Podcasts about art guide

What a joy to have Jordan Haley EuDaly joining me for episode 126! Jordan is a painter, wife, mother, and inspiring creative living in Eureka Springs, Arkansas. Jordan is a working artist who goes by the name Jordan Haley. Her husband Brent is founder of The Serious Toy Company, and together they are working towards building a unique treehouse bnb experience on their property. With a passion for hospitality and art making, which she often calls ‘mark making', Jordan serves as an Art Guide by providing space, materials, and tools to allow others to access their inner creative child. Jordan and I chat about her journey with creativity, burnout, and how a season of traveling globally with her husband informed their vision for the life they wanted to build. Follow @jordanhaleyart . . . . . Welcome to The Creative Impact Podcast, where you will find encouragement to live out your calling as an artist. . . . . . Watch this episode on YouTube! Check out our YouTube Channel and be sure to like and subscribe! ⁠http://www.youtube.com/@creativeimpactpodcast⁠ Join our Patreon community for behind-the-scenes and bonus content!⁠patreon.com/creativeimpactpodcast⁠ Find the show notes and more at https://creativeimpactpodcast.com/episode-126/ Some topics we chat about in today's episode include: creativity, visual art, burnout, life as an artist, the creative journey, building a life you love . . . . . Let's Connect! Instagram & Facebook: ⁠@creativeimpactpodcast⁠. . . . . The podcast music was produced by Michael Cash.

Talk Art SPECIAL EPISODE!!!! We go on an electric Art Adventure from Leeds to Edinburgh! Russell and Robert drive to Jupiter Artland in Edinburgh in a BMW electric iX to meet Jupiter's founder, the philanthropist Nicky Wilson, and discover some sculpture legends en route. Our first stop is the Henry Moore Institute in Leeds. We convene in their incredible library with Laurence Sillars, Head of the Institute, to explore their mission to inspire everyone to enjoy and study sculpture through their exhibitions, library, archive & research. We explore their current group exhibition 'The Weight of Words' and a solo show of Egon Altdorf (1922 - 2008). We chat to Errin Hussey to discover the Sculpture Research Centre with archive of sculptors papers including Helen Chadwick. Before driving through the countryside all the way to Antony's Gormley's iconic 'Angel of The North' in Gateshead, Tyne and Wear. Since its completion in 1998, this epic public sculpture has become a treasured location for local families but also art lovers who make the pilgrimage from across the UK. It is believed to be the largest sculpture of an angel in the world and is viewed by an estimated 33 million people every year.We continue our trip all the way to Lindsey Mendick's new solo exhibition at Jupiter Artland in Scotland and meet Nicky Wilson, Jupiter's incredible founder and leading philanthropist. Jupiter Artland is an award-winning contemporary sculpture garden located just outside Edinburgh. Founded in 2009, Jupiter Artland has grown into one of Scotland's most significant arts organisations, with an international reputation for innovation and creativity. Set over 100 acres of meadow, woodland and indoor gallery spaces, Jupiter Artland is home to over 30 permanent and unique site-specific sculptures from artists Phyllida Barlow, Christian Boltanski, Charles Jencks, Anish Kapoor and Antony Gormley, as well as a seasonal programme of carefully curated exhibitions and events from a plethora of artists, both emerging and established. We navigated our art trip with help from the My BMW App and the BMW Art Guide - a wonderful book created with Independent Collectors - the go-to guide to discover new collections where art is presented in the most diverse and interesting settings. The first of its kind, the Art Guide is a perfect companion for city trips abroad or for finding havens of contemporary art right on your doorstep. Now in it's 7th edition, the guide presents 304 private, yet publicly accessible, collections of Contemporary Art — featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with color photographs take the reader to 51 countries and 224 cities, often to regions that are off the beaten path.Talk Art exclusive! We have 100 free copies of the BMW Art Guide on a first come, first serve basis for our listeners. Until stocks last. Visit the BMW microsite to get your free copy: https://bmwgroupculture.com/talk-art?partner=wXh5oswjlPFollow @BMWGroupCulture to learn more about BMW's commitment to art. Hosted on Acast. See acast.com/privacy for more information.

