens from ages 13 to 17.  23:37 Great and he's doing like animation, video game and commercial voice acting with them, so it'll be a great opportunity for kids to experience working with Everett, which is amazing and so much fun. Also, luanne Regis is coming and she's a casting director and she used to be a talent agent, and so she's going to be offering some great sessions at the conference as well. Just giving her from a casting director's perspective of what are we really looking for and I think that's what everybody really wants to know- is like what do I?  24:12 need to do to actually book this. And then, also really exciting, we have Daniel Ross, who is Donald Duck. He's an Emmy Award winning actor and it's so exciting to have him offering a mastery session on animation and making bold choices, which is so, so important in the character world of trying to book those roles when you have so much competition with everybody trying to also audition for them.  24:40 - Anne Ganguzza (Host) So, yeah, I mean, there's so many people.  24:43 - Val Kelly (Guest) It's a long list.  24:45 - Anne Ganguzza (Host) So how can bosses sign up for MAVO this year? Where do they go? What's the website? All that stuff.  24:52 - Val Kelly (Guest) Yeah, so wwwmidatlanticvocom, and they're going to click on MAVO events at the top tab and it will bring up all the events that we have going on. We have some like happy hours that go on virtually beforehand, so it 'll mostly be like every other week from now until the actual conference takes place and people can come to those happy hours online for free or they can like make a donation to Mabo if they want to. That's always an option like just to help support the company, but they can also certainly come for free and we're happy to have everybody there to just like network and chat. But yeah, everything is on the website the schedule and all about all the guest speakers and yeah, Fantastic, and you're going to be offering a special discount just for bosses.  25:43 - Anne Ganguzza (Host) For boss listeners out there, talk a little bit about that and how they can achieve that discount.  25:49 - Val Kelly (Guest) Yeah. So for the VO boss listeners, we're going to offer a $75 discount and you can just go to the website and click on Get Tickets and when you go to checkout you're going to just enter the code VOBOSS and it will take that $75 off for you on full weekend tickets.  26:08 - Anne Ganguzza (Host) Awesome, that is so helpful, and guys don't forget to sign up for my mastery sessions and I'm also doing is it an hour long session too, which is for everybody at the conference. Oh yeah, there's a general session too, so that would be really great as well. Great Well, val, it has been such a pleasure chatting with you about Mayvo. I'm so excited and of course I'll just continue to plan my wardrobe.  26:33 - Val Kelly (Guest) Same same but.  26:34 - Anne Ganguzza (Host) I'm so excited because you do have a wonderful lineup and I'm excited, of course, to see all of my friends and colleagues again. Wonderful lineup, and I'm excited, of course, to see all of my friends and colleagues again and I'm excited to work with the amazing talent that I know is going to be there in this boutique, wonderful, intimate setting for Mavo. So thanks again for joining me and I'm going to give a great big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom Val. Thanks again, bosses. You guys have an amazing week and I'll see you next week. All right, take care, bye-bye.  27:12 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, anne Ganguza, and take your business to the next level. Sign up for our mailing list at vo boss comm and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPD TL.   

Only 9% of indigenous Australians have native title & they "don't walk around like billionaires". This week on The Fin podcast, Peter Ker and Ronald Mizen talk about whether it's delivering for Indigenous Australians and why there are now calls for reform.Further reading: Call to reform Mabo's $1b native title dividendNative title groups hosting Australia's iron ore industry are holding more than $1 billion of net assets in trusts, but after 32 years of the native title regime, there is little to show for the vast majority of Indigenous Australians. ‘Disgraceful' government neglect costs Indigenous funds $1bTwo big government funds set up to benefit Indigenous people without native title rights were shackled for decades by the investment equivalent of stuffing money under a mattress. Long walk to treaty resumes in a fractured federationThe Albanese government has backed away from a promise to strike a treaty with Indigenous Australians. In a federal policy vacuum, some states are picking up the baton.See omnystudio.com/listener for privacy information.

Un día como hoy, hace 32 años, el Tribunal Superior de Australia dictó una sentencia histórica, conocida como el fallo o la decisión Mabo, por la que Eddie Koiki Mabo fue recordado como el padre del Título Nativo o Native Title. Pero tres décadas después, los expertos legales indígenas y la familia de Eddie Mabo dicen que es hora de llevar más lejos el fallo de Mabo y trabajar por la verdad histórica y establecer tratados.

