Podcasts about Influences

This week on Tech Reimagined, we sat down with Meri Williams to get her view on tech for good, how much tech influences the end result in business and what makes a great organisation.   Tune in for an insightful chat with Meri.  

In this episode of May Contain Action Podcast, Trevor and Paul talk with Erin A Simon about how pop culture is being impacted by gaming and gaming culture. This episode is brought to you by G Fuel #ad. Use code MCA for a discount on your next order at www.gfuel.com You can find Erin here - https://linktr.ee/erinasimon

In the midst of triggering Influences, how do you as an empath refrain from allowing anger to cause you to react?  Let's discuss

This week's guest is Darshan Doshi. Darshan is a prolific Indian drummer and composer based in Mumbai. He's recorded a million Bollywood movie soundtracks and is one of the busiest drummers in India for the studio / tv / live stage...basically anywhere you'd need a drummer, Darshan is your guy. I've known him for a few years now and his passion for both bringing Indian rhythms to the international stage AND bringing more Western style drumming / drummers to India is very inspiring to say the least. He's the epitome of a drumming ambassador and I had a blast learning about the influences that made Darshan Darshan. Cheers!  Podcast Artwork by Trevin Frame For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok

For Volume 2 of our special new mini series (happy Know Butt November :) !) Your Presenters reveal the musical artists and sounds of the the Pre-Grunge era that laid the foundational work for BUTT ROCKERS to come!   

