Podcast appearances and mentions of claire brooks

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them.Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m.Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!"George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character.The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them.Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m.Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!"George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character.The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them. Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m. Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!" George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character. The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them. Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m. Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!" George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character. The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

On this week's "Tuesday Night Detectives" on Vintage Classic Radio, we delve into the gripping world of old-time radio drama with two captivating episodes. First up is "Let George Do It" with the episode "One Against a City," originally broadcast on February 7th, 1949. This episode follows the intrepid private investigator George Valentine as he takes on a daunting challenge, fighting against the pervasive corruption of an entire city to uncover the truth behind a nefarious conspiracy. The episode features the talents of Bob Bailey as George Valentine, Virginia Gregg as his secretary Claire Brooks, and Wally Maher as Lieutenant Riley, all delivering stellar performances that bring this thrilling tale to life. Next, we present "21st Precinct" in the episode titled "The Baker," which originally aired on February 3rd, 1954. This episode immerses listeners in the gritty realism of a New York City police precinct, focusing on the dedicated officers who navigate the complexities of law enforcement. The story revolves around a baker who becomes entangled in a web of crime, and it is up to Captain Frank Kennelly and his team to solve the case. The cast includes Everett Sloane as Captain Frank Kennelly, Ken Lynch as Lieutenant Matt King, and Harold Stone as Sergeant Waters, all delivering compelling performances that capture the intensity and urgency of police work. Join us for an evening of suspense and intrigue as we journey through these classic radio dramas, showcasing the timeless appeal of vintage detective stories.

In this week's thrilling episode of "Tuesday Night Detectives" on Vintage Classic Radio, we dive into the shadowy corners of mystery and crime, starting with "Let George Do It" in the episode titled "The Roundabout Murder". Originally aired on March 7th, 1949, the story follows the astute detective George Valentine as he unwinds the complex web surrounding a murder that's as puzzling as it is deadly. With the help of his loyal assistant, Claire Brooks, often called Brooksie, and the occasional input from Lieutenant Riley, Valentine tackles this case with his usual mix of cunning and bravado. Bob Bailey stars as the unflappable George Valentine, with Virginia Gregg lending her voice to Brooksie, and Wally Maher portraying the ever-skeptical Lieutenant Riley. Following that, we immerse ourselves in the murky atmosphere of "Casey, Crime Photographer" in the episode entitled "Fog", which first captivated audiences on March 11th, 1948. This episode sees the intrepid Casey stumbling upon a crime scene shrouded in fog, where visibility is as scarce as clues. With his trusty camera and the assistance of the sharp-witted Ann Williams, Casey delves into the mystery, proving once again why he's not just a photographer but a detective at heart. Staats Cotsworth stars as the eponymous Casey, with Jan Miner playing the resourceful Ann Williams, and John Gibson as Ethelbert, the bartender who often provides more than just drinks. Together, these episodes offer a glimpse into the golden age of radio, where every shadow hid a secret and every voice told a story. Join us as we relive these classic tales of intrigue and investigation.

George Valentine receives a letter asking for help...from Santa Claus! Claire Brooks disappears, the toys are stolen, and the kid on Santa's knee is really a midget! --- Send in a voice message: https://podcasters.spotify.com/pod/show/iloveoldtimeradio/message Support this podcast: https://podcasters.spotify.com/pod/show/iloveoldtimeradio/support

