Podcasts about Japan Foundation

The Goggler Movie and TV Podcast

Play Episode Listen Later Nov 22, 2023 94:09

After looking back on the Space Heater Chat and some purchases in the latest Indigo Books sale. We focus on Crunchyroll on a few fronts this time around00:09:45 - The retail side of CR with the end of Right Stuf. James gives his experience ordering from the revamped retail site00:37:03 - New mobile games to Crunchyroll services, and manga service winds down. And James puts up an arguement as to why that's not a totally good thing00:51:07 - So what about the Crunchyroll's current anime season?And then on to other things01:04:14 - AnimeNYC will have its 2024 edition on August 23-25th, the same weekend as FanExpo Canada. Aside from other news coming from this year's edition01:10:20 - Japan Foundation has a discussion on video games and trauma recovery01:13:50 - James and Kevin go fanboy on Daigo01:23:30 - Kevin talks a little more about his time watching V-tubersThis Week's Drinking Game: Take a shot of Espresso when you realize Mike really wants to go to sleep soonMike Nicolas, James Austin, Kevin NgOpening Theme: “FUBUKI - Snowstorm” performed by Pico Masaki

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Mark Manantan: AI Governance and Cybersecurity in South East Asia

Asia Unscripted

Play Episode Listen Later Aug 17, 2023 25:36

This episode features Mark Manantan, the Director of Cybersecurity and Critical Technologies at the Pacific Forum. At the Forum, Mr. Manantan currently leads the Cyber ASEAN capacity-building initiative, and the US Cyber, Technology, and Security partnerships with Japan, Australia, Taiwan, and South Korea. Mr. Manantan is also a non-resident fellow at the Center for Southeast Asian Studies, National Chengchi University, Taiwan, and formerly a research consultant at the Asia Society Policy Institute, Washington, DC. He has held visiting fellowships at the Japan Foundation, the Center for Rule-Making Strategies at Tama University in Tokyo, Japan, and the East-West Center, Washington, DC. Prior to that, he was a media, public relations, and advertising executive for Procter & Gamble, Wells Fargo, Aboitiz Equity Ventures, and UNICEF.Mr. Manantan speaks to Amelie about the tech landscape in South East Asia, delving into the rise of AI businesses and policies within the region, as well as the role of cybersecurity in geopolitical conflicts, such as the South China Sea. Graphic by Sam Tran. Support the show

The Goggler Podcast #407: JFF+ Independent Cinema 2023

Play Episode Listen Later Aug 4, 2023 20:20

Today, on The Goggler Podcast, Bahir and Uma talk about the Japan Foundation's special JFF+ Independent Cinema 2023 program.

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Wonderwall : the Movie (Japanese) - Review - "A Sense of Belonging" | Yuki Maeda | Aya Watanabe

Vocal About Visuals

Play Episode Listen Later Mar 7, 2023 4:56

In this ep, I'll be reviewing the Japanese 2020 film, Wonderwall which I had the opportunity to watch for free as part of the online version of the annual Japanese Film Festival organized by the Japan Foundation. It is written by Aya Watanabe and is directed by Yuki Maeda. You can watch this and other films, as part of Phase 1 of this festival that runs till March 15th, 2023. Phase 2 of the festival begins on March 15th, 2023 & goes on till June 15th, 2023. Link to the website to watch all of these film - https://jff.jpf.go.jp/watch/independent-cinema/film-lineup/wonderwall-the-movie/ If you like my content, please give this podcast a follow on your preferred podcast platforms & on YouTube: https://www.youtube.com/channel/UC8tyLj-Cv_9j5mwYXjIm7AQ to be on top of all the new recos & episodes that come out of this space. Cheers! Twitter - @podcastplural. Insta - @podcastplural.

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# 187 - Jo Takahashi | Livro Ramen/Lámen / "O Universo de uma Tigela"

Paladar Distinto

Play Episode Listen Later Feb 7, 2023 35:17

Entrevista com Jo Takahashi, produtor cultural e escritor. Trabalhou na Japan Foundation por 30 anos, onde foi diretor de projetos em arte e cultura. Em 2012 estabelece a sua própria produtora, passando a atuar não só nas áreas de arte e cultura, mas também em gastronomia. Sua extensão, Jojoscope, é um portal de conteúdos que transita entre a cultura erudita e contemporânea. Dentre as suas diversas publicações destacam-se “A Cor do Sabor: A Culinária Afetiva de Shin Koike” e “Izakaya: Por Dentro dos Botecos Japoneses”, ambos pela Editora Melhoramentos, com os quais conquistou o prêmio de segundo melhor livro de gastronomia japonesa do mundo, pela Gourmand World Cookbook Award. E no seu mais novo projeto, o livro: Ramen/Lámen passeia pelas histórias sobre o surgimento do macarrão e examina como ele chegou ao Japão e as sabedorias por trás da produção dos caldos; mapeia também os tipos de ramen regionais, mostrando que comida é, sim, uma expressão de identidade e cultura de raiz; sobrevoa temperos e tendências desta comida afetiva para, enfim, aterrissar no Brasil e apresentar alguns guerreiros e amantes desse prato tão democrático quanto complexo. Além de explorar cada detalhe do prato, o livro também apresenta figuras do cenário gastronômico como empresários da área de gastronomia, chefs, cozinheiros que se encantaram com o prato e resolveram compartilhar essa paixão com o público. Este livro é uma verdadeira imersão na gastronomia japonesa e um convite para um mergulho no caldo profundo de uma tigela de ramen, um universo de cultura a ser desvendado a cada bocada. @jojoscope Link para compra do Livro na Amazon (Também disponível nas principais livrarias) Fique por dentro das novidades, siga nosso Instagram: @paladar.distinto

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Special Report: Seijun Suzuki Centennial

The Projection Booth Podcast

Play Episode Listen Later Jan 30, 2023 25:59

Mike talks with Assistant Professor of Modern Japanese Cultural Studies at the University of Alberta and guest curator Will Carroll (Suzuki Seijun and Postwar Japanese Cinema) and Peter Tatara, the brand-new Director of Film at Japan Society and founder of Anime NYC about the Japan Society's Seijun Suzuki Centennial.Celebrating 100 years of iconoclast director Seijun Suzuki (1923-2017), a singular force in Japanese cinema whose radical stylistic vision and unpredictable narratives shaped the B-movie genre, Japanese cinephilia and the political New Left, Japan Society and The Japan Foundation present Seijun Suzuki Centennial—a selection of six films from across the filmmaker's nearly 60-film body of work, all on imported 35mm prints straight from Japan. Covering ground from his earliest yakuza feature (Satan's Town) to his unbridled return to studio filmmaking after being blacklisted for 10 years (A Tale of Sorrow and Sadness) and his subsequent independent success (Kagero-za), this special series offers a rare glimpse into the core of Suzuki's creative genius.For complete information visit japansociety.org.

director university japan film japanese tale satan covering assistant professor sadness sorrow suzuki special report centennial new left anime nyc seijun suzuki japan society japan foundation kagero

Special Report: Seijun Suzuki Centennial

The Projection Booth Podcast

Play Episode Listen Later Jan 30, 2023 25:59

Mike talks with Assistant Professor of Modern Japanese Cultural Studies at the University of Alberta and guest curator Will Carroll (Suzuki Seijun and Postwar Japanese Cinema) and Peter Tatara, the brand-new Director of Film at Japan Society and founder of Anime NYC about the Japan Society's Seijun Suzuki Centennial.Celebrating 100 years of iconoclast director Seijun Suzuki (1923-2017), a singular force in Japanese cinema whose radical stylistic vision and unpredictable narratives shaped the B-movie genre, Japanese cinephilia and the political New Left, Japan Society and The Japan Foundation present Seijun Suzuki Centennial—a selection of six films from across the filmmaker's nearly 60-film body of work, all on imported 35mm prints straight from Japan. Covering ground from his earliest yakuza feature (Satan's Town) to his unbridled return to studio filmmaking after being blacklisted for 10 years (A Tale of Sorrow and Sadness) and his subsequent independent success (Kagero-za), this special series offers a rare glimpse into the core of Suzuki's creative genius.For complete information visit japansociety.org.

director university japan film japanese tale satan covering assistant professor sadness sorrow suzuki special report centennial new left anime nyc seijun suzuki japan society japan foundation kagero

Carol Dorman - Stuart Jackson Gallery and the LIFE Institute

The Unfinished Print

Play Episode Listen Later Dec 24, 2022 70:21

The importance of passion cannot be understated. It can be a wonderful and beautiful thing, and if it's made into a positive part of not only one's own life but for others as well; it's a passion worth pursuing. On this episode of The Unfinished Print I speak with mokuhanga collector, self taught scholar and instructor, Carol Dorman. Having seen her work and lectures with the Japan Foundation Toronto, on various topics on ukiyo-e history and culture, I found her knowledge and story to be of great interest. I speak with Carol about her journey from working at the CBC for the national news, to working side by side with Stuart Jackson, a mokuhanga gallery owner here in Toronto. Carol speaks on her love of the ukiyo-e period of Japanese woodblock prints, her collecting, how that world has changed dramatically during her time at The Stuart Jackson Gallery, and we discuss her work at the LIFE Institute of Toronto where she teaches and instructs age 50+ students about ukiyo-e history. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Regina, Saskatchewan - is the capital of the Canadian Province of Saskatchewan. Located on the land of the Cree, Saulteaux, Dakota, Nakota, Lakota, and Métis peoples, it is the 16th most populace city in Canada. The city has many restaurants, museums, and other places of interest. More info can be found at Tourism Regina, here. University of Toronto - considered a public research university, U of T is located in the city of Toronto, Ontario, Canada, and was founded in 1827. It has educated any number of famous Canadian authors, scientists, politicians, and the like. More info, here. Stuart Jackson Gallery - is a ukiyo-e specific gallery located at 882 Queen Street W. in Toronto, Ontario, Canada. It has been doing business in Toronto for almost fifty years. More info, here. The Royal Ontario Museum - also known as The ROM, is an art, world culture, and natural history museum in the city of Toronto, and is one of the oldest museums in the city. More info, here. The Canadian Broadcasting Corporation - also known as the CBC, is a Canadian Federal Crown corporation and is the oldest broadcasting network in Canada. Founded in 1936, the CBC broadcasts news, original programming, and sports throughout Canada and the world. They broadcast via various digital platforms as well as terrestrial platforms such as television and radio. More info, here. Meiji Period of Japan (1868-1912)- the Meiji Period in Japanese history is synonymous with turmoil and regime change. The Meiji Period is named after Prince Mutsuhito (1852-1912), who became Emperor after his fathers death, Emperor Kōmei (1846-1867). Mutsuhito's reign came at the end of the Keiō Era, (1865-1868), until his own death in 1912. Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Tsuzoku Suikoden Goketsu Hyakuhachi-nin no Hitori (津属水滸伝後けつ百八人にの一人 ca. 1827) Utagawa Kunisada (1786-1865) - arguably one of the more important woodblock print designers, Kunisada designed many types of prints, from landscape, books, erotica, sumo etc. Kunisada worked during the period of ukiyo-e history with Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the above mentioned Kuniyoshi. Defintely a rich and abundant period in Japanese woodblock print history. Oni Azami Seikichi (鬼あざみ清吉) 1859 Yorkville, Toronto - Yorkville is a neighbourhood located in the heart of Toronto. It has a rich history, politically and culturally. It has become a high end neighbourhood in the city, with many expensive shops, luxury homes and condos. It is famous for once being the hotbed of folk music in the world, outside of New York City, in the 1960's. Performers such as Neil Young, Joni Mitchell, Bob Dylan amongst others performed in the various clubs in the neighbourhood. 2008 Financial Crisis - was a world wide financial crisis which started in 2007 and lasted throughout 2008 and onwards. This crisis affected housing, mortgages, the automotive industry, and world economic markets. David Kutcher is the owner and operator of Moonlit Sea Prints, located in Easthampton, Massachusetts. His interview with The Unfinished Print can be found, here. Fading of Japanese woodblock prints - certain colours, especialy in ukiyo-e period prints (beni), are known to fade over time. Since pigments in mokuhanga are generally water based, they will fade naturally, but more quickly if located near sunlight. There are many reasons why your print will fade, so the website Viewing Japanese Prints has written a fine article regarding those very reasons, amongst other ways you can protect your mokuhanga collection. You can find that article, here. The Kentler International Drawing Space - is an art gallery located in Red Hook, Brooklyn, New York. It has hosted several mokuhanga centred exhibitions. The most recent was Between Worlds as hosted by The Mokuhanga Sisters, from July 17 - July 31, 2022. More info, here. Red Hook, Brooklyn, NY - is a neighbourhood in Brooklyn, New York. Once called South Brooklyn and once an industrial area, Red Hook has evolved over time to house many New Yorkers who are looking to be close to Manhattan and still be able to afford a home. There is a great New York Times article, here, which explores the history of this fascinating area. Doi Hangaten - is a mokuhanga print publisher located in Tōkyō, Japan. Once a publisher of prints associated with the shin-hanga movement of the ealry twentieth century, the company continues to publish reproductions of famous Japanese prints, in the old ways. Most recently, the Doi family have collaborated with David Bull and Mokuhankan to publish new verions of some of the old blocks from almost 100 years ago. More info about the Doi Hangaten can be found here, here and here. The collaboration videos produced by Mokuhankan regarding the Doi family and the subsequant collaboration can be found, here. LIFE Institute - is a learning facility for adults age 50+. The LIFE Institute began in 1991, and has a membership of 2500 today. The institute offers high quality education in the Arts, Humanities, Science and Technology, amongst others. Courses are conducted in person or online. More info can be found, here. The National Gallery of Art - is a free art gallery located in Washington D.C. Founded by financier Andrew W. Mellon. The West building was constructed in 1941. The gallery houses more than 150,000 pieces of art and is dedicated to education and culture. More info can be found, here. Itō Jackuchū (1716-1800) - was a Japanese painter who painted in silk. His work can be seen in scrolls (kakemono), sliding doors (fusuma), and folding screens (byōbu). Known for his wild style of painting, Jackuchū's most popular theme is of birds. There are many books wirtten about Jackuchū and his life and times. More info can be found, here , to get you started. Rooster (18th Century) Nishiki-e (錦絵) - is the Japanese phrase for colour woodblock prints, otherwise known as brocade pictures. Ogata Gekkō (1859-1920) - was a painter, illustrator and mokuhanga designer. Gekkō's work has a delightful water colour style, where the subjects seem to be floating and light, regardless of whether the subject is a beautiful woman or a ghostly fox. Gekkō's subject matter ranged from landscapes, to mythology. Ogata Gekkō had a full career, from working with many publishers for his print designs to founding various art associations. More information about the life and career of Ogata Gekkō can be found, here, on David Humphries' fantastic website about the artist. Drawing Water from Yoro Waterfall — 養老孝子瀧を汲の図 (1896) Prussian Blue - is a dark blue pigment, which has been used by painters, and mokuhanga printmakers. The pigment has been used in Europe since the 18th Century, and in Japan since around 1820, having been imported by Europeans into Japan. Evolution of Pigments in Mokuhanga - the evolution of pigments in mokuhanga began with hand painting in the later 17th Century, to the multi coloured prints of ukiyo-e, shin hanga, and sōsaku hanga. More info regarding the pigment evolution can be found, here, at the Library of Congress. The Japan Foundation - is a not for profit organization established in 1972, with many offices located around the world. The Japan Foundation Toronto has been active in the city since 1990. More info, here for the JF worldwide, and here for Toronto. Elizabeth Forrest - is an award-winning Canadian artist and mokuhanga prinmaker. She has been producing mokuhanga since the late 1980's when she lived and studied in Kyoto. She has studied with the late Akira Kurosaki (1937-2019). More info about Elizabeth's work can be found, here. And It Began To Rain (2014) Akira Kurosaki 黒崎彰 (1937-2019) - one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Taurus (1973) Barbara Wybou - is a Canadian mokuhanga artists who lived, worked, and studied in Japan for twenty years. Her home these days is Toronto where she continues to work on her mokuhanga. Notably she studied with the late Tōshi Yoshida (1911-1995). Her work can be found, here. Rats 3 Toyohara Kunichika (1835-1900) - was a Japanese woodblock designer of the Utagawa School of artists. His work flourished in the Meiji Period (1868-1912) of Japanese history, a period of immense change politically, economically, and industrially. Some of Kunichika's works can be found, here. Onoe Kikugorō V as The British Spencer (1894) War prints & Japanese Imperialism - as Japan entered the Pacific Theatre of war (1941-1945) with the United States, the fascist military government had complete power in Japan at the time, and used woodblock prints, as well as other mediums such as lithography and photography, to propagandize their war effort. Printmakers such as Kawase Hasui (1883-1957) even got involved in producing prints that helped the war effort. He designed several war prints during this time period. Prints such as The Red Setting Sun, is a prime example of how the times and aesthetic show a relatively innocuous scene of figures (Japanese soldiers) riding on horses with a setting sun back drop. For more detailed information regarding war time prints I suggest, Conflicts of Interest: Art and War in Modern Japan, ed. Philip K. Hu w/ Rhiannon Paget, and The Politics of Painting by Asato Ikeda. My interview with Rhiannon Paget PhD can be found, here. Russo-Japanese War (February 8, 1904 - September 5, 1905) - was a war between two colonial powers, the Imperial Russian and Imperial Japanese military, taking place in China. Information about its background can be found here at history.com, and here. bijin-ga - (美人画) is the Japanese term for beautiful women in mokuhanga. Itō Shinsui (1898-1972) After Washing Her Hair (1936) yakusha-e - (役者絵) is the Japanese term for actor prints in mokuhanga. Utagawa Yoshiiku (1833-1904) Oyama Doll - Ichikawa Udanji (1893) Taishō Period (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. Yamato Take no Mikoto with His Sword Kusanagi - is the print by Ogata Gekkō which Carol mentions as one of her favourite prints. Oliver Statler (1915-2002) - was an American author and scholar and collector of mokuhanga. He had been a soldier in world war 2, having been stationed in Japan. After his time in the war Statler moved back to Japan, where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as acoomodation, and the 88 Temple Pilgrammage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” John Stevenson - is an American author who has written extenisvely on Tsukioka Yoshitoshi (1839-1892). Tsukioka Yoshitoshi (月岡芳年) was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here. The Flower of Edo (1858) Utagawa Kuniyoshi (歌川國芳) - was a print designer and painter known for his triptychs, yoko-e (horizontal landscape prints), Yokohama-e (prints with Yokohama as its subject), and yakusha-e (actor prints). Considered as one of the last of the "golden age" print designers of the ukiyo-e genre. Ichikawa Kodanji IV as the ghost of Asakura Togo (possibly 1851) Kunisada/Kuniyoshi Exhibit - was an art exhibition held at the Museum of Fine Arts Boston from August 11 - December 10, 2017. There was also an excellent catalogue printed for this show and would add to any woodblock print fan's library. more info, here. The book I reference about Toyohara Kunichika is "Time Present and Time Past of a Forgotten Master: Toyohara Kunichika 1835-1900" There are various online print collections that the aspiring mokuhanga scholar can seek out to help in their studies. The Library of Congress has their collection online, as does ukiyo-e.org, who have various impressions af their prints throughout their website. Scholten Japanese Art - is a mokuhanga focused art gallery located in midtown Manhattan. It was founded by René Scholten, an avid collector of the Japanese print. More info can be found, here. Acadia Books - is a vintage and unique used bookstore located at Sherbourne and Queent St. East in Toronto, Ontario, Canada. In my opinion it is one of the best bookstores I have had the priviledge to visit. More info, here. © Popular Wheat Productions opening and closing musical credit - intro music is Spill Yer Lungs and outro music is Tailor both by Julie Doiron from her album I Can Wonder What You Did With Your Day (2009) on Jagjaguar Records logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***