We Make Books is a podcast for writers and publishers, by writers and publishers and we want to hear from our listeners! Hit us up on our social media, linked below, and send us your questions, comments, and concerns for us to address in future episodes. We hope you enjoy We Make Books! Twitter: @WMBCast  |  @KindofKaelyn  |  @BittyBittyZap Instagram: @WMBCast  Patreon.com/WMBCast Episode Transcript (by TK @_torkz) [Upbeat Ukulele Intro Music] Rekka: This is We Make Books, a podcast about writing publishing and everything in between. Rekka is a published Science Fiction and Fantasy author, and Kaelyn is a professional genre fiction editor. Together, they'll tackle the things you never knew you never knew about getting a book from concept to finished product, with explanations, examples, and a lot of laughter. Get your moleskin notebook ready. It's time for We Make Books. Kaelyn: My sister just finished reading the Grisha trilogy. And she was, of course, more of a fan of the Six of Crows after reading that. But one of the things she messaged me- she was like “yeah, the ending was kind of whatever, but it is very clear that this person was reading Harry Potter when they wrote this.” R: [laughs] K: And I said “Yeah, that definitely comes through.” She gave me this whole list of like, book two is basically just The Order of the Phoenix, and the end battle with all of the Grisha and the stand downs, all this stuff, and I was like “Yeah, I guess you're right.” To be honest with you, I kinda limped through the end of that book, I wasn't thinking about that too much. But anyways, it got me thinking about influences in writing and how writers are influenced and how in some cases that's something that we're like “Yes! You can tell that this writer was influenced by such-and-such, and they weave it so beautifully into their story.” And sometimes you get my sister calling me to complain about how she basically just read Harry Potter with Russian witches.  R: So was your sister accusing the author in any way of plagiarism? K [overlapping]: Not plagiarism. R [overlapping]: As a reader I'm curious, like how the reader perceives it when it's that clear when someone's been influenced.  K: I should've asked her before we started recording this - and this is something we'll get to in there - I couldn't tell if my sister was accusing the author of laziness or unoriginality.  R: Okay. K: That's one of the things I wanted to talk about today as we're talking about influence. What is influence, how are writers influenced? How's the best way to leverage and utilize that influence? And when does influence cross into the realm of the negative? When is it no longer praise worthy? When is it, for instance, lazy, contrived, unoriginal, or, in worst case scenario, bordering into plagiarism?  R: Yeah, because that's a tricky thing - if we always wrote a completely original story, you wouldn't have something like Joseph Campbell's The Hero's Journey. Because we wouldn't have a set format that a story would take. So when somebody accuses a fantasy book of being “Star Wars with elves,” well, Star Wars was a Greek epic in space.  K: Oh, I would've called it a Western. R: Okay fine. [overlapping] I mean, people have called it a Western. K: [overlapping] I mean, both work. Both work. [laughs] R: Yeah, but I'm just saying, The Hero's Journey, Joseph Campbell is, he's studying the ancient literature, so that's why I decided to say Greek. But if we could always write something that was completely original, there would be no way to study literature with comparisons and contrasts. There are always going to be parallels between stories written in a similar culture by people who are writing in a similar society. Like, a hundred years apart, you would not necessarily detect the influence of Harry Potter in the Grishaverse. But they're not written a hundred years apart - it was maybe a decade, probably not. K: I'd be curious to go back and try to time out when these books were being written, and when that coincides with the release of the latter half of the Harry Potter books. But anyways, real quick, I'm big into definitions, so let's talk about definitions. Influence is the capacity of something - a person, a situation, a circumstance - to have an effect on another person, on the development of the situation, on the behavior of someone or something. Or, in some cases, even the effect itself. You'll notice there that influence is kind of framed as both proactive and reactive. You can influence something, or you can be influenced. We're talking today about being influenced.  R: And we're not talking about Instagram.  K: [laughs] Oh, God. You know what's funny? I went through this whole thing and I didn't even think about the concept of influencers, and now I'm depressed. R: Because you didn't or because now you are? K: [laughs] Because now I am. R: Okay. I'm sorry. I take it back, I didn't say anything.  K: [laughs] So, writers don't write in a void. It's sort of a reverse Heisenberg principle, which is “whatever you study will also change.” Whatever you read changes you, or whatever you consume changes you. So, writers don't write in a void. If you took a baby and raised them in a box with no interaction with the outside world whatsoever, well, to be honest I'm not sure they'd be capable of putting together an interesting story because they've had no influence.  R: You know what's funny, that's why I don't have kids. Because I thought about this kind of thing frequently in high school, like “what would happen if you raised a child in a padded room? And you never interacted with them, and they never saw another human?” So you're welcome, world, that I have not raised any children. Those children are welcome because I did not abuse them in such a manner.  K: [laughs]  R: But it's good to hear that someone else has had these thoughts. Although, Kaelyn and I did originally bond over the fact that we're terrified of the idea of raising children.  K: Pregnancy is just - R: And pregnancy. It's not for everybody. I recognize that for some people it's a beautiful process, but for Kaelyn and for me, it is body horror.  K: Yeah. Yeah, I mean, there's an entire nother skeleton in your skeleton. [laughs] R: Yes. And it's growing. [overlapping] It's getting larger.  K [overlapping]: It keeps getting bigger. R: And if you've never seen an MRI of a baby's skull, there's a lot of teeth in there.  K: Yeah, also they're squishy. R: Well, the MRI doesn't necessarily show that. It just shows all those chompers, waiting. Waiting.  K: Yeah. There's a lot of extra teeth in there.  R: Okay. [laughs] Where were we going? K [overlapping]: So for our writing- R [overlapping]: A child raised in a padded cell would probably write a different kind of story than somebody who's been exposed to Harry Potter.  K: Yeah, and if you take out every third word, it's their plan to destroy the world with their laser beams.  R: This reminds me of the book The Artist's Way. I think it's a month-long program designed to improve your creativity and I think maybe even to come up with… it's like NaNoWriMo but it's very classist and elitist.  K: [laughs] R: But the first thing it asks you to do is swear off all media for the month. K: Okay. R: And I put the book down right there. K: [laughs] R: Because I was like, that is literally impossible. I was in art school at the time, so I could not promise that I wasn't going to have to look at media. And also, this was written in 1992, before anybody was logging onto the internet daily.  K: Yeah, it was much easier to walk away from media for a month.  R: And I was trying to read it, I think, in 1999 or 2000, and it was even easier, at that point, to walk away from media than it would be now.  K: Yep. R: But, yes, it's called The Artist's Way: A Spiritual Path to Higher Creativity by Julia Cameron. And I imagine that Julia Cameron has a very nice life and is able to unplug from media whenever it is convenient for her to do so. K: Well, in 1992 that meant “turn off the TV.” R: Right, it meant “don't pick up a newspaper” or, you know. K: Yeah. R: In 2016 they re-released a 25th anniversary edition, and I can't imagine they did much to it, but it really probably needed a lot of re-examining to - K: Yeah. It's -  R: - to even be relevant in 2016, I can't even imagine.  K: Now, was the purpose of this to do a detox of influence from your life? R: Yes. That is exactly what it was, to avoid influence for the month and find out what you write, not what the world around you influences you to write. But I think in her case, she was treating world influence and media and current events as a negative.  K: Mhm. R: And I would argue that if you are responding to the world around you, then the politics of your creativity is going to be more relevant and more well-informed. And I think that's a good thing.  K: Well, yeah. And this is something that we can certainly talk about with influence - current influence versus longevity. You'll see a lot of writers that go out of their way to not incorporate things that might later be considered an anachronism in their writing, so that they're not influenced by that.  R: Mhm. K: So that's another good example of influence. So, let's get the elephant in the room out of the way here: influence is not copying. As we were talking about, writers don't write in a void. You're absorbing everything that you interact with and consume every day, and, whether you know it or not, it's influencing and incorporating itself into even your way of thought.  R: You hear that? So if you were following an Instagram influencer, do not copy everything they do.  K: [laughs] Yes. Please don't. But, again, it's the reverse Heisenberg uncertainty principle. Whatever you're consuming changes you. There are entire PhD programs dedicated to studying and understanding the influence that certain parts of literature have had on larger parts of literature. Influence is not a bad thing. In many ways, it's a scholarly pursuit. Go to any Wikipedia page for any sort of well-known novel, and I guarantee you there's going to be a section in there that says “Influence.”  R: Oh yeah, yeah. K: And it's going to be a couple paragraphs talking about the history of the genre, or the subject material leading up to this. Influence is, apart from being an important part of writing, an academic pursuit. So all of that said, we are talking about influence in a very positive way here. We're saying it's great to read things, and to consume and internalize them so that this can help enrich your writing. Something that you really enjoyed, something you thought was maybe unique, or something that you were like, “Oh, what if I applied that to a character that I already have?” That's a good thing. I think it enriches your writing, I think it shows layers and growth, etcetera. K: That said, sometimes influence goes the opposite way. [laughs] Sometimes you've read something and you're like, “this is terrible,” or “this was such a ridiculous ending,” or “I hated that this happened.” And that might compel you to go through your manuscript and scrub absolutely everything having to do with that. The whole point is that whether you mean to or not, you are going to be influenced by external components in your writing. You could never read anything else, and you will still be influenced by things in the world just by existing in it. But we are talking more about influences in writing here, so we'll stick with that.  R: And we assume that you are being influenced by books because, as we say, if you want to be a writer you need to also be a reader. So we're telling you, go read widely in your genre, and part of that is that we expect you to absorb some of those elements and some of those styles. On a conscious level, we want you to look at the covers, we want you to look at the themes and the tropes and everything like that, but we also expect that on a subconscious level that's going to influence you and hopefully make you a better writer within your genre. K: And if you read a lot within your genre, you will start to notice trails of influence yourself. If you read a lot of - especially maybe a really niche kind of fantasy or science fiction genre, you're going to be able to chronologically put some things in order, like “Oh yes, I can see that book A came out at this time, and then three years later this book came out, and there are certainly elements from book A that I can see coming through in book B even though they were written by different authors.” K: So, I was telling Rekka before we started recording–I went down a little bit of a rabbit hole with this, because for reasons unbeknownst to me and possibly the influence of vampiric elements, I, for whatever reason, picked up my copy of Dracula off the shelf and I've just been flipping through random parts. And then we were talking about doing this, and I was like, vampires are a really really good example of influence through literature. They're something that has always been around - the Mayans actually had a god that was basically a vampire, even though they didn't acknowledge that, bat wings and all. And there's something that–I think you'd be hard pressed to find a significant culture of any sort of longevity from history that didn't have some sort of mythological being that displayed vampire-like qualities. K: In the late 1700s, early 1800s, though, there was the vampire craze in western Europe. There were a lot of short stories and things written about vampires, even though they've been codified as part of the mythos for a long time. But even then, they were sort of holding up the folklore and traditions of vampires–they were reanimated corpses, they were bloodsuckers that came out at night to drain people of their very lifeforce. In some cases, actively rotting bodies, hunched back and demonic looking, claw-fingered and fangs and scary eyes. A lot of this was the traditional folklore. Then we start getting into sexy vampires. [laughs] R: [laughs] I was just going to say. K: [laughs] And there were a couple specific novels that did this. In 1819, John Polidori published a short story called The Vampyre, and this was the first one where the vampire was more of a character rather than just a mindless bloodsucking dead creature. R: Right. This was a vampire worthy of Bela Lugosi's eyes.  K: Oh, no one's worthy of Bela Lugosi's eyes. [laughs] R: You know what I'm saying. K: I know, I'm teasing. So, it was very popular. So then, a lot of vampire short stories and short novels were coming out where the vampires were getting a little more sophisticated, and all of these were drawing influence from Polidori's short story. It was a very successful short story. So then, in 1872, an Irish author named Joseph Sheridan [with a mock-French accent] Le Fanu - I'm assuming it's French which is why I did that accent - published Carmilla, which was a fantastic novel. And this is, I would say, probably a turning point where vampires are unabashedly being associated with a sexual element at this point. It has a not-very-subtle vampiric lesbian... stalking, I guess, going on through this book. It's fantastic, it's not that long. If you ever get a chance to read it, it's great. K: And then of course, a couple decades later in 1897, we come to Bram Stoker's Dracula. I should, by the way, say that Bram Stoker and Joseph Sheridan Le Fanu were both Irish. Ireland had a shockingly strong folklore of vampires. In some cases they were fae, which is a whole different category of supernatural elements in Ireland, and in some cases they were just reanimated corpses. Anyways, then we get Bram Stoker, who of course gives us Dracula. And this is considered the preeminent vampire guideline bible, if you will. I think when most of us - granted, Rekka and I are older millennials, but - R: [laughs] How dare you? K: I think the first vampire we heard of was Dracula.  R: Mhm. K: I actually remember, growing up, that there was a kid in my neighborhood who just thought vampires were called Draculas.  R: Yeah. I think that was probably a… Not that I thought Dracula was a noun, but I never expected Dracula to look the same way twice.  K: Yeah. Yeah, Dracula was just like - Dracula, vampire. They were interchangeable.  R: Mhm. K: And that's how synonymous this became. Now, look at all the stuff that lead up to this in order for us to get the seminal vampire novel of the time. Stoker was absolutely influenced by all these novels that came before. Something else that's really interesting that Stoker was influenced by is the sexual component of vampires in this. Like I said, that came through hard and strong. Well, maybe I should say most popularly with Carmilla. Here's something else really interesting about Stoker: he was probably gay. It's difficult and inappropriate to go back and retroactively categorize people these ways, but there's a lot of very strong… I'm trying not to say “homoerotic,” I'm trying to say… There's a lot of very - R: Queerotic? [laughs] K: Yeah, there's a- R: There's not a queer person in the universe that will argue this point with you.  K: Yeah. R: I think the LGBTQIA+ are very, very ready to claim vampirism.  K: [laughs] Absolutely. And that's a great part of the influence of this. Some of Stoker's best friends were Oscar Wilde and Walt Whitman. Actually, I believe Stoker either started writing or finished writing Dracula right after Oscar Wilde was imprisoned, and they were exchanging letters while he was in prison.  R: Mhm. K: You have to keep in mind, this was the mid-Victorian period, there's very repressed sexuality, but there was also this burgeoning underground masculine sexual component to it, where everyone - R: See people, this is what happens when you don't let people reveal their ankles.  K: Yes. Yes, exactly. [laughs] So, one of the things through Dracula is this secretiveness, this sense of penetration. Not only the fangs in your throat, but a lot of them get into your head and screw with you that way. This was not something we saw in previous iterations of vampires, who were gross, for lack of a better term. [laughs] R: [laughs] Yeah.  K: So, this influence comes through in a lot of different ways. And as I'm talking more about Dracula I can say like, “Okay, well there's a lot of very… what we would now consider queer sexual elements that we see in Dracula, coming through with the relationship between Dracula and Johnathan Harker and Dracula and Mina.” But there's also the influence of other writers who were starting to make vampires actually people, rather than Nosferatu-style monsters.  R: Right. K: Dracula, I would argue, then in turn really helped influence the next generation of common horror. At that point we're getting into H.P. Lovecraft and existential horror. Lovecraft, who, by the way, wasn't quite a contemporary of Stoker's, but was very aware and actually wrote some reviews of his writing. He didn't really like a lot of it. [laughs] I would argue that that was probably part of what influenced Lovecraft: it was a hard turn from these very sterile, white-marble, gothic horror novels to a lot of raw, and ocean, and dark mold, steam spaces.  R: You can literally write the sentence “I can't describe this.” and people are like “Woo, that is scary.” K: Yeah exactly. So much of Lovecraft is like, “it's too horrible to describe!” but it's like “Yeah, but can you tell me anyway?” [laughs] R: You mentioned earlier that an influence can be “I don't want to do this.” K: Yes. R: So, here we are. This is Lovecraft saying  “Well, Stoker wasn't racist enough for me, so I'm gonna write my own thing.” K: [laughs] Oh, God, Lovecraft. It's so hard to read some of that stuff. [sighs] Psychologists would be better at trying to figure out Lovecraft's influence than me, I'm certainly not going to. To say the man had issues is an understatement. He was more of a collection of neuroses formed into a human. Anyways, this is just something I was thinking of as a pretty-easy-to-track set of influences. We go from vampires being very loosely defined and having inconsistent characteristics based on what region the stories are being told in, to some stories published that codify certain rules about them, to their evolution from “Eww, it's a rotting, blood-drinking corpse” to “Huh, maybe I'd like date that person.” R: [laughs] Maybe I would like those lips on my bare neck! K: Yes, exactly. Which is a pretty interesting leap that really did not take that long to get from point A to point B. But all of this was just building on influence and influence, after that.  R: Yeah, all you needed was for one author to pick it up and go, “What if vampires, but sexy?” K: [laughs] Yeah. You know what's funny, we have this sort of modern-day depiction of Dracula as a very suave, debonair… what's the word I'm looking for? High-society type person.  R: Sophisticated.  K: Sophisticated, yeah. In the novel, he is those things a little bit, but he is very off-putting and he is... weird to look at, I guess I should say. R: Yeah, there's that first scene where Johnathan is eating in front of him, and you definitely get a vibe that this dude is not right.  