Special Episode presented by BMW. We meet artist and curator Ronan Mckenzie at Carl Freedman Gallery, Margate to discuss her monumental new group exhibition To Be Held. The show is now open and runs until 25th June 2023. Free entry, so we really recommend visiting Margate to see this EXTRAORDINARY show.To Be Held brings together nineteen artists and three furniture designers in an immersive exhibition which aims to open a dialogue on tenderness, and what it means to care and be cared for. The show presents works from a range of disciplines including painting, sculpture and scent; inviting us to consider the relationship between our experiences, and our internal sense of grounding and joy. To Be Held explores the impact of how we choose to share our spaces with all that they encompass, intentionally creating environments that we fill with love, and allow them, and those who inhabit them to care for us in return.What does it mean to be held?To see and be seen, to be warmed by surroundings which create space for one to feel and be felt, to be comforted by the knowing of acceptance and to leave by choice, when one chooses. For the doors to always be open, for ears to always be available, to be soothed by an atmosphere which calms and cares, which touches old memories that tickle before becoming visual. To be held in a space is to relax into one's breathing because we know that we're not alone.Participating artists include: Annan Affotey, Alvin Armstrong, Mabintou Badjie, Chris Bramble, Toby Cato, CHUKES, Mac Collins, Rayvenn D'Clark, Shaye Gregan, Ezra-Lloyd Jackson, Adama Jalloh, Julianknxx, Alfie Kungu, Mario Moore, Ronan Mckenzie, Sola Olulode, Natassja E Swift, Naomi Williams and Joy Yamusangie.With furniture designs by: Modular by Mensah, ROL Studio by Holly Rollins and Miminat Shodeinde.The collaboration with BMW organically formed through conversations around responding to space, interiors, design, and artwork, informed by the desire to have an expansive experience of everyday spaces. Both Mckenzie's and BMW foundations have developed instinctively through the attention to tactility and texture, fabrication, sound, and an interest in activating multiple senses to shape emotional responses and experiences. Inspired by a shared vision for more meaningful connections, this collaboration forms one of an ongoing discourse between design and the arts.For over 50 years, the BMW Group has initiated and been engaged in hundreds of cultural collaborations worldwide. The main focus of its long-term commitment is set on modern and contemporary art, classical music, jazz and sound, as well as architecture and design.Follow @RonanKSM on Instagram to learn more about #ToBeHeld. Follow: @CarlFreedmanGallery on Instagram #CarlFreedmanGalleryVisit the exhibition: https://carlfreedman.com/exhibitions/2023/to-be-held-curated-by-ronan-mckenzie/Follow @BMWGroupCulture to learn more about BMW's commitment to art. BMW has created an Art Guide listing over 300 private art collections that are accessible to the public in 224 cities and 51 countries around the world. Get your free copy by clicking here. Hosted on Acast. See acast.com/privacy for more information.

“I was thinking about meditation as being a way of creating calm and openness so that more constructive conversation can happen,” says Katie West in the second episode of Notions of Care.In our latest podcast, West talks about dyeing textiles, creating spaces of meditation, and facing experiences of racism—all in a conversation centred on care and creating, linking with the NETS Victoria touring exhibition, Notions of Care at Ararat Gallery TAMA.The show features five artists and groups to consider care in art making, through materials, how we relate to one another, and as an approach to the world.West is a Yindjibarndi Western Australian artist, based in Noongar Ballardong country in Western Australia. She exhibits incredibly moving installations, which often feature dyed textiles and native plants which are sewn and woven.In 2016 as part of Next Wave Festival she exhibited the work Decolonist, which looks at how meditation can be a way to decolonise the self. And she later extended on this for a stunning installation at TarraWarra Museum of Art, giving audiences a space to meditate and contemplate.Now, her work in Notions of Care could be described as a tea installation, and she talks through this work and how it came about. We also talk about what the concept of care means to her, how she came to meditating and bringing this into the gallery space, and the process of walking, gathering, and dyeing the materials for her textiles.West also talks about the experiences of racism she has faced, and her words of encouragement to other people who have had similar experiences.You can listen back to the first episode of Notions of Care with Kate Tucker.Notions Of CareArarat Gallery TAMAUntil 26 February 2023A kind thank you to our sponsors for this series. The show Notions of Care is a Bus Projects exhibition touring with NETS Victoria, which is curated by Kathryne Genevieve Honey and Nina Mulhall. This project is supported by the Victorian Government through Creative Victoria and received assistance from NETS Victoria's Exhibition Development Fund 2020, supported by the Victorian Government through Creative Victoria.You can subscribe to the Art Guide podcast on Apple Podcasts and Spotify, and don't forget to rate the show as it helps people find us.Produced and presented by Tiarney Miekus, engineering by Patrick Telfer, and music by Mino Peric.