united states american new york university canada new york city art europe china science technology japan politics canadian new york times west war chinese european washington dc evolution toronto japanese ny arts east massachusetts manhattan museum ontario artists stuart founded pieces painting rom bob dylan emperor flower courses rats humanities cbc gallery conflicts neil young saskatchewan new yorkers notably taurus cree library of congress joni mitchell performers kyoto rooster tailor financial crisis fading prints doi national gallery edo lakota yokohama red hook jf east hampton yoshida dorman statler life institute pacific war andrew w mellon canadian broadcasting corporation shikoku pigments yorkville royal ontario museum between worlds canadian provinces modern japan john stevenson imperial japanese katsushika hokusai yoshitoshi south brooklyn pacific theatre edo period fine arts boston hitori japan foundation julie doiron printmakers nakota prussian blue david bull gekk japanese imperialism kuniyoshi

12/14（水） origami PRODUCTIONS zone: Kan Sano #19

78 musi-curate origami PRODUCTIONS zone Podcast

Play Episode Listen Later Dec 14, 2022 16:44

「今、そしてこれから」を映す音楽を、ダイレクトに楽しむラジオ番組「78 musi-curate」。毎週水曜日深夜4時からの約１時間はクリエイターチーム、レーベル「origami PRODUCTIONS」が担当する「origami PRODUCTIONS zone」。 12月14日(水)放送のスタッフパートでは、先週に引き続きマレーシアから代表の対馬芳昭が独立行政法人国際交流基金（The Japan Foundation）島田靖也さんとのインタビューをお送りしました。更にキーボーディスト／プロデューサー：Kan Sano がお気に入りの楽曲を集めたプレイリストの中から選りすぐりの楽曲をお届けしました。Instagram: https://www.instagram.com/bayfm_official/See omnystudio.com/listener for privacy information.

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12/7（水） origami PRODUCTIONS zone: Shingo Suzuki #19

78 musi-curate origami PRODUCTIONS zone Podcast

Play Episode Listen Later Dec 7, 2022 29:22

「今、そしてこれから」を映す音楽を、ダイレクトに楽しむラジオ番組「78 musi-curate」。毎週水曜日深夜4時からの約１時間はクリエイターチーム、レーベル「origami PRODUCTIONS」が担当する「origami PRODUCTIONS zone」。 12月7日(水)放送のスタッフパートでは、先週に続きマレーシアから代表の対馬芳昭が独立行政法人国際交流基金（The Japan Foundation）島田靖也さんとのインタビューをお送りしました。また、ベーシスト／プロデューサー：Shingo Suzuki による「今年よく聞いた楽曲」をお届けしました。Instagram: https://www.instagram.com/bayfm_official/See omnystudio.com/listener for privacy information.

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11/30（水） origami PRODUCTIONS zone : Hiro-a-key a.k.a. Nenashi #19

78 musi-curate origami PRODUCTIONS zone Podcast

Play Episode Listen Later Nov 30, 2022 35:11

「今、そしてこれから」を映す音楽を、ダイレクトに楽しむラジオ番組「78 musi-curate」。毎週水曜日深夜4時からの約１時間はクリエイターチーム、レーベル「origami PRODUCTIONS」が担当する「origami PRODUCTIONS zone」。 11月30日(水)放送では、マレーシアから代表の対馬芳昭が独立行政法人国際交流基金（The Japan Foundation）島田靖也さんとのインタビューをお送りしました。また、シンガー／プロデューサー：Hiro-a-key が「ブラジルの音楽」を自身の旅話とともにお届けしました。Instagram: https://www.instagram.com/bayfm_official/See omnystudio.com/listener for privacy information.

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On Transnational Online Shinto and Educational YouTube

university california online chinese japanese pennsylvania asian educational santa barbara civilizations cultural studies transnational shinto east asian languages social science research council japan foundation

Play Episode Listen Later Oct 26, 2022 61:30

Kaitlyn Ugoretz (she/her) is a digital anthropologist and Ph.D. candidate in the Department of East Asian Languages and Cultural Studies at the University of California, Santa Barbara. She earned a BA and MA in East Asian Languages and Civilizations from the University of Pennsylvania with a double concentration in Chinese and Japanese studies. Her research interests include Japanese religions, globalization, media, and digital technology. Supported by dissertation fellowships from the Social Science Research Council and Japan Foundation, she is conducting an ethnography of the growth of transnational, online Shinto communities based on social media. Kaitlyn hosts the educational YouTube channel Eat Pray Anime, which explores religion and history in Japanese pop culture, and writes on Asian religions for Religion For Breakfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Japanese Buddhist Art

New Books Network

Play Episode Listen Later Sep 1, 2022 74:29

Rachel Quist specializes in East Asian Buddhist imagery with focuses in pre-modern Japan and China. Her research centers on questions of interaction with imagery, materiality and object agency, and the accessibility of image-based practices. She has written on topics such as Buddhist reliquary design and expressivity, the didactic project underlying the hell tableau at Baodingshan, and the construction of a collective memory surrounding the Shingon monk Kōbō Daishi at the temple complex of Mount Kōya. Rachel is currently conducting research on early imperial patronage of Daigoji, a Shingon temple in Kyoto, for her dissertation. Michael Van Hartingsveldt received an undergraduate degree in English Language and Literature before teaching in South Korea in at an English immersion school. While there, he became enamored with the religious art of East Asia. He finished a Master's degree in East Asian art and its markets from Claremont Graduate University in 2017, after which he worked for two years as an Asian Art collections specialist at the Los Angeles County Museum of Art. Michael has collaborated with the Los Angeles office of The Japan Foundation in the curation of three exhibitions and two public lecture series. He now studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On Japanese Buddhist Art

New Books in Buddhist Studies

Play Episode Listen Later Sep 1, 2022 74:29

Rachel Quist specializes in East Asian Buddhist imagery with focuses in pre-modern Japan and China. Her research centers on questions of interaction with imagery, materiality and object agency, and the accessibility of image-based practices. She has written on topics such as Buddhist reliquary design and expressivity, the didactic project underlying the hell tableau at Baodingshan, and the construction of a collective memory surrounding the Shingon monk Kōbō Daishi at the temple complex of Mount Kōya. Rachel is currently conducting research on early imperial patronage of Daigoji, a Shingon temple in Kyoto, for her dissertation. Michael Van Hartingsveldt received an undergraduate degree in English Language and Literature before teaching in South Korea in at an English immersion school. While there, he became enamored with the religious art of East Asia. He finished a Master's degree in East Asian art and its markets from Claremont Graduate University in 2017, after which he worked for two years as an Asian Art collections specialist at the Los Angeles County Museum of Art. Michael has collaborated with the Los Angeles office of The Japan Foundation in the curation of three exhibitions and two public lecture series. He now studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

On Japanese Buddhist Art

New Books in Art

Play Episode Listen Later Sep 1, 2022 74:29

Rachel Quist specializes in East Asian Buddhist imagery with focuses in pre-modern Japan and China. Her research centers on questions of interaction with imagery, materiality and object agency, and the accessibility of image-based practices. She has written on topics such as Buddhist reliquary design and expressivity, the didactic project underlying the hell tableau at Baodingshan, and the construction of a collective memory surrounding the Shingon monk Kōbō Daishi at the temple complex of Mount Kōya. Rachel is currently conducting research on early imperial patronage of Daigoji, a Shingon temple in Kyoto, for her dissertation. Michael Van Hartingsveldt received an undergraduate degree in English Language and Literature before teaching in South Korea in at an English immersion school. While there, he became enamored with the religious art of East Asia. He finished a Master's degree in East Asian art and its markets from Claremont Graduate University in 2017, after which he worked for two years as an Asian Art collections specialist at the Los Angeles County Museum of Art. Michael has collaborated with the Los Angeles office of The Japan Foundation in the curation of three exhibitions and two public lecture series. He now studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

On Japanese Buddhist Art

New Books in Japanese Studies

Play Episode Listen Later Sep 1, 2022 74:29

Rachel Quist specializes in East Asian Buddhist imagery with focuses in pre-modern Japan and China. Her research centers on questions of interaction with imagery, materiality and object agency, and the accessibility of image-based practices. She has written on topics such as Buddhist reliquary design and expressivity, the didactic project underlying the hell tableau at Baodingshan, and the construction of a collective memory surrounding the Shingon monk Kōbō Daishi at the temple complex of Mount Kōya. Rachel is currently conducting research on early imperial patronage of Daigoji, a Shingon temple in Kyoto, for her dissertation. Michael Van Hartingsveldt received an undergraduate degree in English Language and Literature before teaching in South Korea in at an English immersion school. While there, he became enamored with the religious art of East Asia. He finished a Master's degree in East Asian art and its markets from Claremont Graduate University in 2017, after which he worked for two years as an Asian Art collections specialist at the Los Angeles County Museum of Art. Michael has collaborated with the Los Angeles office of The Japan Foundation in the curation of three exhibitions and two public lecture series. He now studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Japanese Buddhist Art

Play Episode Listen Later Sep 1, 2022 74:29

Rachel Quist specializes in East Asian Buddhist imagery with focuses in pre-modern Japan and China. Her research centers on questions of interaction with imagery, materiality and object agency, and the accessibility of image-based practices. She has written on topics such as Buddhist reliquary design and expressivity, the didactic project underlying the hell tableau at Baodingshan, and the construction of a collective memory surrounding the Shingon monk Kōbō Daishi at the temple complex of Mount Kōya. Rachel is currently conducting research on early imperial patronage of Daigoji, a Shingon temple in Kyoto, for her dissertation. Michael Van Hartingsveldt received an undergraduate degree in English Language and Literature before teaching in South Korea in at an English immersion school. While there, he became enamored with the religious art of East Asia. He finished a Master's degree in East Asian art and its markets from Claremont Graduate University in 2017, after which he worked for two years as an Asian Art collections specialist at the Los Angeles County Museum of Art. Michael has collaborated with the Los Angeles office of The Japan Foundation in the curation of three exhibitions and two public lecture series. He now studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

On Gyotaku

New Books in Buddhist Studies

Play Episode Listen Later May 20, 2022 61:27

Dwight Hwang is a California-based Gyotaku artist. His notable artistic achievements include a 2018 solo showcase by Los Angeles County Museum of Art and The Japan Foundation, as well as providing cover art for the book Simply Fly Fishing by Patagonia founder Yvon Chouinard. Guest discussant Michael Vanhartingsveldt is a contributing columnist at Buddhistdoor Global. He works at the Los Angeles Country Museum of Art. He did his masters in East Asian Art Business at Sotheby's Institute of Art, and he also works as a lecturer for the Japan Foundation. Learn more about your ad choices. Visit megaphone.fm/adchoices

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S14E2: Can Plastic Laws get a Boost in Asia?

