Podcasts about Girl Friday

If you love great storytelling, you'll connect with this conversation. I sit down with Walden Hughes, a man whose Unstoppable passion has kept Old Time Radio alive for decades. As the voice behind YESTERDAY USA and a driving force with REPS, Walden has dedicated his life to preserving the art, sound, and soul of classic radio. We talk about what made those early shows so timeless, the craft of the actors, the power of imagination, and how simple audio could create entire worlds. Walden also shares how modern technology, archives, and community support are bringing these programs to new audiences. This conversation is about more than nostalgia. It's about keeping storytelling alive. Walden reminds us that great radio never fades and that imagination will always be Unstoppable. Highlights: 00:10 – Discover why Old Time Radio still captures the imagination of listeners today. 01:19 – Hear how the end of an era shaped the way we think about storytelling. 02:32 – Learn what made the performances and production of classic radio so unique. 04:25 – Explore how legendary shows left a lasting influence on modern audio. 05:16 – Gain insight into what separates timeless audio drama from today's versions. 08:32 – Find out how passion and purpose can turn nostalgia into something new. 12:15 – Uncover the community that keeps classic radio alive for new generations. 16:20 – See how creativity and teamwork sustain live radio productions. 24:48 – Learn how dedication and innovation keep 24/7 classic broadcasts running. 33:57 – Understand how listener support helps preserve the magic of radio history. 37:38 – Reflect on why live storytelling still holds a special kind of energy. 41:35 – Hear how new technology is shaping the future of audio storytelling. 46:26 – Discover how preservation groups bring lost performances back to life. 50:29 – Explore the process of restoring and protecting rare audio archives. 55:31 – Learn why authenticity and care matter in preserving sound for the future.     About the Guest: From a young age, Walden Hughes developed a lifelong love for radio and history. Appearing in documentaries on “Beep Baseball,” he went on to collect more than 50,000 old-time radio shows and produce hundreds of live nostalgic broadcasts. His work celebrates radio's golden era through events, celebrity interviews, and re-creations performed nationwide. His deep family roots reach back to early American history — from a Mayflower ancestor to relatives who served in major U.S. wars — shaping his respect for storytelling and legacy. With degrees in economics, political science, and an MBA in finance, he built a successful career in investments before turning his passion into purpose. As general manager and producer for Yesterday USA and longtime board member of SPERDVAC, he's preserved classic entertainment for future generations. Honored with awards like the Herb Ellis and Dick Beals Awards, he continues to consult for icons like Kitty Kallen and the Sinatra family, keeping the voices of radios past alive for audiences today.   Ways to connect with Walden:   Cell:  714/454-3281 Email:  waldenhughes@yesterdayusa.com or www.yesterdayusa.com Live shows are Friday, Saturday and Sunday nights beginning at 7:30 PDT.     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello everyone, and welcome to another episode of unstoppable mindset. Wherever you are listening from, we're really glad you're here, and we are going to have a guest who we've had on before we get to have him on again, and we're going to grill him really good. I want you to remember that a few weeks ago, we talked to Walden Hughes. And Walden is a collector of old radio shows. He's been very involved with organizations that help promote the hobby of old radio shows, and old rate Old Time Radio, as I do, and I thought it would be kind of fun to have him back, because there are a number of events coming up that I think are very relevant to talk about, and so we're going to do that. So Walden, welcome back to unstoppable mindset. We're glad you're here. Michael, been such a long time, and glad you invited me back. Well, I know it's been so long well, so tell me, let's, let's go back again. You know, radio people talk about the golden days of radio, or the time of old radio. When do we think that? When do we say that officially ended, although I think it went beyond   Walden Hughes ** 02:29 it. I though I jumped 30th, 1962, I'm, yeah, I I think the style changed a little bit, I'm probably a romantic somewhat. I love the style of old time radio. I love how it sound. Yeah, I think in in the 3040s and 50s, the studios and the theater that they use sounded great for radio, and it disturbed me, and I bet you have the same feeling, Michael, that when you get new production and new the new studio, it just doesn't sound right. I feel the equilibrium is not quite the way. I love old time radio. I think Old Time Radio A prime web. I think a lot of new productions out there that, you know, release their podcasts and things on a weekly basis. I think they're handicapped. They just don't have the budget to really create and build a studio the way I think it should be, that if they have, it sound just natural and just right.   Michael Hingson ** 03:43 And I think that's part of it, but I think the other part of it is that people today don't seem to know how to act and create the same kind of environment with their voice that Old Time Radio actors did in the 30s, 40s and 50s and into into the early 60s, even we had Carl Amari on several weeks ago. And of course, one of the things that Carl did was, did complete recreations of all of the Twilight Zone shows. And even some of those are, are they sound sort of forced? Some of the actors sound forced, and they they haven't really learned how to sound natural in radio like some of the older actors do.   Walden Hughes ** 04:34 Yeah, and I know Bob we call did it for a bike I get thrown off when he generally way. Did have the highway stars remote end, and he had a Stock Company of Chicago after, and I could hear the equilibrium just not quite right. That bothers me. I don't know if the average person picks up on that, and you're right. I don't know if. Is it the style of acting that they teach in film and TV? It needs a radio acting different in a lot of ways, and you got it as you point. It's got to be realistic into the environment. And actors don't get that for radio,   Michael Hingson ** 05:25 yeah, and you talked about the last day for you of real radio was September 30, 1962 and we should probably explain why that is   Walden Hughes ** 05:36 diet throughout the CBS your Troy John and suspense as the two main keys of old time radio. And that was the last day of old time radio out of New York. And I hardcore Lacher sister. Think that's one radio Shane died per se   Michael Hingson ** 05:58 Gunsmoke and Have Gun Will Travel were gone, right,   Walden Hughes ** 06:01 and the soap operas ended in November 2560 I like soap operas. I know a lot of people do not, but there's something can't there's something campy about it that I like. I would, I would like, I prefer to listen to somebody also proper than do some of the new production and make sure the acting style,   Michael Hingson ** 06:27 but I think there's a lot to do with it that that makes that the case. And I think you're absolutely right that so many things are different, but at the same time, radio did sort of continue. And there was, there were some good shows zero hour, the Hollywood radio theater that Rod Serling did later. And of course, NPR did Star Wars.   Walden Hughes ** 06:58 And I like that I did.   Michael Hingson ** 07:02 Yeah, I think that was done pretty well. And what do you think of CBS mystery theater? Honestly, CBS mystery theater, I thought that generally, CBS mystery theater had some good actors, and they did a pretty good job. I I can't complain too much about that, and it was on for a long time.   Walden Hughes ** 07:18 But what do you think of the script, though?   Michael Hingson ** 07:22 Well, part of the problem for me and CBS mystery theater is, and I'm sure it was a cost issue. There weren't very many people in most of the scripts. There was like two or three or so and and that was a problem. But I think that that the scripts suffered because there weren't more people in the scripts to really make it again sound pretty natural. I think that was a problem.   Walden Hughes ** 07:52 Yeah, Hyman Brown really knew how to crank it out. I think it has a good, solid B production, you know, the scripts. And I think the scripts are quite hampered. You couldn't, actually couldn't knock the actors. I thought the actors were Mercedes McCambridge and all those were terrific actors, but you're right. Sam dam wrote a lot of them, yeah, and things like that. But I   Michael Hingson ** 08:21 think, I think they would have been nicer to have more people in the scripts. But I understand that, that that probably was more difficult to do just because of union and scale and the cost. But gee, I think it would have made a big difference in the shows. But Hyman Brown really knew, as you said, How to crank them   Walden Hughes ** 08:39 out. Yeah, that's why, in some ways, I think the series, radio theater, the way 70 is a it's a terrific series. Didn't have the financial backing to make it last longer than the two years I was   Michael Hingson ** 08:52 on. Now, one show I really liked on in PR later was alien world, which I thought was good. I'd never heard any of them, so they were good, yeah, yeah, okay. I'm very happy with alien worlds. There were some actors from radio and in early television and so on. Hans con read, for example, was on some, yeah, I thought alien worlds went really well. I guess we're gonna have to get you some and get you to lose, Okay, interesting.   Walden Hughes ** 09:21 I just got done taking a eight week course on entrepreneurship for disabled people, and my idea is to pitch that we should be doing audio theater as a podcast. I think if it's big enough, it attracts national sponsors. And if you look at the numbers, everybody podcasting, 135 million people in the USA download a podcast once a week. Revenue, $2.46 billion yeah. Worldwide, 5 billion people download a podcast once a week. Revenue, three. $4 billion and so she had a well known he had a podcast with well known stars. I think she could get that 1% in that market, and then you can generate between the 24 to 40 million, $40 million in revenue a year. That would easily sure be a good financial model, and that's what I'm pitching. But when I went to the court, they asked me what to analyze, what's wrong with my what obstacles I have. And one of the things I put down is besides the studio we talked about and the acting, which a really good actor, actress, everybody, like a Beverly Washburn can pick up a script and knock it out of the park right away. Most actors are not able to do that. That's a real gift, as Michael was pointing out. But the other thing most scripts are written for film and TV, which is a verbal which is a eye medium, and a radio script is written for the ear, and I have produced enough the ear is faster than the eye. If you take like a TV script and a book and read it out loud, the mind wander. It has to have a faster pace for the ear. And I don't think more people notice that when they're analyzing a script,   Michael Hingson ** 11:31 yeah, but you you're sort of treading around the edges of something else. I think that is fascinating, that we can start to talk about one of the things that has occurred some over the past few years, and whether it be with a podcast or even just with the mechanisms we're using today, is there are some attempts to recreate some of the old radio shows and and you and I have both Well, we Have to get you acting in one of those shows, Walden. But I have, I've acted in the shows Walden works behind the scenes, and there are a number of people who have been involved with him. And you really can tell some of the good actors who performed in old radio as you said, Beverly Washburn, Carolyn Grimes and others. Carolyn, of course, is Zuzu from It's A Wonderful Life, and by the way, she's going to be coming on unstoppable mindset in the not too distant future. But, but the point is that you can tell those people because they've done it, and they're very comfortable with it, and they know how to make it come across really well. So for example, you're the president of the radio enthusiasts of Puget Sound. Now you're down here in Southern California. How did you work out being the president of reps?   Walden Hughes ** 13:01 Why my closest friends a hobby, Brian Haygood, and Brian's been one of the big movers and shakers of reps over the years. And when the founder, Mike Sprague, decided to step down, they were looking for new people to run showcase back in 2007 so Brian asked me, because I'm the one that has the contacts, you know, I'm the one booking guests for y USA rep, I'm sure the go to person with contacts and phone numbers, everybody. And so I just wound up doing the CO produced showcase back in 2007 with Brian. So that's been one of the things I wound up doing.   13:50 I produce   Walden Hughes ** 13:52 almost 30 923, or four days events of All Time Radio around the country. So tell us about showcase, showcase. It will be September 18, 19/20, 21st is a big event for us, for reps, and we got funding thanks to Ford culture and the state of Washington to do this. And it's free. You can go to reps online.org, and RSVP and come. And people that you get to see this time around are Beverly Washburn from Star Trek, when the bear ministry shows, yeah, when, when the bear man a good, solid voice actress, and also is a coach. Carolyn Grimes, as you mentioned, Margaret O'Brien, of course, you know Margaret from Oscar war winner from meet me in St Louis, Gigi Perot, and she goes back to the 40s and 50s. And did the belly hunting TV show, Tommy cook and Lacher Riley, a radio show. Ivan Kirk. Troy. Bobby Benson. Bill Owen, who you had on ABC TV announcer, author of The Big broadcast, Ron cocking. He and his great wife, Gloria Macmillan ran acting school for children.   Michael Hingson ** 15:15 Bill Ratner Miller, of course, is famous for radio.   Walden Hughes ** 15:18 Right arm is Brooks. Bill Ratner from GI Joe. Bill Johnson, who does Bob Hope around the country. John provoke to Timmy Lacher. Chuck Daugherty, the announcer for second announcer for Sergeant president of the Yukon King and discover the Beach Boys. David Osman from fire sign theater. Phil prosper from fire sign theater. John Iman, who was from the TV show Lacher. And there was Larry Albert and John Jensen, the big band Lacher. John Laurie gasping, and Dan Murphy used to be the program director ki Xi out in Seattle. And so that's gonna be a great weekend. We'll produce close to it, I think, 1819 radio recreation that's still negotiating. And we have several interviews and panel. It's all free. So you can go to repsonline.org, and that's one of our two major events, the other major events at the Christmas show in December, the first week in December. I'm hoping Mike can make it up that   Michael Hingson ** 16:31 weekend, I was hoping to be able to come to the Showcase. And one of my favorite shows, and Walden and I had talked about doing it, is Richard diamond private detective. And I actually asked to be cast as Richard diamond, but then a speaking engagement came up. So unfortunately, rather than being in Washington, I am going to be in Minnesota, I'm sorry, in Pennsylvania, speaking. So I won't be able to be there, but we'll do Richard diamond. That's gonna be a fun show one of these days. We'll do it.   Walden Hughes ** 17:06 We'll put we put it aside. So when Mike can can do it, we can do it so but no, really blessed to have the financial grants to keep audio theater live on a nonprofit basis, and that that that's a great board, and cannot every group's had that financial abilities right now to do that, and it's so expensive around the country to do it, terms of airfare, hotel commitments and Just meeting room costs, I mean, for people who may or may not know, when you go to a hotel a live event now, a lot of hotels expect that that meeting room needs to generate at least $10,000 of income per day. That that's a lot of money. And so we have a place that doesn't, that doesn't do that, and we're able to produce that. And so rep definitely focus on the live, live audio theater part, and also has a large library, like 33,000 shows I heard where we have so people can download, and we're also aggressively buying discs and things to add to the library. And I remember spur back I part of and I'll tell you some of the latest news and that when we talk to that topic, but it's just old time radio is in really good   Michael Hingson ** 18:41 shape at the moment. You mentioned Larry Albert, and most people won't know, but Larry Albert's been in radio for what, 40 years, and has played Detective Harry Niles that whole time, and he's also Dr Watson on Sherlock Holmes again, there are some really good professionals out there, which is cool, yeah, yeah, who understand and know how to talk in a way that really draws people in, which is what it's all about,   Walden Hughes ** 19:15 absolutely. And considering Larry and a co founder, they run all vacations, sure, the after of imagination theater. Sure they carry the banner up in Seattle, and it's pretty amazing what they're able to produce.   Michael Hingson ** 19:32 Yeah. Now, in addition to the Showcase and the Christmas show that reps is going to be doing, reps also does some other shows, don't they, during the year for like veterans and others up in the Seattle area, Tulsa, right?   Walden Hughes ** 19:46 We I thought that idea down here at spur back in 2017 the Long Beach Veterans Hospital, they still have the original theme. Leader, Mike, that Jack Benny and Bob Hope did their shows in front of the Vets at Long Beach. And I know you and I have radio shows from the Long Beach Veterans Hospital. Yes, and the stage is still there. It's the biggest stage I've ever seen. Mike, the seating area is mobile, so that way they can bring patients in who are wheelchairs or whatever, or in bed. They still have the 1940 film projectors and booth up above that they want to run movies in there, and it's just a remarkable feeling to be on stage that Bob Hope and and Jack Bailey did a show, and then the famous broadcast were Ralph Edward consequences, yeah, the Hubert Smith, who was A patient at the hospital and and so in 2017 we did. It's a Wonderful Life. And we had a gigantic crowd. I think it was almost 200 people came to that. And I was for the public and people inside the hospital. And it was, it was a exciting event to have deluxe version of It's a Wonderful Life, which was the 70th anniversary of the broadcast, right? And so I decided to take that concept and take up to Seattle and start performing shows inside the VA hospital system in Seattle. It took a while. It's hard, it's hard to get into the VA, VA system to put on shows, because you got to talk to the right people, and you gotta get a hold of PR and not always easy. So I found the right contacts, and then the state awards, and then has a grant for for veterans or veteran family member to be in shows, and so we're able to get some funding from the state for that so, and then we will also encourage them to come to showcase in September so. But no, that's that's another program we got going for that,   Michael Hingson ** 22:20 someone who I unfortunately never did get to meet, although I heard a lot of his shows, and he helped continue to bring memories of radio to especially the military. Was Frank brazzi, who was around for quite a while, and then he he was also on yesterday USA, a lot. Wasn't he sure where he's   Walden Hughes ** 22:46 from, from 1993 until 2018 so he had a good 25 year run on why USA, Frank and I co host the Friday night show for many years, until he passed away in 2018 show from 2000 to 2018 Frank was amazing guy. He was. He owned his own radio station in South Carolina, South Carolina Island. When he was 19, he had to form the first tape course in Hollywood show Bob Hope would hire him, and he would record all Bob stuff at Paramount Studio and sit to radio station and travel with Bob to record his radio Show. He also was Jim Hawthorne producer for television, Frank wound up developing board games a pass out sold 6 million copies in the new wedding the dating game. He had a company that got gift for game shows on television. He also set up a brother in a company to monitor when commercials were run on TV. Frank also produced record albums every day. He had Walter Winchell record the life of Alex joelson. Met with Jimmy Durante, had Jimmy Durante do an album, Eddie Cantor and so frank is one of these great entrepreneurs that was able to make a lot of money and spend a lot of it on his love for radio. He was the substitute for little beaver, for example, on Red Rider so and he loved doing the show the golden days of radio, which started in 1949 and from 1967 on, it was part of the Armed Forces Radio Service, which was put on 400 stations. And I'm the, I'm the care caregiver, caretaker of. All that items. So I have all the shows and getting them transferred and play them on y USA and Frank wanted to make sure his entire collection was available to collectors. So we want to make sure things were copied and things like that for people to enjoy. But no big part of old time radio, in a lot of ways, not behind the scene a little bit. You know, wasn't a big name person during the golden days of radio, but afterwards, wound up being a major person that carried the fire Troy, full time radio.   Michael Hingson ** 25:35 I know we talked about a little bit, but talk to us about yesterday, USA, that has been around quite a while, and in general, for those who don't know, yesterday, USA is an internet radio station, actually two, if you will. There's a red and a blue network of yesterday USA, and they both stations broadcast to old radio 24 hours a day, although conversations and up to date conversations are interspersed, it still primarily is a a vehicle for playing old radio shows, right?   Walden Hughes ** 26:13 Yeah, been around since 1983 founded by its start. Yeah. Founded by Bill Bragg, Bill started the largest communication museum in the world back in 1979 in Dallas, Texas, and he had a film exchanger. And there was a TV station called a nostalgia channel, and it had these films of old TV shows, but they didn't have the media to transfer it, and so they contacted Bill. Bill agreed to transfer the film. He asked what it is exchanged for him. They said, we can give you an audio channel on satellite. And they gave that to him. And so he tried to decide what to do. So he started a broadcast Old Time Radio over satellite, and he was over the big C span satellite   Speaker 1 ** 27:12 until Oh into the 2005   Walden Hughes ** 27:16 era or so. Wound up being the audio shop carrier for WGN got it high in 2000 at the third most popular internet broadcast site in the world, behind the BBC and CNN around the Lacher saw around 44 that's not too bad, with 15,000 stations online.   Michael Hingson ** 27:41 I remember, I remember it was probably like 1998 or so, maybe 97 we were living in New Jersey, and I was doing something on my computer. And I don't even remember how I discovered it, but suddenly I found yesterday, USA, and at that time, yesterday, USA was one channel, and people could become DJs, if you will, and play old radio shows. You could have an hour and a half slot. And every other week you updated your broadcast, and they put on your shows at different times during the the two week period. But it was a wave that, again, a lot of people got an opportunity to listen to radio, and I'm sure it was very popular.   Walden Hughes ** 28:32 Yeah, yeah, if they'll to Lacher show, we don't, we don't get 40,000 to 60,000 listening hours a month, with it a lot, because a lot, maybe some people might listen to seven minutes, some might people listen to a half hour and all that accumulative, it's almost 60,000 hours a month. So that's a lot of hours that people are accessing in it, there's something nice about being alive. I don't know what you think Mike, but doing something live is pretty special, and that's, that's the nice thing about what yesterday USA can provide, and we can talk, take calls, and then, you know, in the old days, you have more and more people talk about Old Time Radio. No doubting, but a lot of new people don't have those memories, so we we might do some other things to keep it interesting for people to talk about, but it's still the heart and soul. Is still old time radio in a lot of ways, and we're definitely the fiber, I think for new people to find old time radio.   29:43 How did you get involved with it?   Walden Hughes ** 29:47 I became aware of it in the early 80s when sperback mentioned it in the news trailer, so I knew it's out there. And I called, and Bill returned my call. I said, I would like my cable TV. A company to play it, and I contacted my cable TV. They couldn't get to that channel that was on the satellite, so they put big band music on those dead on the community board. And so at the same time as you about 1998 I had a good enough computer with a good enough sound card I could pick up yesterday, USA. I was aware of it. It started on the internet in 1996 I started to listen, and then I would sort of call in around 2000 they would ask a question Bill and Mike and not really know the answer, so I will quickly call and give the answer, then leave. Eventually, they realized that I knew kitty Cowan, the big band, singer of the 40s and 50s. They asked me to bring on and do the interview, which we did September 17 of 2000 and then they asked, Could I do interviews on a regular basis? And so when a kiddie friend who I knew, Tess Russell, who was Gene Autry's Girl Friday, who ran kmpc for the audience, that was the station with the stars down the road, easy listening music,   Michael Hingson ** 31:21 golden broadcasting, and that was the station Gene Autry owned, yep.   Walden Hughes ** 31:26 And I think everybody in the music business but the old touch rush all favor. So she she hooked up, she signed up. She gave me set book 17 guests for me, right away from Joe staff or the Troy Martin to Pat Boone Patti Page, who wrote them all out. So I had a major start, and then I started to contact people via letters, celebrities and things. And I think it's a really good batting average. Mike, I had a success rate of 20% Wow. Wish it was a person that didn't I had no contact with that I could turn into a guess. I always thought I was a pretty good batting average. Yeah, and I got Margaret Truman that way. I mean, she called me, said, Wong, I forgot I did this radio show with Jimmy Stewart. She did jackpot, you know, the screen director of Playhouse. And we talked about her time on The Big Show with Tallulah Bankhead. They said, a big help with Fred Allen to her. She we talked about she hosted a show, NBC show called weekday with what the weekday version of monitor was, Mike Wallace. And she talks about how Mike had a terrible temper, and if he got upset with the engineer, she has to grab his jacket and pull him back in his chair just to try to cool them off. And so we had a great time with Margaret O'Brien, Margaret Truman, but, but I always thought that would a pretty good bat Navy getting 20% and in those days, in early 2000 a lot of celebrities would be were willing to interact with the through the website, with you, and so I did that. So I booked hundreds of celebrity interviews over the years, and so it's been a, I think, an important part what I do is trying to preserve people's memories, right that way we have the recordings.   Michael Hingson ** 33:43 And so how long was Bill with yesterday, USA.   Walden Hughes ** 33:49 I passed away in 2019 so Bill from 83 to 2019, to us, 10 years or so of his wife, though he had   Michael Hingson ** 34:05 Alzheimer's and dementia, and so you could tell he was he was sounding older, yeah, and   Walden Hughes ** 34:11 he wasn't behind the scene. He was really erratic in a lot of ways. So Kim, Kim and I wound up his wife, and I wound up running the station for the last 10 years, behind the scene, okay, Bill wasn't able to do it, and so I would be the one handling the interaction with the public and handling the just jockeys, and Kim would do the automation system and do the paperwork. So she and I pretty much ran the station.   34:43 And now you do   Walden Hughes ** 34:45 it, I do it, yeah, and so I think Bill always had in mind that I'd be the one running the station in a lot of ways. And think to the listeners, we've been able to pay the bills enough to keep it. Going, I would love to generate more income for it.   Michael Hingson ** 35:03 Well, tell us about that. How are you doing the income generation? And so most of it is through   Walden Hughes ** 35:09 a live auction that we have in November this year, will be on Saturday, November 22 and people donate gift cards or items, and people bid on it, or people donate, and that money we basically use to help pay the monthly bills, which are power bills and phone bills and things like that, and so, which is a remarkable thing. Not every internet radio station has a big enough fan base to cover the cost, and so all the internet stations you see out there, everybody, the owners, sort of really have to pull money out of their own pocket. But why USA been around long enough, it has enough loyal following that our listenership really kicks in. I mean, we built a brand new studio here with the with the audience donating the funds, which is pretty remarkable. You know, to do that,   Michael Hingson ** 36:16 yeah, you got the new board in, and it's working and all that. And that's, a good thing. It really is. Well, I have been a listener since I discovered y USA. When we moved out to California for a while, I wasn't quite as active of a listener, but I still worked at it as I could. But then we moved down here, and then after Karen passed, was easier to get a lot more directly involved. And so I know I contribute to the auction every year, and I'm gonna do it again this year.   Walden Hughes ** 36:49 So would you, when you were after what you knew, why you said, Did you did you come with your question still quite a bit when you were working and traveling all the time over the years.   Michael Hingson ** 37:01 Oh, yeah, yeah, oh, I did a lot of times, and still, do I listen to some internet radio stations? Why USA among them when I travel, just because when I go to a new hotel, sometimes I can make the TV work, and sometimes I can't, but also sometimes finding the stations that I want to listen to is a little bit more of a challenge, whereas I can just use my my smartphone, my iPhone, and I've got a number of stations programmed in the only time I have had A little bit of a challenge with some of that is when I travel outside the US, sometimes I can't get direct access to some of the stations because of copyright laws. They don't they don't allow them to be broadcast out of the US, but mostly even there, I'm able to do it. But I do like to listen to old radio when I travel, typically, not on an airplane, but when I when I land, yes, yeah.   Walden Hughes ** 38:08 I think that's one thing that they ended up taking over. I think a lot of people grew up listening to the radio. Enjoy the uniqueness of radio station had. I don't know if you see that today, but I think the internet have replaced that.   Michael Hingson ** 38:24 Well, somewhat, I've seen some articles that basically say that there is a lot more shortwave listening and actual radio listening to radio stations than there is through the internet, but there is an awful lot of listening to the radio stations through the internet as well, but people do still like to listen to radio.   Walden Hughes ** 38:50 What do you think podcast? How you think podcasts fit in? I mean, you'd be hosting your own show. How you think that fit into the overall consumer questioning habit?   Michael Hingson ** 38:59 Well, I think then, what's going on with podcasts is that, like with anything, there are some really good ones. There are a lot of people who just do do something, and it's not necessarily really great quality. They think they're doing great, and they maybe are, but, but I think that overall, podcasting is something that people listen to when they're running, when they're walking, when they're doing exercising, when they're doing something else, running on a treadmill or whatever, a lot More than listening to a radio program that probably requires a little bit more concentration. But make no mistake about it, podcasts are here to stay, and podcasts are very dominant in in a lot of ways, because people do listen to them   Walden Hughes ** 39:56 a niche audience. So you find you find your audience who. Are looking for that particular topic, and so they tune into that their favorite podcast that they knew there really might be covering that topic.   Michael Hingson ** 40:07 Sure, there is some of that. But going back to what you were talking about earlier, if you get some good audio drama, and I know that there are some good podcasts out there that that do some things with good drama, that will draw in a wider audience, and that gets to be more like radio and and I think people like radio. People like what they used to listen to, kids so much today, don't but, well, they never heard old they never heard radio. But by the same token, good acting and good drama and good podcasts will draw people in just like it always has been with radio.   Walden Hughes ** 40:54 What I'm also noticing like the day the disc jockeys are, they somewhat gone. I mean, we grew up in an era where you had well known hosts that were terrific Dick jockey that kept you entertained. And I make it, I don't listen to too much because, for example, everybody the easy listening big band era, pretty much not in LA in the La radio market right now, right and I missed it.   Michael Hingson ** 41:23 I miss it too. And I agree with you, I think that we're not seeing the level of really good radio hosts that we used to there are some on podcasts. But again, it is different than it used to be. And I think some podcasts will continue to do well and and we will see how others go as as time passes, but I think that we don't see a Gary Owens on television on radio anymore. We don't see Jim Lang or Dick Whittington and whitting Hill and all those people, we don't see any of that like we used to. And so even Sirius XM isn't providing as much of that as as it used to.   Walden Hughes ** 42:20 And so what do you think AI is going to fit? I was listening to, I'm a sport fan, and Mike is a sport fan, so I like listening to ESPN and Fox Sports Radio.   Michael Hingson ** 42:32 And I was listening to a discussion over the weekend that they are, they are working some of the immediate it to replace the play by play announcer they're working with. Ai, can I figure eventually that can be a caution. It to do away with all announcers. I'm not sure that's going to happen, because I don't know. It doesn't seem like it could. I'm not sure that that will happen. I think that even if you look at the discussions about audible and other organizations providing AI voices to read books, what people say, and I'm sure over time, this will change a little bit, but and I'll get back to the button in a moment, people Say, I would much rather have a human narrated book than an AI narrated book, and the reason is, is because AI hasn't captured the human voice. Yet you may have somebody who sounds like an individual person to a degree, but you don't have the same pauses, the same intonations, the same kind of thing with AI that you do with humans. Now, will that get better over time? Sure, it will. But will it get it to be as good as humans? I think that's got a long way to go yet, and I don't think that you're going to see AI really replacing people in that regard. I think AI's got a lot that it can do, but I actually had somebody on the podcast last year, and one of the things that he said is, AI will never replace anyone. People will replace people with AI, maybe, although that may or may not be a good thing, but nobody has to be replaced because of AI, because you can always give them other jobs to do. So for example, one of the discussions that this gentleman and I had were was about having AI when you have autonomous vehicles and you have trucks that can drive themselves, and so you can ship things from place to place, keep the driver in the truck anyway. And instead of the driver driving the vehicle, the driver can be given other tasks to do, so that you still keep that person busy. And you you become more efficient. And so you let i. I do the things that it can do, but there are just so many things that AI isn't going to do that I don't think that AI is ever going to replace humans. The whole point is that we make leaps that AI is not going to be able to do.   Walden Hughes ** 45:15 Yeah, I think a good example in the audio book field, a really great reader can give you emotion and play the characters and make it realistic. And I don't know AI ever going to reach that point to bring emotions and feelings into a reading of story   Michael Hingson ** 45:32 not the same way. And as I said, I've been involved or listened and watched discussions where people say, for example, I might use AI to read a non fiction book because I'm not really paying so much attention to the reader and I'm just getting the information. But when it comes to reading a fiction book, and when it comes to really wanting to focus on the reader, I don't want AI is what I constantly hear. I want a person, and I understand that,   Walden Hughes ** 46:00 yeah, I think what you'll see AI, especially, take over the drive thru when people go to a fast food place. I can see AI replacing the interaction and trying to get those things corrected. I can see that   Michael Hingson ** 46:14 maybe, maybe, I mean, you know some of that to a degree, but I think that people are still going to rule out in the end, for quite a while. Well, you know, in talking about all the different radio organizations, I know we talked about a little bit last night last time, but tell me about spurt back.   Walden Hughes ** 46:36 Yeah, I can give you some new updates. Spoke actually been around to 1974   Michael Hingson ** 46:42 I remember when spurred back began a person who I knew, who was a listener to my radio program, Jerry Hindi, guess, was involved with with all of that. My problem with attending spurred back meetings was that it was they were way too far away from me at UC Irvine to be able to do it, but I joined by mail for a while, and, and, and that was pretty good. But by the same token, you know, it was there,   Walden Hughes ** 47:11 it was there. And spur back. Have honored over 500 people who worked in the golden days of radio. A lot of district donated. They had the meetings in the conventions now we're evolving very quickly this year into more preservation work. So we have bought over $10,000 in computers here recently. We bought and we donated, actually, we won a prize, although the first Lacher disk turntables from Japan, which is over a $10,000 turntable, we'll be using that to help dub disc. And the board is just voted in. It's going to increase the board to at least 11 people next year who will have a carryover of the seven board member and we want to have no new board members. So maybe you and I can talk about that Mike for you to be on for next year, because we'll be definitely expanding the board with 11 one. So I think it'd be really strong in the preservation stuff, because perfect got 20 to 30,000 deaths that need to get out there. And with all your new equipment, it's amazing how full time radio sounds so good today terms of the new technology, and compare where I started collecting the 70 and I ran into a lot of even commercial stuff really muddy in those days. Mike, I bet you did too, and it's a remarkable difference. Spur back is planning to be at the Troy Boston festival next April, what does spread back? Stand for the society to preserve and encourage radio drama, variety and comedy. And you can go to spur back.com Join. You can go to repsonlect.org to join. And we then mentioned yesterday, USA. Yesterday usa.com or.net and can go there and listen away and participate in the auction, which will be coming up November 22 Yeah, very important to do as well. But anyway, I really think full time radio is in a really good spot. Mike. I think if it was for the internet, I don't know if we would find all the young people who are interested in it. I think it then it been a double edged sword. It knocked out a lot of dealers. You know, they used to make money selling their tapes and CDs and everything, and I bought a lot. I know you did too over the years, but those days are pretty. Pretty much done, and but if found a lot of new younger people to find the stations or find podcast and they get to learn about yesterday USA and Old Time Radio, and all the different radio ones more and all the different internet station are playing it until they can expose and I don't think that would have happened before the internet, so I think it'll always have it created a whole new listenership.   Michael Hingson ** 50:30 I am still amazed at some of the things that I hear. I remember once when somebody found a whole bunch of old Petri wine sponsored Sherlock Holmes with basil, Rathbone and Nigel Bruce. They were horrible quality. Was it Chris who   Walden Hughes ** 50:50 found? Yep, Chris one best founded me up and found me a bookstore.   Michael Hingson ** 50:55 And the quality wasn't wasn't good at all, but they were remastered, and they sound incredible. They do how they do it, because I'd love to be able to do that with shows that I have, and like to remaster them.   Walden Hughes ** 51:13 Yeah, what happened was, you know, they were two writers, green and Boucher, Lacher, Lacher, right, and Boucher was a famous bachelor Khan. The famous mystery convention is named after him. And Dennis Green was an actor on radio, and he was also a historian. He knew, like all everything about Sherlock Holmes. And so they created the new venture who saw a comb based upon maybe a scene from a previous right story and gets expanded upon it. And so when it when one of them passed away, the collection wound up in a bookstore in Berkeley, California, and crystal investor found out. And so there became a buying group led by John tough fellow, Kenny Greenwald, Dick Millen, Joey brewing and others, got in a bidding war with the Library of Congress, and they outbid and won. They paid $15,000 for the sets of Sherlock, Holmes and so and Shirley Boone was an NBC audio engineer and chief film engineer. He really knew how to dub, and so they they did a terrific job. And then they decided to put out a record album on their own with the first two episodes. And then after that, they decided to market it to Simon Schuster, and they decided to do small vignettes. They could copyright the vignette. These were quite three minutes introduction, so they would get Ben Wright, who wanted to always Sherlock Holmes and Peggy Webber in order to reminisce and or create little scenes to set up the stories that way they could copyright that part. They couldn't copyright the show because they fell in the public domain, right? But they wound up paying the estates of everybody anyway. But that's what how they all came out, and they were hoping to do Gunsmoke. We talked to Kenny Greenwald and others, but that never, that never came off and but that's part of the remarkable thing that Karl Marx done. He's been able to get into CBS, and I think he's working on NBC, and he licensed them, so he'll be able to get into the vault and get more stuff out for all of it to enjoy. And that's an amazing thing that Carl drives for the hobby is to get new stuff out there. It's been locked away for all these years.   Michael Hingson ** 53:53 I am just amazed at the high quality. I'd love to learn more about audio engineering to be able to do that, because I have a lot of recording I'd love to make a lot better than they are.   Walden Hughes ** 54:05 Yeah, Jerry Henry used to use a software called Diamond Cut, ah, and I would the those originally was used for the Edison solder records. And the guy who issued this, Joe, they developed the software. And that's where Joe, hi, who did so much transfer work, that was the program he wound up using to create good sound,   Michael Hingson ** 54:32 yeah, and, and did a lot of it,   Walden Hughes ** 54:36 yep, see there, see, there was a software, everybody, I think original is hardware. And I think originally almost was a $50,000 piece of equipment, harder before 2000 now it's gone to software base and a couple $1,000 that's another way. That's another program that people use to clean disk. Now. Crackles and pop out of the recording.   Michael Hingson ** 55:02 So but it's not just the snap crackle and pop. It's getting the the real fidelity back, the lows and the highs and all that you said, what was the one he used? Diamond Cut. Diamond Cut, yeah. Diamond Cut, yeah. But yeah. It's just amazing. The kinds of things that happen, like with the Adventures of Sherlock Holmes and and others.   Walden Hughes ** 55:23 But you also have good ears for that. Because, yeah, I remember about 2025, years ago, it was serious. XM. Everybody has this stereo sound, I know, if you're shooting, has a certain ambiance about it. And there were companies that were taking old time radio and creating that same effect, and that could bug me. I was so used to listen to old radio show in an analog feel about it. And they when they try to put false stereo in a recording, yeah, oh my gosh. It just didn't sound right. And so they've gotten away from that pill, a lot of new dubbing. They do don't have that. So it sounds terrific now, yeah,   Michael Hingson ** 56:15 sounds a lot better. What do you think is the future of the hobby?   Walden Hughes ** 56:19 I think more and more stuff are coming out. A lot of stuff that were with agreements to hold on to the material have disappeared, because a lot of it is passing from generation to generation. And so I think over the next 10 years, you see so much more stuff coming out. In some ways, that's sort of what you John Larry and I do. We collect almost everything, just because you got to make sure it's captured for the for the next generation, even though we might not be listening to it. There's so much stuff we don't listen to do everything. But I think we're, we're short of the wide billions of old time radio so we try to capture all of it and preserve it on hard drives, yeah, but eventually it'll go to future generations. But I really think more and more stuff are coming out. I think with the yesterday USA, more and more people will find it. And I'm hoping, with creating new audio theater, I would like to reproduce the great radio scripts we have no recordings for, like one man, family, I love, a mystery, all those things. That's sort of what I want to do, is one of my goals. And I think be great to hear stories that we've all collected, that we wonder about, and to get audio production behind some of these scripts. And I think it's in very good shape. It will all come down to money, Michael, as you know, you know,   Michael Hingson ** 57:58 but I also think that it's important that we, as we're recreating the shows, that while we can, we have people who understand what we really need for actors who are going to be recreating the shows, are able to find the right people to do it, train them how to do it. I think that's so important.   Walden Hughes ** 58:19 I think so. I think, I think you find a lot of young people who like theater, who are not necessarily radio fan, if they came, if the radio fan, like Brian Henderson and people like that, they become really good actor because they love to listen to the shows ahead of time. Yeah. Beverly Washburn does the same. She likes hearing the original performances that way. She get field for me to the show. And I think you and I think Larry does it that way. And you might not necessarily want to copy everything, but you got a benchmark to work from, and you sort of know what, with the intent when   Michael Hingson ** 59:01 you say Larry, which Larry? Larry Gasman,   Walden Hughes ** 59:03 great, yeah. And I think that's a great help to study and listen how people did it, because I think a lot of old time radio, it's like the prime rib. It was the best of the best of all time of radio drama, and it's a great way to learn the craft, by listening to it and absorbing it.   Michael Hingson ** 59:30 Well, if people want to reach out to you and maybe learn more about yesterday, USA or reps and just talk with you about radio, how do they do that, they can give me a   Walden Hughes ** 59:41 call at 714-545-2071, that's my studio number for the radio stations. Lot of times I can, I'll pick it up and talk to on air, off air. They can always drop me an email Walden shoes at yesterday. Us. Dot com and happy the answer, you can always call my cell phone at 714-454-3281,   Walden Hughes ** 1:00:11 you can chase me down at over, at reps, at reps online.org. You know, get forward to me or spur vac at S, P, E, O, D, V, A, c.com, or you can even get hold of Michael Henson and Mike.   Michael Hingson ** 1:00:26 You can always get a hold of me. And people know how to do that, and I will get them in touch with you as well, you bet. So I'm glad to do that. Well, I want to thank you for being here, and I want to thank all of you for listening. I hope you've enjoyed this. This is a little bit different than a lot of the podcast that we've done. But it is, it is so important to really talk about some of these kinds of concepts, and to talk about old radio and what it what it still adds and contributes to today. So I hope that you enjoyed it. I'd love to hear from you. Feel free to reach out to me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, love to hear from you. Wherever you're listening, please give us a five star rating. We value that a lot, and I hope that you'll go listen to YESTERDAY usa.com, or.net then again, in both, there's the red and the blue Network, or repsonline.com, and we, we have a lot of fun. Every so often we do trivia contests, and we'll take hours and and gentlemen in New Jersey and his wife, Johnny and Helen Holmes, come on and run the trivia, and it's a lot of fun, and you're welcome to add your answers to the trivia questions, and you can come on in here and learn how to even do it through the chat.   Walden Hughes ** 1:01:51 But my kids watch this every Friday night on, why USA too?   Michael Hingson ** 1:01:56 Yeah, I get to be on every Friday night, and that's a lot of fun. Yeah. So we'd love to hear from you, and we'd love you to to help us further enhance the whole concept of old radio show. So I want to thank you again. And if you know of other people who ought to be on the podcast, Walt, and of course, you as well as you know, please introduce us. We're always looking for more people to talk to us about whatever they want to talk about. So I want to again. Thank you all and for being here. And Walden, thank you for being here as well.   Walden Hughes ** 1:02:27 All right, Mike, I'll be talking a little while.   Michael Hingson ** 1:02:33 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

I'm bringing back some treasures from the Travel Diaries archive, while I take a little time off on maternity leave. And this one has to be one of the best - a name synonymous with travel, Dame Joanna Lumley. Joanna's appetite for adventure was deeply engrained from childhood. She was born in Kashmir in the last days of British India, the daughter of an army officer who served with the Gurkhas. Throughout her childhood her parents lived in Asia, moving to Hong Kong and Malaysia, while she spent term times at school in England.From her early days as a fashion model, gracing the covers of magazines and strutting down runway, Joanna Lumley was destined for greatness. But it was her iconic role as Patsy in the hit TV series "Absolutely Fabulous" that truly catapulted her into the hearts of millions. I love Wikipedia's description of Patsy - “an alcoholic, a chain smoker, and a frequent recreational drug user. She carries drugs with her at all times, storing joints in her trademark beehive."After surviving solo on a desert island, on the groundbreaking show Girl Friday, Joanna soon became as synonymous with travel as she was with Ab Fab, setting off on epic journeys that would make even the most seasoned globetrotter green with envy, from Japan and India to the Caribbean and the Silk Route. What makes her so remarkable is not just her fearless spirit but her genuine love for the people she meets along the way. She champions causes close to her heart, advocating for the rights of the Gurkhas, supporting endless charities, and shedding light on the important issues affecting our world.So, fasten your seatbelts and get ready as we embark on a journey through the extraordinary life and awe-inspiring travels of Joanna Lumley, from Malaysia to Uzbekistan, Italy to Indonesia.Holly's travel diary: Heckfield Place, Berkshire, EnglandJoanna's Destination Recap:Kashmir, India Hong KongMalaysiaBatu Caves, Selangor, Malaysia MadagascarDelhi, IndiaUzbekistan Tash Rabat, Kyrgzystan Sienna, ItalyBanda Islands, IndonesiaSudanRomaniaWith thanks to...Titanic Belfast - Discover the world's most authentic Titanic story at Titanic Belfast - where history, heritage and experience come alive.Thank you so much for listening today. If you enjoyed the episode, don't forget to hit subscribe, or if you're on Apple Podcasts, tap follow, so that a new episode lands in your podcast app each week.To be the first to know who's joining me next week, follow me on Instagram and TikTok at @hollyrubenstein. I'd love to hear from you.And if you can't wait until then, there are already 15 seasons to catch up on, with more than 160 episodes to keep you busy. You'll also find all the destinations mentioned by my guests in the episode show notes and on my website: thetraveldiariespodcast.com. Hosted on Acast. See acast.com/privacy for more information.

Today on Episode 223, the guys continue their trek through the filmography of Cary Grant with His Girl Friday. Directed by Howard Hawks, as was the previous film, Bringing Up Baby, which of the two worked more for the hosts? Find out on this episode of the Cinema Geeks!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!!

"The Year's Wildest, Wittiest Whirlwind of a Love Battle... Outrageously Racy... Sparkling... Gay!" Bella Zaydenberg returns to the show to talk about the beloved Howard Hawks screwball comedy, His Girl Friday (1940). We'll talk about journalism, rom-coms, and weddngs. Wait, weddings? Why weddings? Listen to find the worst kept secret in the history of our show! Follow the Show:TwitterInstagramWebsite Music by Mike Natale

As part of my summer podcast replay series, I'm sharing a replay of a powerful podcast episode, with Karen McNally from Girl Friday Productions.When you first enter the world of book writing and publishing, the options can feel overwhelming. That's why I'm excited to welcome Karen McNally of Girl Friday Productions (GFP) to talk all things publishing. Karen has been with GFP for ten years. Prior to joining, she worked for Amazon Publishing, as well as Amazon's retail division. She's passionate about helping authors achieve their goals and ensuring an excellent client experience. Areas of expertise include end-to-end book production, distribution, complex book design, and illustration management, as well as all stripes of print management.   In this episode, we discuss:   How she accidentally ended up in publishing Tips for selecting the rightpublishing route for you What hybrid publishing is andhow to know if it's a good option for you Why you have to run your booklike a business Three things she wishes everynew author knew about publishing This is a great episode with a lot of heart and useful information. Don't miss it! Show notes:The True ROI Of Writing A Book (Replay)Learn more about Karen and Girl Friday Productions:LinkedInGirl Friday Productions websiteFacebook @girlfridayproductionsYouTube @girlfridayproductions9620Follow me on:Instagram @stacyennisFacebook @stacyenniscreative LinkedInYouTube @stacyennisauthor  To submit a question, email hello@stacyennis.com or visit http://stacyennis.com/contact and fill out the form on the page.

The far more censored version of the award-winning and unparalleled "A Mediocre Time with Tom and Dan." - "A Corporate Time" is a daily companion and terrestrial radio show heard nationally on iHeartRadio. It's silly.

Send us a textWhen Lucy Irvine answered a classified ad to play Girl Friday to a real-life Robinson Crusoe on a remote tropical island, she embarked on an enthralling—and at times harrowing—year-long adventure. The result was her bestselling 1983 memoir, Castaway, a beautifully-written tale of survival. We're diving into Irvine's unforgettable story with special guest Francesca Segal, whose own island-centric novel, Welcome to Glorious Tuga, was recently optioned for TV by See-Saw Films.Mentioned in this episode:Castaway by Lucy IrvineThe Lucy Irvine FoundationWelcome to Glorgious Tuga by Francesca SegalRunaway and Faraway by Lucy IrvineThe Islander by Gerald KingslandThe Secret Life of a Schoolgirl by Rosemary KingslandCastaway 1986 film trailer starring Amanda Donohoe and Oliver ReedWild by Cheryl Strayed“Alone” on the History ChannelSee-Saw FilmsOne is One by Lucy IrvineThe Innocents by Francesca SegalSupport the showFor episodes and show notes, visit: LostLadiesofLit.comSubscribe to our substack newsletter. Follow us on instagram @lostladiesoflit. Email us: Contact — Lost Ladies of Lit Podcast

Seen the movie? We will challenge how you see it, pointing out things you may have missed even if you've seen it many times.Haven't seen it? We will give you a quick, simple, spoiler-free breakdown to help you decide if it's worth your time.In this episode of Movies In A Nutshell:✅ The Nutshell: A clear, spoiler-free summary for new viewers.✅ Ratings & Reviews: How do critics and audiences compare—and what does that say about the film's legacy?✅ What Did We Miss?: Hidden layers are uncovered, challenging how you see the movie.✅ Paul's Facts of the Day: Fascinating trivia and behind-the-scenes insights.✅ Takeaways: The first time in the episode Marc, Darren, and Paul share their personal thoughts after holding back opinions until now.

Cáel saves a spirit and risks losing his soul.By FinalStand. Listen to the Podcast at Explicit Novels.Life gives you two chances to get it right; be who you want to be, or who you need to be.(Making choices we can live with)"Trouble," Wiesława relayed to our vehicle. Velma had an 'issue' at my apartment. She'd gone ahead in order to see to my security. My GL-550 had come within a block of the apartment when Wiesława's call came."Tell me what the problem is," I demanded. Wiesława relayed my request."Your roommate won't let them search your bedroom," was the answer I got back."Fuck that," I grumbled. "Tell Velma I'm coming up. Wiesława, take us to the front of my place." She gave me a cautious look, testing my resolve. Sensing that I'd jump out if I had to, she spoke over her blue-tooth to Velma. She wisely didn't pass on Velma's vitriol at me poking my nose into my SD's business, protecting me.As we pulled up and double-parked, everyone piled out."Are we going to need any "extra" assistance?" Delilah suggested. Considering the flock of 'follow-up' cars and SUV's tailing us, I wasn't overly worried about the law enforcement angle.What was I worried about? It wasn't dark yet on a weekday and Timothy was home. Since Velma would have informed me if he was toting around the Black Death, this had to be a crisis of a personal nature, most likely my personal nature. Wiesława struggled to keep pace with me as I took the stairs three at a time. She'd given up on me letting her go first.At the third floor landing we came across one of Velma's team covering that approach. A second member was at the door and from inside, I could hear Velma cursing in Hittite under her breath. But first,"I really don't think you'll need your sword, Saku," Delilah advised. "Timothy's not that kind of trouble.""Hey Velma, Crewe (who, together with Constanza, I'd sparred with, way long ago) and Timothy," I loudly announced myself just as I stepped in. "What seems to be the problem?" Timothy sighed and gave a head-toss to my closed bedroom door. Since I didn't want to be an asshole, I turned to Velma. "Let me send a neutral party to check things out." I had so many to choose from, Miyako, Selena, Vincent and Delilah.Saku might kill on general principle. Buffy and Wiesława were Amazons and I was beginning to think that Amazons, shit. I sighed, groaned and lowered my head. I looked to Timothy and clapped my wrists together (slave-like). He nodded. Rhada. Mother-puss-bucket! What was I going to do?"I've changed my mind, Velma, the room is fine," I started off. "I know for a certainty that my life is not imperiled by my visitor. Everyone else, I am about to have sex, so could you please head out to a restaurant and give me an hour, or two?" I took in the rest. Timothy coughed and pointed to the ceiling. "Three hours, " another cough, "four hours." No more coughing."Who is it?" Buffy snarled, lest I forgot that I was her scratching post. She was resenting the lack of scratching going on between us. I was about to tell her I needed some private time,, or just not tell her anything. But I was working on not being a jerk. I pulled Buffy to Timothy's room and gave her the lowdown. She mulled over the information. Her wrapping a hand around the back of my head and pulling me into a steamy kiss was unlooked for."Okay," she smiled. "Please don't think I'm not righteously pissed with the two of you, but I know you are doing the best you can with your limited survival instincts.I'll take care of everyone." Off she went and in moments, the room had cleared out until it was just Timothy and me."She stopped by work this afternoon looking pretty badly beaten up, emotionally," he explained. "I doubt she's slept in three days and she's really confused about all kinds of things. I was in the process of letting her know you weren't going to be back for two more days when the Welcome Wagon arrived.I figured the last thing she needed, before seeing you, was public exposure," he said."Thanks buddy," I hugged him. "A few hundred guys tried to kill me and Aya last night, so we came back early. Now," I steeled myself, opened the door and entered my room. Rhada was at the head of the bed, her knees pulled up to her chin and my pillows stacked up around her in some sad effort at a visual barrier.Her eyes had a sunken quality to them that suggested someone two steps past hopelessness. She was waiting for me to say something, which was an added truckload of bad news in my book. I began to undress in an unhurried manner. The shirt came off. Working the belt free came next."I've missed you," I said in a calm, yet positive manner. No response.I finished undressing while she remained frozen and emotionally clouded. I made some semi-educated guesses. Her mind was probably an incomprehensible cyclone of clashing upbringing principles and adult desires. She didn't need to be built up, Rhada needed to be rescued. That kind of emotional crisis was something I didn't need, or want, at this moment in my life.Rhada had nowhere else to go. Her martial bravery was of no use in the matter of her heart's insistent call. Her fear was of a different nature. She was looking down that unholy, dark corridor that was the last walk of all failed Amazons. She craved her personal slavery to a man and master. It was tough to move farther away from her native culture than that, or so she thought."Have you missed me?" I asked with authority. I ran two fingers along her left jawline. Rhada nodded. It was a rather feeble effort. "I asked you a question.""Yes," she sniffled."I am curious why you are hiding your body from me, Rhada," I prodded her. I wasn't 'curious'; I was peeved and she knew it"I don't know why I'm here," she moaned."Oh, " I mused. I was on her like lightning.She struggled weakly as we rolled around until she was ass-up on my lap. I had her right arm pinned to her back. Two sharp blows rained down on her covered posterior. Just two for now."I asked you a question. We both know your answer was inadequate," I spoke softly. Two more stinging, open-handed slaps to her buttocks. "I have defeated you in battle," two more smacks. "I have repeatedly taken you by force as my captive," two more with her accompanying moan."What makes you think you can defy me now, Rhada?" The promised blows did not fall. "I own you, don't I?" She moaned wantonly from anticipation of the spanking that wasn't coming. The lesson was simple: punishment and reward were mine to dispense, not for her to demand."I'm sorry," she mumbled."The incompetent are sorry, failures are sorry, useless people are sorry," I stated, followed by two more loud, cupped-hand blows on her ass. "People apologize when they commit an error. People apologize if they plan to learn from their mistakes. Now, are you someone else's miserable excuse for a human being, or are you MY person who learns from her lapses in judgment?""I bring shame to my people," she whimpered. Two more smacks fell upon her backside."Why do you insist on insulting me, Rhada?" two more, far harder, spanks landed causing her to gasp in pain. "Of all the Amazons I have defeated, I picked you to be mine, captive, no other. I thought you had the fierce spirit worthy of my fighting prowess.Your crawling up and dying inside disappoints me," I continued. It didn't disappoint me; it scared me. Rhada was so fiery and feisty. Seeing her mentally ground down into a crippled state ate at my mind."I'm afraid, Cáel," she choked out between her tears.The emotional riptide she was going through caused her to shake uncontrollably. I telegraphed my intent to move her, face down, to the middle of the bed. As I straddled her, I dragged her hands over her head and crossed her wrists. I nuzzled her shoulder, the crux of her neck, and ear."What are you afraid of, my captive?" I murmured.The term 'captive' along with the gentle affections brought forth a pleasurable response from her."I am perverse," she whispered. "I want you to take me as I cry and scream. I want to feel your body pressing down on me as you are doing now.I beg to be spanked, lashed, tease and tormented by you. Steal my sight and hearing. Render me helpless and utterly at your mercy, my Cáel," she pleaded. I'd allow the 'my'."And?" I mused."And?" she was confused."I was waiting for you to request something perverse, something I wouldn't do to you," I explained. I punctuated that by pulling her shirt aside and biting down on her shoulder strong enough to leave deep indentations on her flesh."Aha!" she yelped. She still wasn't making the connection, how incredibly stubborn of her."Do you doubt my bravery?" She didn't respond, so I bit into and worried her left earlobe. "Do you doubt my dedication to the Host?""No," she moaned. "You are an excellent warrior.""So we both agree I have earned the right to take you as my captive," I teased her."This is why I find your insolence to be so confusing," I kept up my routine. "It is almost as if you would rather be bound, whipped, beaten, spanked, bitten, lashed, covered with hot wax, blindfolded, and gagged instead of giving me my due obedience." Rhada's deep sensual moan was what I had been looking for. She spread her legs slightly then pushed her ass against my crotch."I am yours," she sniffled slightly. "You defeated me in battle and I can expect no other fate.""Dates take off their clothes. Slaves strip before their masters," I related. Not true. I had enjoyed multiple stripteases in my time and even give a few. What Rhada wanted to know was that I hungered for her naked flesh."You are on top of me," she protested. I pulled her braid to the side and chomped down her right shoulder. That earned me another squeal. Rhada's initial efforts were frantic, inspired by her pain. Within seconds she recalled our shared moments and slowed down. She knew I liked to watch her clothes come off and go back on. I'm odd that way.I rewarded her obedience with alternating kisses and nips to her freshly exposed flesh. As we progressed, Rhada became more insistent for sexual attention. Her finely honed thighs and abdominal muscles ground her buttocks against my cock in a continuous, circular motion. In our current state, she couldn't get her pants and panties off.When I rolled off, Rhada shot me a worried look. First she flashed up fear because she mistook my look for one of anger. In a second, she keyed to my real mood. I was going to own her, stretch her to her limits and then take it one step further. I was going to use my war captive as I saw fit, rip my pleasure from her passion and break her doubts down to their foundations.She shimmied out of her remaining clothing. I rummaged up the appropriate toys with a bit of an amused snort. Odette had organized the 'toy box' (including a bill for 'modernizing and updating' of my equipment.) What girl does that for a guy, categorize sexual aids she knows you are going to use on other women in your life?"Loosen your braid," I directed her after I turned and soaked in the view. She was in the center of the bed, kneeling with her buttock resting on her heels. Rhada's hands rested just above the knees, her great brown eyes had more of their old spark to them. Part of that was caused by my words sinking into her psyche. The rest was her love affair with my physique.Me and all my scars, plus I had a new one for her to judge and appreciate."Small caliber round from a Seven Pillar's QCW-Type 05," I informed her. Amazons loved their weaponry and their martial exploits."Did you kill him?" she asked with her intensity overcoming her attempt at a demur nature."Him and a bunch of other guys," I chose to answer as she unbraided her silky, black hair that cascade down to the small of her back. I was the son of a Chicago working stiff, not some super-soldier."You fought for the Host and killed our enemies," she tried to ease my mind.I wanted to feel bad about what had happened. The horror I had inflicted would never go away."Most of them were burned alive," I enhanced her experience by ripping open my own, fresh mental scar tissue. For Rhada, ruthlessness, martial valor and battlefield accomplishments were their own aphrodisiac.In her translation of events, her captor had proven yet again he was a fearless, masculine champion, a lion-heart. I put one knee on the bed and waited. Rhada had to shuffle to me. It was interesting to see the magnetic effect of the three items I held in my casual grasp, a leather collar, a thin silver-coated chain and a pair of leather handcuffs. I motioned with the cuffs first.I left it for her to discern my intention. I wanted her to put her wrists forward, yet I wanted to train her to know my wishes. Not only would it keep her mind and perceptions occupied, it would give her a needed sense of learning and broadening her education. It was a very subtle narrowing of the eyes that I used to tip her off.She half-turned with her wrists at her back, caught my 'displeasure' and then extended her arms toward me. I cuffed her right wrist, then her left wrist and finally cinched them together with their two bronze links, all the while demanding she retain eye contact with me. With our silent measuring of our true grit, we established our positions.Without that clash of wills, everything else would be tawdry trinkets of no value. As she accepted those bonds, she set aside her willingness to challenge me and embraced our new sense of harmony. A corner had been turned. Submission became the only outcome her destiny allowed. Mamitu; the Amazon belief that the Goddesses put nothing before the sisters that experience hadn't prepared them for.Out of arrogance, she had struck me. Destiny had prepared me for the fight and I had won. In tribute to destiny, Rhada had acknowledged the lesson and was finally learning from it. I yanked her wrists up roughly until they were extended high over her head. Rhada kept them there, as I intended, because now was time for the collar.This time she couldn't keep her eyes from flickering to the device until it passed beneath her chin. With the cuffs, I had been deliberate and relentlessly purposeful. The collar was an easy gesture, me exerting my rights as her captor and master, nothing more. I spared her a smile. Her dark brown-olive complexion, nearly black around the areola and nipple, was extended by the raising of the arms overhead for my viewing pleasure.Lastly, there was the chain. It had clasps at both ends, so I hooked it around the single ring on the collar and pulled Rhada toward me. I feasted on her lips, touched tongue to tongue inside and outside our mouths, and ended up chewing her lower lip. As I pulled and plucked it with my teeth, my fingers began to coax a stiffening of her teats.Gentle caresses turned into vigorous touching that evolved into painful pinches between the thumb and forefinger and energetic plucking. I let my kisses migrate from her lips to nose (briefly) then her cheeks and the underside of her jawline. Rhada made a gasping-choking noise as I nibbled her flesh.My distraction must have worked because she missed my hands moving down. The middle and forefinger of my left became a wedge working between her buttocks. With the right, I led with my middle finger, using my fore- and ring-fingers to part her labia. The clip-rings of the chain were secured on each thumb.Her fluids turned her sex into warm molasses coating folds of molten tenderness. My solo probing finger didn't penetrate, not yet. I ran the length of her vulva vestibule, rubbing her vaginal and urethral openings. Rhada expressed a piteous whine as I stoked her sexual frustrations. I ratcheted up my torture when my left twin fingers reached her sphincter.Tap the opening, tease her with false penetrations. My lips reached her neck right beneath her ear. I pulled in the flesh with a powerful suction, grabbing the tiny tip of taut flesh with my teeth. Her dolorous pleading ramped up as I delved my fingers in simultaneously. Rhada's anal ring pulsed, alternating between ushering my forefinger inside and resisted my progress.I was breaching her defenses without lubrication. It was wiggling, tentative advancement on my part and sensations of extreme sensitivity on her part. By comparison, her vagina virtually sucked me in. Having been denied sex for so long (if you counted two weeks as long) all the while fantasizing to the point of tripwire anticipation, she was quickly rising to orgasm."Do not," I cautioned her. Rhada trembled. Her groans became guttural as she reached down into her physical conditioning to exhibit some control over her racing heart rate and labored breathing. Had I stopped my assault, she might have held out. I didn't. The task for us both was to push her past the point of control. She was going to lose, that was given.How she lost was the lesson. What level of stimulation was going to be too much? She fought it with every fiber of her being. She fought it for me. Rhada sweated profusely and vibrated like a gypsy tambourine. She could not win. She knew I never intended for her to win. But I wanted her to reach down deep and fight.She would fail and I would punish her for her failure, but it would be a punishment that she felt was well-deserved, and she craved that. Even her failure was part of our dynamic, captor and captive. Pain with a purpose. Pain as a thread that united us. She could not wound herself the way I could. Everything she could inflict, she would sense and prepare for.I provided torment from unexpected angles and stimuli in a myriad of forms. Everything faded until only the touch and the pleasure of the messenger remained."Urah, " her opening declaration of the overwhelming tide was animalistic and desperate.For fifteen seconds I continued to play with her as her climax turned upon itself, building and becoming more chaotic. In the back of my mind, I realized my sex play was being cruel to my neighbors. I had to hope the anonymous death threats would keep Mr. Fiennes at bay.I'd deal with my 'friendly' female neighbor later, once I figured out how to repay her for her patience and the cookies she'd sent over when I was ill. For Rhada, it was a temporary cessation of my sexual attention and allowing her to rest her body against mine. I admired her ability to hold her arms aloft. Still,"You failed," I whispered into her ear. Rhada hiccupped. I dragged my fingers covered with her cunt juice up her pubic mount, abdomen, around the belly button and between her breasts. At the conclusion of the trip was the resounding 'click' of that end of the leash being attached to her collar. "I don't think you have been humble before me."I looped the chain around her shoulder, then dragged it over her left breast. She shivered. My next stop was beneath her right breast. Her nipple seemed to swell up as I rubbed the other loop all over her areola. Next under the right mammary, then looping the chain around her right arm before reaching around the back and securing the second clasp.It was both a symbol of her captivity and body ornamentation. The shiny silver links contrasted with her dusky, sweaty flesh.

On this episode of Mortified, Aaron and Leyla kick off our month of romance with the 1940 romcom, "His Girl Friday!" We talk about the importance of tension in comedy, the contradictions of 40s gender expression, and try to pull our mental states out of their steady nosedives.  Watch His Girl Friday on Wikipedia! -- Our theme song is "Obsolete" by Keshco, from the album "Filmmaker's Reference Kit Volume 2." Our other projects: Aaron's TTRPGs Aaron's TTRPG Reviews aavoigt.com

Aaron and Josh Sarnecky are ringing in the New Year with a new podcast. This time they're celebrating the 85th anniversary of His Girl Friday. His Girl Friday is a screwball comedy directed by Howard Hawks. It is the second film adaptation of the play The Front Page. It opened in theaters on January 18, 1940. In the film, Hildy Johnson (Rosalind Russell), former star reporter of The Morning Post, arrives at the paper to tell her former editor and ex-husband Walter Burns (Cary Grant) she's engaged to marry her fiancé Bruce Baldwin (Ralph Bellamy). Walter asks Hildy to help stop the execution of a condemned man, Earl Williams (John Qualen), before she leaves. However, Walter's motives are less than noble, and the story is more trouble than previously expected. His Girl Friday is a seminal film in the screwball comedy genre, notable for its biting wit and rapid-fire, overlapping dialogue. In 1993, it was selected for the Library of Congress' National Film Registry, for films that are “culturally, historically, or aesthetically significant.”  The film and the play it's based on are in the public domain. The entire movie can be watched in high definition on Wikipedia. Aaron talks about seeing His Girl Friday in college before he and Josh go over the movie's plot, performances, humor, and legacy. Aaron also recommends more Cary Grant movies to Josh and listeners. For more classic films, you can listen to Josh and Aaron's podcasts on Singin' in the Rain and A Hard Day's Night.  His Girl Friday is streaming on Tubi and Pluto TV

Celebrities flee California wildfires (23:19)Zach Bryan Claps Back at Trolls in Explosive Instagram Rant After Brianna LaPaglia Split (PEOPLE) (28:24)Karen Huger checks into rehab after DUI convictions, skips 'RHOP' Season 9 reunion taping (Page Six) (38:37)Oprah Winfrey, Simone Biles, Kermit the Frog and More Stars Surprise Hoda Kotb on Final Today Broadcast (PEOPLE) (48:42)Madison LeCroy Reveals Husband Brett Found a Tumor on His Kidney After Thyroid Cancer (PEOPLE) + Southern Charm Recap (52:26)Queenie and Weenie of The Week (57:04)The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Movie recommendations or comments for us? Text us here!We're watching the 1940 screwball comedy His Girl Friday, starring Cary Grant and Rosalind Russell. Newspaper editor Walter Burns has two problems: 1) his best reporter is leaving the newspaper business, and 2) his ex-wife has moved on and is marrying someone else... tomorrow! Conveniently for him, his best reporter and ex-wife are the same person. He'll do whatever it takes to win her back as both wife and prized employee: dangle a juicy interview in front of her, kidnap an old lady, plant counterfeit money on her fiancé... You name it. He probably already has Louie working on it.  As of recording, you could check this movie out on Amazon Prime. Let us know what you think! Is it a rom com? Is young Cary Grant a beautiful man? Is this the fastest dialogue you've ever heard? Email us at MadeMePodcast@gmail.comFind us on:Facebook: www.facebook.com/MadeMePodcastInstagram: https://www.instagram.com/myhusbandmademedoit/ Podcast artwork by Anna Eggleton of Treehouse Lettering & Design: https://www.treehouseletteringanddesign.com/

Film critic Todd McCarthy

For 8 years, you've led where we've followed, and we've loved every minute—well, almost every minute! Before we kick off our final discussion of a Gilmore Girls pop culture reference, we take a look back at our favorite references and guests, as well as a few that surprised us and few we're happy we won't ever need to revisit. Then we dig into His Girl Friday, the classic screwball romantic comedy that served as an inspiration for our favorite series. How many versions of the story have been made? How did its dialogue inspire Amy Sherman-Palladino? And most importantly...can Kyla finally name all of the Beatles? More pop culture we ref: Broadcast News; Valley of the Dolls; Funny Girl; Grey Gardens; Gilligan's Island; That Girl; Xanadu; Swept Away; A Star Is Born; How to Lose a Guy in 10 Days; Bringing Up Baby; The Marvelous Mrs. Maisel; Electra Woman and Dyna Girl; Pippi Longstocking; Gaslight

Classics month continues and Lemar hasn't quit the pod yet so we're doing GREAT.We're moving into the 1940s with His Girl Friday. Join us to hear Mackenzie explain why people talking at 240 words per minute is some of the greatest dialogue you'll hear. Meanwhile, fun fact, Lemar has recently discovered Zeppelin. Grab a drink and listen to us cover a looot of ground - clearly.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

Heal Squad!! This is our special Halloween edition of Regular *Girl* Friday featuring our other Cyrus queen, the eldest of the bunch, Brandi Cyrus! AND her dog Astra makes a guest appearance too…ha! Brandi talks stepping into your power, the art of the pivot (which she is brilliant at), building confidence and easing anxiety. She talks about growing up as the oldest Cyrus and what that was like ANDDDDD of course we talk Halloween and some of Brandi's iconic costumes, because cat's out of the bag Kweenz, Brandi is also a Halloween KWEEN!
ENJOY HEAL SQUAD!!! HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website: https://www.healsquad.com/ Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop my Macy's Wishlist OUAI: https://theouai.com/ use promo code: HEALSQUAD for 15% off Wonderful Pistachios: http://www.wonderfulpistachios.com/ ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content ( published or distributed by or on behalf of Maria Menounos or Mariamenounos.com and healsquad.com ) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.

Kelsey has returned from her Parisian galavanting and the gals are holding down the fort for another Regular GIRL Friday as Kev is hustling away in Connecticut. It's Natasha's BIRFFFFDAY (!!!!!) and the beginning of Scorpio season, as well as really the beginning of fall so the gals dive into what that feels and looks like…it can be a tough transition, but you have to shed to grow, you have to go inward to take stalk of what is time to let go and move on from so you can come into the new better version of you. Scorpio is ALL about transformation. Kels got a LOT of breakthroughs from her acupuncturist this week (ty Russell!!!), he gave us the real meaning of joy, and it's not what you think it is, he also gave Kelsey insight into why she might be having some of her, as she calls it “menty bs.” Natasha has a GREAT name drop and they wrap it up with a good health hack…something easy that makes you live longer. BYE Bs take care of your nervous systems next week! HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website: https://www.healsquad.com/ Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop my Macy's Wishlist OUAI: https://theouai.com/ use promo code: HEALSQUAD for 15% off Wonderful Pistachios: http://www.wonderfulpistachios.com/ ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content ( published or distributed by or on behalf of Maria Menounos or Mariamenounos.com and healsquad.com ) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.

Happy Friday, Squad! We're back with a special edition of RGF- Kels is in Paris so we are getting a Parisian Regular GIRL Friday…oui!! All the hot travel tips, from how to pack (or not pack) light, the best apps to use to find inexpensive flights, and the most fabulous ways of European living that we should ALL be incorporating into our lives. There is even a big name drop!!! Look OUT. Nat also has a beautiful lesson for us that shockingly all comes back to awareness… Bonjour hope you ENJOY! Bye Betches! HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website: https://www.healsquad.com/ Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop my Macy's Wishlist OUAI: https://theouai.com/ use promo code: HEALSQUAD for 15% off Wonderful Pistachios: http://www.wonderfulpistachios.com/ ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content ( published or distributed by or on behalf of Maria Menounos or Mariamenounos.com and healsquad.com ) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.

Hey Kweenz, it's Regular *GIRL* Friday! We know you guessed it with that song from Hamilton kickin' the show off! (Kev, don't worry about it

It's a 'Femininominom!!!' You guessed it, it's another Regular Girl Friday and Chappell Roan continues to take over the world, this week she took over the VMAs, so you know the girls are discussing it. We also talk about ego, vulnerability, and boundaries in business… And how we are all creating grooves in our brain that aren't good. BUT, the good news is you can change that. We talk about the power of a good cuddle and hug and how Kelsey is bringing back writing love letters… which is off to a great start. Enjoy the show. Let us know your thoughts. Make sure to listen to 'Good Luck, Babe' this weekend!! HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website: https://www.healsquad.com/ Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop my Macy's Wishlist OUAI: https://theouai.com/ use promo code: HEALSQUAD for 15% off Wonderful Pistachios: http://www.wonderfulpistachios.com/ ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content ( published or distributed by or on behalf of Maria Menounos or Mariamenounos.com and healsquad.com ) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.

Brat summer is over, but Virgo season is here reminding us to know our value and worth!!! Resident Mama, Mama Tish Cyrus pops back by, it's only fair, as she was actually the one to coin Regular Girl Friday, Regular Girl Friday. We talk about being your own advocate, especially as a female, in life and DEFINITELY at the doctor's office, as Kelsey had a not-so-pleasant reminder of that. Let go and let god, am I right?! Stop outsourcing your power and when things and people get in the way of your greatness, remember to not let them deter you. Vince Vaughn reminds us to not dwell on the negative because if we do so we will miss all the positive… and those negative things might get stuck in our bodies. RIP to the legend that is Fat Man Scoop. Congrats to the queen that is Sabrina Carpenter. Letter writing is NOT DEAD. And the best drink travel hack for your next airport visit… Happy Regular Girl FRIYAY! HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website: https://www.healsquad.com/ Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop my Macy's Wishlist OUAI: https://theouai.com/ use promo code: HEALSQUAD for 15% off Wonderful Pistachios: http://www.wonderfulpistachios.com/   ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content ( published or distributed by or on behalf of Maria Menounos or Mariamenounos.com and healsquad.com ) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.

In this episode, Shanté and Danny watch their oldest movie and find, as expected, racism.

With Kween Kev in London, Kelsey is here holding down the Regular *GIRL* Friday fort (as it's been rebranded to today), with help of course from Natasha and Duane. Actually, one of our special guests deemed it Regular *Girl* Friday, which is only fitting coming from one of the coolest, most badass gals in show business, Tish Cyrus. Tish stops by to discuss the secret to staying grounded in Hollywood and shares something really special one of her girls told her the other day.  We then have to discuss Kelsey's recent therapy epiphanies as she continues to navigate this new chapter of her life, living with her boyfriend, giving both herself and him grace and truly understanding the line that “people that love you, care about how they make you feel…The end!”  A Cosmic Muffin Segment was a must today because how could we NOT talk about this week's Aquarius Supermoon?! Of course, for fun, phoning in another friend who is an astrology EXPERT to help us understand why it all felt soooo heavy this week. To wrap it up, we have one trending thing we need to discuss and it's so mindful, it's so demure. ;)  Kels didn't want to stop talking because she was having the best time, but eventually, we wrap the show with a solid “Bye B” and some classic Ava Max. Wish her luck as she meets the boo's extended family this weekend in NYC!!! HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website: https://www.healsquad.com/ Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop my Macy's Wishlist OUAI: https://theouai.com/ use promo code: HEALSQUAD for 15% off Wonderful Pistachios: http://www.wonderfulpistachios.com/  Learn More About Darryl Gaines https://www.guidingplanet.co  ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content ( published or distributed by or on behalf of Maria Menounos or Mariamenounos.com and healsquad.com ) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.

Recapping S3E6: The Other Time  That other time Maggie and Amanda decided to go live on Instagram while recording this episode. Thanks to everyone who joined in on the fun and the conversation! The girls show off their exceptional impersonation skills.They talked about how Donna is truly the poster child for a Girl Friday and Harvey would be a Boy Thursday (at best). Maggie says she would never turn down any kind of pie (listenres-send her a pie!!) Amanda tells her worst bang story (it's not what you think!) They discuss the nuances of Jury Duty in Dallas County and how Amanda only wants to serve on a Grand Jury once she's retired. And Maggie has the cutest way to say charcuterie. :)  

On this episode of the Infernal Schoolhouse Podcast, join your hosts Bryan, Aaron, and our Girl Friday, Sam, as we explore the art of playing wizards in tabletop role-playing games. Learn about the key traits that define a wizard's persona—intelligence, curiosity, and a touch of arrogance—and how these can profoundly shape your gameplay and narrative. We delve into the complexities of embodying a wizard, from portraying their vast academic knowledge to handling their often limited wisdom. Discover how wizards navigate the balance between power and ethics, wield their arcane influence, and impact the storyline with their magical prowess. Whether you're aiming to embody a chaotic illusionist or a dark necromancer, this episode offers insightful strategies and creative inspiration to bring the wizard in your character to life.

On this episode of the Infernal Schoolhouse Podcast, join your hosts Bryan, Aaron, and our Girl Friday, Sam, as we explore the art of playing paladins in tabletop role-playing games. Learn about the key traits that define a paladin's persona—nobility, confidence, and a strong moral compass—and how these can profoundly shape your gameplay and narrative. We delve into the complexities of embodying a paladin, from portraying their leadership qualities to handling their intricate moral dilemmas. Discover how paladins navigate the balance between justice and mercy, wield their influence, and impact the storyline with their staunch convictions. Whether you're aiming to embody a debonair knight or a stoic guardian, this episode offers insightful strategies and creative inspiration to bring the paladin in your character to life.

On this episode of the Infernal Schoolhouse Podcast, join your hosts Bryan, Aaron, and our Girl Friday, Sam, as we dive into the art of playing a rogue in tabletop role-playing games. Discover the key traits that define a rogue's persona—cunning, flexibility, and a rebellious spirit—and learn how these can enhance your gameplay and storytelling. We'll explore how rogues navigate the gray areas of alignment, adapt their skills for thrilling gameplay, and impact the narrative with their unpredictable nature. Whether you're looking to embody a stealthy trickster or a charming swindler, this episode offers practical tips and creative insights to bring out the rogue in your character.

The PhilenApocalypse has been postponed! While Philena ain't too thrilled with this development, we were able to keep our already inconsistent schedule with this Howard Hawks double feature, which is like a PhilenApocalypse prequel because her contrarian take on Howard Hawks' screwball classic BRINGING UP BABY (1938) is what landed her on OMFYS. In short, she hates it--AFI Top 100 or no. Because of this, Bob programmed two wildly-different films from the versatile Hawks' filmography, and with wildly different results. First, we've got HIS GIRL FRIDAY (1940), another classic screwball comedy from Hawks. Cary Grant is Walter Burns, a conniving newspaper publisher who will go to criminal lengths to keep his best reporter and ex-wife, Hildy Johnson (Rosiland Russell) from leaving his paper so she can get remarried and "be a woman." Then, we've got the sci-fi classic THE THING FROM ANOTHER WORLD (1951). The film's direction is credited to Christian Nyby, but the rumors that Hawks directed it persist. A favorite of Horror Master John Carpenter's, who remade it in 1982. In our opening segment, a discussion of the Tesla Cybertruck devolves into Greg and Bob horrifying Philena by explaining the concept of Andrew "Dice" Clay to her in one of the funniest moments we've ever recorded. We also talk about the horrors of something called Skibidi Toilet for some reason. Plus there are thrills as Greg almost plunges the podcast into chaos as he attempts to win a record on eBay. Does Greg prevail and what is the record? Was it all worth it? Listen and find out! Hosts: Bob Calhoun, Philena Franklin, Greg Franklin Cory Sklar is on assignment Old Movies for Young Stoners theme by Chaki the Funk Wizard "Busy City" by TrackTribe and "Planetary Paths" by Joel Cummins & And a Farag via YouTube Audio Library Trailer audio via Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com THE PHILENAPOCALYPSE IS (STILL) UPON US!

On this week's episode of the Infernal Schoolhouse Podcast, hosts Bryan and Aaron, along with our Girl Friday, Sam, dive into the craft of mead making. The team shares their experiences brewing mead together, from managing the delicate process of caramelizing honey to the final stages of fermentation. Alongside laughter and personal anecdotes, they offer insights into how these ancient brewing techniques can deeply enrich the tabletop role-playing game experience.

Tom Nash is the author of “To Whom Shall We Go?: The Biblical Case for the Catholic Church.” Cece & Jennifer Breen tell us all about Girl Friday 4 God.

Kristine Philipp was 15 when her mother told her she needed to get a job to pay her way. A car company hired her to be a 'Girl Friday' - and it came as rather a shock when she learned she had to work more than one day a week.

In this episode of the "Infernal Schoolhouse Podcast," hosts Brian and Aaron, along with their Girl Friday, Sam, explore the transformation of societal views on fantasy and nerd culture from the negative stereotypes of the early eighties to today's widespread acceptance. They share personal stories, such as Aaron's recounting of his mother's passion for nerd culture and her struggle against adversity, to illustrate the profound impact of fantasy role-playing games on self-discovery and social bonding. The discussion highlights the misconceptions about fantasy gaming, its therapeutic benefits, and the role of narrative control and character development in personal growth. By weaving together individual experiences and broader cultural insights, the episode celebrates the value of fantasy and gaming in enhancing creativity, empathy, and community.

Tom Nash is the author of “To Whom Shall We Go?: The Biblical Case for the Catholic Church.” Cece & Jennifer Breen tell us all about Girl Friday 4 God.

After spending decades in low paid employment, Kristine is a passionate advocate of closing the gender pay gap, and grateful that she had access to superannuation at a time when the working world 'chewed her up and spat her out'. 

Celebrate a century of cinematic splendor with us as film historian Steven C. Smith and fashion expert Kimberly Truhler peel back the curtain on Columbia Pictures' illustrious history. From Harry Cohn's strategic cunning to the studio's transformation under the guiding hand of Frank Capra, this episode promises a treasure trove of insider knowledge. We'll reflect on the indelible mark left by "His Girl Friday"—a film that continues to sparkle with wit and wisdom 84 years after its debut.  With Steven and Kimberly's expertise, we'll also discover the crucial role of fashion in film, celebrating Robert Kalloch's contributions to some of the era's most iconic looks.Steven C. Smith websiteKimberly Truhler GlamAmore websiteAmazon purchase links: Columbia Classics 4K Ultra HD Collection Volume 4Film Noir Style: The Killer 1940s bookMusic by Max Steiner: The Epic Life of Hollywood's Most Influential Composer BookA Heart at Fire's Center: The Life and Music of Bernard Herrmann Book The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

What happens when Falk gets stuck in a screwball comedy? Can Falk weed out the humans from the androids? Do androids dream of His Girl Friday? Listen to find out!Do Androids Dream of His Girl Friday? , episode 98 of This Gun in My Hand, was manufactured not by the Tyrell Corporation but by Rob Northrup, using dialogue from the 1940 public domain film His Girl Friday, which was adapted from the 1928 public domain play The Front Page. The part of Walter Burns was played by Cary Grant, with Rosalind Russell as Hildy Johnson and Ralph Bellamy as Bruce Baldwin. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, information on how to subscribe, and to buy my books, such as Little Heist in the Big Woods and Other Revisionist Atrocities. How do I survive a screwball comedy? With This Gun in My Hand!Show Notes:1. The 1940 film His Girl Friday was adapted from a 1928 stage play titled The Front Page, both in the public domain. Dialogue in this episode was taken from His Girl Friday. (Link below.) It's excellent but has (CONTENT WARNING) the kind of racism and sexism you might expect in a 1940 film. There's also a one hour Lux Radio Theater adaptation starring Fred MacMurray and Claudette Colbert; a Screen Guild Theater radio adaptation starring Cary Grant and Rosalind Russell squeezed down into a half hour; and an even more offensive, grittier 1970 film of The Front Page starring Walter Matthau and Jack Lemmon. And there's a 1931 film version of The Front Page which I have yet to watch.https://archive.org/details/his_girl_fridayCredits:The opening music clip was from The Sun Sets at Dawn (1950), with transitional music from His Girl Friday (1940) and the closing music was from Killer Bait (1949), all films in the public domain. Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.The two women saying “pixielated” were from the Campbell Playhouse radio adaptation of “Mr. Deeds Goes to Town,” broadcast February 11, 1940, public domain. Sound Effect Title: bustle in the pubLicense: Public Domainhttps://freesound.org/people/organicmanpl/sounds/403285/Sound Effect Title: teletype_medium_speed.wavBy stratcat322License: Creative Commons Attribution 3.0https://freesound.org/people/stratcat322/sounds/169259/The image accompanying this episode is a modified detail of a promotional photo by A. L. Schafer for the 1940 film His Girl Friday showing Cary Grant, Rosalind Russell and Ralph Bellamy sitting next to each other. Superimposed over Ralph Bellamy's face is the robot from The Phantom Creeps (1939) from another promotional photo (photographer unknown).

Choice Classic Radio presents Lux Radio Theater which aired from 1934 to 1955. Today we bring to you the episode titled "His Girl Friday.” Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Attention, all you fast-talkin', wisecrackin' cinephiles, 'cause Never Did It's warping back to 1940, the year screwball met satire and Cary Grant met a tiny mustache. Jake's tossed Brad into the whirlwind of overlapping dialogue and rapid-fire romance that is "His Girl Friday," while Brad's sent Jake on a goose chase for Chaplin's timeless, toe-tapping takedown of tyranny in "The Great Dictator." First up, Brad's wrangling with Rosalind Russell's Hildy Johnson, a reporter sharper than a stiletto and quicker than a quip. Get ready for a newsroom brawl of epic proportions as Hildy tries to break free from her ex-husband Walter (Cary Grant, smooth as ever) and his journalistic clutches. Think witty repartee, slapstick hijinks, and enough deadlines to make your head spin. Brad might even confess his secret soft spot for the 1974 remake, "The Front Page," and spark a friendly debate about cinematic legacy! Meanwhile, Jake's navigating the Chaplinverse! He's donned the oversized pants and tiny hat of Adenoid Hynkel, the bumbling would-be Hitler with a penchant for pratfalls. Prepare for hilarious political satire, poignant social commentary, and enough double takes to give your neck a workout. Can Hynkel conquer the inflatable globe? Will Hildy make it to the altar? Tune in, but remember that back in 1940, the laughs were just as sharp as the suits, and the dictators were just as small as their hats. So polish your best one-liners, dust off your bowler hats, and get ready for a comedic collision of the highest order. Hit play and let the good times roll (or topple)! Other movies dicussed in this episode: To Catch a Thief (1955), Charade (1963), The Front Page (1974), All the President's Men (1976), Buddy Buddy (1981), The Iron Lady (2011), Spotlight (2015), Ricky and the Flash (2015), The Post (2017), Let Them All Talk (2020).

Starring in her own original one-woman show, Trans Am, at Joe's Pub this January, Lisa Stephen Friday is a true rock and roller. U Guys, this week's BroadwayWorld Recap is absolutely full of the latest Bway tea! Then I am joined by musician, writer, and creator Lisa Stephen Friday to talk about her incredible new show, Trans Am. Lisa shares her experience as a trans artist, both in the worlds of rock and roll and musical theater. She has played alongside heavy hitters like Pat Benatar and Indigo Girls with her band, Lisa Jackson & Girl Friday, as the out and proud trans front woman. She talks about the importance of her new show, and how it bluntly presents themes of social challenges, tolerance, and LGBTQ+ acceptance. Lisa is such a lovely storyteller, U don't wanna miss this episode! Follow Lisa on Instagram: @Lisastephenfriday Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

Join the OAMR crew as we talk about His Girl Friday #movies #reviews #comedy #horror #scifi #classics #tubi #marvel #dc #Moviereview #music #musical #80s #90s #music #musical #startrek #starwars #marvel #dc #universalmonsters    Facebook: https://www.facebook.com/OAMR-1122730...x Youtube: https://www.youtube.com/channel/UCSy8... Email:  oamoviereviews@gmail.com

On this round of Recommend or Refute, we've got another eclectic sampling for your consideration. Dixon talks journalism and classic Hollywood with His Girl Friday (1940), John is #SorryNotSorry for bringing a narcissistically made piece of indie schlock known as  Honorable Men (2004), and Ryan brings another animated limited series about cyberpunk dystopia in the form of Captain Laserhawk: A Blood Dragon Remix (2023).

Recorded before a live audience, Oct 27th, 2023 at the Salty Jester, Int'l Falls, Minnesota.

Brittany Friday is my guest today who has some VERY helpful insights for you. She breaks things down into 3 simple steps. Even if you give one or two a try, you'll be glad you did! Great Biblical advice….and she also shares multiple nudges with us.Nick's IG: @coachnick_braveheartNick's Fb:Facebook.com/nickbraveheartShuri's IG: @shuri.the.satoBrittany IG:@justbrttanyBrittany Facebook:Facebook.com/justbrttanyReach Out to Me:Website: www.dontignorethenudge.comPatreon: www.patreon.com/dontignorethenudgeIG: @dontignorethenudgepodcastPrivate FB group to WATCH interviews: www.dontignorethenudge.com/facebook__________________________________________________________________________________________Business/Personal Coaching with Cori:www.corifreeman.com(951) 923-2674

When you first enter the world of book writing and publishing, the options can feel overwhelming. That's why I'm excited to welcome Karen McNally of Girl Friday Productions (GFP) to talk all things publishing. Karen has been with GFP for eight years. Prior to joining, she worked for Amazon Publishing, as well as Amazon's retail division. She's passionate about helping authors achieve their goals and ensuring an excellent client experience. Areas of expertise include end-to-end book production, distribution, complex book design, and illustration management, as well as all stripes of print management.  In this episode, we discuss: How she accidentally ended up in publishing Tips for selecting the right publishing route for you What hybrid publishing is and how to know if it's a good option for you Why you have to run your book like a business Three things she wishes every new author knew about publishing This is a great episode with a lot of heart and useful information. Don't miss it! Show notes: The True ROI Of Writing A Book (Replay) Learn more about Karen and Girl Friday Productions: LinkedIn Girl Friday Productions website: https://www.girlfridayproductions.com/who-we-are Facebook @girlfridayproductions YouTube @girlfridayproductions9620 Follow me on: Instagram @stacyennis Facebook @stacyenniscreative LinkedIn Youtube @stacyennisauthor To submit a question, email hello@stacyennis.com or visit www.stacyennis.com/contact and fill out the form on the page.

This is the story about how two women left a toxic workplace, launched a better publishing brand, and equipped people with the tools to tell their stories. Today's guest on The Business of You is Leslie “LAM” Miller, the Co-founder and CEO of Girl Friday Productions. GFP is a women-owned and led publishing company, offering indie and hybrid publishing focused on inclusivity and empowerment. In Girl Friday's nearly twenty years, LAM has focused on disrupting business as usual for both publishing processes and organizational leadership with a focus on empathy and radical transparency. The “Girl Friday experience” has kept clients coming back for almost two decades. It begins with a compassionate, curated team devoted to authors' publishing goals and culminates in a book they are elated to call their own. From book coaching to editorial to cover design to marketing strategy, the GFP publishing program produces books of distinction. LAM is passionate about excellent books–but she also emphasizes positive work culture. She and her Co-founder Ingrid Emerick launched GFP after leaving their previous publishing company, where time off was virtually nonexistent and work-life balance did not exist. As young moms, they fought to be able to do the work they loved, while spending time with their families. Now at GFP, they cultivate a culture that celebrates parenthood, individuality, hobbies and interests, and harmony with work. Being an author means that you're an entrepreneur LAM sees the same thing happen again and again in her years in publishing: People who passionately write books and promote them do really well.  However, she also sees individuals who write a book and spend no time promoting it–believing that a company can carry them towards the finish line. LAM reminds us that readers–much like clients–desire a strong connection with us and our brand in order to commit to our message.  While you can publish anything at any time, she serves a lighthearted and humorous reminder that not everything needs to be a book, and not everything will be a bestseller. It's okay to publish something just for your grandkids. And if you decide to tell a great big story to a large audience, make sure you promote it! Clarity attracts the right people, places, and things LAM is unapologetically herself, and she encourages you to be yourself too. She wears her emotions on her sleeve, and that's part of her personal brand.  In this episode, she encourages us to be who we are and live out our values. In our lives, and in our businesses, the right people will be attracted to us. The message at Girl Friday Productions is clear: They are a gender-inclusive, diverse, and anti-racist company. Because they are clear, loud and proud about their messaging, they attract clients that believe in the power of good. Everyone's story deserves to be told At Girl Friday Productions, everyone's story deserves to be told. LAM discusses troubling trends in publishing, and how essential it is that they disrupt the norm that primarily white women get a platform to tell their stories. Even in positions of power in publishing, the executive teams are mostly led by white men. Girl Friday Productions is a loud voice in opposition to the discrimination of the traditional publishing industry.  Now, LAM and the other staff at GFP are working behind the scenes to create exciting new offerings, empowering more diverse voices to tell their stories and reach new audiences. Enjoy this wonderful conversation with Leslie “LAM” Miller on The Business of You! Quotes “Every author is an entrepreneur. Every contract we have, we are teaching entrepreneurship.” “We were publishing all these books about feminism and motherhood. At the same time, I was having my first child and my business partner Ingrid was having her second. We had three weeks of maternity leave, typing over their heads and taking meetings. We asked to reduce our hours. The answer that came back was, we'll pay you less…but we'll reduce your hours and your workload. But it didn't change at all! It was so frustrating.” “You shouldn't have to choose between being the human that you are most of the time, and the person you are at work. I think you can be happier and it should be more sustainable.” “We scan the landscape and ask, how can we better allow people to share their stories? That's what we're really passionate about. We produce audiobooks for people now! We produce eBooks. We look for new marketing opportunities. We look at social media, and what it does for authors.” “Indie publishing, or self-publishing, used to be such a dirty word. But we built this incredible program. We aren't going to do the same work as a traditional publishing company - we do better work! We are so proud of these books. We take better care of you.” “If you want to publish a book so that your grandchild can have it, don't do any marketing. But if you want to sell copies, you absolutely need to have effective strategies.” “We give people a report that says, this is your ideal reader, where they're hanging out, and how to reach them.” “We don't work on content that doesn't help the world.” “We would love to pass on what we know, and equip more people to tell their stories.” “Everyone's stories deserve to be heard. And there are a lot of stories that are being kept out of the industry.” Links mentioned in this episode: Visit the website for Girl Friday Productions at www.girlfridayproductions.com  Follow Girl Friday Productions on Instagram at https://www.instagram.com/girlfridayproductions/  Follow Girl Friday Productions on Facebook at  https://www.facebook.com/GirlFridayProductions Connect with LAM on LinkedIn at https://www.linkedin.com/in/leslielammiller/ 

As a teenager, Elena Nacanther was one of the devoted Studio Kids who used to hang out at the ABC TV-16 studio during the original run of Dark Shadows. Along with her friend and fellow “Frid Girl” Valerie, Elena volunteered as Jonathan Frid's personal assistant while Dark Shadows was on the air. Elena later went on to become a successful New York radio producer and director in the city's #1 market. She remained friends with Jonathan for the rest of his life. Elena visits Terror at Collinwood to share her memories of Jonathan Frid and of being a studio kid in the late 60's and early 70's. Other topics of conversation include: Elena and Valerie becoming Jonathan Frid's assistants, visiting the Collinwood set, Jonathan's fan mail parties, surprising Grayson Hall, protesting the cancellation of DS, some insight into the reasons Bramwell Collins was created for the show, and much more! NOTE: The YouTube version of this episode features many rare photos from Elena's personal collection!Help support the podcast by donating at Buy Me a Coffee: https://www.buymeacoffee.com/terroratcollinwoodJonathan Frid Treasures (Elena's Facebook group) - https://www.facebook.com/groups/jonathanfridtresuresOpening theme – ‘Surfing the Shadows' (surf rock version of Bob Cobert's DS theme) by Johnny D & The Moonlighters: https://open.spotify.com/artist/6weg2kLc4qiFarjSYSRXThTerror at Collinwood website: https://www.terroratcollinwood.com

It's the launch day for Sally's new book, The Green Lady, and Sally is feeling the pressure, especially as her neighbours have left her alone on the boat. In the middle of the night, she reads an 18th century classic, Daniel Defoe's Robinson Crusoe, finding commonality in its psychological upswings and downswings, the melodrama, the despair and the comforts, of its narrator, who has turned to writing in his journal to cope with his lonely castaway life. Brought back to the world by the sound of children playing outside, Sally has to rely on the kindness of a Girl Friday neighbour to refill her water tank. She reflects on the importance of willpower, determination, and the practice of paying attention. Robinson Crusoe, published by Daniel Defoe in 1719, is often said to be the first English novel; a form of spiritual autobiography and the beginnings of realistic fiction in English.  I Am is a poem written by John Clare in 1844 or 1845, while the author was a patient in the Northampton General Lunatic Asylum. Clare (1793 to 1864) was the son of a farm labourer and struggled for most of his life to earn money for his family while pursuing his literary ambitions, living for some time as a vagrant. I Am is his most famous poem, expressing his deep sense of isolation from society and his family as he struggled with his mental health. The producer of the podcast is Andrew Smith: https://www.fleetingyearfilms.com The extra voice in this episode is Emma Fielding. Thanks to everyone who has supported us so far. Special thanks go to Violet Henderson, Kris Dyer, and Maeve Magnus.      

Chris and Jeremy have found some things to recommend to you!1) Small Recommends:Kevin's Smith's YT Video - People Magazine (2:13)Modern Romance (6:45)Mountain Dew Summer Freeze (14:20)Party Girl (16:12)2) The Big Recommend: His Girl Friday (22:04)3) Surprise Double Feature: ????????  (44:23)If you'd like to join the LIVE conversation each week, become a member of the SinClub at Patreon.com/cinemasins!Thanks to lorangeproductions.com for the theme song!Advertising Inquiries: https://redcircle.com/brands

Before she settles down to life of homemaking, security, and insurance policies with Bruce Baldwin in Albany, star reporter Hildy Johnson has one more story to write for her ex-husband and ex-boss Walter Burns, editor of the Morning Post. Hildy must write up an interview with convicted killer Earl Williams that will grant him a last-minute reprieve on the basis of insanity. The ingenious angle she finds to prove he's insane: Earl listened to so many soapbox speeches in the park about the socialist concept of “production for use” that when a gun was placed into his hands, he had to shoot it. Howard Hawks's 1940 film His Girl Friday knits together two plots from two very different genres. One is a romantic comedy that intends to reunite its main couple in something like wedded bliss. The other is a dark drama of murder and corruption, complete with a gallows lurking just outside the window and a suicide attempt that takes place on screen. Yet Earl Williams and Hildy Johnson's fates in their respective plots are twinned. Both are, in a sense, looking for their own reprieves. And Hildy has her own production-for-use dilemma. What was she made for—the life of a newspaperman, or the life of a housewife? To what kinds of production should we devote our own lives? What are we made for—risk and adventure or security and insurance? Wes & Erin discuss. Subscribe: (sub)Text won't always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon or directly on the Apple Podcasts app. Follow (sub)Text: Twitter | Facebook | Website