K: Like, he's talking about his hairy ears. [laughs] R: [laughs] Yeah. K: His weird skin, he looks ill, as if when he's making his way to the castle all of the peasantry crying and pressing crucifixes into his hands wasn't red-flag enough for him. R: No, no, no. It's just a quaint little village, this is the thing they do. There is the aspect of vampirism having the power of glamour, and I think this is probably the most effective display of it. The way that he's describing Dracula, there's nothing attractive about this man, and yet. K: He's very drawn to him. R: Mhm. K: And he wants to help him. R: As is Mina. [laughs] K: And Lucy, and all of them. So yeah, vampires. Great example of influence in literature over the course of a relatively short time, shaping something that we now consider to be commonplace.  R: Mhm. K: We've even narrowed it down farther. One of my favorite things about Dracula is, there's nothing that necessarily says he can't go in the sun in that book.  R: Right, right. [laughs] K: It's just that he has no powers after noon, I think, or he loses his powers at sunrise. So he can be outside, but he's just a regular guy at that point.  R: Mhm. K: So, obviously things continued to change and evolve there, the “no going out during the day” is held over from the much older vampire myths. Anyways. So, all of that said, how do we see influences in writing? When can we pick these out? One of the obvious is the story itself, the plot. Maybe some story arcs. R: I would argue that people tend to pick it up faster when it's a similar setting. When it's the worldbuilding, I think people notice it more. K: Okay. R: And I think, again, plot arcs and character arcs are things that we do have to recycle.  K: Absolutely. I think it's rare these days to see completely original, never-before-imagined setting. In terms of world-building, both the world itself, and in my notes here I put “world systems.” Anything from the way magic functions, or government functions, or society functions. There's only so many ways you can organize people, essentially. [laughs] So there may have been something that you came across and you're like “Oh, that's interesting. What if I did this instead?” The characters- anything from the archetypes and tropes of characters to their storylines and their redemption arcs, or even just the relationships, how they interact with each other. How the characters are broken out either into family groups or groups of friends or hierarchies within that. I think we see that a lot. With plot, we can kind of go back to what I said at the beginning of the episode: sometimes there are things in there where it's like, “this is clearly Order of the Phoenix.”  R: Mhm.  K: [laughs] We're just seeing it presented a different way. R: And again, an agent loves this, because you can say “this is my list of story comps.” And if they're successful books, the agent can use that to sell the story and then the publisher can use it to sell the book. K: Mhm. R: So even though sometimes it sounds like we are poo-pooing derivative work, if it comes across as fresh, nobody's going to poo-poo that you have a great list of comps to start with.  K: Definitely, yeah. R: And I would like to note that that is the first time we have said “poo-poo” on this podcast. I feel like that should be marked. K: That definitely needs to be denoted for posterity. R: And now it's been said three times. K: [laughs] Then there's two other areas of influence I'd like to talk about that are a little harder to quantify. One is style. And this comes more to writing style, and how you're presenting your story. For instance, being influenced by the way the author just writes in general, their style, I will harken back to one of our favorite examples here. If you've read Gideon the Ninth it is a very very unique writing style, not something I've ever come across before and I'm sure there are a lot of people who are currently in the process of attempting to imitate it; I don't know how successful they're going to be, but I bet they're trying. R: And then there are others who are influenced by it to say “Oh, I can let loose like that?” K: Yeah. Exactly. Or, “I can try something completely different that I didn't think anybody would be interested in, but if they're willing to do this then maybe they would.” Point of view or viewpoint in the book - if you've read the second book in the Locked Tomb series, Harrow the Ninth, a lot of that is written second person. The Broken Earth series, large portions of that are in second person. R: Well, the Broken Earth series, the amazing thing is it's written in all three. K: Yes, yeah. R: So if you haven't read that I can't go any further, I do not wanna spoil that, even though it's been out for years, the culmination of that book is so good that I refuse to ever spoil it. But go read it, if you haven't read it, for sure. It's a big one - K: It's a lot - R: But it is so worth it. I listen to it on audio, and I can recommend that too. K: Yeah. So both of those books have instances of strange, or - R: Disorienting? K: Disorienting's an excellent word. I remember reading Harrow the Ninth and texting Rekka and going like “Is this like this the entire time?” R: And my only response is “Did you get to the soup yet?” K: [laughs] And it was a mentality shift, and once I just was like “Okay, I fixed my brain to a point that it can accept and read this now.” But another style quality is dialogue. How you incorporate and how you use dialogue in your writing is something that I think is very easily influenced by how other people do that. This can also start feeding into the character influence there as well, how the characters talk and interact with each other is very influenced by dialogue. So then the last kind of nebulous part that I'd like to talk about, and this is a little bit different but it is worth bringing up, is historical influence. There are a lot of books and stories that are nominal retellings of either one or a series of historical events. I'll use Game of Thrones here as an example, and spoilers for anybody who hasn't read or watched - R: I don't care if we spoil Game of Thrones. [laughs] K: George R. R. Martin, well first the basis of a lot of this is the War of the Roses, which was the English Civil War. It was also called the Hundred Years' War; it was just a long, bloody, drawn-out battle of constantly changing kings and powerful families trying to get their person on the throne of England. R: And the interesting part is, it is a hundred years, so the people who started this have cast this war upon the generations to follow, and if that doesn't tell you something about where George R. R. Martin is going to be forced to take the end of the books, I don't know what will, because HBO managed to make the show take what, the war take five years or maybe ten years if that? Just the fact that it was ten seasons, right? Was it ten seasons or nine? K: It was eight seasons. R: Okay, so at most, because of the children aging on the show, it was a nine-year hundred-year war. So if George R. R. Martin is following intentionally the framework of the Hundred Years' war, none of the characters that you're rooting for are going to make it. Just in the nature of aging. K [overlapping]: And there's - you can go through and just read a brief history of the Hundred Years' War, and you'll be able to identify characters in there. Like Tyrion has some very clear Richard III vibes to him. But then there's other historical events and groups of people that he took and pulled into this. The Lannisters are such a clear parallel of the Borgia family that it's almost difficult to know that and read this and know what happened to the Borgias. The Red Wedding was based off of a famous event in Scotland where something very very similar happened to that. Some Scottish lords were invited to dinner by a Scottish lord with English leanings, and he killed all of them, to get in good with the English. R: After serving them bread. K: After serving them bread, exactly. But again, historical influence - the concept of guestright is very important in most cultures and especially in Scotland. So there's so many examples of people taking strong influence from either actual historical events or folklore and mythological events, like the Trojan War and things like that, and incorporating it into their writing. There are a lot of writers who decide “I'm gonna do a modern interpretation of such-and-such,” because maybe - for instance the Trojan War, they're very interested in classic Greek mythology and decide “Hey, that's a great story to tell; I'm gonna set it in a different place but still tell the story.” K: So that's some elements of influence, and before we wrap up here, let's address the thing we started to talk a little bit about but should definitely round out. When is influence just becoming copying, at a certain point? This is hard. Because it's really about finesse and originality. It's about taking something that you liked and putting your own spin on it, so to speak. If you're just re-creating the same story and sticking your characters into it, you're going to get called at best lazy, at worst a plagiarist. R: Yeah, there are plenty of books out there - and I have one to include in the list - that are retellings of a classic story. The problem is when you don't approach it as “how do I make this my story?” K: Yes. I'm gonna use young adult genres here because it's a little bit newer and easier to trace through this, and I'm not going to name books in this apart from the first series that I will name because that author is wildly successful. The Mortal Instruments trilogy - you could probably say series at this point, there's so many books in that world at this point - by Cassandra Clare, is one of the early and premiere urban fantasy young adult novels. This was copied so many times. Some of the authors were a little more original with where they were setting it, some of them were a little more original with where they were putting the characters or who the characters were, but the magical teeenagers who are part of a secret society that protects humanity was everywhere. ‘Cause these books were a runaway success. They were very original; no one had really seen something like this before. The Mortal Instruments created so many tropes that I can't and will not try to name them. R: And I think it's, part of that, somebody loves a book that they experienced so much that they want to hold onto that feeling forever, and one way to do that is to create something completely inspired by that same world. And this is where fanfic comes from, and fanfic is healthy, and it's a great way to express feelings of “I don't want to leave this book world.” But when you take it to a publisher and you say “This is going to sell really well because the other one that already did it sold really well,” as they say - don't follow trends in publishing, because you're five years behind. K: Conversely, a lot of people were able to get things like this published because the market wasn't inundated with this yet. R: Right, you had to be among the first to imitate a successful book, which is why they say don't follow the trends, because you won't be among the first. There are so many people out there writing that there are easily 500 people ahead of you in the queue for the publisher slush pile. K: Yeah and I wanna be clear, the first book of this entire - I'm not joking, I think there's over 20 books within this world at this point - the first one came out in 2007. So yes, the Internet was very alive and well at that point; it was not what it is now. Writing communities on the Internet were not what they are now. But all of this is to say that there were people who just straight up copied this genre, this book in some way. Either in terms of setting, in terms of characters, in terms of the magical elements of this, they just straight up copied this and I gotta be honest with you, a lot of them were not terribly successful. [laughs] Some of them were, though, and some of them made some money off of this. R: Well, for other readers who are not writers, when the same thing happens they come out of a book series and they have to wait for the next book, they want more. K: Exactly, they were looking for more. R: This is not unlike when the animation company puts out a very similar cheap animation to the latest Disney release. I worked at Blockbuster, and I saw this all the time. You'd have a big animated Disney release, and you'd have this tiny company out of who-knows-where that put together an animated copy, and they rely on parents and grandparents to grab the wrong one. This is not like trying to give the kids more of what they want, this is like “If we are gonna be next to this Disney movie on the shelf, someone will pick us up by accident and we will make money.” K: Well I always remember because a lot of Disney's classics, like the Disney renaissance movies, they were all like public domain stories. So they would just make that and they could get it out on VHS faster than Disney could - R: Yeah, they were made direct to video. K: Because Disney left it in - like everyone knew what the upcoming Disney movies were. So if you knew there was gonna be Aladdin, well, the story of Aladdin is public domain, you start making Aladdin right away. [Brief interlude of car noises] R: I literally believe that Mike's apartment is built on an overpass. K: No, just next to a road with a lot of people who drive like idiots. R: Well that was like a garbage truck, but anyway. K: That was a motorcycle. R: That was a motorcycle?? It sounded like it had at least 16 wheels. K: Yeah. R: Alright, sorry, so Aladdin - K: So everyone knew what movies Disney was making well in advance, and of course these would take years after they were announced to actually be finished and put in theatres. So if Disney says “we're making Aladdin” - R [overlapping]: Before it's in theatres! K: - well then, another small studio can also make Aladdin. The animation isn't gonna be great but then Aladdin's gonna be in the theatres and then a week later the imitation Aladdin are going to be on shelves, and grandparents are gonna go “Oh my grandchildren want to see -” R: Or “They've been talking about this movie and here it is on VHS,” and they don't know how theatre releases work and so they grab it and buy it, and they spend $18 or $15, seems like a really good deal on a Disney movie, and the animation studio makes their money back. So they do it again. K: So don't be that cheap animation studio. Don't be the person that's taking something that somebody put a lot of time, thought, and creativity into, and churning out the cheap, fast, easy-to-consume version of it. R: Yeah and I don't think, when it comes to writers - I mean I'm sure there are people out there who go “Okay this is the newest thing, I am going to behave like an algorithm and I am going to make another version of it and then release it, and I will make lots of bucks.” There are those writers that–they do that on purpose. So don't be them. But I don't think any of our audience are going to be them. And if you were thinking that that was a great way to make a successful book, let us correct you. But if you are inspired by Gideon the Ninth, or by Mortal Instruments, or anything like that - take the time to develop a story just like you would a completely inspired out of left field story, and take the time to put it together in a considerate and thoughtful and unique way, and then we approve. You get our approval. We're not promising to buy the manuscript, but we are approving a heartfelt influenced work, not an imitation that is intended to ride the wave of success of someone else. K: Exactly. R: Now when we're saying “copying,” are you talking about the publishing houses out there who literally lift the copy and try to sell it on Amazon, and just do it again and again and again as they get caught and cancelled? K: [laughs] No, no. Copying has, I think the way I'm defining it, more to do with not adding any creativity or original elements of your own, just saying “I liked what this person did, I'm going to do it too.” And listen - it's a fine line. One of the things that's really interesting about plagiarism is it's either very obvious - somebody had too many parts in a book, a novel, a poem, that are clearly just from another book - or, you've gotta go through a whole process of proving that somebody had access to something you were working on and directly lifted elements from that and put it into their book. Plagiarism is either very straightforward or very difficult. R: And, with plagiarism, they have plagiarism checkers on the Internet; I think a lot of teachers appreciate that because they can't read everything. So they can run an assignment from a student through a plagiarism checker, and that plagiarism checker can do its best with whatever it has access to in its database to catch - K: Plagiarism checkers are very good now, by the way. R: But we're talking word-for-word plagiarism. Sometimes what we refer to in the publishing world as plagiarism is actually trademark infringement. K: Yes. R: And that is difficult because if you write a story with Harry Potter in it, but you change his name and all the words are your original words, how do we run a plagiarism checker against that? K: Yes. So it's like I said, either very easy or very difficult to prove plagiarism; there's rarely a middle ground there. R: Although there are books that have been caught lifting a paragraph or two, from different books. So like the entire thing is plagiarized, but it's plagiarized from different sources. K: Yeah. You see instances of plagiarism tend to show up more in academic and scientific publishing than in fiction and genre-writing. It definitely does happen, though. R: Yup. Because, again, there are people out there who are confused about what is allowed and what is advisable in writing.  K: There are some really significant seminal works in American literature especially–I'm sure globally but I just happen to know the American ones–that are just plagiarized in certain places. And a lot of them were written in a time where it wasn't as easy to check this, so we- R: Find out much later, when it is easier, how much that was widespread. K: Yup. Exactly. R: There are nefarious people. I was referring, in my last statement, to the innocent, naive new writer, who just does not understand what is and isn't acceptable. Or, they didn't intend for it to go widespread, and they wrote a little thing for fun and end up finding out that they are not welcome and doors are being shut in their face because they crossed the line and it got noticed. K: Yeah, exactly.  R: That's the thing, a little baby writer learning about things the very hard way. It's a shame. That would be someone that you would hope would find a mentor who would guide them in the right direction before that kind of thing gets shot in their face. But with a pen name you can be reborn, as long as you reiterate yourself in better forms than the previous mistakes that you made. K: Yeah, and plagiarism should be very easy to avoid. R: Mhm. K: If you're looking at somebody else's work and saying “I wish this was mine, I'm going to make this mine,” don't do that. You should never be copying text from somebody else. Everything should be written on your own.  R: Yeah, don't go, “How did that person write it? I loved that so much.” Well yes, you did, but that's not your voice. So write it yourself. And I would say that if you close a book and you go, “Oh, I'm so inspired to write,” and you sit down and you start writing right away, don't publish that. [laughs] K: Yeah. R: There is a process to developing your own ideas even if it's mostly internal and you never grab a notebook and work out the story itself. The process of coming up with your own ideas is not “I just read this, I'm going to go write because I'm inspired and I'm going to finish that book before I do anything else.” [laughs] That's probably going to be a very derivative, if not plagiaristic, book. So don't do that. I always recommend you sit with your ideas for a while before you sit down and write it.  K: Absolutely. I mean, that's important in general. R: Carry it around like a baby, pretend you're some kind of marsupial and you have your twelve-day gestation period but you still carry that little joey around for a while before it's ready to enter the world. That's kind of the process that I recommend for a writer. K: [laughs] So there you go. Be a marsupial. R: Be a marsupial. The opossum tail has its own fingerprints which are unique to it, so there's that. Grow a prehensile tail and commit crimes with it so that you can be tail-printed later. Alright, I don't know where this story's going.  K: I like it, I like it. R: Yeah, I like it too, but it's not a good way to wrap up an episode because all we can do is just stop. [laughs] So, if you have any questions about plagiarism or inspiration, or you just want to share your inspirations and influences, you can @ us on Twitter or Instagram @WMBcast. You can find us on patreon.com/WMBcast, and we will have some more marsupial facts for you in two weeks. K: [laughs] R: [laughs] Thanks everybody for listening, and I hope this was a helpful discussion. Kaelyn and I have to go sit at a desk and figure out- have we fulfilled the promises that we made to you when we started this podcast? Because we feel like we've just kind of been indulging ourselves in what topics we bring up, so if you feel like, “Hey, you said you were going to cover this, and you never covered that,” definitely tell us that too, because we want to go back to our mission statement and make sure that every once in a while we give you an episode that's in line with that. So if you have input to that regard, please let us know. Otherwise, marsupial facts in two weeks! Thanks everyone!