“I'm doing that something humans do: I'm trying to explain this time to myself by making something from it and about it,” says artist Kate Tucker. “I'm trying to make myself something that I need to live now.”Tucker is our first guest for a new podcast mini-series on art, creating and care, linking with the NETS Victoria touring exhibition Notions Of Care. The show brings together five artists and groups to consider care in art making, whether through materials, how we relate to one another, and as an approach to the world.Tucker works across painting, sculpture and installation, creating incredible assemblage-like pieces that are compelling in their construction. Tucker's process involves the layering of various materials and textures, expanding our idea of what painting can be by subverting familiar notions of the form.Tucker talks about what care means to her, and what it means to approach an art practice with care. We also talk about detaching from external notions of success, how and why she creates her works, and the importance of having aesthetic experiences.Notions Of CareArarat Gallery TAMAUntil 26 February 2023A kind thank you to our sponsors for this series. The show Notions of Care is a Bus Projects exhibition touring with NETS Victoria, which is curated by Kathryne Genevieve Honey and Nina Mulhall. This project is supported by the Victorian Government through Creative Victoria and received assistance from NETS Victoria's Exhibition Development Fund 2020, supported by the Victorian Government through Creative Victoria.You can subscribe to the Art Guide podcast on Apple Podcasts and Spotify, and don't forget to rate the show as it helps people find us.Produced and presented by Tiarney Miekus, engineering by Patrick Telfer, and music by Mino Peric.

fake it till you make it. Ich werde euch in dieser Podcast folge eine Art Guide zu mehr Self confidence geben, denn es ist tatsächlich leichter als man denkt schnell mehr Selbstbewusstsein aufzubauen. enjoy my love instagram: https://instagram.com/videozeugs?

Episode 50In today's episode I'm joined by Wendy Robinson who is an artist and creator. Wendy had it all, a full time teaching job and owned her own home, but around the time she hit 40 she decided to sell all her things and run away in a van. Since then she has developed her art into her job, created a youtube channel, and brought together a community of creatives online. During this episode we'll discuss:Following what feels goodThe reality of leaving your full time job and how to sustain yourselfHow to become confident in your work as an artistThe importance of staying in your own laneBeing inspired by someone vs. losing yourself trying to emulate themThe realities of van life and living on the goThe power of routineConnect with WendyWendy's YouTube: The Unexpected GypsyWendy's Patreon: Find the community hereWendy's Instagram: @the.unexpected.gypsyConnect With ErinLife Styled Instagram: @lifestyledpodcastErin's Instagram: @erinelizabethhErin's Website

“I guess that is the thread, that I am very open to influences that come into my life, you know, and I respond to them,” says Suzanne Archer in The Long Run, Art Guide's latest podcast series featuring interviews with artists who have 60-year practices. Based just outside of Sydney in the bushy suburb of Wedderburn, Archer has long-created layered and dense drawings and paintings, alongside sculpture and installations. With a practice always slightly edging on the mysterious, Archer's work looks at nature, mortality, disgust and decay. Born in Surrey in the United Kingdom, Archer moved to Australia in 1965 and has since gone on to win numerous awards including the Wynne and Dobell Prizes. In a very open conversation, Archer talks about how her immediate environment in Wedderburn pervades her art practice, from conscious to unconscious levels. She further discusses her first exhibition and what she feels about the idea of being called a ‘female painter', as well as taking about having children and an art practice. Finally, Archer tells us how mortality plays out in her work, her decision to break from traditional portraiture, and what it was like for her to recently reflect on a career of 60 years. This episode of The Long Run is an ongoing podcast series, and you can listen back to previous episodes with Robert Owen, Gareth Sansom, Wendy Stavrianos and John Wolseley. You can also subscribe to the podcast on Apple Podcasts or Spotify, so you never miss an episode. Suzanne Archer is represented by Nicholas Thompson Gallery in Melbourne. This series is kindly sponsored by Leonard Joel Auctioneers and Valuers, based in Melbourne and Sydney. Produced and presented by Tiarney Miekus, engineering by Patrick Telfer, and music by Mino Peric.