Sustainable Asia

Play Episode Listen Later May 6, 2022 18:28

Rose-Liza Eisma-Osorio, Legal and Policy Director at the NGO Oceana, is taking on the Philippine government. A decades-old solid waste management law has not been enforced, contributing to massive piles of plastic….where waste pickers make their livelihood. Will the courts require the government to start banning single use plastic? And can a UN plastic treaty reinforce southeast nation's waste management and data collection laws… to finally make a dent in the plastic waste crisis in Asia?This new three episode season is co-produced by the China Environment Forum with support from The Japan Foundation's Center for Global Partnership.Guests:Rose-Liza Eisma-Osorio, Legal and Policy Director, Oceana, The PhilippinesDr. Simachaya, President, Thailand Environment InstituteSubscribe for Sustainable Asia latest episodes and review us on listennotes!Check out the Wilson Center's plastic blogs and dialogues.Also just published! Regional Research Inventory of marine plastics research in the seas of East Asia from National University of Singapore (NUS) Production credits:Executive Producer: Marcy Trent LongAssociate Producer: WuYuFeiSound Engineer: Avery ChoiIntro/outro music: Alex MauboussinMusic from Blue Dot Sessions (www.sessions.blue):Dolly and PadMusic from Free Music Archive:scottholmesmusic.com, Blue Moon, Kai Engel -coelumSounds from FreeSound:Suncord_Audiolab

president legal laws boost plastic national university east asia blue moon free music archive blue dot sessions policy director global partnerships oceana wilson center japan foundation china environment forum

S14E1: View from Asia

Sustainable Asia

Play Episode Listen Later Apr 22, 2022 22:03

Could it be true that countries from the UN Environment Assembly committed to negotiate a global plastic treaty over the next two years? And even if the treaty is signed…will it have enough teeth to make a difference to the plastic waste crisis that has persisted over the last decade here in Asia? In this episode, we speak with experts from Japan, New Zealand, and Indonesia about whether the UN can do for plastic what the Paris Agreement has done for climate change.This new three episode season is co-produced by the China Environment Forum with support from The Japan Foundation's Center for Global Partnership.Guests:Trisia Farelly, Massey University, New ZealandLinda Yanti Sulistiawati, National University of Singapore, Singapore and IndonesiaMichikazu Kojima, Economic Research Institute for ASEAN and East Asia, JapanSubscribe for Sustainable Asia latest episodes and review us on listennotes!Check out the Wilson Center's plastic blogs and dialogues. Production credits:Executive Producer: Marcy Trent LongAssociate Producer: WuYuFeiSound Engineer: Avery ChoiIntro/outro music: Alex MauboussinMusic from Blue Dot Sessions (www.sessions.blue):VK Mendl, Dolly and PadMusic from Free Music Archive:Music by scottholmesmusic.com, Blue Moon, Kai Engel -coelum

japan new zealand production singapore indonesia national university east asia blue moon paris agreement asean blue dot sessions global partnerships wilson center kai engel massey university japan foundation china environment forum

Dispatch 26: Marc Treib

Terragrams

Play Episode Listen Later Apr 11, 2022 57:46

This episode was originally broadcast in April 2009. Marc Treib is a professor emeritus of architecture at the University of California, Berkeley. He is a landscape and architectural historian and critic and has published extensively. His books include: A Guide to the Gardens of Kyoto (1980), Modern Landscape Architecture: A Critical Review (1993), Regional Garden Design in the United States (Co-Editor, 1995), Space Calculated in Seconds: The Philips Pavilion, Le Corbusier, Edgard Varese (1996), Garrett Eckbo: Modern Landscapes for Living (1997), The Architecture of Landscape, 1940-1960 (2002), Noguchi in Paris: The Unesco Garden (2003), Thomas Church, Landscape Architect (2003), Representing Landscape Architecture (2007), Drawing/Thinking: Confronting an Electronic Age (2008), Spatial Recall: Memory in Architecture and Landscape (2009). Treib has held Fulbright, Guggenheim, and Japan Foundation fellowships, as well as an advanced design fellowship at the American Academy in Rome. This show employs visual chapters that update the show art to provide illustrations relevant to the ongoing onversation. If your podcast client does not support this, you can view the chapter art and their sources at this episode's webpage.

university california guide living gardens rome landscape architecture berkeley american academy kyoto dispatch fulbright guggenheim le corbusier landscape architects noguchi japan foundation electronic age edgard varese

On Japanese Buddhist Art

New Books Network

Play Episode Listen Later Mar 25, 2022 51:30

Michael Vanhartingsveldt is a contributing columnist at Buddhistdoor Global. He works full-time at the Los Angeles Country Museum of Art. He did his masters in East Asian Art Business at Sotheby's Institute of Art, and he also works as a lecturer for the Japan Foundation. Michael collaborates on "Carving the Divine TV" with filmmaker Yujiro Seki. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

art institute carving sotheby japanese buddhist japan foundation yujiro seki

On Japanese Buddhist Art

Play Episode Listen Later Mar 25, 2022 51:30

Michael Vanhartingsveldt is a contributing columnist at Buddhistdoor Global. He works full-time at the Los Angeles Country Museum of Art. He did his masters in East Asian Art Business at Sotheby's Institute of Art, and he also works as a lecturer for the Japan Foundation. Michael collaborates on "Carving the Divine TV" with filmmaker Yujiro Seki. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

art institute carving sotheby japanese buddhist japan foundation yujiro seki

On Japanese Buddhist Art

New Books in Art

Play Episode Listen Later Mar 25, 2022 51:30

Michael Vanhartingsveldt is a contributing columnist at Buddhistdoor Global. He works full-time at the Los Angeles Country Museum of Art. He did his masters in East Asian Art Business at Sotheby's Institute of Art, and he also works as a lecturer for the Japan Foundation. Michael collaborates on "Carving the Divine TV" with filmmaker Yujiro Seki. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

art institute carving sotheby japanese buddhist japan foundation yujiro seki

On Japanese Buddhist Art

New Books in Japanese Studies

Play Episode Listen Later Mar 25, 2022 51:30

Michael Vanhartingsveldt is a contributing columnist at Buddhistdoor Global. He works full-time at the Los Angeles Country Museum of Art. He did his masters in East Asian Art Business at Sotheby's Institute of Art, and he also works as a lecturer for the Japan Foundation. Michael collaborates on "Carving the Divine TV" with filmmaker Yujiro Seki. Learn more about your ad choices. Visit megaphone.fm/adchoices

art institute carving sotheby japanese buddhist japan foundation yujiro seki

On Japanese Buddhist Art

Play Episode Listen Later Mar 25, 2022 51:30

Michael Vanhartingsveldt is a contributing columnist at Buddhistdoor Global. He works full-time at the Los Angeles Country Museum of Art. He did his masters in East Asian Art Business at Sotheby's Institute of Art, and he also works as a lecturer for the Japan Foundation. Michael collaborates on "Carving the Divine TV" with filmmaker Yujiro Seki. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

art institute carving sotheby japanese buddhist japan foundation yujiro seki

#58 :: Japanese Film Festival 2022

Papo de Cinema

Play Episode Listen Later Feb 22, 2022 51:41

LINK PARA ASSISTIR AOS FILMES GRATUITAMENTE: https://watch.jff.jpf.go.jp/ Em 2022, o Brasil está recebendo a primeira edição do Japanese Film Festival. Disponível de 14 e 28 de fevereiro, o evento é online e gratuito, organizado pela Japan Foundation ao redor do mundo, com o intuito de promover o cinema japonês. Ele também acontece simultaneamente em 25 países, num esforço coordenado que conta ainda com as participações das embaixadas japonesas nesses territórios. Neste episódio, Marcelo Muller e Robledo Milani analisam alguns destaques do evento. Dê o play e confira as dicas! --- Send in a voice message: https://anchor.fm/papo-de-cinema/message

brasil neste ele dispon japan foundation japanese film festival

#28 – SOF Cast - Greek Buddha: Pyrrho's Encounter with Early Buddhism in Central Asia and the Scythian Philosophy with Dr. Christopher Beckwith

SOF Cast

Play Episode Listen Later Jan 16, 2022 110:44

Episode Notes Dr. Christopher Beckwith Joins us to discuss his book “Greek Buddha: Pyrrho's Encounter with Early Buddhism” which examines links between very early Buddhism and the philosophy of Pyrrho, an ancient Greek philosopher who accompanied Alexander the Great on his Indian campaign. We also discuss the role of Scythians and Prince Gautama's lineage, Zoroastrianism and it's involvement in a rethink of the Buddha's rebellion against Brahmanism - and much much more that will leave you questioning everything you thought about this time period, and Buddhism itself as a philosophical movement. Book Links (Authors Page): https://www.amazon.com.au/Christopher-I-Beckwith/e/B001HPSGMG/ref=dp_byline_cont_pop_book_1 Christopher I. Beckwith is an American philologist and distinguished professor in the Department of Central Eurasian Studies at Indiana University Dr. Beckwith has taught at IU for 45 years, in which time he has developed 48 distinct courses. He is one of the most prolific and versatile researchers in the field of Central Eurasian studies. Beckwith is renowned for revolutionary scholarship that reshapes understanding of how, why and when the Central Eurasian steppe peoples from Eastern Europe to East Asia influenced the development of knowledge, religious beliefs and societies, not only within their homeland but in the neighboring peripheral cultures of Europe, the Middle East, South Asia, and East Asia as well. His research focuses on the history of ancient and medieval Central Eurasia and the cultures of the peripheral peoples, as well as the linguistics of Aramaic, Chinese, Japanese, Koguryo, Old Tibetan, Scythian, Turkic, and other languages. He has been named a MacArthur Fellow, a Guggenheim Fellow, a Fulbright-Hays Fellow, and a Japan Foundation fellow and has had numerous visiting appointments around the United States and the world. He has authored 12 books and over 60 articles. Time Stamps: 00:01 SOFCast introduction 02:35 Start of podcast 03:48 Chris Talks about how he came to study Central Asia in General 12:00 What inspired Chris to write Greek Buddha 14:00 Sextus Empiricus and Classical Skepticism - the Pyrrhonic connection 15:15 New Book “Scythian Empire” 21:00 Who was Pyrrho of Elis? 22:18 Was it only early Buddhism Pyrrho interacted with? 24:35 Similarities between Skepticism and Pyrrhonism? 30:45 Pragmata 31:55 Impermanence 42:50 The Significance of the Buddha - Pyrrho - Sextus Empiricus connection & problem of Criterion 48:50 A French connection? 54:00 Types of downstream Western Thought? 57:00 Which was first? Brahmanism before Buddhism ? Zoroastrianism before buddhism? 01:07:10 The Rig Veda was NOT Brahmanism 01:12:00 Flipping the Traditional Narrative 01:16:00 Talk about Chronology of the Buddhist Texts 01:20:00 Did Scythians have a class structure? 01:24:00 Persians and Scythians as Zoroastrian 01:32:00 Q&A Section: What are some of the still extant influences of Indo-Greek Buddhism on Buddhism Today? 01:43:00 Similarities between Daoism and Buddhism? Was Lao Tzu actually the Historical Buddha? 01:48:00 Book Coming Up: “The Scythian Empire” Book Links (Authors Page): https://www.amazon.com.au/Christopher-I-Beckwith/e/B001HPSGMG/ref=dp_byline_cont_pop_book_1 Support SOF Cast by contributing to their Tip Jar: https://tips.pinecast.com/jar/ship-of-fools-podcast Find out more at https://ship-of-fools-podcast.pinecast.co This podcast is powered by Pinecast.

united states american europe talk french chinese japanese greek indian philosophy middle east types encounter significance buddhism buddha flipping eastern europe similarities skepticism south asia central asia east asia pinecast iu aramaic impermanence persians elis chronology beckwith daoism scythians zoroastrianism guggenheim fellow macarthur fellow rig veda turkic chris talks western thought japan foundation sextus empiricus brahmanism central eurasia pyrrho early buddhism buddhist texts pyrrhonism historical buddha christopher i beckwith

Mac OS Ken: 01.03.2022

Mac OS Ken

Play Episode Listen Later Jan 3, 2022 18:59

- Sporadic COVID Closures End the Year for Apple Retail - Apple Shares Just Miss $3T Market Cap at Year's End - J.P. Morgan: iPhone 13 Line Nears Supply/Demand Balance - Apple Puts Indian Foxconn Plant on Probation Over Employee Living Conditions - Journalists Record Deplorable Living Conditions at Indian Foxconn Plant - Apple Releases Special Edition “Year of the Tiger” AirPods Pro in Select Regions - Apple Releases Special Edition “Year of the Tiger” Beats Studio Buds In China - Apple Including “Year of the Tiger” AirTag with Purchases in Japan - Foundation and Piracy: Apple TV+ Series Among Most Pirated Shows of 2021 - USA Today: “For All Mankind” Tops for TV in 2021 - Rolling Stone: “For All Mankind” Tops for TV in 2021 - BlackBerry Consumer Services Go Dark on 4 January 2022 - Upstart - Fair & fast personal loans. Learn more and check your rate at Upstart.com/macosken. - Headspace - Meditation made simple. Get a FREE one month trial at Headspace.com/macosken - Power what we do next for as little as $1 a month. Join the Mac OS Ken Test Kitchen at Patreon at Patreon.com/macosken - Send me an email: info@macosken.com or call (716)780-4080!

