Podcast appearances and mentions of Lily James

We are proud to announce our NEW Patreon is available: https://www.patreon.com/reviewinghistory We hope you sign up and enjoy the fun we're having over there. WHAT YA GONNA DO LISTENERS WHEN REVIEWING HISTORY MANIA AND BRIAN NASHEL RUN WILD ON YOU? WHAT? This week we're lacing up the boots to talk about the world of pro rasslin, and we're joined by TV Producer of shows such as Comic Book Men, Big Little Brawlers and many more Brian Nashel! We're gonna have a good time together as we watch The Iron Claw. The Iron Claw stars Zac Efron, Jeremey Allen White, Lily James, and was directed by Sean Durkin. So tune in and get ready to learn and laugh IF YA SMELLL, WHAT REVIEWING HISTORY, IS COOKING. LIKE AND SUBSCRIBE PLEASE! Please give us a rating and a review on ApplePodcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: betterhelp.com/reviewinghistory Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #wrestling #wwe #prowrestling #americanhistory #ironclaw #zacefron #Theironclaw #wccw #vonerich #kerryvonerich #vonerichcurse #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #rlm #historybuff #tellemstevedave #tesd

Send us a textIn this episode, we discuss why certain scenes shouldn't have been from Harry's perspective. Enjoy!Topics/Summary:·      1:50 James and Lily's murder. This scene is pretty blurry and vague because it's from Harry's perspective. Now that we know what's going, seeing what Voldemort is feeling and how he is defeated would mean more than shots of a baby. This scene from Lily or James would show us how they stood fast and fought for their family and gave their lives so Harry could go on.·      11:21 The sorting ceremony. This is a smaller moment, but we could consider it the beginning of Harry's journey. We should be able to see Dumbledore and how he acknowledges this as the true commencement of the second war against Voldemort.·      16:15 The graveyard. This is Voldemort's big moment and his return. Who else to show us how Voldemort is feeling than the big man himself? After thirteen years of suffering, he can finally walk on his own two feet again and bring darkness to the world. We would learn something about him if we could experience his triumph.·      21:17 The Battle of the Ministry of Magic. Sirius, Bellatrix, Dumbledore, or Voldemort would be such a better choice than Harry! We could begin with him, but once the fighting starts, seeing the duels from Harry's eyes is pretty lame. ·      26:48 Dumbledore's death. This is the climax of Snape and Voldemort's plan. Snape kills Dumbledore to cement his place by Voldemort's side. Notice how Harry isn't really involved? Yeah. Snape's eyes are really the only ones we should be seeing through in this scene. He is forced to kill his mentor and protector, and move into the final stages of their plan. This is the end of their friendship and the end of Dumbledore's life. Having anything you want to hear or say? Click here for a voice submission or here for text. ThePotterDiscussion@gmail.comthepotterdiscussion.comNox

A 15+ minute long recap of TLC's new series The Baldwins? Well, that's coverage you're only gonna find here on Who? Weekly and it's up top — start there! Then head on down to iconic coverage of Tom Felton being a race car driver (fake!), Psy apologizing in the 'gram for losing weight, Bhad Bhabie v. Alabama Barker, Arie Luyendyk Jr. reversing his vasectomy and.. Is Andrew Garfield quietly dating Monica Barbaro?????? Plus, Sydney Sweeney reportedly delays her wedding, Lily James and Glen Powell giggle in the back of a car, Chan's got a new gal (model) and Jeremy Renner WAS (and no longer IS) dating an influencer named CC Mason. Wow! Good to know. Congrats to Sammi Sweetheart, Kyle Kuzma / Winnie Harlow and Ne-Yo (who is poly). As always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Want more? Get a ton of bonus content over on Patreon.com/WhoWeekly To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Send us a textWe carry on with our “Past Lives” theme, and the added shake up of having to be a remake/reboot, with the 2020 film “Rebecca,” starring our favorite cannibal Armie Hammer and Lily James.  Based on the novel of the same title by Daphne DuMaurier, it was originally brought to the silver screen in 1940 by Alfred Hitchcock. We also discuss what defines a remake vs a reboot vs a re-adaptation and review some of our favorites.  So join us, as we revisit a classic story… Will it live up to the original?

Fran wants a dog (00:00-15:43). Devin Booker & Kendall Jenner reunite in Aspen (16:40-22:54). Noah Centineo & Zoë Kravitz seen leaving party in NYC together (22:55-26:07). Glen Powell & Lily James spotted leaving BAFTAs afterparty together (26:08-32:19). Meghan Markle rebrands her company, American Riviera Orchard (33:16-42:26). Nike & SKIMS launch new brand NikeSKIMS (42:27-48:01). PopCorner voicemails: Favorite year of music, HSM movie rankings, FMK + more! (49:17-1:07:03). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

Diane and Sean discuss Edgar Wright's, Baby Driver. Episode music is, "Bellbottoms", by The Jon Spencer Explosion! from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Oscarien afterpartyillä nähtiin riehas Will Smith ja ehkä koppava Lily James. Sen sijaan Leonardosta ei saatu yhtään valokuvaa. Myös Suomessa oli juhlat, nimittäin salaiset koronabileet kun pandemia oli synkimmillään. Kardashianit kiinnostaa meitä taas. Cardi B riiteli Twitterissä ja poisti somekanavansa. * Tiedäthän, että tämä kuuntelemasi jakso on podcastin alkuvaiheilta. Podmessa voit kuunnella kaikki Tuplakääk-podcastin aiemmat jaksot. Lisäksi uunituoreita jaksoja julkaistaan Podmessa joka viikko, ja mikä parasta – ilman mainoksia. Eli jos tykkäät kuulemastasi ja haluat lisää, sitä löytyy yllin kyllin osoitteesta podme.com. Uusi throwback-jakso joka tiistai.

Welcome back, Cromrades! This week, we take on two combat sports movies that damage us right where it hurts - the emotions! We're talking Million Dollar Baby directed by Clint Eastwood, and starring Eastwood, Hilary Swank, and Morgan Freeman. Then, we enter the squared circle to face off against the Von Erich family in The Iron Claw, directed by Sean Durkin and starring Zac Efron, Jeremy Allen White, Harris Dickinson, , Maura Tierney, Stanley Simons, Holt McCallany, and Lily James.  We're talking raw emotional damage, folks.  Would Robert E. Howard have found something to like about this double feature? Let us know!            One Things Jon: Peaceful Neighbor: Discovering the Counter Cultural Mr. Rogers by Michael Long Josh: On Boxing by Joyce Carol Oates Luke: Surprise, Kill, Vanish: The Secret History of CIA Paramilitary Armies, Operators, and Assassins by Annie Jacobsen Questions? Comments? Curses? Call us at (859) 429-CROM! Did you know that we're on Facebook? We're posting photos on the Instagrams! Subscribe to our feed on FeedBurner! Or, check us out on iTunes! We're also on Stitcher Radio and Google Play! Legal Mumbo-Jumbo Our episode is freely available on archive.org and is licensed under Creative Commons: By Attribution 3.0. http://creativecommons.org/licenses/by/3.0/ Themes by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0. Outro: Tom Sawyer by Rush! Music obtained legally; we hope our discussion of this content makes you want to go out and purchase the work!   

Listen along as we discuss Netflix's three hundred and thirty-ninth film, the 2021 British drama ‘The Dig' directed by Simon Stone starring Carey Mulligan, Ralph Fiennes, Lily James, Johnny Flynn, Ben Chaplin, Ken Stott, Archie Barnes and Monica Dolan.    Please follow us at Flix Forum on Facebook or @flixforum on X (Twitter) and Instagram and answer our question for the episode, 'Have you ever dug up anything interesting?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; Jesse  MJ   We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here.    Next week we have 'Below Zero', so check out the film before then. You can see the trailer here.   Flix Forum acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Wurundjeri and Bunurong people of the Kulin Nation. We pay our respects to their Elders past, present, emerging and extend that respect to all Aboriginal and Torres Strait Islander cultures. 

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including WICKED first reactions causes critics vs reviewers debate to pop up again, Cliffhanger reboot casts Lily James and Pierce Brosnan, a new Jack Ryan movie is coming,. Kelly Macdonald cast as a sheriff in  Lanterns, Armie Hammer's return to acting, Billy Zane's first set photo of him as Marlon Brando, Unstoppable, Queer, and Presence trailers, Sophie Turner vs Lucy Benton for Tomb Raider's Lara Croft role, Teri Garr tribute, the Wayans returning for new Scary Movie movies, David Fincher's Squid Game series, Tarantino's thoughts on Joker 2, Patty Jenkins doing a live action LEGO movie and more!#marvel #DC #Disney #TheHotMic #johnRocha #JeffSneider ____________________________________________________________________________________Chapters:0:00 Intro and Rundown2:40 WB Developing Game of Thrones Feature Film10:05 CLIFFHANGER Reboot Cast Lily James and Pierce Brosnan, No Sly Stallone15:50 Three New Live Action LEGO Movies Announced - Jake Kasdan, Patty Jenkins21:52 David Fincher Developing an American Version of SQUID GAME Series28:32 Kelly MacDonald Cast in LANTERNS Series32:35 WICKED First Reactions - Do We Believe Them?, Influencers vs Critics Debate51:36 Armie Hammer Returns in a New Western starring Thomas Jane59:35 Phoebe Waller-Bridge Looking at Sophie Turner and Lucy Boynton for Lara Croft1:04:55 First Look at Billy Zane as Marlon Brando in 'Waltzing with Brando'1:06:50 Unstoppable, Queer, and Presence Trailers Discussion1:14:45 The Wayans Return to Reboot Scary Movie Series1:21:42 Teri Garr Tribute1:25:00 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider  Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

Warning: This episode speaks of violence and suicide. Please take care when listening.  A year on from her death, Lilie James' parents have spoken publicly - remembering their beautiful, hardworking daughter. Coupled with what was revealed about her killer in a recent TV special has brought Lilie's story back to our attention.  Today we revisit the murder of Lilie James.  If you or anyone you know needs to speak with an expert, please contact 1800 RESPECT on 1800 737 732 Watch the 60 Minutes episode here THE END BITS Subscribe to Mamamia Check out The Quicky Instagram here Listen to more like this episode here:He's Not A 'Good Bloke': Stop Defending Domestic Violence Killers Women Shouldn't Need To Learn Self Defence, But Should We? After The Rallies: What Can Actually Stop Gendered Violence Frontline Domestic Violence Workers Tell Us What's Really Happening Want to try MOVE by Mamamia?Click here to start a seven-day free trial of our exercise app. GET IN TOUCH Share your story, feedback, or dilemma! Send us a voice note or email us at thequicky@mamamia.com.au CREDITS Host: Claire Murphy Executive Producer: Taylah Strano  Audio Producer: Jacob Round Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

One of the film world's most beloved performer, he has worked with groundbreaking directors including Martin Scorsese, Tony Scott, Antoine Fuqua, Steven Zaillian, and Clint Eastwood. Paul's recent work includes The Irishman opposite Al Pacino, Plane with Gerard Butler, and Emancipation opposite Will Smith. His other feature credits include starring alongside Samuel L. Jackson in The Banker, with Kevin Hart and Will Ferrell in Get Hard, Robert DeNiro and Sylvester Stallone in Grudge Match, along with classics like Tombstone and True Romance further showcase his timeless appeal. In television, Paul Ben-Victor has played a number of roles that have left a lasting cultural impact in many highly acclaimed series, including his portrayal of studio head Alan Gray in HBO's Entourage and appearing opposite Matthew McConaughey in the award-winning True Detective. Most recently, he was in Pam & Tommy with Lily James and Sebastian Stan and can next be seen in significant roles in the new Kristen Bell show for Netflix, the Lincoln Lawyer for Netflix, Raising Kanan for Starz, Bookie for HBO Max and the international hit The Chosen for Lionsgate. His other television credits include Vinyl, In Plain Sight, John from Cincinnati, NYPD Blue, Will & Grace, The Mick, Everybody Hates Chris, Preacher, and Goliath among many others.

¡Vótame en los Premios iVoox 2024! Repaso a la BSO de la cinta Mamma Mia: Una y otra vez, secuela directa del éxito de Mamma mia (2008), donde escucharás los mejores temas de esta fantástica película, interpretada por Amanda Seyfried, Lily James, Julie Waters, Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgard, Cher, Andy Garcia, entre otros. Con música de ABBA. ABBA, el gran grupo sueco aparecido en los años 70, renacido con su último disco "Voyage". Con su musical que sigue triunfando y dos películas en su haber. Es la escusa perfecta para hablar sobre todo de la bso de esta película. Míticos temas de este grupo que no te puedes perder. Extenso programa con prácticamente toda la banda sonora de la película, con gran contenido de información adicional, curiosidades, anécdotas y grandes noticias para el futuro de la banda y la saga cinematográfica. INFORMACIÓN ADICIONAL: Si estás interesado te informo que hemos lanzado nuestro primer libro, AISLADOS EN EL CINE, por Pepe Dana y Javier Pérez-vico, un libro de Terra ignota, que puedes comprar el librerías y de forma online, pero sobre todo a través de: https://www.riffraff.es/producto/aislados-en-el-cine/ + info: https://masqcine.com/aislados-en-el-cine/

In which the Mister joins me in reviewing THE IRON CLAW (2023), from writer/director Sean Durkin.  Based on the true story of the Von Erich wrestling dynasty, the film is told from the viewpoint of Kevin Von Erich (Zac Efron) and weaves the tale of how this Texas-based wrestling family's legacy is marked by both incredible success in the ring and tragic personal struggles, offering a raw and honest portrayal of the human cost of fame and fortune.  Rounding out the cast is Jeremy Allen White as Kerry, Harris Dickinson as David, Stanley Simons as Mike, Maura Tierney as Doris, their mother, Lily James as Pam and Holt McCallany as Fritz their father.  The film has a run time of 2 h and 12 m, is rated R.  It is streaming on Max and is to buy/rent on Prime Video.  Please note there are SPOILERS in this review. #TheIronClaw  #SeanDurkin  #HoltMcCallany  #Fritz  #ZacEfron  #Kevin  #JeremyAllenWhite  #Kerry  #HarrisDickinson  #David  #StanleySimons  #Mike  #MauraTierney  #Doris  #LilyJames  #Pam  @StreamOnMax  @PrimeVideo  #FridayFamilyFilmNight   Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library --- Support this podcast: https://podcasters.spotify.com/pod/show/jokagoge/support

Episode 72 features editor Jamie Kirkpatrick, ACE and assistant editor Amanda K. Romero (a former student of the Hollywood Editing Mentor program), discussing their work on the feature film Greedy People, directed by Potsy Ponciroli and starring Himesh Patel, Joseph Gordon-Levitt, and Lily James.In this insightful conversation, Jamie and Amanda share valuable advice for aspiring editors and assistants in the film industry. They discuss strategies for assistant editors to gain cutting opportunities, effective ways to network with established editors, and methods for building confidence when faced with career-defining moments.The episode looks at the creative process behind Greedy People, exploring how Jamie prepared to work on the project and how he balanced the film's varying tones during the edit. Listeners will gain insights into the use of Adobe Premiere for feature film editing and learn about the importance of communicating goals.Jamie and Amanda offer practical tips on standing out in the competitive post-production landscape and provide guidance for those looking to break into feature film editing. This episode is packed with actionable advice for editors at all career stages, making it a must-listen for anyone aspiring to succeed in Hollywood's editing rooms.Check out our free content and other resources! >>> SUBSCRIBE and leave a 5-star review on Apple Podcasts! >>>Original Music: "Apollo's Haze" and "Do You Want" by JesusdapnkFacebook: www.fb.com/jesusdapnkSoundcloud: www.soundcloud.com/jesusdapnkInstagram: @jesusdapnk

Erik Childress and Steve Prokopy have eight movie reviews for you including two from their fest coverage the past year. Jason Schwartzman and Carol Kane star in a Sundance fave (Between the Temples) and a game of cat-and-mouse between a serial killer and their prey that debuted at Fantastic Fest in 2023 (Strange Darling). Also on tap are three lifelong friends and the hardships they endure over a lifetime (The Supremes At Earl's All-You-Can Eat) while a small town turns to crime over a pile of money (Greedy People). The Adams Family is back with their latest horror offering (Hell Hole) while John Woo remakes one of his all-time classics (The Killer) and Bill Skarsgard steps into the role made infamous by Brandon Lee (The Crow). Finally, Zoe Kravitz makes her directorial debut with an island party that some will want to forget (Blink Twice).  0:00 - Intro 1:27 - Between the Temples 11:00 - Strange Darling 21:28 – The Supremes At Earl's All-You-Can Eat 31:48 - Greedy People 44:01 - Hell Hole 53:49 – The Killer 1:05:42 – The Crow 1:19:00 - Blink Twice 1:33:30 - Outro

Travis Hopson of Punch Drunk Critics reviews GREEDY PEOPLE starring Himesh Patel, Jordan-Levitt, and Lily James!In this darkly comedic crime thriller, rookie cop Will (Himesh Patel) and his rogue partner Terry (Joseph Gordon-Levitt) upend their small island town when they accidentally discover one million dollars at a crime scene (of their own making). After the duo unwisely decides to steal the money, the community's quirky residents are lured into the mad dash for cash — ranging from an expectant mom (Lily James) to a masseur (Simon Rex) to a shrimp company owner (Tim Blake Nelson) — and everyone learns just how far they are willing to go for the almighty dollar.GREEDY PEOPLE is in theaters now.All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter:   / pdcmovies  Follow Punch Drunk Critics on Facebook:   / pdcmovies  You can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#GreedyPeople #josephgordonlevitt #LilyJames

Deadpool & Wolverine is a win on so many levels. Fan service is absolutely unmatched, Hugh Jackman returns to the MCU for the foreseeable future, and the film absolutely wonderful moments.  There is probably too much talking by Deadpool BUT that is easily tolerable for this.  Let's have a few more wins, Marvel.  Please? 0:20:51 - Box Office and upcoming releases. 0:21:15 *** What's Streaming  *** AMAZON THE COMPANY MEN, Dir. John Wells - Ben Affleck, Tommy Lee Jones, Chris Cooper, 2010. SAVING PRIVATE RYAN, Dir. Steven Spielberg – Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns, Barry Pepper, Adam Goldberg, Vin Diesel, Giovanni Ribisi, Ted Danson 1998. ROCKY IV, Dir. Sylvester Stallone – Sylvester Stallone, Burt Young, Carl Weathers, Dolph Lundgren, 1985. 0:28:30 - Trailers:  GREEDY PEOPLE – Joseph Gordon-Levitt, Lily James, Traci Lords, Tim Blake Nelson, Joey Lauren Adams, Himesh Patel, Uzo Aduba, Jim Gaffigan, Feature. THE LORD OF THE RINGS: THE RINGS OF POWER, S2 – Morfydd Clark, Ismael Cruz Cordova, Charlie Vickers, Markella Kavenagh, Robert Aramayo, Episodic. HIS THREE DAUGHTERS – Elizabeth Olsen, Natasha Lyonne, Carrie Coon, Feature.   0:36:15 - DEADPOOL & WOLVERINE, Dir. Shawn Levy  ( Grayson 7 / Roger 8 / Chris 9 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also hosted by Christopher Boughan.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

VRT NWS-journaalanker Riadh Bahri is een overdreven nostalgicus, dus hij blijft vooral fan van de oude, handgetekende Disneyfilms. De grootste herinneringen heeft hij aan de VHS-collectie wanneer hij alleen thuis zat, een Disney On Ice-voorstelling met zijn zus en een trip naar Disneyland Parijs wanneer zijn andere zus terminaal ziek was. Als kind had hij evenwel grote nachtmerries van Ursula uit ‘The Little Mermaid'. Vandaag hebben we het over ‘Cinderella', waarvan zijn man Niels een handgetekende, originele prent uit de animatiefilm in bezit heeft. Riadh vindt Lady Tremaine veel enger in de tekenfilm dan in de vertolking door Cate Blanchett. Hij heeft ook moeite met de casting van acteurs die hij van elders kent, zoals Lily James uit ‘Downton Abbey' en Helena Bonham Carter uit de Harry Potter-films. We hebben het natuurlijk ook over de onnatuurlijke taille van die Lily James, over het schoentje dat toch niet past en de zin en onzin van glazen schoeisel. Maar we hebben het ook over de bobbel in de broek van de prins, trouwen in Birkenstocks en denken aan Martine Tanghe. Riadh introduceert me in de wereld van Cinderslut. En we verzinnen een nieuw genre: true crime-versies van Disneyverhalen.

2:25 - REVIEW - “The Iron Claw” (2023) - spoiler-free. At some point, and I won't say when, we do just devolve into “taking the piss” out of England. Apologies to England. Also, Lily James, if you're listening to this, I am divorced and I'm ready for our dream romance to begin. Finally we can be together. Why won't you reply to my letters? I know it's crazy, I know I constantly make fun of your country. I'm just an American cowboy who doesn't follow rules. I could be your wild stallion. Think about it. I'll wait for you.... Thanks for joining us! If you enjoy our show, PLEASE please tell your friends. Recommend us. That is how we grow. If you're interested in my writing, visit https://jconnor.substack.com/  ----- Executive Producers: Conner Dempsey • Dustin Weldon Theme Music by Dustin Weldon Produced & Engineered by Conner Dempsey Powered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere Pro Special Thanks to Anchor FM FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use. I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.  Non-profit, educational or personal use tips the balance in favor of fair use. --- ------------------------------------------------------------------------------------------------------

You may know today's guest, Whitney Wolfe Herd, as the youngest woman to take a company public, but before that, I've known her as my friend and peer from college at SMU. So today, while we certainly dig into the business side of things, I wanted to focus on topics that you haven't heard Whitney answer yet. Whitney Wolfe Herd is the founder and executive chair of Bumble, Inc., an online dating and networking app that changed the way people date, creating meaningful relationships & networks with women making the first move.Whitney and I discussed the important qualities of a successful entrepreneur, her genius marketing campaigns, what it was like to IPO, and how it feels to have Lily James play her in a movie. We also chat about how to find a healthy balance between the many facets of life, especially with a demanding professional life. Lastly, Whitney answers some fun questions from you, the audience!WE DISCUSS:- ( 4:34 ): Amber asks, “Did you think that you were always going to be an entrepreneur?”- ( 12:28 ): Amber asks about the strategies Whitney used to get her app in front of people.- ( 20:10 ): Amber asks about Whitney's experiences scaling Bumble and delegating the work.- ( 33:33 ): Amber asks Whitney what work-life balance means to her.- ( 45:27 ): Amber asks Whitney her thoughts on the new movie coming out about her.LTK for CreatorsLTK for BrandsLearn more about More To SayWatch on YouTubeShop Amber's LTKFollow Amber on InstagramConnect with Amber on LinkedInFollow Whitney on InstagramFollow Bumble on InstagramDownload the Bumble app Hosted on Acast. See acast.com/privacy for more information.

Its just Kevin and Lauren this week and they discuss Moulin Rouge (The Musical), Only Murders in the Building, The Iron Claw, Civil War, The Boys, and Ezra. Since last episode started off a hair dour, this one kicks off on Broadway with Lauren discussing the stage version of Moulin Rouge. She's not quite as taken with it as Kevin is with the original film, but it's a spectacle, if nothing else. Keeping it light for a little longer, Kevin discusses the Hulu original, Only Murders in the Building. He's only about 1/3 of the way through the entire series, but the Steve Martin/Martin Short/Selena Gomez joint is a fantastic and fun umrder mystery series. The show then takes a turn to the more serious with The Iron Claw. It's an emotional story of a family of professional wrestlers in the early 80's. The film features fantastic performances from Zach Effron, Jeremy Allen White, and Lily James. It's not the happiest of tales, but definitely worth all of the buzz it got. Sticking with the heavy topics, Kevin discusses Alex Garland's Civil War. His expectations set by the trailer were turned on their ear upon watching the film. It's much more a story about the toll war takes on those involved than it was about the war itself. It's an excellent film filled with brilliant performances by Kirsten Dunst, Cailee Spaeny and Wagner Moura. It's not as action packed as expected but it is well worth the watch. While not always a "positive" show, The Boys leads us from the darkness back to the light! Kevin discusses the latest season and the 3 episode debut. It doesn't reinvent the wheel this time around and feels a hair more stale than in the past, but it's still a great show if that's your jam. Lauren then finishes off the episode with an upbeat and heartfelt film, Ezra. Bobby Canavale plays a comedian who takes his autistic son on an unplanned (and unapproved) drive across the country. The film also starts Robert DeNiro and Canavale's real life wife, Rose Byrne. It's a story of love, growth and understanding and definitely worth taking in if you are looking for that feel good film to watch with the family. As always, thank you for watching. If you haven't already, don't forget to Like & Subscribe. We love new viewers! Also, leave us comments and let is know how we are doing and what we can be doing better. Enjoy the episode and have a great week! Facebook: @apncpodcast Twitter: @APNCPodcast Instagram: AllPopNoCulture

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden, CEO of Rubber Cheese.Fill in the Rubber Cheese 2024 Visitor Attraction Website Survey - the annual benchmark statistics for the attractions sector.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcast.Competition ends on 3rd July 2024. The winner will be contacted via Twitter. Show references:Lego House in BillundSutton Hoo (National Trust)Sutton Hoo at the British MuseumThe Dig on NetflixSutton Hoo mask on Lego IdeasThe Dig: Lego version of Sutton Hoo treasure 'amazing' (BBC News)Events at The Hold IpswitchAndrew Webb is a LEGO enthusiast who uses bricks in outreach programmes for teams and organisations as diverse at Arm, Pinset Mason, The National Trust, English Heritage, and the Scouts. During the UK's second Lockdown in early 2021, He made the 1500 year old Sutton Hoo Helmet out of LEGO bricks and submitted it to LEGO Ideas. The build achieved international media coverage, and has since been donated to the National Trust. Andrew continues to help attractions and institutions with LEGO programmes. By day, he works as a global head of content marketing for a B2B tech company. Find out more at http://teambuildingwithbricks.com Transcription:  Paul Marden: Welcome to Skip the Queue, a podcast for people working in and working with Mister attractions. I'm your host, Paul Marden. Today I'm talking to Andrew Webb. By day, Andrew is a content marketer for a tech firm, but in his spare time helps attractions to use Lego as a tool to attract and engage diverse audiences and enable them to interpret history and culture. We're going to talk about what it means to be an building, a model of anglo saxon helmet, and the 24 skills that are used when building with Lego. Paul Marden: So welcome to the podcast. Andrew Webb: Thank you. Paul Marden: On Skip the Queue, we always start with some icebreaker questions that you know nothing about. So let's launch into a couple of those. Book and a pool or museums and galleries for your city break. Andrew Webb: Museum and galleries.Paul Marden: Yeah. I'd expect nothing less given what we're about to talk about. This is one from one of my colleagues, actually, who is really good at icebreakers whenever we do a team building eventually. So he said, “Would you rather have it and lose it or never have it at all?”Andrew Webb: Oh, gosh, I'll have it and lose it for sure. Paul Marden: Yeah, gotta be. That one's from miles. Say thank you, Myles. That was a cracker. Andrew Webb: Do you remember the word there was a great one. Would you rather eat ten donuts or raw onion? Paul Marden: Oh, ten donuts, hand down. I could easily do that. Andrew Webb: I'd get onion. I'd get onion. Every time I would take an onion over ten donuts. I'd be sick after ten donuts. Paul Marden: Oh, no, I reckon I could take that. No problem. Andrew Webb: Okay. Paul Marden: Okay. So we're going to talk a little bit about your adventures in Lego over the last few years. So why don't we kick off and talk a little bit about your original interest in Lego? Because I know it goes back not a long way, because that would be rude. But it goes back to a few years ago, doesn't it? Andrew Webb: It does. I mean, like most people growing up in what we might loosely term the west, I had like, I was a kid, you know, I think most of us grew up with it like that. And then like, you know, growing up in that first age of plastics with Heman, Transformers, Lego, Star wars, all of that sort of stuff. Paul Marden: You're just describing my childhood. Andrew Webb: It's funny because that was. It was all sort of ephemeral, right? I mean, the idea was that the reason why that boom happened, just to dwell on why they're going plastic things. Before that, toys were made out of either tin or wood. So, you know, they were very labour intensive produce there's certainly injection moulding comes along and we could just have anything coupled with the tv shows and the films and all this sort of stuff. So we all grew up in this sort of first age of disposable plastic, and then it all just gets passed down as kids grow up. It gets given away, gets put in the loft and forgotten about. There's a moment when a return of the Jedi bedspread doesn't look cool anymore, right? You hit about 13, 14 and you're like, “Mom, I really want some regular stuff there.”Andrew Webb: So like everybody, you know, I gave it all away, sold it and whatever, but I kept onto my lego and then fast forward, you know, I become a parent and Lego starts to come back into my life. So I'm sort of at a stage where I'm working for a travel startup and I get a press release to go to the Lego House, which if no one has heard about it, where have you been? But also it is a fantastic home of the brick, which Lego built in, opened in 2016. And it is a phenomenal temple to Lego. Not in terms of like a Legoland style approach with rides and things like that, but it's all about the brick and activities that you can do in a brick. Andrew Webb: There is great pools and huge pits of Lego to play with there, as well as displays and all this sort of stuff. They've actually got a Lego duplo waterfall.Paul Marden: Really? Andrew Webb:  Oh, I mean, it's a fantastic attraction. And the way they've done it is just incredible. So they blend a lot of digital things. So if you make a small fish and insert it into this thing, it appears in the tank and swims around and this sort of stuff and the way you can imprint your designs on things. I should just quickly tell you about the cafeteria there as well, just really quickly. So the cafeteria at the Lego House, everyone gets a little bag of Lego and then whatever you build and insert into this sort of iPad sort of slots type thing, and that's what you're. Andrew Webb: So a pink brick might be salmon, a yellow brick might be chicken, whatever, and you put it all in and it recognises it all and then it comes down a giant conveyor belt in a Lego. Giant Lego box and is handed to you by robots. I mean, mind blowing stuff. This is not like with a tray at the National Trust place or somewhere like that for us to come. It is a technological marvel. Absolutely fascinating. So, of course, on the day went, it was a press preview, so there was no canteen workers, so there was no food in the box when me and my daughter, so went without that data, was a bit disappointed. Andrew Webb: But that started that whole reappreciation of Lego, both as a toy to play with my daughter, but also as a way of using Lego in different ways. And that manifests itself in lots of different things. So currently, now, you know, fast forward a little bit. I use Lego for team building exercises, for workshops, for problem solving with organisations, and also just for having fun with adult groups as well as kids. And I think one of the biggest things we've seen since this kind of started around 2000s with the sort of adults reading Harry Potter, do you remember that was like, why are you reading this children's book type of thing? Paul Marden: Yeah. Andrew Webb: And then all the prequel Star wars films came out and Lego made sets about both those two things. And it kind of. I mean, Bionicle saved the company, as only AFOL will know, but it started that whole merchandising thing and adding Lego into that firmament of IP. Right. And we fast forward now, and it's Marvel and Star wars and everything. Paul Marden: You just said AFOL. I know what an AFOL is, but many of our listeners may not know what AFOL is.Andrew Webb: Just to go for acronyms here. So an AFOL is an Adult Fan of Lego. And we've seen actually Lego in the past five years, even earlier. I mean, Lego always had an adult element to it. And one of the original founders used to use it for designing his own house. And there was a whole architectural system called Molodux. So it's always had that element to it. But just recently we've seen, you know, almost retro sets. So we see the Lego Atari 2600 video game system from 1976, which, yeah. Paul Marden: An original NES wasn't there. Andrew Webb: Exactly. NES that's come out. I've got a Lego Optimus prime back here for transformers, you know, all that kind of stuff. So with what's been really interesting is this kidault or whatever, however, call it. And I think that's really fascinating, because if we think about Lego as a toy, we are rapidly approaching the age where we might have three generations of people that have grown up with Lego. Lego first came around in the very late ‘60s, early '70s. And so it's not inconceivable that you might have three generations that had Lego as a child, especially if you grew up in Denmark. A little bit different when it would come to the rest of Europe as they expanded out. So I get to this point, and I'm getting into Lego and doing all this sort of stuff. Andrew Webb: And then, of course, COVID happens and then lockdown happens and we all think the world's going to end and no one knows. Everyone's looking for hobbies, aren't they? They say you were either hunk, drunk or chunk after lockdown. You either got fit, got fat or got alcoholic. So try to avoid those three things. And, you know, everyone's looking for stuff to do, so you have so much banana bread you can bake. And so I stupidly, with my daughter's help, decided to make the Lego Sutton Hoo helmet, the 1500 year old Sutton Hoo helmet found at Sutton Hoo in Suffolk, now in the British Museum. Out of Lego, as you do. Paul Marden: I mean, just exactly. Just as you do. So just a slight segue. I was at the National Attractions Marketing Conference yesterday and there were two people presenting who both talked about their experiences of wacky things that they did during lockdown. There was one person that opened a theatre in her back garden and had various different stars just randomly turn up in her backyard up in North Yorkshire. And you choose to build a Lego Sutton Hoo helmet.Andrew Webb: Lockdown, there will be a time, I think, as we look back, tragic though it was, and, you know, a lot of people died, but it was that moment when society sort of shuffled around a bit and people sort of thought, “Well, if I don't do it now, why not?” People were launching bakeries in their kitchens and serving their community and like. And that element of it. And so people have that. The good side of that, I suppose, is that people did find new outlets of creativity. And Joe Wick's yoga class is in their front row walking groups, you know, all this sort of stuff and beating beaten horsemans and learning to play the violin and dust and stuff. Suddenly we all had to find hobbies because we're all just in. Andrew Webb: No one was going to restaurants, no one's going to bars, no one's going to gigs, nightclubs, theatres. We like to make entertainment at home. It was like the middle ages. So I decided to build the Lego Sutton Hoo helmet, as you do. And so I start this in lockdown, and then, like, I get wind that Netflix is making a film called The Dig. And The Dig is all about, I think it's Lily James and Ray Fiennes in it, and it's all those other people. And it's all about when they found theSutton Hoo helmet. And the guy who found it was called Basil Brown, and he was asked by Edith Pretty, who owned the land, to excavate these humps in the ground that were on her estate. Paul Marden: Okay, so she owns this big estate, in Suffolk, right? And, so she can clearly see there's burial mounds in the back garden, but doesn't know what's in them. Doesn't have any clue that there's treasure locked up inside this. Andrew Webb: I'm not even sure she knew there were anglo saxon burial maps since it was. Paul Marden: They were just lumps of ground in the garden. Andrew Webb: Yeah. I mean, she may have had inkling and other stuff I've turned up over the years and whatever. And some of them were robbed sort of georgian times around then. So some people knew what they were and they were somewhere excavated and gold was taken to fund the polynomial wars and whatnot. But she asked Basil Branson, he was like an amateur archaeologist, right? And so he was just like this local guy would cycle over and do. And the film goes into all that, and the film kind of portrays it as working class. Basil Brown should know his place against the sort of British Museum who are sort of the baddies in this film who think they know what. And of course, this is all set against the backdrop of war. So they escalated it all, then they had to rebury it. Andrew Webb: And then it was used as a tank training ground, so lots of tanks rolled over it. So it's a miracle anything was ever found. But when he did find the Sutton Hoo, who told me and a bunch of other things, clasp brooches, shields, weapons and whatever, when he did find it, so people think it kind of popped out the ground as a helmet, but it didn't. And if you look at the photos, it came out the ground in hundreds of pieces. Paul Marden: Oh, really? So you look at this reconstructed mask that's now in the British Museum, and you think, “Oh, so they just found that in one piece,” lifted out as if it was a Lego hat, you know, for a minifig. In one piece? No, not at all. Andrew Webb: It was actually more like a big parlour Lego in the fact that it was just in hundreds of thousands of pieces. And so there was the first guy to have a go at it was an elderly architect at the British Museum who was, I think, blind in one eye. And he had a go at putting it all together. And he used an armature and clay and pins and whatever, put it all together and said, “Yes, I think it was this.” And then actually it wasn't. He got it all wrong. Lots of different pieces after some more research, and then it falls to this. Nigel Williams is another sub architect, and he was famous for. Andrew Webb: There was a famous Portland vase that was broken in a museum by someone pushing it over as a sort of what you might call, like a just stop oil type of protest now, I can't remember what the call was, but someone smashed an exhibit. And he had painstakingly pieced all this together. He was a total dapper dude. Three piece suit, Chelsea boots, proper swinging sixties, and he had to go and put it all together. His version is the one that's in the British Museum, but he was a massive jigsaw fan. And if you think about Lego, what it is a 3d jigsaw. You get a bunch of pieces and you have to make. Make it into a 3d sculpture. So that was one reason, the dig was the other reason. Andrew Webb: The third reason was that the relationship between East Anglia and essentially Denmark and Billand and Anglo Saxon and Jutland and all that area, I'm talking like Vikings and Anglo Saxons and invasions and all this kind of stuff against the native British, there is essentially a relationship between East Anglia, a trade relationship and a conquest relationship between them. So I built this thing and I frantically put it together and I'm late nights and just losing my marbles trying to get this thing to work. Because Lego is not designed to make, like, spherical shapes, necessarily. It's quite blocky. Right. Everyone knows this. It's the square. Paul Marden: Really easy to make a car, really easy to make a house. A spaceship. Andrew Webb: Houses. Brilliant. Yeah. Square stuff is fantastic. But baking, not only a sort of a semicircle, but a hemisphere, which is what essentially a helmet is. Is even harder because you have to get the Lego to bend in two directions. And so a lot of work went into that just to get the actual face piece came together quite easy. And there was once I had the scale of the pieces under the eyes that formed that sort of thing, and then I could build the nose and face. Ideally, it was going to be so that I could put it on my head. I've actually got a massive head. So in the end, I had to realign that and sort of make it into this sort of child sized head. Paul Marden: But it's a wearable thing, right? Andrew Webb: It is. It is wearable. I mean, at one point, it was probably more fragile than the one in the British Museum because it just kept dropping to pieces. So there's a lot of sub plates that are holding together the outer plate. So it's actually sort of. So just quick Lego terminology here. So bricks, obviously are bricks. The flat things with bubbles on are called plates and then the smoother ones are called tiles. Okay. And used a combination of these to create. There's also a technique called SNOT, which stands for Studs Not On Top. We love acronyms in the Lego community. Right? Paul Marden: Completely.Andrew Webb:  So if you say, “Oh, man, I'm an AFOL covered in SNOT,” people know what you want to know what you mean. So after a night in the tiles, I got covered. Yeah. Andrew Webb: Anyway, so I make the helmet, I make the thing, and then, you know, I get a lot of support from the National Trust, specifically East of England National Trust and Sutton, who site itself because it's there. It's their crown jewels. The British Museum, not so much, because they was like, we've got a billion exhibits here. No, it's just one of them. When you've got the Tippecar moon and the Rosetta stone, it kind of pales into significant. But actually, they were helpful. And one of the curators there, who was on Twitter, who sent me a link to some 3d photos, because if you. If you google it's all pictures at the front. That's fantastic. But what does the back look like? Paul Marden: Oh, right, okay. Andrew Webb: So actually, buried deep in the British Museum's website, in their research department, under a filing cabinet, in the back of a server somewhere, are some quite technical photographic images of it, turning every sort of 30 degrees so that. That it's documented as to what it looks. Because you got to remember that everything on the helmet is symbolic of various different things. There is symbols that mean there's a guy on a horse who's sort of fighting and all this sort of stuff. And it all has quite a lot of meaning. I can occur from different parts of history as well. So there's some sort of roman influencing things there and symbols. And so this whole thing is designed to be not only a battle helmet, but it is also because, remember, crowns haven't been invented yet. Crowns are a later mediaeval sort of invention. Andrew Webb: So this is both a symbol of authority, headwear, like a crown, but also a weapon or a piece of defensive armour and equipment. So it has several functions in its life. So it's quite a complex piece of equipment, that this symbol of authority. So I make all this and then I also submit it to a thing called Lego Ideas. So Lego Ideas is a fantastic programme where anybody in the world, members of the public, can submit Lego Ideas, right? And they go onto a website. There's certain criteria, they have to meet a certain checklist, but then the rest of the public can vote for them. So, I mean, if Taylor Swift just stuck together a load of blocks and said, “Vote for this,” she probably hit the 10,000 threshold instantly. Andrew Webb: But I'm not sure Lego would necessarily take that forward as a build. So there is a judging panel that. But actually, some of the most recent really fantastic sets have come out of Lego Ideas. Members of the public, and they're designing things that the Lego designers wouldn't have thought of themselves. So I think that's been kind of interesting. Sadly, Paul, we didn't make the 10,000 threshold. We did a lot of media coverage. By then, lockdown was over and were sort of getting back to our lives and all this sort of stuff. And my daughter was entering her dark ages. And so it sat in my studio for another sort of year and a half and I thought, “What am I going to do with this?” And so in the end, I thought, “Well, you know what? It's gathering dust here. I'm fed up with it, dustin it.”Andrew Webb: And so I actually approached Josh Ward at the National Trust at Sutton Hoo, who has been a fantastic advocate for Lego and for this particular project, and I have to thank him immensely for that. And they got some money and some funding to build a cabinet and also to house it. So I donated it to National Trust and it is now on display there as part of their firmament of interpretational trail. Paul Marden: That must feel pretty good fow you. Andrew Webb: Yeah, it is quite good looking in there and watching kids go, “Wow.” Because Lego is one of those things instantly recognisable for kids. But certain hill as a site is quite complex for children to contextualise because essentially it's several mounds in the ground. And the helmet itself is at the British Museum. Right. They've got a replica built by the royal armouries. There were several of those. They've got those. They have loads of dress up, they have great explainers and videos and they do a lot of work to show the size and shape and things as a cast iron sculpture, to represent the boat, to show just how big it was when it was pulled up from the sea, because he's buried in a boat. So do a lot of that work, sort of that sort of work as well. Andrew Webb: But having this extra funding in the. They opened up Edith's pretty's house now, and having this room where we've got some other things as well, like crayons and paper and other tools and drawings and colouring in and Lego and big chest of Lego just helps, particularly smaller children who, by the time they've walked from the car park around the site, and it has probably flagged it a little bit. And so just providing that little support for them, it's been a fantastic way to contextualise and another way to interpret that. And I think more and more venues could look into that. When you think, well, how else can we add stuff, particularly for children to help tell the story of this place? Paul Marden: Yeah, absolutely. Absolutely. We went to. It was half term last week and went to the City Museum in Winchester. So they've got some mediaeval, they've got some Roman finds there, and there was lots of fun, but they had. It was full of lots of ways for kids to engage, so there was trails to go around, there was colouring in, make your own mediaeval shield. And all of these things are ways that, you know, my ten year old could engage with it because there's only so many glass cabinets of stuff dug up from the ground that she actually wants to look at. Andrew Webb: I mean, I love. I love pit rivers, right, in Oxford, my favourite museum. Paul Marden: It's crazy, isn't it? I love it. Andrew Webb: But basically, he just went around the world nicking stuff. Right, but as a collection of objects, It's fantastic. Paul Marden: It's deeply unnerving. Andrew Webb: Sorry, sorry if any pit rivers curators are listening there, nick, and stuff about it, but, it is my favourite museum because it's just for kids. It's probably really kind of like, how do you tell that story? I also think there was an article in the garden recently that, you know, the cost of living crisis as well. Parents are looking for value solutions now and so I think it wasn't Peppa Pig World, it was Paddington World. And a family ticket is 170 pounds. That is a huge dent in the family finances for a 70 minutes experience. If you are watching the pennies, if you can afford that and save up for it, whatever. And I know these things are, you know, memory making and all that sort of stuff, and I've been to Harry Potter with my daughter. Andrew Webb: That is not cheap, but it's a fantastic day out because once you're in, you spend the whole day there. If you take a packed lunch, you can save a lot of money on that, on the thing. But I suppose what I'm saying is that, you know, our museums and galleries, particularly traditionally, the what you might call free spaces, public spaces, are facing unprecedented demand in terms of parents looking for cost effective value days out, as well as funding being cut from central government and that sort of. So they have to do a huge amount with less and less for a bigger audience. And that is a strain on any institution and things like that. Other examples of places that get this. Andrew Webb: So obviously with the Sutton Hoo helmet, the hold in Ipswich, which is Suffolk Council's kind of flagship museum in the county town of Ipswich, but instead of calling it, you know, the Museum of Suffolk, they've called it The Hold, which is a reference to the fact it's on, I think it's either because it's on the shore or it's doing sheep, I'm not sure anyway. But a fantastic space, contemporary modern space  had a Lego exhibition a few years ago, borrowed my helmet, had some Lego exhibition stuff to do. And the good thing about that is when these teams have to do quite a lot of comms marketing and, you know, that has a cost as well, but often you see different demographics than perhaps would normally go to a stones and bones museum, if you know what I mean. Right. Andrew Webb: You'll see that it makes it more accessible to the community and to different people who don't like going and looking at the Magna Carta or whatever. For some kids, a day at the British Library is fantastic. Look at all these old books for more, maybe more boisterous children. That's probably not a really great idea. So I think galleries can take a leaf out of this and think, or museums or any institution really can take a leap out of this and think, “How can we do more for less? And what tools can we have that perhaps we haven't considered before, like Lego, as a way to open up our interpretation and our offering?” So this could work in Museum of Docklands, for example. This could work in the royal armouries. Andrew Webb: There's lots of places where if you looking to improve your children's offering that some form of lego, I mean, it ends up all over the floor, it ends up being taken away. Sometimes you've got to watch out for things like that. But that's why I always recommend, like, just the basic blocks and plates, not minifigures and stuff like that, because, you know, they just end up in kids' pockets and trousers. But I do think it is a fantastic tool for developing that interpretation piece. Paul Marden: So I run a coding club using Lego. Okay. So I work with years four, five and six, typically. And we normally start off by the end of two terms, we will be building robotics, programming things, doing amazing things. But we start at the very beginning with just open up a box, and it is amazing what a bunch of seven, eight and nine year olds can do with a two by four red brick just given bricks. Yeah. And they will build amazing things. Yeah. And they will tell you amazing stories. And you also see real diversity in the behaviours of children, because some children, in that free play context, they do not have the skills to do that. And I had one girl recently who hasn't played with Lego, and free play just blew her mind, and she was in tears because she couldn't embrace the creativity of it.Paul Marden: But then the following week, when we were following instructions, she was great at building from a set of instructions, You can do that from a limited palette and give them a mission. Sutton Hoo, build a, I don't know, a sword, build a shield, build something to interpret what you have seen. You're in the transport museum. Build, build. How did you get to the museum this morning? Give them something to do and then let them go. And half an hour later, you will be amazed by what they will have built. Andrew Webb: I actually did something this at the National Archives down in Kew, where they had a kids exhibition. Well, an exhibition in the summer about wacky inventions, because obviously the National Archives holds the patents for all these things, and they've got things like Victorian top hats with umbrellas in, and, you know, all this kind of crazy Heath Robinson style stuff that, you know, forks with four sets of tines, so you can eat four times as much. It just bonkers. Really interesting things. The curators had gone through and found this wacky world, sort of. What's his name? The guy that illustrates Roald Dahl. They got illustrations and all that. Paul Marden: Quentin Blake. Andrew Webb: Yeah, Quentin Blake, yeah. So they had this Quentin Blake sort of stuff, and, like, there was activities. And I came down for some special stuff because they had the first Lego brick patent in the UK. When it was first launched in the UK, 1963, I think it was. That's when they filed the patent. Paul Marden: And I bet. So that patent would be exactly the same as a two by four brick, now, won't it? Andrew Webb: The patent was for a one by four brick. Isometrically dawn. Just three diets. Just three views with what? It was a construction toy. And then the page. Sorry. And the address was just Railway Station Billund.  There wasn't like, just all the mail just went to the railway station in Billund just addressed for attention of Lego. And it's only like. I mean, it's not even a sheet of A4, It's a piece like this. And after it is something like a lamp that won't blow out on a thing, and before it's like some special kind of horse comb, but it's kind of this bonkers catalogue of just these things. But again, it was about, “Right. We did some work. The curators and interpreters looked, you know, had kids analyse the painting to think, what could it be? And look at the dates and structure. Look at that.” Andrew Webb: And then I came out and, like, did some Lego. So we did things like, who can build the longest bridge? Who can build the tallest tower out of a single colour? Those sorts of exercises. But then also the free play was build your own wacky invention. And kids are building automatically dog washers, where the dog ran on a thing and it scrubbed its back. And one kid built something that was like a thing for removing getting pips out of apples. It was just like this sort of like this crazy little tool. They like some sort of problem that he had. Andrew Webb: And I think what this also speaks to is developing those stem skills in children and adults and building that engineering, because I've also ran Lego workshops with explorers who I used to, I thought were between Cubs and scouts, but are actually after scouts. So I did this in my local town, here in Saffron Walden, and was like, “Oh, my God, these kids are like, 15, 16. They're not going to want to play Lego. Some of them are in my daughter's year at school, so. Hello, Amy.” And it was really interesting because we did a series of challenges with them. So the egg drop challenge, can you protect an egg and drop it from the floor? And can you build this and work together? Another good one is looker, runner, builder. Andrew Webb: So you give everybody two sets of the same bricks, and one person is the looker, one person is the runner, one person is the builder. So the looker can't touch, but he can tell the runner. The runner can't look at the model, he can only tell the builder, and the builder can't speak back. And so this is a really useful exercise. And I've done this with teams where, because this is exactly what businesses see, engineering will build a product. Sales or their marketing are like, what the hell is, you know, or whatever it might be. Paul Marden: It's that. It's that classic cartoon of a Swing, yeah. Andrew Webb: Yeah. So it's that, you know, this is what the brief said. Engineering interpreter does this. Marketing saw it. So it's a great tool for things like that. Especially when you put people like the C Suite or CEO's or leaders at the end, because all they're getting is the information and it. It's there and it's how to build communications. Because in life, the fluctuations reverse. A CEO says, “Let's do this.” And by the time it's cascaded down to engineering, who don't get a say, it's not at all what he imagined so, or they imagined so, it's. It's an interesting case of using tools like that. So I did that with these kids and it was fascinating because they're 14, 15, 16.Andrew Webb: A group of three girls won two out of the three challenges and probably could have won a third one if I felt that I couldn't award it to them again because it would just look weird. And they were smashing the looker runner builder thing. They were working together as a team, they were concentrating, they were solving problems, they were being creative, they took some time to prototype, they refined and iterated their design. They were doing all this sort of work. And it's brilliant because 15 year old girls don't often take engineering related STEM subjects at GCSE. Certainly, probably don't take them at a level and more than enough. And I think that I once interviewed Eben Upton, who invented Raspberry Pi, and he said, “We think about the eighties as this sort of like golden age of computing, but actually it was terrible. It was terrible for diversity, it was terrible for inclusion.“Andrew Webb: And he said, “Like growing up, there was one other kid in his town that had a computer, you know, so there was no sort of way to sort of getting other people involved and make this accessible.” And part of the reason now computers have got smaller. Some of the work I did at Pytop was like trying to make technology more accessible and seeing it not just video games and things like that, but actually I can use this in a fashion show, or I can make music, or I can use this to power some lights to do a theatre production, and trying to bring the, I guess, the creative arts into technology. And that's when we start to see the interest application of technology. Andrew Webb: And Lego plays a part in that, in the fact that it is a tool, a rapid prototyping tool that everybody is familiar with. And it is also, you know, clean, safe. There's no, you don't need blow torches and saws and those sorts of things to kind of prototype anything. You don't even need a pair of scissors, you know, it's completely tool free, unless you're using that little mini separator to get your bricks apart. And so I think that just circle back on, like, how the Science Museum or what's the one down there? Isabel Kingdom Brunel Museum and things like that. I can see those guys could be and should be thinking about, “How could we have a Lego programme?“Andrew Webb: You don't have to have a permanent deployment like they've got at Sutton Hoo although that is great because they've got the mast there as the head piece of it. But certainly a programme of events or summer camps or summer events, because I did this with English Heritage at Kenilworth Castle as well. They were having, like, a big Lego build and the public were invited in 15-minute shifts into a big marquee and everyone got given a tile. And the idea was to build the gardens because the gardens at Kenilworth Castle were laid out to impress Elizabeth the first. And so everybody got there was like bunches of stuff and regular bricks, also flowers and this sort of stuff. And it was like, “Come on, we've got to build something to impress a queen.” Andrew Webb: He said to kids, like, “Yeah, you've got to impress. Bling it up, like, dial it to ten.” And were just getting these enormous, like, avatar sized trees with just incredible bits hanging off it. And like, “There she has a teapot because she might want a cup of tea.” And you're like, “Brilliant, excellent. Of course she does.”  And so I think that. And then they moved through. Some of the Legos were selected to be displayed and things like that. So there's different ways you can do it. You can either do it as like. And I'm a big fan of the drop in sessions because kids and parents can just naturally build it into their day rather than the pre built. My child was. We were rubbish at, like, organising things. Andrew Webb: People like, “Oh, great. Half term, it's a chocolate thing, sold out ". And you're like, yeah, because there's 30 spaces for three and a half thousand kids who want to do it. Whereas if it's like a walkthrough or a. In groups phase through and then the activity, small kids kind of conk out after about 20 minutes, half an hour anyway. You get much more people through and much more people get to enjoy the experience rather than the 30 organised people who got up early and booked. So that's my other top tip to any institution, because it's heavily weather dependent as well. Sun comes out, everyone piles pass into the nearest sort of stately home, national attraction. All of those places can definitely benefit English Heritage. Did a really big push this half term, just gone on Lego at several events. Andrew Webb: We had one here at Audley End, there was one at Kenilworth that I was at. There's been pairs of the ones all around the country, because again, you just need a marquee, which most venues have access to because they use them for other things or some sort of space in case it rains. And you just see someone like me and a whole massive tub of Lego and you're off to the races. Paul Marden: Exactly. So we were talking about this at the conference yesterday about ways in which. So for many attractions, people turning up is a literal flip of a coin. Is the weather good or is the weather bad? What can you do to adapt your attraction to be able to deal with when it's bad? And then what can you do to bring people when you have made that adaptation? So, you know, you've now got a marquee and you have a Lego exhibit that you can put into there. So it's just dumping a pile of Lego and a bunch of well trained volunteers or visitor experienced people who can facilitate that, police it, little Johnny sticking minifigs in his pocket. Paul Marden: And then you turn on your Google Adwords and show that you've got this, you know, bad weather reason to go to a stately home that my daughter would turn her nose up to all of a sudden, “Okay, we're going to go and do that. We're going to go and have afternoon tea and you're going to go and play with some Lego and see some animals, maybe.” Yeah, what can you do to attract that extra audience and adapt to the bad weather and service different sorts of people? Andrew Webb: I think that comes down to a bear in mind. I convert some of my Lego lens rather than a venue lens. But I think speaking as a parent and someone who does this is you need a reason to go back to somewhere that you already know. Okay, so you go to Stonehenge, you go and look at the stones, you go, “Wow.” You look at the visitor centre and then it's ticked off. I mean, you see busloads of tourists. Stonehenge is at Cambridge, maybe, or Oxford people, when people do England, Lambeth, Heathrow, London Crown Jewels, Tower Bridge, West End, day trip out on a coach to Stonehenge, maybe to Cambridge, and that's it, off to Paris. Right? So parents like British people like that too. Like why go to Stonehenge four times a year? Or why go to any venue when you're familiar with it? Andrew Webb: It's always about offering something new and something different. Audley End up near where I live, I think, is English Heritage. All through July, every Sunday, they're just doing music. So there's a string quartet or someone with a harp or maybe someone with a guitar or whatever. And you've got a book, but it's. It's not like there's 30 places and it's a bonfight. It's just like, “Oh, wow, they've done something different.” They do a really great thing. Like, they do victorian falconry, for example. So they get someone in who talks about how Victorians use falconry for hunting as a sport, but also for the kitchen table, and they're flying falcons around and doing the whole bit of meat on a string and all this sort of stuff. And everyone, like, “They do a world war two one.”Andrew Webb: I mean, the editorial calendar for any venue's got to look like, “Go and make Christmas food. January, we're closed to kind of dust and clean everything. Valentine's Day, chocolate make you put. It's daffodils”, it's whatever it might be. And then you just build that. Build that programme in and you need. This is why I think that venues now, again, I'll just come back to that. You talk about AdWords, but that, again, is more spend. It's like, how'd you build that mail list? How do you drop into the local Facebook groups and Mumsnet and all that kind of stuff? You know, that's where you can do it organically rather than. Because people don't sit in front of Google necessarily, or think, like, what should we do? Paul Marden: You sit on the sofa on a Thursday night trying to figure out what on earth are we going to do this weekend? Yeah, so you're completely right. The mum's net, the content marketing, is hugely important, isn't it? Andrew Webb: Which is my job. But also it's kind of like how can institutions become part of that? When I say community, if you think about most people travel a thin hour to go somewhere. I mean, people go further afield, you know, but. But basically it's like, what? My mom turns, like, a tea and a pee. So you've got to go somewhere. You've got to have a cup of tea, visit the loos. It's all about tea. It's all about canteens and loos, basically. You could have a World Heritage Site, UNESCO World Heritage site. And it's like, how good's the caf? And are the toilets clean? Yeah, that's what people remember. Gar went hens at dawn. I was awed by the majestic. But that Looney D cleaning, you know, it's not good. It's all that people come home with. Andrew Webb: So, you know, institutions go into place that they are trying to offer different things. Like late nights. We've talked about that. How can we use this space after hours? Because if you think about it, if your institution's open 10 till 6, most people are at work five days a week, you're gonna have students and pensioners who are gonna be not great spenders, either of those two groups. So, late nights, I went to a great one in the National Gallery when the James Bond film. I was kind of sitting royale or whatever. He's still on the top of the National Gallery overlooking Trafalgar Square, and they've got the national dining rooms there and they had Vesper Martini, everyone got a cocktail. Andrew Webb: And then went to look at the fighting Temeraire, which is the bit where he's standing with Q, the new Q, who voices Paddington, whose name escapes me and gives him, like, a gun and a radio, but they're like the fighting Temeraire by Turner is this little thing. And so, you know, you've got to make hay out of that, right? You've got to sort of, like, do a late night, various ones. And so all it was a few cocktails in the cafe next door and are taught by the curator and stuff like that. But 30 people just looking for an experience. And so if venues are clever, of course, the dark side of this is when you get Willy Wonka world up in Scotland. Andrew Webb: Or interestingly, some of the Lego events that have been happening at NEC have caused a massive online backslash in the community for just being exceptionally bad value for money. And so you read about these things that people have said, “Come and visit Santa's grotto, and it's just a muddy field with a tree in it,” so you've got to be careful. But I think those events, those sort of fly by night kind of institutions, don't really work. But how galleries can leverage the creativity of what they're doing? Whether they are come and paint in our, you know, our local gallery, come and have an art class, come and do that. People are looking for stuff to do that is value for money. That isn't always drink lead, you know, it's not always cocktail making or things like that. Andrew Webb: And that comes with a whole heap of other things and dietary requirements for cookery courses and just clean up and the mess and all that kind of stuff. So I think that, yeah, canning organisations, the ones that can really think about that, and I'm happy to help organisations who want to think about this, especially through the life of Lego. They will be the ones that will start to add and build out and develop their. What you might term this whole sector needs a name. The kind of extracurricular offering, we might say, above and beyond their collection and then their traditional interpretation and if they're. Paul Marden: Thinking of doing this. So there's a good why. Yeah, the why is you can reach diverse audiences, helps people with interpretation. Andrew Webb: Quite cheap. Paul Marden: Yeah, absolutely. It's a cheap way of extending your offering and diversifying what you do. You can bring in event elements to this, but how do they do it? Apart from engaging with somebody like you? And I'm going to guess there's not many people like you. So that's going to be a tricky thing for some people to do. But if they were starting from scratch, how would they go about doing this? You said earlier, “Don't go mad with buying the bricks and spending a fortune on.”Andrew Webb: There are people like me that can do all this as well as myself. I think that the first thing is plan it. Plan what you need to do. You can't throw this stuff together. You might be looking at. Already the hold have been contacting me for a late night they're doing in September. They contacted me April. Paul Marden: Okay. Andrew Webb: Because if you're a creator, you're planning exhibitions, you are thinking on that long term cycle. Paul Marden: Yeah, completely. Andrew Webb: And so what you need to do is bake this in as part of that curational process or part of the interpretation of things at the start, rather than like, “Right, we're doing exhibit on Peter Rabbit, let's chuck in a load of fluffy bunnies or whatever.” You know, it's got to be. You've got to think about it and have it contextualised. I think the best things are. What success looks like is, first of all, you need a space. Now you can hire a marquee that comes with a cost. If you're a venue and you've got your own or you've got a hall or a stables or interpretational room or something like that, often spaces, specifically bigger ones, will have classroom spaces for school groups anyway. So that's often that can be where you can host these sorts of events. Kids are very familiar. Andrew Webb: The chairs are all small wall colour, you know, etc. Industrial strength carpet in case stuff gets built. So locations like where you're going to stage this? Paul Marden: Yeah. Andrew Webb: Secondly, I think you need to think about, what do we want people to do? What is the experience? What is the narrative piece? Because you can't just say, here's a big part of Lego. Kids will just build cars and houses, right? You know, they need context. You know, if you give a kid a sheet of paper, you could draw anything. They're like, well, what? And so you need to give them a mission almost. They need a task, I think. Also think about, as I said before, keeping the tasks around 20 minutes, because actually adding the time running out jeopardy element is quite fun for kids because they'll go, “Well, I've only got five minutes left.” And often that's when it all falls apart and then they have to iterate the design. Andrew Webb: So think about that kind of moving people through in 15 to 20 minutes cycles. We had kids at Kenilworth, that would go out the exit and just walk back around and come in the front like that. Like four or five times. One boy came in, he was loving it. So think about that. Think about how you're going to move people through the space. Think about what you need to envisage it. So the Kenilworth, for example, there was me hosting it from dawn toward dusk. We had another builder there who was helping take break it all down and put them against the model that we built. There were two members of staff who were letting people through, so just monitoring it from an entry exit point of view, walkie talkies, in case people had issues and things like that. Andrew Webb: And think about when you're going to do it. Okay, so half term is a good one. It's a good thing to do. We saw a lot of this at Kenilworth, but I've seen other places as well, particularly half terms and things like that. You often see grandparents caring for grandchildren, right? Because parents are at work and grandparents can only walk around the site so much before they want to sit down. So sometimes have it, like, think about where they can. And when I was at Kenilworth, grandparents came in with their two grandkids, and the kids started playing and I was like, you could join in, too. Oh, no, I don't want it. You know, they were almost like, “I can't do this. It's like, come on, get in, get in. Come on, grandma. Come on. I'll show you how it works. “Andrew Webb: By the end of that session, they were memory making. I then took their photo with their phones, they'd have this sort of grandparent. But, you know, you always say it like, my grandfather taught me to fish. Like Sean Connery says in the hunt for red October. This sort of moment where sort of, it's a Hollywood trope that grandfather knowledge is sort of passed on type of thing. Right. And so you can see that where you could have this, almost either the reverse of that, of kids showing grandparents, but also they're all having this event outside of the parental unit. So it's a new type of experience. It adds value, it gets people to play with their grandkids. Paul Marden: Priceless. Andrew Webb: So I think that's kind of an interesting way. So think about when, think about where and think about what will be my three sort of tips for any institution looking to put this together. Paul Marden: You gave one the other day which I thought was priceless, which was, don't give them wheels. Andrew Webb: Oh, yes. Paul Marden: Don't include the wheels. Andrew Webb: Take the wheels out of any sets, unless you are the Transport Museum or the, you know, a car based museum, because kids will do wings as well. I'd probably suggest taking those out because kids have just built cars. Some kids have just built cars, you know, even if you give them a mission. Unless that is the mission. The other thing that I would think that venues could do as well as sort of all day events, because it's quite a time drain, you know, on staff and this sort of stuff, but it is a value. The other thing you can think about is one off evening events for adults. Yes, I've done this. I did this at my local add them shops. Bricks, beers and bubbles challenges supercompass teams. Think of it like a pub quiz with brick is the answer. Andrew Webb: So build me a thing that does that kind of thing. Teams all get together, you can race them, you can see who goes the furthest. You can do all this stuff. And the hold is what I'm doing at the hold in September. I did it at the hold a couple of years ago. And what was interesting was that we had quite diverse groups of adults. We had just couples who were clearly AFOLs and were like, “Yeah, I'm going to go to that.” We had a group of friends. One of them had just come back from years travelling and they didn't want to go sort of straight to the pub and just interrogate him about his travelling, whatever. Andrew Webb: They kind of like, “Well, we wanted something to do where we could have a beer and have a chat, but were doing something else whilst we're doing that.” And that's the joy of Lego. Your hands are doing the work and you're almost like the back of your brain is doing the work and you're like, “Oh, yeah, yeah. Before you kick them.” And the concentration levels are there and then you can kind of get into that state of flow. And so they were just having this lovely chat, had a beer, talking about stuff, but also memory making in terms of when he came back from his travelling. So I think that's really important. Andrew Webb: Did you know that this is your brain, right? And then your brain on Lego, there are 24 discrete skills that are happening in your brain. So Lego research this, things like fine motor skills, cognitive sort of thinking about things, future planning, my favourite emotional regulation that is not going, “Oh, my God, it's not working. And smashing all to pieces.” So I've seen this as well with children, is that when you give them a Lego, if you gave them jelly and a football, they'll all just. They're a high energy kind of things, right? And that's fine, great outdoors, kids want to burn off energy. Here's a load of balls. Go crazy, right? Or ball pits, trampolines, bouncy castles, those sorts of things. When you get on Lego, what actually happens is it's very hard to be anarchic, to use a wrong word, but a word. It's very hard to be anarchic with Lego because you can't really do it. Andrew Webb: And so you can get a group of kids together and they'll almost self invigilate. And at one point, I ran it at a local toy shop and the parents are all hanging about and like, “I've never seen them so quiet.” They were just in the state of flow. And so, I think, you know, again, back to the. Back to the explorers and the scouts, that was one of the best sessions that those kids had done as teenagers because the reason was they were given permission to play with Lego. They still had the muscle memory from when they were smaller children. They were solving. They weren't just being told to play with Lego, they were actually solving engineering challenges. How can you design a bridge that will take this weight? How can you protect an egg? How can you think about this? Andrew Webb: And so you need to think about the challenge and the what. You need to think about that, the where and you think about the when, as I said, and get those right. You can have a very exceptional visitor experience for not a huge amount of effort. It's not highly costly, it's not highly technical, it's just a bit of elbow grease and a bit of forward thinking in terms of what we might need. And I think that parents appreciate just that minute away where they can. It's almost like a 20 minute babysitter, right, where they can just go, “Don't touch that.” You know, you're walking around a stately home, “Don't sit there, don't touch. Mind the lady.” All that kind of no data that parents give out institutions, they can just take a breather and check their phones and whatever. Paul Marden: And the kids are just having an amazing time. Andrew Webb: Yeah. And the kids are happy. And at the end of the day, as a parent, we all do our best and you just want, you know, them to be playing with something screen free, getting along and learning something. And, you know, that is the win. That is the ultimate takeout. You can layer on your own institution in context and rev up the visitor experience, bring in new visitors, attract a more diverse group of people that perhaps wouldn't normally come to a Regency Rococo style villa or whatever it might be, then that's all to the better, because, you know, you can start to use this in your planning and you can do what Suntton Hoo did? And go, right, well, we've done this and it's really worked. Andrew Webb: And then I can apply for funding for it and I can expand and I can make it permanent and then I can sort of say, well, this now becomes a tool and a string and arbo for our educational. It doesn't have to be split between visitor attractions and development. It can, you know, you can split it between several parts of the institution and use it in different ways, use it for educational purposes as well as visitor experience. So the world's your oyster with a bit of thinking. Paul Marden: With a bit of Lego and a bit of thinking. Andrew Webb: Bit of Lego, yeah. A few bricks and a couple of tricks and you're off to the races. Paul Marden: Andrew, this has been brilliant. Thank you ever so much. Andrew Webb: You're welcome. Paul Marden: I've got one more question for you before we finish. Now, you bottled this earlier on when I said we always have a book recommendation from our guests. And in spite of having the fullest bookshelf I've seen in quite a long time, you've bottled it on a book. But you did offer me a favourite movie. And so what would be your movie recommendation of choice? Andrew Webb: My go to movie would probably be Withnail and I, Richard E. Grant's first film. Every line has came down from God on a tablet. I mean, it is just. Yeah. Richard Griffiths as Uncle Monty, Paul McGann. It's just one of my favourite films and, you know, cult classic that no one's really. Well, people have heard of it now, but again, they even make stuff out with Alan Eyright. So you can go and watch a screening of it at the farm at Crow Crag up in Penrith, you know, and everyone dresses up and everyone comes with Mister blathering sets tea and I come on holiday by mistake and Jessie says, Danny. Andrew Webb: And, you know, fortunately, for better or for worse, I know these are tough times, but people try and find the fun in things. They try and at the end of the day, everyone's looking for a good time, whether we're children or an adult. You want something to just have a laugh and take you away for a moment. And if films and culture but also experiences can do that, then that's all for the good. Paul Marden: Well, look, this is going to be a challenge, but listeners, if you would like a copy of Andrew's film recommendation, then when we release the show message on X, if you can retweet that and say, “Give me Andrew's movie”, then the first person that does that, somehow I will get the movie to you. It might be on VHS, it might be on DVD, but somehow we will get you a movie. Andrew Webb: I found a CD the other day from a bar I used to go to in Clapham in the noughties and late ‘90s. I said to my mate, look, I'm great, put it on. And I went, “I can't.” I haven't got a CD player anymore. I had to go dig through a box somewhere in the study to find a portable CD player that plugged into my computer that could. By the end of it, we're just laugh. Forget it. Paul Marden: Andrew, this has been wonderful. Thank you ever so much. Andrew Webb: You're welcome. Cheers. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, SkiptheQueue.fm. The 2024 Visitor Attraction Website Survey is now LIVE! Help the entire sector:Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsFill in your data now (opens in new tab)

There were more muscles on Zac Efron's body than Mike and Brandon put together. Twice. In this episode of specrapular, we discuss the 2023 movie, The Iron Claw. Directed by Sean Durkin. Starring Zac Efron, Jeremy Allen White, and Lily James. It is available on Hulu and Max. Every movie we discuss will be available on either: Netflix, Hulu, HBO MAX, Youtube, Tubi, Freevee, Apple TV, or Amazon Prime. You can request movies by emailing us at specrapular@gmail.com The next movie we are going to discuss is Spaceballs. Directed by Mel Brooks. Starring Bill Pullman, John Candy, Daphne Zuniga, Rick Moranis, and Joan Rivers. It is available on Max. Intro music by: Luis. Outro music by: Cairo Braga - Revision of the Future Find more music from Luis at: instagram.com/breatheinstereo

Chris and Taylor review the biographical sports drama film The Iron Claw written and directed by Sean Durkin. The film depicts the Von Erichs, a family of professional wrestlers who are "cursed" by constant tragedy. The film stars Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Stanley Simons, Michael J. Harney, Holt McCallany and Lily James. Follow us on: Instagram: https://www.instagram.com/thepotential_podcast/ Twitter: https://twitter.com/thepotentialpod TikTok: https://www.tiktok.com/@thepotentialpodcast Support us on Patreon: patreon.com/thepotentialpodcast Thanks to our sponsor: Let's Get Checked Get 25% off your health test at trylgc.com/potential and enter promo code POTENTIAL25 --- Send in a voice message: https://podcasters.spotify.com/pod/show/thepotentialpodcast/message

Everyone in this movie thinks they're soooo smart. Well, we got some news for them: Your not! In this episode of specrapular, we discuss the 2006 movie, Inside Man. Directed by Spike Lee. Starring Denzel Washington, Clive Owen, Jodie Foster, Willem Dafoe, Christopher Plummer, and Chiwetel Ejiofor. It is available on Netflix. Every movie we discuss will be available on either: Netflix, Hulu, HBO MAX, Youtube, Tubi, Freevee, Apple TV, or Amazon Prime. You can request movies by emailing us at specrapular@gmail.com The next movie we are going to discuss is Iron Claw. Directed by Sean Durkin. Starring Jeremy Allen White, Zac Efron, and Lily James. It is available on Hulu and Max. Intro music by: Luis. Outro music by: Cairo Braga - Revision of the Future Find more music from Luis at: instagram.com/breatheinstereo

In this "Giant Mess", movie lover and casual pro wrestling fan Neal "The Real Cinch" Lynch recaps, reviews, and reacts to The Iron Claw, a gut-wrenching, suplexing, head-locking pain train inspired by the true story of the Von Erich brothers and their WWE Hall of Fame family. Zac Efron delivers a heavyweight performance as Kevin Von Erich while Jeremy Allen White tries to fill the shoes of Kerry Von Erich. The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s. Cast Zac Efron as Kevin Von Erich, the second-oldest son Jeremy Allen White as Kerry Von Erich, the fourth-oldest son Harris Dickinson as David Von Erich, the third-oldest son Maura Tierney as Doris Von Erich, Fritz's wife and the mother of the Von Erich brothers Stanley Simons as Mike Von Erich, the youngest son Michael J. Harney as Bill Mercer, a professional wrestling commentator Holt McCallany as Jack "Fritz" Von Erich, the family patriarch, former wrestler, and WCCW owner Lily James as Pam Adkisson, Kevin's wife Maxwell Friedman as Lance Von Erich, a non-related wrestler billed as a member of the family Brady Pierce[a] as Michael Hayes Aaron Dean Eisenberg as Ric Flair Kevin Anton as Harley Race Cazzey Louis Cereghino as Bruiser Brody Chavo Guerrero Jr. as The Sheik Ryan Nemeth as Gino Hernandez Scott Innes as the ring announcer ABOUT "GIANT MESS": "Giant Mess" is a sloppy sports and entertainment talk show hosted by a giant mess, The Real Cinch Neal Lynch. Neal's a New York Giants & NY Mets fan who loves movies, tv shows, comedy, and telling stories. ABOUT NEAL LYNCH: I'm an Irish-Italian-American who graduated from a Catholic high school (but isn't Catholic), and a college known for producing doctors and lacrosse players, then became neither. Instead, I'm a former college quarterback & pitcher with a film and media studies degree who currently overthinks everything. I've written thousands of articles including posts for COED, GuySpeed, TheFW, TV Fanatic, G-MEN HQ, BroBible, and NFL Spin Zone.  I've also authored scripts for Woven Digital's short-form videos published by UPROXX and BroBible.  Here are links to my writing samples: NFL Spin Zone http://nflspinzone.com/author/neallynch/  BroBible http://brobible.com/author/neallynch/  GmenHQ http://gmenhq.com/author/neallynch/  TV Fanatic - https://www.tvfanatic.com/authors/neal-lynch/  Subscribe to Giant Mess on YouTube: https://bit.ly/GiantMessYT   Follow me on: Link Tree - https://linktr.ee/neallynch  My Official Blog - http://bit.ly/neallynchBLOG  Giant Mess Facebook Page - http://bit.ly/GiantMessFB   Twitter - http://bit.ly/NealLynchTW     Instagram - http://bit.ly/NealLynchIG   Subscribe to Giant Mess on Apple Podcasts - http://bit.ly/GiantMessApple   Subscribe to Giant Mess on Spotify - http://bit.ly/GiantMessSpotify --- Send in a voice message: https://podcasters.spotify.com/pod/show/neal-lynch/message

This week, it's brotherly love outside of Philadelphia as we're introduced to the Kennedys of professional wrestling. Inspired by a true story, The Iron Claw, written and directed by Sean Durkin, is a powerful tale of passion and pain in the ring.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

Joining the Deux U classroom this week is entertainment host and creator, Lauren Ashley Beck. We're discussing the week's hottest topics, including:  Update about Sophia Bush + Grant Hughes  Update about Timotheé Chalamet  Tom Brady's roast on Netflix  Jack Harlow  Florence Pugh's mystery date  Met Gala After Party: Ayo Edebiri + Kaia Gerber, Charlie Hunnam, Dua Lipa, Kenan Thompson, Bad Bunny + Kendall Jenner  Andrew Garfield + his new girlfriend IG Q+A rapid fire questions: Joe Keery, Skims Partnerships, Kendrick Lamar + Drake beef, Kylie Jenner + Timotheé Chalamet, Rami Malek + Emma Corrin, Lily James, Phoebe Dynevor, Tom Holland, Rosalía + Rauw & more  Listen for never-before-heard or read information! Follow Deux @Deuxmoi To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Watch this movie review podcast where Kade & Mercedes give their movie review of Edgar Wrights film, BABY DRIVER, starring Ansel Elgort, Kevin Spacey, and Lily James. As always, their candid conversation starts moments after watching the film together for the most genuine reaction. Sit back and relax as you enjoy this episode of the CRWN Cinema Podcast! BABY DRIVER is about: Baby, a music-loving orphan also happens to be the prodigiously talented go-to getaway driver for heist mastermind Doc. With the perfect soundtrack picked out for each and every job, Baby ensures Doc's violent, bank-robbing cronies, including Buddy, Bats and Darling, get in and out of Dodge before it's too late. He's not in it for the long haul though, hoping to nail one last job before riding off into the sunset with beautiful diner waitress Debora. Easier said than done. Chapters: 00:00 Post-movie rating & review 06:17 The smoothness of the characters 09:31 Baby's the best and worst criminal of all time 13:34 Baby's trauma turned to mastery 18:50 John Hamm is a D*CK! 20:00 Reviewing the characters 27:49 Ansel Elgort & his acting 33:02 The perks of living a shameless life 37:53 Perfectly written characters 41:13 Edgar Wrights unique style 44:07 This movie made her stressed 47:07 How long did Baby & Debora know each other? 49:21 Baby only fumbles when theres no music 50:54 Of course that's his real name 51:45 Final thoughts 53:09 Outro --- Support this podcast: https://podcasters.spotify.com/pod/show/crwncinema/support

Richard Reed Parry, best known as a core member of the Grammy Award-winning art-rock band Arcade Fire, talks about scoring The Iron Claw, the Zac Efron and Lily James-starring film about the true story of the Von Erich wrestling family, and teases the upcoming Arcade Fire album.

David Kellie, the CEO of the Natural Diamond Council (NDC), returns to the show for a third time. The conversation begins with David discussing the NDC's recent marketing shoot in Canada's Northwest Territories with actress Lily James. David then shares his cold-water plunge experience in minus 30-degree temperatures. Paul and David then go on to talk about the NDC's process for selecting celebrity representatives. The two then discuss De Beers' seeming return to a more generic focused diamond marketing strategy. Next, Paul shares his views on the pitfalls of price discounting of natural diamonds and why natural diamonds can't compete with lab-grown diamonds (LGD) on price. Finally, the two discuss how the diamond trade is chasing the more attractive profit margins of LGDs to the detriment of natural diamonds –and what the natural diamond industry can do about it.                                                                                                                     Hosted by: Paul Zimnisky Guest: David Kellie Guest plug: www.naturaldiamonds.com More information on PZDA's State of the Diamond Market report: www.paulzimnisky.com/products   Show contact: paul@paulzimnisky.com or visit www.paulzimnisky.com.   Please note that the contents of this podcast includes anecdotes, observations and opinions. The information should not be considered investment or financial advice. Consult your investment professional before making any investment decisions. Please read full disclosure at: www.paulzimnisky.com.

We are BACK with another movie review for ‘THE IRON CLAW.' Join us as we chat about this incredible flick along with all the pop culture news and breakdowns for what we've watched while being away from the show. Thank you for all the support and stay tuned for the end of march special with Chris Pawlak. Segment arrangement by: Admiral Atlas. Mixed and edited by: Wesley Swanson.

Sandy Powell won her first Academy Award for dressing Joseph Fiennes and Gwyneth Paltrow in Shakespeare in Love, and has since won two more Oscars - along with a further dozen nominations - and three BAFTAs. Her credits range from Gangs of New York for Martin Scorsese to Mary Poppins Returns for Disney, and she's worked with many of the biggest current screen stars, including Leonardo di Caprio, Cate Blanchett and Al Pacino. Sandy was born in south London and completed an art foundation course at St Martin's School of Art. In 1981 she got her first job designing costumes for the choreographer Lindsay Kemp's show Nijinsky at La Scala in Milan. She later worked for the director Derek Jarman on his film Caravaggio and continued to collaborate with him until his death in 1994. She has also enjoyed long working relationships with Martin Scorsese and Todd Haynes. Sandy has won acclaim for her designs on films with historical settings, including The Wings of the Dove, The Young Victoria and The Favourite starring Olivia Colman, as well as the flamboyant glam rock world of Velvet Goldmine and the fairy-tale fantasy of Cinderella, starring Lily James. In 2011 she was awarded an OBE for services for the film industry and in 2023 she became the first costume designer to receive a BAFTA Fellowship. DISC ONE: Jeepster - T Rex DISC TWO: Adagietto, Symphony No. 5 in C-Sharp Minor. Composed by Gustav Mahler and performed by Orchestre de l'Académie de Santa Cécilia and conducted by Franco Mannino DISC THREE: Life on Mars? - David Bowie DISC FOUR: La Vie en Rose - Alan Dunn DISC FIVE: I'll Never Fall in Love Again - Bobbi Gentry DISC SIX: Satellite of Love - Lou Reed DISC SEVEN: Where Love Lives (Come On In) - Alison Limerick DISC EIGHT: I Left My Heart in San Francisco - Tony BennettBOOK CHOICE: Josef Koudelka: Gypsies LUXURY ITEM: A lemon tree CASTAWAY'S FAVOURITE: Life on Mars? - David BowiePresenter Lauren Laverne Producer Paula McGinley

This week, we're thrilled to welcome Aaron Dean Eisenberg, known for his recent role in the brilliant film, The Iron Claw, alongside Zac Efron, Jeremy Allen White, and Harris Dickinson, who portrayed the iconic Von Erich wrestling dynasty.Aaron takes on the legendary role of Ric Flair, famed for his flamboyant persona and technical prowess, engaging in numerous encounters and rivalries with the legendary Von Erich family.Join us as Aaron shares insights into his involvement in the film, discusses the art of crafting the perfect promo, delves into his physical transformation for the role, and offers an important glimpse into the world of acting. 

Mark and Phil discuss the 2017 action film Baby Driver. Directed by Edgar Wright and starring Ansel Elgort, Lily James, Eiza Gonazalez, Jamie Foxx, and Jon Hamm, the movie focuses on a getaway driver who listens to some very cool music. In this episode, they also talk about primary colors, car chases, and movie soundtracks. Enjoy!

On this week's episode of You're Wrong... And Here's Why, your hosts Chris Horwedel and Greg Crone start the show by talking about the new A24 movie "The Iron Claw" about the famous Von Erich wrestling family -- starring Zac Efron, Jeremy Allen White, and Lily James.  After that, they move on to a game where Greg has to guess the failed legacy wrestler from a list Chris found.  

Dallas and Lee enter the ring to review 'The Iron Claw', based on the true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s.

This weeks guest is Sean Durkin, the writer and director of not only of the ace Martha, Marcy, May, Marlene but of the excellent The Iron Claw which stars Zac Efron, Jeremy Allen White, Lily James and Harris Dickinson. Dom Lenoir sat down with Sean and had a wonderful chat about his process as a writer, producer and director. They discussed: Challenging the misconceptions of wrestling and putting that onto film. How to adapt a true story, and meeting real life wrestlers. Going through the development process with Tessa Ross. Making an important decision of cutting a character out of the movie. Getting his career start through a major festival success at the Cannes and Sundance labs. And the importance of collaborating with his own “brat pack”. The Iron Claw is OUT in cinemas NOW! GIVEAWAY Get a FREE copy of the excellent Shotlister App. Just download the App using this link and you can get Shotlister App now (usually $99). Only 100 copies available so be quick and GET IT NOW! They need to be redeemed on an iPhone or iPad. But once redeemed Pro will also work on the Mac. shotlister.com/filmmakerspod PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/ PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects! SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com CREDITS The Filmmakers Podcast is hosted, produced, written and edited by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey CONTACT THE PODCAST email us: thefilmmakerspodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week Channel 4 announced major job cuts, caused in part by a decline in the amount of advertising the channel sells to fund its programmes. We look at Channel 4's plans to become a 'digital first' organisation, as well as talking to leaders in the UK advertising industry about the problems they're currently facing.Also on the programme, what's behind the current air fryer cookery boom? Take a look at the UK non-fiction bestseller charts and you'll find multiple air fryer cookery books, many with similar titles, and channels 4 and 5 have been airing documentaries about the cooking trend. We talk to the commissioner of the best selling title in the field. Guests: Chris Curtis, Editor, Broadcast; Josh Krichefski, CEO, Europe, the Middle East and Africa, GroupM; Lily James, Creative, Lucky Generals; Celia Palazzo, Commissioning Editor, Ebury Press; Philip Stone, Media Manager, Nielsen IQPresenter: Ros AtkinsProducer: Simon Richardson

For episode notes, transcripts, and further reading and resources, visit The A Files website. Follow Renee on Instagram and X (Twitter) Follow Regina on Instagram and X (Twitter) Follow The Meteor on all platforms and visit our website to learn more. Everyone loves someone who had an abortion! 

Kelsi and Trey discuss the great man myth and the underdeveloped women in Bradley Cooper's 'Maestro,' Sean Durkin's 'The Iron Claw,' and Michael Mann's 'Ferrari.' We explore the flawed lead characters of these three features led by Bradley Cooper, Zac Efron, Jeremy Allen White, Harris Dickinson, Adam Driver, and more. While all three films are semi-successful, their major problem is that they never fully contextualize the women behind their flawed men, with incredible performances from Carey Mulligan, Lily James, Penelope Cruz, and more! 'Maestro' Discussion (16:50) 'The Iron Claw' and 'Ferrari' Discussion on Part Two Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com ⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠ Instagram: ⁠@theextracredits⁠⁠⁠ Twitter: ⁠@theextracredits⁠⁠⁠ Tik Tok: ⁠The Extra Credits

Kelsi and Trey discuss the great man myth and the underdeveloped women in Bradley Cooper's 'Maestro,' Sean Durkin's 'The Iron Claw,' and Michael Mann's 'Ferrari.' We explore the flawed lead characters of these three features led by Bradley Cooper, Zac Efron, Jeremy Allen White, Harris Dickinson, Adam Driver, and more. While all three films are semi-successful, their major problem is that they never fully contextualize the women behind their flawed men, with incredible performances from Carey Mulligan, Lily James, Penelope Cruz, and more! 'Ferrari' Discussion (53:10) Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com ⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠ Instagram: ⁠@theextracredits⁠⁠⁠ Twitter: ⁠@theextracredits⁠⁠⁠ Tik Tok: ⁠The Extra Credits

Last year, Endeavor, the parent company of the UFC (Ultimate Fighting Championship) purchased World Wrestling Entertainment, the largest professional wrestling company in the world, for $9.3 billion. The sale is one indication of many of the continued prominence and popularity of professional wrestling. The movie "The Iron Claw," starring an all-star cast of Zac Efron, Lily James, and Jeremy Allen White, opened in theaters in December. It tells the story of the Von Erich brothers, pro-wrestling stars from the 1980s. For this installment of our "Listener Pick" series, we discuss the popularity of professional wrestling in America. Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Find out how to connect with us by visiting our website.

In professional wrestling, the Von Erich family was legendary. The patriarch of the family, Fritz, was a wrestler with his signature move “The Iron Claw.” He handed that down to his sons who took the wrestling world in Texas by storm. Everything was going so well until tragedy struck the Von Erich family. Unfortunately, fate would have it that one tragedy wouldn't be near enough. “The Iron Claw” tells this family's tale and doesn't flinch as it does. Is it worth jumping in the ring to check out? Watch my review to find out! It's directed by Sean Durkin and stars Zac Efron, Lily James, Jeremy Allen White, Harris Dickinson, Maura Tierney, Holt McCallany, Grady Wilson, Michael Harney, Stanley Simons, Kevin Anton and Chavo Guerrero Jr. Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

Join hosts Sleazy, Mr. PBS, and Robzilla on Episode 176 of The Sleazy Podcast as they kick off the new year with a bang! In this episode, the dynamic trio opens the show with a lively discussion about their most anticipated movies and TV shows set to rock the screens in 2024. First on the agenda is a deep dive into the latest cinematic creation from visionary director Zack Snyder - Rebel Moon - Part One: Child of Fire. Robzilla and Sleazy share their thoughts on the film, exploring its unique storytelling and visual prowess. The excitement doesn't stop there, as the gang shifts gears to dissect the enigmatic thriller, The Creator, starring the talented John David Washington. Unveiling the mysteries and nuances of the plot, the hosts delve into the film's twists and turns, leaving listeners on the edge of their seats. To close out the episode, the trio provides their spoiler-free impressions of the highly anticipated A24 release, The Iron Claw. This gripping drama, based on the life of professional wrestler Kevin Von Erich and the legendary Von Erich family, features an all-star cast including Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Holt McCallany, and Lily James. Get ready for a rollercoaster of emotions as The Sleazy Podcast crew shares their candid thoughts on this captivating film. Tune in for a jam-packed episode filled with entertainment insights, witty banter, and the latest updates from the world of movies and television. Don't miss a moment as The Sleazy Podcast takes you on a cinematic journey through 2024's most anticipated releases! --- Support this podcast: https://podcasters.spotify.com/pod/show/sleazypodcast/support

Seth is joined by Andy of Fat Dude Digs Flicks to discuss the incredibly impactful new film from Sean Durkin, The Iron Claw. They discuss family, how art manipulates us, and the incredible oner that hearkens back to Boogie Nights and Goodfellas.  Follow Andy on all social media platforms @FatDudeDigsFlicks  For all of our bonus episodes check out Patreon.com/MovieFriendsPodcast  Follow Movie Friends: Twitter @moviefriendspod Instagram @MovieFriendsPodcast Youtube Youtube.com/MovieFriendsPodcast Website https://www.moviefriendspodcast.com/ Follow Seth on Letterboxd: SethVargas Follow Michelle on Letterboxd: MichRuby Send us an E-mail at MovieFriendsPodcast@Gmail.com tell us what you think and it may end up on the show! Wouldn't that be cool? Head over to our website at MovieFriendsPodcast.com and consider supporting our Patreon. Come on, you don't need that $5, but you do need our undying love and friendship!

For this week's second podcast review, I am joined by Nadia Dalimonte, Josh Parham, Giovanni Lago & Ricky Valero. Today, we are reviewing the latest film from Sean Durkin, "The Iron Claw," starring Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Holt McCallany & Lily James. Based on the unbelievable, tragic, but inspiring story of the Von Erich wrestling family, the film presents one of the darkest stories in the history of professional wrestling. What did we think of the story, how it was handled, the wrestling and its portrayal, the performances by the cast, and Durkin's direction? Tune in as we discuss these elements, its awards season chances, and more in our SPOILER-FILLED review. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Kenny and Mike interview director Sean Durkin and review his latest film The Iron Claw. The film chronicles lives, careers and tragedies of professional wrestling's Von Erich family.  The film stars Zac Efron as Kevin Von Eric, Jeremy Allen White, Harris Dickinson, and Stanley Simons as brothers Kerry, David and Mike Von Erich. Holt McCallany also stars as patriarch Fritz Von Erich.  Faith Elements Reflected: The power of the resurrection as the utlimate victory against death and loss by providing new life.  Power of resurrection faith as the source of healing and resiliency in the midst of trauma and loss. The purpose of the grief process in healing and the negative impact of avoiding grief by denying the process through hyperfocus on other things, getting stuck within, or moving too quickly.   Notes from interview with Sean Durkin: The pacing of the story as a tool for viewer engagement.  The place of fear in driving Sean's storytelling and filmmaking. The place and impact of generational trauma and breaking the trauma cycles within families. The importance of details in telling the stories and establishing connections with the audience. Sean's shares the films that made him. The hope and vision of peace in a life of trauma.   Mike, Kevin Von Erich, Kenny at The Iron Claw world premiere afterparty.

Shai and Becky went to see the beautiful and intense The Iron Claw, starring Zac Efron, Jeremy Allen White, Holt McCallany, Lily James, Maura Tierny, and the one and only, Maxwell Jacob Friedman (who is also Executive Producer). Listen as we break down the characters, our favorite performances, the hairdos, and Becky's many questions about wrestling. Sign up for the Friday Night Movie Newsletter for giveaways, curated episode playlists from the hosts and guests (including our mom), and at MOST one email per month (and probably fewer).  Closed captions for this episode are available via the player on the official Friday Night Movie homepage, the Podbean app and website, and YouTube.  The Friday Night Movie Family supports the following organizations: HIAS | NAACP Legal Defense Fund | Equal Justice Initiative | Asian American Journalists Association | The Entertainment Community Fund. Subscribe, rate and review us on your favorite podcast platform, including iTunes | Spotify | Stitcher | Google Play | Podbean | Overcast. Catch up on all the Friday Night Movie SXSW special coverage in this playlist, including featured interviews from SXSW Wonder House hosted by the University of Arizona.  Play along with Friday Night Movie at home! Read the FNM Glossary to learn the about our signature bits (e.g., Buy/Rent/Meh, I Told You Shows, Tradesies, etc). Email us at info@p4tmedia.com or tweet @FriNightMovie, @pancake4table, @chichiKgomez, and/or  @paperBKprincess.  Follow our creations and zany Instagram stories @frinightmovie, @FNMsisters, and @pancake4table. Follow us on Letterboxd (@pancake4table) where we're rating every movie we've EVER watched.  Subscribe to our quarterly newsletter for exclusive giveaways and news! Theme music by What Does It Eat.  Subscribe and leave a review on IOS or Android at frinightmovie.com.