Life is spiritual and there are dimensions of life that are influenced by the unseen. This message by Apostle Josiah Aubin Jr. talks about behaviors that help us identify when a person is under demonic influence and ends with a powerful prayer session for the holy spirit to overshadow us.  

Hypnosis is often seen as having therapeutic value, a way of overcoming problems caused by an ‘incorrect psyche.' Because of the layer of silence achieved inside a Vedic Meditation sitting, Vedic Meditation, we're frequently asked if it is actually a form of hypnosis.The short answer is no. Vedic Meditation is not hypnosis, but to understand the answer fully requires a closer look at what hypnosis is. Though hypnosis may be done with good intent, and may apparently have some ‘good' effects, and may appear to be beneficial, essentially it's a form of manipulation. So in that sense, hypnosis is in fact the opposite of Vedic Meditation. Vedic Meditation provides an opportunity to transcend the mind, to go beyond the small s self, the field where hypnosis has an impact, to the big “S” Self, where hypnosis has no impact whatsoever, and where the psyche can obtain benefits far beyond anything that hypnosis can deliver, and in perfect alignment with Nature.Listen to Thom explain this more fully, looking at the subject both from an individual perspective and also from the group perspective, explaining the impact of suggestibility and the role of Vedic Meditation in combating its effects. Episode Highlights:[00:00] - Is Vedic Meditation a Form of Hypnosis?[01:59] - Locus of Control[03:28] - A Construct of Exterior Influences[04:52] - The External Locus of Control at Play[04:58] - Field Dependency and a Narcissistic Approach to Life[07:49] - Internalized Locus of Control[08:58] - Who is a Control Freak?[10:41] - The Loving Controller[12:06] - The Element Of Suggestibility[13:45] - The Field-Independent Person[14:47] - Suggestibility and Influences of the Outside World[16:44] - Mass Suggestibility[18:32] - Being: The Fountainhead Of Creative Intelligence[20:28] - The Cause of the Evolutionary Process[22:11] - Hypnotizability and Suggestion[23:42] - Self-Hypnosis[24:56] - Changing Psyche On The Basis Of Suggestibility[26:24] - Suggestibility and Terrible Behaviors[28:07] - Hypnosis for Addiction[29:31] - The Inexperienced Gardener[30:41] - Fixing the Symptoms[31:42] - The Role of Vedic Meditation[32:42] - Experiencing The Inner Potentiality[34:43] - Becoming More Ideal Citizens[36:21] - Creating Social Change[38:18] - Buckminster Fuller and the Analogy of the Trim Tab[40:51] - The Consciousness-Spreader EffectUseful Linksinfo@thomknoles.com https://thomknoles.com/https://www.instagram.com/thethomknoles/https://www.facebook.com/thethomknoleshttps://www.youtube.com/c/thomknoles https://thomknoles.com/ask-thom-anything/