tv power headspace purchases macos upstart japan foundation mac os ken headspace meditation

Eiko Ishioka

Incomplet Design History

Play Episode Listen Later Nov 25, 2021 17:29

Eiko Ishioka was a graphic, costume, and set designer. She was born July 12, 1938 in Tokyo, Japan. Growing up, her life always fused western and Japanese culture. She graduated from the Tokyo National University of Fine Arts and Music in 1960 and immediately started working for the largest cosmetic company in Japan, Shiseido. There she revolutionized the poster with her bold use of diverse models and progressive feminist messages that defied tradition. Ishioka later worked as a creative director for the department store Parco, producing iconic posters and television ads that broke with tradition and showed no products. In 1983, Ishioka left Parco and opened her own design studio. Once in her own practice, Eiko experimented more and more with surrealism as she moved into designing sets and costumes for film and theater. She won awards for her work on Mishima (1985) and Madame Butterfly (1988). Ishioka would go on to win the 1993 Academy Award for Best Costume Design (along with multiple other awards) for her incredible costume designs for Francis Ford Coppola's 1992 film adaptation of Bram Stoker's Dracula. It was Ishioka's life work to push up against tradition. The result is a stunning body of work worthy of inclusion in the design history canon.TIMELINE1938 – b. Tokyo, Japan1961 – graduated Tokyo National University of Fine Arts and Music1970 – founded own firm1970 – ūman ribu movement1980 – moved to New York1983 – published her own book Eiko by Eiko1985 – Equal Opportunity Law passed in Japan; Mishima releases featuring set designs from Ishioka, for which she wins the Award for Artistic Contribution at the 1985 Cannes Film Festival.1992 – Bram Stoker's Dracula1993 – Ishioka's costume designs on Dracula win her the Academy Award for Best Costume Design2002 – Designs sports uniforms for the 2002 Olympics2008 – Designs the opening ceremony costume designs for the Beijing Olympics 2010 – Costume Designs for Broadway Musical, “Spiderman: Turn Off the Dark”2012 – d. Age 73 in Tokyo, Japan from pancreatic cancerREFERENCESAssociated Press. (2012, January 26). Costume designer Eiko Ishioka, recently known for Broadway's “Spider-Man,” has died at 73. Washington Post. https://web.archive.org/web/20120205143125/http://www.washingtonpost.com/entertainment/theater-dance/costume-designer-eiko-ishioka-recently-known-for-broadways-spider-man-has-died-at-73/2012/01/26/gIQAyZhgTQ_story.htmlDalí Paris. (n.d). Dalí and fashion. Dalí Paris. Retrieved 25 May 2021 from https://www.daliparis.com/en/salvador-dali-en/dali-fashion/Edwards, L. N. (1988). Equal Employment Opportunity in Japan: A View from the West. ILR Review, 41(2), 240–250. https://doi.org/10.1177/001979398804100206Eiko Ishioka. (1992). ADC Global. http://adcglobal.org/hall-of-fame/eiko-ishioka/Eiko Ishioka. (n.d.). A SEARCH HISTORY. https://asearchhistory.weebly.com/eiko-ishioka.htmlFox, M. (1984, March 1). An Interview with Eiko Ishioka, by Ingrid Sischy. Artforum International. https://www.artforum.com/print/198403/an-interview-with-eiko-ishioka-by-ingrid-sischy-35403Fox, M. (2012, January 27). Eiko Ishioka, Costumer of the Surreal, Dies at 73. The New York Times. https://www.nytimes.com/2012/01/27/arts/design/eiko-ishioka-designer-dies-at-73.htmlFusek, A. P. (2021, February 27). The Feminist Movement in Japan: WWII to the 1970s. Unseen Japan. https://unseenjapan.com/feminist-movement-japan-wwii-1970s/Goodall, H. (2013, January 3). Origins and influence of surrealism in Japanese art. Unframed. Retrieved 25 May 2021 from https://unframed.lacma.org/2013/01/03/origins-and-influence-of-surrealism-in-japanese-artGraphic Liberation of Gender: Eiko Ishioka Poster ExhibitionThe Japan Foundation, Toronto. (2017, September 6). Japan Foundation. https://jftor.org/event/eiko-ishioka-poster-exhibition/2017-09-06/Haley, M. (n.d.). Sneak Peek: Eiko Ishioka Papers at UCLA Library Special Collections. LA Collective. https://laacollective.org/work/eiko-ishiokaHooks, R. (2018). Surrealism in graphic design. 99designs. Retrieved 25 May 2021 from https://99designs.com/blog/design-history-movements/surreal-graphic-design/ITSLIQUID. (2020, December 18). Eiko Ishioka: Blood, Sweat, and Tears. https://www.itsliquid.com/eikoishioka-bloodsweatandtears.htmlJapanese Pickers. (2017, January 6). 1990 Print Available [Facebook Post]. Facebook. https://www.facebook.com/unsupportedbrowserK. (2020, February 10). Shibuya PARCO - Interactive Shopping, Art, And Hands-On Technology. Matcha - Japan Travel Web Magazine. https://matcha-jp.com/en/9390Lorde Velho. (2020, July 23). The Costumes Are the Sets - The Design of Eiko Ishioka (Legendado PTBR) [Video]. YouTube. https://www.youtube.com/watch?v=3TFCNCt-gUkMolony, B. (2000). Women's Rights, Feminism, and Suffragism in Japan, 1870-1925. Pacific Historical Review, 69(4), 639-661. doi:10.2307/3641228Parsons, K. (2019, July 22). THE THEATER. VERY PARCO. | Cooper Hewitt, Smithsonian Design Museum. Cooper Hewitt Smithsonian Design Museum. https://www.cooperhewitt.org/2018/03/17/the-theater-very-parco-2/Pola Museum of Art. (2019). Surrealist painting: Influences and iterations in Japan. Pola Museum of Art. Retrieved 25 May 2021 from https://www.polamuseum.or.jp/english/exhibition/20191215s01/Sayej, N. (2018, January 16). 7 designers keeping the art of surrealism alive today. Print Mag. Retrieved 25 May 2021 from https://www.printmag.com/post/7-designers-keeping-surrealism-aliveSchenker, M. (2018, October 25). Design trend report: Surrealism. Creative Market. Retrieved 25 May 2021 from https://creativemarket.com/blog/design-trend-report-surrealismStech, A. (2019, October 4). How 1920s surrealism impacted modern design. Wallpaper. Retrieved from 25 May 2021 from https://www.wallpaper.com/design/surrealism-and-design-vitra-design-museum-exhibitionSurreal Costumes by Legendary Designer Eiko Ishioka. (2019, June 4). Juxtapoz: Art and Culture. https://www.juxtapoz.com/news/design/surreal-costumes-by-legendary-designer-eiko-ishioka/Takeuchi-Demirci, A. (2010). Birth Control and Socialism: The Frustration of Margaret Sanger and Ishimoto Shizue's Mission. The Journal of American-East Asian Relations, 17(3), 257-280. Retrieved April 28, 2021, from http://www.jstor.org/stable/23613288The Academy. (2018, March 30). How Eiko Ishioka's revolutionary costumes won Coppola's “Dracula” an Oscar. Medium. https://medium.com/art-science/how-francis-ford-coppola-s-choice-to-work-with-a-weirdo-outsider-led-to-an-oscar-dd22bdf51e2aTimes, T. N. Y. (1973, December 8). Japan Braces for a Full‐Scale Oil Crisis. The New York Times. https://www.nytimes.com/1973/12/08/archives/japan-braces-for-a-fullscale-oil-crisis-japan-whose-busy-economy.htmlTimes, T. N. Y. (1983, March 27). CHANGING FACE OF JAPAN. The New York Times. https://www.nytimes.com/1983/03/27/magazine/changing-face-of-japan.htmlVitra Design Museum. (2019). Objects of desire: Surrealism and design 1924 - today. Vitra Design Museum. Retrieved 25 May 2021 from https://www.design-museum.de/en/exhibitions/detailpages/objects-of-desire-surrealism-and-design.html?desktop=318&cHash=c626c20211a0d1333a9393761a0ffc40Wang, M. (2017, March 8). _What's PARCO?_JAPAN Monthly Web Magazine. https://japan-magazine.jnto.go.jp/en/special_parco.htmlWood, G. (2007). Surrealism and design. V&A. Retrieved 25 May 2021 from https://www.vam.ac.uk/articles/surrealism-and-design

music women culture art interview japan mission new york times west design toronto japanese hall of fame theater spider man journal broadway tokyo dark rights medium washington post origins tears academy awards feminism edwards dracula sweat fine arts influences designs dal costume birth control francis ford coppola graphic design bram stoker cannes film festival coppola surreal beijing olympics wallpaper retrieved surrealism goodall broadway musicals margaret sanger surrealists parco mishima search history madame butterfly shiseido feminist movement costumer best costume design cooper hewitt creative market eiko japan foundation vitra design museum cooper hewitt smithsonian design museum unframed eiko ishioka american east asian relations pacific historical review

RU176: BONNI RAMBATAN & JACOB JOHANSSEN ON EVENT HORIZON: SEXUALITY, ONLINE CULTURE, POLITICS

RENDERING UNCONSCIOUS PODCAST

Play Episode Listen Later Nov 25, 2021 70:03

Rendering Unconscious welcomes Bonni Rambatan and Jacob Johanssen to the podcast! You can support the podcast at our Patreon: https://www.patreon.com/vanessa23carl Thank you so much for your support! Bonni Rambatan is an independent scholar and researcher based in Jakarta, Indonesia, as well as a writer and artist for various comics, novels, films, installations, and other media. They co-founded and currently runs a comic book company, NaoBun, focusing on making progressive thoughts available to young readers. They started and edited the anthology Cyborg Subjects: Discourses on Digital Culture with Jacob Johanssen (CreateSpace, 2013). Their research interests include Lacanian psychoanalysis, media studies, literary and art criticism, Japanese studies, philosophy, and critical theory. For research and artistic projects, their affiliations include The Japan Foundation, the Vienna-based art-technology-philosophy group monochrom, as well as various art and literary institutions in Indonesia. Follow them at Twitter: https://twitter.com/Bonnibel_R Jacob Johanssen is Senior Lecturer in Communications at St. Mary's University (London, UK). He is the author of Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data (Routledge, 2019); Fantasy, Online Misogyny and the Manosphere (Routledge, 2021) and Cyborg Subjects: Discourses on Digital Culture, edited with Bonni Rambatan (CreateSpace, 2013). His research interests include psychoanalysis and digital media, sexuality and digital media, affect theories, psychosocial studies, and critical theory. He is Co-Editor of the Counterspace section of the journal Psychoanalysis, Culture & Society. He sits on the executive committee of the Association for Psychosocial Studies (APS). He is a Founder Scholar of the British Psychoanalytic Council (BPC). Follow him at Twitter: https://twitter.com/Jacob_PhD Their book is Event Horizon: Sexuality, Politics, Online Culture and the Limits of Capitalism: https://www.johnhuntpublishing.com/zer0-books/our-books/event-horizon-sexuality-politics-culture This episode also available at YouTube: https://youtu.be/gdS_OZTHGFY Visit the main website for more information and links to everything: http://www.renderingunconscious.org Rendering Unconscious Podcast is hosted by psychoanalyst Dr. Vanessa Sinclair: http://www.drvanessasinclair.net Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry (Trapart 2019): https://store.trapart.net/details/00000 The song at the end of the episode is “To be back with you” by Vanessa Sinclair and Val Denham from the album "Message 23". https://vanessasinclair.bandcamp.com Many thanks to Carl Abrahamsson, who created the intro and outro music for Rendering Unconscious podcast. https://www.carlabrahamsson.com Image of EVENT HORIZON: https://www.johnhuntpublishing.com/zer0-books/our-books/event-horizon-sexuality-politics-culture

Episode 395: Episode #395! Hero Trade Passive Aggressive, The Bird King and Godzilla!

