Podcasts about chichester festival

My guest this week is the three-time Tony award-winning Broadway orchestrator Doug Besterman, whose 31 Broadway musicals include The Producers, Fosse, Thoroughly Modern Millie, and his very first show, the 1991 revival of Damn Yankees, to name only a few. During this current Broadway season, Besterman will achieve something unheard of in his field: he will have three big musicals — Death Becomes Her, Boop!, and Smash — all running simultaneously on Broadway. Making it even more remarkable, two of those shows began previews on the same night and now open on Broadway in the same week. Besterman's film credits include the live-action version of Beauty and The Beast and Frozen. TV credits include the Marc Shaiman/Scott Witman compositions for Smash, ABC's version of Annie, The Sound of Music Live, and Peter Pan Live. As Tony Award-winning choreographer Susan Stroman's orchestrator of choice, his work has been heard on Little Dancer (co-orchestrator with Larry Hochman) at The 5th Avenue Theatre and the Kennedy Center and Crazy for You at Chichester Festival and on the West End. His most recent regional work was the World Premiere of Schmigadoon at the Kennedy Center and Midnight in The Garden of Good and Evil at the Goodman Theatre. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members such as Andy Wigginton. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

We're on a break at the moment, researching and writing our sixth series, but, to fill the gap, this is the first of six new compilation episodes containing a trio of stories from across our earlier series. We've entitled this episode Three Tales of Chivalry because, following on from our 25-part retelling of Gawain and the Green Knight, we imagined listeners might be jones-ing, for some shining armour and talking horses. As such, this episode contains three of our more knightly stories, including our second-lap Cornwall story, The Once and Future King; or The Mad Man's Dream, our second lap Northamptonshire story, Dionysia The Female Knight, and our live retelling of The Many of Adventures of Arundel the Horse, and His Blundering Knight, Sir Bevis of Hampton, as performed at The Chichester Festival last summer.We really hope you enjoy them, and will be back with a new compilation episode next Monday. Or, if you're a Patreon Supporter, on Thursday and Saturday with new episodes of the Three Ravens Film Club!The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

For our Series 4 finale we've got something really special: our first-ever Three Ravens Live Show, all about Sussex, recorded at the Festival of Chichester!We start off with a full live performance of Three Ravens care of Eleanor and our friend and neighbour Ben Harber, and then have a chat about the curious history of Chichester itself. After that, it's time to talk Sussex - and there's so much to say!In addition to chatting about how recent archaeological discoveries are reframing our understanding of the county, the differences between a "Wealdsman" and and "Downsman," and a spectacular list of castles from a region that "Wunt Be Druv," we talk County Dishes, and drown in the excesses of Sussex Pond Pudding!After some folkloric chat about the ghosts of the Weald and Downland Museum, the wild doings and superb afterlife of Mad Jack Fuller, the Horsham Serpent, the fine tradition of Sussex baby eating, and much more besides, it's on to the main event: Martin's story "The Many Adventures of Arundel The Horse (and His Blundering Knight, Sir Bevis of Hampton)."Thank you so much to everyone who came along, and to you for supporting and listening to Three Ravens, and we'll be back to round out the series with our thirteenth Local Legends interview with Dr Paul Quinn, Director of the Chichester Centre for Fairy Tales, Fantasy and Speculative Fiction.The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