“I guess that is the thread, that I am very open to influences that come into my life, you know, and I respond to them,” says Suzanne Archer in The Long Run, Art Guide's latest podcast series featuring interviews with artists who have 60-year practices.Based just outside of Sydney in the bushy suburb of Wedderburn, Archer has long-created layered and dense drawings and paintings, alongside sculpture and installations. With a practice always slightly edging on the mysterious, Archer's work looks at nature, mortality, disgust and decay. Born in Surrey in the United Kingdom, Archer moved to Australia in 1965 and has since gone on to win numerous awards including the Wynne and Dobell Prizes.In a very open conversation, Archer talks about how her immediate environment in Wedderburn pervades her art practice, from conscious to unconscious levels. She further discusses her first exhibition and what she feels about the idea of being called a ‘female painter', as well as taking about having children and an art practice. Finally, Archer tells us how mortality plays out in her work, her decision to break from traditional portraiture, and what it was like for her to recently reflect on a career of 60 years.This episode of The Long Run is an ongoing podcast series, and you can listen back to previous episodes with Robert Owen, Gareth Sansom, Wendy Stavrianos and John Wolseley. You can also subscribe to the podcast on Apple Podcasts or Spotify, so you never miss an episode.Suzanne Archer is represented by Nicholas Thompson Gallery in Melbourne.This series is kindly sponsored by Leonard Joel Auctioneers and Valuers, based in Melbourne and Sydney.Produced and presented by Tiarney Miekus, engineering by Patrick Telfer, and music by Mino Peric.

I would ask you the question, does it help to feel scared?” wonders Lucy McRae.  How do you think about the future at a time when the future feels so uncertain? In this third edition of Faraway, so close—a podcast dedicated to considering the anxieties and opportunities emerging in the arts in our new COVID-19 world—artists Cyrus Tang and Lucy McRae give their thoughts and feelings on where we are now, and where we're headed next.While Cyrus talks about loss and transformation, sitting with anxiety, and her experience of migrating from Hong Kong over 15 years ago, Lucy discusses what it's like in Los Angeles, the importance of resilience and optimism, the fallibility of human bodies, and the future of art, biology and technology in our ‘new normal'.  As Lucy sums up, “There's a potential revolution rendering in the background, and the opportunity that comes out of hitting rock bottom, despite the discomfort and the suffering, is a really great to create change and transformation.”You can subscribe to the Art Guide podcast on iTunes or Spotify, and listen back to the first episode of Faraway, so close with artist Yvette Coppersmith and curator/director Alexie Glass-Kantor on solitude, and episode two with artists Tai Snaith and Ross Coulter on creating and parenting. 

“I would ask you the question, does it help to feel scared?” wonders Lucy McRae. How do you think about the future at a time when the future feels so uncertain? In this third edition of Faraway, so close—a podcast dedicated to considering the anxieties and opportunities emerging in the arts in our new COVID-19 world—artists Cyrus Tang and Lucy McRae give their thoughts and feelings on where we are now, and where we’re headed next. While Cyrus talks about loss and transformation, sitting with anxiety, and her experience of migrating from Hong Kong over 15 years ago, Lucy discusses what it’s like in Los Angeles, the importance of resilience and optimism, the fallibility of human bodies, and the future of art, biology and technology in our ‘new normal’. As Lucy sums up, “There’s a potential revolution rendering in the background, and the opportunity that comes out of hitting rock bottom, despite the discomfort and the suffering, is a really great to create change and transformation.” You can subscribe to the Art Guide podcast on iTunes or Spotify, and listen back to the first episode of Faraway, so close with artist Yvette Coppersmith and curator/director Alexie Glass-Kantor on solitude, and episode two with artists Tai Snaith and Ross Coulter on creating and parenting.

The ‘Inner Child Art Guide’ within the Series ‘The Journey to Self’ is a systematic roadmap to create art without any artistic technique, solely by trusting the awakened and healed inner child to express his or her intrinsic talent.The audio version of the essay comes with an additional bonus for the preparation of your first child-art session: a complete 13 min. long relaxation session, with which you proceed from light to deep trance in 4 subsequent phases, composed by Peter Fritz Walter.Please be aware that Inner Child Art can only work with a recovered and healed inner child, hence you need to work through the following guides first:—Inner Child FAQ—Inner Child Essays—Inner Child Healing

“In some ways I don't think of my life and art as separate things, I think it's one in the same thing,” says artist Louise Weaver when speaking of her creative pursuits. “I don't see it as a career as much as something that is an extension of my life and would go on regardless of whether I had opportunities to exhibit or not.”With a practice spanning three decades and multiple mediums, Weaver has continuously worked both within and beyond a variety of juxtapositions: nature and culture, metamorphosis and concealment, reality and unreality, and the beautiful and the uncanny. Becoming well-known in the 90s for her crotchet animal forms, over time Weaver has created a vast array of painting, installation and sculptural works, threading interests in mythology, shamanism, the fantastic, the domestic, high fashion, art history and ecological awareness.Weaver discusses these elements in the podcast interview, and further builds upon an earlier conversation published in Art Guide's January/February 2020 issue, which can now be found online.In particular Weaver talks through her major survey exhibition 'Between appearances: the Art of Louise Weaver', showing at Buxton Contemporary, and filters through the ideas and associations that inform her tactile works. She also discusses the dream-like qualities found in her work, her studio process, how she gets beyond self-doubt, questions of gender and creativity, and what she means when she says creating art is how she relates to the world.See more at Art Guide online: www.artguide.com.au/podcastPodcast produced by Tiarney Miekus. Engineered by Mino Peric. Music by Jesse L. Warren.