Better Than Fiction

Play Episode Listen Later Sep 20, 2021 78:54

Episode #395! Scott recently watched a lecture from The Japan Foundation about the global phenomenon Godzilla. He talks about the panel's discussion this week. Free Comic Book Day was held August 14th this year. DL picks four winners from this year's crop. Scott brings Shaun Tan's sketchbook "The Bird King" to the podcast for us to check out. To wrap up this episode DL has two comics from Matt Kindt and David Lapham. Both comics are called "Hero Trade Passive Aggressive". Each issue is two sides to the same story. Listen as he breaks down the story in each issue. Enjoy!

hero trade godzilla dl bad idea free comic book day passive aggressive matt kindt shaun tan japan foundation david lapham scott sackett

EP 215: Transnational Online Shinto and Educational YouTube w/Kaitlyn Ugoretz

university california online chinese japanese pennsylvania asian educational santa barbara civilizations cultural studies transnational shinto east asian languages social science research council japan foundation

Play Episode Listen Later Sep 18, 2021 60:01

Kaitlyn Ugoretz (she/her) is a digital anthropologist and Ph.D. candidate in the Department of East Asian Languages and Cultural Studies at the University of California, Santa Barbara. She earned a BA and MA in East Asian Languages and Civilizations from the University of Pennsylvania with a double concentration in Chinese and Japanese studies. Her research interests include Japanese religions, globalization, media, and digital technology. Supported by dissertation fellowships from the Social Science Research Council and Japan Foundation, she is conducting an ethnography of the growth of transnational, online Shinto communities based on social media. Kaitlyn hosts the educational YouTube channel Eat Pray Anime, which explores religion and history in Japanese pop culture, and writes on Asian religions for Religion For Breakfast. Follow Kaitlyn Ugoretz on Twitter: https://twitter.com/KaitlynUgoretz Visit Sacred Writes: https://www.sacred-writes.org/2021-cohorts

Revisit: Tokyo Idols and Urban Life

Arts & Ideas

Play Episode Listen Later Jul 23, 2021 44:20

Tokyo used to be presented as the ultimate hyper-modern city. But after years of economic recession the Tokyo of today has another side. A site of alienation and loneliness, anxiety about conformity and identity, it is a place where self-professed 'geeks' (or 'otaku'), mostly single middle-aged men, congregate in districts like Akibahara to pursue fanatical interests outside mainstream society, including cult-like followings of teenage girl singers known as Tokyo Idols. Novelist Tomoyuki Hoshino, photographer Suzanne Mooney, writer/photographer Mariko Nagai and film-maker Kyoko Miyake look at life in the city for the Heisei generation. Presented by Eleanor Rosamund Barraclough. Director Kyoko Miyake has made a film called Tokyo Idols which looks at the obsession of middle aged men with superstar teenage girls who make a living online Suzanne Mooney's photographs depict the urban landscapes of Tokyo. Novelist Tomoyuki Hoshino's latest book to be translated into English is called ME. It's about rootless millennials and suicide. Mariko Nagai is an author and photographer who has written for children and adults. Her books include Instructions for the Living and Irradiated Cities. The translator was Bethan Jones and the speakers were all in the UK to take part in events as part of Japan Now - a festival at the British Library in London, and in Manchester, Sheffield, Norwich. Programmed by Modern Culture in partnership with the Japan Foundation and Sheffield University. Producer: Luke Mulhall

english uk living tokyo manchester instructions sheffield norwich programmed british library modern culture heisei sheffield university urban life japan foundation tokyo idols eleanor rosamund barraclough

Thailand Series: Last Life in the Universe (2003)

Getting Past the Subtitles

Play Episode Listen Later Jul 9, 2021 54:14

The suicidal Kenji is a Japanese librarian at the Japan Foundation in Bangkok. He meets a woman through misfortune as her sister dies from a car accident as she was distracted by Kenji trying to jump off the bridge. Their unlikely friendship metamorphizes as they relate to the sense of loss and loneliness. Our next series will be the Time Travelers Series: 1) The Girl Who Leapt through Time (2012) 2) Heaven's Soldiers (2005) 3) Ditto (2000) 4) My Tomorrow, Your Yesterday (2016) Youtube: https://www.youtube.com/channel/UCzMwCEPYI47Mq7W997iJkbg?view_as=subscriber Patreon: https://www.patreon.com/pastthesubtitles?fan_landing=true Instagram: @pastthesubtitles --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/gps1/support

time japanese universe thailand soldiers bangkok kenji last life japan foundation

Ep.79 - Canadian Tezuka Dubs - The Legal and Not-So-Legal

Zannen, Canada

Play Episode Listen Later Jun 30, 2021 59:53

While many tend to associate franchises like Dragon Ball and Gundam with their historical ties to Canadian dubbing, the works of the godfather of anime, Osamu Tezuka, have a surprising hidden history within that designation as well. From the first anime ever aired on television in France, to the OTHER 80s Astro Boy dub, to a Kimba the White Lion dub produced under extremely unscrupulous circumstances, to more recent productions funded by the Japan Foundation, we've seen a number of work produced by Canadian studios. Mike Toole joins me to chronicle these largely obscure dubs in a way that will hopefully make you angry the next time a Tezuka property is sent to a dubbing studio in Miami instead of Vancouver.

france canadian miami legal vancouver dragon ball gundam dubs astro boy white lion osamu tezuka kimba tezuka japan foundation mike toole

Indo-Pacific Futures – The grey zone, hybrid war, and minilateralism

The National Security Podcast

Play Episode Listen Later Jun 17, 2021 57:50

In this episode of the National Security Podcast, we bring you the first of a special three-part series looking at key trends influencing the future strategic landscape of the Indo-Pacific. This episode unpacks two competing trends that are shaping the regional order: the rise of grey zone and hybrid threats, and the emergence of ‘minilateralism'.Grey zone and hybrid threats have been rising in prominence as tools used by authoritarian states as they attempt to reshape the regional order. But what are they, who are they being used against, and how they are likely to evolve in coming years? And with minilateralism emerging as a preferred format for states to meet the challenges of great power competition, how might diplomacy evolve to match the shifting security landscape of the coming decade? In this episode of the National Security Podcast, we ask how these trends intersect and whether minilateralism is an effective tool to deal with grey zone and hybrid threats.Professor Sascha Bachmann is a Professor in Law at Canberra Law School and co-convener of the National Security Hub at the University of Canberra. He is also a Research Fellow at the Security Institute for Governance and Leadership in Africa at Stellenbosch University.Elisabeth Braw is a Resident Fellow at the American Enterprise Institute where she focuses on defense against emerging national security challenges, such as hybrid and grey zone threats.Professor Akiko Fukushima is a Senior Fellow at the Tokyo Foundation for Policy Research. She has previously held roles as Director of Policy Studies at the National Institute for Research Advancement and as Senior Fellow at the Japan Foundation.Dr Frank Hoffman is a Distinguished Research Fellow at the National Defense University's Center for Strategic Research.Professor Takashi Shiraishi is Chancellor of the Prefectural University of Kumamoto and Professor Emeritus at the National Graduate Institute for Policy Studies.Abhijit Singh is a Senior Fellow at the Observer Research Foundation in New Delhi, where he heads the Maritime Policy Initiative.Dr Sarah Teo is a Research Fellow and Coordinator of the Regional Security Architecture Programme at the S Rajaratnam School of International Studies at Nanyang Technological University.Aarshi Tirkey is a Junior Fellow at Observer Research Foundation, working in its Strategic Studies Programme. Her research focuses on international law, especially its relevance and application to Indian foreign policy.Professor Jingdong Yuan is an Associate Professor at the Department of Government and International Relations at the University of Sydney. He specialises in Asia-Pacific security, Chinese defence and foreign policy, and global and regional arms control and non-proliferation issues.Chris Farnham is the Senior Outreach and Policy Officer at the ANU National Security College.This mini-series forms part of the Indo-Pacific Futures Project underway at ANU National Security College. This project, which explores the future strategic landscape of the Indo-Pacific region, offers a range of analysis and ideas, all of which is available on the Futures Hub website. In the rest of this series, experts from across the national security community will interrogate the future of the Indo-Pacific strategic landscape, evaluate the influence of critical technology on the region, and examine the rise of geoeconomics as a feature of great power competition.The Indo-Pacific Futures Project receives support from the Japanese Embassy in Australia. ANU National Security College is independent in its... See acast.com/privacy for privacy and opt-out information.

Creativity for future/ Uma im Gespräch mit der indonesischen Performance Künstlerin Melati Suryodarmo

Creativity for Future

Play Episode Listen Later Mar 21, 2021 73:58

Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl

tv women relationships new york director university time death history canada culture australia art china school france japan space dreams germany design phd project performance italy international artist solo toronto dance mind ministry creativity arts festival south berlin silence institute conference rome east academy turkey boundaries wind hong kong prof sweden barcelona welt cultural principles thailand melbourne museum medium brasil singapore madrid switzerland studio large platform manchester poland indonesia loneliness norway degree trans dare workshop wales south korea denmark finland belgium austria feminism holland dublin bali crossing patterns elements writers beijing stockholm haus platz malaysia universit faculty southeast asia kultur circus lyon mexico city loop frankfurt brisbane venice agora festivals istanbul residence queensland fine arts lecture parasite recycling passage brussels im gespr belfast seminar croatia keynote speakers absence bangkok serbia paz prague pressing gallery seoul wissenschaft conflicts macro mirrors panel discussion milano fundaci rotterdam artistic directors schatten artistic java canberra spanien helsinki cardiff exhibition encountering shelf south australia jakarta osaka facilitator cork manila bern cologne new delhi bonn essays malm turin national museum kulturen tbs basel leg marking taipei modern art thames one night stands contemporary art fresh air southeast asian galicia kuala lumpur akademie venezia baltic hochschule gent first sight depot national gallery antwerp uppsala nrw manifesta futura kassel kongress zagreb yokohama linz galerie chiang mai ume sisyphus biennale opera house performance art braunschweig influx catalogue bandung mobius guangzhou nijmegen purposed odense ministerium venice biennale national portrait gallery queensland university chicken run jiwa ho chi minh city politic malmo sao paolo yogyakarta ubud zeichnungen gdansk bolzano nusantara marina abramovic two thousand hildesheim goethe institut tokyo japan hamar mandalay guangdong art festival hollows student bodies padang asia society marina abramovi women artists afterwork nuit blanche semarang deutschland die nieders cindy sherman arter la biennale incheon egon schiele substation kunsthalle in transit vitoria gasteiz indecency sculpture gardens dance performance museet butoh best artist video art szczecinie performance k theatreworks tainan bibliographie intertwine vaduz faxe kayu melati les halles moderna museet borobudur taipeh hito steyerl maerz meistersch bildende k jogjakarta kunstverein performance space manchester international festival annexe japan foundation solo exhibition umea gebl irish museum solo performance brixen surakarta budva fondation beyeler e werk master program aquario culture centre ministery art dept malmoe luminato queensland art gallery msac kiasma international seminar jorge leon qagoma theanne stubnitz indonesian institute whitworth gallery ipah uppsala konsert

The Tokyo Zodiac Murders by Soji Shimada - Part Three

Death of the Reader

Play Episode Listen Later Mar 14, 2021 30:00

We discuss Acts 4 to 5 of Soji Shimada's The Tokyo Zodiac Murders. At the end of last arc, Soji Shimada stepped in and warned us that the solution was long-since possible, but there were still two arts to go. Having gone their separate ways to find Azoth, Kiyoshi and Kazumi reunite at Kyoto's Philosopher's Walk to discuss their ideas. A screaming realisation would make it seem Kiyoshi has solved the case, but how could that be possible? We also speak with Associate Professor Rebecca Suter about her upcoming talk in the Japan Foundation's 'Read Japan' series, focusing on 1980s and 1990s Japanese Literature. Where does Shimada lie in that field?

walk murder acts tokyo fiction literature zodiac philosophers murder mysteries kyoto whodunnit whodunit crime fiction soji detective fiction kiyoshi shimada kazumi azoth japanese literature japan foundation murakami haruki death of the reader

Episode 2-35: February 13 2021

canadian memories lunar new year world premier japan foundation james austin

Play Episode Listen Later Feb 16, 2021 143:57

In our Valentine’s/Lunar New Year special, we look back on the Japan Foundation’s Japan Film Festival Plus on the final weekend of its Canadian leg, the World Premier of the Memories english dub the weekend before, and headlines in brief about copyright, censorship, animation schools, and collections Nothing says I love you or Gong Hai Fat Choy than another lockdown pandemic edition of the Anime Roundtable Mike Nicolas, James Austin, Kevin Ng, Mohamed Sharmarke, Geoff Greig Visit our website for more information and links: https://animeroundtable.wordpress.com/2021/02/16/anime-roundtable-v2-0-35-february-13-2021/ Website: animeroundtable.com Twitter and IG: @animeroundtable Email: animeroundtable@gmail.com

Episode 2-30: December 12 2020

new york toronto sony crunchyroll lupin iii japan foundation james austin

Play Episode Listen Later Dec 15, 2020 105:33

Of course the big story this week is the not so surprising acquisition of Crunchyroll by Sony. But before that we’ll talk about goings on at the Japan Foundation in both Toronto and New York. And after that we’ll talk Anime Dallas and the Lupin III manga, among other things Mike Nicolas, James Austin, Kevin Ng Visit our website for more information and links: https://animeroundtable.wordpress.com/2020/12/15/anime-roundtable-v2-0-30-december-12-2020/ Website: animeroundtable.com Twitter and IG: @animeroundtable Email: animeroundtable@gmail.com

Japan Film Festival will be online in 2020 reaching beyond major cities - コロナ禍でも日本映画を届けたい　デジタル版日本映祭

SBS Japanese - SBSの日本語放送

Play Episode Listen Later Dec 1, 2020 9:50

Streamed for free, this year's Japanese Film Festival will be a special treat to many. We interviewed the director of the festival, Yurika Sugie ahead of the 24th annual event. - デジタルでの開催を踏み切った、第24回日本映画祭。フェスティバルを主催する国際交流基金、ジャパンファンデーションの杉江優里香さんに、今年のプログラム、そして日本映画が担う日豪交友の役割などについて聞いてみました。

interview japan online reaching film festival streamed major cities japan foundation japanese film festival

Erieta Attali. Photographer's Eye.

Archisearch Talks

Play Episode Listen Later Dec 1, 2020 44:16

Interview of Erieta Attali with Vassilios Bartzokas, the founder of ARCHISEARCH.gr & the Design Ambassador. Erieta is one of the greatest architectural photography artists of our time. Erieta Attali (Tel Aviv) is a Landscape & Architectural photographer with photographic work expanding from Eurasia to Australia and the Americas. Attali has devoted over two decades to exploring the relationship between architecture and the landscape at the edges of the world. Her photography interrogates how extreme conditions and demanding terrains provoke humankind to reorient and center itself through architectural responses. After studying Photography at Goldsmiths, University of London, she continued as a research fellow at the School of Architecture, Columbia University in NYC with the support of Fulbright Foundation and Waseda University in Tokyo with the support of Japan Foundation. She completed her PhD at the School of Architecture and Design, RMIT University in Melbourne, Australia. From 1992 to 2002 Attali extensively photographed excavation sites and archeological findings working throughout Greece, Turkey, Italy, France and the UK with a specialty in underground burials and wall paintings. Attali is recipient of several prestigious awards and fellowships by the Fulbright Foundation, The Japan Foundation, Graham Foundation in Chicago, Dreyer's Foundation in Denmark, Danish Arts Council, Norwegian Embassy in Copenhagen, Chilean Ministry of Culture in Santiago de Chile, the Marie Curie Research Fellowship amongst others. Her work has toured globally, featured by major publishing houses and international design periodicals. She has taught architectural photography at GSAPP, Columbia University between 2003 - 2018 and has lectured in several universities around the world such as University of Tokyo, University of Sydney, Architectural Association in London, Catholic University in Santiago de Chile, RMIT University in Melbourne, Technion in Haifa amongst others. Attali has been an assistant adjunct professor in Architectural Photography at The Irwin S. Chanin School of Architecture, Cooper Union, NYC since January 2020 and from January 2021 will be a visiting professor at the National University of Singapore. She is the editor and co-author together with Kengo Kuma of the monograph: "Glass | Wood Erieta Attali on Kengo Kuma" by Hatje Cantz (Berlin, 2015) as well as the editor and co-author together with Marc Mimram of a three volume monograph titled: " Marc Mimram: Structure | Light, Landscapes of Gravity Through the Lens of Erieta Attali" published by Hatje Cantz (Berlin, 2019). Attali's photography monograph " Periphery | Archaeology of Light" by Hatje Cantz is the winner of the prestigious German photo book prize 19|20 under the category Conceptual Fine Art Photography. Attali is preparing her new photography monograph titled " Paris 2020 " with a contribution by Barry Bergdoll, Spector Books, Leipzig.