Jed Wooldridge | Miami Valley Church

Thank you for listening to another episode of DWP! A witchcraft library found in Prague back in 2016 may hold some secrets of the powers of the third reich. The Artaman League, Ahnenerbe, the SS, the Teutonic Knights, Wewelsburg Castle, Lanz von Leibenfels and much more regarding some influences on Himmler and his affinity for the occult and all things secret! I dive into the story of Smedley Butler, a major general who claimed that he was approached by the deep state to start a shadow government to overthrow FDR in the Patreon portion. Patreon.com/DangerousWorldPodcast for only $3 get the full versions of every episode plus bonus episodes For $5 get additional weekly bonus episodes! EMAIL: DangerousWorldPodcast@gmail.com IG: DangerousWorldPod Male Grooming

This week's guest is Jonny Scott. Jonny is a badass session drummer for both the studio and stage who's played with two of my favorite artists The Kills and CHVRCHES (among many others). He's one of the go-to drummers when a band is looking to start adding the live drummer element after years without. You can trust him to do the job and bring the song to life in the most musical way. I look up to him in a lot of ways and it was an honor to chat with him. Please enjoy learning about what made Jonny Jonny. Cheers!  Podcast Artwork by Trevin Frame For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok

In this episode, we discuss how the thoughts and ideas we most see in our newsfeed impacts how we think about and perceive the world, and also how we can reimagine our relationship to this information intake so that it's a positive force in our life.As always, if you'd like to get free access to my resource library, including guided meditations, book recommendations, app recommendations, and more, text your email address to: +1 (631) 337-8298And if you'd like to get daily inspirational text messages to your phone from me, just text the word "podcast" to +1 (631) 305-2874

Robrenna sits down with author and speaker Kari Kampakis to talk about helping your daughters find good friends (and be a good friend!) as well as how to help your daughter find positive influences in their lives. Tips for Ways to Engage: 1. Take your girl out for a treat and talk to her about friendships 2. Ask your girl who is someone around you who fits the following: A Positive thinker Fun A good study partner A good shopper Trustworthy - keep what you say confidential and doesn't spread gossip Loyal 3. Ask your girl to make a list of characteristics she'd like in a friend. 4. Ask your girl what characteristics from the list she that she possesses. 5. Do you see friendships that are “toxic” - hurtful and lack respect towards others? Why do you think a girl continues the friendship? **** Verses to consider when talking about friendship: John 15:12-15; Luke 6:31; Proverbs 17:17; Proverbs 13:20; Proverbs 18:25; Proverbs 22:24-25 **** To hear more from Kari: Grab a copy of her book “Love Her Well”: https://amzn.to/3Cp4Eho Website: https://www.karikampakis.com/ Facebook: https://www.facebook.com/karikampakiswriter/ Instagram: @karikampakis Twitter: @karikampakis Podcast: Girl Mom Podcast: https://apple.co/3HxdQUE *** Follow Robrenna on Instagram: https://www.instagram.com/robrennaredl/ Image Credit: Getty/Lyudinka

What are American school kids being taught about climate change? Journalist Katie Worth visited schools and analyzed dozens of textbooks, and she says a web of corporate and political influences is miseducating many school children about climate change. Katie Worth, Kristen Del Real and Deb Morrison join Meghna Chakrabarti.

In Episode 20 of Season 2, Drew and Mick unpack the five major influences on the church today, from Vatican Two to the rise of Pentecostalism in the global south to the church's wrestle with modernity. Take a listen to hear more. Connect with us at ideologypc@gmail.com // Like what you found here? Feel free to share, subscribe, comment, and/or rate. Episode notes: - The Churching of America by Rodney Stark

Before Dr. Evan Raps, there was no hip hop in skiing, but back in the late 90's early 2000's , this New York kid took over the ski world and ushered in a new, fresh style to the sport. On the podcast we talk about his roots in moguls, the season that made him famous, the C-Crew, contests, filming, and too many knee surgeries…It's a rare chat with a true innovator in the sport. Evan Raps Show Notes: 3:30:  Growing up in NYC, Hip Hop, skiing, driving to ski, and getting on the Killington Team. 8:00:  School at Killington, moguls, World Cups as a teenager, moving to Colorado and The US Team 12:00:  Influences, getting onto the terrain parks, quitting moguls, moving to The Palisades, and meeting CP 20:00:  Stanley:  Get 30% off site wide with the code drinkfast Peter Glenn Ski and Sports: Over 60 years of getting you out there 10 Barrel Brewery:  Buy their beers, they support action sports more than anyone 23:00:  The 99-00 Season: The Train Jump, Red Bull Free-Ride Event, X Games SF, filming and a cover 31:30:  Hip Hop style, mentality at contests in the party days, film image, C-Crew and sweeping the podium 42:00:  Dragon:  Get new goggles and really see the mountain use the code Powell15 to save 15% Alpine Vans:  Upgrade your adventure, Upgrade your life Elan Skis:  Over 75 years of innovation that makes you better 44:15:  Sponsors, money and developing skis 48:00:  Knee injury saga (11 surgeries), coming back, CR injury, Tanner injury, and retiring 55:00:  College, coaching the US Team and becoming a Doctor 61:00: Inappropriate Questions with Constantine Papanicolaou

This week we're joined by Dr. John Cavadini a theology professor at the University of Notre Dame to discuss his reflections on Pope Francis' encyclical Laudato Si' and the influences of St. Francis and St. Augustine on that document. This week's action item: Join or start a small group using the Minnesota, Our Common Home resources to delve into the teachings in Laudato Si'. Links: Dr. Cavadini's article:https://churchlifejournal.nd.edu/articles/augustine-and-francis-the-saints-of-laudato-si/ Download/Purchase Minnesota, Our Common Home: www.MNCatholic.org/OurCommonHome

Men's Bible Study: Book of Study “Kingdom Men Rising: A Call to Growth & Greater Influence” by Dr. Tony Evans Part Three: Transferring Biblical Manhood Identifying Key Influences Rev. Tiate Carson 101421

This week's guest is Michael Benjamin Lerner…drummer, singer, and primary songwriter for the band Telekinesis. I love having songwriters on the show because, as we discuss in this episode, they usually have more of a birds-eye-view-approach to writing drum parts. I was made aware of Michael's drumming in a really fun way (which we discuss) and, while I never got to meet him when we were both living up in Seattle, this chat is long overdue…at least for me. Michael's drumming is powerful, deliberate and just fun. We chatted for a long time and a lot our conversation didn't make the episode, but I made sure to keep in Michael's perspective on the current state of the music industry and his spot-advice for how to be a successful band member. We, of course, sprinkle in some influences throughout. It got a little rushed at the end, which I do regret, but we're both busy guys and sometimes it do be like that. He is such a sweetheart and I hope you enjoy this episode. Cheers! Podcast Artwork by Trevin Frame For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok

This week Traci shares insight into how employee demands can influence business behaviors. Don't forget to rate, review, and subscribe. Share with a friend! Connect with Traci here: https://linktr.ee/HRTraci Sign-up for Human Times Newsletter: https://industryslice.com/subscribers/dbc8cfad-6689-4447-aeb1-9bd98d0a2b61?rh_ref=f00c86a3 Traci has been selected to be a speaker and panelist at the Hacking HR 2022 Global Online Conference! Register to join for FREE from March 7-11, 2022: https://www.hackinghrlab.io/46 Disclaimer: Thoughts, opinions, and statements made on this podcast are not a reflection of the thoughts, opinions, and statements of the Company Traci Rubin is actively employed by. --- Support this podcast: https://anchor.fm/hrtraci/support

A man driving home on a winter's night thinks he sees a big cat stalking the moor. He crashes his car and then the weirdness really begins. An original story by Northumberland author Rowan Bowman. #audiobook #horror #northumberland #blanchland Further notes sent me by Rowan after our discussion: Influences in my writing:Raymond Chandler. He writes as a film director, intent on the reader seeing the view clearly in front of them. Daphne du Maurier. Partly because of her sense of place, but also because of the subtlety of the ghosts in some of her stories, Rebecca in particular, the writing is haunted by the melancholy of the nameless narrator, and the actual haunting, the influence that Rebecca has from beyond the grave, is superbly handled. Mandalay was based on du Maurier's own house. I often set books in or around houses I have known intimately. Shirley Jackson. The best writer of mad protagonists and unreliable witnesses in my opinion. Favourite authorsThe first proper ghost story I ever read was A Christmas Carol, I think that's where a lot of people start. As a teenager I suffered from terrible nightmares and took solace in Poe and Lovecraft and progressed to Ray Bradbury (Something Wicked This Way Comes still gives me the shudders). Then I went on to James Herbert, Shirley Jackson and lots of crime stories and thrillers, anything that confirmed it's normal to be scared and okay not to be okay.  Life sorted itself out and I was busy raising my children. The nightmares eased and I read anything I could reach while doing something else. Danielewski's The House of Leaves was the first book in years to actually scare me. I still enjoy Robert Harris thrillers and the Cormoran Strike novels, but I'm back in this stage of my life to seeking out the weird and scary. Dan Simmons is always a good read, I recommend Drood. The atmosphere is intense and like most of his stories the landscapes suck you in. I enjoyed Michelle Paver's Thin Air, but prefer Dark Matter as a supernatural horror, again the landscape is one of the characters, the real horror in Thin Air comes from mundane self-interested cruelty which rather overshadows the supernatural element for me. The landscape in The Loney is brilliantly evoked. There have been several novels since set around the area, but none capture it in the same way. My favourite China Meiville novel is The City and The City, its fantastical landscape is so well drawn that it seems more real than room you are sitting in. The best book I've read since the start of Lockdown has been Piranesi. I loved Johnathon Strange and Mr Norrell; this is very different, but equally good. The reader understands what is going on just before it is revealed, set in a fantasy world that is so well drawn that it's utterly convincing.  If you've ever been asked, 'What is wrong with you?' when admitting to a love of the macabre or frightening, then I recommend Noel Carroll's accessible The Philosophy of Horror (1990) and Lovecraft's collection of essays Supernatural Horror in Literature.  Hope this may be of some interest. Thank you for reading The Beast of Blanchland.  All the best, Rowan Support this podcast