For the first episode of Series 4, we're headed back to Suffolk in East Anglia.We start off with some exciting news, including about Three Ravens Live at Chichester Festival, our new Ghost Story writing competition, and the all-new Three Ravens Book Club. Then it's onto a discussion of St George's Day (23rd April) which is also both Shakespeare's birthday and the day he died! After which, we sally forth, to Suffolk!Aside from talking about some fascinating bits of history, such as the impacts of the Normans and the Danes on Suffolk's identity, and some amazing sites and houses like the ruined Abbey of St Edmund, Leiston Abbey, and Helmingham Hall, we also introduce a new feature, County Dishes, and talk about the 11th century lunch snack, the Suffolk Kitchel!After some folkloric chat about topics like The Wizard of Ipswich, the Devil's Stone in the churchyard of St Mary's in Bungay, and Suffolk Punches, peppered with a couple of brief excerpts from this week's Local Legends interview with author of the excellent book Suffolk Folk Tales, the amazing Kirsty Hartsiotis, it's onto the main event: Martin's telling of "The Rat Piper of Beccles!"We're so excited to be back and are really looking forward to the weeks ahead. Speak to you again on Thursday for our new Magic and Medicines bonus episode about Crystals!The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Kate Mosse OBE is a British novelist and broadcaster. She is the author of ten novels and short story collections, including The Joubert Family Chronicles and the best-selling Languedoc Trilogy. She has also written four works of non-fiction including her memoir about caring, An Extra Pair of Hands. In 1996 she co-founded the Women's Prize for Fiction. Born in Chichester, she studied English at Oxford University and had a very successful career in publishing before writing her first book about pregnancy. Her novel, Labyrinth, published in 1995 and set in Carcasonne, became an international bestseller which enabled her to give up her publishing job and write full time. Kate lives in Chichester with her husband, Greg Mosse, and her mother-in-law, Grannie Rosie. She is a Visiting Professor in Creative Writing at the University of Chichester, a Patron of the Chichester Festival for Music, Dance and Speech, and President of the Festival of Chichester. She was awarded an OBE in 2013 for services to literature and women. DISC ONE: Morning Has Broken - Cat Stevens DISC TWO: These Boots Are Made for Walkin' - Nancy Sinatra DISC THREE: Station to Station - David Bowie DISC FOUR: Walls Come Tumbling Down - The Style Council DISC FIVE: I Will Survive - Gloria Gaynor DISC SIX: Piano Concerto in G Major, M. 83. Composed by Maurice Ravel. Performed by Martha Argerich and London Symphony Orchestra, conducted by Claudio Abbado DISC SEVEN: Dancing Queen - Abba DISC EIGHT: La chanson des vieux amants - Jacques Brel BOOK CHOICE: Four Quartets by T.S. Eliot LUXURY ITEM: A jukebox CASTAWAY'S FAVOURITE: Piano Concerto in G Major, M. 83, composed by Maurice Ravel and performed by Martha Argerich and London Symphony Orchestra Presenter: Lauren Laverne Producer: Sarah Taylor

In this episode Bobby and Steffan talk to the incredibly talented Rob Compton! He recently appeared in Sing Yer Heart Out For The Lads at the Chichester Festival theatre.  His previous theatre credits include Matilda, Bat Boy, A Chorus of Disapproval and many others.  His TV credits include Babs, Andor, True Horror and Silent witness.  Enjoy the episode! Our brand new online coaching service Fit2 Perform has launched!!  Check it out at www.fit-2.co.uk  Join Fit2 Perform today and start your journey towards a stronger, healthier, and more confident you!! Don't forget to leave us a rating and a review (preferably 5 stars!) and if you've got any questions you want answered, head to Instagram @fit2_talk and slide into those DM's!

Carly Mercedes Dyer is an incredible performer who I have been an enormous fan of ever since I saw her in the National Theatre's production of Anaïs Mitchell's Hadestown. Since then, she has gone on to star in many more shows, winning awards and the love of the public along the way. You may have seen her in The Color Purple or West Side Story at Leicester's Curve, or even in Anything Goes at the Barbican where she played Erma. She is about to star as Lynette "Squeaky" Fromme in a new production of Stephen Sondheim's Assassins at Chichester Festival theatre, and in this episode we discuss that role, as well as all the other musicals that have made her who she is.For Assassins tickets, visit: https://www.cft.org.uk/events/assassinsFollow Carly on twitter and instagram.Produced by Ian Bowkett (twitter: @ianbowkett) in association with https://musicaltheatrereview.com (twitter: @musicaltheatrer)Follow the podcast:Twitter: @MusicalMayorPodInstagram: @MusicalMayorPodTikTok: @MusicalMayorPodHosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

On this edition of A View On Access, Tim Calvert reflects on one of the 'Facing The Music' series of shows produced by Chichester Festival, and streamed from their website.Tim was able to catch Edward Seckerson's interview with Imelda Staunton, and there are plenty more shows and stars lined up for a chat, including Dame Shiela Hancock, Giles Terera, and Philip Quast. Be sure to check out https://www.cft.org.uk/ for more information, ticket details, and times.