Anime Roundtable v2.0 #29 - November 28 2020

Play Episode Listen Later Dec 1, 2020 104:19

We start this week with the COVID news in the Toronto Area, and a COVID movie run for James and Moh to see the latest Fate/Stay Movie. Then we talk a variety of topics. Like the delivery of Angela’s Kickstarter Comic, remembering Kirby, Maradona, and Tony Hsieh, Simon and Schuster being sold to Penguin Random House, Anime Matsuri, online events at the Japan Foundation in both New York and Toronto, and more on the Netflix algorithm and what happened when some of us answered its call along with some recommendations in the aftermath Mike Nicolas, James Austin, Kevin Ng, Mohamed Sharmarke Visit our website for more information and links: https://animeroundtable.wordpress.com/2020/12/01/anime-roundtable-v2-0-29-november-28-2020/ Website: animeroundtable.com Twitter and IG: @animeroundtable Email: animeroundtable@gmail.com

covid-19 new york netflix toronto schuster maradona penguin random house tony hsieh moh japan foundation james austin anime matsuri toronto area anime roundtable

Nancy Jacobi: The Japanese Paper Place Toronto - The Conversation Between The Paper And The Artist

The Unfinished Print

Play Episode Listen Later Oct 31, 2020 48:28

Without the use of paper there would be no mokuhanga. Washi has played an indelible position in the world of the Japanese print. Many artists in mokuhanga use washi for their prints and as The Unfinished Print is a podcast dedicated to the workings of mokuhanga I felt it was necessary to interview an expert in all things washi. Nancy Jacobi has worked tirelessly in promoting the use of washi in her life through her company and store The Japanese Paper Place, here in Toronto. She has lectured on the subject, as well as educated many about the possibilities of washi. In this episode of The Unfinished Print Nancy helps me understand how important washi is to many artists, its history, and how it needs to be saved. follow The Unfinished Print and my work on Instagram @popular_wheatprints, Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Show Notes: all links are hyperlinked. Just click! The Japanese Paper Place Echizen washi Iwami UNESCO paper Ogawa Hosokawa UNESCO kozo paper - this video I found on YouTube is a great mini doc of the intensive paper making process. Rembrandt (1606-1669) - washiarts.com have written on Rembrandt's use of Japanese paper. Inuit printmaking - The Inuit are an Arctic group of indigenous peoples located in Canada, Greenland, and the US state of Alaska. They have a tradition of printmaking beginning in the 1950's, as introduced by administrator John A. Houston (1921-2005),who according to The Canadian Encyclopedia, studied in Japan for a few months under print artist Un'ichi Hiratsuka (1895-1997) Today, there is a rich history of printmaking from the Inuit people. Mitsumata paper Timothy Barrett is a printmaker and paper maker from the US who was interviewed on the Paper Talk Podcast Dutch trade with Japan as found on a multi part website dedicated to the Netherlands/Japan exchange Japonisme - a great essay found in the MET website The Ontario College of Art is located in downtown Toronto near the Art Gallery of Ontario. With a long history of artists and art OCAD continues to teach art in Toronto. The Bookbinders Guild of Toronto chiyogami paper is a patterned paper for decoration and art CERB - the Canadian Emergency Response Benefit plan was a monetary response to the current COVID-19 pandemic Queen St. West is a street in the central part of Toronto, running West to East, with a rich history. In the 1980's when Nancy was first setting up The JPP it was a seedier part of Toronto with a lot of prostitution, drugs, and poverty. CAMH - The Centre for Addiction and Mental Health is an institution in Toronto for the care of individuals afflicted with various psychiatric issues. It is still located on Queen St. West and has always been a fixture in the area. With a rich varied history of research and awareness CAMH continues its efforts today. Toronto artist co-ops have been important to the preservation and cooperation between artists for a long time. Artscape, the Art Gallery of Ontario, and others have been working with artists in Toronto for years. The Paper Place Trinity Bellwoods Park is a 16 hectare park located in and around Queen Street and Dundas Streets in Toronto. It's an important park for many students, artists, hipsters, and bohemians. Once used by the University Of Toronto with the building of Trinity College in the mid 19th century, the college had been demolished in the 1950's much like many architecturally important buildings in Toronto at that time, and currently. Etobicoke (Ētowbicoe) is a part of the city of Toronto which stretches west towards the city of Mississauga. It was a suburb until Toronto amalgamation in January of 1998. Au Papier Japonais (Montréal) - I would encourage my American printmaker listeners to seek out Canadian paper shops like the JPP and APJ, as well as Washi Arts in the US, for their paper needs. With shipping being complicated with COVID-19 it may be a better option. The Ontario Arts Council is a grant based organization in the province of Ontario which grants subsidies for artists in visual and theatrical art. The Japan Foundation is an organization based in Japan but found with art spaces and offices all over the world which spreads the culture of Japan. Creative World Brian Kelley - printmaker Harbourfront is a portion of the lake shore in Toronto from Bathurst St. to Queens Quay. It has become a center for art, sports, theatre and outdoor activities. The arts have predominantly been exhibited at The Harbourfront Centre. ARTiculations - a shop in Toronto which conducts many workshops in many art forms. opening credit background music: Return 0f The Crooklyn Dodgers feat. Chubb Rock, O.C., Jeru The Damaja (1995) © Popular Wheat Productions Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)

EP 175 - Japanese Buddhist Art: KU Meets KU

Play Episode Listen Later Sep 2, 2020 73:00

Rachel Quist specializes in East Asian Buddhist imagery with focuses in pre-modern Japan and China. Her research centers on questions of interaction with imagery, materiality and object agency, and the accessibility of image-based practices. She has written on topics such as Buddhist reliquary design and expressivity, the didactic project underlying the hell tableau at Baodingshan, and the construction of a collective memory surrounding the Shingon monk Kōbō Daishi at the temple complex of Mount Kōya. Rachel is currently conducting research on early imperial patronage of Daigoji, a Shingon temple in Kyoto, for her dissertation. Michael VanHartingsveldt received an undergraduate degree in English Language and Literature before teaching in South Korea in at an English immersion school. While there, he became enamored with the religious art of East Asia. He finished a Master's degree in East Asian art and its markets from Claremont Graduate University in 2017, after which he worked for two years as an Asian Art collections specialist at the Los Angeles County Museum of Art. Michael has collaborated with the Los Angeles office of The Japan Foundation in the curation of three exhibitions and two public lecture series. He now studies at the University of Kansas.

Restaging Rashomon

locally kuala lumpur akira kurosawa rashomon actors studio japan foundation

Play Episode Listen Later Feb 25, 2020 30:04

Akira Kurosawa’s seminal film, Rashomon, set a new standard for storytelling by using the non-linear narrative and the unreliable narrator. Locally, The Actors Studio’s stage adaptation of the classic film has been staged three times, and represents the company’s 30-year-collaboration with The Japan Foundation, Kuala Lumpur. Now, with Rashomon returning to the stage here for the fourth time, we speak to the folks behind the production on the story as a cultural phenomenon, and why it continues to fascinate audiences worldwide.

Restaging Rashomon

locally kuala lumpur akira kurosawa rashomon actors studio japan foundation

Play Episode Listen Later Feb 25, 2020 30:04

Akira Kurosawa’s seminal film, Rashomon, set a new standard for storytelling by using the non-linear narrative and the unreliable narrator. Locally, The Actors Studio’s stage adaptation of the classic film has been staged three times, and represents the company’s 30-year-collaboration with The Japan Foundation, Kuala Lumpur. Now, with Rashomon returning to the stage here for the fourth time, we speak to the folks behind the production on the story as a cultural phenomenon, and why it continues to fascinate audiences worldwide.

February 2020 Cinema Podcast

Watershed Podcast

Play Episode Listen Later Jan 30, 2020 19:01

February maybe the shortest month of the year yet it contains a compelling wealth of cinematic joy, and a little bit of despair too. Mark Cosgrove, Watershed Cinema Curator, and Thea Berry, Watershed Cinema Producer share their recommendations and highlights for the month ahead.First up they discuss why the long anticipated, sensational, Palme d'Or winning comedy thriller Parasite, is just so good. Also much anticipated is Portrait of a Lady on Fire in which they say something really special happens in they way it tells female stories.Then they shine a light on Japan with highlights from the Japan Foundation season of films which search for happiness in Japanese society and prolific filmmakerTakashi Miike's brutal, bloody, and brilliantly over the top First Love.On to the fast fashion world of Greed starring Steve Coogan which Mark suggests could be called Carry on Capitalism – a laugh packed critique of capitalism, which still manages to pointedly highlight its inherent inequalities.They also recommend Mr Jones a story of journalism, truth and lies set in Stalin's Russia – a true story which influenced George Orwell to write Animal Farm.And finally there's Little Joe in which Thea and Mark find an unsettling, fascinating and though-provoking vision of a near future in which a new plant can lifts people's moods.

japan fire japanese capitalism portrait greed parasite first love george orwell animal farm steve coogan little joe palme d'or cinema podcast japan foundation mark cosgrove

From Japan to Kelantan, Through Dance

japan japanese dance blessings heritage national academy kuala lumpur arts culture japan foundation kelantan

Play Episode Listen Later Oct 24, 2019 17:42

A project by The Japan Foundation, Kuala Lumpur and the National Academy of Arts Culture and Heritage is bringing together Japanese choreographer Un Yamada and Kelantanese traditional dance and music, to create a collaborative piece called “Blessings for Life”. We speak with Un and project coordinator and traditional dancer Zamzuriah Zahari, about finding points of connection between Japanese contemporary dance, butoh, and traditional Kelantanese artforms.

From Japan to Kelantan, Through Dance

japan japanese dance blessings heritage national academy kuala lumpur arts culture japan foundation kelantan

Play Episode Listen Later Oct 24, 2019 17:42

A project by The Japan Foundation, Kuala Lumpur and the National Academy of Arts Culture and Heritage is bringing together Japanese choreographer Un Yamada and Kelantanese traditional dance and music, to create a collaborative piece called “Blessings for Life”. We speak with Un and project coordinator and traditional dancer Zamzuriah Zahari, about finding points of connection between Japanese contemporary dance, butoh, and traditional Kelantanese artforms.

Maurizio Cattelan at Blenheim Palace, Ad Astra reviewed, Japanese Culture, Shakespeare Folio discovered

Front Row

Play Episode Listen Later Sep 17, 2019 28:20

A solid gold toilet reputedly worth £4.7 million has been stolen from Blenheim Palace. It's part of the Italian artist Maurizio Cattelan's new exhibition Victory is Not an Option which remains open and combines a retrospective of his work along with some new pieces made especially for the Palace. Art critic Jacky Klein reviews and reports on the latest from the theft. Brad Pitt stars in the film Ad Astra as an astronaut on a mission to Neptune in order to save the planet from destruction. Larushka Ivan-Zadeh reviews this epic space odyssey. It's believed that John Milton's personal, annotated copy of an early Shakespeare folio has been discovered. The folio includes sophisticated marginalia that could shed light on the development of Milton as a poet and academics say it could be one of the most important literary discoveries of modern times. Cambridge University fellow Dr Jason Scott-Warren explains his astonishing find. As the Rugby World Cup heads to Japan, we get a personal introduction to current Japanese culture from Junko Takekawa, from the Japan Foundation, and Nicole Coolidge Rousmaniere, academic and curator of the recent Manga exhibition at the British Museum. Presenter: Kirsty Lang Producer: Hannah Robins

22 Discovering Buddhist Sculptures w. Michael VanHartingsveldt

Japan Station: A Podcast by Japankyo.com

Play Episode Listen Later Sep 15, 2019 56:20

On this episode of the Japan Station podcast we're digging deep into the world of Japanese Buddhist statues and iconography. Michael VanHartingsveldt is an expert on Buddhist art and iconography. In 2016, Michael obtained a Master's degree in East Asian Art Business through a joint program offered by the Sotheby's Institute of Art and Claremont Graduate University. He then went on to work as a Collections Management Technician at the Los Angeles Country Museum of Art (LACMA). At LACMA Michael worked in the East Asian Art Collection and handled everything from ukiyo-e woodblock prints to Buddhist statues. Michael has also curated art exhibits and given lectures at the Japan Foundation in Los Angeles. In the fall semester of 2019, Michael entered into a PhD program at the University of Kansas. There he will further his research on Japanese Buddhist art and statues. In this episode we discuss: How backpacking around Japan led to an interest in the art and history of Buddhism (and Shinto) in Japan A few tipes for visiting Fushimi Inari Taisha (an important shrine in Kyoto dedicated to the fox god, Inari) Nara's famous Tōdai-ji temple Who the Niō (Two Benevolent Kings) at the entrance of Tōdai-ji are The hierarchy of celestial beings in Buddhism Who Fudō Myōō is What Shugendō is The statues of Zaō Gongen that are at Kinpusen-ji temple on Mt. Yoshino in Nara Prefecture Sanjūsangen-dō in Kyoto and its many statues The bodhisatva Kannon The origins of Amida Nyorai The origins of the Nami-kiri Fudō Who Takuma Kamine is And much more!

university art master los angeles japan phd religion east kansas discovering mt buddhist buddhism sculpture nami kyoto temples shinto claremont graduate university yoshino japanese buddhist japan foundation art lacma fushimi inari taisha kinpusen

6ixTalk - Anime Roundtable Special - A Conversation with Frederik L Schodt - May 25 2019

