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Author of 21 century guide and me manifest evolve . Certified with mycelium from fungi perfecti by Paul stamets . Organic certified farmer in Shasta Valley area . Oregon veterans life coach for guided mushroom trails. Peyote fire keeper and a member of peyote church . Sweat lodge fire keeper Lakota tradition and absentee Shawnee tribe . Vision quest medicine wheel guide . Mycologist. Mayan Oracle Reader . Olmec galactic portal messenger. High Priest of ifa . Congo Palo Tata . And child of the Egun . Red road initiate . Creator of an app for mental health and wellness and a life coach for mental wellness and veterans out of Oregon. Iyaba Ibo Mandingo studied fine arts at Southern Connecticut State University and today teaches in and around the tri-state area as a Master Teaching Artist. Iyaba's 1man play “unFRAMED” had an amazing sold out Off-Broadway debut in Spring 2017 at the Elektra Theater NYC after enjoying a successful two-year run off-off Broadway in 2011-12. The play also had a successful run at Harlem Arts Festival 2017 and the Rhode Island Fringe Festival. In 2015 he embarked on his first African tour bringing his 1Man play “unFRAMED”, his first novel “Sins of My Fathers” and his poetry to South Africa and Nigeria. In 2018 he debut his new performance piece AFRIKA360 in Bridgeport Connecticut's Blends Gallery. Iyaba has authored three chapbooks of poetry, “41 Times”, “Amerikkkan
Roughly a third of workers at a Mercedes-Benz plant in Alabama want to join the union, according to the United Auto Workers. This comes after the UAW won a substantial new contract from the Big Three Automakers in November. The UAW previously failed to unionize in Alabama after an initial attempt that began in 2011. Stephen Silvia is the author of The UAW's Southern Gamble. He spoke to Stephan Bisaha of the Gulf States Newsroom about why the Mercedes union campaign in Alabama failed and what it means for the UAW's new southern push. Unframed, a multi-mural exhibit in downtown New Orleans is celebrating a milestone with its 10th installation, “Drum Major NOLA,” by New Orleans artist Keith Duncan. Jessie Hayes, managing director of the Helis Foundation, the organization behind the project, tells us more about the city's newest mural. The Nous Foundation and the Historic BK House & Gardens recently unveiled a new exhibit of contemporary art in New Orleans made primarily by Haitian artists. The exhibition, titled “Haiti-Louisiana: Tides of Freedom,” celebrates the cultural, linguistic and historic ties between the two nations. Scott Tilton, co-founder and director of the Nous Foundation, and Max Jean-Louis, a Haitian-born curator who helped bring this exhibition to life, tell us more about exploring the two countries' connection through art. Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman. You can listen to Louisiana Considered Monday through Friday at 12 and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.
"The whole history of photography from an archival point of view is not just the history of the nation or the world; it's also the history of the changing means of representation and the changing ways of producing images. We should not flatten visual history to a linear narrative. We have to think of it as multi-nodal and cross-pollinatory to a great extent," says Rahaab Allana, editor, 'Unframed; Discovering Image Practices in South Asia' that includes interviews with lens-based artists from Bangladesh, Bhutan, India, Myanmar, Sri Lanka and Pakistan and varied pieces on the visual culture of South Asia by critics, curators and
Nos hace muchísima ilusión traeros esta entrevista con Joxe, nuestro colega de Piedrapapeld20. Descubriremos cómo empezó en el rol, sus juegos y libros de teoría de dirección favoritos, su forma de tomar referencias desde otros medios como los videojuegos, y todo lo que nos depara en su canal de cara a este nuevo curso - Twitter de Piedrapapeld20: https://twitter.com/piedrapapeld20 - Canal de Youtube de Piedrapapeld20: https://www.youtube.com/c/piedrapapeld20 Libros recomendados: - Never unprepared de Phill Vecchione: https://enginepublishing.com/never-unprepared-the-complete-game-masters-guide-to-session-prep - Unframed: the art of improvisation for GMs: https://enginepublishing.com/unframed-the-art-of-improvisation-for-game-masters - The ultimate RPG guide (Boxed set): James D'Amato
Perrotin New York is pleased to present the first survey exhibition in the United States of the late Norwegian-born painter Anna-Eva Bergman (1909-1987), entitled Revelation. A central figure in the development of European modernism, Bergman abstracted the landscapes of Norway into spiritually transcendent compositions. Despite Bergman's colorful life and strikingly original creative output, there has yet to be such a spotlight on her talent — a situation that is soon to change, given a major pair of retrospectives set to open at the Musée d'Art Moderne de Paris and the National Museum of Oslo in 2023. This interview is with Thomas Schlesser, the director of the Hans Hartung and Anna-Eva Bergman foundation. N°63-1961 Big universe with small squares, 1961. Oil and metal sheet on canvas Framed: 198.2 × 208 × 6 cm. Photographer: Claire Dorn. ©Anna-Eva Bergman /ADAGP, Paris & ARS, New York 2022. Courtesy Fondation Hartung -Bergman & Perrotin Anna-Eva Bergman N°59-1962 Small golden fire on black, 1962 Tempera and metal sheet on canvas Unframed: 24 1/16 x 19 11/16 inch Framed: 25 7/8 x 21 9/16 x 1 9/16 inch ©Anna-Eva Bergman/ADAGP, Paris & ARS, New York 2022. Courtesy Fondation Hartung-Bergman & Perrotin Anna-Eva Bergman N°17-1976 Nunatak II, 1976 Acrylic and metal sheet on canvas Unframed: 98 7/16 x 78 3/4 inch Framed: 101 3/8 x 81 9/16 x 2 3/8 inch ©Anna-Eva Bergman/ADAGP, Paris & ARS, New York 2022. Courtesy Fondation Hartung-Bergman & Perrotin
"Unframed pop and not folksy folk," Cincinnati singer/songwriter Mol Sullivan tried to explain about her songwriting. Adding, “there are elements of a lot of things.” She's right that her music is hard to place in a genre, yet Sullivan has crafted a sound that is undenyably her own. Her songs are ethereal, sincere, and almost magical. For her session for WCPO Lounge Acts, Sullivan performed three songs from her upcoming full-length album that's still in the works, as well as a new single set to drop July, 2022. Set list: 0:00 - intro 0:32 - Cowboy 5:28 - Cautiously 8:27 - interview 15:04 - Deep End Dive 18:51 - Lamb23:03 - outro Mol Sullivan: https://www.molsullivan.com/ https://molsullivan.bandcamp.com/ WCPO Lounge Acts: https://www.wcpo.com/loungeacts Recorded June 16, 2022 Hosted by Brian Niesz Produced by Brian Niesz See omnystudio.com/listener for privacy information.
Dana Chandler, the curator behind the new Wren's Nest exhibition “Unframed Images: Photography from the Collection of P.H. Polk,” explains why Polk's work was considered radical for his time. Plus, our series “Speaking of the Arts” features surrealist sculptor Morgan Lugo.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Scott McIntire, HOTstudio Underwritten by https://www.peconiclanding.org/ (Peconic Landing) Greenport-based artist https://www.scottmcintire.com/home (Scott McIntire) — One of the artists featured in the Unframed exhibition in its final week at Alex Ferrone Gallery — talks about how energy fields have become a signature of his works bringing attention to the fact that the air is saturated with all manner of waves that are invisible to the naked eye. For more info: https://www.scottmcintire.com/home (scottmcintire.com) and http://www.alexferronegallery.com/ (alexferronegallery.com) Steve Amaral, Tasty Tuesday Underwritten by https://www.southamptonartscenter.org/ (Southampton Arts Center) North Fork chocolatier Steve Amaral talks about some of his newest projects, including a line of spices, vegetarian fare such as vegan spare ribs and Belgian waffles a la mode Find https://northforkchocolate.com/home-page (North Fork Chocolate Company) on Instagram: @northforkchocolate
Guest: Yann Rey | Founder of Unframed Ice Cream - Cape Town's first artisanal ice cream shop. In 2019, they were voted number one on the Big 7 Travel list of best places to indulge in ice cream anywhere in the world. It started out on Kloof Street, before branching out to several locations. Eight locations to be precise. You can get your Unframed Ice Cream Fix all over Cape Town, even as far as Stellenbosch and Franschoek. See omnystudio.com/listener for privacy information.
VIN AND SORI GEAR www.teespring.com/stores/the-village-market PAYPAL vinandsorimerch@gmail.com Patreon https://www.patreon.com/Vinandsori MAIL US SOMETHING AT Vin and Sori P.O. Box 7024 Lewiston, Maine 04243 EMAIL US vinandsori@gmail.com MIDDLE AMERICA WITH VIN AND SORI https://www.youtube.com/channel/UCojH... Facebook https://www.facebook.com/VinAndSori/ Twitter https://twitter.com/VinAndSori Instagram https://www.instagram.com/vinsoriseven/ --- Support this podcast: https://anchor.fm/conversations-with-vin-and-sori/support
Eiko Ishioka was a graphic, costume, and set designer. She was born July 12, 1938 in Tokyo, Japan. Growing up, her life always fused western and Japanese culture. She graduated from the Tokyo National University of Fine Arts and Music in 1960 and immediately started working for the largest cosmetic company in Japan, Shiseido. There she revolutionized the poster with her bold use of diverse models and progressive feminist messages that defied tradition. Ishioka later worked as a creative director for the department store Parco, producing iconic posters and television ads that broke with tradition and showed no products. In 1983, Ishioka left Parco and opened her own design studio. Once in her own practice, Eiko experimented more and more with surrealism as she moved into designing sets and costumes for film and theater. She won awards for her work on Mishima (1985) and Madame Butterfly (1988). Ishioka would go on to win the 1993 Academy Award for Best Costume Design (along with multiple other awards) for her incredible costume designs for Francis Ford Coppola's 1992 film adaptation of Bram Stoker's Dracula. It was Ishioka's life work to push up against tradition. The result is a stunning body of work worthy of inclusion in the design history canon.TIMELINE1938 – b. Tokyo, Japan1961 – graduated Tokyo National University of Fine Arts and Music1970 – founded own firm1970 – ūman ribu movement1980 – moved to New York1983 – published her own book Eiko by Eiko1985 – Equal Opportunity Law passed in Japan; Mishima releases featuring set designs from Ishioka, for which she wins the Award for Artistic Contribution at the 1985 Cannes Film Festival.1992 – Bram Stoker's Dracula1993 – Ishioka's costume designs on Dracula win her the Academy Award for Best Costume Design2002 – Designs sports uniforms for the 2002 Olympics2008 – Designs the opening ceremony costume designs for the Beijing Olympics 2010 – Costume Designs for Broadway Musical, “Spiderman: Turn Off the Dark”2012 – d. Age 73 in Tokyo, Japan from pancreatic cancerREFERENCESAssociated Press. (2012, January 26). Costume designer Eiko Ishioka, recently known for Broadway's “Spider-Man,” has died at 73. Washington Post. https://web.archive.org/web/20120205143125/http://www.washingtonpost.com/entertainment/theater-dance/costume-designer-eiko-ishioka-recently-known-for-broadways-spider-man-has-died-at-73/2012/01/26/gIQAyZhgTQ_story.htmlDalí Paris. (n.d). Dalí and fashion. Dalí Paris. Retrieved 25 May 2021 from https://www.daliparis.com/en/salvador-dali-en/dali-fashion/Edwards, L. N. (1988). Equal Employment Opportunity in Japan: A View from the West. ILR Review, 41(2), 240–250. https://doi.org/10.1177/001979398804100206Eiko Ishioka. (1992). ADC Global. http://adcglobal.org/hall-of-fame/eiko-ishioka/Eiko Ishioka. (n.d.). A SEARCH HISTORY. https://asearchhistory.weebly.com/eiko-ishioka.htmlFox, M. (1984, March 1). An Interview with Eiko Ishioka, by Ingrid Sischy. Artforum International. https://www.artforum.com/print/198403/an-interview-with-eiko-ishioka-by-ingrid-sischy-35403Fox, M. (2012, January 27). Eiko Ishioka, Costumer of the Surreal, Dies at 73. The New York Times. https://www.nytimes.com/2012/01/27/arts/design/eiko-ishioka-designer-dies-at-73.htmlFusek, A. P. (2021, February 27). The Feminist Movement in Japan: WWII to the 1970s. Unseen Japan. https://unseenjapan.com/feminist-movement-japan-wwii-1970s/Goodall, H. (2013, January 3). Origins and influence of surrealism in Japanese art. Unframed. Retrieved 25 May 2021 from https://unframed.lacma.org/2013/01/03/origins-and-influence-of-surrealism-in-japanese-artGraphic Liberation of Gender: Eiko Ishioka Poster ExhibitionThe Japan Foundation, Toronto. (2017, September 6). Japan Foundation. https://jftor.org/event/eiko-ishioka-poster-exhibition/2017-09-06/Haley, M. (n.d.). Sneak Peek: Eiko Ishioka Papers at UCLA Library Special Collections. LA Collective. https://laacollective.org/work/eiko-ishiokaHooks, R. (2018). Surrealism in graphic design. 