Hafta içi Salı hariç her gün Avustralya doğu kıyıları saati ile 14:00 ile 15:00 arasında yayınlanan SBS Türkçe radyo programını artık reklamsız, müziksiz ve kesintisiz bir şekilde dinleyebilirsiniz.

National Reconciliation Week, celebrated from 27 May to 3 June, promotes understanding and respect between Aboriginal and Torres Strait Islander peoples and the broader Australian community. It marks the 1967 referendum and the 1992 Mabo decision, and was initiated in 1996. Meena Singh, Victoria's Commissioner for Aboriginal People and Young Children, who has Indian heritage, speaks with Itee Dewan about the connections between Indian and Aboriginal communities.

Isabelle Reinecke (founder Grata Fund) is leading a super exciting landmark legal case that could force the Australian Government to actually stick to its climate commitments and stop approving fossil fuel projects immediately. By as early as the end of this year. Seriously! It's called the Uncles Australian Climate Case (it's being brought by two Torres Strait Islander elders) and it's being referred to as “Bigger than Mabo” (if it wins). There is a lot of international attention on it and it's being supported by a team that led a similar (successful) case in The Netherlands.This is a short, straight-to-the-point episode to get you abreast of this monumental opportunity for change so you know what to do to support it. Let's do it!SHOW NOTESYou can watch our chat and learn more about the case over on my SubstackYou can get involved by sharing this podcast with everyone you know and sharing any news items, social media shares etc.Social media accounts you can follow: On Twitter: @gratafund and @isreineckeOn Instagram: @australianclimatecase @isabelle.reinecke and @gratafundOn Facebook: @australianclimatecaseHashtags to follow: #ClimateCaseAU #MuralKalmelSipaYou can sign the pledge and engage further HERE!The Good Weekend did a cover story on the case, read it here---If you need to know a bit more about me… head to my "about" pageFor more such conversations subscribe to my Substack newsletter, it's where I interact the most!Get your copy of my book, This One Wild and Precious LifeLet's connect on Instagram and WeAre8 Hosted on Acast. See acast.com/privacy for more information.

As a Tenement Manager in 2024, understanding Native Title is critical. But have you ever wondered why, and how it all started?  In this episode, we go on an intellectual journey talking all things Native Title with Gavin Scott, Partner at Norton Rose Fullbright. Gavin takes us back to where it all started with the now infamous Mabo decision, the impacts on the resources industry that followed and how things have changed and continue to evolve in this space.  So, if you're unsure about how native title works in tenement management, or you're just interested in understanding where it all began, this is the episode for you. We promise you'll come away with a deeper understanding of native title and its impact on the resources industry. As always, this podcast is proudly supported by PX4 Software. Contact us: tenementtalk@gmail.com Follow us on LinkedIn: Tenement Talk Podcast Find us on Facebook:  Tenement Talk Find us on Instagram: Tenement TalkSee omnystudio.com/listener for privacy information.

Matangazo ya nusu saa kuhusu habari za mapema asubuhi pamoja na habari za michezo.

How a conversation at James Cook University led to the most momentous decision in Australian legal history.Read the judgmentWatch the movie (only accessible via ABC iView in Australia)Read an interview with Mabo counsel, Ron CastanLearn more about the ANU College of Law here. Our thanks to the ANU College of Law Marketing and Communications team. ANU acknowledges and celebrates the First Australians on whose traditional lands we meet, and pays our respect to elders past and present. 