“In some ways I don’t think of my life and art as separate things, I think it’s one in the same thing,” says artist Louise Weaver when speaking of her creative pursuits. “I don’t see it as a career as much as something that is an extension of my life and would go on regardless of whether I had opportunities to exhibit or not.” With a practice spanning three decades and multiple mediums, Weaver has continuously worked both within and beyond a variety of juxtapositions: nature and culture, metamorphosis and concealment, reality and unreality, and the beautiful and the uncanny. Becoming well-known in the 90s for her crotchet animal forms, over time Weaver has created a vast array of painting, installation and sculptural works, threading interests in mythology, shamanism, the fantastic, the domestic, high fashion, art history and ecological awareness. Weaver discusses these elements in the podcast interview, and further builds upon an earlier conversation published in Art Guide’s January/February 2020 issue, which can now be found online: artguide.com.au/interview-louise-weaver-on-nature-feminism-and-crocheting-animal-forms In particular Weaver talks through her major survey exhibition 'Between appearances: the Art of Louise Weaver', showing at Buxton Contemporary, and filters through the ideas and associations that inform her tactile works. She also discusses the dream-like qualities found in her work, her studio process, how she gets beyond self-doubt, questions of gender and creativity, and what she means when she says creating art is how she relates to the world. See more at Art Guide online: www.artguide.com.au/podcast Podcast produced by Tiarney Miekus. Engineered by Mino Peric. Music by Jesse L. Warren.

Even Agatha Gothe-Snape struggles to define her art. While performancemay be the easiest description, there are many avenues winding through her practice including dance, collaboration, text, public works, PowerPoint slide presentations, augmented reality and documentary. If the form of Snape's work can be slippery, so too can the content. Broadly speaking, much of her work looks at artistic processes, the canon of art history, and the social and aesthetic contexts that artworks sit within. In a career barely brushing one decade, Gothe-Snape has exhibited widely. She's the only artist to have shown in all iterations of the Sydney exhibition series The National, and was also included in the 20th Biennale of Sydney — not to mention she's also the subject of an Archibald-winning painting, created by her partner Mitch Cairns. Most recently, Gothe-Snape was commissioned by Kaldor Public Art Projects for the exhibition Making art public: 50 Years of Kaldor Public Art Projects. For the show, Agatha created Lion's honey, an ongoing performance in which a single person reads to themselves each day in the gallery. It's this work that becomes the focus of the podcast, with Gothe-Snape recounting how the performances came to fruition — just when she was at the edge of refusing a commission — it was hearing a fable that brought her back into creating. It's Gothe-Snape's telling of the story that gives such an insight into her practice, and how she thinks about art. Gothe-Snape also talks about the experience of being part of an artistic family, why she eventually went to art school, the role of language in her work, her thoughts on John Hughes and the art canon, and her struggles with the label of “art”. See more at Art Guide online: www.artguide.com.au/podcast

Even Agatha Gothe-Snape struggles to define her art. While performance may be the easiest description, there are many avenues winding through her practice including dance, collaboration, text, public works, PowerPoint slide presentations, augmented reality and documentary. If the form of Snape’s work can be slippery, so too can the content. Broadly speaking, much of her work looks at artistic processes, the canon of art history, and the social and aesthetic contexts that artworks sit within. In a career barely brushing one decade, Gothe-Snape has exhibited widely. She’s the only artist to have shown in all iterations of the Sydney exhibition series The National, and was also included in the 20th Biennale of Sydney — not to mention she’s also the subject of an Archibald-winning painting, created by her partner Mitch Cairns. Most recently, Gothe-Snape was commissioned by Kaldor Public Art Projects for the exhibition Making art public: 50 Years of Kaldor Public Art Projects. For the show, Agatha created Lion’s honey, an ongoing performance in which a single person reads to themselves each day in the gallery. It’s this work that becomes the focus of the podcast, with Gothe-Snape recounting how the performances came to fruition — just when she was at the edge of refusing a commission — it was hearing a fable that brought her back into creating. It’s Gothe-Snape’s telling of the story that gives such an insight into her practice, and how she thinks about art. Gothe-Snape also talks about the experience of being part of an artistic family, why she eventually went to art school, the role of language in her work, her thoughts on John Hughes and the art canon, and her struggles with the label of “art”. See more at Art Guide online: www.artguide.com.au/podcast