On this 41st episode of the Kung Fu Genius Podcast, the KFG (aka Alex Richter) will be answering all sorts of hot nonsense from YouTube.  Lots of gems, lots of Wing Chun upper cuts and hooks (?), lots of “my Sifu is the only Sifu to learn the real stuff from that famous guy!”  Let's get to it! Immersion Training with the KFG: https://www.citywt.com/immersion-course-w-sifu-alex  Support the KFG on Patreon!  Get episodes early as well as exclusive content including English Translations of the Yip Man interviews with New Martial Hero Magazine.  You can support the Genius for as little as $5/month!: https://www.patreon.com/thekungfugenius    Baller Supporter of the Kung Fu Genius: John Turnbull This episode was brought to you by: Jack Chiu Topher Mowry FREE Trial to Wing Chun Illustrated Magazine! -  Get your FREE 1-MONTH ALL ACCESS TRIAL SUBSCRIPTION of Wing Chun Illustrated: Go to www.WCINewsstand.com  Click the "Register" button in the upper, right corner of the page.  Fill in your email and password.  Use Voucher Code: KFGTRIAL For books and other merch, please visit: https://www.citywt.com   To Train Wing Tsun in New York City: https://www.learnkungfunyc.com   Follow the KFG on Instagram: https://www.instagram.com/thekungfugenius    Follow the KFG  on Twitter: https://twitter.com/TheKungFuGenius   Follow the KFG on Facebook: https://www.facebook.com/thekungfugenius    Crew -  Producer: Mikey Deane Co-Host: Dre Ison Editor: Andrew Lin “Unstoppable Announcer”: Hector Martinez Archival Opening Footage: Dez Ryan Song “Kung Fu Genius”: Kess the MC

This Sunday Pastor David shares about how People of the Kingdom Confront Ungodly Influences! Christ followers are called to live their faith in such a way as to stand firm against the ungodly influences of our day. As a believer, we have the power of the Holy Spirit to help us live a powerful life in Christ. Listen and be challenged by this powerful word.

Rancho Mesa's Alyssa Burley and Account Executive in the Surety Department, Andy Roberts talk about how year-end financial statement preparation influences a company's bonding program. Show Notes: Subscribe to Rancho Mesa's Newsletter. Director/Producer/Host: Alyssa Burley Guest: Andy Roberts Editor: Megan Lockhart Music: "Home" by JHS Pedals, “News Room News” by Spence © Copyright 2021. Rancho Mesa Insurance Services, Inc. All rights reserved.

People Group Details:    https://joshuaproject.net/people_groups/11620 Listen to "A Third of Us" podcast with Greg Kelley, produced by the Alliance for the Unreached: https://alliancefortheunreached.org/podcast/ Watch "Stories of Courageous Christians" w/ Mark Kordic https://storiesofcourageouschristians.com/stories-of-courageous-christians

This week's guest is Ira Elliot, drummer for the alternative rock band Nada Surf. Formed in the 90's, Nada Surf has been going strong for multiple decades with no signs of stopping and Ira has been the backbone behind it all. Ira could be on a Mount Rushmore of drummers who know how to instill their own vibe while not taking anything away from a songwriter's (in this case, Matthew Caws') impactful words and melodies. While he definitely has fun behind the kit throughout the records, listening to Nada Surf takes you to school on how to just drum…cool. You know what mean? There's a quiet confidence about his drum writing and you'll see what I meannnnn in this episode. Please enjoy my conversation with Ira while we dissect a few songs from his career the top 5 shtuffs that made him into the drummer I wish I was. Cheers! Podcast Artwork by Trevin Frame For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok

Joshua Becker of Becoming Minimalist talks about how space influences what we buy Episode 2152: How Space Influences What We Buy by Joshua Becker of Becoming Minimalist on Minimalism & Simple Living Joshua Becker and his family decided to live with fewer possessions after a conversation with his neighbor in 2008. As a result, they found a better way to live, centered on more important pursuits. Their story has been seen on the CBS Evening News, NPR, the Boston Globe, the Wall Street Journal and countless media interviews around the world. Their books have sold in the tens of thousands. BecomingMinimalist.com is about their journey towards a rational approach to minimalism. It is about the joys and the struggles. It is about the lessons they have learned. It has inspired millions around the world. It is written to inspire you to intentionally live with less, and find more life because of it. The original post is located here: https://www.becomingminimalist.com/space/  Visit Me Online at OLDPodcast.com  Interested in advertising on the show? Visit https://www.advertisecast.com/OptimalLivingDaily Learn more about your ad choices. Visit megaphone.fm/adchoices

On Artistic Influences:How are artists influenced by Toth? By whom was Toth influenced? How does he stack up, and how do artists find their own way? I ruminate while I draw Toth, my Comics Dad.+++For a daily dose of Toth images, and for updates on the show Follow @alextothindepth on Instagram.+++Alex Toth In Depth is hosted by Paul Fricke, cartoonist and comics instructor at the Minneapolis College of Art & Design since 2012. Email: paul@opaulo.comLinks:• Alex Toth In Depth podcast• Alex Toth In Depth on Youtube• Roy Crane• Robert Fawcett• Albert Dorne• Milt Caniff• Noel Sickles• Frank Robbins• Ludwig Hohlwein• opaulo art & music Instagram• Prof Paul instagram• https://linktr.ee/opaulo+++Show bumper music - “Silver Summer” from the album “Hungarian Jazz Rhapsody” used with permission from Mihaly Borbely Quartet+++Audio an & video editing by Logan Beecher - Follow on Instagram @hotmecha

Shortly before the pandemic began, Australian psychologist Steven Taylor published a book that turned out to be nothing short of visionary. My colleague Barbara Barkhausen took a look at how reality is reflected in the book and what we are probably still facing. She talked to me about it in a video meeting. - Der australische Psychologe Steven Taylor hat kurz vor Beginn der Pandemie ein Buch veröffentlicht, das sich als geradezu visionär herausstellen sollte. Meine Kollegin Barbara Barkhausen hat sich angeschaut, wie die Realität sich im Buch wiederfindet und was uns vermutlich noch bevorsteht. Sie sprach mit mir darüber in einem Videomeeting.

When focused on growing your business, it's completely normal to focus on things that logically yield growth. Things like which networking events to attend, how to add more subscribers to your email list, how often to post on social media, what type of ads you want to run, how to get more people to your seminars, how to get more clients to refer.... And while these are completely logical ideas, it's often the ideas that leverage irrational and invisible influence that yield outsized returns. When was the last time you thought about: What your office or Zoom background is "signaling" to prospective clients? What minor detail or design on your website could drastically improve conversions? How to package your services in a way that feels less overwhelming and provides clarity around exactly what the client receives? What things could be causing your clients to perceive your services as expensive rather than a bargain? Rory Sutherland, author of Alchemy: The Dark Art and Curious Science of Creating Magic in Business, Brands, and LIfe, consults with companies around the world to help them enhance their branding and marketing by better understanding the invisible influences that shape our behavior. We discuss: Why you can't always trust what people say they want The real reason why people go see doctors (and financial advisors) The psychological challenges involved when saving for retirement (and what to do about it) How to use context to influence decision-making and behavior The power of "signaling" - the most underrated component in building trust And way more! *For more resources discussed in this episode, check out www.wiredplanning.com/episode37. *For more resources and insights on mastering the human side of money (including our popular "Wisdom Round-Up" email), go to www.wiredplanning.com.

“Being a founder is hard. There are a lot of high highs and a lot of low lows, and just making sure that you figure out a way to deal with it is super important.” – Rachel Sanders Rachel Sanders (@rachelssanders) is CEO and Co-founder of Rootine, a personalized micronutrient subscription service. She started her career in investment banking at Raymond James before transitioning into the healthcare space. founding her first company, Patch Health. She then connected with her co-founder, Dr. Daniel Wallerstorfer, PhD, to create Rootine. Show notes with links, quotes, and a transcript of the episode: https://www.danielscrivner.com/notes/rachel-sanders2-outlier-academy-show-notes  Chapters: Data driven health, efficiency, and stepping back Habits and routines Recommended books and tools On success, failure, and gratitude Sign up here for Outlier Debrief, our weekly newsletter that highlights the latest episode, expands on important business and investing concepts, and contains the best of what we read each week. Follow Outlier Academy on Twitter: https://twitter.com/outlieracademy. If you loved this episode, please share a quick review on Apple Podcasts.

This week's guest is Patrick Hallahan, drummer for the rock band My Morning Jacket. Formed in 1998, My Morning Jacket leans heavily into rock and country, but they pride themselves in have no limitations. Patrick, while certainly not tame on MMJ's records by any means, is a monster drummer live and provides the perfect foundation for a lot of the band's experimentation. I loved this conversation and was grateful geek out about Levon Helm yet again! Patrick has a great story about meeting Levon so listen for that and be sure to check out My Morning Jacket's new album which came out Oct 22nd of 2021…and have a great damn day. Cheers! Podcast Artwork by Trevin Frame For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok

RetroLogic - Episode 55 5:35 - Icebreaker 28:39 - The Price Is Retro 46:20 - Show Topic: Early open world games and their influence on the industry. 1:25:19 - Community Couch Housekeeping: Liam talks about the RetroGroove Podcast! Icebreaker - what did you buy? And what did you play? Liam: Bought: DK Jungle Beat for Wii, Battle For Naboo for N64, Milo's Astro Lanes for N64 Playing: Spiritfarer on Switch, Demon's Crest on NSO, Lode Runner 64 John: Pikmin 2 GC Played: Metroid Dread Dan: Star Fox 64 on NSO The price is RETRO How to play: I'm going to list off 4-5 games. You're going to guess how much the games are worth in total, dollars and cents. Whoever is closest to guessing the actual price of the lot, wins! Everyone has a list, and everyone guesses. The “ghost” always guesses $300 John's list Dan's list Liam's list Check out the Price Is Retro Database in the discord server for history and stats for all of our past games! Show Topic Topic: Early open world games and their influence on the industry. Grand Theft Auto: The Trilogy – The Definitive Edition Switch | PS4 | PS5 | Xbox One | Xbox Series X|S | PC Thursday Nov 11, 2021 The first truly “open world non linier” game is highly disputed due to the definition of open world being so broad. But the most common examples are: Jet Rocket, a 1970 Sega electro-mechanical arcade game that, while not a video game, predated the flight simulator genre to give the player free roaming capabilities DND, a 1975 text-based adventure game for the PLATO system that offered non-linear gameplay. Other early examples of open world gameplay (we obviously can't name all of them here. But here are some notable examples): - Hydlide (1984) and The Legend of Zelda (1986) were among the first open-world games, along with Ultima. Sierra On-Line's 1992 adventure game King's Quest VI has an open world; almost half of the quests are optional, many have multiple solutions, and players can solve most in any order. The DMA Design (Rockstar North) game Body Harvest (1998) Mario 64 VS Banjo Kazooie. Ocarina of Time 3rd Generation Open “City” games: (1997) Grand Theft Auto, (1999) GTA2 Sega's adventure Shenmue (1999) the originator of the "open city" subgenre,[70] touted as a "FREE" ("Full Reactive Eyes Entertainment") game giving players the freedom to explore an expansive sandbox city with its own day-night cycles, changing weather, and fully voiced non-player characters going about their daily routines. The game's large interactive environments, wealth of options, level of detail and the scope of its urban sandbox exploration has been compared to later sandbox games like Grand Theft Auto III and its sequels, Sega's own Yakuza series, Fallout 3, and Deadly Premonition. Midnight Club: Street Racing (2000) GTA3 Launch on PS2 - 22 October 2001 Community Couch InfiniteBlue Question to John/everyone since it came up in the last podcast: what are your thoughts on the Crazy Taxi series? Which entry or which port is your favorite? Flightsy Couch Question: What is your most unpopular opinion? Follow-up, what opinion do you have that the other hosts disagree with you on? TrashTurkey Couch Question/request: please describe the community couch... Color/material/condition etc. Also if I put my hand in between the cushions what am I likely to find? Thank you Outro Thanks for listening to the RetroLogic Podcast! We are proudly part of the Nintendo Dads family of podcasts. If you like what you hear, check me out on Twitter and Instagram @RetrologicGames. You're also welcome to jump into our friendly and 100% non-toxic Discord Community! The link to that is in my twitter bio. You can also find everything on our website Retrologic.games

We are all the compilation of those people who have invested in our lives.  Triumphant is no different, on this episode you will get to hear the guys talk about the people who have influenced them the most.  Want to help support the show? Here are a few ways to do it!1. Subscribe, Share, and Like the podcast on whatever platform you like! 2. Rate and Review the show to help our podcast rise to the top.3. Follow us on Facebook and Instagram

Rashida Winfrey, a minority small business consultant with JPMorgan Chase and Dale Royal, the executive director of LISC Atlanta, discuss new efforts to support diverse and minority-owned businesses.Plus, GBH News investigative reporter Phillip Martin discusses his latest feature that explores how Black Atlantans view Boston. The article also seeks to explain to and educator readers about deep-rooted racism in Boston and its influence on politics. Lastly, all eyes are on Atlanta. WABE reporter Emil Moffatt discusses the Atlanta Braves' historic win over the L.A. Dodgers and what's next for the baseball team as they prepare to take on the Houston Astros in the 2021 World Series. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In a spontaneous message prompted by the Holy Spirit, Pastor Mitch speaks on some of the dangerous influences that our children face today and what we can do to protect them and ourselves.  This message was delivered during the 11 AM service on October 24, 2021. Resources: Pastor Mitch's new book!: Change Your Mind to Change Your Life! Sermon Notes: Victory Church Notes Website: victorychurchraleigh.com Subscribe to our Weekly Podcast! Read Pastor Mitch's Daily Blog

People Group Details:  Sign up to receive podcast:  https://joshuaproject.net/people_groups/11546/MU Listen to "A Third of Us" podcast with Greg Kelley, produced by the Alliance for the Unreached: https://alliancefortheunreached.org/podcast/ Watch "Stories of Courageous Christians" w/ Mark Kordic https://storiesofcourageouschristians.com/stories-of-courageous-christians

Hi beautiful tribe, welcome back to another week of conversations with The Kinky Compound family!  This is our third episode of our Halloween Spooky season and this week we chose to talk about all the spooky and creepy things that influenced us from our childhood from aliens, vampires to sirens and Predator! Stay until the end to listen to Heckate's poem! Here's a list of the different movies we talked about:Fifth Sense, Dracula, Splice, Shape of Water, She-Creature (2001), PredatorAll our links can be found below :) linktr.ee/TheKinkyCompoundFollow us more closely on IG, FL and Twitter!Instagram: @TheKinkyCompound , @delsol_soy, @hades_moonspirit, @mr_puddin_fet @wild.and.kinkyFetlife: @TheKinkyCompound @Goddess_DelSol  @Gods_Hekate  @H_A_D_E-STwitter: @KinkyCompoundSupport the show (https://www.wildandkinky.xyz)Support the show (https://www.wildandkinky.xyz)

Aaren Snyder is a coveted expert in the mental health field. He is a Marriage & Family Therapist, who has treated people from all walks of life, ranging from Corporate CEOs and public figures to at-risk youth. He is also a distinguished public speaker and a lead writer for several blogs. Amongst numerous accomplishments, Snyder ranks his community service endeavors as most rewarding. His passion for advocacy for marginalized groups is exemplified through his tireless work in various organizations such as Big Brothers/Big Sisters of America, American Red Cross as well as many other nonprofit and humanitarian agencies. In this episode, we discuss the connection between one's mental health and cultural factors, racial trauma, men's mental health, having uncomfortable conversations, and more. FOLLOW AAREN: INSTA: @thementalhealthmatters WEBSITE: www.thementalhealthmatters.com  STAY CONNECTED: INSTA: @trustandthrive TIKOK:@trustandthrive TWITTER: @trustandthrive FACEBOOK: bit.ly/FBtaramont WEBSITE: www.tara-mont.com EMAIL: tara@tara-mont.com 

“The thing that lights me up the most is leaving people with more energy after conversation than when they came in.” – Marc Champagne Marc Champagne (@marcchampagne) is author of Personal Socrates: Questions That Will Upgrade Your Life from Legends & World-Class Performers. A self-proclaimed Mental Fitness Strategist, Marc is a speaker and corporate trainer and hosts the top 50 podcast, Behind the Human. Marc previously co-founded the journaling app (KYO) which reached 86.9 million people. Show notes with links, quotes, and a transcript of the episode: https://www.danielscrivner.com/notes/marc-champagne2-outlier-academy-show-notes  Chapters in this interview: Mental health, strengths and struggles Breathwork and physical health Recommended podcasts and books, and tools On success and failure Sign up here for Outlier Debrief, our weekly newsletter that highlights the latest episode, expands on important business and investing concepts, and contains the best of what we read each week. Follow Outlier Academy on Twitter: https://twitter.com/outlieracademy. If you loved this episode, please share a quick review on Apple Podcasts.

This week's guest is Adam Deitch. Adam is the Grammy-nominated drummer for the bands Lettuce and Break Science. He's also played and / or collaborated with legends such as John Scofield, 50 Cent, Average White Band, DJ Quik, Matisyahu and many, many more. His power and intention behind the kit is one of the most inspiring things to watch and he seems to reinvent his career every few years by just choosing what project to focus on in that moment…because he trusts his instincts. The thru line, however, has always been his collaboration with Lettuce. Anyways, Adam has been on a few previous guest's top and I hope you enjoy my conversation with Mr. Adam Deitch.  Earth, Wind & Fire Concert (Oakland Coliseum 1981) Podcast Artwork by Trevin Frame For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok

Talking with two Atlanta mayoral candidates, Andre Dickens and Felicia Moore. Also, school board chaos, anti semitism, pumpkin spice and Jason Isbell. See omnystudio.com/listener for privacy information.

Interview with Gabe Corbett, who started his career in machining, but is now a consultant and the top SOLIDWORKS trainer on LinkedIn. He has had an interesting and diverse career with positions that include machine shop owner, product designer, teacher, user group leader, and design consultant. Gabe has some great insights on how best to design a product from concept all the way through to fabrication.

Fr. Mike contextualizes our readings from 1 Maccabees today which covers the beginning of Roman rule over the Jewish people. Additionally, he emphasizes the wisdom from Sirach about surrounding ourselves with influences that lead us closer to God and help us grow in holiness. Today's readings are 1 Maccabees 8, Sirach 22-23, and Proverbs 22:26-29. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Oct. 11th, 2021 – In this episode, the ladies quickly diving in to the documentary LuLaRich. Fascinated with the MLM gone BIG, they shed some light on the rise and fall of the company & how it was uniquely driven by stay at home mothers. You remember those crazy, bright leggings and maxi skirts! Their conversation shifts from the show into how women can feel influenced and effected by others money, travel or looks (be honest, we all do it!) They go down the rabbit hole of social media effecting women's confidence and self-doubt and encourage all women to feel validated and secure in whatever stage of life they're in – suggesting some ways to keep up their confidence. Sarah shares the importance of surrounding yourself with positive people. This has them looking back on their long time friendship and the effect they have had on each other. Another tip they point out is having gratitude and learning to see the good in what you have. They share new insight on manifesting and how it can mentally knock down the mean subconscious we all have. All things that will encourage & uplift every woman. They close with their regular hits and misses. Lauren has began her running training and Sarah admits they haven't made the 7pm bedtime since Fall began. EP SPONSORS & RESOURCES: + Gabb Wireless Safe Smartphones // www.gabbwireless.com // enter code MOMVOICE for $10 off your order + The Mom Voice MERCH is on sale now! Shop the Show at www.themomvoice.com Don't forget to tune in on Thursdays for MOMCAST with Emma Jade. And make sure to follow the girls on IG @themomvoicepodcast for updates & new content releases! Thanks so much for tuning in – make sure to FOLLOW THE PODCAST, we're back every week with fresh content just for you! xo

“Culture” and “Brand” are two concepts that are often thought about and discussed as completely different topics. We don't often consider how one might not only affect but define the other. But the truth is, they are very much the opposite sides of the same coin, if that coin represents the calling card for your agency or your client's company. Agency owners and authors Mark Miller and Ted Vaughn have literally written the book on the connection between culture and brand. In examining the challenges and successes of both their own clients and research into other companies, they defined six patterns that define culture and the traits that make these patterns successful. In this episode of Build a Better Agency, Mark, Ted, and I take a deep dive into these six patterns – or “layers” – and how come to define an agency's success. We explore everything from different kinds of trust to the need to sometimes fire a rockstar employee. We look at ways to inspire an invitation to difficult conversations and why it's so important for creatives to advocate for themselves. We even define the first step an agency can take on the quest to improve, fix, or define a company's culture in a way that leads to a winning brand. A big thank you to our podcast's presenting sponsor, White Label IQ. They're an amazing resource for agencies who want to outsource their design, dev, or PPC work at wholesale prices. Check out their special offer (10 free hours!) for podcast listeners here. What You Will Learn in This Episode: The links between a winning culture and brand Why culture is so important in a conversation about brand Functional vs. relational trust 6 layers of marque culture How to tell if a problem is caused by a system or a person Why creatives need to advocate for themselves How agency owners can inspire a truth-telling environment Where to begin on the journey to fix culture

As Chad Daybell and Lori Vallow face indictments and/or allegations for multiple murders (e.g., Chad's wife Tammy, Lori's husband Charles, Lori's brother Alex, Lori's children JJ and Tylee) - many believing LDS church members (i.e. "Mormons") have taken issue with the suggestion that Mormon beliefs played any role in these murders.   Today we conclude our 2-part series exploring the Mormon influences on Chad Daybell and Lori Vallow.  Our guests for today are Lauren and John Matthias - co-hosts of the Hidden True Crime podcast.  I am also super happy to be joined today by my dear, brilliant friend Mindy Caldwell, who has followed the Daybell/Vallow case very closely over the past few years.   Please join us with your questions and comments. ————— We are 100% donor funded! Please click HERE to donate and keep this content coming! Click here to donate monthly: $10 $25 $50 ————— The Hidden true crime podcast explores the hidden motives behind unimaginable crimes, while examining our deepest fears along the way. Join us on a journey into the darkest recesses of the human mind and the unconscious motivations that drive human behaviors, both good and bad, in order to understand the world and ourselves. Pull up a chair at our dinner table as the husband and wife team of Dr. John Matthias, a forensic psychologist, and Lauren Matthias, a journalist, delve into the psychological facets of unthinkable crimes. What are you hiding? What are you hiding from? What remains hidden?

As Chad Daybell and Lori Vallow face indictments and/or allegations for multiple murders (e.g., Chad's wife Tammy, Lori's husband Charles, Lori's brother Alex, Lori's children JJ and Tylee) - many believing LDS church members (i.e. "Mormons") have taken issue with the suggestion that Mormon beliefs played any role in these murders. Today we begin Part 1 in a series exploring the Mormon influences on Chad Daybell and Lori Vallow.  Our guests for today are Lauren and John Matthias - co-hosts of the Hidden True Crime podcast.  I am also super happy to be joined today by my dear, brilliant friend Mindy Caldwell, who has followed the Daybell/Vallow case very closely over the past few years. Please join us with your questions and comments. ————— We are 100% donor funded! Please click HERE to donate and keep this content coming! Click here to donate monthly: $10 $25 $50 ————— The Hidden true crime podcast explores the hidden motives behind unimaginable crimes, while examining our deepest fears along the way. Join us on a journey into the darkest recesses of the human mind and the unconscious motivations that drive human behaviors, both good and bad, in order to understand the world and ourselves. Pull up a chair at our dinner table as the husband and wife team of Dr. John Matthias, a forensic psychologist, and Lauren Matthias, a journalist, delve into the psychological facets of unthinkable crimes. What are you hiding? What are you hiding from? What remains hidden?

Fasting has a very interesting influence on the autonomic nervous system. Here's what you need to know. POTS: https://youtu.be/84lRoZKMte8 Intermittent Fasting Basics: https://youtu.be/3dHcT1-K-tw DATA: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4889352/ https://www.hindawi.com/journals/bmri/2016/1503956/ FREE COURSE ➜ ➜ https://courses.drberg.com/product/how-to-bulletproof-your-immune-system/ FREE MINI-COURSE ➜ ➜ Take Dr. Berg's Free Keto Mini-Course! ADD YOUR SUCCESS STORY HERE: https://bit.ly/3z9TviS Talk to a Dr. Berg Keto Consultant today and get the help you need on your journey (free consultation). Call 1-540-299-1557 with your questions about Keto, Intermittent Fasting, or the use of Dr. Berg products. Consultants are available Monday through Friday from 8 AM to 10 PM EST. Saturday & Sunday from 9 AM to 6 PM EST. USA Only. Dr. Eric Berg DC Bio: Dr. Berg, 51 years of age is a chiropractor who specializes in weight loss through nutritional & natural methods. His private practice is located in Alexandria, Virginia. His clients include senior officials in the U.S. government & the Justice Department, ambassadors, medical doctors, high-level executives of prominent corporations, scientists, engineers, professors, and other clients from all walks of life. He is the author of The 7 Principles of Fat Burning. Dr. Berg's Website: http://bit.ly/37AV0fk Dr. Berg's Recipe Ideas: http://bit.ly/37FF6QR Dr. Berg's Reviews: http://bit.ly/3hkIvbb Dr. Berg's Shop: http://bit.ly/3mJcLxg Dr. Berg's Bio: http://bit.ly/3as2cfE Dr. Berg's Health Coach Training: http://bit.ly/3as2p2q Facebook: https://www.facebook.com/drericberg Messenger: https://www.messenger.com/t/drericberg Instagram: https://www.instagram.com/drericberg/ YouTube: http://bit.ly/37DXt8C

Time Stamps:  0:00 - Hi friends! 1:00 - Kendall's trip 9:26 - Britney Documentary  19:27- Nikita Dragun thinks she's a celebrity 31:27 - Influences at the Met Gala 38:40 - Accidental YouTube Uploads  Thank you sponsors! The Pill Club https://bit.ly/3zFR3AL| Dipsea https://bit.ly/3qmGqj0 | Hello Fresh https://bit.ly/3wOMxym  The Dad Challenge Podcast Jordan Cheyenne interview:  https://www.youtube.com/watch?v=DNbhKRJWx40   Britney vs Spears Netflix trailer:  https://bit.ly/39xqjbb Listen on Spotify: https://spoti.fi/3fjR2s1 Listen on Apple Podcasts: https://apple.co/3go1X5s Subscribe to our YouTube channel: https://bit.ly/3fCx7H3  Follow us on social media @the_seshpodcast  IG: https://bit.ly/3a9t6Xr TW: https://bit.ly/2XH4C2A Join our Discord! https://discord.gg/42mAfe6  Kendall: @kendallraeonyt IG: https://bit.ly/3gIQPjI TW: https://bit.ly/2XLsLFn YT: https://bit.ly/3abKWsS Janelle: @janelle_fields_ IG: https://bit.ly/2DyP1eE TW: https://bit.ly/2DrboD1 Karelly: @karell.y IG: https://bit.ly/2TcxnoD  TW: https://bit.ly/3f9ngcN  Sydney: @barnesy51 IG: https://bit.ly/3vfWo0g  Kendall's New CBD Brand, Higher Love Wellness: https://higherlovewellness.com/   Music By: Mile Higher Boys YT: https://bit.ly/3fJrDZ8 IG: https://bit.ly/3kDle5s ✉ Send Us Mail & Art ✉ 8547 E Arapahoe Rd Ste J # 233 Greenwood Village, CO 80112 Welcome to The Sesh Podcast hosted by cousins and best friends, Kendall & Janelle! Kendall Rae is a YouTube content creator focusing on True Crime and raising awareness for missing persons cases, and Janelle is a mental health professional with a Master's in Clinical Mental Health Counseling. Our show is focused on a variety of topics including current events, our personal experiences & sharing advice, mental health, playing games, discussing astrology & spirituality, and hosting guests from time to time. Come hang out with us every Sunday!