This Episode is with the fabulous Jack Everson. Jack and I became firm friends whilst working on Panto this Christmas just gone. Jack has a wicked sense of humour and is one of those humans in life that will never cease to make you laugh. We talk about his journey to becoming the brilliant actor he is today, via ballet, piano lessons and a season at Chichester Festival theatre. Also, we chat about his coming out to family and his first tentative steps into gay London life. We discuss Jack's hope and dreams for the future and really get to know what makes him tick as a performer. Grab an Orange squash and join us! Find Jack at @Jack_Everson on Twitter www.instagram.com/jpjack_everson on Instagram

There are very few Australian directors who can lay claim to have conquered the stages of the world. This accolade belongs to the trailblazing Gale Edwards; one of our most acclaimed directors. In a career spanning more than 30 years she has rewarded audiences with visceral and vibrant story-telling.Gale is incredibly charming, candid and passionate. She speaks freely and insightfully about her craft as one of our most celebrated artists.As a preeminent story-teller she is the first Australian to have opened large commercial musicals on Broadway and in the West End. She is the only Australian to have directed at The Royal Shakespeare Company in Stratford-on-Avon - and the only woman to have directed on their main-stage.Born and raised in Adelaide her early life was impacted by family tragedy and trauma. This galvanised the young Gale to invest in her academic study and due to necessity; surprisingly realise an early training in direction in boundless visits to the cinema; often seeing individual films numerous times.She started her career in 1981 as the founding Artistic Director of the Adelaide-based Theatre company, Energy Connection, an innovative company that created and performed original, devised works with young performers.After graduating from NIDA, she remained on the staff there for four years teaching young actors and directing plays. It was here that she developed her love of the Classics and Shakespeare in particular.Gale has directed all genres of theatre and opera nationally and internationally. She has directed for all Australia’s State Theatre Companies, Opera Australia, Victoria State Opera, South Australian Opera Company, New Zealand International Festival of the Arts, English National Opera, Royal Shakespeare Company and the Chichester Festival.Her vast musical theatre output has seen her direct the original production of The Boy From Oz, Jerry Springer the Opera for the Sydney Opera House and a new production of The Rocky Horror Show. Internationally she has worked on musicals for Andrew Lloyd Webber and Cameron Mackintosh.Gale Edwards is frank, astute, intuitive and possesses an infectious sense of humour. It is evident that she adores her role as a story-teller and is most reverential in her respect for the texts to which she gives life. The incredible joy she experiences in being in a rehearsal room is palpable.Hers is a fascinating story and it was a privilege to spend time with Gale as she shared insight, assessment and anecdotes of a celebrated and trailblazing career.The Stages podcast is available in iTunes, Spotify and Whooshkaa.

This week we draw back the Curtains on Jason Manford, talk about some cast changes for Tina and School of Rock. Joey the Horse features heavily and Dame Maggie Smith is set to appear at The Bridge Theatre. Al and Rob also talk through what's featuring at The Chichester Festival this year.

Colonel Tim Collins reviews the new Danish feature film A War which offers a foot soldiers' view of life on the frontline. Set in the recent military conflict in Afghanistan, the company commander makes a decision that has grave consequences for him and his family back home. Tobias Lindholm's film is Denmark's entry to the Best Foreign Language Film category at this year's Oscars.2016 sees the return of Inspector Maigret, both on screen and in print. John Simenon, son of Maigret's creator Georges Simenon, and crime writer Natasha Cooper discuss the French detective's enduring appeal.It's the musical that brought us Luck Be A Lady and Sit Down You're Rocking the Boat. David Benedict reviews Guys and Dolls, starring Sophie Thompson and David Haig, as the acclaimed Chichester Festival production opens in the West End before embarking on a UK tour.In Hong Kong the whereabouts of five missing booksellers remains a mystery, although they are widely suspected to have been detained by the Chinese authorities. As one major bookshop chain stops selling politically sensitive books in Chinese, Professor Gregory Lee, a specialist in Chinese cultural and literary studies, assesses the implications.Frances Hardinge, winner of the Costa Children's Book Award with The Lie Tree, discusses her tale of murder and deception set in Victorian England.

Trans-Atlantic star of "Chicago" Ruthie Henshall discusses her 14 year history with the show, from creating the role of Roxie in the original London company (opposite Ute Lemper) to subsequently playing Velma in both London and New York to her current stint on Broadway as, once again, Roxie; she also reveals her favorite co-star, the inevitable competition between the women playing those two roles, and which role she prefers. She also discusses her early work in the West End in "Cats" and "Miss Saigon"; the experience of creating a role for the first time in "Children of Eden"; her apprenticeship in plays at the Chichester Festival; her breakout success in the London production of "Crazy for You" followed quickly by plaudits for "She Loves Me"; her decision to move to New York and "start again" without any immediate prospect of work; how her "godfather" Cameron Mackintosh continued his support of her career by casting her in Broadway's "Putting It Together", where she appeared with Carol Burnett; what she thinks of the musical "Peggy Sue Got Married" and why it didn't move beyond the West End; the extraordinary collaboration she had with Schönberg, Boublil and Legrand on the musical "Marguerite"; the book she's writing about the craft of musical theatre; and her real first name and whether she'll ever grow up and become just plain Ruth. Original air date - June 30, 2010.