First on tonight's lineup, we take you back to September 3rd, 1945, for an episode of “The New Adventures of Sherlock Holmes” titled "The Limping Ghost". Our beloved detective duo is back at it with Nigel Rathbone brilliantly capturing the essence of the sharp-witted Sherlock Holmes, and the incomparable Nigel Bruce portraying the ever-faithful Dr. Watson. When the streets of London are haunted by a mysterious limping ghost, Holmes and Watson are called upon to unravel the eerie occurrences. The duo finds themselves delving into a mystery that intertwines the supernatural with a very human motive. Alongside Rathbone and Bruce, the cast includes Patricia Morison as Mrs. Hudson and Dennis Hoey as Inspector Lestrade, with a special appearance by Reginald Denny as Lord Blackwater, the man with a secret. Then, shifting gears to May 1st, 1948, we bring you the captivating detective drama “Let George Do It” in the episode titled “The Spirit World”. The charismatic Bob Bailey stars as George Valentine, a private investigator who's more than willing to take on the cases others deem too dangerous. When a worried client seeks his expertise on a case involving séances and alleged communications with the afterlife, Valentine gets more than he bargained for. The episode casts Virginia Gregg as the beautiful and mysterious Claire Brooks, Wally Maher as the skeptical Lieutenant Riley, and Lurene Tuttle as the enigmatic medium, Madame Zara. Join us for a thrilling evening of mystery and suspense, as we revisit the golden age of detective radio shows on this week's “Tuesday Night Detectives”!

Getting involved with a murder mystery that was made to look like a double suicide, George Valentine and Claire Brooks have their handds full. Bernice is a girl who works…

In this episode of Biblioscapes in Discussion, I am joined by Claire Brooks to talk about her work and her book Evenlode The Sound of Waters.We also discussed a selection of Claire's favourite photobooks from her own bookshelf.

School does not teach you about the power of the human system, it keeps you stuck in your head distracted away from the connection with self. Learning how to reconnect and how the whole system functions is one of the most beneficial tools you could ever learn. Watch out for the upcoming retreats that Wendy and Claire are organising to do just this.Presented by Wendy Smith: https://WendySmith.me.ukTune into the show live on KindaSound Radio every Sunday: https://KindaSound.org

Mutual Radio, Don Lee Network December 25, 1950. Let George Do It was an American radio drama series produced from 1946 to 1954 by Owen and Pauline Vinson. Bob Bailey starred as private investigator George Valentine; Olan Soule voiced the role in 1954. Don Clark directed the scripts by David Victor and Jackson Gillis. George Valentine was a professional detective. Valentine's secretary was Claire Brooks, a.k.a. Brooksie (voiced by Frances Robinson, then by Virginia Gregg, and then by Lillian Buyeff). As Valentine made his rounds in search of perpetrators, he occasionally encountered Brooksie's kid brother, Sonny (Eddie Firestone) or elevator man Caleb (Joseph Kearns). Police Lieutenant Riley (Wally Maher) was a more regular guest. For the first few shows, Sonny was George's assistant, given to exclamations such as "Jeepers!" but he was soon relegated to an occasional character. John Hiestand was the program's announcer. (PHOTO: BAILEY and GREGG)

Wendy Smith talks to naturopath Claire Brooks about supporting our immune systems and gut health.https://kindasound.org/Claire-Brooks.htmlhttps://kindasound.org/wendy-smith.html

Getting involved with a murder mystery that was made to look like a double suicide, George Valentine and Claire Brooks have their handds full. Bernice is a girl who works the hotel, but can she be believed, especially as she took off running after talking to George? George gathers clues as more players come on the scene. A chamber maid, and a mysterious tough guy. George finds a valuable pearl, Helga, the dead woman was thought to be an illegal immigrant, but Brooksie discovers that her also dead husband married her, and made her legal. Who wanted them both dead? That's just the question that

So pleased to welcome back Claire Brooks as a guest on the Planted Mindset Podcast. We spoke at the start of lockdown (Episode 11) on the health of our gut and how this can affect the rest of our body. Qualified dietician, nutritionist and naturopath Claire joins me on this episode to delve deeper into the importance of good gut health and what we can do to help improve our bodies immunity. She gives simple but actionable steps that can be taken to enable us to be in control of our own health by what we eat and uniquely what our bodies absorb. Sleep and exercise are essential prerequisites for good health but equally by understanding how our bodies work and the interlinking of the gut/brain connection will help us especially through this COVID pandemic from a mindset perspective too as mental health often gets overlooked. Fuel your gut well with foods to feed your brain right Follow Claire by clicking the links below if you are interested to learn more on how you can improve your own health and wellness. Website: www.clairebrooks.co.uk Instagram; clairebrooksbsc If you have any questions you would like me to answer and be featured on the podcast. Then leave a review on iTunes and then drop me a DM with a screenshot of the review and your question to @nbefitPT on Instagram or Facebook. 'The greatest wealth is your health and is not truly valued until sickness finds you!'  Stay healthy, stay safe!  Natasha x

