Podcasts about american east asian relations

This episode, which is co-hosted with Delaney Chieyen Holton, features Dr. K. Ian Shin discussing his recently published book, Imperial Stewards: Chinese Art and the Making of America's Pacific Century (Standford UP, 2025). Imperial Stewards argues that, beyond aesthetic taste and economics, geopolitics were critical to the United States' transformation into possessing some of the world's largest and most sophisticated collections of Chinese art between the Gilded Age and World War II. Collecting and studying Chinese art and antiquities honed Americans' belief that they should dominate Asia and the Pacific Ocean through the ideology of imperial stewardship—a view that encompassed both genuine curiosity and care for Chinese art, and the enduring structures of domination and othering that underpinned the burgeoning transpacific art market. Tracing networks across both the Pacific and the Atlantic Oceans, K. Ian Shin uncovers a diverse cast of historical actors that both contributed to US imperial stewardship and also challenged it, including Protestant missionaries, German diplomats, Chinese-Hawaiian merchants, and Chinese overseas students, among others. By examining the development of Chinese art collecting and scholarship in the United States around the turn of the twentieth century, Imperial Stewards reveals both the cultural impetus behind Americans' long-standing aspirations for a Pacific Century and a way to understand—and critique—the duality of US imperial power around the globe. Ian Shin is Assistant Professor of History and American Culture at the University of Michigan, where he is also a core faculty member in the Asian/Pacific Islander American Studies Program. In addition to Imperial Stewards, his articles and reviews on topics that range from the Boy Scout movement in New York's Chinatown to the role of colleges and universities in 19th-century U.S.-China relations to the history of museums of American art have appeared in Amerasia Journal, Journal of Asian American Studies, Journal of American-East Asian Relations, and Connecticut Historical Review. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Delaney Chieyen Holton is a Ph.D. candidate in Art History at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This episode, which is co-hosted with Delaney Chieyen Holton, features Dr. K. Ian Shin discussing his recently published book, Imperial Stewards: Chinese Art and the Making of America's Pacific Century (Standford UP, 2025). Imperial Stewards argues that, beyond aesthetic taste and economics, geopolitics were critical to the United States' transformation into possessing some of the world's largest and most sophisticated collections of Chinese art between the Gilded Age and World War II. Collecting and studying Chinese art and antiquities honed Americans' belief that they should dominate Asia and the Pacific Ocean through the ideology of imperial stewardship—a view that encompassed both genuine curiosity and care for Chinese art, and the enduring structures of domination and othering that underpinned the burgeoning transpacific art market. Tracing networks across both the Pacific and the Atlantic Oceans, K. Ian Shin uncovers a diverse cast of historical actors that both contributed to US imperial stewardship and also challenged it, including Protestant missionaries, German diplomats, Chinese-Hawaiian merchants, and Chinese overseas students, among others. By examining the development of Chinese art collecting and scholarship in the United States around the turn of the twentieth century, Imperial Stewards reveals both the cultural impetus behind Americans' long-standing aspirations for a Pacific Century and a way to understand—and critique—the duality of US imperial power around the globe. Ian Shin is Assistant Professor of History and American Culture at the University of Michigan, where he is also a core faculty member in the Asian/Pacific Islander American Studies Program. In addition to Imperial Stewards, his articles and reviews on topics that range from the Boy Scout movement in New York's Chinatown to the role of colleges and universities in 19th-century U.S.-China relations to the history of museums of American art have appeared in Amerasia Journal, Journal of Asian American Studies, Journal of American-East Asian Relations, and Connecticut Historical Review. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Delaney Chieyen Holton is a Ph.D. candidate in Art History at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode, which is co-hosted with Delaney Chieyen Holton, features Dr. K. Ian Shin discussing his recently published book, Imperial Stewards: Chinese Art and the Making of America's Pacific Century (Standford UP, 2025). Imperial Stewards argues that, beyond aesthetic taste and economics, geopolitics were critical to the United States' transformation into possessing some of the world's largest and most sophisticated collections of Chinese art between the Gilded Age and World War II. Collecting and studying Chinese art and antiquities honed Americans' belief that they should dominate Asia and the Pacific Ocean through the ideology of imperial stewardship—a view that encompassed both genuine curiosity and care for Chinese art, and the enduring structures of domination and othering that underpinned the burgeoning transpacific art market. Tracing networks across both the Pacific and the Atlantic Oceans, K. Ian Shin uncovers a diverse cast of historical actors that both contributed to US imperial stewardship and also challenged it, including Protestant missionaries, German diplomats, Chinese-Hawaiian merchants, and Chinese overseas students, among others. By examining the development of Chinese art collecting and scholarship in the United States around the turn of the twentieth century, Imperial Stewards reveals both the cultural impetus behind Americans' long-standing aspirations for a Pacific Century and a way to understand—and critique—the duality of US imperial power around the globe. Ian Shin is Assistant Professor of History and American Culture at the University of Michigan, where he is also a core faculty member in the Asian/Pacific Islander American Studies Program. In addition to Imperial Stewards, his articles and reviews on topics that range from the Boy Scout movement in New York's Chinatown to the role of colleges and universities in 19th-century U.S.-China relations to the history of museums of American art have appeared in Amerasia Journal, Journal of Asian American Studies, Journal of American-East Asian Relations, and Connecticut Historical Review. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Delaney Chieyen Holton is a Ph.D. candidate in Art History at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

This episode, which is co-hosted with Delaney Chieyen Holton, features Dr. K. Ian Shin discussing his recently published book, Imperial Stewards: Chinese Art and the Making of America's Pacific Century (Standford UP, 2025). Imperial Stewards argues that, beyond aesthetic taste and economics, geopolitics were critical to the United States' transformation into possessing some of the world's largest and most sophisticated collections of Chinese art between the Gilded Age and World War II. Collecting and studying Chinese art and antiquities honed Americans' belief that they should dominate Asia and the Pacific Ocean through the ideology of imperial stewardship—a view that encompassed both genuine curiosity and care for Chinese art, and the enduring structures of domination and othering that underpinned the burgeoning transpacific art market. Tracing networks across both the Pacific and the Atlantic Oceans, K. Ian Shin uncovers a diverse cast of historical actors that both contributed to US imperial stewardship and also challenged it, including Protestant missionaries, German diplomats, Chinese-Hawaiian merchants, and Chinese overseas students, among others. By examining the development of Chinese art collecting and scholarship in the United States around the turn of the twentieth century, Imperial Stewards reveals both the cultural impetus behind Americans' long-standing aspirations for a Pacific Century and a way to understand—and critique—the duality of US imperial power around the globe. Ian Shin is Assistant Professor of History and American Culture at the University of Michigan, where he is also a core faculty member in the Asian/Pacific Islander American Studies Program. In addition to Imperial Stewards, his articles and reviews on topics that range from the Boy Scout movement in New York's Chinatown to the role of colleges and universities in 19th-century U.S.-China relations to the history of museums of American art have appeared in Amerasia Journal, Journal of Asian American Studies, Journal of American-East Asian Relations, and Connecticut Historical Review. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Delaney Chieyen Holton is a Ph.D. candidate in Art History at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This episode, which is co-hosted with Delaney Chieyen Holton, features Dr. K. Ian Shin discussing his recently published book, Imperial Stewards: Chinese Art and the Making of America's Pacific Century (Standford UP, 2025). Imperial Stewards argues that, beyond aesthetic taste and economics, geopolitics were critical to the United States' transformation into possessing some of the world's largest and most sophisticated collections of Chinese art between the Gilded Age and World War II. Collecting and studying Chinese art and antiquities honed Americans' belief that they should dominate Asia and the Pacific Ocean through the ideology of imperial stewardship—a view that encompassed both genuine curiosity and care for Chinese art, and the enduring structures of domination and othering that underpinned the burgeoning transpacific art market. Tracing networks across both the Pacific and the Atlantic Oceans, K. Ian Shin uncovers a diverse cast of historical actors that both contributed to US imperial stewardship and also challenged it, including