Artist and curator Tony Albert collects Aboriginalia, colonial kitsch still found in Australia's second-hand and souvenir shops, to reconstruct historic racial stereotypes and reclaim contemporary Indigenous experiences. From ‘Picanniny Floor Polish' to ‘Bally Boomerang Pinball Machines', Sydney-based artist and collector Tony Albert has long been fascinated by Australiana, tourist objects which attempt to define, and commodify, Aboriginal and Torres Strati Islander peoples. Transforming them into grand sculptural installations, his works are political interventions with these vintage objects, and reappropriations of their use and meaning - which refuse to shy away from the shameful status they now hold. One such installation lends its name to Story, Place, a group exhibition in London, which brings together contemporary Indigenous artists from Australia and the diaspora. Tony talks about the plurality of Indigenous identities and lands across Australia, comparing the country's diversity to that of the European continent, and using ‘dreamtimes' to dispel the creation myth of Captain James Cook's Botany Bay landing in 1770. From his working-class upbringing in North Queensland, to working in cities like Brisbane with the likes of Richard Bell and Vernon Ah Kee, he unpacks the importance of collaboration and collective practice. As a member of the Kuku Yalanji peoples, Tony shares his perspectives working within museums and institutions ‘made by white people, for white people' - and why these particular works must travel to Europe and America, to highlight shared colonial histories, and what Aboriginality means today. Sullivan+Strumpf: Story, Place runs at Frieze No.9 Cork Street in London until 21 October, as part of Frieze London 2023. Join the Gallery this Saturday (12 October), for special exhibition tours and artist talks. For more about terra nullius, listen to EMPIRE LINES Australia Season, marking the 30 year anniversary of the Mabo vs. Queensland Case (1992) and Tate Modern's A Year in Art: Australia 1992, with Jeremy Eccles on Judy Watson (https://pod.link/1533637675/episode/e02b445e9c355b30b90c77df1f39264d) and Dr. Desmond Manderson on Gordon Bennett (https://pod.link/1533637675/episode/8ab2ce0a86704edc573cb86a69e845e1 For more on Cigar Store Indians, listen to Anna Ghadar on Mining the Museum at the Maryland Historical Society, Fred Wilson (1992-1993): https://pod.link/1533637675/episode/e02b445e9c355b30b90c77df1f39264d WITH: Tony Albert, multidisciplinary artist and curator. He is the first Indigenous artist on the board of trustees for the Art Gallery of New South Wales, a First Nations Curatorial Fellow, and a founder member of the Brisbane-based collective, proppaNOW, with artists Richard Bell and Vernon Ah Kee. He is the co-curator of Story, Place, with Jenn Ellis. ART: ‘Story, Place, Tony Albert (2023)'. IMAGE: Installation View. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines

Ashurst First Nations Lead, Trent Wallace, turns the tables and interviews one of Australia's most distinguished and respected journalists, Kerry O'Brien, to discuss Kerry's allyship origins, his new book co-authored with Thomas Mayo, "The Voice to Parliament Handbook: All the Detail You Need", and the media's role in mitigating risk to First Nations societies. In this special Let's Yarn episode, Trent talks with Kerry O'Brien about his allyship origins, his new handbook with Thomas Mayo about The Voice, and the media's role in mitigating risk to First Nations societies. The conversation also includes Kerry's personal experience in witnessing key moments of Australian history up close, from how the governments of the past have tried to provide an Indigenous Voice to Government, being in the room when Hawke announced the Royal Commission into Aboriginal Deaths in Custody, thoughts about past referendums, his reporting of land rights, Mabo, the ATSIC establishment and abolishment, to witnessing the Whitlam Dismissal. All of which have shaped and influenced Kerry's interest in Indigenous issues in Australia. This is not intended to be a comprehensive review of all developments in the law and practice, or to cover all aspects of those referred to. Listeners should take legal advice before applying it to specific issues or transactions.See omnystudio.com/listener for privacy information.

An inquiry into Transgrid's $3.3 billion HumeLink Transmission line project has deemed it will remain above ground

Dzień Mabo przypada na dzień trzeciego czerwca każdego roku w święto państwowe Wysp Cieśniny Torresa, a w Australi jest ostatnim dniem Narodowego Tygodnia Pojednania. Decyzja wydana 3 czerwca 1992 r. w sprawie ‘Mabo' jest określana mianem najbardziej przełomowego sądowego orzeczenia w historii Australii.

ဇွန်လ 3 ရက်နေ့ သောကြာနေ့သည် ဥရောပကိုလိုနီပြုချိန်က ကြေငြာခဲ့သည့် 'terra nullius' အယူဝါဒကို တွန်းလှန်ရန် ဩစတေးလျတရားရုံးချုပ်မှ အထင်ကရ ဆုံးဖြတ်ချက်ချခဲ့သည့် နှစ် 30 ပြည့် အထိမ်းအမှတ်ဖြစ်သည်။

Valentine Sabouraud nous parle d'une décision de justice qui a mis fin au mythe de « Terra Nullius » en reconnaissant à des habitants des îles Murray un droit sur leurs terres ancestrales. Elle nous raconte le long combat humain et judiciaire d'Eddie Koiki Mabo et ses compagnons, avec les archives de ABC, de NITV et de l'université James Cook. Attention, on y entend la voix de personnes diparues.