We are currently living through the most surreal times with the Coronavirus taking hold globally. This is having a fundamental impact on people understanding the importance of their health. Whilst all of the 4 pillars (nutrition, exercise, sleep and relaxation) are essential to our health and well-being, having a mindset shift that food is fuel undoubtedly will enable us to help ourselves and ultimately others by making better choices in food we eat. Claire Brooks, qualified dietician, nutritionist and naturopath joins me on this episode to discuss the importance of good gut health and what we can do to improve it, with the understanding that it isn't just based on what we eat but also what our bodies absorb. You can follow Claire by clicking the links below, to see what and how we can all get more savvy with our food choices and boost our own gut microbiota with homemade remedies that are not difficult to make. When we get through this pandemic, hopefully people will not fall back into old bad habits but will adopt a healthier lifestyle, knowing for the first time ever that food is not just for sustenance but can be a powerful medicine too. Website: www.clairebrooks.co.uk Instagram; clairebrooksbsc

Today we meet filmmaker, writer & producer Claire Brooks. @clairewhichproject

Bob Bailey stars in this Thanksgiving show from 1950. Show ran from 1946-54 with Bailey as PI George Valentine. Olan Soule played the role in 1954. The hook for the program is that clients would come to George Valentine in response to a newspaper ad that read: "Personal Notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine" Claire Brooks, aka Brooksie, is Valentine's secretary (played by Frances Robinson, Virginia Gregg and Lillian Buyeff). Brooksie's brother, Sonny (played by Eddie FIrestone), Lieutenant Riley (played by Wally Maher) and an elevator man... Caleb (played by veteran actor Joseph Kearns) are all in the supporting cast. Show was heard on various days during the run... Fridays, Mondays, and Wednesdays at 9:30 pm. Always a good listen! More in our "Detective" playlist and also in the "Thanksgiving" playlist for this particular episode. Thanks for listening.

No matter what old time radio genre you prefer, you’ve probably heard Virginia Gregg’s voice. You’ve almost certainly heard her as Mrs. Bates in the Psycho films or seen her in one of her many on-screen performances. She was one of radio’s most versatile and talented actresses, and in honor of her birthday we’ll hear Virginia Gregg in three old time radio shows. First, she plays Helen Asher opposite Dick Powell’s Richard Diamond, Private Detective in an episode originally aired on NBC on July 9, 1949. Then, she’s Claire Brooks, loyal assistant to George Valentine in “Seed of Destruction” from Let George Do It (originally aired on Mutual on August 18, 1952. Finally, she plays a Chinese immigrant won in a poker game in “Gentle Virtue,” an episode of Frontier Gentleman from March 30, 1958.