Protestant missionaries, German diplomats, Chinese-Hawaiian merchants, and Chinese overseas students, among others. By examining the development of Chinese art collecting and scholarship in the United States around the turn of the twentieth century, Imperial Stewards reveals both the cultural impetus behind Americans' long-standing aspirations for a Pacific Century and a way to understand—and critique—the duality of US imperial power around the globe. Ian Shin is Assistant Professor of History and American Culture at the University of Michigan, where he is also a core faculty member in the Asian/Pacific Islander American Studies Program. In addition to Imperial Stewards, his articles and reviews on topics that range from the Boy Scout movement in New York's Chinatown to the role of colleges and universities in 19th-century U.S.-China relations to the history of museums of American art have appeared in Amerasia Journal, Journal of Asian American Studies, Journal of American-East Asian Relations, and Connecticut Historical Review. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Delaney Chieyen Holton is a Ph.D. candidate in Art History at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode, which is co-hosted with Delaney Chieyen Holton, features Dr. K. Ian Shin discussing his recently published book, Imperial Stewards: Chinese Art and the Making of America's Pacific Century (Standford UP, 2025). Imperial Stewards argues that, beyond aesthetic taste and economics, geopolitics were critical to the United States' transformation into possessing some of the world's largest and most sophisticated collections of Chinese art between the Gilded Age and World War II. Collecting and studying Chinese art and antiquities honed Americans' belief that they should dominate Asia and the Pacific Ocean through the ideology of imperial stewardship—a view that encompassed both genuine curiosity and care for Chinese art, and the enduring structures of domination and othering that underpinned the burgeoning transpacific art market. Tracing networks across both the Pacific and the Atlantic Oceans, K. Ian Shin uncovers a diverse cast of historical actors that both contributed to US imperial stewardship and also challenged it, including Protestant missionaries, German diplomats, Chinese-Hawaiian merchants, and Chinese overseas students, among others. By examining the development of Chinese art collecting and scholarship in the United States around the turn of the twentieth century, Imperial Stewards reveals both the cultural impetus behind Americans' long-standing aspirations for a Pacific Century and a way to understand—and critique—the duality of US imperial power around the globe. Ian Shin is Assistant Professor of History and American Culture at the University of Michigan, where he is also a core faculty member in the Asian/Pacific Islander American Studies Program. In addition to Imperial Stewards, his articles and reviews on topics that range from the Boy Scout movement in New York's Chinatown to the role of colleges and universities in 19th-century U.S.-China relations to the history of museums of American art have appeared in Amerasia Journal, Journal of Asian American Studies, Journal of American-East Asian Relations, and Connecticut Historical Review. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Delaney Chieyen Holton is a Ph.D. candidate in Art History at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

Today's guest is Dr. Sabrina Thomas, an Associate Professor and the David A. Moore Chair of American History at Wabash College in Crawfordsville, Indiana. Before joining the faculty at Wabash College, Sabrina held a dissertation fellowship at Middle Tennessee State University. She received her BA in History at Colorado State University, earned an MS in Counseling at Butler University, and completed her Ph.D. in History at Arizona State University, working under Season 1, Episode 6 guest Kyle Longley! Sabrina is a specialist in US Foreign Policy with a transnational focus on the intersections of race, gender, nation, and war. She is particularly interested in children born as a result of international conflict. She published her first book, Scars of War: The Politics of Paternity and Responsibility for the Amerasians of Vietnam, with the University of Nebraska Press in 2021 and was nominated for the prestigious Bancroft Book Prize from the American Historical Association. Her articles have appeared in Diplomatic History and the Journal of American-East Asian Relations, and she has received significant funding for her research, including a grant from the National Endowment for the Humanities. Sabrina is also approaching the completion of a second monograph titled The Soul of Blood and Borders: Brown Babies, Black Amerasians and the African American Response. Sabrina is active in a number of professional organizations, including the Association for Asian American Studies, the Association for the Study of African American Life and History, the American Historical Association, the Society for