Play Episode Listen Later Jun 1, 2019 61:21

Legendary Manga Translator Fred Schodt honours us by becoming our first major guest to do the Roundtable in this special sit down taped last Saturday afternoon at Anime North We begin with Fred and Mike looking back on his first visit to Anime North back in 1998 (the second one), and a panel they did together about History in Anime and Manga. And how Mike first told him about Rurouni Kenshin during that panel (3:30) Then Fred talks a little bit about the honours he has received from the Japanese Emperor (Order of the Rising Sun: Gold Rays and Rosette) and the Japan Foundation, and how in receiving the latter he ended up meeting now Emperor Naruhito and Empress Masako a year and a half ago, and how he was a fan of Astroboy (9:05) We then start to talk about two of his Anime North panels, first about his friendship with Astroboy’s creator, Osamu Tezuka relaying a few stories about him (17:35) Then we talk about his panel about the Four Immigrants Manga which he published in 1998 (around the time of his first AN appearance). Fred gives a quick biography of Henry Kiyama, how he came across his work, and how he became very close friends with the Kiyama family. Also we talk about the recent musical adaptation of the book (24:50). In the process of the conversation Mike recalls some stories of his own grandfather (34:27) We then give a preview of Fred’s final panel about his own thoughts on manga translation, the history, and where it stands today. Which we’ll talk about in episode 12 (38:32). Mike then brings up Fred’s lecture at the Japan Foundation after AN ’98 on the actual manga culture in Japan then, and what it might be like today in light of digital consumption (40:21) The conversation ends off with Fred’s reaction to seeing Anime North 21 years later as we watched con goers pass by the AN Office’s Display room (52:00). And Mike gives a final thank you by telling Fred about another story as he gave him a stamp commemorating the Vancouver Asahi baseball team, which we mentioned back in episode 8 (58:10) Mike Nicolas and James Austin. With Special Guest Frederik L Schodt Web: animeroundtable.com Email: animeroundtable@gmail.com Twitter: @animeroundtable Check out our webpage for full show notes and links https://animeroundtable.wordpress.com/2019/06/02/6ixtalk-anime-roundtable-presents-a-conversation-with-frederik-l-schodt-may-25-2019/

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Ep 107: Should you do a PhD? with Michael Van Hartingsveldt

art phd institute buddhism humanities sotheby los angeles county museum michael van japan foundation art lacma

Play Episode Listen Later Apr 14, 2019 52:16

Michael Vanhartingsveldt (featured in episode 47 & 92) is a contributing columnist at Buddhistdoor Global. He works at the Los Angeles County Museum of Art (LACMA). He did his masters in East Asian Art Business at Sotheby's Institute of Art, and he also works as a lecturer for the Japan Foundation. Link to episode #37 from "The Way Of Improvement Leads Home" podcast episode mentioned in the introduction can be found here: https://cms.megaphone.fm/channel/the-way-of-improvement-leads-home?selected=ADL9037171567

Ep 95: Japanese Buddhist WWII Internment w/Duncan Ryūken Williams

university dj philippines groove pasta notable indonesians manila selector daedelus japan foundation

Play Episode Listen Later Feb 16, 2019 55:25

Buy American Sutra from Harvard Press here Bio from: https://www.duncanryukenwilliams.com/ Duncan Ryuken Williams was born in Tokyo, Japan to a Japanese mother and British father. After growing up in Japan and England until age 17, he moved to the U.S. to attend college (Reed College) and graduate school (Harvard University, where he received a Ph.D. in Religion). Williams is currently an Professor of Religion and East Asian Languages & Cultures and the Director of the USC Shinso Ito Center for Japanese Religions and Culture. Previously, he held the Shinjo Ito Distinguished Chair of Japanese Buddhism at University of California at Berkeley and served as the Director of Berkeley's Center for Japanese Studies for four years. He has also been ordained since 1993 as a Buddhist priest in the Soto Zen tradition and served as the Buddhist chaplain at Harvard University from 1994-96. He is the author of a monograph entitled The Other Side of Zen: A Social History of Soto Zen Buddhism in Tokugawa Japan(Princeton University Press, 2005) and co-editor of seven volumes including Hapa Japan (Kaya Press, 2017), Issei Buddhism in the Americas (U-Illinois Press, 2010), American Buddhism (Routledge, 1998), and Buddhism and Ecology (Harvard University Press, 1997). He has also translated four books from Japanese into English including Putting Buddhism to Work: A New Theory of Economics and Business Management (Kodansha, 1997). His latest book is American Sutra: A Story of Faith and Freedom in the Second World War (Harvard University Press, 2019). He has previously received research grants from the American Academy of Religion, Andrew W. Mellon Foundation, the Lilly Endowment, the Japan Foundation, the Japan Society for the Promotion of Science, the Numata Foundation/Society for the Promotion of Buddhism. In 2011, Williams received a commendation from the Japanese government for deepening the mutual understanding between the peoples of Japan and California.

Guest Selector : Pasta Groove

#SAYGOODNWS

Play Episode Listen Later Feb 6, 2019 10:17

A collection of Indonesian groove from our friends over at Manila. Pasta Groove aka Paolo Garcia is a music producer, beathead, DJ and vinyl junkie from Manila. As a practitioner of the art of sample-based music, ancient archetypes get broken down and reconstructed, giving these musical pieces new life through modern technology in a way that is palatable to today's youth. He has been performing for numerous festivals, art exhibits and special events. Notable performances include opening dj set for Dj krush, Daedelus, Free the robots etc. and audio/visual performances for the University of the Philippines, The Japan Foundation and many others. More from Pasta Groove : https://dubtemplerecords.bandcamp.com/album/kometa Instagram : @el_premo_

Ep 92: Gyotaku w/Dwight Hwang and Michael Vanhartingsveldt

japan land east rising sun japan foundation

Play Episode Listen Later Feb 1, 2019 59:58

Dwight Hwang is a California-based Gyotaku artist. His notable artistic achievements include a 2018 solo showcase by Los Angeles County Museum of Art and The Japan Foundation, as well as providing cover art for the book "Simply Fly Fishing" by Patagonia founder Yvon Chouinard. You can follow Dwight Hwang on Instagram here: https://www.instagram.com/fishingforgyotaku/ You can find Dwight Hwang's website and store here: https://fishingforgyotaku.com/ Guest discussant Michael Vanhartingsveldt (featured in episode 47) is a contributing columnist at Buddhistdoor Global. He works at the Los Angeles Country Museum of Art. He did his masters in East Asian Art Business at Sotheby's Institute of Art, and he also works as a lecturer for the Japan Foundation.

california art japan institute painting patagonia dwight sotheby hwang los angeles county museum japan foundation gyotaku

How Kawaii Invaded Downtown Tokyo

Global Politics

Play Episode Listen Later Nov 4, 2018 48:53

The vibrant fashion styles of Tokyo are notable for their colour and playfullness, and the shojo culture (girls) draw on anime, manga, literature, film and cosplay. The distinctive fashion movement has evolved to embrace culture and identity, and in this panel we will hear from four experts about shojo and kawaii (cute) studies. - Dr Lucy Fraser is a specialist on Japanese fairy tales and girl culture. - Dr Emerald L King is Japanese literature scholar and cosplayer. - Dr Masafumi Monden is an expert on Japanese fashion. - Megan Catherine Rose specialises in kawaii fashion communities in Tokyo. - Madman MC and cosplayer K (chair). It was co-hosted by La Trobe Asia and the Japan Foundation, Sydney. It was recorded on 1st November, 2018 at the State Library of Victoria.

china japan politics japanese tokyo downtown invaded la trobe university kawaii latrobe state library richard mcgregor japan foundation asian politics la trobe asia

Event: How Kawaii Invaded Downtown Tokyo

Asia Rising

Play Episode Listen Later Nov 4, 2018

The vibrant fashion styles of Tokyo are notable for their colour and playfullness, and the shojo culture (girls) draw on anime, manga, literature, film and cosplay. The distinctive fashion movement has evolved to embrace culture and identity, and in this panel we will hear from four experts about shojo and kawaii (cute) studies. - Dr Lucy Fraser is a specialist on Japanese fairy tales and girl culture. - Dr Emerald L King is Japanese literature scholar and cosplayer. - Dr Masafumi Monden is an expert on Japanese fashion. - Megan Catherine Rose specialises in kawaii fashion communities in Tokyo. - Madman MC and cosplayer K (chair). It was co-hosted by La Trobe Asia and the Japan Foundation, Sydney. It was recorded on 1st November, 2018 at the State Library of Victoria.

japanese event tokyo downtown invaded kawaii state library japan foundation la trobe asia

Episode 19: Dornith Doherty

Outside of New York

Play Episode Listen Later Oct 22, 2018 78:09

Dornith Doherty is an artist whose work stimulates conversations around the world’s ever-changing ecology. A native of Houston, she obtained her BFA from Rice University and her MFA in Photography from Yale. She currently resides in Southlake, Texas and is Distinguished Research Professor at the University of North Texas, where she has been on the faculty since 1996. Dornith is a 2012 Guggenheim Fellow and has received grants from the Fulbright Foundation, the Japan Foundation, and the United States Department of the Interior, among many others. In addition, she was recognized by the Texas State Legislature as the 2016 Texas State Artist for 2D work. Doherty’s work has been exhibited extensively domestically and abroad and can be found in the permanent collections of prominent institutions such as the Amon Carter Museum of American Art, Crystal Bridges Museum of American Art, and the Museum of Fine Arts Houston. Her project entitled “Archiving Eden” looked at the infrastructure around the preservation of the world’s plant life through the utilization of seed banks, as well as looking at the inner beauty of the seeds themselves. That work drew the attention of major media outlets and resulted in a host of artist talks around the world, including TEDx Monterey.I recently sat down with Dornith at her current show at Holly Johnson Gallery in Dallas where we discussed growing up in Houston, the rigors of the Yale MFA, man’s impact on the environment, photographing the world seed bank vault in the arctic, backyard coyotes and the future of the banana.

Episode 19: Dornith Doherty

Outside of New York

Play Episode Listen Later Oct 22, 2018 78:09

Dornith Doherty is an artist whose work stimulates conversations around the world’s ever-changing ecology. A native of Houston, she obtained her BFA from Rice University and her MFA in Photography from Yale. She currently resides in Southlake, Texas and is Distinguished Research Professor at the University of North Texas, where she has been on the faculty since 1996. Dornith is a 2012 Guggenheim Fellow and has received grants from the Fulbright Foundation, the Japan Foundation, and the United States Department of the Interior, among many others. In addition, she was recognized by the Texas State Legislature as the 2016 Texas State Artist for 2D work. Doherty’s work has been exhibited extensively domestically and abroad and can be found in the permanent collections of prominent institutions such as the Amon Carter Museum of American Art, Crystal Bridges Museum of American Art, and the Museum of Fine Arts Houston. Her project entitled “Archiving Eden” looked at the infrastructure around the preservation of the world’s plant life through the utilization of seed banks, as well as looking at the inner beauty of the seeds themselves. That work drew the attention of major media outlets and resulted in a host of artist talks around the world, including TEDx Monterey.I recently sat down with Dornith at her current show at Holly Johnson Gallery in Dallas where we discussed growing up in Houston, the rigors of the Yale MFA, man’s impact on the environment, photographing the world seed bank vault in the arctic, backyard coyotes and the future of the banana.

Let’s Look East!

BFM :: I Love KL

Play Episode Listen Later Aug 11, 2018 27:17

Japan’s various pop-culture products, from music to anime, manga, and tv shows have cemented the country’s soft-power influence all over the world. On top of that, the Land of the Rising Sun also sets up Japan Foundation in multiple nations - a cultural hub to provide access to its culture through more formal means. This week, Japan Foundation Kuala Lumpur joins us on the show, to share their offerings for our local Japanophiles.

Let’s Look East!

BFM :: I Love KL

Play Episode Listen Later Aug 11, 2018 27:17

Japan’s various pop-culture products, from music to anime, manga, and tv shows have cemented the country’s soft-power influence all over the world. On top of that, the Land of the Rising Sun also sets up Japan Foundation in multiple nations - a cultural hub to provide access to its culture through more formal means. This week, Japan Foundation Kuala Lumpur joins us on the show, to share their offerings for our local Japanophiles.

japan land east rising sun japan foundation

Japan Special: Ryuichi Sakomoto, Japanese Short Stories, Sou Fujimoto

Front Row

Play Episode Listen Later Jun 28, 2018 30:46

A Japanese-themed edition of Front Row as the Oscar-winning composer Ryuichi Sakamoto, whose scores include Merry Christmas Mr Lawrence and The Last Emperor, talks to Stig about being inspired by nature, and how he came back from treatment for throat cancer to write the music for The Revenant.The editor of The Penguin Book of Japanese Short Stories, Jay Rubin, tells how he curated the selection and reflects on his career as one of Haruki Murakami's main translators. And Junko Takekawa, Senior Arts Programme Officer at the Japan Foundation and a guest curator at this year's Cheltenham Festival of Literature, selects some of her favourite Japanese novels. The architect Sou Fujimoto describes how the boundaries between nature and buildings, inside and outside, inspire his work - and reveals the artistic potential of a pile of crisps!Presenter: Stig Abell Producer: Sarah Johnson.

japanese literature short stories revenant front row haruki murakami stig penguin books ryuichi sakamoto last emperor cheltenham festival japan foundation jay rubin merry christmas mr lawrence ryuichi sou fujimoto

Anime Roundtable v1.0 #67 - March 11 2009

Play Episode Listen Later May 21, 2018 134:37

So after Mike does a final check of the equipment, James begins this week with stories about the Japanese exchange student currently at his place. Then we get to the Japan Foundation lectures at Ryerson and talk about Kaichiro Morikawa’s discussion about the Otaku communities making their own space and how Akihabara changed to accommodate, and comparisons with other social spaces. In the bullets, French and English being French and English, and a not so novel stress relief idea in Akihabara getting a novel twist. If you listen closely to the intro, you might here Mike giving off something that sounds like a burp in between sentences. Mike Nicolas, James Austin, Adam Grant, Geoff Greig

english french japanese adam grant otaku ryerson akihabara japan foundation james austin anime roundtable

Tokyo Idols and Urban life.