This week we dust off the cobwebs and officially start our second season. After a leisurely break battling our respective extreme weather conditions, we’re back with a renewed sense of purpose and clarity after tinkering under the hood of the podcast and slightly reconfiguring how we do things around here. Over the coming weeks and episodes, you might notice a few changes. Firstly, we’re making an effort to make our episodes shorter. Now that every man, woman, and child and pet has their own podcast, we know that your time is more valuable than ever to squeeze all that content into your ear-holes, so together with our superstar producer Areej, we’re working extra hard behind the scenes to get things tighter and leaner so you only get that nice top creamy layer of Jacky Winter aweseomness that you have grown to love. Secondly, we’re going to be introducing more interviews with people who have absolutely nothing to do with the advertising or design community, but still have valid lessons and experiences to share regarding production or the sheer experience of making things and putting them out into the world. As I’ve spoken about here previously, I’ve learned most of my greatest lessons in business from being a client and patron of businesses myself. From architects to cafe owners, we hope to really expand the professional scope of individuals from all creative corners, in hopes that we can really broaden the discussion on the thoughts, processes, and systems that people from all professions use to Make Their Thing. Fear not! We’ll still be bringing you stories and people from our favourite agencies and brands, but we’ll just be adding a bit of new blood to the mix. Between both honing and broadening our focus with our guests, we’ll be breaking things up a bit with some more extended discussion between the three of us on some of the most exciting and thought-provoking articles and announcements from our ‘Mini-Links’ feature, the part of the show where we crap on about things we read on the internet from our #professionaldevelopment slack channel. All in all, our focus hasn’t changed - We’re still determined to be a platform and voice for those individuals and processes behind the scenes that help creative projects come to life and we hope you like what we have in store! One thing that we’ve really relied on to help us get this far is your feedback and support. From suggesting interview and discussion topics, to reviewing and rating the podcast on iTunes, it’s been so encouraging to hear from so many of you. To help get us to the next season, we really need this to be a 2-way conversation, so please drop us a line and let us know what you think! Do you have a question, a suggestion, or a suggested person to interview? Don’t be shy, we REALLY love an email. It makes our day, so go on and drop us a line at podcast@jackywinter.com. We are currently looking for new interview subjects! Know a PM, producer, studio manager, art buyer, etc etc who is amazing at their job? Dob them in to podcast@jackywinter.com so we can hit them up! Featured links from our discussion - Want to get these in your inbox every Friday? Sign up for our text-only tinyletter at tinyletter.com/jackywinter Intro Links! : How brands secretly buy their way into Forbes, Fast Company, and HuffPost stories / No one makes a living on Patreon / The writing's on the wall' - 36 creative predictions for 2018 - AdNews Claire Brooks : The Listserv / Claire online: LinkedIn, Reel, Instagram / The Shed If you like the show or these links or think we sound like nice people, please go and leave us a rating or review on iTunes. It helps other people find the show and boosts our downloads which in turn lets us know that what we're doing is worth doing more of! Jacky Winter Gives You The Business is produced by Areej Nur To subscribe, view show notes or previous episodes head on over to our podcast page at http://jackywinter.givesyouthe.biz/ Special thanks to Jacky Winter (the band, with much better shirts than us) for the music. Listen to them over at Soundcloud. Everything else Jacky Winter (us) can be found at http://www.jackywinter.com/

Claire Brooks moved to Detroit, Michigan and found a senior role with an advertising agency. During her first meeting, she met with the brand manager for an American car brand and she began to mixing up the names of car parts. After a moment, the brand manager asked ask what was she talking about. Claire, felt she failed with her attempt to impress. Listen how she turned this moment into a global empathy opportunity.

Host Bill Horan talks with Claire Brooks, author of "Marketing With A Strategic Empathy."

Host Bill Horan talks with Claire Brooks, author of "Marketing With A Strategic Empathy."

Let George Do It was a radio drama series produced by Owen and Pauline Vinson from 1946 to 1954. It starred Bob Bailey as detective-for-hire George Valentine (with Olan Soule stepping into the role in 1954). Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine." Valentine's secretary was Claire Brooks, aka Brooksie (Frances Robinson, Virginia Gregg, Lillian Buyeff). As Valentine made his rounds in search of the bad guys, he usually encounted Brooksie's kid brother, Sonny (Eddie Firestone), Lieutenant Riley (Wally Maher) and elevator man Caleb (Joseph Kearns). Sponsored by Standard Oil, the program was broadcast on the West Coast Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York, Wednesdays at 9:30pm, from January 20, 1954 to January 12, 1955. John Hiestand was the program's announcer. Don Clark directed the scripts by David Victor and Jackson Gillis. The background music was supplied by Eddie Dunstedter on the organ.THIS EPISODE:October 1, 1951. Mutual-Don Lee network. "No Way Out". Sponsored by: Standard Oil. A frightened young man is mixed up in a racket and a shooting. He then is arrested and jailed. Let George do it! Bob Bailey, Virginia Gregg, Jonathan Hole, Ted de Corsia, Kenneth Webb (director), Ken Christy, Don Clark (writer), Louise Arthur, Bud Hiestand (anouncer), Eddie Dunstedter (composer, conductor). 29:42.

Let George Do It was a radio drama series produced by Owen and Pauline Vinson from 1946 to 1954. It starred Bob Bailey as detective-for-hire George Valentine (with Olan Soule stepping into the role in 1954). Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine." Valentine's secretary was Claire Brooks, aka Brooksie (Frances Robinson, Virginia Gregg, Lillian Buyeff). As Valentine made his rounds in search of the bad guys, he usually encounted Brooksie's kid brother, Sonny (Eddie Firestone), Lieutenant Riley (Wally Maher) and elevator man Caleb (Joseph Kearns). Sponsored by Standard Oil, the program was broadcast on the West Coast Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York, Wednesdays at 9:30pm, from January 20, 1954 to January 12, 1955. John Hiestand was the program's announcer. Don Clark directed the scripts by David Victor and Jackson Gillis. The background music was supplied by Eddie Dunstedter on the organ.

Let George Do It was a radio drama series produced by Owen and Pauline Vinson from 1946 to 1954. It starred Bob Bailey as detective-for-hire George Valentine (with Olan Soule stepping into the role in 1954). Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine." Valentine's secretary was Claire Brooks, aka Brooksie (Frances Robinson, Virginia Gregg, Lillian Buyeff). As Valentine made his rounds in search of the bad guys, he usually encounted Brooksie's kid brother, Sonny (Eddie Firestone), Lieutenant Riley (Wally Maher) and elevator man Caleb (Joseph Kearns). Sponsored by Standard Oil, the program was broadcast on the West Coast Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York, Wednesdays at 9:30pm, from January 20, 1954 to January 12, 1955. John Hiestand was the program's announcer. Don Clark directed the scripts by David Victor and Jackson Gillis. The background music was supplied by Eddie Dunstedter on the organ.

Let George Do It was a radio drama series produced by Owen and Pauline Vinson from 1946 to 1954. It starred Bob Bailey as detective-for-hire George Valentine (with Olan Soule stepping into the role in 1954). Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine." Valentine's secretary was Claire Brooks, aka Brooksie (Frances Robinson, Virginia Gregg, Lillian Buyeff). As Valentine made his rounds in search of the bad guys, he usually encounted Brooksie's kid brother, Sonny (Eddie Firestone), Lieutenant Riley (Wally Maher) and elevator man Caleb (Joseph Kearns). Sponsored by Standard Oil, the program was broadcast on the West Coast Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York, Wednesdays at 9:30pm, from January 20, 1954 to January 12, 1955. John Hiestand was the program's announcer. Don Clark directed the scripts by David Victor and Jackson Gillis. The background music was supplied by Eddie Dunstedter on the organ.

Let George Do It was a radio drama series produced by Owen and Pauline Vinson from 1946 to 1954. It starred Bob Bailey as detective-for-hire George Valentine (with Olan Soule stepping into the role in 1954). Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine." Valentine's secretary was Claire Brooks, aka Brooksie (Frances Robinson, Virginia Gregg, Lillian Buyeff). As Valentine made his rounds in search of the bad guys, he usually encounted Brooksie's kid brother, Sonny (Eddie Firestone), Lieutenant Riley (Wally Maher) and elevator man Caleb (Joseph Kearns). Sponsored by Standard Oil, the program was broadcast on the West Coast Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York, Wednesdays at 9:30pm, from January 20, 1954 to January 12, 1955. John Hiestand was the program's announcer. Don Clark directed the scripts by David Victor and Jackson Gillis. The background music was supplied by Eddie Dunstedter on the organ.THIS EPISODE:August 23, 1948. Mutual-Don Lee network. "The Corpse That Took A Powder". Sponsored by: Standard Oil, Chevron. George Valentine gets a letter from Marsha Palmer, telling him that she's going to commit suicide. Later, at her apartment, the scrub woman disappears, and so does Marsha's dead body! Bob Bailey, Bud Hiestand (announcer), David Victor (writer), Don Clark (director), Eddie Dunstedter (music), Frances Robinson, Gwen Delano, Harry Lang, Herbert Little Jr. (writer), Jacqueline DeWitt, Ralph Moody, Tony Barrett, Wally Maher. 29:44.