Historians of American Foreign Relations, and the National Council for Black Studies. She is an active board member of the Tim Lai Foundation. Sabrina bounced around a bit before finally deciding to pursue history as a career - she played volleyball at Colorada State University and coached at the collegiate level and also worked as an academic-athletic advisor at several schools before returning to Arizona State to pursue advanced study in history. She's got a remarkable story - she's a horse AND dog person, has an opinion on image licensing in collegiate athletics, loves BBQ, and has good things to say about teaching at an all-male college. She's also an amazing historian exploring one of the more underexplored consequences of American wars. So join us for a fun chat with Sabrina Thomas! Rec.: 05/17/2022

A reading guide by Tony Scott for the 2013 article, "Participatory Filmmaking Among Contemporary Shugendō Practitioners: Representing an Esoteric Tradition in an Accessible Documentary Film" by M. P. McGuire, published in The Journal of American-East Asian Relations, 20(4), 325–339. https://doi.org/10.1163/18765610-02004001 This episode of Footnotes was produced by Tony Scott with sound editing by Jesse Whitty. The show’s music is a track called “Jinkai” produced by hip-hop artist Yakuza Beatz and licensed by Creative Commons. The Footnotes series is created at the University of Toronto in Canada with support from ecampus Ontario. Image: Shugendo Now Poster (taken from shugendonow.com)

When did the Cold War in East Asia really begin? According to ADI-NIAS researcher Kuan-Jen Chen, the answer is 1945 – if we view the Cold War through a maritime lens. In conversation with NIAS Director Duncan McCargo, KJ explains how he is using Japanese and Taiwanese sources to gain a more nuanced perspective on East Asian Cold War maritime history, which is far from a simple narrative of American naval dominance. KJ also discusses the relevance of the Cold War context to understanding recent geostrategic developments in the region, and why he is trying to put international historians into a more fruitful dialogue with scholars of international relations. Kuan-Jen Chen (https://kjchen.net/) is the Asian Dynamics Initiative-Nordic Institute of Asian Studies Postdoctoral Fellow in Asian Studies at the University of Copenhagen. He has published articles in various journals including Cold War History and the Journal of American-East Asian Relations. KJ is currently completing a book based on his Cambridge PhD, entitled The Making of America's  Maritime Order in Cold War East Asia: Sovereignty, Local Interests, and International Security. KJ was recently jointly awarded Taiwan's 2021 Openbook Award in Translation for his co-translation into Chinese of Barak Kushner's Men to Devils, Devils to Men: Japanese War Crimes and Chinese Justice, Harvard 2015 (see NBN podcast here). The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Transcripts of the Nordic Asia Podcasts can be found here. About NIAS: www.nias.ku.dk

When did the Cold War in East Asia really begin? According to ADI-NIAS researcher Kuan-Jen Chen, the answer is 1945 – if we view the Cold War through a maritime lens. In conversation with NIAS Director Duncan McCargo, KJ explains how he is using Japanese and Taiwanese sources to gain a more nuanced perspective on East Asian Cold War maritime history, which is far from a simple narrative of American naval dominance. KJ also discusses the relevance of the Cold War context to understanding recent geostrategic developments in the region, and why he is trying to put international historians into a more fruitful dialogue with scholars of international relations. Kuan-Jen Chen (https://kjchen.net/) is the Asian Dynamics Initiative-Nordic Institute of Asian Studies Postdoctoral Fellow in Asian Studies at the University of Copenhagen. He has published articles in various journals including Cold War History and the Journal of American-East Asian Relations. KJ is currently completing a book based on his Cambridge PhD, entitled The Making of America's  Maritime Order in Cold War East Asia: Sovereignty, Local Interests, and International Security. KJ was recently jointly awarded Taiwan's 2021 Openbook Award in Translation for his co-translation into Chinese of Barak Kushner's Men to Devils, Devils to Men: Japanese War Crimes and Chinese Justice, Harvard 2015 (see NBN podcast here). The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Transcripts of the Nordic Asia Podcasts can be found here. About NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