សប្តាហ៍នេះគឺជាសប្តាហ៍នៃការផ្សះផ្សាជាតិរវាងជនជាតិដើម និងពលរដ្ឋអូស្ត្រាលីមិនមែនជាជនជាតិដើម ។ គេប្រារព្ធទិវាផ្សះផ្សាជាតិនេះនៅទូទាំងប្រទេសជារៀងរាល់ឆ្នាំពីថ្ងៃទី២៧ ខែឧសភា ដល់ថ្ងៃទី៣ ខែមិថុនា។ មានការកត់សំគាល់ផងដែរនូវកាលបរិច្ឆេទសំខាន់ៗនៅក្នុងប្រវត្តិសាស្ត្ររបស់ជនជាតិដើមភាគតិចអូស្រ្តាលី ដូចជា ការធ្វើប្រជាមតិនៅឆ្នាំ 1967 និងសេចក្តីសម្រេចម៉ាបូ(Mabo)ឆ្នាំ 1992 ។

Installez-vous confortablement au fond de votre lit, remontez la couette jusqu'au menton et fermez les yeuxLes histoiresL'orphelinat, par NetherPaper Planes, par RoozayaAvertissement d'un ex-employé, par Jean-MichelWhy I Will Never Go Near a Manhole Again, par JoshuaManningPain d'épices, par RubisMerci à tous les auteurs, n'hésitez pas vous aussi, à envoyer vos histoires sur hello@avantdallerdormir.frOn en parle dans l'épisodeLa redif' de la FAQThe Devil in meSuper GamersideMoon River de FabcaroLet's summon demonsRejoignez-nousDiscordInstagram | FacebookYouTube | TwitchTwitterNotre siteNotre répondeur : 0749252790Soutenez-nousSur Patreon. Un remerciement à nos nouveaux patrons : Mabo, Morgy, Fannie, Jyjy34, Erowtik, Cyrielle, Aloïs, Elena, et MarybellEn nous mettant une note sur SensCritique, Apple Podcasts, Spotify, ou Podcast AddictL'équipe

In this week's episode we preview Christmas lineups from the Big Three Conbini. We announce the start of bone season. Mike promotes Mabo tofu and Matt finds one of the strangest conbini items to date. Follow us on Twitter: https://twitter.com/conbiniboys Subscribe to our newsletter: https://conbiniboys.substack.com

We're back in offseason mode, easing into things with the vibe, it's Mabo, it's the vibe. On some players for 2023.  Twitter: @thedraftdoctors Website: thedraftdoctors.com.au

Historian Meredith Lake with the Bible's Australian history, from the convict era, to the Mabo land rights campaign, and the modern-day Pentecostal churches (R)

Historian Meredith Lake with the Bible's Australian history, from the convict era, to the Mabo land rights campaign, and the modern-day Pentecostal churches (R)

In the most northern tip of Australia, Torres Strait Islanders celebrate their stories and culture for NAIDOC week, along with the missionaries who brought Christianity to the region.

It's been three decades since the landmark Mabo decision overturned the concept of terra nullius - land belonging to no one - yet the idea of aqua nullius and the fight for restoring Aboriginal water rights remains. In this episode Tessa speaks to Wiradjuri Nyemba woman Dr Virginia Marshall about detangling the complex web of water management, the Royal Commission into the Murray Darling basin and the commodification of water. Virginia is a practicing lawyer and a duty solicitor specialising in intellectual property and traditional knowledge. She's also an Executive Officer of the Aboriginal Water Trust and was a member of the inaugural Indigenous Water Summit established by the National Water Commission. In addition she was the first Indigenous postdoctoral fellow with ANU and a winner of the Stanner Award with her thesis "A web of Aboriginal water rights: Examining the competing Aboriginal claim for water property rights and interests in Australia". Keep up to date with Virginias work via ANU School of Regulation and Global Governance : https://regnet.anu.edu.au/our-people/academic/virginia-marshall This season is proudly supported by Spooked Kooks Surfboards, For Purpose Recycling and Camp Cove Swim. To go in the running to win one of TWO epic prize-packs head to our website for more details www.thenaturebetweenus.com @thenaturebetweenuspodcast @tessadejosselin

30 years ago the High Court in Australia handed down its historic judgement - known as the Mabo ruling. But three decades on, Indigenous legal experts and Eddie Mabo's family say it's time to take the Mabo ruling further.  - 30 anni fa la Corte Suprema in Australia emise la sua storica sentenza - conosciuta come la sentenza Mabo. Ma dopo tre decenni, esperti legali indigeni e la famiglia di Mabo sostengono che è tempo di estendere la sentenza.