99designs. Retrieved 25 May 2021 from https://99designs.com/blog/design-history-movements/surreal-graphic-design/ITSLIQUID. (2020, December 18). Eiko Ishioka: Blood, Sweat, and Tears. https://www.itsliquid.com/eikoishioka-bloodsweatandtears.htmlJapanese Pickers. (2017, January 6). 1990 Print Available [Facebook Post]. Facebook. https://www.facebook.com/unsupportedbrowserK. (2020, February 10). Shibuya PARCO - Interactive Shopping, Art, And Hands-On Technology. Matcha - Japan Travel Web Magazine. https://matcha-jp.com/en/9390Lorde Velho. (2020, July 23). The Costumes Are the Sets - The Design of Eiko Ishioka (Legendado PTBR) [Video]. YouTube. https://www.youtube.com/watch?v=3TFCNCt-gUkMolony, B. (2000). Women's Rights, Feminism, and Suffragism in Japan, 1870-1925. Pacific Historical Review, 69(4), 639-661. doi:10.2307/3641228Parsons, K. (2019, July 22). THE THEATER. VERY PARCO. | Cooper Hewitt, Smithsonian Design Museum. Cooper Hewitt Smithsonian Design Museum. https://www.cooperhewitt.org/2018/03/17/the-theater-very-parco-2/Pola Museum of Art. (2019). Surrealist painting: Influences and iterations in Japan. Pola Museum of Art. Retrieved 25 May 2021 from https://www.polamuseum.or.jp/english/exhibition/20191215s01/Sayej, N. (2018, January 16). 7 designers keeping the art of surrealism alive today. Print Mag. Retrieved 25 May 2021 from https://www.printmag.com/post/7-designers-keeping-surrealism-aliveSchenker, M. (2018, October 25). Design trend report: Surrealism. Creative Market. Retrieved 25 May 2021 from https://creativemarket.com/blog/design-trend-report-surrealismStech, A. (2019, October 4). How 1920s surrealism impacted modern design. Wallpaper. Retrieved from 25 May 2021 from https://www.wallpaper.com/design/surrealism-and-design-vitra-design-museum-exhibitionSurreal Costumes by Legendary Designer Eiko Ishioka. (2019, June 4). Juxtapoz: Art and Culture. https://www.juxtapoz.com/news/design/surreal-costumes-by-legendary-designer-eiko-ishioka/Takeuchi-Demirci, A. (2010). Birth Control and Socialism: The Frustration of Margaret Sanger and Ishimoto Shizue's Mission. The Journal of American-East Asian Relations, 17(3), 257-280. Retrieved April 28, 2021, from http://www.jstor.org/stable/23613288The Academy. (2018, March 30). How Eiko Ishioka's revolutionary costumes won Coppola's “Dracula” an Oscar. Medium. https://medium.com/art-science/how-francis-ford-coppola-s-choice-to-work-with-a-weirdo-outsider-led-to-an-oscar-dd22bdf51e2aTimes, T. N. Y. (1973, December 8). Japan Braces for a Full‐Scale Oil Crisis. The New York Times. https://www.nytimes.com/1973/12/08/archives/japan-braces-for-a-fullscale-oil-crisis-japan-whose-busy-economy.htmlTimes, T. N. Y. (1983, March 27). CHANGING FACE OF JAPAN. The New York Times. https://www.nytimes.com/1983/03/27/magazine/changing-face-of-japan.htmlVitra Design Museum. (2019). Objects of desire: Surrealism and design 1924 - today. Vitra Design Museum. Retrieved 25 May 2021 from https://www.design-museum.de/en/exhibitions/detailpages/objects-of-desire-surrealism-and-design.html?desktop=318&cHash=c626c20211a0d1333a9393761a0ffc40Wang, M. (2017, March 8). _What's PARCO?_JAPAN Monthly Web Magazine. https://japan-magazine.jnto.go.jp/en/special_parco.htmlWood, G. (2007). Surrealism and design. V&A. Retrieved 25 May 2021 from https://www.vam.ac.uk/articles/surrealism-and-design
In this episode I speak with Jessie Haynes, Managing Director of The Helis Foundation in New Orleans, LA. We discuss:The role of a foundation Transitioning from being an attorney to running a foundation The role of art and public art and the projects around New Orleans they fund such as Art for All: The Helis Foundation Free Days; the Poydras Corridor Sculpture Exhibition presented by The Helis Foundation; and Unframed, the first multi-mural exhibition of large scale artwork in Downtown New OrleansHer experience as a board member for organizations such as Ogden, PRC, Arts Council of New OrleansJessie received her B.A. from Newcomb College of Tulane University, majoring in English and Art History, and her J.D. from Loyola University College of Law. After serving as a judicial law clerk, practicing law in the private sector, and directing programs on the staff of a statewide public policy organization, she joined The Helis Foundation in 2014. Jessie received Gambit Weekly's “40 Under 40” honor in 2017, was a CityBusiness Women of the Year in 2017 and one of New Orleans Magazine's “People to Watch” in 2015 and Adore Magazine's “Most Influential New Orleanians” in 2020. Listen to this episode on sarahstoryartlife.com, Spotify, or apple podcast. You can follow us on instagram @sarah_story_artlife, @jhaynes1979, @poydrascorridor, and TheHelisFoundation.org. Thank you for tuning in! Please DM any questions or comments on my instagram.
This audio blog will help in hanging those posters that you have kept aside fearing it'll damage your wall. Here's how to do it without drilling any holes.
As Yan Cordeau prepares for Mural Festival this month, we sat down and spoke with him about his unique vision. An art and creative director by trade, Yan has developed a network of artists and creators from around the world that he collaborates with to create one of a kind projects. In 2012, he became the co-founder and Creative Director of LNDMRK, an artistic marketing agency and production house. Simultaneously co-founding The MURAL Festival (Winner of the Grand Prix du Tourisme, 2014 & 2016), an international public art event, shaping the visual landscape of Montreal. Since the founding of these entities, Yan has also co-created numerous IP's as part of LNDMRK like UNFRAMED and the Ricardo Cavolo clothing brand, plus, he worked on vast and developing list of exciting projects for big brands like the Montreal Canadiens, Red Bull, Nike, Aldo, Lululemon, Henessy and musical artists like Kaytranada and Macklemore. Also, Yan has sat on the Board of Directors of Akousma/Réseaux since 2010. This podcast was recored in two sessions with some time between them. We hope you enjoy! Follow Yan's projects: @muralfestival
WATCH ON YOUTUBEhttps://youtu.be/2V0dCd7cuxIJeff sits down with artist and educator Amber DuBoise-Shepherd to hear about what her work means to her at a deeper level, about her artistic perspective, and about how her work is informed and inspired by having grown up in a home immersed with different Native cultures, traditions, and languages.She also speaks about her work that will be displayed in the upcoming OVAC Momentum exhibit at Living Arts of Tulsa from April 2 through the 23rd.To learn more about Amber and her work, visithttps://www.amberlduboise-shepherdart.comAmber L. DuBoise-Shepherd depicts contemporary Native American narratives based on her family heritage of Navajo, Sac & Fox, and Prairie Band Potawatomi. Her mixed media pieces and oil paintings reference an illustrative quality. She has an Associates of Art from Seminole State College and completed her Bachelors of Fine Arts in Spring 2016 at Oklahoma State University. She was accepted into Momentum March 2017, March 2019, March 2020, and in 2021 she was accepted as Spotlight Artist in Oklahoma that was hosted by the Oklahoma Visual Arts Coalition. She won Best of Show in 2016, 1st Place in 2017, and 1st, 2nd, and Judges Choice Award in 2018, and Best of Show in 2019 in her categories for the Cushing, OK Native American Heritage Festival Juried Art Show and Native Fest Juried Art Show. She also won 1st in her category for the Stillwater Art Guild's Spring Show 2019. She won grand prize and runner up in the IMAGEN Art Competition: “Native Tradition is Medicine: Resilience and Native Lifeways during COVID-19” in 2020. She was asked to show work in an exhibition at Studio112 and a Half in January 2018 for the show named Unframed. DuBoise-Shepherd was also a speaker for Native American artist of Oklahoma at the Indigenous Arts Ecology presented by First Peoples Fund. DuBoise-Shepherd was also one of two selected for the first ever Red Earth's Emerging Artist Award in 2018 by the Red Earth board for her body of work. She has exhibited Southern Plains Indian Museum in Anadarko, OK consisted of her most recent body of work in her exhibition Tradition Through Modern Eyes 2018. Her most recent exhibition was a solo exhibition at the Jacobson Native Art Center from April-May 2019. She started off the year 2020 exhibiting at the TAC Gallery in Tulsa, OK for her exhibition Living on the Native Oklahoma Reservation, as well as being accepted into two Oklahoma Visual Arts Coalition Exhibition Concept/Survey at the Ahha Gallery in Tulsa, OK and Momentum 2020 in Oklahoma City. DuBoise-Shepherd will also be exhibiting work at the Ahha Gallery in July 2020 for the Re/Convening exhibition and Azhwakwa: Contemporary Anishinaabe Art exhibition at the Jacobson Native Art Center in Norman, OK in August 2020. She exhibited for the Speak: Speak While You Can exhibition at the Living Arts Center in Sept. – Oct. 2020. She has increasingly been showing at different markets to sell and show her work to the public and was accepted in the Santa Fe Indian Market August of 2018 and 2019, which is the biggest Native American arts market in the world, in Santa Fe, New Mexico. She attended the Artesian Native Art Market in Sulpher, OK, and The Cherokee Art Market in Catoossa, OK for the first time in 2019. DuBoise-Shepherd is the Manager of Education and Outreach at the Mabee-Gerrer Museum of Art in Shawnee, OK since April 2019. She is married and currently lives in her hometown of Shawnee, OK with her husband Josh Shepherd.
WATCH ON YOUTUBEhttps://youtu.be/2V0dCd7cuxIJeff sits down with artist and educator Amber DuBoise-Shepherd to hear about what her work means to her at a deeper level, about her artistic perspective, and about how her work is informed and inspired by having grown up in a home immersed with different Native cultures, traditions, and languages.She also speaks about her work that will be displayed in the upcoming OVAC Momentum exhibit at Living Arts of Tulsa from April 2 through the 23rd.To learn more about Amber and her work, visithttps://www.amberlduboise-shepherdart.comAmber L. DuBoise-Shepherd depicts contemporary Native American narratives based on her family heritage of Navajo, Sac & Fox, and Prairie Band Potawatomi. Her mixed media pieces and oil paintings reference an illustrative quality. She has an Associates of Art from Seminole State College and completed her Bachelors of Fine Arts in Spring 2016 at Oklahoma State University. She was accepted into Momentum March 2017, March 2019, March 2020, and in 2021 she was accepted as Spotlight Artist in Oklahoma that was hosted by the Oklahoma Visual Arts Coalition. She won Best of Show in 2016, 1st Place in 2017, and 1st, 2nd, and Judges Choice Award in 2018, and Best of Show in 2019 in her categories for the Cushing, OK Native American Heritage Festival Juried Art Show and Native Fest Juried Art Show. She also won 1st in her category for the Stillwater Art Guild’s Spring Show 2019. She won grand prize and runner up in the IMAGEN Art Competition: “Native Tradition is Medicine: Resilience and Native Lifeways during COVID-19” in 2020.She was asked to show work in an exhibition at Studio112 and a Half in January 2018 for the show named Unframed. DuBoise-Shepherd was also a speaker for Native American artist of Oklahoma at the Indigenous Arts Ecology presented by First Peoples Fund. DuBoise-Shepherd was also one of two selected for the first ever Red Earth’s Emerging Artist Award in 2018 by the Red Earth board for her body of work. She has exhibited Southern Plains Indian Museum in Anadarko, OK consisted of her most recent body of work in her exhibition Tradition Through Modern Eyes 2018. Her most recent exhibition was a solo exhibition at the Jacobson Native Art Center from April-May 2019. She started off the year 2020 exhibiting at the TAC Gallery in Tulsa, OK for her exhibition Living on the Native Oklahoma Reservation, as well as being accepted into two Oklahoma Visual Arts Coalition Exhibition Concept/Survey at the Ahha Gallery in Tulsa, OK and Momentum 2020 in Oklahoma City. DuBoise-Shepherd will also be exhibiting work at the Ahha Gallery in July 2020 for the Re/Convening exhibition and Azhwakwa: Contemporary Anishinaabe Art exhibition at the Jacobson Native Art Center in Norman, OK in August 2020. She exhibited for the Speak: Speak While You Can exhibition at the Living Arts Center in Sept. – Oct. 2020. She has increasingly been showing at different markets to sell and show her work to the public and was accepted in the Santa Fe Indian Market August of 2018 and 2019, which is the biggest Native American arts market in the world, in Santa Fe, New Mexico. She attended the Artesian Native Art Market in Sulpher, OK, and The Cherokee Art Market in Catoossa, OK for the first time in 2019. DuBoise-Shepherd is the Manager of Education and Outreach at the Mabee-Gerrer Museum of Art in Shawnee, OK since April 2019. She is married and currently lives in her hometown of Shawnee, OK with her husband Josh Shepherd.
En este episodio exploramos la estrecha y complicada relación entre la moda y el género. La idea de hablar de este tema surgió del auge que hemos visto recientemente de moda que se ofrece como “genderless” —se podría decir “sin género” en español— y decidimos explorar un poco más el tema. Referencias: Alok V. Menon, “Fashion’s Genderless Future | #BoFVOICES 2019”, video de YouTube, grabado el 6 de diciembre de 2019, https://youtu.be/SlAqxFyoOCA. Amanda Wunder, “Innovation and Tradition at the Court of Philip IV of Spain (1621–1665): The Invention of the Golilla and the Guardainfante”, en Fashioning the Early Modern: Dress, Textiles and Innovation in Europe, 1500–1800, ed. Evelyn Welch (Oxford University Press, 2017), 111–133. Andrew Brennan y Amy Luft, “Why some high school boys in the Montreal area are wearing skirts to school”, CTV News, 9 de octubre de 2020, https://montreal.ctvnews.ca/why-some-high-school-boys-in-the-montreal-area-are-wearing-skirts-to-school-1.5140619. Anne Hollander, Sex and Suits: The Evolution of Modern Dress (Nueva York: Bloomsbury, 2016). “French Revolutionary Fashion”, Unframed, recuperado el 7 de marzo de 2021, https://unframed.lacma.org/2016/08/03/french-revolutionary-fashion. Joanne Entwistle, El cuerpo y la moda. Una visión sociológica (Barcelona: Paidós, 2002). Judith Butler, El género en disputa. El feminismo y la subversión de la identidad (Barcelona: Paidós, 1990). Karen B. Graubart, “Weaving and the Construction of a Gendered Division of Labor in Early Colonial Peru”, American Indian Quarterly 24, no. 3 (2000): 537–561. Khadija Bilal, “Here’s Why It All Changed: Pink Used to Be a Boy’s Color & Blue For Girls”, The Vintage News, 8 de octubre de 2019, https://www.thevintagenews.com/2019/05/01/pink-blue/#:~:text=Evans%20revealed%20that%20back%20in,more%20feminine%20alternative%20like%20blue. Nihan Akdemir, “Deconstruction of Gender Stereotypes Through Fashion”, European Journal of Social Science Education and Research 5, no. 2 (2018): 259–264. Encuéntranos en: http://culturasdemoda.com/salon-de-moda/ @culturasdemoda | #SalonDeModa Agradecemos a Fair Cardinals (@faircardinals) por la música, a Jhon Jairo Varela Rodríguez por el diseño gráfico y a Maca Rubio por la edición del audio.
Subscribe on YouTube: https://www.youtube.com/channel/UCQX-nWBQWKL3lnx52f3AuCwBOOKS MENTIONED:“The Push” by Ashley Audrainhttps://www.goodreads.com/book/show/52476830-the-push?ac=1&from_search=true&qid=OihQ5j4Ir5&rank=3“These Violent Delights” by Micah Nemereverhttps://www.goodreads.com/book/show/49203397-these-violent-delights?ac=1&from_search=true&qid=lET2imUcgF&rank=2“The Lantern Man” by Jon Bassoffhttps://www.goodreads.com/book/show/48895088-the-lantern-man?ac=1&from_search=true&qid=nm1oGDK1QX&rank=1“What Could Be Saved” by Lise O'Halloran Schwarzhttps://www.goodreads.com/book/show/54304018-what-could-be-saved?ac=1&from_search=true&qid=YmjHKL8UEj&rank=1“Girl, Unframed” by Deb Calettihttps://www.goodreads.com/book/show/43663311-girl-unframed?ac=1&from_search=true&qid=XRqZpzdrb7&rank=1Girls on Film Episode: https://podcasts.apple.com/us/podcast/girls-on-film/id1521685729?i=1000506720577 FOLLOW ME ON INSTAGRAM AND GOODREADS @ILIKETOREADPOD TWITTER: @rpolansky77FACEBOOK: https://www.facebook.com/iliketoreadpodMEDIA MAVEN BLOG: https://rpolansky77.wixsite.com/website
Show Notes:Intro - On the Needles - Dami - ~halle’s bella hat - Twilight Eclipse Bella's Slouchy Striped Toque by Amy Thiessen (no longer available; lmk if you want a pdf) on US 7 - 4.5 mm & US 8 - 5.0 mm, Debbie Bliss Donegal Tweed Aran in 26 Forest & 7 OatmealC.C. -~2021 Birthday Socks for Izzy - French Vanilla Cappuccino Socks by ME! on US1.5 (2.5mm), Multiple leftover colourwaysProject bag from Mary & Progress Keeper/Stitch Markers from Tilting Planet~2020 Catvent Cowl #2 - The Catvent Cowl by Marna Gilligan (An Caitin Beag) on US2.5 (3mm), An Caitin Dubh 4-Ply Wool Darkness Advent Calendar from An Caitin BeagProject bag from Nerd Bird MakeryFinished Projects - Dami - ~NoneC.C. -~2020 Catvent Cowl - The Catvent Cowl by Marna Gilligan (An Caitin Beag) on US2.5 (3mm), An Caitin Dubh 4-Ply Wool Darkness Advent Calendar from An Caitin Beag~2020 Preemie Hat #51 on US6 (4mm), Knitologie Glowing Worsted in the Pachyderm colourway & Berroco Vintage DK in the Black colourway~2020 Preemie Hat #52 on US6 (4mm), Vidalana Ambient Worsted Dawn Blush colourway & Caron Simply Soft Grey Heather colourwayFlosstube - Begins at timestamp 13:02Dami - ~NoneC.C. - ~Baa Baa Black Sheep by The Prairie SchoolerProject bag from Tilting Planet~Hello Pumpkin by Stitching With the HousewivesProject bag from Stitching The High Notes~Cats and Mandalas - February by Kitty and Me DesignsProject bag from Stitch ToolboxSnipattie from cattycrosstitchesNeedle Minder from Gecko RougeYummies (our current favourite things) - ~An Caitin Beag Advent Calendar~The Black Needle Society The Nice List Box~Concerned Cats Buttons from An Caitin Beag~Ornaments/Bookmarks & Needle Minders from Tracy~Color Street from Creativity by Gidge (Amy)~Wrap up 2020 / Goals for 2021 (WIPGO Group)~Crafty Photo A Day Challenge - #GGKCraftyPAD - details for January hereWhat We're Watching, Reading, + Listening To - Please be aware that we do discuss recent tv show episodes that have aired in the last week or so. This is your spoiler warning!Episode 428 Bookshop List~The Glass Scientists (webcomic) by Sabrina Cotungo - Dami is readingOctober / November / December 2020 RAL - 15 minutes of reading daily challenge* 88-92 of 92 days - 1 or more giveaways for eBook, everyone gets $1.20 off any single pattern coupon code & 88+ days RAL virtual badge * 61-87 of 92 days - 1 or more giveaways for single pattern, everyone gets 61+ days RAL virtual badge* #GGKRAL202020 RAL Yearlong Challenge~October / November / December* 92 days - 10 entries* 88-91 days - 8 entries* 61-87 days - 5 entries~Read All 366 days - 10 bonus entries~Complete the Modern Mrs. Darcy 2020 Reading Challenge - 12 bonus entries [all or none] (we'll open a thread for you to post this in December 2020)~3 grand prize winners drawn from all the entriesGrand Prize Bundle #1CJ Kopec Creations Delight - 1 skein of Ember from EileenFloss Organiser from LoriBling Your String! Stitch MarkerGnR Alpaca Farm floral buttons set from HillaryHoneyberry Studios Listen to your body stickerReading badge from HillaryBag of Random Crafting NotionsWinner’s choice of 1 eBook or 4 single knitting patterns from JavaPurl DesignsWinner’s choice of 1 PDF cross stitch pattern from Bendy Stitchy DesignsGrand Prize Bundle #2CJ Kopec Creations Integrity - 1 skein of Purple Passion from EileenFloss Organiser from LoriBling Your String! Stitch MarkerGnR Alpaca Farm rainbow buttons set from HillaryHoneyberry Studios Listen to your body sticker Reading badge from HillaryBag of Random Crafting NotionsWinner’s choice of 1 eBook or 4 single knitting patterns from JavaPurl DesignsWinner’s choice of 1 PDF cross stitch pattern from Bendy Stitchy DesignsGrand Prize Bundle #3Knitologie Worsted - 1 skein of EmpireFloss Holders - 6 of them from LoriPinkmakaroons Star Progress KeeperPandia’s Jewels Illumikniti Cork Label SetHoneyberry Studios Listen to your body stickerReading badge from HillaryBag of Random Crafting NotionsWinner’s choice of 1 eBook or 4 single knitting patterns from JavaPurl DesignsWinner’s choice of 1 PDF cross stitch pattern from Bendy Stitchy DesignsJanuary / February / March 2021 RAL - 15 minutes of reading daily challenge* 86-90 of 90 days - 1 or more giveaways for eBook, everyone gets $1.20 off any single pattern coupon code & 86+ days RAL virtual badge* 59-85 of 90 days - 1 or more giveaways for single pattern, everyone gets 59+ days RAL virtual badge* #GGKRAL21* #GGKRAL21~ January / February / March* 90 days - 10 entries* 86-89 - 8 entries* 59-85 - 5 entries~ April / May / June* 91 days - 10 entries* 87-90 - 8 entries* 60-86 - 5 entries~ July / August / September* 92 days - 10 entries* 88-91 days - 8 entries* 61-87 days - 5 entries~ October / November / December* 92 days - 10 entries* 88-91 days - 8 entries* 61-87 days - 5 entries~ Read All 365 days - 10 bonus entries~ Complete the Modern Mrs. Darcy 2021 Reading Challenge - 12 bonus entries [all or none] (we'll open a thread for you to post this in December 2021)~Outside the Lines: How Embracing Queerness Will Transform Your Faith by Mihee Kim-Kort - C.C. finished reading~Harry Potter & the Order of the Phoenix (Harry Potter #5) - C.C. is rereading with Harry Potter & the Sacred Text podcast & Swish and Flick: An All Potter Podcast~The City in the Middle of the Night by Charlie Jane Anders - C.C. finished reading~Kitty Norville Series by Carrie Vaughn - C.C. finished reading Books 2, 3, & 4~How to Fail at Flirting by Denise Williams - C.C. finished reading~Girl, Unframed by Deb Caletti - C.C. finished reading~The Searcher by Tana French - C.C. is reading~Movies - The Polar Express | Indiana Jones movies | Wonder Woman 1984~Monk - finished rewatching Series~Stargate SG-1 - rewatching Season 1~House Hunters - watching~A Discovery of Witches - rewatched Season 1~NEXT - Series finale~Call the Midwife - Christmas Special~Star Trek: Discovery - watching Season 3~My Favourite Murder podcast~Cabin Pressure~Random Spotify PlaylistsDecember / January / February Winter Wonderland AL -*Runs from 1-December through 28-February*Details - any project you knit/crochet/weave/spin/stitch/sew that you can convince us relates to winter*No WIPS - Your project must be begun no earlier than 1-December and finished no later than 28-February*Each project that you knit/crochet/weave/spin must be at least 20yds/18.3m that you finish and post in the Facebook Group FO Thread counts as 1 entry into the giveaways. If your project is not at least 20yds/18.3m, you need to group it in a single post with other projects that together total at least 20yds/18.3m. For stitching/sewing projects, we’ll leave it to your best judgment. If you wanted our official ruling, PM email us at ggkcspodcast@gmail.com*Feel free to poly-dip in other ALs as long as it fits in with other rules*Please complete our Google form in order to help us make sure you are receiving a prize that you'll actually enjoy using.*Prizes: If you’d like to donate one, email us at ggkcspodcast@gmail.comSanta Claus Hoop Cross Stitch KitPandia's Jewels Hunger Games Stitch Marker SetAudine Wools by KnitCrate Shine Sport - 2 skeins of Sky - 2 winners will win 1 skeinUru.Yarn by KnitCrate Cotton Basic - 1 skein of PavementThe Shorter Things Collection by D. Marie Prokop, set of stitch markers, & bookmark*Must be a member of the our Facebook group ~ GGKCS Podcast / FlossTube to participate*Social Media Hashtag: #GGKCSWinter2021*Thread will be locked the morning of 1-March and winner(s) drawn on the next podcast following that*For any and all giveaways, prizes, competitions, ALs, etc. that we host, the winner(s) have 30 days from the date of announcement (the date the podcast episode in which the winner was announced goes live) to contact us to claim their prize or it will be forfeited. If this occurs, the prize will be used for another giveaway at our discretion. Thanks for understanding!*There is a Chatter Thread in our Facebook group so we can encourage each other along the way.Ask the Geeks - Originally asked/answered in 2016:Carolyn asks:I noticed, in the sock patterns that I’ve purchased from you, that you use a twisted rib. Is there a specific reason you chose that type of rib?Misc. - ~The Black Needle Society VIP - Use the code JAVAPURL5 for a discount on your first box of box to box subscriptions (the 6 & 12 month boxes already have a discount built in; not valid on special edition boxes.~Support the Podcast, Become A Patron~Support the Podcast, Join us on YouTube~Each week, we create a list on Bookshop of all the books we talk about in that week's episode. Bookshop is an online bookstore with a mission to financially support local, independent bookstores. If you purchase a book from our list, we earn a commission & local, independent bookstores also earn money from your purchase.~Want another way to help support our podcast? Throughout our website, links to books, tv shows, movies, etc. are Amazon Affiliate Links. We receive a portion of what you spend when you click through our website to shop on Amazon. What we receive helps us with the costs associated with producing this podcast as well as with prizes & shipping for giveaways. Thanks in advance for your support!If you are in the UK, please click this link, Amazon.co.uk, or the banner below to shop:If you are in Canada, please click this link, Amazon.ca or the banner below to shop:~For any and all giveaways, prizes, competitions, ALs, etc. that we host, the winner(s) have 30 days from the date of announcement (the date the podcast episode in which the winner was announced goes live) to contact us to claim their prize or it will be forfeited. If this occurs, the prize will be used for another giveaway at our discretion. Thanks for understanding!Find Us Online -C.C. - (she/her)~ on Instagram as CC_JavaPurlDami - (they/them)~ on Instagram as damisdoodlesPink Purl - ~on Instagram as pinkiepurlJavaPurl Designs~ JavaPurl Designs websiteGGKCS -~ our Facebook group ~ GGKCS Podcast / FlossTube~ our Facebook page~ email us: ggkcspodcast@gmail.com~ on Apple Podcasts~ on YouTube~ Support the Podcast, Become a PatronUntil next time,
When an art movement born of Dada, post WWI depression, and Sigmund Freud comes on the scene.... What did you really expect? Join BYWAP for this mini picnic of lucid dreaming and furry teacups. Together, we'll explore the deeply troubling thoughts of artists like Max Ernst, Salvador Dali, Rene Magritte, and so many others—as well as take inspiration from the techniques they developed to make this uncanny art. Find out how Surrealism took root in 20th century Paris through the form of manifests and creative types; contemplate quietly the art that you could create if you did a lot of deep breathing, randomly rubbed graphite on random pieces of paper, and channeled your weirdest dreams; find joy in your hearts the way that the Sims brings joy to our hearts; remain unsurprised that anarchists and communists co-signed their beliefs into an art style that had no gods nor kings; and bring a Surrealist object and new wealth of Art Historical knowledge to your upcoming ZOOM family holiday group call. Care to join us in some weird art making? Using this list from the Los Angeles County Museum of Art's Unframed, pick a Surrealist technique and create something with it. Be sure to tag us, and we'll post it all over the socials! Things have changed, but we're changing with it. Donate. Sign petitions. Support Black-owned businesses. Educate yourselves. Listen. Speak. Repatriate. Stay Safe. Don't Touch Your Face. Wash Your Hands. Donate! Donate to Black Lives Matter LA, the Action Bail Fund, Black Visions Collective. Please be sure you've signed petitions. If you like what we do, you can support BYWAP over on our Patreon! Find us online! You can follow BYWAP on Twitter and Instagram. You can also find us over on our website! We want to hear from you, to share this time with you. We're in this together, and we're better together. Please leave us a review wherever you listen to podcasts. Every little bit helps as we grow, and we cannot wait to talk to you all again. This is global. Your voice matters. Systemic change is possible. It will not happen overnight—so keep fighting! We stand with you. Our music was written and recorded by Elene Kadagidze. Our cover art was designed by Lindsey Anton-Wood.
Jump to the spoiler free reviews you want to hear Raybearer by Jordan Ifueko- 1:36 Legend born by Tracy Deonn- 9:10 Mexican Gothic by Slivia Moreno-Garcia- 11;24 The Project by Courtney Summers- 22:40 Girl, Unframed by Deb Caleti-32:03 Punching the Air by Ibi Zoboi- 37:37 Midnight Sun by Steph Meyer- 46:13 Our Review and Discussion of Fable by Adrienne Young
Eric and Kelly talk YA romance you may have missed this year and take a deep dive into what IP work is and why it’s likely you love it. This episode is sponsored by TBR, Book Riot’s subscription service offering reading recommendations personalized to your reading life; Amulet Books and Raybearer by Jordan Ifueko; and Skyhunter by Marie Lu. Subscribe to the podcast via RSS, Apple Podcasts, Spotify, or Stitcher. To get even more YA news and recommendations, sign up for our What’s Up in YA newsletter! SHOW NOTES Girl, Unframed by Deb Caletti Body Talk: 37 Voices Explore Our Radical Anatomy edited by Kelly Jensen Vanessa Yu’s Magical Paris Tea Shop by Roselle Lim Agnes at the End of the World by Kelly McWilliams Love Creekwood by Becky Albertalli I Kissed Alice by Anna Birch I’ll Be The One by Lyla Lee The Falling in Love Montage by Ciara Smyth More Than Just a Pretty Face by Syed M. Masood Four Days of You and Me by Miranda Kenneally Late To The Party by Kelly Quindlin Now That I’ve Found You by Kristina Forest A Cuban Girl’s Guide to Tea and Tomorrow by Laura Taylor Namey Salty, Bitter, Sweet by Mayra Cuevas The Geek’s Guide to Dating by Eric Smith by Eric Smith Geekerella by Ashley Poston Avatar: Kyoshi by FC Yee Sarah Enni’s “First Draft” podcast episode on her IP work.
Unframed — In this episode, I chat with Lucy MacGarry - independent curator, arts advisor and Co-Director of Latitudes Online: a new online marketplace for contemporary art from Africa. In September 2019, MacGarry launched Latitudes Art Fair at Sandton City with partners Roberta Coci, Makgati Molebatsi, Nokwazi Zimu and Anthea Buys. Prior to this she has held positions as - the Curator of the South African Pavilion at the Venice Biennale; Curator of the FNB Joburg Art Fair; Curator of the Spier, Nando's and Hollard Collections and Gallery Director of David Krut Projects. She holds a Masters from Wits and an Honours from UCT's Commerce Dept. Latitudes Online launched on 15 July 2020. Go check it out on latitudesartfair.com Enjoy my conversation with Lucy MacGarry.
Unframed — In this episode, I chat with new media artist and independent curator Brooklyn J. Pakathi. Brooklyn J explores the relationships we manifest with technologies, and through his practice, examines the formations of, enactments with and responses to those manifestations. Working within the fields of mixed realities at Johannesburg's TMRW, his practice merges into the collaborative nature of contemporary art-making centred around the use and inclusion of digital tools. TMRW is a gallery space currently in Keyes Art Mile in Johannesburg and also, as The Mixed Reality Workshop, is a multidisciplinary arts and technology space that engages with the creation, development, production and dissemination of mixed reality art experience. TMRW currently has two virtual exhibitions on, which have emerged as a necessity during this COVID19 pandemic and national lockdown. View the exhibitions here: Refiguring Space: https://nationalartsfestival.co.za/show/refiguring-space-exhibition/ Coexistence: https://tmrw.art/coexistence Enjoy listening to my conversation with Brooklyn J. Pakathi and follow @brook_flowers on all social platforms.
L'ouvrage faisant 800 pages vous pouvez imaginez que les dés sont en plomb en regardant cette image Au sommaire de ce numéro monté entre le marteau et l'enclume : Introduction (0 m – 2m55)Actualité (2m55 – 21m59)Les As du Crime, par Gabriel (22m – 50m36)La campagne West Marches, par Eric (50m37 – 1h18m34)La boîte à outils du meneur, par Michaël (1h18m35 – 1h48m30)Les lectures du moment (1h48m31) Mentionnés dans ce numéro : Actualité :Let's RoleRoll 20Foundry Tabletop Rolisteam yXy Les As du Crime :Le jeuLes aventures de l'Hirondelle, la campagne de confinement d'OlivierTour d'horizon des jeux d'Olivier LegrandEnquêtes générales : immersion au cœur de la brigade de répression du banditisme, de Raynal Pellicer, illustré par Titwane (2013)La campagne West Marches :Le premier article de Ben Robbins sur la campagne West Marches Ressources West Marches sur le net Whitehack Old School Essentials Freebooters on the Frontiers (vf) D&D Beyond S'échapper du donjon, une table (d20, pas d100) par Jeff RientsKanka Le Kanka Le Cité des Mensonges (L5A) de Loris Stars without Number DK² Terra X La boîte à outils du meneur de jeu :La boîte à outils du meneur de jeu Mener des parties de jeu de rôle (on en parlait ici) Jouer des parties de jeu de rôle (on en parlait là)Les Carnets Ludographiques : https://www.radio-roliste.net/?p=769, https://www.radio-roliste.net/?p=772, https://www.radio-roliste.net/?p=852, https://www.radio-roliste.net/?p=1018, et https://www.radio-roliste.net/?p=1086La critique de SmallvilleLa critique de Fiasco Tranchons & Tranquons et la version gratuiteHors-série Casus Belli Manuel pratique du jeu de rôle Nos critiques Gnome Stew : Focal Point), Unframed, Odyssey et Never Unprepared Qu'est-ce que vous lisez : Yannick :Shadowrun Anarchy (on en parlait ici) L'Œil NoirdK SystemFutur dK Gabriel :PlanescapeSpelljammer : http://www.legrog.org/jeux/ad-d-spelljammerLe groupe de power metal GloryhammerL'émission sur l'univers de Gloryhammer (en trois parties)La chronique de Stéphane Gallais sur Gloryhammer Eric :Rhialto le merveilleux, par Jack Vance (1984, 2001 pour la vf)Le jeu de rôle Dying EarthLa révolte des anges, par Anatole France (1914)Thin Veneer of RealityMichaël :Module Tomb of the Serpent Kings
L’ouvrage faisant 800 pages vous pouvez imaginez que les dés sont en plomb en regardant cette image Au sommaire de ce numéro monté entre le marteau et l’enclume : Introduction (0 m – 2m55)Actualité (2m55 – 21m59)Les As du Crime, par Gabriel (22m – 50m36)La campagne West Marches, par Eric (50m37 – 1h18m34)La boîte à outils du meneur, par Michaël (1h18m35 – 1h48m30)Les lectures du moment (1h48m31) Mentionnés dans ce numéro : Actualité :Let’s RoleRoll 20Foundry Tabletop Rolisteam yXy Les As du Crime :Le jeuLes aventures de l’Hirondelle, la campagne de confinement d’OlivierTour d’horizon des jeux d’Olivier LegrandEnquêtes générales : immersion au cœur de la brigade de répression du banditisme, de Raynal Pellicer, illustré par Titwane (2013)La campagne West Marches :Le premier article de Ben Robbins sur la campagne West Marches Ressources West Marches sur le net Whitehack Old School Essentials Freebooters on the Frontiers (vf) D&D Beyond S’échapper du donjon, une table (d20, pas d100) par Jeff RientsKanka Le Kanka Le Cité des Mensonges (L5A) de Loris Stars without Number DK² Terra X La boîte à outils du meneur de jeu :La boîte à outils du meneur de jeu Mener des parties de jeu de rôle (on en parlait ici) Jouer des parties de jeu de rôle (on en parlait là)Les Carnets Ludographiques : https://www.radio-roliste.net/?p=769, https://www.radio-roliste.net/?p=772, https://www.radio-roliste.net/?p=852, https://www.radio-roliste.net/?p=1018, et https://www.radio-roliste.net/?p=1086La critique de SmallvilleLa critique de Fiasco Tranchons & Tranquons et la version gratuiteHors-série Casus Belli Manuel pratique du jeu de rôle Nos critiques Gnome Stew : Focal Point), Unframed, Odyssey et Never Unprepared Qu’est-ce que vous lisez : Yannick :Shadowrun Anarchy (on en parlait ici) L’Œil NoirdK SystemFutur dK Gabriel :PlanescapeSpelljammer : http://www.legrog.org/jeux/ad-d-spelljammerLe groupe de power metal GloryhammerL’émission sur l’univers de Gloryhammer (en trois parties)La chronique de Stéphane Gallais sur Gloryhammer Eric :Rhialto le merveilleux, par Jack Vance (1984, 2001 pour la vf)Le jeu de rôle Dying EarthLa révolte des anges, par Anatole France (1914)Thin Veneer of RealityMichaël :Module Tomb of the Serpent Kings
Unframed — In this episode, we listen to an online panel discussion hosted by VANSA, the Visual Arts Network of South Africa. At the beginning of June, VANSA hosted an online dialogue with arts practitioners whose practices span various disciplines. They shared their thoughts and experiences of this moment, their reflections on navigating precarity, how they are surviving creatively, and what new or different possibilities exist for us as a visual arts sector. The panel was hosted by VANSA director Refilwe Nkomo @flokomo, with panelists: Naadira Patel (Artist | Researcher | Designer | Project Manager | Sessional Lecturer) @studiostudioworkwork Mika Conradie (Curator | Researcher | Project Manager) @soft_wave Masimba Sasa (Photographer | Filmmaker | Lecturer | Trainer) @masimbasasa Thato Mogotsi (Curator | Scholar | Lecturer | Trainer) @mogotsi.thato
Unframed — In this episode, I chat with Banele Khoza about his artistic and curatorial practice. This is the final episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID-19 pandemic. As we, in South Africa enter Level 3 of lockdown, we end this series but will continue producing content that keeps the art community connected and inspired. Banele Khoza (*1994) is a Swaziland-born and South African-based visual artist. He firstly enrolled at the London International School of Fashion in Johannesburg, but soon realized his passion was drawing. Khoza holds a BTechin Fine Arts from Tshwane University of Technology, Pretoria. In 2017 he won the prestigious Gerard Sekoto Award and with it a three-month residency at the CitéInternationale des Arts in Paris. His solo exhibitions include Temporary Feelings at the Pretoria Art Museum (2016); Lonely Nights at Lizamore Gallery(2017) LOVE? at Smith Studio in Cape Town (2018). Khoza also headlined the solo exhibition titled LGBTQI+: Banele Khoza as part of the Curatorial Lab at Zeitz MOCAA (2018). In 2018 he curated A Letter to my 22 Year Old Self, a group show presented to launch his fundraising activities which will give grants to art students dealing with economic hardship at SA universities. In 2019 Khoza opened `'Seeking Love`' a museum touring show around South Africa and has been awarded the M&G 200 Young South Africans. Khoza is the co-curator with Nicole Siegenthaler of Art Joburg: Gallery Lab. Enjoy listening to my conversation with Banele Khoza.
In this episode, I chat with Banele Khoza about his artistic and curatorial practice. This is the final episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID-19 pandemic. As we, in South Africa enter Level 3 of lockdown, we end this series but will continue producing content that keeps the art community connected and inspired. Banele Khoza (*1994) is a Swaziland-born and South African-based visual artist. He firstly enrolled at the London International School of Fashion in Johannesburg, but soon realized his passion was drawing. Khoza holds a BTechin Fine Arts from Tshwane University of Technology, Pretoria. In 2017 he won the prestigious Gerard Sekoto Award and with it a three-month residency at the CitéInternationale des Arts in Paris. His solo exhibitions include Temporary Feelings at the Pretoria Art Museum (2016); Lonely Nights at Lizamore Gallery(2017) LOVE? at Smith Studio in Cape Town (2018). Khoza also headlined the solo exhibition titled LGBTQI+: Banele Khoza as part of the Curatorial Lab at Zeitz MOCAA (2018). In 2018 he curated A Letter to my 22 Year Old Self, a group show presented to launch his fundraising activities which will give grants to art students dealing with economic hardship at SA universities. In 2019 Khoza opened `'Seeking Love`' a museum touring show around South Africa and has been awarded the M&G 200 Young South Africans. Khoza is the co-curator with Nicole Siegenthaler of Art Joburg: Gallery Lab. Enjoy listening to my conversation with Banele Khoza.
In this episode, I chat with Carly Whitaker about her artistic, curatorial and research practice. This is the 6th episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID-19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. Carly Whitaker is an artist, curator, researcher and lecturer based in Johannesburg, South Africa. She holds a BA Fine Arts and a MA in Digital Interactive. She has participated in numerous exhibitions at art spaces in Johannesburg, Freiburg, Casablanca, Miami and Sao Paulo. Her curatorial projects include Floating Reverie, an online digital residency programme, which has been running for over five years and Blue Ocean an online digital project space. She is interested in the positioning of this as artistic research and investigating how artists can develop a practice online. Through her own practice she engages in a constant exploration of how we communicate through media and the ways we use technology to create dialogues, form connections between ourselves and the digital space. Carly is currently extending her practice and research into new areas with her PhD at the University of Reading (UK) with a focus on curating and networked methodologies in South Africa. Enjoy listening to my conversation with Carly Whitaker.
Unframed — In this episode, I chat with Carly Whitaker about her artistic, curatorial and research practice. This is the 6th episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID-19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. Carly Whitaker is an artist, curator, researcher and lecturer based in Johannesburg, South Africa. She holds a BA Fine Arts and a MA in Digital Interactive. She has participated in numerous exhibitions at art spaces in Johannesburg, Freiburg, Casablanca, Miami and Sao Paulo. Her curatorial projects include Floating Reverie, an online digital residency programme, which has been running for over five years and Blue Ocean an online digital project space. She is interested in the positioning of this as artistic research and investigating how artists can develop a practice online. Through her own practice she engages in a constant exploration of how we communicate through media and the ways we use technology to create dialogues, form connections between ourselves and the digital space. Carly is currently extending her practice and research into new areas with her PhD at the University of Reading (UK) with a focus on curating and networked methodologies in South Africa. Enjoy listening to my conversation with Carly Whitaker.
Unframed — In this episode, I chat with Phumulani Ntuli about his artistic practice. This is the 5th episode in a series on Unframed called “Artists in Isolation” which profiles South African artists during the lockdown period of the COVID-19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. Ntuli is a Johannesburg-based artist who holds BTech in Visual Arts from the University of Johannesburg. In 2017, he completed a Master in Fine Art – in the Public Sphere in Switzerland. Ntuli’s work merges the ambit of artistic research, sculpture, video installations and performative practices, concerning the tensions between documentary and the archive, and fiction and imagined narratives.
In this episode, I chat with Phumulani Ntuli about his artistic practice. This is the 5th episode in a series on Unframed called “Artists in Isolation” which profiles South African artists during the lockdown period of the COVID-19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. Ntuli is a Johannesburg-based artist who holds BTech in Visual Arts from the University of Johannesburg. In 2017, he completed a Master in Fine Art – in the Public Sphere in Switzerland. Ntuli's work merges the ambit of artistic research, sculpture, video installations and performative practices, concerning the tensions between documentary and the archive, and fiction and imagined narratives.
Unframed — In this episode, I chat with Sandile Radebe about his artistic practice. This is the 4th episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. Sandile is a Johannesburg-based artist whose main area of interest is art practice in both public and private spaces. He explores these spaces through simulating a new reading of graffiti and, more broadly, the way language works to help construct our realities. Sandile visualised graffiti in abstract sculptural forms and creates installations with these forms to create labyrinthine structures akin to walking in the city.
In this episode, I chat with Sandile Radebe about his artistic practice. This is the 4th episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. Sandile is a Johannesburg-based artist whose main area of interest is art practice in both public and private spaces. He explores these spaces through simulating a new reading of graffiti and, more broadly, the way language works to help construct our realities. Sandile visualised graffiti in abstract sculptural forms and creates installations with these forms to create labyrinthine structures akin to walking in the city.
In this episode, I chat with Mmbatho Grace Mokalapa about her artistic practice. This is the third episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. Mmbatho Grace Mokalapa, born in Soweto in 1992, is a Johannesburg-based visual artist. She obtained a BA Fine arts degree in 2015 from the University of the Witwatersrand. After graduating, she became a recipient of a studio bursary at Assemblage Studios, funded by the African Arts Trust. Since that time she has been practicing as a full-time artist, and currently has a studio at August House in Johannesburg. Working in drawing, painting, sculpture, sound and video, her art practice is focussed on the subjective sublime experience of physical space, spacial voids, and how we engage with the idea of empty or other worldly spaces. Enjoy listening to my coversation with Grace.
Unframed — In this episode, I chat with Mmbatho Grace Mokalapa about her artistic practice. This is the third episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. Mmbatho Grace Mokalapa, born in Soweto in 1992, is a Johannesburg-based visual artist. She obtained a BA Fine arts degree in 2015 from the University of the Witwatersrand. After graduating, she became a recipient of a studio bursary at Assemblage Studios, funded by the African Arts Trust. Since that time she has been practicing as a full-time artist, and currently has a studio at August House in Johannesburg. Working in drawing, painting, sculpture, sound and video, her art practice is focussed on the subjective sublime experience of physical space, spacial voids, and how we engage with the idea of empty or other worldly spaces. Enjoy listening to my coversation with Grace.
Unframed — This is the second episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID-19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. On today’s show, I chat with Chloë Reid about her artistic and curatorial practice. Chloë Reid is an artist from Johannesburg. She is interested in everyday sociology and the relationship between reading, writing and artistic practice. She holds degrees from the Michaelis School of Fine Art and the Glasgow School of Art and was awarded a year-long fellowship at the Glasgow Sculpture Studios in 2018. She has exhibited and curated locally and internationally and produced two collections of very short fiction. In 2019 she established gallery, gallery with the aim of developing an embodied framework for artists, writers and curators that foregrounds collaboration and exchange. She is currently pursuing an MA in Creative Writing at Wits.
This is the second episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID-19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. On today's show, I chat with Chloë Reid about her artistic and curatorial practice. Chloë Reid is an artist from Johannesburg. She is interested in everyday sociology and the relationship between reading, writing and artistic practice. She holds degrees from the Michaelis School of Fine Art and the Glasgow School of Art and was awarded a year-long fellowship at the Glasgow Sculpture Studios in 2018. She has exhibited and curated locally and internationally and produced two collections of very short fiction. In 2019 she established gallery, gallery with the aim of developing an embodied framework for artists, writers and curators that foregrounds collaboration and exchange. She is currently pursuing an MA in Creative Writing at Wits.
Unframed — This is the first episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID-19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. On today’s show, I chat with Io Makandal about her artistic practice. Io Makandal is an interdisciplinary artist based in Johannesburg. Working primary with drawing and installation, her practice is concerned with the processes of entropy, the binary between nature and artifice, living and dying, urban ecology and architecture and order and chaos. Makandal holds a BA Fine Art at Michaelis School of Fine Art, UCT in Cape Town (2010) and is currently a Masters candidate at Wits School of Art with Scholarship. Makandal has exhibited in group exhibitions both locally and internationally and has had two solo exhibitions in Johannesburg. Her work is a part of several private and corporate collections.
This is the first episode in a series on Unframed called "Artists in Isolation” which profiles South African artists during the lockdown period of the COVID-19 pandemic. We are living through unprecedented times, where we are needing to find new ways of connecting with each other and the broader art industry, of being inspired, and of creating more platforms for artists. On today's show, I chat with Io Makandal about her artistic practice. Io Makandal is an interdisciplinary artist based in Johannesburg. Working primary with drawing and installation, her practice is concerned with the processes of entropy, the binary between nature and artifice, living and dying, urban ecology and architecture and order and chaos. Makandal holds a BA Fine Art at Michaelis School of Fine Art, UCT in Cape Town (2010) and is currently a Masters candidate at Wits School of Art with Scholarship. Makandal has exhibited in group exhibitions both locally and internationally and has had two solo exhibitions in Johannesburg. Her work is a part of several private and corporate collections.
Unframed — The discussion will explore how these artists conceive of their practice and engage the public. MODERATOR: Lorenzo Fusi (Director/Curator Yerevan Biennial 2020, London) PANELLISTS: Kemang wa Lehulere (Artist, Cape Town) François-Xavier Gbré (Artist, Abidjan)
Unframed — The panel examines the current and possible future model of art platforms and institutional spaces as self-sustainable entities. Challenges around sustainability for art platforms are well theorized and yet remains a question that most non-commercial entities grapple with. Competing for the same shrinking pot of funds and maintaining the intellectual autonomy of the projects while juggling the needs of the funder is a real challenge. How do we keep our doors open while occupying the space and practitioners that the museums and commercial entities do not reach? MODERATOR: Nkule Mabaso (Curator, Michaelis School of Fine Art, Cape Town) PANELLISTS: Premesh Lalu (Factory of the Arts, UWC) Georgina Maxim (Village Unhu Collective, Harare) Angela Shaw (Director of KZNSA, Kwa-Zulu Natal) Kabelo Malatsi (Independent Curator, Johannesburg)
Unframed — Traditionally art museums have functioned as a sanctuary, a place for meditation whilst also offering education. They have also been a cultural resource contributing to the economic engine that has strengthened local businesses through cultural tourism. In recent years, this model of museums as a shrine to history has been rethought particularly with an interest to dramatically increase audiences of every kind, whilst also recognizing the role technology plays in everyday lives. It is said that museums have gone from, “being about something to being for somebody”. Such a shift in perspective has raised many questions about what was and could be a museum in the 21stcentury. This panel will explore the various ways museums respond to pressures and challenges of the coming decade. MODERATOR: Tumelo Mosaka (Curator, New York) PANELLISTS Adriana Rispoili (Independent Curator, Italy) Koyo Kouoh (Dir. Zeitz MOCAA, Cape Town) Sonia Lawson (Dir. Palais de Lomé, Lomé) Nana Oforiatta-Ayim (Founder and director of ANO Institute of Contemporary Arts, Accra) (text courtesy of Investec Cape Town Art Fair)
Kat and Alex talk with game designer Jason Morningstar about "meta techniques" to create games where we can play safely, bringing FIASCO to the Mopco Improv Theatre, the brilliance of the group, social engineering through games, and why his work his like making a fine table leg. Support Jason and Bully Pulpit Games on Patreon! Jason MorningstarJason Morningstar is a game designer who lives in Durham, North Carolina, USA. Best known for his game Fiasco, which earned him his second Diana Jones Award for Gaming Excellence, Jason’s design credits include Night Witches, Ghost Court, Grey Ranks, Durance and many other games. He has also made games for clients like Google and the University of North Carolina at Chapel Hill. Jason's games have been featured at Indiecade and in the Gen Con 50th anniversary museum.Beyond roleplaying, Jason consults on the use of games for teaching and learning, most recently with the University of California, University of Michigan, Kaiser-Permanente Health Care, and the Innovation Learning Network. In addition to design, Jason has written extensively on game-related topics. His articles have appeared in the anthologies Analog Game Studies, States of Play and Unframed.You can read more about Jason and his work at www.bullypulpitgames.com. ________________________________________________________Send us your advice from kids for our collaborative project, questions, comments, episode ideas or your very own Dare to be Human stories to hello@daretobehumanpodcast.com, join the conversation on our Facebook or leave us a message at 518-212-7886! We record at The Mopco Improv Theatre in Schenectady, NY where you can come visit us sometime! Original music by Mark S. MerittLogo by Derek WalkerEdited by Mary DarcyRecorded at The Mopco Improv Theatre
Unframed — Episode 19 is a very special and important one to me - with my friend and colleague Louise van Der Bijl. In 2010, Louise and I co-founded Assemblage, a non-profit artist-run organisation, which aimed to provide support, education and networks for emerging artists. After 9 years of hosting many workshops, peer mentoring sessions, exhibitions and studio spaces - all of which encouraged community, sharing, collaboration and professional practice for hundreds of artists - Assemblage has decided to close its metaphorical doors. In this episode, Louise and I reflect on how and why Assemblage started, our failures and successes, the ever-changing Johannesburg arts landscape and our ultimate decision to close the organization.
Unframed — This episode is another recorded talk from the art fair week in September of this year, 2019. It was recorded at Art Joburg and is a conversation about the great and influential David Koloane who passed away at the age of 81 in June this year. I was so happy to hear that this talk was happening at Art Joburg, as I was planning an episode remembering the life and work of David Koloane. Both speakers, art historian and curator Thembinkosi Goniwe and Goodman gallery curator Justin Davy, worked intimately with David in the last few months of his life, pulling together his prolific and profound body of work for a major retrospective exhibition. Fortunately, David was able to see the first incarnation of the exhibition at Iziko National Gallery in Cape Town in June this year but sadly would not live to see its second incarnation at the Standard Bank Gallery in Johannesburg which opened just last week and runs until 6 December. Thank you to Art Joburg for allowing me to record this talk and to publish it on Unframed, and to Thembinkosi and Justin for an insightful and poignant tribute to David Koloane.
This episode is another recorded talk from the art fair week in September of this year, 2019. It was recorded at Art Joburg and is a conversation about the great and influential David Koloane who passed away at the age of 81 in June this year. I was so happy to hear that this talk was happening at Art Joburg, as I was planning an episode remembering the life and work of David Koloane. Both speakers, art historian and curator Thembinkosi Goniwe and Goodman gallery curator Justin Davy, worked intimately with David in the last few months of his life, pulling together his prolific and profound body of work for a major retrospective exhibition. Fortunately, David was able to see the first incarnation of the exhibition at Iziko National Gallery in Cape Town in June this year but sadly would not live to see its second incarnation at the Standard Bank Gallery in Johannesburg which opened just last week and runs until 6 December. Thank you to Art Joburg for allowing me to record this talk and to publish it on Unframed, and to Thembinkosi and Justin for an insightful and poignant tribute to David Koloane.
This episode is a talk that I recorded as part of Latitudes Art Fair last month, September 2019. It is an informal panel discussion, which was hosted by the brilliant Michelle Constant, is entitled “How to change the art world in 2 hours”. Thirteen artists, curators, gallerists, critics and arts advocates were invited to respond to this provocation. Each speaker had 5 minutes to champion their utopian wishes or practical solutions to make the art world a more supportive, equal and engaged space. Thank you to Latitudes Art Fair for allowing me to record this talk and to publish it on the Unframed platform. Enjoy listening to this wonderfully interesting and collaborative presentation. This is the list of speakers in order and where to find them: Hosted by Michelle Constant @michelleconstant_ Sean O'Toole - Journalist, art critic and editor @seanwotoole Mike Mavura - Stellenbosch Triennale / Stellenbosch Academy of Design and Photography @tigere_mavura @stellenboschtriennale Valerie Kabov - Director at First Floor Gallery Harare, Editor at large Art Africa Magazine @firstfloorgalleryharare Sibongile Metsing - South African Mint @southafricanmint Roelof van Wyk - Artist, Director of the Social Impact Arts Prize @afrikanae @socialimpactartsprizeza Tamzin Lovell - Artfundi Art Management Software Founder and Director @tamzinlovellmiller Pitika Ntuli - Sculptor, poet, writer and academic @pitika_ntuli Daudi Karungi - Artist, curator, owner of Afriart Gallery @afriartgallery @daudikarungi Kefiloe Siwisa - Curator @womlambo Zen Marie - Artist and academic @znmarie Michael Memeo - Director at Gallery TINY Harlem @gallerytinyharlem Stephen Hobbs - Artist, Co-director at The Trinity Session @hobbsstep @thetrinitysession Mbali Tshabalala - Artist, Curator @mbali_tshabalala_
Unframed — This episode is a talk that I recorded as part of Latitudes Art Fair last month, September 2019. It is an informal panel discussion, which was hosted by the brilliant Michelle Constant, is entitled “How to change the art world in 2 hours”. Thirteen artists, curators, gallerists, critics and arts advocates were invited to respond to this provocation. Each speaker had 5 minutes to champion their utopian wishes or practical solutions to make the art world a more supportive, equal and engaged space. Thank you to Latitudes Art Fair for allowing me to record this talk and to publish it on the Unframed platform. Enjoy listening to this wonderfully interesting and collaborative presentation. This is the list of speakers in order and where to find them: Hosted by Michelle Constant @michelleconstant_ Sean O’Toole - Journalist, art critic and editor @seanwotoole Mike Mavura - Stellenbosch Triennale / Stellenbosch Academy of Design and Photography @tigere_mavura @stellenboschtriennale Valerie Kabov - Director at First Floor Gallery Harare, Editor at large Art Africa Magazine @firstfloorgalleryharare Sibongile Metsing - South African Mint @southafricanmint Roelof van Wyk - Artist, Director of the Social Impact Arts Prize @afrikanae @socialimpactartsprizeza Tamzin Lovell - Artfundi Art Management Software Founder and Director @tamzinlovellmiller Pitika Ntuli - Sculptor, poet, writer and academic @pitika_ntuli Daudi Karungi - Artist, curator, owner of Afriart Gallery @afriartgallery @daudikarungi Kefiloe Siwisa - Curator @womlambo Zen Marie - Artist and academic @znmarie Michael Memeo - Director at Gallery TINY Harlem @gallerytinyharlem Stephen Hobbs - Artist, Co-director at The Trinity Session @hobbsstep @thetrinitysession Mbali Tshabalala - Artist, Curator @mbali_tshabalala_
This episode is a talk that I recorded at the Wits Art Museum in July 2019, between two prolific South African artists, Sam Nhlengethwa and William Kentridge, over the time that Sam's print retrospective was displayed at WAM. This talk continues from a previous conversation between the two last year at the Centre for the Less Good Idea. Both artists were born in 1955, a fact on which the talk was premised, and engaged how their lives and careers have grown in parallel, sometimes converging, over the decades. The conversation is moderated by the wonderful Neil Dundas, a curator at the Goodman Gallery who has worked with both men for many decades. The focus of this conversation is largely on how music has been so influential to both their art practices and they have compiled a playlist which they refer to during the talk. Those music pieces haven't always translated well in the recording so I have included the playlist below so you can listen to each song with more appreciation. On iTunes: https://music.apple.com/za/playlist/sam-william-at-wam-2019/pl.u-38oWXm4sZlZbaL On Spotify: https://open.spotify.com/playlist/0M9hFoHYaXkfXPEtdDjOSB Enjoy listening to this engaging conversation with Sam Nhlengethwa and William Kentridge. Thank you to Wits Art Museum for allowing me to record this talk and publish it on Unframed.
Unframed — This episode is a talk that I recorded at the Wits Art Museum in July 2019, between two prolific South African artists, Sam Nhlengethwa and William Kentridge, over the time that Sam’s print retrospective was displayed at WAM. This talk continues from a previous conversation between the two last year at the Centre for the Less Good Idea. Both artists were born in 1955, a fact on which the talk was premised, and engaged how their lives and careers have grown in parallel, sometimes converging, over the decades. The conversation is moderated by the wonderful Neil Dundas, a curator at the Goodman Gallery who has worked with both men for many decades. The focus of this conversation is largely on how music has been so influential to both their art practices and they have compiled a playlist which they refer to during the talk. Those music pieces haven’t always translated well in the recording so I have included the playlist below so you can listen to each song with more appreciation. On iTunes: https://music.apple.com/za/playlist/sam-william-at-wam-2019/pl.u-38oWXm4sZlZbaL On Spotify: https://open.spotify.com/playlist/0M9hFoHYaXkfXPEtdDjOSB Enjoy listening to this engaging conversation with Sam Nhlengethwa and William Kentridge. Thank you to Wits Art Museum for allowing me to record this talk and publish it on Unframed.
Unframed — In this episode, I interview one of the directors of Stevenson Gallery, Joost Bosland. We speak about the role of art criticism internationally and in South Africa, primarily focussed on his research about the 'artist interview' as a form or genre in art criticism. Can the artist interview offer a more empathetic value to art criticism? We also chat more generally about the South African art scene and explore how contemporary art is defined. Joost is an avid listener of podcasts and these are his favourites at the moment: Collect Wisely: https://podcasts.apple.com/za/podcast/collect-wisely/id1378595357 In Other Words: https://podcasts.apple.com/za/podcast/in-other-words/id1203133627 Stevenson website: www.stevenson.info
Unframed — This episode is the third of 4 talks recorded at Turbine Art Fair 2019. Title: "Concerning Us: On collective sustainability" Panel discussion with Blaque INQ Contemporaries (Kamogelo Masemola), Danger Gevaar Ingozi Studio (Chad Codeiro), Free State Collective (Karen Brusch), moderated by Aysha Waja (curator) This panel will explore how artist collectives can be sustained and developed, against a trend of their rapid dissolution. What is the value of collaboration and can collectives withstand the fast-pace changes of the industry while maintaining their identities and ethos? (source: TAF website) The talks programme was curated by Kefiloe Sawisa and Nomvoyu Horwitz. Thanks to them and Turbine Art Fair for allowing us to record and host this panel discussion on Unframed.
This episode is the third of 4 talks recorded at Turbine Art Fair 2019. Title: "Concerning Us: On collective sustainability" Panel discussion with Blaque INQ Contemporaries (Kamogelo Masemola), Danger Gevaar Ingozi Studio (Chad Codeiro), Free State Collective (Karen Brusch), moderated by Aysha Waja (curator) This panel will explore how artist collectives can be sustained and developed, against a trend of their rapid dissolution. What is the value of collaboration and can collectives withstand the fast-pace changes of the industry while maintaining their identities and ethos? (source: TAF website) The talks programme was curated by Kefiloe Sawisa and Nomvoyu Horwitz. Thanks to them and Turbine Art Fair for allowing us to record and host this panel discussion on Unframed.
Unframed — This episode is the second of 4 talks recorded at Turbine Art Fair 2019. Title: "There are No Lines Here: Queering visibility and representation" Panel discussion with Jody Brand (artist), Evaan Ferreira (artist), Umlilo (musician), moderated by Keval Harie (Director: Gay and Lesbian Archive GALA) The panelists in this discussion are all practising artists whose works' deal with the froughtness of identification and (self)representation. Using mythological fantasies, the virtual and the speculative, these artists are shaping aesthetic forms and narratives that challenge binary identity politics. (source: TAF website) The talks programme was curated by Kefiloe Siwisa and Nomvoyu Horwitz. Thanks to them and Turbine Art Fair for allowing us to record and host this panel discussion on Unframed.
This episode is the second of 4 talks recorded at Turbine Art Fair 2019. Title: "There are No Lines Here: Queering visibility and representation" Panel discussion with Jody Brand (artist), Evaan Ferreira (artist), Umlilo (musician), moderated by Keval Harie (Director: Gay and Lesbian Archive GALA) The panelists in this discussion are all practising artists whose works' deal with the froughtness of identification and (self)representation. Using mythological fantasies, the virtual and the speculative, these artists are shaping aesthetic forms and narratives that challenge binary identity politics. (source: TAF website) The talks programme was curated by Kefiloe Siwisa and Nomvoyu Horwitz. Thanks to them and Turbine Art Fair for allowing us to record and host this panel discussion on Unframed.
Unframed — This episode is the first of a series of 4 talks that were recorded at Turbine Art Fair 2019. Title: "It was Given to me to Give to You: Art collecting & inter-generational wealth creation" Panel discussion with Jack Ginsberg (Ampersand Foundation), Sean Meyersfeld (investment specialist) and Dr Alastair Meredith (Senior Art Specialist: Strauss & Co) In this panel, art’s potential as a form of wealth creation and legacy building will be explored. Investment specialists and collectors will discuss how establishing an art collection can be an integral part of a robust investment portfolio. (source: TAF website) The talks programme was curated by Kefiloe Siwisa and Nomvoyu Horwitz. Thanks to them and Turbine Art Fair for allowing us to record and host this panel discussion on Unframed.
This episode is the first of a series of 4 talks that were recorded at Turbine Art Fair 2019. Title: "It was Given to me to Give to You: Art collecting & inter-generational wealth creation" Panel discussion with Jack Ginsberg (Ampersand Foundation), Sean Meyersfeld (investment specialist) and Dr Alastair Meredith (Senior Art Specialist: Strauss & Co) In this panel, art's potential as a form of wealth creation and legacy building will be explored. Investment specialists and collectors will discuss how establishing an art collection can be an integral part of a robust investment portfolio. (source: TAF website) The talks programme was curated by Kefiloe Siwisa and Nomvoyu Horwitz. Thanks to them and Turbine Art Fair for allowing us to record and host this panel discussion on Unframed.
Welcome back to Unframed - a podcast which hosts talks and conversations about South African art and artists. I am your host Anthea Pokroy. You may have noticed a very large gap between this and the last episode. I was finishing off my Masters in Fine Art and so, unfortunately, had to focus all my energy on that. But Unframed is now back and we are looking forward to the program that is to follow in the coming months! In this episode, I am excited to be in conversation with Mandla Sibeko, the new owner and director of Art Joburg which is a new incarnation of the iconic Joburg Art Fair. This rebranded and revisioned art fair will take place in a few weeks from 13-15 September at Sandton Convention Centre. In this interview, Mandla explains to me this shift from the old to the new, and the reasons behind it; what this new art fair will consist of - what we as visitors can expect to see and experience at the fair; the role of this and other art fairs in Joburg, South Africa and internationally in the broader art ecosystem. Be sure to clear your calendars between 13-15 September for Art Joburg and its affiliated Gallery Weekend, as well as for Latitudes Art Fair and The Underline Show happening the same weekend. Check out their websites and social media for more info on very exciting showcases of South African art: Art Joburg: https://artjoburg.com/ Latitudes Art Fair: https://latitudesartfair.com/ The Underline Show: https://underlineprojects.art/ I would be very interested to hear your thoughts on Art Joburg and the other fairs happening at this time? Please feel free to comment on the post for this episode on Facebook (https://facebook.com/unframedpodcast) and Instagram (https://www.instagram.com/unframedpodcast/). Dont forget to subscribe to Unframed Podcast on iTunes (https://itunes.apple.com/za/podcast/unframed) and instantly receive new episodes as they are released Giving a review would be awesome too please! Thanks for joining me, until next time!
Unframed — Welcome back to Unframed - a podcast which hosts talks and conversations about South African art and artists. I am your host Anthea Pokroy. You may have noticed a very large gap between this and the last episode. I was finishing off my Masters in Fine Art and so, unfortunately, had to focus all my energy on that. But Unframed is now back and we are looking forward to the program that is to follow in the coming months! In this episode, I am excited to be in conversation with Mandla Sibeko, the new owner and director of Art Joburg which is a new incarnation of the iconic Joburg Art Fair. This rebranded and revisioned art fair will take place in a few weeks from 13-15 September at Sandton Convention Centre. In this interview, Mandla explains to me this shift from the old to the new, and the reasons behind it; what this new art fair will consist of - what we as visitors can expect to see and experience at the fair; the role of this and other art fairs in Joburg, South Africa and internationally in the broader art ecosystem. Be sure to clear your calendars between 13-15 September for Art Joburg and its affiliated Gallery Weekend, as well as for Latitudes Art Fair and The Underline Show happening the same weekend. Check out their websites and social media for more info on very exciting showcases of South African art: Art Joburg: https://artjoburg.com/ Latitudes Art Fair: https://latitudesartfair.com/ The Underline Show: https://underlineprojects.art/ I would be very interested to hear your thoughts on Art Joburg and the other fairs happening at this time? Please feel free to comment on the post for this episode on Facebook (https://facebook.com/unframedpodcast) and Instagram (https://www.instagram.com/unframedpodcast/). Dont forget to subscribe to Unframed Podcast on iTunes (https://itunes.apple.com/za/podcast/unframed) and instantly receive new episodes as they are released Giving a review would be awesome too please! Thanks for joining me, until next time!
A reading of a short story from Kaikini’s prize-winning collection ‘No Presents Please’. Mostly to make myself read a story every night. Not sure about copyright.
It's the season finale! This week we welcome Daniel and Anthony from the Unframe of Mind Podcast to get their perspective on the social and political landscapes, but that's not all! Rob finally gets in the driver's seat to host, and we're covering a lot of ground. We talk border wall and government shutdown, revolution and anarchy, black mirror's bandersnatch, bullying and the meaning of dreams. We wanted to give you plenty to listen to while we take a break, so kick back and enjoy our longest cast to date! 01/10/19
Unframed — In today’s episode I interview lawyer Eitan Stern from Legalese about artist copyright and other legal aspects that artists should consider in making work and in their careers. My intial interest in chatting with Eitan arose from an incident that occurred at the Joburg Art Fair this September 2018, where South African photographer Graeme Williams accused American artist Hank Willis Thomas of using William's photograph in Willis’ own artwork without his permission. Read more about it and see the images here: https://www.theguardian.com/artanddesign/2018/sep/13/graeme-williams-hank-willis-thomas-photograph We use this case to discuss further issues of artist copyright and what artists should be considering when using other people’s images in their own artwork. We also explore the rights of photographers, as well as the business of arts. Eitan encourages artists to be professional by using contracts and to take the initiative to understand fully every transaction that is made. This episode is really insightful especially for emerging artists and photographers. Contact Legalese here: https://legalese.co.za/#contact-us-section Read the article on How Not To Get Sued for Your Photography here: https://10and5.com/2018/09/25/not-get-sued-photography/ Sign up as a member with VANSA here: https://vansa.co.za/membership/
This episode is part of of the "Talk” component of Unframed, as opposed to the “Interview” which is an interview directly with your host Anthea Pokroy. The “Talk” component features art dialogues, talks and panel discussions that happen around the country outside of this podcast, but where we are lucky enough to add the content to this platform for many to hear. I was fortunate to attend this one in September 2018, between artists William Kentridge and Yinka Shonibare. Shonibare, a British-Nigerian artist based in the UK, came to South Africa in September for the opening of his exhibition at the Goodman Gallery. As part of the Centre for the Less Good Idea's Once Off program, Kentridge hosted Shonibare for a conversation between the two prolific artists. Thank you so much to the Centre, the Goodman Gallery and the FNB Art Fair for allowing the recording of this dynamic conversation to be aired on Unframed. Enjoy listening to William Kentridge and Yinka Shonibare in dialogue about their art practices
Unframed — This episode is part of of the "Talk” component of Unframed, as opposed to the “Interview” which is an interview directly with your host Anthea Pokroy. The “Talk” component features art dialogues, talks and panel discussions that happen around the country outside of this podcast, but where we are lucky enough to add the content to this platform for many to hear. I was fortunate to attend this one in September 2018, between artists William Kentridge and Yinka Shonibare. Shonibare, a British-Nigerian artist based in the UK, came to South Africa in September for the opening of his exhibition at the Goodman Gallery. As part of the Centre for the Less Good Idea’s Once Off program, Kentridge hosted Shonibare for a conversation between the two prolific artists. Thank you so much to the Centre, the Goodman Gallery and the FNB Art Fair for allowing the recording of this dynamic conversation to be aired on Unframed. Enjoy listening to William Kentridge and Yinka Shonibare in dialogue about their art practices
Episode 6 of Season 1 of the Unframed Podcast. Jordan Gilman talks with Joey Yak on his success as a hip hop artist and how having the right mentality helped him in overcoming drug and alcohol addiction to become one of the most sought after creative consultants in the business world. Comment your thoughts on the episode & subscribe for more! Grab your Unframed merch here: http://www.jordangilman.me/shop Follow Jordan Gilman: Facebook: https://www.facebook.com/iamjordangilman Instagram: http://www.instagram.com/iamjordangilman Twitter: https://www.twitter.com/iamjordangilman Moti: https://motiapp.com/u/jordangilman Follow Joey Yak: Instagram: https://www.instagram.com/joey.yak Facebook: https://www.facebook.com/joeyyak --- Support this podcast: https://anchor.fm/iamjordangilman/support
Episode 5 of Season 1 of the Unframed Podcast brought to you by Moti, a new video chat platform for the new economy. To learn more about Moti visit http://www.motiapp.com Jordan Gilman is joined by executive protection coach Avery Mitchell who has over two decades of experience in protecting and moving our favorite celebrities from Point A to Point B. In this episode, Avery explains what this job consists of while sharing some stories from a world many don't know exists. Comment your thoughts on the episode & subscribe for more! Follow Avery Mitchell: Instagram: https://www.instagram.com/iamaverymitchell/ Moti: https://motiapp.com/u/averymitchell --- Support this podcast: https://anchor.fm/iamjordangilman/support
Unframed — In this 8th episode, we speak to artist Brownyn Lace about her current exhibition, Mirror Mirror, showing at Everard Read Gallery in Johannesburg until 6 October 2018. We chat about this show and how it is to work with a big gallery, as well as her many different roles in the industry including that of animateur for The Centre for the Less Good Idea. She talks about her process, studio practice, the importance of working in a community and being part of the “bigger picture”, and the value of creating relationships in the industry.
Episode 4 of Season 1 of the Unframed Podcast. Jordan Gilman links up with millionaire maker John Malott who shares his story of how he went from rock bottom to building an empire as a world class entrepreneur, as well as the importance of having good mentors throughout your journey. Comment your thoughts on the episode & subscribe for more! Grab your Unframed merch here: http://www.jordangilman.me/shop Follow Jordan Gilman: Facebook: https://www.facebook.com/iamjordangilman Instagram: http://www.instagram.com/iamjordangilman Twitter: https://www.twitter.com/iamjordangilman Follow Robbie Tripp: Website: http://www.buildyourempire.com Instagram: https://www.instagram.com/john.malott/ Facebook: https://www.facebook.com/malottinc/ --- Support this podcast: https://anchor.fm/iamjordangilman/support
Episode 3 of Season 1 of the Unframed Podcast. Jordan Gilman talks with creative and wordsmith, Robbie Tripp, about how an injury took him away from one passion and led him to discovering another, hustling with his wife, and dealing with the negativity from haters. Comment your thoughts on the episode & subscribe for more! Grab your Unframed merch here: http://www.jordangilman.me/shop Follow Jordan Gilman: Facebook: https://www.facebook.com/iamjordangilman Instagram: http://www.instagram.com/iamjordangilman Twitter: https://www.twitter.com/iamjordangilman Follow Robbie Tripp: Website: http://www.robbietripp.com/ Instagram: https://www.instagram.com/tripp/ Facebook: https://www.facebook.com/iamrobbietripp --- Support this podcast: https://anchor.fm/iamjordangilman/support
In this 7th episode of Unframed, we speak about the Joburg Art Fair which just took place last weekend, 7-9 September 2018. I'm not going to lie this is the event of the year for me, I really enjoy seeing all the people in the art world, and its a good survey of work that is happening in South Africa, and bits of other African countries, albeit a very specific sector of the market. I think it is important to reflect on this event critically whilst acknowledging its benefits to the industry. I have invited arts writer, curator and consultant, Mary Corrigall to join me in a discussion around this year's fair, the role of the art fair in the broader arts landscape, and I chat to her about her research report which surveys the contemporary arts in Africa, which can be found here: https://www.corrigall.org/art-reports Enjoy listening to my conversation with Mary Corrigall.
Unframed — In this 7th episode of Unframed, we speak about the Joburg Art Fair which just took place last weekend, 7-9 September 2018. I’m not going to lie this is the event of the year for me, I really enjoy seeing all the people in the art world, and its a good survey of work that is happening in South Africa, and bits of other African countries, albeit a very specific sector of the market. I think it is important to reflect on this event critically whilst acknowledging its benefits to the industry. I have invited arts writer, curator and consultant, Mary Corrigall to join me in a discussion around this year’s fair, the role of the art fair in the broader arts landscape, and I chat to her about her research report which surveys the contemporary arts in Africa, which can be found here: https://www.corrigall.org/art-reports Enjoy listening to my conversation with Mary Corrigall.
Episode 2 of Season 1 of the Unframed Podcast. In this episode, Jordan Gilman sits down with Christian Phyfier, founder of the GPME Group, who talks about what kind of mentality you need to be successful, and how important it is to maintain a certain level of competitiveness within yourself. Comment your thoughts on the episode & subscribe for more! Grab your Unframed merch here: http://www.jordangilman.me/shop Follow Jordan Gilman: Facebook: https://www.facebook.com/iamjordangilman Instagram: http://www.instagram.com/iamjordangilman Twitter: https://www.twitter.com/iamjordangilman Follow Christian Phyfier: Website: http://www.gpmeagency.com/ Instagram: http://www.instagram.com/christianphyfier --- Support this podcast: https://anchor.fm/iamjordangilman/support
Episode 1 of Season 1 of the Unframed Podcast. In this episode, Jordan Gilman talks with 18 year old media mogul Buster Scher aka @bustascher to talk about how he turned his teenage passion into a paycheck, his favorite social media strategies, and drops some predictions for the 2018 NBA season. Comment your thoughts on the episode & subscribe for more! Grab your Unframed merch here: http://www.jordangilman.me/shop Follow Jordan Gilman: Facebook: https://www.facebook.com/iamjordangilman Instagram: http://www.instagram.com/iamjordangilman Twitter: https://www.twitter.com/iamjordangilman Follow Buster Scher: Facebook: https://www.facebook.com/pg/OfficialBusterScher Instagram: http://www.instagram.com/bustascher YouTube: https://www.youtube.com/channel/UCi9_1Lc6FOXnWpmce3mggvQ --- Support this podcast: https://anchor.fm/iamjordangilman/support
Unframed — Today’s 6th episode is a special one - it is a tribute to the legendary South African photography David Goldblatt, who died recently in June 2018 at the age of 87. I chat to Neil Dundas, long time friend and the senior curator of the Goodman Gallery, where David has showed his work since the 90s. We reflect on the life and work of Goldblatt - an internationally renowned photographer who gained recognition for his work during the apartheid era, but who has continued to take photos until the weeks leading up to his death. We talk about his work, his personality, his resistance to being called an “artist”, despite his abundant and invaluable contributions to the South African arts industry. The exhibition we refer to in the episode has just taken place at the Goodman Gallery in Johannesburg - it is called “On Common Ground: David Goldblatt and Peter Magubane” curated by Paul Weinberg. It sets up a dialogue between these two photographers work - which document the same period in South African history from vastly different perspectives. Enjoy listening to this episode - a tribute to David Goldblatt.
Unframed — Alex and Sisipho have just been appointed new directors at Stevenson Gallery. We talk about their new positions, the exhibition they have curated at both the Joburg and Cape Town galleries called 'Both, And' (on until 24 August 2018), what it means to be represented by the gallery, Alex's famous artist parents Colin Richards and Penny Siopis, and Sisipho's own art practice and with her collective iQhiya.
Aujourd’hui à l’émission: Chronique de Jean-Michel Berthiaume; Entretien avec Dillon Orr, la nouvelle révélation théâtrale franco-ontarienne; Entretien avec la danseuse Clara Furey pour son dernier solo, When Even The; Chronique littéraire de Jérémy Laniel; Discussion avec Patrice Lacroix, André Bathalon et MissMe pour la série documentaire UnFramed; Chronique danse d'Annie Nociti-Dubois.
Unframed — In this fourth episode, I chat to writer and art critic Matthew Blackman, who is based in Cape Town, over Skype. My initial interest in interviewing Matthew at this time, is that he has been the leading journalist in the recent Zeitz Mocca controversy. We chat about this, and his initial scepticism regarding the museum. We also talk about the South African art industry, his concerns about the market driving artists into producing more commercial work, the Venice Biennale controversy of 2011, and about his own personal writing. I have placed a link to Matthew’s website, as well as link to many of the articles Matthew has written about the South African arts industry. https://matthewblackman.com/ https://artthrob.co.za/article-author/matthew-blackman/
Unframed — In this third episode, I interviewed Ayanda Mabulu about his current exhibition, his practice, his spirituality and his politics, and really gained insight into why he makes the seemingly controversial work that he makes. It was a really interesting and provocative conversation. Ayanda is a storyteller and, in between the swearing, he speaks passionately, critically, and poetically. I know that what he says some people will love and some people will hate, but I’m really interested to hear your response to it. We spoke for almost 2 hours, so this is an edited version of it. If you can you should definitely try see Ayanda’s show before it closes. Its at Kalashnikovv Gallery in Braamfontein until 2 July 2018. I’m still trying to get into a rhythm with releasing the interviews so it doesn’t leave you too much time, but otherwise you can find a lot of his work online. Just a warning that this episode contains a lot of profanities and language that may be offensive. But otherwise, please enjoy listening to my chat with Ayanda.
Unframed — This second episode is something different from the one before. It is a recorded artist talk by ruby onyinyechi amanze which took place at the Goodman Gallery on 22 May 2018. Ruby, who is a Nigerian born, US-based artist, was over in South Africa for her solo exhibition at Goodman Gallery in Cape Town, and gave a talk up in Joburg about her exhibition and studio practice in general. When I first decided to do this podcast, the primary format was the interview between myself and an invited guest, but then I realised that there were so many exciting conversations already happening in the city; so much content being generated at artist talks, walkabouts and informal dialogues. I wanted to record and create an archive of these already existing conversations and give them a platform for more people to listen. So, this is the first of this kind in the podcast series and they will feature randomly in the future. In this episode, Ruby talks about drawing, space, and how she navigates the questions and challenges within her studio practice. I was struck by her utter comfort of being in this very generative space of “not knowing”. Here is a link to her presentation from the talk for those who would like to see what she is talking about whilst listening: https://bit.ly/2trvzYs.
Unframed — For the first episode, I chat to founders of the Kalashnikovv Gallery - MJ Turpin and Matthew Dean Dowdle. They have just relaunched their new gallery space at the 70 Juta Precinct in Braamfontein, Johannesburg. Kalashnikovv was first founded in 2013 by the duo out of frustration with the existing gallery discourse in South Africa at the time. Over the years they have experimented with interdisciplinary events, a project space, and now, a more commercial gallery space. They aim to challenge perceptions of the industry and make art accessible for all. In this episode, we chat about: * the importance of the gallery’s growth alongside their artists’ careers * collaborating with other galleries in order for their artists to gain more exposure * how the gallery has survived over the years * making art “cool again” and how they are doing things differently to other galleries * and how the interdisciplinary events help them to deeply understand the “creative culture of the city”
A short intro to your host, Anthea Pokroy, and why she has started this podcast.
Unframed — A short intro to your host, Anthea Pokroy, and why she has started this podcast.
On This Episode Of The Beautiful Butterfly Radio Show's Poetic Lounge, We Welcome the Grown & Very Sexy To This Episode as We Welcome Special Guest Iyaba Ibo Mandingo as he brings us his latest work " FU YOU TONGUE HEAVY LAKKA 56". Meet Our Guest: IYABA IBO MANDINGO – painter, poet, writer, actor, singer and playwright - is a native of Antigua, West Indies, who came to the United States in 1980 as a young boy. His earliest exposure to the arts were through his mother, a trained singer, and his grandparents, a tailor and a seamstress who first introduced him to colors and patterns, paving a path to the many ways of expression; drawing, painting, sculpting, writing and performing. Iyaba studied fine arts at Southern Connecticut State University and today teaches in and around the tri-state area as a Master Teaching Artist. After a successful two-year Off-Broadway run in 2011-2012, Iyaba’s1man play “unFRAMED” completed its second run in NYC Spring 2017 and has been selected to participate in the upcoming Harlem Arts Festival in June 2017! He has previously been seen at 59E59th St Theatre as Henry in Deb Margolin’s “The Expenses of Rain” (Laura Barnett, director) and as Jackson Phillip in Derek Walcott’s “Pantomime” (E. Wayne McDonald, director). Iyaba was a 2011 Artist in Residence at the New York Theatre Workshop. Iyaba has authored three chapbooks of poetry, “41 Times”, “Amerikkan Exile” and “40 days & 40 nites of write”. His first novel, “Sins of My Fathers”, was released in 2014 and is available at http://www.iYABARTS.com. His first collection of poetry “Fu You Tongue Heavy Lakka 56” just Released April 2018
Meet Our Guest: IYABA IBO MANDINGO – painter, poet, writer, actor, singer and playwright - is a native of Antigua, West Indies, who came to the United States in 1980 as a young boy. His earliest exposure to the arts were through his mother, a trained singer, and his grandparents, a tailor and a seamstress who first introduced him to colors and patterns, paving a path to the many ways of expression; drawing, painting, sculpting, writing and performing. Iyaba studied fine arts at Southern Connecticut State University and today teaches in and around the tri-state area as a Master Teaching Artist. After a successful two-year Off-Broadway run in 2011-2012, Iyaba’s1man play “unFRAMED” completed its second run in NYC Spring 2017 and has been selected to participate in the upcoming Harlem Arts Festival in June 2017! He has previously been seen at 59E59th St Theatre as Henry in Deb Margolin’s “The Expenses of Rain” (Laura Barnett, director) and as Jackson Phillip in Derek Walcott’s “Pantomime” (E. Wayne McDonald, director). Iyaba was a 2011 Artist in Residence at the New York Theatre Workshop. His new, highly anticipated performance piece “AFRIKA360” is made its debut in November 2016 and is currently preparing to go on tour Iyaba has authored three chapbooks of poetry, “41 Times”, “Amerikkan Exile” and “40 days & 40 nites of write”. His first novel, “Sins of My Fathers”, was released in 2014 and is available at http://www.iYABARTS.com. His first collection of poetry “Fu You Tongue Heavy Lakka 56” will be released in the fall of 2017.
Artist Jessica Morgun discusses her MFA Graduating exhibition at Gordon Snelgrove Gallery.
Gregory Burke, Executive Director of the Remai Modern, discusses current and future programming as well as providing insight into projected construction delays and budget overages for the gallery. Hosted by Michael Peterson.
Saskatoon artist Jan Corcoran talks about her upcoming exhibitions, which include small ink to large format paintings, as well as the benefits of going to university as a mature student. Hosted by Alejandro Romero.
Marcus Miller, Director of the University of Saskatchewan's Gordon Snelgrove Gallery, speaks about the identity crisis of artist-run centres in Saskatoon and the importance of volunteering in the arts. Hosted by Alejandro Romero.
Dave Stonhouse, artist and founder of Bridges Art Movement (BAM), discusses the collective's upcoming exhibitions, including Experience Regina. Local artist and DJ Jon Vaughn talks about his role as a liaison between the Saskatoon and Regina art scenes.
Carol Wylie, a figurative painter and art instrucor in Saskatoon, discusses how her work is informed by narratives and issues related to the invisibility of aging women in our society. Hosted by Alejandro Romero.
Troy Gronsdahl, Associate Curator for Remai Modern, speaks about Supercommunity Live: The Climatic Unconscious, a series of lectures, screenings, and performances with a program of international artists and thinker. Hosted by Michael Peterson.
Nik Semenoff: printmaker, Artist in Residence for the University of Saskatchewan, and inventor of a number of printmaking processes including waterless lithography and the use of copier toner. Hosted by Michael Peterson.
Curator Linda Stark and artist and former owner of Art Placement, Robert Christie. Hosted by Alejandro Romero.
Local artist Joseph Anderson chats about his exhibition, Portraits, currently on display at SCYAP Gallery. Hosted by Alejandro Romero and Michael Peterson.
Local printmaker Cate Francis discusses receiving her MFA from Halifax's NSCAD University in 2014 and her transition back to life as an artist in Saskatoon. Hosted by Michael Peterson and Alejandro Romero.
Painter, Poet, Activist, Actor, Author and Playwright are just some of the titles that describe versatile artist Iyaba Ibo Mandingo. His one-man play unFramed is The 2011 Winner of the DC Black Theater Festival. His the author of two chapbooks of poetry, 41 Times and Amerikkan Exile, plus a novel, Sins of My Fathers. A two-time Connecticut Grand Slam champion. His art has been included in dozens of groups and individual shows in the tri-state area - and most recently one of the founding company members of RHYMES OVER BEATS - the new hip hop theater company that includes MCs like Maino, Chi-iLL, Uncle Murda and ChinaMac; DJs like Ted Smooth; playwrights and performers like Manny Borras; and producers likeDaryl Sledge, Cate Cameratta and Samson Styles. Tune into Bodega Fresh Sunday at 7:00 pm with host Nadine Michel
3D-Festival BEYOND 2013 | Symposium Thu, October 3 − Sun, October 6, 2013 »Expanded Cinema − Expanded Realities − Expanded Minds«
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