After leaving us hanging in anticipation in Episode 115, Crabb and Sales (a.k.a. “the monsters”) return to put us out of our misery.The Price of Shame Monica Lewinsky TED2015 (March 2015)Shame and Survival by Monica Lewinsky (Vanity Fair, June 2014)Slate’s Slow Burn Podcast (Season2: The Impeachment of Bill Clinton)Monica Lewinsky’s Twitter response to the Mike Pence comment: 'Spend more time on your knees than on the internet'Waltzing The Dragon With Benjamin Law (ABC iView)Dark Emu: Aboriginal Australia and the Birth of Agriculture by Bruce PascoeQueer Eye: Season 4 (2019) [Jonathan Van Ness (Wikipedia)]Yesterday (2019) starring Himesh Patel and Lily James (see Official Trailer)Stan & Ollie (2019) starring Steve Coogan and John C. Reilly (see Official Trailer)Jill Bilcock: Dancing The Invisible (2017) documentary about Australian film editor Jill Bilcock (see Official Trailer)500 Days of Summer (2009) Joseph Gordon-Levitt and Zooey Deschanel (see Official Trailer)Honor Freeman: Ghost objects 27 Jul - 29 Sep 2019 Gallery 16, Art Gallery of South AustraliaHonor Freeman on making sense of grief through ceramics (By Zoe Freney, Art Guide, 25 July 2019; includes images of some artworks included in the Ghost objects exhibition.)Motherless Child by Elizabeth Strout (New Yorker, August 5 & 12, 2019) *Includes Audio version read by Elizabeth Strout.

When Anna Davis discusses being a curator, she talks about collaboration, conversation and experimentation: “It's about working with artists and working with ideas.” It's also about the relationships: “The exhibition really starts to take shape in a real sense once the artists are really talking. I think when you get the chance to work with someone like Jenny Watson or Louise Hearman and it's over a number of years, which is fantastic, you get to develop this relationship with them and hopefully a level of trust comes through that.” Having held the position of Curator at Museum of Contemporary Art Australia (MCA) for the past decade, Davis has curated a vast array of contemporary exhibitions, which she discusses in the first episode of Art Guide's four-part series ‘Conversations with Curators'. Anna discusses how she came to curating, what her past life as a “lapsed artist” offers her curatorial practice, the experience of curating major solo shows and the ethical implications of her work. See more at Art Guide Australia online: www.artguide.com.au Podcast produced by Tiarney Miekus. Engineered by Mino Peric. Music by Jesse Warren.

Colour is simultaneously the most apparent and most complex part of Gemma Smith’s practice. The artist, who has a penchant for abstraction, creates paintings that capture dialogues and interactions between colours. Smith doesn’t paint with colour; she persuades colour. In this podcast she discusses her explorations into colour and form, her process in the studio, her penchant towards abstraction, and what she has learnt about painting from almost two decades of explorations into colour, space and form. See more at Art Guide online: https://artguide.com.au/podcast-gemma-smith-on-the-persuasion-of-colour Podcast produced by Tiarney Miekus. Engineered by Mino Peric. Music by Jesse Warren.

The contexts that Fiona Abicare has worked within are plentiful: the Golden Age of Hollywood, the shabby chic aesthetic and objects of mass culture, just to name a few. Working with locations such as window shop fronts and gallery settings, the Melbourne-based artist’s work explores the cultural and personal associations and histories we have with various sites, objects and historical periods; creating works that blend art, design, architecture, film and fashion. As Fiona explains in the podcast, she works at the junction between contemporary art and interiors, always creating directly in relation to a certain site or context. “The site dictates the approach, [which] dictates the medium, the subject and the starting point,” she says. “I’m not a studio-based artist that goes to the studio every day and does continuous making. I do projects.” Fiona discusses how she explore various historical periods and aesthetic styles, the familial and personal resonance in her work, the experience of working as a technician for other well-known artists, and the current cultural climate in the Australian arts. See more at Art Guide online: https://artguide.com.au/podcast-fiona-abicare-on-the-adventures-of-mediums. Podcast produced by Tiarney Miekus. Engineered by Mino Peric. Soundtrack by Jesse Warren.