Ngunnawal traditional owners have used the 30th anniversary of the Mabo decision to announce their intention to lodge a native title claim over the entire ACT and parts of NSW. Several native title claims have been made in the ACT and parts of NSW in the past, but for various reasons, all those claims have either been withdrawn, discontinued, dismissed or rejected, not always relating to the merits of the claim. But could this be the time be different?

30 years ago the High Court in Australia handed down its historic judgement - known as the Mabo ruling. But three decades on, Indigenous legal experts and Eddie Mabo's family say it's time to take the Mabo ruling further. - 30 anni fa la Corte Suprema in Australia emise la sua storica sentenza - conosciuta come la sentenza Mabo. Ma dopo tre decenni, esperti legali indigeni e la famiglia di Mabo sostengono che è tempo di estendere la sentenza.

It's been 30 years since the Mabo ruling in Australia - what about indigenous rights? In fact, when Captain James Cook took possession of Australia for the British Crown, he did so on the assumption that the country was "Terra Nullius" - a no man's land. The British ignored the fact that a number of indigenous peoples had already settled the continent. But exactly 30 years ago, the indigenous Eddie Mabo managed to have this declared null and void in court. But what has happened since then for Aboriginal Australians and Torres Strait Islanders? - 30 Jahre ist es her seit dem Mabo-Urteil in Australien – wie steht es um die indigenen Rechte?  Tatsache ist: Als Kapitän James Cook Australien für die britische Krone in Besitz nahm, tat er dies unter der Annahme, das Land sei „Terra Nullius“ – ein Niemandsland. Dass etliche indigene Völker den Kontinent bereits besiedelten, wurde von den Briten ignoriert.  Aber vor genau 30 Jahren gelang es dem Indigenen Eddie Mabo, dies vor Gericht für nichtig erklären zu lassen. Doch was hat sich seitdem für die Aborigines und Bewohner der Torres-Straße getan?

This week we talk about Christian Longo and what he did to his family as well as Trophy Dad, Edward ‘Koiki' Mabo. Thanks for listening to us, Cunties! Check out exclusive content on our https://www.patreon.com/ceeupodcast and our https://ko-fi.com/ceeupodcast/shop, and you can find all our links on our https://www.ceeunexttuesday.com/. Follow/like/subscribe to us here: https://www.instagram.com/ceeunexttuesdaypodcast/ https://www.tiktok.com/@ceeunexttuesdaypodcast https://twitter.com/cee_podcast https://ko-fi.com/ceeupodcast

Aujourd'hui, l'Australie célèbre le 30e anniversaire de l'arrêt Mabo, une décision de justice ayant conduit à l'abrogation du concept de terra nullius (qui niait l'existence même des Aborigènes), en vertu duquel les Anglais ont pris "légalement" possession de l'Australie lors de sa colonisation. Une décision "révolutionnaire" d'après l'historien Romain Fathi, avec qui nous parlons également des promesses faites par le nouveau gouvernement travailliste à l'égard des communautés aborigènes. 

Un día como hoy, hace 30 años, el Tribunal Superior de Australia dictó una sentencia histórica, conocida como el fallo o la decisión Mabo, por la que Eddie Koiki Mabo fue recordado como el padre del Título Nativo o Native Title. Pero tres décadas después, los expertos legales indígenas y la familia de Eddie Mabo dicen que es hora de llevar más lejos el fallo de Mabo y trabajar por la verdad histórica y establecer tratados.

30 years ago today the High Court in Australia handed down its historic judgement -- known as the Mabo ruling with being Eddie Koiki Mabo remembered as the father of Native Title. But three decades on, Indigenous legal experts and Eddie Mabo's family say it's time to take the Mabo ruling further .. and to work towards truth-telling and the establishment of Treaties.  - Пред 30 години на денешен ден Врховниот суд во Австралија донесе историска пресуда -- позната како Мабо-пресуда со која што Еди Коики Мабо остана запаметен како татко на Native Title или право на австралиските абориџански народи да поседуваат земјиште. Но, три децении подоцна, домородните правни експерти и семејството на Еди Мабо велат дека е време да се прошири пресудата за Мабо и да се работи на кажување на вистината и воспоставување договори.   

3/06/2022. Бюлетень SBS новин українською мовою. 30-ліття історичного рішення Mabo. Третя подорож Міністра закордонних справ Австралії. Питання щодо зростання цін на енерґетичні ресурси в Австралії. 100 днів війни в Україні. НАТО про війну в Україні.  Про це і більше на веб-сторінці SBS Ukrainian...