Trans-Atlantic star of "Chicago" Ruthie Henshall discusses her 14 year history with the show, from creating the role of Roxie in the original London company (opposite Ute Lemper) to subsequently playing Velma in both London and New York to her current stint on Broadway as, once again, Roxie; she also reveals her favorite co-star, the inevitable competition between the women playing those two roles, and which role she prefers. She also discusses her early work in the West End in "Cats" and "Miss Saigon"; the experience of creating a role for the first time in "Children of Eden"; her apprenticeship in plays at the Chichester Festival; her breakout success in the London production of "Crazy for You" followed quickly by plaudits for "She Loves Me"; her decision to move to New York and "start again" without any immediate prospect of work; how her "godfather" Cameron Mackintosh continued his support of her career by casting her in Broadway's "Putting It Together", where she appeared with Carol Burnett; what she thinks of the musical "Peggy Sue Got Married" and why it didn't move beyond the West End; the extraordinary collaboration she had with Schönberg, Boublil and Legrand on the musical "Marguerite"; the book she's writing about the craft of musical theatre; and her real first name and whether she'll ever grow up and become just plain Ruth. Original air date - June 30, 2010.

"The Royal Family"'s own theatre royalty Rosemary Harris talks about her current role as Fanny Cavendish at Manhattan Theatre Club and her 1975 performance as Julie Cavendish with such costars as Sam Levene and Eva Le Gallienne (including what she's stolen from "Miss Le G"). She also takes us back to her childhood role as "The Queen" in a play written and staged by her older sister; her discovery by Moss Hart and her Broadway debut in an unsuccessful show that he both wrote and directed; her illustrious directors and leading men, including Laurence Olivier (who personally demonstrated how she was to play Ophelia's mad scene), John Gielgud (who fired her at one point), Richard Burton and Peter O'Toole, among many others; whether she agrees with the generality that she plays English roles in America and American roles in England; her participation in the founding of such influential theatre companies as the APA (later the APA-Phoenix), the Chichester Festival and the Royal National Theatre, and why she feels the disappearance of the company structure is such a loss for actors today. Original air date - November 9, 2009.

"The Royal Family"'s own theatre royalty Rosemary Harris (Tony Award winner for The Lion in Winter) talks about her current role as Fanny Cavendish at Manhattan Theatre Club and her 1975 performance as Julie Cavendish with such costars as Sam Levene and Eva Le Gallienne (including what she's stolen from "Miss Le G"). She also takes us back to her childhood role as "The Queen" in a play written and staged by her older sister; her discovery by Moss Hart and her Broadway debut in an unsuccessful show that he both wrote and directed; her illustrious directors and leading men, including Laurence Olivier (who personally demonstrated how she was to play Ophelia's mad scene), John Gielgud (who fired her at one point), Richard Burton and Peter O'Toole, among many others; whether she agrees with the generality that she plays English roles in America and American roles in England; her participation in the founding of such influential theatre companies as the APA (later the APA-Phoenix), the Chichester Festival and the Royal National Theatre, and why she feels the disappearance of the company structure is such a loss for actors today.

"The Royal Family"'s own theatre royalty Rosemary Harris talks about her current role as Fanny Cavendish at Manhattan Theatre Club and her 1975 performance as Julie Cavendish with such costars as Sam Levene and Eva Le Gallienne (including what she's stolen from "Miss Le G"). She also takes us back to her childhood role as "The Queen" in a play written and staged by her older sister; her discovery by Moss Hart and her Broadway debut in an unsuccessful show that he both wrote and directed; her illustrious directors and leading men, including Laurence Olivier (who personally demonstrated how she was to play Ophelia's mad scene), John Gielgud (who fired her at one point), Richard Burton and Peter O'Toole, among many others; whether she agrees with the generality that she plays English roles in America and American roles in England; her participation in the founding of such influential theatre companies as the APA (later the APA-Phoenix), the Chichester Festival and the Royal National Theatre, and why she feels the disappearance of the company structure is such a loss for actors today. Original air date - November 9, 2009.