Arts & Ideas

Play Episode Listen Later Apr 26, 2018 44:43

Tokyo used to be presented as the ultimate hyper-modern city. But after years of economic recession the Tokyo of today has another side. A site of alienation and loneliness, anxiety about conformity and identity, it is a place where self-professed 'geeks' (or 'otaku'), mostly single middle-aged men, congregate in districts like Akibahara to pursue fanatical interests outside mainstream society, including cult-like followings of teenage girl singers known as Tokyo Idols. Novelist Tomouki Hoshino, photographer Suzanne Mooney, writer/photographer Mariko Nagai and film-maker Kyoko Miyake look at life in the city for the Heisei generation. Presented by Eleanor Rosamund Barraclough. Director Kyoko Miyake has made a film called Tokyo Idols which looks at the obsession of middle aged men with superstar teenage girls who make a living online Suzanne Mooney's photographs depict the urban landscapes of Tokyo. Novelist Tomouki Hoshino's latest book to be translated into English is called ME. It's about rootless millennials and suicide. Mariko Nagai is an author and photographer who has written for children and adults. Her books include Instructions for the Living and Irradiated Cities. The translator was Bethan Jones and the speakers were all in the UK to take part in events as part of Japan Now - a festival at the British Library in London, and in Manchester, Sheffield, Norwich. Programmed by Modern Culture in partnership with the Japan Foundation and Sheffield University. Producer: Luke Mulhall

english uk living tokyo manchester instructions sheffield norwich programmed british library modern culture heisei sheffield university urban life japan foundation tokyo idols eleanor rosamund barraclough

Ep 47: Japanese Buddhist art with Michael Vanhartingsveldt

japan japanese shifts artwork jewelry visual arts kyoto art exhibitions kikuchi disposables japan foundation

Play Episode Listen Later Mar 16, 2018 50:01

Michael Vanhartingsveldt is a contributing columnist at Buddhistdoor Global. He works full-time at the Los Angeles Country Museum of Art. He did his masters in East Asian Art Business at Sotheby's Institute of Art, and he also works as a lecturer for the Japan Foundation. Michael collaborates on "Carving the Divine TV" with filmmaker Yujiro Seki.

art japan institute buddhism carving sotheby japanese buddhist japan foundation yujiro seki

See my artwork. Why disposables are disposables? –Rui Kikuchi - モノの「価値」、作品で問いたい：ジュエリー作家・菊地るい

SBS Japanese - SBSの日本語放送

Play Episode Listen Later Feb 27, 2018 11:40

Three artworks by Rui Kikuchi, a Japanese jewellery artist in Kyoto, are now showing at the exhibition ‘Shifts in Japanese materiality’ at the Japan Foundation in Sydney. - 京都を拠点に活動するジュエリー作家の菊地るいさんの作品が、シドニーのジャパン・ファウンデーションで行われている展示「Shifts in Japanese materiality」で展示されています。

The Joy of Bureaucracy

Arts & Ideas

Play Episode Listen Later Feb 22, 2018 45:34

Red tape or accountability? Matthew Sweet is joined by Lord Robin Butler, former head of the home Civil Service, writer and lecturer Eliane Glaser and Professor André Spicer whose recent book looks at meaningless management speak. Deborah McAndrew talks about her stage adaptation of Charles Dickens' Hard Times which examines the results of purely utilitarian education. And journalist Richard Lloyd Parry's new book is an account of the tsunami of 2011 - Japan's biggest loss of life since the bombing of Nagasaki.Richard Lloyd Parry's Ghosts of the Tsunami: Death and Life in Japan's Disaster is out now Japan Now is at the British Library in London 25 February with events also taking place at Sheffield on Saturday 24th - Programmed by Modern Culture in partnership with the Japan Foundation and Sheffield University, at The Forum in Norwich on Saturday and at the University of Manchester on Monday. Business Bullshit by André Spicer is available nowHard Times is at The Viaduct Theatre, Halifax, until 24 February, then The Dukes, Lancaster, from 27 February until 3 March - check the Northern Broadsides website for further dates.

university japan ghosts disasters manchester forum hard times sheffield charles dickens lancaster halifax norwich dukes nagasaki bureaucracy programmed british library civil service modern culture matthew sweet sheffield university japan foundation richard lloyd parry eliane glaser northern broadsides tsunami death

Excited to see the changing reflection of myself in my works – Yusuke Takemura - 作品が反映する「自分」楽しみに、彫刻家・竹村雄介

SBS Japanese - SBSの日本語放送

Play Episode Listen Later Feb 12, 2018 10:14

Two glass artworks by Yusuke Takemura, a Japanese born sculptor in Canberra, are now showing at the exhibition ‘Shifts in Japanese materiality’ at the Japan Foundation in Sydney. - キャンベラを拠点に活動し、ガラスをメインに使った作品を制作する彫刻家の竹村雄介さん。現在、ジャパン・ファウンデーションで行われている展示「Shifts in Japanese materiality」に作品を出展されています。

japanese reflection excited shifts glasses canberra art exhibitions japanese culture yusuke japan foundation

"F. L. I. C. K. S." EP 30: OYSTER FACTORY Film Review PART 2 (UK Premiere, courtesy of Japan Foundation)

Play Episode Listen Later Jul 15, 2017 7:41

EPISODE DESCRIPTION:Part Two of a little 'podcast on the go' review of the documentary "Oyster Factory" by Japanese director Kazuhiro Soda, and as I was 'on the move' please forgive the quality in the audio and gaps in the explanation - Call it 'Live from Leicester Square', if you like!Recorded on 15th July 2017.SERIES DESCRIPTION:"F. L. I. C. K. S." is a podcast by filmmaker and journalist Jason Verney, in collaboration with his production company, NativeNomadPictures.com (NNP) and his movies & music website, MiniMiniMovie.com (MMM), and stands for:FilmsLifeInterviewsCameraKoreaSoundsSelf-quoted as: "An Odd Plod, Nod & Pod to 'NO-MADe-land'..."This podcast can be seen as an apology perhaps, to those who may be awaiting the yet to be completed South Korean documentary by Mr Verney. Jason talks about various aspects of Korea, the Korean culture, movies (both Korean and international), music, life, travelling & more. Like the #KDOC14 documentary project itself, this too is a work in progress. Over time it will evolve... be this in format or from an audio to a visual podcast.Note: "F. L. I. C. K. S." is the new name for what was known as "Jason Verney's PLODCAST". Previous potential comic titles for this podcast were Prodcast*, Probcast** and Oddcast*** but the original name of "Plodcast" was used. * To represent 'still in Production'** For either 'Problematic' or 'Probably'*** Simply because it's all kind of 'Odd'PLODCAST, although probably in existent by other broadcasters, was thought most apt... Not so much due to the fact that the podcast itself is slow, plodding or boring (well, you can be the judge of that!) but indicating that the Korean documentary, and other filmic projects are slowly, but surely on their way!"F. L. I. C. K. S." was more recently thought of a more memorable and relevant name & not only indicates that it's related to movies but also spells out what else it covers: Films; Life; Interviews; Camera; Korea; Sounds. Jason Verney is an independent filmmaker and journalist, whose websites (and company/ies) include Native Nomad Pictures Limited and MiniMiniMovie.com & is also proud co-founder of the London Asian Film Society.Follow on Instagram & Twitter at:@MiniMiniMovies @_dOKumENtARy @NativeNomadPicsExamples of work:-JASON VERNEY:Jason Verney and Native Nomad Pictures can be found on YouTubeand:http://www.Vimeo.com/channels/NativeNomadPictureshttp://genero.tv/watch-video/38133 (Damon Albarn interactive music video - Note: If played on tablet or smartphone, an app download may be required) http://www.Vimeo.com/channels/JasonVerneyNATIVE NOMAD PICTURES:NativeNomadPictures@gmail.com/ NativeVerney@naver.com (Film Production)http://www.NativeNomadPictures.com/http://www.Twitter.com/NativeNomadPicshttp://www.Facebook.com/NativeNomadPicturesInstagram: @NativeNomadPicsMINI MINI MOVIE & OTHER N.N.P. Links: http://www.Twitter.com/_dOKumENtARyhttp://www.Facebook.com/SouthKoreaDocumentaryhttp://www.MiniMiniMovie.com/http://www.Twitter.com/miniminimovieshttp://www.Facebook.com/MiniMiniMovieshttp://www.Twitter.com/LondonAsianFShttp://www.Facebook.com/LondonAsianFilmSocietyNative Nomad Pictures Limited is a Registered company in England (No. 08185761)

"F. L. I. C. K. S." EP 30: OYSTER FACTORY Film Review PART 2 (UK Premiere, courtesy of Japan Foundation)

Play Episode Listen Later Jul 15, 2017 7:41

EPISODE DESCRIPTION:Part Two of a little 'podcast on the go' review of the documentary "Oyster Factory" by Japanese director Kazuhiro Soda, and as I was 'on the move' please forgive the quality in the audio and gaps in the explanation - Call it 'Live from Leicester Square', if you like!Recorded on 15th July 2017.SERIES DESCRIPTION:"F. L. I. C. K. S." is a podcast by filmmaker and journalist Jason Verney, in collaboration with his production company, NativeNomadPictures.com (NNP) and his movies & music website, MiniMiniMovie.com (MMM), and stands for:FilmsLifeInterviewsCameraKoreaSoundsSelf-quoted as: "An Odd Plod, Nod & Pod to 'NO-MADe-land'..."This podcast can be seen as an apology perhaps, to those who may be awaiting the yet to be completed South Korean documentary by Mr Verney. Jason talks about various aspects of Korea, the Korean culture, movies (both Korean and international), music, life, travelling & more. Like the #KDOC14 documentary project itself, this too is a work in progress. Over time it will evolve... be this in format or from an audio to a visual podcast.Note: "F. L. I. C. K. S." is the new name for what was known as "Jason Verney's PLODCAST". Previous potential comic titles for this podcast were Prodcast*, Probcast** and Oddcast*** but the original name of "Plodcast" was used. * To represent 'still in Production'** For either 'Problematic' or 'Probably'*** Simply because it's all kind of 'Odd'PLODCAST, although probably in existent by other broadcasters, was thought most apt... Not so much due to the fact that the podcast itself is slow, plodding or boring (well, you can be the judge of that!) but indicating that the Korean documentary, and other filmic projects are slowly, but surely on their way!"F. L. I. C. K. S." was more recently thought of a more memorable and relevant name & not only indicates that it's related to movies but also spells out what else it covers: Films; Life; Interviews; Camera; Korea; Sounds. Jason Verney is an independent filmmaker and journalist, whose websites (and company/ies) include Native Nomad Pictures Limited and MiniMiniMovie.com & is also proud co-founder of the London Asian Film Society.Follow on Instagram & Twitter at:@MiniMiniMovies @_dOKumENtARy @NativeNomadPicsExamples of work:-JASON VERNEY:Jason Verney and Native Nomad Pictures can be found on YouTubeand:http://www.Vimeo.com/channels/NativeNomadPictureshttp://genero.tv/watch-video/38133 (Damon Albarn interactive music video - Note: If played on tablet or smartphone, an app download may be required) http://www.Vimeo.com/channels/JasonVerneyNATIVE NOMAD PICTURES:NativeNomadPictures@gmail.com/ NativeVerney@naver.com (Film Production)http://www.NativeNomadPictures.com/http://www.Twitter.com/NativeNomadPicshttp://www.Facebook.com/NativeNomadPicturesInstagram: @NativeNomadPicsMINI MINI MOVIE & OTHER N.N.P. Links: http://www.Twitter.com/_dOKumENtARyhttp://www.Facebook.com/SouthKoreaDocumentaryhttp://www.MiniMiniMovie.com/http://www.Twitter.com/miniminimovieshttp://www.Facebook.com/MiniMiniMovieshttp://www.Twitter.com/LondonAsianFShttp://www.Facebook.com/LondonAsianFilmSocietyNative Nomad Pictures Limited is a Registered company in England (No. 08185761)

"F. L. I. C. K. S." EP 29: OYSTER FACTORY Film Review PART 1 (UK Premiere, courtesy of Japan Foundation)

Play Episode Listen Later Jul 15, 2017 5:50

EPISODE DESCRIPTION:Part One of a little 'podcast on the go' review of the documentary "Oyster Factory" by Japanese director Kazuhiro Soda, and as I was 'on the move' please forgive the quality in the audio and gaps in the explanation - Call it 'Live from Leicester Square', if you like!Recorded on 15th July 2017.SERIES DESCRIPTION:"F. L. I. C. K. S." is a podcast by filmmaker and journalist Jason Verney, in collaboration with his production company, NativeNomadPictures.com (NNP) and his movies & music website, MiniMiniMovie.com (MMM), and stands for:FilmsLifeInterviewsCameraKoreaSoundsSelf-quoted as: "An Odd Plod, Nod & Pod to 'NO-MADe-land'..."This podcast can be seen as an apology perhaps, to those who may be awaiting the yet to be completed South Korean documentary by Mr Verney. Jason talks about various aspects of Korea, the Korean culture, movies (both Korean and international), music, life, travelling & more. Like the #KDOC14 documentary project itself, this too is a work in progress. Over time it will evolve... be this in format or from an audio to a visual podcast.Note: "F. L. I. C. K. S." is the new name for what was known as "Jason Verney's PLODCAST". Previous potential comic titles for this podcast were Prodcast*, Probcast** and Oddcast*** but the original name of "Plodcast" was used. * To represent 'still in Production'** For either 'Problematic' or 'Probably'*** Simply because it's all kind of 'Odd'PLODCAST, although probably in existent by other broadcasters, was thought most apt... Not so much due to the fact that the podcast itself is slow, plodding or boring (well, you can be the judge of that!) but indicating that the Korean documentary, and other filmic projects are slowly, but surely on their way!"F. L. I. C. K. S." was more recently thought of a more memorable and relevant name & not only indicates that it's related to movies but also spells out what else it covers: Films; Life; Interviews; Camera; Korea; Sounds. Jason Verney is an independent filmmaker and journalist, whose websites (and company/ies) include Native Nomad Pictures Limited and MiniMiniMovie.com & is also proud co-founder of the London Asian Film Society.Follow on Instagram & Twitter at:@MiniMiniMovies @_dOKumENtARy @NativeNomadPicsExamples of work:-JASON VERNEY:Jason Verney and Native Nomad Pictures can be found on YouTubeand:http://www.Vimeo.com/channels/NativeNomadPictureshttp://genero.tv/watch-video/38133 (Damon Albarn interactive music video - Note: If played on tablet or smartphone, an app download may be required) http://www.Vimeo.com/channels/JasonVerneyNATIVE NOMAD PICTURES:NativeNomadPictures@gmail.com/ NativeVerney@naver.com (Film Production)http://www.NativeNomadPictures.com/http://www.Twitter.com/NativeNomadPicshttp://www.Facebook.com/NativeNomadPicturesInstagram: @NativeNomadPicsMINI MINI MOVIE & OTHER N.N.P. Links: http://www.Twitter.com/_dOKumENtARyhttp://www.Facebook.com/SouthKoreaDocumentaryhttp://www.MiniMiniMovie.com/http://www.Twitter.com/miniminimovieshttp://www.Facebook.com/MiniMiniMovieshttp://www.Twitter.com/LondonAsianFShttp://www.Facebook.com/LondonAsianFilmSocietyNative Nomad Pictures Limited is a Registered company in England (No. 08185761)

"F. L. I. C. K. S." EP 29: OYSTER FACTORY Film Review PART 1 (UK Premiere, courtesy of Japan Foundation)