Tate curator Carol Jacobi on the rebellious, colourful and fastidious Pre-Raphaelites ahead of the NGA exhibition Love & Desire, Frida Kahlo's love of photography on show at the Bendigo Art Gallery, we get festive in the studio with Brisbane tinsel artist Rachel Burke, and Fiona Gruber gives us her picks on the 2019 art calendar.

Tate curator Carol Jacobi on the rebellious, colourful and fastidious Pre-Raphaelites ahead of the NGA exhibition Love & Desire, Frida Kahlo's love of photography on show at the Bendigo Art Gallery, we get festive in the studio with Brisbane tinsel artist Rachel Burke, and Fiona Gruber gives us her picks on the 2019 art calendar.

Since embarking on a creative path only a mere 15 years ago, Yolŋu artist Gunybi Ganambarr has been continuously praised for his weaving of Indigenous forms and traditional stories with a contemporary sensibility. He has been called a “revolutionary”, “genius” and “an innovator”, and has accumulated many accolades, including the 2018 National Aboriginal and Torres Strait Islander Art Award (NATSIAA). But as Ganambarr explains in the podcast conversation, visual art was not the first form he gravitated towards. His foremost creative experience started as a didgeridoo player, which allowed him to travel nationally and internationally. Prior to becoming an artist, Ganambarr also spent 12 years as a builder, and he credits this experience with familiarising himself with the tools and materials that would later find their way into his creative practice. Gunybi discusses his 'pre-art' life, the experience of winning the 2018 NATSIAA, and the advice he has for younger artists. See more at Art Guide online: https://artguide.com.au/podcast-gunybi-ganambarr-on-creating-building-and-etching. This podcast has been produced in partnership with the Museum and Art Gallery of the Northern Territory in recognition of the annual Telstra National Aboriginal and Torres Strait Islander Art Awards. The Interview with Gunybi Ganambarr was produced and hosted by Tiarney Miekus. Episode mix by Mino Peric and soundtrack by Jessie Warren.

When Luke Scholes talks about being a curator, he turns toward the origins of his role: he discusses how curating means to be ‘a carer of things’. For Scholes, this largely involves caring for art collections, through his role as Curator of Aboriginal Art at the Museum and Art Gallery of the Northern Territory (MAGNT). In this podcast Scholes unpacks his curatorial work, revealing how his position falls across three broad areas: facilitating the annual National Aboriginal and Torres Strait Islander Awards, curating exhibitions, and maintaining and developing MAGNT’s Aboriginal art collection. It’s this third responsibility that Scholes particularly delves into. “It’s not just about acquiring more examples, it’s about acquiring the right examples,” he explains. “What a curator should seek to do is develop a really strong and historical record of art movements.” This podcast has been produced in partnership with the Museum and Art Gallery of the Northern Territory in recognition of the annual National Aboriginal and Torres Strait Islander Art Awards. See more at Art Guide online: https://artguide.com.au/podcast-luke-scholes-on-curating-caring-and-collaborating Podcast produced by Tiarney Miekus. Engineered Mino Peric.

Glenn Iseger-Pilkington likes to joke that he’s an “arts handyman”. Yet the phrase does have merit: he’s an artist and writer and has held various curatorial roles at the South Australian Museum, Western Australian Museum and the Art Gallery of Western Australia. Nowadays, he’s the lead consultant at Gee Consultancy, where he works with Aboriginal and Torres Strait Islander artists and arts workers. In this podcast Glenn, a Yamatji Nyoongar man from Western Australia with Dutch and Scottish migrant history, talks about his curatorial and consultancy roles, discussing how he sees himself less as a voice of authority and more as a conduit. He also talks about the experience of judging the 2018 National Aboriginal & Torres Strait Islander Art Awards and, finally, tells us what changes he’s noticed in the arts in Australia over the last 15 years — both for better and worse. See more at Art Guide online: https://artguide.com.au/podcast-glenn-iseger-pilkington-on-being-a-conduit. This podcast has been produced in partnership with the Museum and Art Gallery of the Northern Territory in recognition of the annual National Aboriginal and Torres Straight Islander Art Awards. Produced by Tiarney Miekus. Engineered by Mino Peric.

“I think the challenge with all of the disparate references is not that it’s difficult for all of them to come together. I think that the challenge is not to make the photograph too derivative of one reference, because then I’m just recreating something that already exists." Georgina Cue’s large-scale, staged photographs bring together many disparate references ranging from film noir, German Expressionism, femme fatales, graffiti, classical Greek aesthetics and contemporary sportswear. In this podcast Cue unpacks the stories, associations and symbolism behind the imagery, as well as her current show 'Scenes' at Neon Parc. See more at Art Guide online: www.artguide.com.au Podcast produced by Tiarney Miekus and engineered by Mino Peric.

In this first series of Five on Five we're asking five painters to speak about a painting that has influenced, inspired or resonated with them. In this episode Prudence Flint reflects on 'Virgin and Child' (1455-60) by Dieric Bouts, discussing how she’s drawn toward the maternal and erotic nature of the painting, alongside its nostalgic resonance. To view the painting as you listen along, head to Art Guide online: https://artguide.com.au/five-on-five-prudence-flint-on-dieric-bouts-virgin-and-child. Prudence Flint is a Melbourne-based painter. She is a finalist in this year's Archibald Portrait Prize at the Art Gallery of New South Wales and will have a solo show at Bett Gallery in Hobart from 16 November - 7 December 2018. Production credits: Produced by Tiarney Miekus. Music and audio engineering by Mino Peric.

In this first series of Five on Five we're asking five painters to speak about a painting that has influenced, inspired or resonated with them. In this episode Huseyin Sami reflects upon 'Suite Segond' (1980) by French artist Bernard Frize. In particular, Sami is intrigued by Frize’s lifelong dedication to painting and how the artist has continuously worked through the problems of painting. To view the painting as you listen along, head to Art Guide online: https://artguide.com.au/five-on-five-huseyin-sami-and-bernard-frizes-suite-segond. Huseyin Sami is a Sydney-based artist whose multi-disciplinary practice engages with painting, sculpture and installation to explore aspects of time, action and process. Production credits: Produced by Tiarney Miekus. Music and audio engineering by Mino Peric.

In this first series of Five on Five we're asking five painters to speak about a painting that has influenced, inspired or resonated with them. In this episode Kylie Banyard reflects on Breast-feeding (2015) by American artist Dana Schutz. In particular, Banyard is captivated by the image's “yuck yum” qualities and its depiction of the maternal experience of breastfeeding. To view the painting as you listen along, head to Art Guide online: https://artguide.com.au/five-on-five-kylie-banyard-on-dana-schutzs-breastfeeding. Kylie Banyard is a multidisciplinary artist whose work investigates alternate models for living and learning. Her artistic practice is grounded in painting and intersects with photography, video, sculpture and immersive architectural spaces. Production credits: Produced by Tiarney Miekus. Music and audio engineering by Mino Peric.

In this first series of Five on Five we're asking five painters to speak about a painting that has influenced, inspired or resonated with them. In this episode Peter Waples-Crowe reflects upon 'Bad Moon Rising' (1989) by David Wojnarowicz. In particular, Waples-Crowe is captured by Wojnarowicz’s symbolism, his aids’ activism and the queer politics underlying his imagery. To view the painting as you listen along, head to Art Guide online: https://artguide.com.au/five-on-five-peter-waples-crowe-on-david-wojnarowiczs-bad-moon-rising. Peter Waples-Crowe is a Ngarigo visual and performance-based artist living in Melbourne. Waples-Crowe creates bold colourful work that discusses the representation of Aboriginal people in popular culture, often referencing the dingo as an analogy for Indigenous peoples. Production credits: Produced by Tiarney Miekus. Music and audio engineering by Mino Peric.

In this first series of Five on Five we're asking five painters to speak about a painting that has influenced, inspired or resonated with them. In this episode Kate Beynon reflects on 'The Creation of the Birds' (1958) by Spanish artist Remedios Varo. Beynon is captivated by Varo’s hybrid owl-woman and her spiritual presence, which in turn inspired Beynon’s blue shaman, a guardian figure that appears throughout Beynon’s work. To view the painting as you listen along, head to Art Guide online: https://artguide.com.au/five-on-five-kate-beynon-on-remedios-varos-the-creation-of-the-birds. Hong Kong-born Melbourne-based artist Kate Beynon recently completed her PhD in Fine Art at MADA: Monash University, has exhibited widely in Australia and internationally, and is represented by Sutton Gallery, Melbourne and Milani Gallery, Brisbane. Production credits: Produced by Tiarney Miekus. Music and audio engineering by Mino Peric.

Join Will Gompertz, BBC Arts Editor as he talks to contemporary artists Michael Craig-Martin and Mat Collishaw about the use of technology in art and the release of the Art Fund’s Art Guide app, the most comprehensive guide to seeing art across the UK.

Join Will Gompertz, BBC Arts Editor as he talks to contemporary artists Michael Craig-Martin and Mat Collishaw about the use of technology in art and the release of the Art Fund’s Art Guide app, the most comprehensive guide to seeing art across the UK.