When did the Cold War in East Asia really begin? According to ADI-NIAS researcher Kuan-Jen Chen, the answer is 1945 – if we view the Cold War through a maritime lens. In conversation with NIAS Director Duncan McCargo, KJ explains how he is using Japanese and Taiwanese sources to gain a more nuanced perspective on East Asian Cold War maritime history, which is far from a simple narrative of American naval dominance. KJ also discusses the relevance of the Cold War context to understanding recent geostrategic developments in the region, and why he is trying to put international historians into a more fruitful dialogue with scholars of international relations. Kuan-Jen Chen (https://kjchen.net/) is the Asian Dynamics Initiative-Nordic Institute of Asian Studies Postdoctoral Fellow in Asian Studies at the University of Copenhagen. He has published articles in various journals including Cold War History and the Journal of American-East Asian Relations. KJ is currently completing a book based on his Cambridge PhD, entitled The Making of America's  Maritime Order in Cold War East Asia: Sovereignty, Local Interests, and International Security. KJ was recently jointly awarded Taiwan's 2021 Openbook Award in Translation for his co-translation into Chinese of Barak Kushner's Men to Devils, Devils to Men: Japanese War Crimes and Chinese Justice, Harvard 2015 (see NBN podcast here). The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Transcripts of the Nordic Asia Podcasts can be found here. About NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When did the Cold War in East Asia really begin? According to ADI-NIAS researcher Kuan-Jen Chen, the answer is 1945 – if we view the Cold War through a maritime lens. In conversation with NIAS Director Duncan McCargo, KJ explains how he is using Japanese and Taiwanese sources to gain a more nuanced perspective on East Asian Cold War maritime history, which is far from a simple narrative of American naval dominance. KJ also discusses the relevance of the Cold War context to understanding recent geostrategic developments in the region, and why he is trying to put international historians into a more fruitful dialogue with scholars of international relations. Kuan-Jen Chen (https://kjchen.net/) is the Asian Dynamics Initiative-Nordic Institute of Asian Studies Postdoctoral Fellow in Asian Studies at the University of Copenhagen. He has published articles in various journals including Cold War History and the Journal of American-East Asian Relations. KJ is currently completing a book based on his Cambridge PhD, entitled The Making of America's  Maritime Order in Cold War East Asia: Sovereignty, Local Interests, and International Security. KJ was recently jointly awarded Taiwan's 2021 Openbook Award in Translation for his co-translation into Chinese of Barak Kushner's Men to Devils, Devils to Men: Japanese War Crimes and Chinese Justice, Harvard 2015 (see NBN podcast here). The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Transcripts of the Nordic Asia Podcasts can be found here. About NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

When did the Cold War in East Asia really begin? According to ADI-NIAS researcher Kuan-Jen Chen, the answer is 1945 – if we view the Cold War through a maritime lens. In conversation with NIAS Director Duncan McCargo, KJ explains how he is using Japanese and Taiwanese sources to gain a more nuanced perspective on East Asian Cold War maritime history, which is far from a simple narrative of American naval dominance. KJ also discusses the relevance of the Cold War context to understanding recent geostrategic developments in the region, and why he is trying to put international historians into a more fruitful dialogue with scholars of international relations. Kuan-Jen Chen (https://kjchen.net/) is the Asian Dynamics Initiative-Nordic Institute of Asian Studies Postdoctoral Fellow in Asian Studies at the University of Copenhagen. He has published articles in various journals including Cold War History and the Journal of American-East Asian Relations. KJ is currently completing a book based on his Cambridge PhD, entitled The Making of America's  Maritime Order in Cold War East Asia: Sovereignty, Local Interests, and International Security. KJ was recently jointly awarded Taiwan's 2021 Openbook Award in Translation for his co-translation into Chinese of Barak Kushner's Men to Devils, Devils to Men: Japanese War Crimes and Chinese Justice, Harvard 2015 (see NBN podcast here). The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Transcripts of the Nordic Asia Podcasts can be found here. About NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

When did the Cold War in East Asia really begin? According to ADI-NIAS researcher Kuan-Jen Chen, the answer is 1945 – if we view the Cold War through a maritime lens. In conversation with NIAS Director Duncan McCargo, KJ explains how he is using Japanese and Taiwanese sources to gain a more nuanced perspective on East Asian Cold War maritime history, which is far from a simple narrative of American naval dominance. KJ also discusses the relevance of the Cold War context to understanding recent geostrategic developments in the region, and why he is trying to put international historians into a more fruitful dialogue with scholars of international relations. Kuan-Jen Chen (https://kjchen.net/) is the Asian Dynamics Initiative-Nordic Institute of Asian Studies Postdoctoral Fellow in Asian Studies at the University of Copenhagen. He has published articles in various journals including Cold War History and the Journal of American-East Asian Relations. KJ is currently completing a book based on his Cambridge PhD, entitled The Making of America's  Maritime Order in Cold War East Asia: Sovereignty, Local Interests, and International Security. KJ was recently jointly awarded Taiwan's 2021 Openbook Award in Translation for his co-translation into Chinese of Barak Kushner's Men to Devils, Devils to Men: Japanese War Crimes and Chinese Justice, Harvard 2015 (see NBN podcast here). The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Transcripts of the Nordic Asia Podcasts can be found here. About NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