3 มิถุนายน ของทุกปีเป็นวันมาโบ (Mabo day) ซึ่งครบรอบ 30 ปีในปีนี้ (2022) เอ็ดดี มาโบ (Eddie Mabo) เป็นใคร เหตุใดเขาจึงได้รับยกย่องว่าเป็นบุคคลสำคัญในประวัติศาสตร์ของชาวพื้นเมืองของออสเตรเลีย

30 years ago today the High Court in Australia handed down its historic judgement known as the Mabo ruling with being Eddie Koiki Mabo remembered as the father of Native Title. - Πριν από 30 χρόνια, σαν σήμερα, το Ανώτατο Δικαστήριο της Αυστραλίας εξέδωσε την ιστορική του απόφαση υπέρ του Mabo, ο οποίος μνημονεύεται ως ο πατέρας των Παραδοσιακών Τίτλων Ιδιοκτησίας της γης.

Hafta içi Salı hariç her gün Avustralya doğu kıyıları saati ile 14:00 ile 15:00 arasında yayınlanan SBS Türkçe radyo programını artık reklamsız, müziksiz ve kesintisiz bir şekilde dinleyebilirsiniz.

30 yıl önce Avustralya'nın Yüksek Mahkemesi tarihi önemde bir karara imza attı. Mabo kararı olarak bilinen bu hüküm sonrası Eddie Koiki Mabo yerli toprak haklarının babası olarak anılmaya başlandı.

30 years ago today the High Court in Australia handed down its historic judgement -- known as the Mabo ruling

Thirty years since the Mabo land rights decision, traditional owners renew a native title claim over all of the ACT. We'll explain what power that would give them.

Dr. Desmond Manderson lashes new layers atop Australia's colonial founding myths, through Gordon Bennett's 1991 painting, Possession Island. When Captain Cook planted the Union Jack on Possession Island in 1770, Australia was entirely subsumed within the British Empire. Colonial imaginings of this moment reinforced the legal myth around terra nullius, still propagated in constitutional classes today. Gordon Bennett whip-splashes alternative histories atop the time-worn tropes, exposing the hidden witnesses to violence at Australia's coming-of-age party. Possession Island perverts our expectations of empty, untamed lands, and collapses the strict divisions between aboriginal, colonial, and post-colonial art. Showing at the Tate Modern's 'A Year in Art: Australia 1992', the painting also challenges colonisation in the canon - from contemporary Australian artists like McCubbin, through to Jackson Pollock's American modernism. Part of EMPIRE LINES' Australia Season, marking the 30 year anniversary of the Mabo vs. Queensland Case (1992) and Tate Modern's A Year in Art: Australia 1992. Listen to the other episodes with Jeremy Eccles. PRESENTER: Dr. Desmond Manderson, Professor and Director of the Centre for Law, Arts and the Humanities at Australian National University. He is an Australian Research Council Future Fellow, and a Fellow of the Royal Society of Canada. ART: Possession Island (Abstraction), Gordon Bennett (1991). IMAGE: 'Possession Island/(Abstraction)'. SOUNDS: New Weird Australia. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Jeremy Eccles etches out the colonial and continued denial of discrimination against Australia's Indigenous communities, through Judy Watson's 2005 series, a preponderance of aboriginal blood. Sixteen black and white documents from the Queensland State Archives, dating back to 1866, map out Australia's discriminatory race-based system of citizenship rights. Now splattered with blood red ink by the artist Judy Watson, they stand central in the Tate Modern's latest show, 'A Year in Art: Australia 1992'. This little recognised year in Australian history witnessed the landmark Mabo Decision, in which the Indigenous Torres Strait Islander Eddie Mabo legally asserted his peoples' pre-colonial rights to their land. As a 'city Aboriginal', Watson's blood-stained book speaks to Britain's unique colonial aspirations for 'White Australia', the oft-silenced violence behind terra nullius, and the ongoing battle for social and historical inclusion still faced by Indigenous Australians. Part of EMPIRE LINES' Australia Season, marking the 30 year anniversary of the Mabo vs. Queensland Case (1992) and Tate Modern's A Year in Art: Australia 1992. Listen to the other episode with Dr. Desmond Manderson. PRESENTER: Jeremy Eccles, editor of the Aboriginal Art Directory in Australia. He is a Fellow of the Royal Society of New South Wales, and a member of the International Association of Art Critics. ART: a preponderance of aboriginal blood, Judy Watson (2005). IMAGE: 'a preponderance of aboriginal blood'. SOUNDS: New Weird Australia. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines