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Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 13ú lá de mí Bealtaine, liomsa Lauren Ní Loingsigh. I 1972 gabhadh garda nach raibh ar dualgas ó Bhaile Átha Cliath agus seisear fear eile chuig Bridewell tar éis a rinne bleachtaire ruathar. I 1983 tháinig an nuacht amach go mbeadh pionós ann cosúil le tréimhse phríosúnachta do dhaoine ag tiomáint agus iad ar a ghuthán. I 2002 tháinig sé amach I nDurlas cén tsráid a mbeadh táille páirceála. Bhí sé 20p gach uair le diosca páirceála agus 10 punt gach bliain do na daoine a raibh ina chónaí ann. I 2005 tháinig an Mhéara den Aonach Urmhumhan Séamus Morris amach ag iarradh níos mó Ghardaí I Castle Field. Bhí eagla ar daoine dul isteach ann I rith an lae agus san oíche de bharr go raibh a lán déagóirí ann ag déanamh damáiste. Sin Gwen Stefani le Hollaback Girl – an t-amhrán is mó ar an lá seo I 2005. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1989 chuaigh Kylie Minogue chuig uimhir a haon sa Bhreatain don dara huair leis an amhrán Hand On Your Heart. Bhí sé scríofa ó Stock, Aitken & Waterman. I 2003 bhí cás cúirte ag Michael Jackson mar bhí sé chun an dlí a chur ar Motown Records. Thóg sé cás dlí in LA agus dúirt sé nach bhfuair sé aon airgead don amhrán a rinne sé leis The Jackson Five sna 60dí agus 70dí. Tháinig Michael Jackson amach agus dúirt sé gur úsáid siad a amhráin ar an teilifís gan cead. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh amhránaí Morgan Wallen I Meiriceá I 1993 agus rugadh aisteoir Robert Pattinson sa Bhreatain ar an lá seo I 1986 agus seo chuid de na rudaí a rinne sé. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 13th of May, with me Lauren Ní Loingsigh 1972: an offduty garda who was stationed in dublin and 6 other men were taken to the Bridewell after a swoop by special branch detectives yesterday 1983: Stiff penalties including jail sentences were on the way for telephone tapping. 2002 - THURLES Urban District Council has named the streets on which it proposed to implement parking charges. The by-laws allow for a 20p per hour disk parking charge and a £10 per annum parking charge for residents in the areas. 2005 - Mayor of Nenagh Séaums Morris joined several of Nenagh town councillors in calling for extra Garda vigilance in the town's Castle Field. People were afraid to enter the castle grounds at any time of the day or night for fear of being accosted by teenagers loitering in the area. That was Gwen Stefani with Hollaback Girl – the biggest song on this day in 2005 Onto music news on this day In 1989 Kylie Minogue was at No.1 on the UK singles chart with her second solo No.1 'Hand On Your Heart.' The song was written and produced by Stock, Aitken & Waterman. 2003 Michael Jackson launched a court case suing Motown Records. Jacko filed the lawsuit in LA, saying he hadn't been paid royalties due for the music he did with the Jackson Five in the 60s and 70s. The singer also claimed his music has been used in TV ads without his permission. And finally celebrity birthdays on this day – singer Morgan Wallen was born in America in 1993 and actor Robert Pattinson was born in the UK on this day in 1986 and this is some of the stuff he has done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.
Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 13ú lá de mí Bealtaine, liomsa Lauren Ní Loingsigh. I 1972 gabhadh garda nach raibh ar dualgas ó Bhaile Átha Cliath agus seisear fear eile chuig Bridewell tar éis a rinne bleachtaire ruathar. I 1983 tháinig an nuacht amach go mbeadh pionós ann cosúil le tréimhse phríosúnachta do dhaoine ag tiomáint agus iad ar a ghuthán. I 1972 thosaigh siad ag seiceáil na bosca ballóide ag an reifreann agus thosaigh sé ag 9 ar maidin ag an scoil in Inis. Bhí sé soiléir gur rinne an chontae vótáil ar son an EEC. I 1983 rinne comhairle contae an Chláir níos mó iarracht ina bhfeachtas chun níos mó aird a tharraing ar an droch-chor den PAYE/PRSI nuair a bhí agóid ar siúil. Sin Gwen Stefani le Hollaback Girl – an t-amhrán is mó ar an lá seo I 2005. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1989 chuaigh Kylie Minogue chuig uimhir a haon sa Bhreatain don dara huair leis an amhrán Hand On Your Heart. Bhí sé scríofa ó Stock, Aitken & Waterman. I 2003 bhí cás cúirte ag Michael Jackson mar bhí sé chun an dlí a chur ar Motown Records. Thóg sé cás dlí in LA agus dúirt sé nach bhfuair sé aon airgead don amhrán a rinne sé leis The Jackson Five sna 60dí agus 70dí. Tháinig Michael Jackson amach agus dúirt sé gur úsáid siad a amhráin ar an teilifís gan cead. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh amhránaí Morgan Wallen I Meiriceá I 1993 agus rugadh aisteoir Robert Pattinson sa Bhreatain ar an lá seo I 1986 agus seo chuid de na rudaí a rinne sé. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 13th of May, with me Lauren Ní Loingsigh 1972: an offduty garda who was stationed in dublin and 6 other men were taken to the Bridewell after a swoop by special branch detectives yesterday 1983: Stiff penalties including jail sentences were on the way for telephone tapping. 1972: There was a checking of ballot boxes in the referendum which started at 9am in the technical school, Ennis on thursday. It was clear that clare people had voted overwhemingly in favour of EEC entry. 1983: Clare council of trade unions this week stepped up their campaign to highlight the plight of the PAYE/PRSI sector when they staged a protest in the Co.Council chamber on Monday evening. That was Gwen Stefani with Hollaback Girl – the biggest song on this day in 2005 Onto music news on this day In 1989 Kylie Minogue was at No.1 on the UK singles chart with her second solo No.1 'Hand On Your Heart.' The song was written and produced by Stock, Aitken & Waterman. 2003 Michael Jackson launched a court case suing Motown Records. Jacko filed the lawsuit in LA, saying he hadn't been paid royalties due for the music he did with the Jackson Five in the 60s and 70s. The singer also claimed his music has been used in TV ads without his permission. And finally celebrity birthdays on this day – singer Morgan Wallen was born in America in 1993 and actor Robert Pattinson was born in the UK on this day in 1986 and this is some of the stuff he has done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.
This quarter's CEOBarometer spotlights subdued trading conditions, faltering investment flows, and the selective rise of AI. Organic growth has slowed across the board—Software companies posted 13% growth, while ICT Services lagged at 7%. The deceleration is sharpest in consulting services, where low recurring revenue and discretionary budget cuts have driven many businesses into stagnation. In contrast, recurring revenue models continue to provide resilience in Software, where growth has largely stabilised at pre-COVID levels. Despite these challenges, standout performers in areas like cybersecurity and defence—such as Bridewell, DIGI2AL, and FSP—are still delivering strong double-digit growth, proving that execution and sector positioning remain critical. The investment landscape also reflects mounting caution. UK-listed tech valuations have dipped below 10x EV/EBITDA, IPO activity remains stalled, and private equity deal volumes have halved year-on-year. Meanwhile rising debt levels and cash interest payments continue to cause stress for some. While top-tier software firms continue to command strong multiples, ICT Services valuations—particularly in consulting—have seen a significant reset. Venture funding tells a two-speed story: capital remains available for late-stage, AI-native businesses such as Quantexa and Luminance, but pre-Series A funding has collapsed, narrowing the pipeline for future investment. As the sector recalibrates, this episode offers critical insights into where growth is holding up, where confidence is fading, and what tech leaders need to consider as they navigate another year of cautious optimism and selective momentum. About this podcast Our quarterly podcast offers a clear, strategic perspective on the forces shaping the UK tech sector—M&A, capital flows, valuations, AI, and more. Hosted by Megabuyte's Founder & Chairman, Ian Spence, and Megabuyte's Head of Research & Consulting, Neel Arampatta, the CEOBarometer is designed for CxOs of scale-ups and mid-market companies who value depth over noise. Learn how at www.megabuyte.com or search ‘Megabuyte for CxOs'. Skip to: Growth Outlook 01m 37s Capital Markets 22m 20s Private Equity 33m 57s Venture & Growth Capital 55m 56s M&A 01h 01m 18s
She had a million-dollar smile and a trail of dead men behind her— who was Sandra Bridewell? Host and investigative report Cooper Moll exposes the secrets of the 'black widow' on Fatal Beauty - the latest true crime series to drop on The Binge. Search for Fatal Beauty wherever you get your podcasts to start listening today. Subscribers to The Binge can listen to all episodes right now, completely ad-free. Learn more about your ad choices. Visit podcastchoices.com/adchoices
She had a million-dollar smile and a trail of dead men behind her— who was Sandra Bridewell? Host and investigative report Cooper Moll exposes the secrets of the 'black widow' on Fatal Beauty - the latest true crime series to drop on The Binge. Search for Fatal Beauty wherever you get your podcasts to start listening today. Subscribers to The Binge can listen to all episodes right now, completely ad-free. Learn more about your ad choices. Visit podcastchoices.com/adchoices
She had a million-dollar smile and a trail of dead men behind her— who was Sandra Bridewell? Host and investigative report Cooper Moll exposes the secrets of the 'black widow' on Fatal Beauty - the latest true crime series to drop on The Binge. Search for Fatal Beauty wherever you get your podcasts to start listening today. Subscribers to The Binge can listen to all episodes right now, completely ad-free. Learn more about your ad choices. Visit podcastchoices.com/adchoices
On the night of March 30th, 1976, a gang of armed men held a family hostage in rural County Kildare and derailed a mail train carrying the equivalent of over €1 million in cash and valuables. It was one of the most audacious robberies in the history of the Irish state—but today, it is remembered for very different reasons. What followed was one of the longest and most controversial trials in the history of the Irish state—one that would see Osgur's conviction overturned, but not before spending 17 months in Portlaoise prison. The IRA would later claim responsibility for the Sallins robbery, and nearly five decades on, Osgur is still seeking justice for his treatment in the Bridewell Garda station and wrongful conviction. Host; Kevin Doyle. Guest; Osgur Breathnach See omnystudio.com/listener for privacy information.
She had a million-dollar smile and a trail of dead men behind her— who was Sandra Bridewell? Host and investigative report Cooper Moll exposes the secrets of the 'black widow' on Fatal Beauty - the latest true crime series to drop on The Binge. Search for Fatal Beauty wherever you get your podcasts to start listening today. Subscribers to The Binge can listen to all episodes right now, completely ad-free. Learn more about your ad choices. Visit podcastchoices.com/adchoices
She had a million-dollar smile and a trail of dead men behind her— who was Sandra Bridewell? Host and investigative report Cooper Moll exposes the secrets of the 'black widow' on Fatal Beauty - the latest true crime series to drop on The Binge. Search for Fatal Beauty wherever you get your podcasts to start listening today. Subscribers to The Binge can listen to all episodes right now, completely ad-free Learn more about your ad choices. Visit podcastchoices.com/adchoices
She had a million-dollar smile and a trail of dead men behind her— who was Sandra Bridewell? Host and investigative report Cooper Moll exposes the secrets of the 'black widow' on Fatal Beauty - the latest true crime series to drop on The Binge. Search for Fatal Beauty wherever you get your podcasts to start listening today. Subscribers to The Binge can listen to all episodes right now, completely ad-free. Learn more about your ad choices. Visit podcastchoices.com/adchoices
She had a million-dollar smile and a trail of dead men behind her— who was Sandra Bridewell? Host and investigative report Cooper Moll exposes the secrets of the 'black widow' on Fatal Beauty - the latest true crime series to drop on The Binge. Search for Fatal Beauty wherever you get your podcasts to start listening today. Subscribers to The Binge can listen to all episodes right now, completely ad-free. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Matt and Paddy look at the logistics of a postponed derby, the latest on the takeover and the alarming video of the leaks at the new stadium. This podcast is sponsored by The Bridewell. Learn more HERE. #EFC #Everton #EvertonFC Learn more about your ad choices. Visit podcastchoices.com/adchoices
Matt and Paddy unpick what went wrong against Brentford and whether Dyche has got it wrong in the media this season. This podcast is sponsored by The Bridewell. Learn more HERE. #EFC #Everton #EvertonFC Learn more about your ad choices. Visit podcastchoices.com/adchoices
Matt and Paddy look back at a Merseyside derby win and assess Jake O'Brien's situation at the club. We then answer questions on Broja's fitness, Dyche's future, the takeover, the academy and more. This podcast is sponsored by The Bridewell. Learn more HERE. #EFC #Everton #EvertonFC Learn more about your ad choices. Visit podcastchoices.com/adchoices
Matt and Paddy look back on the stalemate with West Ham and the national media view on Everton's form. We also check in on Roma's latest crisis and how the Friedkins are coping. This podcast is sponsored by The Bridewell. Learn more HERE. #EFC #Everton #EvertonFC Learn more about your ad choices. Visit podcastchoices.com/adchoices
Matt and Paddy are back to reflect on a challenging day on the south coast. Everton lost 1-0 to Southampton and the pressure is ramping up on Sean Dyche. We look at the bigger picture, the bizarre Jarrad Branthwaite situation and whether any answers could come from the academy. This podcast is sponsored by The Bridewell. Learn more HERE. #EFC #Everton #EvertonFC Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to Episode 11 of the On The Gas Podcast! We hope you enjoy it! In this episode, we discussed the incredible BSB finale that saw Ryde and Bridewell put everything on the line to win the title. Toprak and Bulega going head to head at Estoril, and how they will balance the talent of Toprak against the Ducati's, plus MotoGP at Phillip Island! MotoGP Guru - fanpower.gresiniracing.com/?ac=everythingmotoracing Socials: Instagram - https://www.instagram.com/onthegaspod
Send us a Text Message.Hello and welcome to Off Track Podcast proudly sponsored by zerofit, the world's warmest base layers, our guest this week needs little introduction – joined by our great mate Ben Currie one last time before he steps aside from his co-host role, we sit down with 2023 Bennetts British Superbike Champion Tommy Bridewell! We talk all things Honda Racing, well almost all things, we talk about the transition to the '24 Honda Fireblade, the start to the BSB season and just what's changed in Tommy himself because I sure noticed it and it's great to see. With the usual caveats for colouful language throughout, this is Honda Racing's British Superbike Champion, Tommy Bridewell!This episode was sponsored by Zerofit – King of Baselayers® - who have BSB riders Glenn Irwin, Lee Jackson and Andrew Irwin wearing their products for the 2024 season. Off Track Podcast listeners and viewers can now receive a FREE ZEROFIT THERMAL BEANIE worth £20 when they purchase any baselayer from www.zerofit.co.uk – use code OT24 when you're checking out! Our Patreon Page is live! https://www.patreon.com/join/9993138Off Track Merchandise: https://www.hmycustoms.co.uk/off-track-podcastRidinGraphics: https://www.instagram.com/ridingraphics/?hl=enhttps://www.facebook.com/ridingraphics/?locale=en_GBFacebook: Off Track Podcast https://www.facebook.com/OffTrackTheMotorcycleRacingPodcast/ Instagram: @offtrackpodcastukhttps://www.instagram.com/offtrackpodcastuk/Twitter: @offtrack_https://twitter.com/OffTrack_ IG: @thedaveneal | Twitter: @daveneal | Facebook: Dave Neal
Sandra Bridewell has fallen from grace in Dallas Society. Shunned by neighbors and most friends in the posh Highland Park community that is home to oil and real estate barons. In Parts 1 & 2 Beneath the Charm: Unveiling The Black Widow we reveal Bridewell's connection to three mysterious shooting deaths and the stories about them label Sandra, The Black Widow. She flees to the West Coast to escape her scandalous reputation. True Crime author John Leake unveils in his book The Meaning of Malice: On The Trail Of The Black Widow of Highland Park how Sandra Bridewell tries to reinvent herself eventually as a missionary. FOLLOW the True Crime Reporter® Podcast SIGN UP FOR my True Crime Newsletter THANK YOU FOR THE FIVE-STAR REVIEWS ON APPLE Please leave one – it really helps. TELL ME about a STORY OR SUBJECT that you want to hear more about
Sandra Bridewell has fallen from grace in Dallas Society. Shunned by neighbors and most friends in the posh Highland Park community that is home to oil and real estate barons. In Parts 1 & 2 Beneath the Charm: Unveiling The Black Widow we reveal Bridewell's connection to three mysterious shooting deaths and the stories about them label Sandra, The Black Widow. She flees to the West Coast to escape her scandalous reputation. True Crime author John Leake unveils in his book The Meaning of Malice: On The Trail Of The Black Widow of Highland Park how Sandra Bridewell tries to reinvent herself eventually as a missionary. FOLLOW the True Crime Reporter® Podcast SIGN UP FOR my True Crime Newsletter THANK YOU FOR THE FIVE-STAR REVIEWS ON APPLE Please leave one – it really helps. TELL ME about a STORY OR SUBJECT that you want to hear more about
Warning! Pineapple on pizza is discussed in this podcast. We're back in Motorbike Racing's finest eatery – and the name suggestions have started! On this occasion, Greg Haines is accompanied by The Netherlands' online racer/commentator Niek van Gelder and none other than reigning British Superbike Champion Tommy Bridewell, who briefly leaves the table to attend to wildlife matters!Conversation topics range from Tommy's move from Ducati to Honda (was it just for the money?) to the time he deliberately duffed up Christian Iddon in the woods at Cadwell Park! Plus: do the guys have a favourite film?Follow @GregHainesTV on social media!X - https://x.com/greghainestvInsta - https://www.instagram.com/greghainestvYouTube - https://www.youtube.com/greghainestvContact Talking Away by email:TalkingAwayPodcast@gmail.com
This week we sit down with author, John Leake, to discuss his latest book The Meaning of Malice. John takes a deep dive into the life, and deceptions of Sandra Bridewell. Sandra was a mother and widower living in the affluent Highland Park area of Dallas. Her beauty and southern charm win over both men and women. Evil lurks in this high society tale of love, money, and murder. You can find The Meaning of Malice on Amazon!Thank you to our friends at Horsheshoe Bend Cellars! You can check them out at horseshoebendcellars.com. www.texaswineandtruecrime.com
Dallas Socialite Sandra Bridewell cultivated an image of elegance and vulnerability. In part one of our series, Beneath the Charm: Unveiling The Black Widow, Sandra Bridewell's first husband's life tragically ends with his alleged suicide. Was the promising young dentist driven to shoot himself in a fit of depression over the crushing burden of mounting debt from Sandra's lavish lifestyle? Or was there a sinister motive for murder? True crime author, John Leake continues the story from his book The Meaning Of Malice: On The Trail Of The Black Widow Of Highland Park. Within a year of her husband's death, Bridewell hunts for a new suitor. A whirlwind romance and marriage to her second husband catapults her to the top of Dallas society—but not for long. FOLLOW the True Crime Reporter® Podcast SIGN UP FOR my True Crime Newsletter THANK YOU FOR THE FIVE-STAR REVIEWS ON APPLE Please leave one – it really helps. TELL ME about a STORY OR SUBJECT that you want to hear more about
Dallas Socialite Sandra Bridewell cultivated an image of elegance and vulnerability. In part one of our series, Beneath the Charm: Unveiling The Black Widow, Sandra Bridewell's first husband's life tragically ends with his alleged suicide. Was the promising young dentist driven to shoot himself in a fit of depression over the crushing burden of mounting debt from Sandra's lavish lifestyle? Or was there a sinister motive for murder? True crime author, John Leake continues the story from his book The Meaning Of Malice: On The Trail Of The Black Widow Of Highland Park. Within a year of her husband's death, Bridewell hunts for a new suitor. A whirlwind romance and marriage to her second husband catapults her to the top of Dallas society—but not for long. FOLLOW the True Crime Reporter® Podcast SIGN UP FOR my True Crime Newsletter THANK YOU FOR THE FIVE-STAR REVIEWS ON APPLE Please leave one – it really helps. TELL ME about a STORY OR SUBJECT that you want to hear more about
Podcast: (CS)²AI Podcast Show: Control System Cyber SecurityEpisode: 109: Teaser for the CNI Research Report with Chase RichardsonPub date: 2024-05-14We are delighted to have Chase Richardson, the VP of Consulting at Bridewell, back on the show today. Bridewell boasts a rich history in industrials, offering comprehensive cybersecurity services across the entire cybersecurity spectrum, including operating technology. Recently, Bridewell came up with an insightful report on cybersecurity within the US critical infrastructure. In this episode, Chase dives into the current state of cybersecurity regulations in critical infrastructure and shares the details and origin of the upcoming Bridewell report, which falls squarely within the interest of CSAI. Tune in to learn more about this exciting project.Show highlights:How the attacks experienced by CISOs and cyber managers have decreased despite an increase in risk sentiment The challenges small and mid-sized airports face when implementing regulations due to their limited cybersecurity budgetsHow cybersecurity regulations in the US differ from those in the UKWhat is the link between IT and OT security?Why it is essential to implement a hybrid of IT and OT security measures to protect critical infrastructureWhy organizations need to comply with relevant cybersecurity standards and regulationsChase shares key findings and insights from Bridewell's upcoming cybersecurity report for critical infrastructure.Links and resources:(CS)²AI Derek Harp on LinkedInBridewellChase Richardson on LinkedInThe podcast and artwork embedded on this page are from Derek Harp, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
Podcast: (CS)²AI Podcast Show: Control System Cyber SecurityEpisode: 109: Teaser for the CNI Research Report with Chase RichardsonPub date: 2024-05-14We are delighted to have Chase Richardson, the VP of Consulting at Bridewell, back on the show today. Bridewell boasts a rich history in industrials, offering comprehensive cybersecurity services across the entire cybersecurity spectrum, including operating technology. Recently, Bridewell came up with an insightful report on cybersecurity within the US critical infrastructure. In this episode, Chase dives into the current state of cybersecurity regulations in critical infrastructure and shares the details and origin of the upcoming Bridewell report, which falls squarely within the interest of CSAI. Tune in to learn more about this exciting project.Show highlights:How the attacks experienced by CISOs and cyber managers have decreased despite an increase in risk sentiment The challenges small and mid-sized airports face when implementing regulations due to their limited cybersecurity budgetsHow cybersecurity regulations in the US differ from those in the UKWhat is the link between IT and OT security?Why it is essential to implement a hybrid of IT and OT security measures to protect critical infrastructureWhy organizations need to comply with relevant cybersecurity standards and regulationsChase shares key findings and insights from Bridewell's upcoming cybersecurity report for critical infrastructure.Links and resources:(CS)²AI Derek Harp on LinkedInBridewellChase Richardson on LinkedInThe podcast and artwork embedded on this page are from Derek Harp, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
Amidst the sprawling cityscape of Dallas, where power and prosperity intersect with secrets and lies, Sandra Bridewell's story unravels. Bridewell was a beautiful, alluring socialite in the affluent enclave of Highland Park when Dallas was the world's most popular TV show and the Dallas Cowboys were America's team. It is a tale woven with deception, sex, and the dark underbelly of high society in a close-knit community known as the Beverly Hills of the Southwest – Highland Park. Known infamously as "The Black Widow," Sandra's life story reads like a script from a classic thriller, her charm, and beauty masking a sinister reality of purported suicides, murders, beatings, romance scams, religious cons, and identity theft. True Crime author John Leake peels back the layers of Sandra Bridewell's enigmatic persona in The Meaning of Malice: On The Trail Of The Black Widow Of Highland Park. FOLLOW the True Crime Reporter® Podcast SIGN UP FOR my True Crime Newsletter THANK YOU FOR THE FIVE-STAR REVIEWS ON APPLE Please leave one – it really helps. TELL ME about a STORY OR SUBJECT that you want to hear more about
Amidst the sprawling cityscape of Dallas, where power and prosperity intersect with secrets and lies, Sandra Bridewell's story unravels. Bridewell was a beautiful, alluring socialite in the affluent enclave of Highland Park when Dallas was the world's most popular TV show and the Dallas Cowboys were America's team. It is a tale woven with deception, sex, and the dark underbelly of high society in a close-knit community known as the Beverly Hills of the Southwest – Highland Park. Known infamously as "The Black Widow," Sandra's life story reads like a script from a classic thriller, her charm, and beauty masking a sinister reality of purported suicides, murders, beatings, romance scams, religious cons, and identity theft. True Crime author John Leake peels back the layers of Sandra Bridewell's enigmatic persona in The Meaning of Malice: On The Trail Of The Black Widow Of Highland Park. FOLLOW the True Crime Reporter® Podcast SIGN UP FOR my True Crime Newsletter THANK YOU FOR THE FIVE-STAR REVIEWS ON APPLE Please leave one – it really helps. TELL ME about a STORY OR SUBJECT that you want to hear more about
Control System Cyber Security Association International: (CS)²AI
We are delighted to have Chase Richardson, the VP of Consulting at Bridewell, back on the show today. Bridewell boasts a rich history in industrials, offering comprehensive cybersecurity services across the entire cybersecurity spectrum, including operating technology. Recently, Bridewell came up with an insightful report on cybersecurity within the US critical infrastructure. In this episode, Chase dives into the current state of cybersecurity regulations in critical infrastructure and shares the details and origin of the upcoming Bridewell report, which falls squarely within the interest of CSAI. Tune in to learn more about this exciting project.Show highlights:How the attacks experienced by CISOs and cyber managers have decreased despite an increase in risk sentiment The challenges small and mid-sized airports face when implementing regulations due to their limited cybersecurity budgetsHow cybersecurity regulations in the US differ from those in the UKWhat is the link between IT and OT security?Why it is essential to implement a hybrid of IT and OT security measures to protect critical infrastructureWhy organizations need to comply with relevant cybersecurity standards and regulationsChase shares key findings and insights from Bridewell's upcoming cybersecurity report for critical infrastructure.Links and resources:(CS)²AI Derek Harp on LinkedInBridewellChase Richardson on LinkedIn
Join us as we talk with true crime author John Leake as we uncover the chilling legacy of Sandra Bridewell, the notorious 'Black Widow of Highland Park'. In this compelling episode, we take you beyond the tranquility of Highland Park and unravel a story of charm and lethal secrets. Get ready to hear from John, who grew up on the very same street as Bridewell, as he shares intimate knowledge of one of the darkest narratives our community has experienced.To learn more about John Leake click hereTo purchase The Meaning of Malice – on the trail of the Black Widow of Highland Park click hereThis episode sponsored by Tequila Komos, Kathy L Wall State Farm Agency, and SA Oral Surgeons. To learn more about our sponsors visit Tequila Komos, Kathy L Wall State Farm Agency and SA Oral Surgeons
Sandra Bridewell was a beguiling Dallas socialite in the seventies and early eighties. Her first husband was a prominent dentist who was found shot to death in their home in 1975. The medical examiner ruled his death a suicide. Her second husband, Robert Bridewell, developed the Mansion on Turtle Creek—the first property of Rosewood Hotels and Resorts. Shortly after Mr. Bridewell died of lymphoma in 1982, his treating doctor's wife was found shot to death in her car at Love Field a few hours after giving Sandra a ride to the airport. The medical examiner ruled the woman's death a suicide. Three years later, Sandra's third husband was found shot to death in his car in which he was last seen driving to meet her. The medical examiner ruled his death a homicide and Sandra became the prime suspect but was never arrested. In 1987, Sandra was the subject of a D Magazine feature titled “The Black Widow” that suggested she had indeed murdered her third husband—as well as her first husband and the wife of the prominent cancer doctor who had treated Mr. Bridewell.Author John Leake grew up in Highland Park, down the street from Sandra Bridewell, and often visited her at her home to play with one of her children. He began his multi-year investigation in 2007, when Sandra was arrested for aggravated identity theft. Assuming the guise of a Christian missionary, she ingratiated herself with an elderly lady in Southport, North Carolina (near Cape Fear) to steal the unsuspecting victim's identity and to plunder her financial assets. Leake visited Bridewell in pretrial detention and began documenting her life and wanderings. He then investigated the three gunshot deaths reported in the D Magazine feature with the assistance of former Los Angeles County criminalist Lynne Herold and former FBI forensic psychologist, Gregg McCrary.Dallas police photos of the first two death scenes display physical evidence that they were not suicides, but murders that were staged to look like suicides. These murders bear striking similarities to the murder of Sandra Bridewell's third husband, and she was the last known contact of all three decedents. After serving two years in a federal penitentiary for aggravated identity theft, she was released in 2010 and now roams free. THE MEANING OF MALICE: On The Trail of the Black Widow of Highland Park-John Leake
Sandra Bridewell first husband was found shot to death in their Dallas home in 1975. Death ruled a suicide. Her second husband, BOOK TRAILER , Amazon Robert Bridewell, developed the Mansion on Turtle Creek—the first property of Rosewood Hotels and Resorts. Shortly after Mr. Bridewell died of lymphoma in 1982, his treating physician's wife was found shot to death in her car at Dallas Love Field a few hours after giving Sandra a ride to the airport. Sandra Bridewell was a beguiling Dallas socialite in the seventies and early eighties who happened to be author John Leake's neighbor. Sandra's The medical examiner ruled the woman's death a suicide. Three years later, Sandra's third husband was found shot to death in his car in which he was last seen driving to meet her. The medical examiner ruled his death a homicide and Sandra became the prime suspect but was never arrested.For his new book, The Meaning of Malice, true crime author John Leake investigated these three gunshot deaths with the assistance of former Los Angeles County criminalist Lynne Herold and former FBI forensic psychologist, Gregg McCrary. Join Tommy and John as they discuss this true crime thriller and review the evidence that has led John and his forensic consultants to believe that Sandra Bridewell (who is still alive and free) is an officially undetected serial killer. WATCH BOOK TRAILER Book Available on Amazon➔Please check out our Sponsors: ➔Hormone levels falling? Use MSCSMEDIA to get 25% off home test: https://trylgc.com/MSCSMEDIA ➔Fiji: https://Fijiwater.com/mscs $5 off free shipping Unleash ➔Monster Energy: https://www.monsterenergy.com/us/mscsmscsmedia ➔Aura: See if any of your passwords have been compromised. Try 14 days for free:
Podcast: (CS)²AI Podcast Show: Control System Cyber SecurityEpisode: 108: Mastering Data Complexity: Insights from Chase Richardson and Martin Riley on OT IntegrationPub date: 2024-02-20We are delighted to have Chase Richardson, Head of US Operations for Bridewell, and Martin Riley, Director of Managed Services for Bridewell, joining us today!We are changing things slightly for this episode, with Martin and Chase diving into how to integrate OT systems into your sim rather than presenting our regular biographical format. Their focus today is predominantly on the increasingly relevant topic of managing data across diverse platforms, particularly in OT applications. Join us as we explore this integration and unravel the challenges it presents.Show highlights:The evolution of cybersecurity technologyHow the industry struggles with integrating IoT and OT data into security simsWhy integrating separate systems into one platform is crucial for security teams How security and operational technology leadership teams convergeWhy hybrid teams are essential for managing cybersecurity risksThe importance of asset visibility and understanding the architecture for effectively implementing security solutions How AI and machine learning can help to reduce noise in security operationsWhy threat intelligence is essential for business risk and control validationThe importance of threat intelligence in the cybersecurity industryLinks and resources:(CS)²AI Chase Richardson on LinkedInMartin Riley on LinkedInBridewellDerek Harp on LinkedInThe podcast and artwork embedded on this page are from Derek Harp, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
Podcast: (CS)²AI Podcast Show: Control System Cyber SecurityEpisode: 108: Mastering Data Complexity: Insights from Chase Richardson and Martin Riley on OT IntegrationPub date: 2024-02-20We are delighted to have Chase Richardson, Head of US Operations for Bridewell, and Martin Riley, Director of Managed Services for Bridewell, joining us today!We are changing things slightly for this episode, with Martin and Chase diving into how to integrate OT systems into your sim rather than presenting our regular biographical format. Their focus today is predominantly on the increasingly relevant topic of managing data across diverse platforms, particularly in OT applications. Join us as we explore this integration and unravel the challenges it presents.Show highlights:The evolution of cybersecurity technologyHow the industry struggles with integrating IoT and OT data into security simsWhy integrating separate systems into one platform is crucial for security teams How security and operational technology leadership teams convergeWhy hybrid teams are essential for managing cybersecurity risksThe importance of asset visibility and understanding the architecture for effectively implementing security solutions How AI and machine learning can help to reduce noise in security operationsWhy threat intelligence is essential for business risk and control validationThe importance of threat intelligence in the cybersecurity industryLinks and resources:(CS)²AI Chase Richardson on LinkedInMartin Riley on LinkedInBridewellDerek Harp on LinkedInThe podcast and artwork embedded on this page are from Derek Harp, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
Control System Cyber Security Association International: (CS)²AI
We are delighted to have Chase Richardson, Head of US Operations for Bridewell, and Martin Riley, Director of Managed Services for Bridewell, joining us today!We are changing things slightly for this episode, with Martin and Chase diving into how to integrate OT systems into your sim rather than presenting our regular biographical format. Their focus today is predominantly on the increasingly relevant topic of managing data across diverse platforms, particularly in OT applications. Join us as we explore this integration and unravel the challenges it presents.Show highlights:The evolution of cybersecurity technologyHow the industry struggles with integrating IoT and OT data into security simsWhy integrating separate systems into one platform is crucial for security teams How security and operational technology leadership teams convergeWhy hybrid teams are essential for managing cybersecurity risksThe importance of asset visibility and understanding the architecture for effectively implementing security solutions How AI and machine learning can help to reduce noise in security operationsWhy threat intelligence is essential for business risk and control validationThe importance of threat intelligence in the cybersecurity industryLinks and resources:(CS)²AI Chase Richardson on LinkedInMartin Riley on LinkedInBridewellDerek Harp on LinkedIn
Today we are joined by Tasha and Tess, the director and producer of an amateur production of the color purple musical with sedos. The London production will be put on by an all black creative crew - coming to the Bridewell theatre in November 2024. Want to audition? Register interest here: https://www.sedos.co.uk/news/2024-01-24-register-an-interest-in-the-color-purple ................................ Let us know what we should discuss next! Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on Chasin' The Racin', we are joined by the 2023 British Superbike Championship, Tommy Bridewell. Dom and Josh question him on the incidents on track this season as well as looking forward to the 2024 season with the factory Honda team. Enjoy - CTR x Proudly sponsored by OMG Racing - Check out their socials @omgracinguk to keep u to date with whats going on with those guys. Bennetts are giving FREE access to BikeSocial membership via their website - with that you'd be getting all the good stuff at BSB (pit perch, garage, priority pit walks, safety car laps, competiton giveaways + more). It is well worth signing up: https://www.bennetts.co.uk Sponsor of the Episode: Timothy Adams - based in Tarporley, Cheshire, Timothy Adams are specialists in steel frame buildings, concreting and all types of ground works. Check out their Facebook through the link below: https://www.facebook.com/profile.php? We have one spot left in our tier 2 sponsorship level - if you would like to find out more about this please email chasintheracin@outlook.com for more information. ------- Our online shop is set up and ready for you to buy Chasin' the Shine & the rest of the products should be up there asap. Check it out below: https://chasintheracin.myspotify.com Want to become a Patreon? Click the link below to read more and sign up: www.patreon.com/motorbikepod -------- SOCIALS Facebook: Chasin' The Racin' Podcast www.facebook.com/motorbikepod Twitter: @motorbikepod - www.twitter.com/motorbikepod Instagram: @chasintheracinpod - www.instagram.com/chasintheracinpod
Laura feels she was overcharged for her and her husband's wills. Paul believes he saved €30,000 doing probate himself without any solicitors. Sheila is worried that the Kanturk Bridewell will be damaged beyond repair if work is not carried out soon. A Kinnegad suburban house owned by Rebecca's parents was listed as a hotel on Booking.com
One week on from claiming the 2023 British Superbike title by just half a point in the closest finale ever, Tommy Bridewell lends 35 minutes of his time to Greg Haines. The ever candid 35-year-old from Wiltshire delves into what kind of relationship he really has with team-mate, Glenn Irwin, as well as expressing the mountain of emotion overcome following the sudden loss of team owner Paul Bird. Taking centre stage is Ollie Bridewell, Tommy's elder brother to whom he dedicated his championship following a fatal 2007 accident at the age of 21.Follow @GregHainesTV on social media!X - https://x.com/greghainestvInsta - https://www.instagram.com/greghainestvYouTube - https://www.youtube.com/greghainestvContact Talking Away by email:TalkingAwayPodcast@gmail.com
Bridewell Crowned BSB Champion - Ep 32 Sam and Ash relive their weekend at Brands hatch where Tommy Bridewell was crowned the new BSB Champion. Discord - https://discord.gg/c5xUpsAh Intro - 00:00 Who Am I? - 3:30 BSB - 13:30 MotoGP - 36:55 News - 1:17:00 Confirmed Rides - 1:25:45 Silly Season - 1:32:45 Predictions - 1:35:15 Listen Apple Podcasts: https://podcasts.apple.com/gb/podcast/the-big-bad-bike-show/id1673167083 Spotify: https://open.spotify.com/show/70IS589qT50Ms15HGpPKYQ?si=8c10129ff0154830 YouTube: https://www.youtube.com/@thebigbadbikeshow Follow Facebook Page: https://www.facebook.com/profile.php?id=100090396463981 Facebook Group: https://www.facebook.com/groups/733520544969492 Twitter: https://twitter.com/TheBigBadBS Instagram: https://www.instagram.com/thebigbadbikeshow/ Contact Email: Podcast@bigbadbs.co.uk https://discord.gg/c5xUpsAh
Welcome to Episode 115 of the Everything Moto Racing podcast! We hope you enjoy it! In this episode, we discussed Marc Marquez finally being confirmed at Gresini, Tommy Bridewell taking the BSB crown, Martin taking then losing the title lead, Bagnaia's incredible race and more!
The BSB Championship leader joins Dave and Ben for a hilarious chat at Brands Hatch Hosted on Acast. See acast.com/privacy for more information.Facebook: Off Track Podcast www.facebook.com/offtrackthemotorcycleracingpodcast Instagram: @offtrackpodcastuk www.instagram.com/offtrackpodcastuk Twitter: @offtrack_ www.twitter.com/offtrack_ Us... IG: @thedaveneal | Twitter: @daveneal | Facebook: Dave Neal IG: @bencurrie61 | Twitter: @BenCurrie61 | Facebook: Benjamin Currie #61 Off Track Merchandise: https://www.hmycustoms.co.uk/off-track-podcast Our Patreon Page is live! https://www.patreon.com/join/9993138
Creation Corner: It's so easy to let game mechanics feel, well, mechanical. But they don't have to be! D&D and other RPGs draw from rich sources, and if we know a little more about them, we can find ways to use the extra detail to enrich our games. In this episode, we consider the 5e Rogue class feature of thieves' cant, and its shadowy origins as revealed through English literature from the 15 and 1600s. We'll look at how it was used, other specialized speech and writing designed to allow direct communication with others while in public, and then consider some ways to use these facets to drive rewarding roleplay at the table. Here are links to the references and resources Rhett used in today's episode, in case you'd like to do some digging on your own: Thieves' Cant Wikipedia article Mental Floss article Unbabel article Macmillan Dictionary blog post Cockney Rhyming Slang Wikipedia article Guardian article Hobo Symbols Popular Mechanics article Owlcation article Ocean's Twelve excerpt: https://www.youtube.com/watch?v=_j9qAhXfNAU Contemporary books that share oodles of rogue flavoring: The Book of Vagabonds and Beggars: With a Vocabulary of Their Language, by Martin Luther The Art of Iugling or Legerdemaine, by Samuel Rid Lanthorne and Candle-light, by Thomas Dekker The Belman of London, by Thomas Dekker A Caveat or Warning for Common Cursetors, by Thomas Harman The Hye Way to the Spyttell Hous, by Robert Copland The Black Book, by Thomas Middleton The Canting Academy, or, the Devil's Cabinet Opened, by Richard Head Martin Mark-all, Beadle of Bridewell, by Samuel Rid So get out that shaker and let's start flavoring! ----- Our spot for Battlebards uses music from Battlebards! We hope you like our use of: Capital City - Middlegate - Score Music by Shams Ahsan We're glad you're sharing our story; we really appreciate your support and hope you enjoy what we've created together. We're having fun sharing our adventure with you each week, and we'll only get better with time! If you like what you hear, please take the time to leave us a review on iTunes, since that bumps us up in the ratings and lets others join in the fun. For quick updates on a more real-time basis, follow us on Twitter (@stackodice) and on Instagram (@stackodice), where we'd love to hear from you. Or if you want to share a question or idea with us, drop us a line at stack.o.dice@gmail.com. Also, if you aren't on our Discord server yet, you should be! Check it out here: https://discord.com/invite/sUUJp78r3E Finally, we now have a Ko-fi page! If you wish to support our show with a little money, you can do that today. Please know that we'll use anything you contribute to improve the show. ----- We didn't use any Creative Commons sound effects and music in this show, but we like to point to freesound.org, a fantastic resource for completely free sound effects. We also used some excellent Battlebards sound effects. If you like what you hear, check them out at battlebards.com. If you sign up for a Prime account, be sure to use our special code, stack, and you'll get a 20% discount on your subscription. Here are the sound effects we used in this episode: City Siege - Defending the Gates - Score Music, by Phil Archer BBEG Theme - God of Death - Score Music, by Christian Peitsch Downtime - Fantasy Ambience - Score Music, by Alexander Nakarada And now, on with the show-- we're excited to tell a story with you.
Chris Walton in conversation with David Eastaugh Their first EP, Just Good Friends, was released on their own Stolen Records label in autumn, 1989. It reached number 18 on the UK Indie Chart. Their second single was "Give In" c/w "Whole Damn Nation" which featured a dance remix of the latter track. The band started headlining their own gigs and became regulars at venues such as the Warehouse in Leeds, The Boardwalk in Manchester and The Leadmill in Sheffield. Their debut LP "Invisible To You" was a collection of previous Stolen Records releases with two new tracks. It was launched at a home town concert at Leeds Town Hall on 5 July which was also filmed for a video release. Despite its relative lack of new material, "Invisible" sold well and remained in the indie charts for six weeks.
Chris Brown is Principal Lead Consultant at Bridewell Cyber Security (https://www.bridewell.com/) and previously served with the British Army's Corps of Royal Engineers, Intelligence Corps and AGC. ***** Become a patron at patreon.com/hkpodcasts Patrons receive previews of episodes and get private Q&As with guests ******
In 1618, almost 100 impoverished children from London - some as young as eight - arrived in Jamestown, Virginia to labour in the growing colony. It was the first example of transporting children to colonies that would continue into the twentieth century. In this episode of Not Just the Tudors, Professor Suzannah Lipscomb finds out more from Dr. Deborah Albon whose groundbreaking research traces the lives of these children from urban poverty, through incarceration in Bridewell to, if they survived the Atlantic crossing, a life no less miserable in the New World.This episode was edited and produced by Rob WeinbergFor more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store Hosted on Acast. See acast.com/privacy for more information.
GuestsLeAnn CarySenior Director - Advanced Fusion Center Practice Leader, Optiv [@Optiv]On Twitter | https://twitter.com/leanncaryOn Linkedin | https://www.linkedin.com/in/leanncary/Yolanda CraigDirector, Business Strategy and Development, IC at Raytheon BBN [@RaytheonIntel]On Linkedin | https://www.linkedin.com/in/yolanda-c-r-craig/Sunday Oludare OgunlanaSecurity Incident Management Team, Citi [@Citi]On Linkedin | https://www.linkedin.com/in/sogunlana/On Twitter | https://twitter.com/abovejordanJay Jay DaveySOC Client Lead, Bridewell [@bridewellsec]On Linkedin | https://www.linkedin.com/in/biggingerhoneypot/On Twitter | https://twitter.com/NoxCyberHostsSean MartinCo-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining CyberSecurity Podcast [@RedefiningCyber]On ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/sean-martinMarco CiappelliCo-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli____________________________Episode IntroductionThe SOC is changing. Cybersecurity teams are investing in AI-driven security technologies and planning to outsource many of the Tier-1 and Tier-2 analyst responsibilities to combat talent shortages—enabling in-house teams to become much more focused on threat intelligence. In this panel, SOC professionals from MSSPs and in-house teams will come together to discuss dividing and conquering responsibilities to keep organizations secure.Want more on this topic? Be sure to watch the live stream of the Second Annual SOC Analyst Appreciation Day: https://itspm.ag/devo2p8iFor more SOC Analyst Appreciation Day Event Coverage podcast and video episodes visit: https://itspmagazine.com/second-annual-soc-analyst-appreciation-dayTo see and hear more Redefining CyberSecurity content on ITSPmagazine, visit:https://www.itspmagazine.com/redefining-cybersecurity-podcastAre you interested in sponsoring an ITSPmagazine Channel?
GuestsLeAnn CarySenior Director - Advanced Fusion Center Practice Leader, Optiv [@Optiv]On Twitter | https://twitter.com/leanncaryOn Linkedin | https://www.linkedin.com/in/leanncary/Yolanda CraigDirector, Business Strategy and Development, IC at Raytheon BBN [@RaytheonIntel]On Linkedin | https://www.linkedin.com/in/yolanda-c-r-craig/Sunday Oludare OgunlanaSecurity Incident Management Team, Citi [@Citi]On Linkedin | https://www.linkedin.com/in/sogunlana/On Twitter | https://twitter.com/abovejordanJay Jay DaveySOC Client Lead, Bridewell [@bridewellsec]On Linkedin | https://www.linkedin.com/in/biggingerhoneypot/On Twitter | https://twitter.com/NoxCyberHostsSean MartinCo-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining CyberSecurity Podcast [@RedefiningCyber]On ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/sean-martinMarco CiappelliCo-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli____________________________Episode IntroductionThe SOC is changing. Cybersecurity teams are investing in AI-driven security technologies and planning to outsource many of the Tier-1 and Tier-2 analyst responsibilities to combat talent shortages—enabling in-house teams to become much more focused on threat intelligence. In this panel, SOC professionals from MSSPs and in-house teams will come together to discuss dividing and conquering responsibilities to keep organizations secure.Want more on this topic? Be sure to watch the live stream of the Second Annual SOC Analyst Appreciation Day: https://itspm.ag/devo2p8iFor more SOC Analyst Appreciation Day Event Coverage podcast and video episodes visit: https://itspmagazine.com/second-annual-soc-analyst-appreciation-dayTo see and hear more Redefining CyberSecurity content on ITSPmagazine, visit:https://www.itspmagazine.com/redefining-cybersecurity-podcastAre you interested in sponsoring an ITSPmagazine Channel?
For Video Edition, Please Click and Subscribe Here: https://youtu.be/PTW2Pvj_8lM Maureen Taylor loves to inspire and uplift others through musical storytelling and Cabaret is the perfect vehicle for that! Taylor is known for her critically acclaimed Taylor Made Bob Merrill show which was part of New York's Cabaret's Greatest Hits at the Metropolitan Room. In addition to regional musical theatre, Taylor has performed with the Chicago Lyric, Philadelphia and West Palm Beach Opera companies. She studied with Opera stars Renata Tebaldi and Carlo Bergonzi in Italy as a result of being a Bel Canto Winner. In Switzerland Taylor got to perform as Madame Giry in Phantom Of The Opera (both German and English). * She also lived on a purple bike and got her Reiki certification. In the UK, she performed at Hever Castle, Brighton Pavilion Dome, Theatre Royal, and the London Palladium (where she was a stand-in for Helen Mirren). She was also in a comic book musical entitled The Ultimate Man in the Bridewell. Taylor is a soprano soloist on Tim Wheater's Platinum Award Winning CD: "Incantation" recorded in Bath, England. Fun fact: She taught musical theater in London: 3-16 year olds. *.Ask me about the 3-5 year olds! https://www.facebook.com/maureen.taylor.5895https://www.linkedin.com/in/maureentaylorinspires #RichardSkipper #cabaret #music #NYC https://open.spotify.com/album/17X74rMDTvTfcIDT507hH6
Today we are taking the train to a wonderful little building… Actually scratch that… This place was once so crazy( no pun intended) that its nickname became a common word. The definition of the word is "A place or situation of chaotic uproar, and where confusion prevails. " The word is Bedlam. The place is Bethlehem Royal Hospital. The hospital is considered the first lunatic asylum. The word "bedlam" is derived from the hospital's nickname. Bedlam is a bastardization of the word bethlem, which in turn was a corruption of the name Bethlehem. Although the hospital became a modern psychiatric facility, historically it was representative of the worst excesses of asylums in the era of lunacy reform. We're gonna get into all that craziness tonight and see what kind of "Bedlam" actually went on there. Bethlem Royal Hospital's origins are unlike any other psychiatric hospital in the western world. As a formal organization, it can be traced to its foundation in 1247, during the reign of King Henry III, as a Roman Catholic Monastery for the Priory of the 'New Order of St Mary of Bethlem' in the city of London proper. It was established by the Italian Bishop of Bethlehem, Goffredo de Prefetti, following a donation of personal property by the London Alderman and former City-Sheriff, the Norman, Simon FitzMary. It bears its name after its primary patron and original overseer. The initial location of the priory was in the parish of Saint Botolph, in Bishopsgate's ward, just beyond London's wall and where the south-east corner of Liverpool Street station now stands. Bethlem was not initially intended as a hospital, much less as a specialist institution for the mentally ill. Rather, its purpose was tied to the function of the English Church; the ostensible purpose of the priory was to function as a centre for the collection of alms to support the Crusaders, and to link England to the Holy Land. Bishop De Prefetti's need to generate income for the Crusaders, and restore the financial fortunes of his apostolic see was occasioned by two misfortunes: his bishopric had suffered significant losses following the destructive conquest of the town of Bethlehem by the Khwarazmian Turks in 1244; and the immediate predecessor to his post had further impoverished his cathedral chapter through the alienation of a considerable amount of its property. The new London priory, obedient to the Church of Bethlehem, would also house the poor, disabled and abandoned; and, if visited, provide hospitality to the Bishop, canons and brothers of Bethlehem. The subordination of the priory's religious order to the bishops of Bethlehem was further underlined in the foundational charter which stipulated that Bethlems's prior, canons and male and female inmates were to wear a star upon their cloaks and capes to symbolize their obedience to the church of Bethlehem. During the 13th and 14th centuries, with its activities underwritten by episcopal and papal indulgences, Bethlem's role as a center for the collection of alms for the poor continued. However, over time, its link to the mendicant Order of Bethlehem increasingly devolved, putting its purpose and patronage in severe doubt. In 1346 the Prior of Bethlem, a position at that time granted to the most senior of London's monastic brethren, applied to the city authorities seeking protection; thereafter metropolitan office-holders claimed power to oversee the appointment of prios, and demanded in return an annual payment of 40 shillings from the coffers of the order. It is doubtful whether the City of London ever provided substantial protection, and much less that the priorship fell within their patronage, but dating from the 1346 petition, it played a role in the management of Bethlem's organization and finances. By this time the crusader bishops of Bethlehem had relocated to Clamecy, France under the surety of the Avignon papacy. This was significant as, throughout the reign of King Edward III (1327–77), the English monarchy had extended its patronage over ecclesiastical positions through the seizure of alien priories, mainly French. These were religious institutions that were under the control of non-English religious houses. As a dependent house of the Order of Saint Bethlehem in Clamecy, Bethlem was vulnerable to seizure by the English crown, and this occurred in the 1370s when Edward III took control of all English hospitals. The purpose of this appropriation was to prevent funds raised by the hospital from enriching the French monarchy, via the papal court, and thus supporting the French war effort. After this event, the Head Masters of the hospital, semi-autonomous figures in charge of its day-to-day management, were crown appointees, and Bethlem became an increasingly secularized institution. The memory of Bethlem's foundation became muddled. In 1381 the royal candidate for the post of master claimed that from its beginnings the hospital had been superintended by an order of knights, and he confused the identity of its founder, Goffredo de Prefetti, with that of the Frankish crusader, Godfrey de Bouillon, the King of Jerusalem. The removal of the last symbolic link to the mendicant order was confirmed in 1403 when it was reported that master and inmates no longer wore the symbol of their order, the star of Bethlehem. This was exclusively a political move on the part of the hospital administrators, as the insane were perceived as unclean or possessed by daemons, and not permitted to reside on consecrated soil. From 1330 Bethlehm was routinely referred to as a "hospital" does not necessarily indicate a change in its primary role from alms collection – the word hospital could as likely have been used to denote a lodging for travellers, equivalent to a hostel, and would have been a perfectly apt term to describe an institution acting as a centre and providing accommodation for Bethlem's peregrinating alms-seekers or questores. It is unknown from what exact date it began to specialise in the care and control of the insane. Despite this fact it has been frequently asserted that Bethlem was first used for the insane from 1377. This rather precise date is derived from the unsubstantiated conjecture of the Reverend Edward Geoffrey O'Donoghue, chaplain to the hospital, who published a monograph on its history in 1914. While it is possible that Bethlem was receiving the insane during the late fourteenth-century, the first definitive record of their presence in the hospital is provided from the details of a visitation of the Charity Commissioners in 1403. This recorded that amongst other patients then in the hospital there were six male inmates who were "mente capti", a Latin term indicating insanity. The report of the 1403 visitation also noted the presence of four pairs of manacles, eleven chains, six locks and two pairs of stocks although it is not clear if any or all of these items were for the restraint of the inmates. Thus, while mechanical restraint and solitary confinement are likely to have been used for those regarded as dangerous, little else is known of the actual treatment of the insane in Bethlem for much of the medieval period. The presence of a small number of insane patients in 1403 marks Bethlem's gradual transition from a diminutive general hospital into a specialist institution for the confinement of the insane; this process was largely completed by 1460. In 1546, the Lord-Mayor of London, Sir John Gresham, petitioned the crown to grant Bethlem to the city properly. This petition was partially successful, and King Henry VIII reluctantly ceded to the City of London "the custody, order and governance" of the hospital and of its "occupants and revenues". This charter came into effect in 1547. Under this formulation, the crown retained possession of the hospital, while its administration fell to the city authorities. Following a brief interval when Bethlem was placed under the management of the Governors of Christ's Hospital, from 1557 it was administered by the Governors of the city Bridewell, a prototype House of Correction at Blackfriars. Having been thus one of the few metropolitan hospitals to have survived the dissolution of the monasteries physically intact, this joint administration continued, not without interference by both the crown and city, until Bethlem's incorporation into the National Health Service (NHS) took place in 1948. In 1546, the Lord-Mayor of London, Sir John Gresham, petitioned the crown to grant Bethlem to the city properly. This petition was partially successful, and King Henry VIII reluctantly ceded to the City of London "the custody, order and governance" of the hospital and of its "occupants and revenues". This charter came into effect in 1547. Under this formulation, the crown retained possession of the hospital, while its administration fell to the city authorities. Following a brief interval when Bethlem was placed under the management of the Governors of Christ's Hospital, from 1557 it was administered by the Governors of the city Bridewell, a prototype House of Correction at Blackfriars. Having been thus one of the few metropolitan hospitals to have survived the dissolution of the monasteries physically intact, this joint administration continued, not without interference by both the crown and city, until Bethlem's incorporation into the National Health Service (NHS) took place in 1948. The position of master was a sinecure largely regarded by its occupants as means of profiting at the expense of the poor in their charge. The appointment of the early masters of the hospital, later known as keepers, had lain within the patronage of the crown until 1547. Thereafter, the city, through the Court of Aldermen, took control of these appointments where, as with the King's appointees, the office was used to reward loyal servants and friends. However, compared to the masters placed by the monarch, those who gained the position through the city were of much more modest status. Thus in 1561, the Lord Mayor succeeded in having his former porter, Richard Munnes, a draper by trade, appointed to the position. The sole qualifications of his successor in 1565 appears to have been his occupation as a grocer. The Bridewell Governors largely interpreted the role of keeper as that of a house-manager and this is clearly reflected in the occupations of most appointees during this period as they tended to be inn-keepers, victualers or brewers and the like. When patients were sent to Bethlem by the Governors of the Bridewell the keeper was paid from hospital funds. For the remainder, keepers were paid either by the families and friends of inmates or by the parish authorities. It is possible that keepers negotiated their fees for these latter categories of patients. In 1598 the long-term keeper, Roland Sleford, a London cloth-maker, left his post, apparently of his own volition, after a nineteen-year tenure. Two months later, the Bridewell Governors, who had until then shown little interest in the management of Bethlem beyond the appointment of keepers, conducted an inspection of the hospital and a census of its inhabitants for the first time in over forty years. Their express purpose was to "to view and p[er]use the defaultes and want of rep[ar]ac[i]ons". They found that during the period of Sleford's keepership the hospital buildings had fallen into a deplorable condition with the roof caving in, the kitchen sink blocked up and reported that: "...it is not fitt for anye man to dwell in wch was left by the Keeper for that it is so loathsomly filthely kept not fitt for anye man to come into the sayd howse". The 1598 committee of inspection found twenty-one inmates then resident with only two of these having been admitted during the previous twelve months. Of the remainder, six, at least, had been resident for a minimum of eight years and one inmate had been there for around twenty-five years. Three were from outside London, six were charitable cases paid for out of the hospital's resources, one was supported by a parochial authority, while the rest were provided for by family, friends, benefactors or, in one instance, out of their funds. The precise reason for the Governors' new-found interest in Bethlem is unknown but it may have been connected to the increased scrutiny the hospital was coming under with the passing of poor law legislation in 1598 and to the decision by the Governors to increase hospital revenues by opening it up to general visitors as a spectacle. After this inspection, the Bridewell Governors initiated some repairs and visited the hospital at more frequent intervals. During one such visit in 1607 they ordered the purchase of clothing and eating vessels for the inmates, presumably indicating the lack of such basic items. The year 1634 is typically interpreted as denoting the divide between the mediaeval and early modern administration of Bethlem. Although Bethlem had been enlarged by 1667 to accommodate 59 patients, the Court of Governors of Bethlem and Bridewell observed at the start of 1674 that "the Hospital House of Bethlem is very olde, weake & ruinous and to[o] small and straight for keeping the greater numb[e]r of lunaticks therein att p[re]sent". With the increasing demand for admission and the inadequate and dilapidated state of the building it was decided to rebuild the hospital in Moorfields, just north of the city proper and one of the largest open spaces in London. The architect chosen for the new hospital, which was built rapidly and at great expense between 1675 and 1676, was the natural philosopher and City Surveyor Robert Hooke. He constructed an edifice that was monumental in scale at over 500 feet (150 m) wide and some 40 feet (12 m) deep. The surrounding walls were some 680 feet (210 m) long and 70 feet (21 m) deep while the south face at the rear was effectively screened by a 714-foot (218 m) stretch of London's ancient wall projecting westward from nearby Moorgate. At the rear and containing the courtyards where patients exercised and took the air, the walls rose to 14 feet (4.3 m) high. The front walls were only 8 feet (2.4 m) high but this was deemed sufficient as it was determined that "Lunatikes... are not to [be] permitted to walk in the yard to be situate[d] betweene the said intended new Building and the Wall aforesaid." It was also hoped that by keeping these walls relatively low the splendour of the new building would not be overly obscured. This concern to maximise the building's visibility led to the addition of six gated openings 10 feet (3.0 m) wide which punctuated the front wall at regular intervals, enabling views of the facade. Functioning as both advertisement and warning of what lay within, the stone pillars enclosing the entrance gates were capped by the figures of "Melancholy" and "Raving Madness" carved in Portland stone by the Danish-born sculptor Caius Gabriel Cibber. At the instigation of the Bridewell Governors and to make a grander architectural statement of "charitable munificence", the hospital was designed as a single- rather than double-pile building, accommodating initially 120 patients. Having cells and chambers on only one side of the building facilitated the dimensions of the great galleries, essentially long and capacious corridors, 13 feet (4.0 m) high and 16 feet (4.9 m) wide, which ran the length of both floors to a total span of 1,179 feet (359 m). Such was their scale that Roger L'Estrange remarked in a 1676 text eulogising the new Bethlem that their "Vast Length ... wearies the travelling eyes' of Strangers". The galleries were constructed more for public display than for the care of patients as, at least initially, inmates were prohibited from them lest "such persons that come to see the said Lunatickes may goe in Danger of their Lives" The architectural design of the new Bethlem was primarily intended to project an image of the hospital and its governors consonant with contemporary notions of charity and benevolence. By the end of the 18th century the hospital was in severe disrepair. At this point it was rebuilt again on another site. As the new facility was being built attempts were made to rehouse patients at local hospitals and admissions to Bethlem, sections of which were deemed uninhabitable, were significantly curtailed such that the patient population fell from 266 in 1800 to 119 in 1814. The Governors engaged in protracted negotiations with the City for another municipally owned location at St. George's Fields in Southwark, south of the Thames. The deal was concluded in 1810 and provided the Governors with a 12 acres site in a swamp-like, impoverished, highly populated, and industrialised area where the Dog and Duck tavern and St George's Spa had been. A competition was held to design the new hospital at Southwark in which the noted Bethlem patient James Tilly Matthews was an unsuccessful entrant. Completed after three years in 1815, it was constructed during the first wave of county asylum building in England under the County Asylum Act ("Wynn's Act") of 1808. Female patients occupied the west wing and males the east, the cells were located off galleries that traversed each wing. Each gallery contained only one toilet, a sink and cold baths. Incontinent patients were kept on beds of straw in cells in the basement gallery; this space also contained rooms with fireplaces for attendants. A wing for the criminally insane – a legal category newly minted in the wake of the trial of a delusional James Hadfield for attempted regicide – was completed in 1816. Problems with the building were soon noted as the steam heating did not function properly, the basement galleries were damp and the windows of the upper storeys were unglazed "so that the sleeping cells were either exposed to the full blast of cold air or were completely darkened". Faced with increased admissions and overcrowding, new buildings, designed by the architect Sydney Smirke, were added from the 1830s. The wing for criminal lunatics was increased to accommodate a further 30 men while additions to the east and west wings, extending the building's facade, provided space for an additional 166 inmates and a dome was added to the hospital chapel. At the end of this period of expansion Bethlem had a capacity for 364 patients. In 1930, the hospital moved to the suburbs of Croydon,[211] on the site of Monks Orchard House between Eden Park, Beckenham, West Wickham and Shirley. The old hospital and its grounds were bought by Lord Rothermere and presented to the London County Council for use as a park; the central part of the building was retained and became home to the Imperial War Museum in 1936. The hospital was absorbed into the National Health Service in 1948. 1997 the hospital started planning celebrations of its 750th anniversary. The service user's perspective was not to be included, however, and members of the psychiatric survivors movement saw nothing to celebrate in either the original Bedlam or in the current practices of mental health professionals towards those in Mneed of care. A campaign called "Reclaim Bedlam" was launched by Pete Shaughnessy, supported by hundreds of patients and ex-patients and widely reported in the media. A sit-in was held outside the earlier Bedlam site at the Imperial War Museum. The historian Roy Porter called the Bethlem Hospital "a symbol for man's inhumanity to man, for callousness and cruelty." The hospital continues to operate to this day in this location. Ok so with that history out of the way let's drive into what really transpired to give this hospital it reputation and that drove Bedlam to strain it's current meaning in our lexicon. Early on Sanitation was poor and the patients were malnourished. Most of the patients were able to move about freely, but those who were considered dangerous were kept chained to the walls. Patients' families often dumped unwell family members in the asylum and disowned them. We've discussed other asylums and things dealing with them so we won't get into the fact that most of the patients were horribly misdiagnosed due to little to no understanding of mental health until relatively recently. Some of the treatments used ranged from barbaric and esoteric to just plain crazy. One of those crazy ass ones was called rotational therapy. Charles Darwin's grandfather, Erasmus Darwin, began using “rotational therapy”, which involved spinning a patient around and around on a chair or swing for up to an hour. They would sometimes be spun over 100 times per minute. Obviously this would create issues for the patient. Many would get sick and vomit. Most would become very upset and distraught while becoming severely disoriented. The vomiting was seen as a good thing and progress in the treatment. Doctor Joseph Mason Cox was a doctor who actually picked up this type of treatment later on. The time spent spinning, and the speed of the spin, were to be determined by the good doctor. Considering the fact that the common side effect was fear, extreme pallor, vomiting, and voiding the bowels and bladder, the doctor evidently commonly overdid it. Of course he didn't think so at the time. He wrote happily that, “after a few circumvolutions, I have witnessed the soothing lulling effects, when the mind has become tranquillized and the body quiescent.” It's true that after being spun until fluid leaves the body via every available orifice, most people have had the fight taken out of them and are ready for a nap. There is one positive side effect of this kind of rampant torture of the insane. Scientists started noticing that vertigo has visual effects, and used the chairs to study them. These rotating chairs mark the beginning of a lot of visual and mental experiments done on perception. The early 1800s were a particularly grim time, and many patients were chained to the walls naked or almost naked, as the medical director felt that it was necessary to break each person's will. Some of the more barbaric and esoteric treatments included bloodletting, leeches and good old fashioned starvation and beatings. Ice baths would often be used to try and calm down hysterical patients. At the time, bloodletting was believed to be a completely acceptable and normal way to cure a patient of a variety of mental and physical ailments. Doctors thought that they could literally bleed a sickness out of a patient, which not only doesn't work, it extra-double doesn't work on mental illnesses. Many of the patients were forced to undergo treatment with leeches and the induction of blisters, which mostly just sounds unpleasant, but it often proved fatal. Reportedly, the physicians at the time at least understood that everyone needs blood, so only patients who were deemed strong enough to undergo treatment were allowed to have this "cure." Here's another fun one. A doctor named William Black wrote that patients were placed in straitjackets and given laxatives, which was seen at Bethlem as one of the "principal remedies." Hearing voices? Some explosive diarrhea oughta clear that up. Seizures? One diarrhea for you. Diarrhea for everyone! We all know the best thing for someone who may not be in their right mind is to be left alone… in the dark… for long periods of time… Like really long periods of time. Well we may know that's probably NOT the best, but Bedlam never got the message. Some patients were left alone in solitary for days, weeks, even months at a time. Seems very counterproductive. One of the worst ones was the example of the inhumane conditions was that of James Norris. Norris, an American Marine, had been sent to Bethlem on the 1st of February 1800. Her was kept in Bethlem's “incurable wing,” Norris' arms were pinned to his sides by iron bars. He was also kept chained to the wall by his neck. This fifty-five-year-old man had been continuously kept in this position for “more than twelve years.” The apathy of families abandoning their relatives to a hellish existence in Bethlem led to a new form of exploitation. From the 1700s to the 1800s, there was a marked increase in the dissection of bodies to learn more about human anatomy. In the 1790s, Bethlem's chief surgeon was Bryan Crowther, a man who saw opportunity in the search for corpses to study. Crowther would dissect Bethlem's dead patients in the name of medical science, believing that he would be able to find a difference in the brains of his mentally ill patients, compared to “normal” people. Of course, he did these operations without any kind of consent or legal right. One of the best ways to sum up the reasoning behind this torture is to let you know from the man who was behind the worst of it. John Haslam was one of the most sinister figures in the history of Bethlem, and it was while he was the head of management that the institution sunk to a new low in depravity. While Bryan Crowther was conducting illegal dissections as chief surgeon, Haslam used various tortures against the patients. He was adamant that the first step to curing the patients was breaking their wills first. So ya… They figured fuck em… Break their will and they'll be fine… Wow. Oftentimes patients would lack even basic amenities for living. That includes proper clothing and food. To make things even worse for the patients, from approximately the early 1600s until 1770, the public was able to go for a wander through Bedlam. Money was collected as entrance fees, and it was hoped that seeing the crazy people would make people feel sufficiently compassionate that they would donate funds to the hospital. Another reason for this is that they hoped it would attract the families of these patients and that they would bring those patients food and clothing and other things they needed so the hospital would not have to provide them. Oh if that's not bad enough, how about the mass graves. Modern-day construction of the London Underground unearthed mass graves on the grounds of Bethlem, created specifically to get rid of the corpses of those who didn't survive the hospital's care. Discovered in 2013, the mass graves dating back to 1569, and there are somewhere close to 20,000 people buried in them. Amazingly, authorities have managed to identify some of the deceased, but many others will likely never get a face and name. Anything about any of these areas being haunted? Yup we got that too. Although the first few sites have long been transformed into other things, the girls that happened there could have left tons of negative juju. We found this cool story. "The Liverpool Street Underground Station was opened in February of 1874 on the site of the original Bedlem Hospital. Former patients haunt this busy section of the London Underground. One compelling sighting happened in the summer of 2000. A Line Controller spotted something strange on the CCTV camera that he was monitoring that showed the Liverpool Station. It was 2:00 am in the morning and the station was closed for the night. This witness saw a figure wearing white overalls in an eastbound tunnel. He became concerned since he knew no contractors worked the station this late at night. He called his Station Supervisor to report what he was seeing on the screen. The Supervisor went to investigate. The Line Controller watched as his Supervisor stood nearby the mysterious figure. So he was confused when his Supervisor called to say he had not seen any figure. The Line Controller told his boss that the figure had stood so close to him that he could have reached out and touched it. Hearing this the Supervisor continued to search for the figure. Again the Line Controller saw the figure walk right passed his boss on his screen, but again his boss did not see the figure. The Supervisor finally giving up went to leave the station but as he did so he spotted white overalls placed on a bench that he had passed before. He stated that they could not have been placed there without him seeing who did it. Even before the Liverpool Station was built the area where the hospital stood was considered haunted. Between 1750 and 1812 many witnesses reported hearing a female voice crying and screaming. It is believed that this is a former patient from Bedlam. Rebecca Griffins was buried in the area. While alive she always frantically clutched a coin in her hand. Witnesses state they hear her asking where her ha' penny is." Fun stuff! The following comes from the old building that was turned into the imperial war museum. It is said that to this day the spectres of those who suffered in Bedlam still roam the hallways and rattle their chains in remembered anguish. During the Second World War, a detachment of the Women's Auxiliary Air Force was stationed inside the Imperial War Museum with barrage balloons. Much of the museum has parts that date back to Bedlam and it isn't hard to imagine them as cells full of the damned inmates. Many of the young girls who were garrisoned inside had never heard of the buildings sordid past, so had no reason to fear it. Yet soon complaints began to flood in as during the night many found they couldn't sleep, kept up by strange moaning and the rattling of chains. The long passed inmates of Bedlam made their displeasure well known. Eventually the complaints became so bad the entire detachment had to be rehoused nearby. Possibly the most famous ghost of Bedlam is the sad spectre of poor Rebecca. At a merchant's house by London Bridge lived a lovely young girl by the name of Rebecca. She fell head over heels in love with a handsome young Indian man who had come to lodge with the family. So besotted was she that when he packed up his bags to return to India she was shocked that he hadn't loved her quite nearly as much as she'd loved him. She helped him to pack his things, hoping all the while that he would change his mind and agree to stay. But all she received was a gold sovereign that he slipped into her hand before leaving forever. The grief of her spurning was too much for her mind to handle and she snapped, soon being admitted to Bedlam Hospital. The golden sovereign he had given her was gripped firmly in her fist for the remainder of her short life, the final token from her lost love, never to be given up. When she finally wasted away into death it didn't go unnoticed by one of the guards who prised the coin from her hand and then buried her without her most prized possession. It was after that the guards, inmates and visitors all began to report a strange sight indeed. A wan and ghostly figure began to roam the halls of Bedlam, searching for her lost love token, her spirit refusing to be put to rest until she had it back in her hand. It is said that she still wanders the halls to this day, looking for that stolen coin to make her whole once more. Well… There you have it, the history and craziness of Bedlam Asylum! British horror movies https://screenrant.com/best-british-horror-movies/ BECOME A P.O.O.P.R.!! http://www.patreon.com/themidnighttrainpodcast Find The Midnight Train Podcast: www.themidnighttrainpodcast.com www.facebook.com/themidnighttrainpodcast www.twitter.com/themidnighttrainpc www.instagram.com/themidnighttrainpodcast www.discord.com/themidnighttrainpodcast www.tiktok.com/themidnighttrainp And wherever you listen to your favorite podcasts. Subscribe to our official YouTube channel: OUR YOUTUBE Support our sponsors www.themidnighttraintrainpodcast.com/sponsors The Charley Project www.charleyproject.org
Henry VIII's main London residence from 1523 to 1530 served as a backdrop for some of the drama of the King's Great Matter: Henry's attempt to annul his marriage to Catherine of Aragon, so that he could marry Anne Boleyn.
Rosemarie Smyth updates of the museum at the Bridewell in Tarbert Co Kerry
Bridewell Palace was built in the early 16th century as a residence for King Henry VIII. The palace was a unique structure because it deviated from the architectural designs of the time period by not having a great hall and featuring an elaborate staircase. It was also constructed around a large inner courtyard. Under Edward VI in the 1550s, Bridewell Palace was given to the City of London as a home for the city's homeless children and a place of punishment for “disorderly women.” It was run in conjunction with Bedlam Hospital throughout Shakespeare's lifetime and formed the blueprint for later large prisons, including the Clirkenwell Bridwell prison opened as a correctional institute for prostitutes and vagrants in 1615 and Tothill Fields Bridewell prison that was opened in 1618 in Westminster. The building itself was mostly destroyed by the Great Fire of London in 1666, but the reputation of Bridwell would far outlast the original structure, with the term “bridewell” continuing in use around the world into the present day as a term for a city's detention facility, usually close to a courthouse. Here today to explain the history of Bridewell Prison is our guest, Duncan Salkeld.
Cultos inconfesables Existen tres versiones: Unaussprechlichen kulten Escrito en alemán por Friedrich Wilhem von Junzt, 1839. Tamaño cuartilla, fue conocido con el Libro negro, narra los contactos de von Junzt con varias sectas y sociedades secretas. Se conservan varios ejemplares en bibliotecas importantes de Europa y América. La edición original ostenta espantosos grabados de Gunter Hase. Perdida de Cordura: 2D8Mitos de Cthulhu: +6%/+10%Puntuación de Mitos: 45Estudio: 52 semanasHechizos sugeridos: Contactar con un GulContactar con Padre DagonContactar con profundoCrear barrera de Naach-Tith, Coste PM variables y 10 Puntos de Cordura, ejecución 1 minuto. Se crea una barrera defensiva tanto física como mágica. Por cada Puntos invertido proporciona 3D10 puntos de FUE a la barrera, que durará 1D4+4horas, cualquiera que conozca el hechizo podrá añadir PM para aumentar el poder. Se puede usar para atrapar o defenderse, para escapar una tirada enfrentada de FUE.Llamar/Expulsar a NyogthaLlamar/Expulsar a CyaeghaLlamar/Expulsar a Shub-NiggurathContactar con NyarlathotepLlamar/Expulsar a AzathothContactar con Mi-goResurrección, Coste 3PM, 1D10 P de Cordura, ejecución 1 o 2 asaltos, el hechizo reduce un cadáver a sus compuestos y sales fundamentales (un polvo gris azulado), invirtiendo el hechizo recompone la forma y el alma del fallecido. Disponer de parte de las sales dará vida solamente a un horror apenas vivo. Para que surta efecto es necesario una tirada de POD contra el objetivo. En el Caso de Charles Dexter Ward muchos de esos resucitados eran sometidos a interrogatorios y torturas para que revelasen secretos del pasado.Convocar a un retoño oscuroLlamar/Expulsar a GhatanothoaConvocar/Atar a byakhee Versión inglesa 1845 Traducción no autorizada de escritor desconocido en 1845, se publicó por Bridewell en Inglaterra y se conservan unos 20 ejemplares, El texto tiene muchos errores, todas las estadísticas para el juego bajan un poco y los hechizos son los mismos pero versiones incompletas o defectuosas. Versión inglesa 1909 Golden Goblin Press publicó en 1909 en New York, una versión expurgada del texto de Bridewell. El contenido del libro es unicamente las descripciones de los hechizos y es posible encontrar ejemplares en tiendas de libros de segunda mano. Las estadisticas bajan un poco más que en el anterior libro. De Vermiis Mysteriis Escrito en latín por Ludwig Prinn en 1542. Tamaño folio encuadernado en negro, impresa en Colonia. Se conocen unos 15 ejemplares. Describe parte del mundo árabe y de las cosas sobrenaturales que en él suceden. Dieciséis capítulos que exponen artes adivinatorias, nigromancia, descripción de vampiros, duendes y elementales. Algunas copias poseen extensas secciones escritas en Ogham (runas druídicas) que en principio ocultan blasfemias y revelaciones. Se cree que explica como acelerar la metamorfosis de humano a profundo. Perdida de Cordura: 2D6Mitos de Cthulhu: +4%/+8%Puntuación de Mitos: 36Estudio: 48 semanasHechizos sugeridos:Contactar con dios/YigCrear ventana de observaciónCrear zombieConvocar/Atar a byakheeInvocar al hijo de la cabra, obligan a un retoño oscuro a aparecer delante del hechicero.Convocar/Atar vampiro estelarSigno de conjuración, Signo de Voorish, coste 1PM 1Punto Cordura, ejecución 1 asalto. Es un antiguo y poderoso gesto manual utilizado por los magos para mejorar la ejecución de otros hechizos, dependiendo de cual sea facilitará la ejecución o será más rápidaTrasferencia de mente, coste 10 PM y 1D10 Punto Cordura, ejecución 5 asaltos o más. Un hechizo muy poderoso que permite intercambiar la mente con la de la víctima de forma permanente, quizá para vivir más tiempo. Una tirada enfrentada de POD hará que el hechizo sea posible, el cuerpo del hechicero quedará vacío y la mente de la víctima nadie sabe dónde va o si se queda dentro sometida para siempre.
The original building of Birdewell, London's first house of correction, was largely destroyed in the great fire of London. However, original architecture can be found at the entrance to an otherwise unassuming Unilever building on new bridge street.
In the heart of Shakespeare's London, there was a palace that had become a prison: Bridewell. Professor Duncan Salkeld has explored the records of this notorious destination for the poor and the indigent, vagrants, prostitutes, and the idle. In this episodes of Not Just the Tudors, he shares with Professor Suzannah Lipscomb his fascinating findings about the wayward and the unruly . These include 'Black Luce', a brothel madam probably of African heritage, who has been suggested as a candidate for the 'dark lady' of Shakespeare's sonnets. See acast.com/privacy for privacy and opt-out information.
Drew Bridewell is the head of design and product at GrowthDay. and is the CEO and Founder of Next Level UX an education company designed to help designers level up their, planning, systems thinking, and soft skills so they can be a better contributor to their teams and be high performing UX designer overall. We talk about what it takes to actually solve complex problems, how to map complex problems and how to effectively plan your work for maximum impact. Find next level UX here: https://www.nextlevelux.me/ Connect with Drew: https://www.linkedin.com/in/abridewell/ --- Send in a voice message: https://anchor.fm/thewayofproductdesign/message
Drew Bridewell is a fellow content creator with tons of experience to draw from which include companies like LinkedIn, Facebook, and Invision. Today he's away from the corporate world to pursue his own endeavors which include leveling up UX designers across the world. In today's episode, Drew takes us through the four different types of goals which we should all be setting, and helps us create an action plan to achieve those goals. You'll want to listen to this episode as it's jammed packed with actionable insights. Find Drew:LinkedIn: https://www.linkedin.com/in/abridewell/Courses & Newsletter: https://www.nextlevelux.me/Please consider subscribing to Designed Today on any of the popular podcasting platforms.**********************************Ready to join the email list or Slack community, receive your invite here: https://designedtoday.com/community/Designed Today brings you insights to help bridge the world of Design & Business. Learn how you can improve your design, branding, marketing, and advertising skills all in one place. In this show, we'll explore the startup world, flexing the entrepreneurial muscles, from a user experience perspective**********************************Podcast: https://pod.link/designedtodayWebsite: https://DesignedToday.comInstagram: https://www.instagram.com/Designed.TodayLinkedin: https://www.linkedin.com/in/dillonwinspear/Twitter: https://twitter.com/dillonwinspear
Fitzsimon and Brogan were both members of the band, Pretty Blue Gun, who were signed to an indie label licensed to Sony. They released two albums which were critically acclaimed. Some of the guest musicians included members of The Art of Noise, Dave Bronze (Eric Clapton's bass player), Tobias Boshell (Moody Blues) and Pip Williams who played guitar on the Walker Brothers' track, ‘No Regrets'. The albums were produced by Pat Collier, who produced Katrina and the Waves' international hit, ‘Walking on Sunshine'. The band went on national tours across the UK until disbanding.Neil Fitzsimon, the songwriter, and Bee Brogan, the vocalist, then went on to form a song writing/production partnership that led to placement of their songs in Film and TV. They also wrote a musical, Jack Dagger, which was showcased at the Greenwich Theatre, London for the Musical Futures Award. It was also showcased at the Bridewell and the Royal College of Music in London. They have also just had a song placed in a USA Sci Fi Feature film. They recently had a track reach number 3 in a French national download chart. Their single, Girl in a Gilded Cage, reached number one on the iTunes chart in Belgium for all genres.All songs are written by Neil Fitzsimon. Vocals, keyboards, drums and engineering by Bee Brogan. All guitars played by Neil Fitzsimon. All mixed by Pat Collier at Perryvale Studios, London.Fitzsimon and Brogan see themselves as a studio act much in the vein of Tin Tin Out and Talk Talk. Their influences range from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel, The Smiths and David Bowie. Their aim is to produce pure pop for now people.They are honoured now to be working with one of their heroes, David Bowie's drummer from The Spiders from Mars, Woody Woodmansey. Previous to this they worked with Elvis Costello's drummer, Pete Thomas. These new tracks are on their newest album, This Wicked Pantomime which is to be released soon. See acast.com/privacy for privacy and opt-out information.
The Black Widow - D MagazineWHATEVER HAPPENED TO THE BLACK WIDOW: SANDRA BRIDEWELL - D MagazineReturn of the Black Widow | Dallas ObserverEMAIL: thebfdpodcast@gmail.comSOCIAL MEDIA: @thebfdpodcast
#SheDaredToDreamMC: I know this past week was such a disappointment to many with the less than favorable outcome for the Breonna Taylor's case and the passing of Supreme Court Justice Ruth Bader Ginsburg. I want to try and allay the uncomfortable feelings many of us are having by bringing you 21 women Who Dared to Dream! Sept. 27-Sept. 30 BAN Radio Show and Crown Holders Transmedia will feature women speakers and authors that are here to bring you peace, joy and tips for making a way out of no way. Watch my page for the program listings! Featured Speakers and Authors 1) Antoinette R. Davis 2) CeCe Fann 3) Cerece Rennie Murphy 4) Cheryl Mattox Berry 5) Imani Wisdom - Pearl Page 6) Janet Autherine 7) Joan Vassar 8) Joylynn M. Ross 9) Lisa Blackmon 10) Lisa Renee Johnson 11) Lutishia Lovely 12) Nina Foxx 13) Pamela Samuels Young 14) Patricia A. Bridewell 15) Patricia A. Saunders 16) Paulette Harper - Pearl Page 17) Shelia E. Bell - Pearl Page 18) Suzette D. Harrison 19) Taressa Stovall 20) Terri Coleman Martinez 21) Yvonne Evans-Strachan Crown Holders Presents: She Dared to Dream Masterclasses Who you become and how you experience the world is a result of how you see everything that exists around you, says author Janet Autherine in her new book, Island Mindfulness: How to Use the Transformational Power of Mindfulness to Live an Abundant Life.
We are delighted to be joined by the Oxford Products Ducati, BSB star, Tommy Bridewell. *Warning* if you are listening in the company of children you may want to consider putting your headphones in. This podcast is powered by Colchester Kawasaki www.colchesterkawasaki.co.uk Thanks to our Patrons! Merch available at www.chasintheracin.com
This week on Rural Health Leadership Radio we are talking building a network of rural hospitals and the power of collaboration along with the challenges of rural hospital CEO turnover. We are having that conversation with Mellie Bridewell, CEO of the Arkansas Rural Health Partnership. “Oftentimes people don’t recognize how hard a rural hospital CEO job is because you kind of have to be a jack of all trades. You don’t have all the levels of leadership so sometimes, you’re it!” ~Mellie Bridewell Ms. Mellie Bridewell currently works for the University of Arkansas for Medical Sciences (UAMS) as a Regional Director of the Office of Strategic Management and serves as the Arkansas Rural Health Partnership’s Chief Executive Officer. Mellie has eighteen years of experience in community and organizational networking, grant writing, and program development and implementation. Mellie created the Arkansas Rural Health Partnership organization in 2008, which began with five critical access hospitals and has grown to fourteen-member hospitals across the south Arkansas region. Mellie has obtained over $15.2 million dollars in grant funds for Arkansas Rural Health Partnership to implement healthcare provide training opportunities, healthcare workforce initiatives, chronic disease programs, behavioral and mental health services, and access to care throughout the Arkansas Delta. Mellie currently serves on the National Rural Health Association Congress and graduated last year from the NRHA Rural Fellows program. She also serves on the board of the National Cooperative of Health Networks Association. In 2016, Mellie was acknowledged as a Federal Office of Rural Health’s Rural Health Champion, and this year was awarded the Healthcare Heroes Innovation Award by Arkansas Business magazine. Under Mellie’s leadership, ARHP has been recognized nationally as a Rural Health Community Champion for Collaborative Partnerships by the Federal Office of Rural Health and as Outstanding Network of the Year by the National Cooperative of Health Networks Association.
Nirjay Mahindru talks to theatre director Iqbal Khan about his life growing up in Birmingham, the influence of his mother and brothers, depression and feeling out of kilter with those around us, plus the state of British theatre today. Iqbal began his directing career at the Leicester Haymarket and National Theatre Studio.His credits include: A Christmas Carol (Box Clever); Macbeth (Shakespeare's Globe); Snookered(Tamasha/Oldham Coliseum/Bush/UK tour): The Importance of Being Earnest: The Musical (Riverside Studios); The Killing of Sister George (West End); Broken Glass (Tricycle/West End); Rafta Rafta (Bolton Octagon/New Vic, Newcastle-under-Lyme); East is East (Birmingham Rep); A Slight Ache, Landscape (National Theatre); Treemonisha (Pegasus Opera); The Last Photograph (Edinburgh Festival); Otello (Associate Director. Birmingham Opera Company); Time for the Good Looking Boy (Box Clever/UK tour); Oleanna (Bolton Octagon);Richard III (RWCMD); Simply Cinderella (Associate Director. Curve); 16up (Union Theatre/tour); Too Close to Home (Lyric Hammersmith/Library Theatre); Madama Butterfly (Lyric Hammersmith/Minack); Beautiful Thing (Oldham Coliseum).His other work has been seen at the Union Chapel; Bloomsbury Theatre, the Edinburgh Fringe, the Bridewell, the Old Red Lion and in Japan.Support the show (https://www.interactstrokesupport.org)
George Silver wrote about the quarterstaff as a reality. It was a weapon he used to fight and defend his honour with. ... As a battlefield weapon the quarterstaff would be an oak or ash pole of about eight or nine feet in length, wih a circumference of about 4 and a half inches. It was a foot weapon of attack and defence.If we now travel back in history to documents written between 1540 and 1590 we can see written evidence of the English Maisters of defence. The officially recognised teachers were the company of maisters, these documents record the playing of prizes. The order of playing the free schollers prize, the Provosts prize, and the maisters prize. The playing of prizes was a very public affair, with the posting of bills declaring that a prize was to be played, which was an open invitation to any man to come along and challenge the player of the prize. The prize playing in London was held at a number of Inne's and playhouses, such as the Bull in Bishopsgate, Leaden hall, at the Greyfriars at Newgate, and at the Tower royal, salisbury court, Rochester house, Bridewell palace, and at the castle inn in Holborn. But the prefered places for the playing of prizes were the belsavage on Ludgate hill, and the Bull in Bishopsgate. The company of maisters were a well organised company and made provision for aged maisters, the welfare of it's practitioners, the hiring and teaching of qualified teachers, as well as financial matters and the relationship of the company to the outside world. Following are some of the prizes played, where the quarterstaff was one of the weapons used. William Pascall Plaid his maisters prize at the Leadenhall with three maisters, that is to say, Humphrey Basset, Roberte Cooke, and William Hunt, at iiij kinde of weapon videlicet the Long sword ( two hand sword ) the backsworde, the dagger, and the quarterstaff. Provost prize at the session hall without Newgate at iii weapons, the long sword, the backsworde, and the quarterstaff, with three provosts, William Hunt, John A Woode, and Robert Grene. Played his Schollers prize at Estham with xiiij scollars, at backsword, and the quarterstaff. Richard White plaid his provost prize at the leaden hall, at the long sword, backsword, and quarterstaff, with Edward Britten, and John Barfett. Robert Edmunds plaid his maisters prize at the whitehall before King Philip and Quene Marie at iii kinds of weapon, long sword, backsworde, and quarterstaff, thear played against him two maisters, Richard White, and Thomas Weaver.
George Silver wrote about the quarterstaff as a reality. It was a weapon he used to fight and defend his honour with. ... As a battlefield weapon the quarterstaff would be an oak or ash pole of about eight or nine feet in length, wih a circumference of about 4 and a half inches. It was a foot weapon of attack and defence.If we now travel back in history to documents written between 1540 and 1590 we can see written evidence of the English Maisters of defence. The officially recognised teachers were the company of maisters, these documents record the playing of prizes. The order of playing the free schollers prize, the Provosts prize, and the maisters prize. The playing of prizes was a very public affair, with the posting of bills declaring that a prize was to be played, which was an open invitation to any man to come along and challenge the player of the prize. The prize playing in London was held at a number of Inne's and playhouses, such as the Bull in Bishopsgate, Leaden hall, at the Greyfriars at Newgate, and at the Tower royal, salisbury court, Rochester house, Bridewell palace, and at the castle inn in Holborn. But the prefered places for the playing of prizes were the belsavage on Ludgate hill, and the Bull in Bishopsgate. The company of maisters were a well organised company and made provision for aged maisters, the welfare of it's practitioners, the hiring and teaching of qualified teachers, as well as financial matters and the relationship of the company to the outside world. Following are some of the prizes played, where the quarterstaff was one of the weapons used. William Pascall Plaid his maisters prize at the Leadenhall with three maisters, that is to say, Humphrey Basset, Roberte Cooke, and William Hunt, at iiij kinde of weapon videlicet the Long sword ( two hand sword ) the backsworde, the dagger, and the quarterstaff. Provost prize at the session hall without Newgate at iii weapons, the long sword, the backsworde, and the quarterstaff, with three provosts, William Hunt, John A Woode, and Robert Grene. Played his Schollers prize at Estham with xiiij scollars, at backsword, and the quarterstaff. Richard White plaid his provost prize at the leaden hall, at the long sword, backsword, and quarterstaff, with Edward Britten, and John Barfett. Robert Edmunds plaid his maisters prize at the whitehall before King Philip and Quene Marie at iii kinds of weapon, long sword, backsworde, and quarterstaff, thear played against him two maisters, Richard White, and Thomas Weaver.
Crown Holders Conversations Day 13 Crown Holders Transmedia is the parent company of EDC Creations Media Group, the Sankofa Literary Society, the Black Authors Network Radio Show and Black Pearls Magazine. The Sankofa Literary Society empowers independent and/or self-published authors through mentoring programs. The popular BAN radio program offers new authors a chance to showcase their books to thousands of international readers weekly. Black Pearls Magazine, is an online literary destination for thousands bookclubs and social network fans around the globe. Sunday Night May 17, 2020 Featured Authors and Books 8:00 pm - Two Steps Past the Altar by Patricia A. Bridewell 8:00 pm - Rhythm Bay Love by Patricia A. Bridewell 8:30 pm - Grown Zone Series by Chandra Sparks Splond Chandra is the owner of West End Publishing, LLC, and Live Life Creations READ MORE ABOUT OUR GUESTS AT: http://crownholderstransmedia.com Crown Holders Transmedia and EDC Creations Media Group has evolved from a one-person event planning operation to one of the nation’s leading African American, woman owned, Internet publicity and book promotion firms. Crown Holders Transmedia and EDC Creations are a marketing, branding, and PR firm that specializes in book promotion, Internet 3.0 marketing campaigns for artists in film and music, brand coaching and RSS feed syndication for businesses, new authors and entrepreneurs. We can leverage the power of the new media, book club partnerships and Internet mediums to promote their “brand" through effective marketing campaigns.
My beautiful partner and I discuss her sometimes avoidant nature and my take on it. She opens up about why this is and what she can do to work on it. Come hear my heart give you guys some understanding on a topic that can be a bit frustrating for some couples, but here's the fix.
(http://bettereachday.me/wp-content/uploads/2019/08/original_400_600.jpg) Drummer Woody Woodmansey's book as a Spider. Fitzsimon and Brogan are great, and okay, songwriter/guitar player and music aficionado Neil Fitzsimon is almost a co-host to the Better Each Day show. This episode features some talk about working with drummers Woody Woodmansey, best known for working with “David Bowie and Spiders from Mars”, and Pete Thomas, a member of both “The Attractions” with Elvis Costello and with Costello as a solo. (http://bettereachday.me/wp-content/uploads/2019/08/download-1.jpg) Drummer Pete Thomas, top center. Neil Fitzsimon and Bee Brogan were both members of the band, “Pretty Blue Gun”, who were signed to an indie label licensed to Sony. They released two albums which were critically acclaimed. Some of the guest musicians included members of “The Art of Noise”, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams who played guitar on the Walker Brothers’ track, No Regrets. The albums were produced by Pat Collier, who produced Katrina and the Waves’ international hit, ‘Walking on Sunshine’. The band went on national tours across the UK until disbanding. Neil Fitzsimon, the songwriter, and Bee Brogan, the vocalist, then went on to form a songwriting/production partnership that led to placement of their songs in Film and TV. They also wrote a musical, Jack Dagger, which was showcased at the Greenwich Theatre, London for the Musical Futures Award. It was also showcased at the Bridewell and the Royal College of Music in London. They have also just had a song placed in a USA Sci Fi Feature film. They recently had a track reach number 3 in a French national download chart. All songs are written by Neil Fitzsimon. Vocals, keyboards, drums and engineering by Bee Brogan. All guitars played by Neil Fitzsimon. Fitzsimon and Brogan see themselves as a studio act much in the vein of Tin Tin Out and Talk Talk. Their influences range from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel and David Bowie. Their aim is to produce pure pop for now people. Fitzsimon and Brogan's Home Page (https://www.fitzsimonandbrogan.com/)
(http://bettereachday.me/wp-content/uploads/2019/08/original_400_600.jpg) Drummer Woody Woodmansey's book as a Spider. Fitzsimon and Brogan are great, and okay, songwriter/guitar player and music aficionado Neil Fitzsimon is almost a co-host to the Better Each Day show. This episode features some talk about working with drummers Woody Woodmansey, best known for working with “David Bowie and Spiders from Mars”, and Pete Thomas, a member of both “The Attractions” with Elvis Costello and with Costello as a solo. (http://bettereachday.me/wp-content/uploads/2019/08/download-1.jpg) Drummer Pete Thomas, top center. Neil Fitzsimon and Bee Brogan were both members of the band, “Pretty Blue Gun”, who were signed to an indie label licensed to Sony. They released two albums which were critically acclaimed. Some of the guest musicians included members of “The Art of Noise”, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams who played guitar on the Walker Brothers’ track, No Regrets. The albums were produced by Pat Collier, who produced Katrina and the Waves’ international hit, ‘Walking on Sunshine’. The band went on national tours across the UK until disbanding. Neil Fitzsimon, the songwriter, and Bee Brogan, the vocalist, then went on to form a songwriting/production partnership that led to placement of their songs in Film and TV. They also wrote a musical, Jack Dagger, which was showcased at the Greenwich Theatre, London for the Musical Futures Award. It was also showcased at the Bridewell and the Royal College of Music in London. They have also just had a song placed in a USA Sci Fi Feature film. They recently had a track reach number 3 in a French national download chart. All songs are written by Neil Fitzsimon. Vocals, keyboards, drums and engineering by Bee Brogan. All guitars played by Neil Fitzsimon. Fitzsimon and Brogan see themselves as a studio act much in the vein of Tin Tin Out and Talk Talk. Their influences range from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel and David Bowie. Their aim is to produce pure pop for now people. Fitzsimon and Brogan's Home Page (https://www.fitzsimonandbrogan.com/)
Tommy Bridewell spoke to Greg Haines for the latest Full Throttle Podcast, touching on a range of topics including his run out at the Imola WSBK round, whether he might return for the Jerez round and also advocated a closer working relationship between BSB and WSBK. Eugene Laverty also spoke to Greg about the horrible injuries he suffered following a crash during practice at Imola. See acast.com/privacy for privacy and opt-out information.
Neil Fitzsimon- Based in London, Neil Fitzsimon and Bee Brogan aim to produce “pure pop for now people.” Neil and Bee were both members of the band, Pretty Blue Gun, who were signed to an indie label, licensed to Sony. They released two albums which were critically acclaimed. Some of the guest musicians included members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams, who played guitar on the Walker Brothers’ track, ‘No Regrets’. The albums were produced by Pat Collier, who produced Katrina and the Waves’ international hit, ‘Walking on Sunshine’. The band went on national tours across the UK, until disbanding. Neil Fitzsimon, the songwriter, and Bee Brogan, the vocalist, then went on to form a songwriting/production partnership that led to placement of their songs in Film and TV. They also wrote a musical, Jack Dagger, which was showcased at the Greenwich Theatre, London for the Musical Futures Award. It was also showcased at the Bridewell and the Royal College of Music in London. They have also just had a song placed in a USA Sci-Fi Feature film. They recently had a track reach number 3 in a French national download chart. All songs are written by Neil Fitzsimon. Vocals, keyboards, drums and engineering by Bee Brogan. All guitars played by Neil Fitzsimon. Fitzsimon and Brogan see themselves as a studio act much in the vein of Tin Tin Out and Talk Talk. Their influences range from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel and David Bowie. New album, “Big Blue World” was released June 22nd, with another scheduled for fall 2018 release. Facebook https://www.youtube.com/watch?v=DzdYTz0GesA https://open.spotify.com/artist/4DdsE1EMCORlBi7Gy4oXvR CONTACT: Michael Stover/MTS Management Group michael@mtsmanagementgroup.com
Pop Art Painter Jamie Roxx (www.JamieRoxx.us) welcomes Fitzsimon and Brogan, (Pop) f/ London UK to the Show! www.fitzsimonandbrogan.com Based in London, Neil Fitzsimon and Bee Brogan aim to produce “pure pop for now people.” Neil Fitzsimon, the songwriter, and Bee Brogan, the vocalist, a songwriting/production partnership that led to placement of their songs in Film and TV. They also wrote a musical, Jack Dagger, which was showcased at the Greenwich Theatre, London for the Musical Futures Award. It was also showcased at the Bridewell and the Royal College of Music in London. They have also just had a song placed in a USA Sci-Fi Feature film. They recently had a track reach number 3 in a French national download chart. New album, “Big Blue World” is due for release in June, with another scheduled for fall 2018 release. Media Inquiries: Michael Stover MTS Management Group www.mtsmanagementgroup.com
Neil Fitzsimon and Bee Brogan were both members of the band, Pretty Blue Gun, who were signed to an indie label licensed to Sony. They released two albums which were critically acclaimed. Some of the guehttps://codex.wordpress.org/Excerptst musicians included members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams who played guitar on the Walker Brothers’ track, ‘No Regrets’. The albums were produced by Pat Collier, who produced Katrina and the Waves’ international hit, ‘Walking on Sunshine’. The band went on national tours across the UK until disbanding. Neil Fitzsimon, the songwriter, and Bee Brogan, the vocalist, then went on to form a song writing/production partnership that led to placement of their songs in Film and TV. They also wrote a musical, Jack Dagger, which was showcased at the Greenwich Theatre, London for the Musical Futures Award. It was also showcased at the Bridewell and the Royal College of Music in London. They have also just had a song placed in a USA Sci Fi Feature film. They recently had a track reach number 3 in a French national download chart. All songs are written by Neil Fitzsimon. Vocals, keyboards, drums and engineering by Bee Brogan. All guitars played by Neil Fitzsimon. Fitzsimon and Brogan see themselves as a studio act much in the vein of Tin Tin Out and Talk Talk. Their influences range from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel and David Bowie. Their aim is to produce pure pop for now people. Neil Fitzsimon actually introduced me to the term "Indie Dream Pop" and no one is sure where that originated but one thing's for sure, the world of music needs a new genre title...LOL. The songs featured in episode 39 are simply good songs, and good on one listen. The first track is Girl in a Gilded Cage from the album Big Blue World. It's a showcase for Bee Brogran's voice, layered and beautiful. The second track we selected is The Cutest and the Cruelest from the first album by FaB Productions (Fitzsimon and Brogan Productions). The album was mixed by Pat Collier, the producer of Walking On Sunshine by Katrina and Waves. The Cutest and the Cruelest is the single from the album and reached number three in the French national download chart. To translate to French..."c'est énorme." To translate into dog years? It's a huge pup. The third track is The Girl Who Shouted Love from the album of the same title, to be released this autumn. Fitzsimon and Brogan's influences range from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel and David Bowie. Their aim is to produce pure pop for now people. Their aim is true.
Neil Fitzsimon and Bee Brogan were both members of the band, Pretty Blue Gun, who were signed to an indie label licensed to Sony. They released two albums which were critically acclaimed. Some of the guehttps://codex.wordpress.org/Excerptst musicians included members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams who played guitar on the Walker Brothers’ track, ‘No Regrets’. The albums were produced by Pat Collier, who produced Katrina and the Waves’ international hit, ‘Walking on Sunshine’. The band went on national tours across the UK until disbanding. Neil Fitzsimon, the songwriter, and Bee Brogan, the vocalist, then went on to form a song writing/production partnership that led to placement of their songs in Film and TV. They also wrote a musical, Jack Dagger, which was showcased at the Greenwich Theatre, London for the Musical Futures Award. It was also showcased at the Bridewell and the Royal College of Music in London. They have also just had a song placed in a USA Sci Fi Feature film. They recently had a track reach number 3 in a French national download chart. All songs are written by Neil Fitzsimon. Vocals, keyboards, drums and engineering by Bee Brogan. All guitars played by Neil Fitzsimon. Fitzsimon and Brogan see themselves as a studio act much in the vein of Tin Tin Out and Talk Talk. Their influences range from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel and David Bowie. Their aim is to produce pure pop for now people. Neil Fitzsimon actually introduced me to the term "Indie Dream Pop" and no one is sure where that originated but one thing's for sure, the world of music needs a new genre title...LOL. The songs featured in episode 39 are simply good songs, and good on one listen. The first track is Girl in a Gilded Cage from the album Big Blue World. It's a showcase for Bee Brogran's voice, layered and beautiful. The second track we selected is The Cutest and the Cruelest from the first album by FaB Productions (Fitzsimon and Brogan Productions). The album was mixed by Pat Collier, the producer of Walking On Sunshine by Katrina and Waves. The Cutest and the Cruelest is the single from the album and reached number three in the French national download chart. To translate to French..."c'est énorme." To translate into dog years? It's a huge pup. The third track is The Girl Who Shouted Love from the album of the same title, to be released this autumn. Fitzsimon and Brogan's influences range from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel and David Bowie. Their aim is to produce pure pop for now people. Their aim is true.
Neil Fitzsimon and Bee Brogan were both members of the band, Pretty Blue Gun, who were signed to an indie label licensed to Sony. They released two albums which were critically acclaimed. Some of the guest musicians included members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams who played guitar on the Walker Brothers’ track, ‘No Regrets’. The albums were produced by Pat Collier, who produced Katrina and the Waves’ international hit, ‘Walking on Sunshine’. The band went on national tours across the UK until disbanding. Neil Fitzsimon, the songwriter, and Bee Brogan, the vocalist, then went on to form a song writing/production partnership that led to placement of their songs in Film and TV. They also wrote a musical, Jack Dagger, which was showcased at the Greenwich Theatre, London for the Musical Futures Award. It was also showcased at the Bridewell and the Royal College of Music in London. They have also just had a song placed in a USA Sci Fi Feature film. They recently had a track reach number 3 in a French national download chart. All songs are written by Neil Fitzsimon. Vocals, keyboards, drums and engineering by Bee Brogan. All guitars played by Neil Fitzsimon. Fitzsimon and Brogan see themselves as a studio act much in the vein of Tin Tin Out and Talk Talk. Their influences range from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel and David Bowie. Their aim is to produce pure pop for now people.
Neil Fitzsimon and Bee Brogan were both members of the band, Pretty Blue Gun, who were signed to an indie label licensed to Sony. They released two albums which were critically acclaimed. Some of the guest musicians included members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams who played guitar on the Walker Brothers’ track, ‘No Regrets’. The albums were produced by Pat Collier, who produced Katrina and the Waves’ international hit, ‘Walking on Sunshine’. The band went on national tours across the UK until disbanding. Neil Fitzsimon, the songwriter, and Bee Brogan, the vocalist, then went on to form a song writing/production partnership that led to placement of their songs in Film and TV. They also wrote a musical, Jack Dagger, which was showcased at the Greenwich Theatre, London for the Musical Futures Award. It was also showcased at the Bridewell and the Royal College of Music in London. They have also just had a song placed in a USA Sci Fi Feature film. They recently had a track reach number 3 in a French national download chart. All songs are written by Neil Fitzsimon. Vocals, keyboards, drums and engineering by Bee Brogan. All guitars played by Neil Fitzsimon. Fitzsimon and Brogan see themselves as a studio act much in the vein of Tin Tin Out and Talk Talk. Their influences range from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel and David Bowie. Their aim is to produce pure pop for now people.
Pop Art Painter Jamie Roxx (www.JamieRoxx.us) welcomes Fitzsimon and Brogan, (Pop) f/ London UK to the Show! www.fitzsimonandbrogan.com Based in London, Neil Fitzsimon and Bee Brogan aim to produce “pure pop for now people.” Neil Fitzsimon, the songwriter, and Bee Brogan, the vocalist, a songwriting/production partnership that led to placement of their songs in Film and TV. They also wrote a musical, Jack Dagger, which was showcased at the Greenwich Theatre, London for the Musical Futures Award. It was also showcased at the Bridewell and the Royal College of Music in London. They have also just had a song placed in a USA Sci-Fi Feature film. They recently had a track reach number 3 in a French national download chart. New album, “Big Blue World” is due for release in June, with another scheduled for fall 2018 release. Media Inquiries: Michael Stover MTS Management Group www.mtsmanagementgroup.com
Patricia Bridewell co-authored the book "A Generation of Curses" with Faatima Johnson and has contributed a story to the anthology "Single Mama Dating Drama". Patricia Bridewell's writing grabs a reader's attention from the first paragraph and delivers a relatable story. A Generation of Curses follows the life of Khadesia Hill whose ideal life is disrupted by the ghosts of her past. Set against the back drop of a church that is in the process of changing leadership, Khadesia's past threatens to disrupt her husband chance to lead his father's church and the very foundation of her relationship. A story of family conflict, church life and the need to have faith even when the whole world around you seems to be falling down, Patricia Bridewell's book delivers an inspirational story. Patricia Bridewell shares how this book came about and the process of co-authoring a book. Patricia is also a short story writer and you can find one of her stories in "Single Mama Dating Drama". Patricia's story "Got My Mojo Working" is one of the stories in this anthology published by Brown Girls Publishing. The anthology features a series of stories with a theme of single ladies trying to get back into the data field. Patricia shares how she enjoyed the process of creating this short story. "Got My Mojo Working" focuses on the dating lives of Mojo Avery and Laila Parkins. Two single parents who are trying to re-enter the dating game but they find their children have different plans. Patricia Bridewell uses the recording industry as a background for this story. Patricia draws upon her experience when she worked for Motown to give the reader a realistic view in the recording industry. "Got My Mojo Working" grabs your attention from the first paragraph and keeps you turning pages until the end. Patricia Bridewell's Website and Blog www.patriciabridewell.com www.patriciaannbridewell.wordpress.com Follow Patricia on Twitter: www.twitter.com/PABridewell
While in college, LaNee Bridewell became a single mom. Due to her parents passing, she had no support system. At one point she even became homeless. Eventually she was able to get back on her feet and she started a blog, One Parent Wonder, where she writes about life as a single parent. LaNee wanted success so bad that she literally would not sleep. This led her to study the habits of millionaires. During her studies, she found that they do in fact sleep, but wake up early every morning. So she started adapting lifestyle changes.
GROWN & SEXY ADULT CONTENT It's a FIre & Desire party...the authors of F&D are taking over the Wine Down...and sharing the LOW DOWN about how they GET DOWN!!! Tune in and listen to the insight of authors like Omar Tyree and Patricia A. Bridewell as they tell all about their sexy writing in the anthology! Who knows who else will show up!!!! Grab the Moscato and your tablet and tell Sh’ Moore all about it! On Wednesday nights, you get the chance to see life through the eyes of the opposite sex. Get the thoughts and views of life and love from the “horse’s mouth”. Along with her co-host, Sh’ Moore offers insight about various topics that men and women face in everyday living. Along with the look into the male and female psyche, Sh’ Moore dedicates time to introduce you to aspiring talent and ambitious entrepreneurs. An hour of your evening well spent and purposefully used! Are you listening?
Thos chats to the creators of the new British musical, After The Tone, soon to be at the Bridewell in London in this highly entertaining and laughter filled episode - and learn why this musical is like a 522-piece jigsaw with three bits missing!
Authors Inside with authors Sherryle Kiser Jackson and Patricia Bridewell
My last mix was done for SubVersion and now Mick was kind enough to return the favor with a mix for Low Light Mixes. It's an excellent mix which Mick describes this way... "Drones In Duality" is the first in a series of mixes dedicated to Bridewell Gardens, which I visit every week to engage in therapeutic conservation and decorating work. The name is a reference to the double meaning properties of each track title, and the transference of a gesture in two different timeframes - before mucking in, and after a days' graft. For instance, Bibio's "Cherry Blossom Road" encompasses the ability to walk down roads adorned with flowers, to and from the bus trip to Bridewell, while "Sleep In The Eyes" identifies the product of doing much work on the premises, or getting cobwebs out on the journey in. Hammock's "We Will Say Goodbye To Everyone" nods to the friendly atmosphere I've encountered, and the desire to wish well each person I meet there. Pan American's "So That No Matter" curtails an extended metaphor for "so that no matter what problems I face, I can get through the day, with help from my friends and family". This is segued into Hakobune's "Realization At Dusk", which symbolises the enjoyment factor I weigh up the evening prior (getting sorted to make a stop) and heretofore the welcoming in of darkness (post-assignments and seeing everyone off). Oophoi's "Beyond These Skies" is the subsequent result of thinking forward, to what can be sentimental gold beyond nostalgic trifles. Then "Diamonds In The Sky" arrives to calm the listener: "They shine in the night / The diamonds in the sky / The sweet dreaming girl's paradise". "Softkiller" harks back to my relationship with the woman I've been so preocuppied with. Incomprehensible lyrics act as the undertow to ethereal guitar noodling and hushed chants. Grouper is juxtaposed with the grainy metamorphosising of Evangelista to end, "The Frozen Dress" a direct correlation to the freeze-frame behaviour of "Heavy Water / I'd Rather Be Sleeping". All in all, "Drones In Duality" is a 23-minute endeavour into fresh ground for me. There's lots of drones, granted, but these are counterbalanced with an accessibility from the vocals and brimming harmonies. Next up: "Time Heals All Wounds".
Patricia Ann Bridewell was born in Los Angeles, California. She developed a love for reading during early childhood and was inspired to write her first novel, “Reflections of A Quiet Storm” after experiencing reoccurring memories and dreams of past experiences. After journaling these feelings as a form of therapy for nearly two years, she discovered her passion for writing. Meet author Patricia Bridewell as we discuss her new book Reflections of a Quiet Storm.
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