When did the Cold War in East Asia really begin? According to ADI-NIAS researcher Kuan-Jen Chen, the answer is 1945 – if we view the Cold War through a maritime lens. In conversation with NIAS Director Duncan McCargo, KJ explains how he is using Japanese and Taiwanese sources to gain a more nuanced perspective on East Asian Cold War maritime history, which is far from a simple narrative of American naval dominance. KJ also discusses the relevance of the Cold War context to understanding recent geostrategic developments in the region, and why he is trying to put international historians into a more fruitful dialogue with scholars of international relations. Kuan-Jen Chen (https://kjchen.net/) is the Asian Dynamics Initiative-Nordic Institute of Asian Studies Postdoctoral Fellow in Asian Studies at the University of Copenhagen. He has published articles in various journals including Cold War History and the Journal of American-East Asian Relations. KJ is currently completing a book based on his Cambridge PhD, entitled The Making of America's  Maritime Order in Cold War East Asia: Sovereignty, Local Interests, and International Security. KJ was recently jointly awarded Taiwan's 2021 Openbook Award in Translation for his co-translation into Chinese of Barak Kushner's Men to Devils, Devils to Men: Japanese War Crimes and Chinese Justice, Harvard 2015 (see NBN podcast here). The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Transcripts of the Nordic Asia Podcasts can be found here. About NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

When did the Cold War in East Asia really begin? According to ADI-NIAS researcher Kuan-Jen Chen, the answer is 1945 – if we view the Cold War through a maritime lens. In conversation with NIAS Director Duncan McCargo, KJ explains how he is using Japanese and Taiwanese sources to gain a more nuanced perspective on East Asian Cold War maritime history, which is far from a simple narrative of American naval dominance. KJ also discusses the relevance of the Cold War context to understanding recent geostrategic developments in the region, and why he is trying to put international historians into a more fruitful dialogue with scholars of international relations. Kuan-Jen Chen (https://kjchen.net/) is the Asian Dynamics Initiative-Nordic Institute of Asian Studies Postdoctoral Fellow in Asian Studies at the University of Copenhagen. He has published articles in various journals including Cold War History and the Journal of American-East Asian Relations. KJ is currently completing a book based on his Cambridge PhD, entitled The Making of America's  Maritime Order in Cold War East Asia: Sovereignty, Local Interests, and International Security. KJ was recently jointly awarded Taiwan's 2021 Openbook Award in Translation for his co-translation into Chinese of Barak Kushner's Men to Devils, Devils to Men: Japanese War Crimes and Chinese Justice, Harvard 2015 (see NBN podcast here). The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Transcripts of the Nordic Asia Podcasts can be found here. About NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Eiko Ishioka was a graphic, costume, and set designer. She was born July 12, 1938 in Tokyo, Japan. Growing up, her life always fused western and Japanese culture. She graduated from the Tokyo National University of Fine Arts and Music in 1960 and immediately started working for the largest cosmetic company in Japan, Shiseido. There she revolutionized the poster with her bold use of diverse models and progressive feminist messages that defied tradition. Ishioka later worked as a creative director for the department store Parco, producing iconic posters and television ads that broke with tradition and showed no products. In 1983, Ishioka left Parco and opened her own design studio. Once in her own practice, Eiko experimented more and more with surrealism as she moved into designing sets and costumes for film and theater. She won awards for her work on Mishima (1985) and Madame Butterfly (1988). Ishioka would go on to win the 1993 Academy Award for Best Costume Design (along with multiple other awards) for her incredible costume designs for Francis Ford Coppola's 1992 film adaptation of Bram Stoker's Dracula. It was Ishioka's life work to push up against tradition. The result is a stunning body of work worthy of inclusion in the design history canon.TIMELINE1938 –  b. Tokyo, Japan1961 –  graduated Tokyo National University of Fine Arts and Music1970 –  founded own firm1970 –  ūman ribu movement1980 –  moved to New York1983 –  published her own book Eiko by Eiko1985 –  Equal Opportunity Law passed in Japan; Mishima releases featuring set designs from Ishioka, for which she wins the Award for Artistic Contribution at the 1985 Cannes Film Festival.1992 –  Bram Stoker's Dracula1993 –  Ishioka's costume designs on Dracula win her the Academy Award for Best Costume Design2002 –  Designs sports uniforms for the 2002 Olympics2008 –  Designs the opening ceremony costume designs for the Beijing Olympics 2010 –  Costume Designs for Broadway Musical, “Spiderman: Turn Off the Dark”2012 –  d. Age 73 in Tokyo, Japan from pancreatic cancerREFERENCESAssociated Press. (2012, January 26). Costume designer Eiko Ishioka, recently known for Broadway's “Spider-Man,” has died at 73. Washington Post. https://web.archive.org/web/20120205143125/http://www.washingtonpost.com/entertainment/theater-dance/costume-designer-eiko-ishioka-recently-known-for-broadways-spider-man-has-died-at-73/2012/01/26/gIQAyZhgTQ_story.htmlDalí Paris. (n.d). Dalí and fashion. Dalí Paris. Retrieved 25 May 2021 from https://www.daliparis.com/en/salvador-dali-en/dali-fashion/Edwards, L. N. (1988). Equal Employment Opportunity in Japan: A View from the West. ILR Review, 41(2), 240–250. https://doi.org/10.1177/001979398804100206Eiko Ishioka. (1992). ADC Global. http://adcglobal.org/hall-of-fame/eiko-ishioka/Eiko Ishioka. (n.d.). A SEARCH HISTORY. https://asearchhistory.weebly.com/eiko-ishioka.htmlFox, M. (1984, March 1). An Interview with Eiko Ishioka, by Ingrid Sischy. Artforum International. https://www.artforum.com/print/198403/an-interview-with-eiko-ishioka-by-ingrid-sischy-35403Fox, M. (2012, January 27). Eiko Ishioka, Costumer of the Surreal, Dies at 73. The New York Times. https://www.nytimes.com/2012/01/27/arts/design/eiko-ishioka-designer-dies-at-73.htmlFusek, A. P. (2021, February 27). The Feminist Movement in Japan: WWII to the 1970s. Unseen Japan. https://unseenjapan.com/feminist-movement-japan-wwii-1970s/Goodall, H. (2013, January 3). Origins and influence of surrealism in Japanese art. Unframed. Retrieved 25 May 2021 from https://unframed.lacma.org/2013/01/03/origins-and-influence-of-surrealism-in-japanese-artGraphic Liberation of Gender: Eiko Ishioka Poster ExhibitionThe Japan Foundation, Toronto. (2017, September 6). Japan Foundation. https://jftor.org/event/eiko-ishioka-poster-exhibition/2017-09-06/Haley, M. (n.d.). Sneak Peek: Eiko Ishioka Papers at UCLA Library Special Collections. LA Collective. https://laacollective.org/work/eiko-ishiokaHooks, R. (2018). Surrealism in  graphic design. 99designs. Retrieved 25 May 2021 from https://99designs.com/blog/design-history-movements/surreal-graphic-design/ITSLIQUID. (2020, December 18). Eiko Ishioka: Blood, Sweat, and Tears. https://www.itsliquid.com/eikoishioka-bloodsweatandtears.htmlJapanese Pickers. (2017, January 6). 1990 Print Available [Facebook Post]. Facebook. https://www.facebook.com/unsupportedbrowserK. (2020, February 10). Shibuya PARCO - Interactive Shopping, Art, And Hands-On Technology. Matcha - Japan Travel Web Magazine. https://matcha-jp.com/en/9390Lorde Velho. (2020, July 23). The Costumes Are the Sets - The Design of Eiko Ishioka (Legendado PTBR) [Video]. YouTube. https://www.youtube.com/watch?v=3TFCNCt-gUkMolony, B. (2000). Women's Rights, Feminism, and Suffragism in Japan, 1870-1925. Pacific Historical Review, 69(4), 639-661. doi:10.2307/3641228Parsons, K. (2019, July 22). THE THEATER. VERY PARCO. | Cooper Hewitt, Smithsonian Design Museum. Cooper Hewitt Smithsonian Design Museum. https://www.cooperhewitt.org/2018/03/17/the-theater-very-parco-2/Pola Museum of Art. (2019). Surrealist painting: Influences and iterations in Japan. Pola Museum of Art. Retrieved 25 May 2021 from https://www.polamuseum.or.jp/english/exhibition/20191215s01/Sayej, N. (2018, January 16). 7 designers keeping the art of surrealism alive today. Print Mag. Retrieved 25 May 2021 from https://www.printmag.com/post/7-designers-keeping-surrealism-aliveSchenker, M. (2018, October 25). Design trend report: Surrealism. Creative Market. Retrieved 25 May 2021 from https://creativemarket.com/blog/design-trend-report-surrealismStech, A. (2019, October 4). How 1920s surrealism impacted modern design. Wallpaper. Retrieved from 25 May 2021 from https://www.wallpaper.com/design/surrealism-and-design-vitra-design-museum-exhibitionSurreal Costumes by Legendary Designer Eiko Ishioka. (2019, June 4). Juxtapoz: Art and Culture. https://www.juxtapoz.com/news/design/surreal-costumes-by-legendary-designer-eiko-ishioka/Takeuchi-Demirci, A. (2010). Birth Control and Socialism: The Frustration of Margaret Sanger and Ishimoto Shizue's Mission. The Journal of American-East Asian Relations, 17(3), 257-280. Retrieved April 28, 2021, from http://www.jstor.org/stable/23613288The Academy. (2018, March 30). How Eiko Ishioka's revolutionary costumes won Coppola's “Dracula” an Oscar. Medium. https://medium.com/art-science/how-francis-ford-coppola-s-choice-to-work-with-a-weirdo-outsider-led-to-an-oscar-dd22bdf51e2aTimes, T. N. Y. (1973, December 8). Japan Braces for a Full‐Scale Oil Crisis. The New York Times. https://www.nytimes.com/1973/12/08/archives/japan-braces-for-a-fullscale-oil-crisis-japan-whose-busy-economy.htmlTimes, T. N. Y. (1983, March 27). CHANGING FACE OF JAPAN. The New York Times. https://www.nytimes.com/1983/03/27/magazine/changing-face-of-japan.htmlVitra Design Museum. (2019). Objects of desire: Surrealism and design 1924 - today. Vitra Design Museum. Retrieved 25 May 2021 from https://www.design-museum.de/en/exhibitions/detailpages/objects-of-desire-surrealism-and-design.html?desktop=318&cHash=c626c20211a0d1333a9393761a0ffc40Wang, M. (2017, March 8). _What's PARCO?_JAPAN Monthly Web Magazine. https://japan-magazine.jnto.go.jp/en/special_parco.htmlWood, G. (2007). Surrealism and design. V&A. Retrieved 25 May 2021 from https://www.vam.ac.uk/articles/surrealism-and-design

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit.  Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history. Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

This episode of the Korea Now podcast features an interview that Jed Lea-Henry conducted with Steven Lee. They speak about the Korean armistice agreement, how the Korean War and its end affected this document, the signatories and absentees, the intention of the armistice, the Neutral Nations Supervisory Commission (NNSC), the central role played by America, how South Korea's political landscape affected cross-border conflict, the almost immediate violation of the armistice through military build ups, the concerns and limited influence of allied nations, the debates at the United Nations, the attempted assassination of South Korean President Park Chung-hee during the Blue House Raid, the capture of the American spy ship the USS Pueblo from international waters, the Tree Cutting Incident inside the Joint Security Area (JSA), the risks of all these crises snowballing into open warfare, and what the actual record and history of the Korean armistice agreement has meant for peace/conflict on the ground. Steven Lee completed his doctoral degree at the University of Oxford in 1991, is currently an Associate Professor in the Department of History at the University of British Columbia, and an Associate Editor at the Journal of American-East Asian Relations. Steven works on international relations, particularly the history of the Cold War and US-Korea relations. He published ‘Outposts of Empire: Korea, Vietnam, and the Origins of the Cold War in Asia, 1949–1954' (McGill-Queens) in 1996, ‘The Korean War' (Longman) in 2001, and co-edited ‘Transformations in Twentieth Century Korea' (Routledge, 2006), with Chang Yunshik. Steven teaches courses on Twentieth Century Global History, Twentieth Century Korea, and the International Relations of the Great Powers, and Pertinent to this podcast he is the author of: ‘The Korean Armistice and the End of Peace: The US–UN Coalition and the Dynamics of War-Making in Korea, 1953–1976' (https://www.academia.edu/34375503/The_Korean_Armistice_and_the_End_of_Peace_The_US_UN_Coalition_and_the_Dynamics_of_War-Making_in_Korea_1953_1976). Support via Patreon – https://www.patreon.com/jedleahenry Support via PayPal – https://www.paypal.me/jrleahenry Website – http://www.jedleahenry.org Libsyn – http://korea-now-podcast.libsyn.com Youtube – https://www.youtube.com/channel/UC_qg6g1KyHaRXi193XqF6GA Twitter – https://twitter.com/jedleahenry Academia.edu – http://university.academia.edu/JedLeaHenry Research Gate – https://www.researchgate.net/profile/Jed_Lea-Henry

This episode of the Korea Now podcast features an interview that Jed Lea-Henry conducted with David Fields. Discussing the lesser known, but foundational early period of Syngman Rhee's life – South Korea's first President – they walk through his childhood influences, independence activism, imprisonment, exile and education in the United States, his position as President of the Korean Provisional Government, international diplomacy, and the unintended impact he had on the eventual division of the Korean peninsula. David Fields earnt his PhD from the University of Wisconsin–Madison in 2017, is a Fulbright scholar at Yonsei University, and editor of the Journal of American-East Asian Relations. A leading expert on Syngman Rhee, he edited The Diary of Syngman Rhee (Museum of Contemporary Korean History), and has an upcoming book – soon to be published by the University of Kentucky Press – on the early period of Rhee's life (Pre-1945).   Donate at Patreon – https://www.patreon.com/jedleahenry Website – http://www.jedleahenry.org Libsyn – http://korea-now-podcast.libsyn.com Youtube – https://www.youtube.com/channel/UC_qg6g1KyHaRXi193XqF6GA Twitter – https://twitter.com/jedleahenry Academia.edu – http://university.academia.edu/JedLeaHenry Research Gate – https://www.researchgate.net/profile/Jed_Lea-Henry