Podcasts about Lurene Tuttle

American actress and acting coach

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Lurene Tuttle

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Best podcasts about Lurene Tuttle

Latest podcast episodes about Lurene Tuttle

Classic Streams: Old Time Retro Radio
The Adventures of Sam Spade: The Crab Louie Caper (03-02-1951)

Classic Streams: Old Time Retro Radio

Play Episode Listen Later Jun 8, 2025 27:02


In this episode, Sam Spade embarks on a mysterious case known as the Crab Louie Caper. Set against the backdrop of San Francisco's Fisherman's Wharf, Spade navigates through a web of deceit, love, and murder as he investigates the death of Louis Majore. The story unfolds with twists and turns, revealing the complexities of human relationships and the quest for truth. As Spade delves deeper, he uncovers the dark secrets surrounding Louis's death and the motivations of those involved, ultimately leading to a dramatic conclusion where justice is served.TakeawaysThe Crab Louie Caper is a classic detective story.Sam Spade is portrayed as a clever and resourceful detective.The setting of Fisherman's Wharf adds to the story's atmosphere.Themes of love, betrayal, and revenge are prevalent.The investigation reveals the complexities of human relationships.The character dynamics are rich and engaging.The narrative is filled with suspense and intrigue.The use of Italian phrases adds authenticity to the dialogue.The story highlights the moral dilemmas faced by the characters.Justice is ultimately served in a dramatic fashion."The Adventures of Sam Spade" primarily refers to a radio show that aired from 1946 to 1951, based on the private detective character Sam Spade created by Dashiell Hammett. Key details about the radio show:Based on the character from "The Maltese Falcon": The radio series took the character from Hammett's iconic novel, "The Maltese Falcon," and presented new adventures.Airs and networks: It aired on ABC in 1946 (13 episodes), then CBS from 1946-1949 (157 episodes), and finally on NBC from 1949-1951 (51 episodes).Starring Actors:Howard Duff played Sam Spade for most of the run.Steve Dunne took over the role in the final season on NBC.Lurene Tuttle played Effie Perrine, Sam's loyal secretary.Tone: The radio show had a more lighthearted and "tongue-in-cheek" approach compared to the original novel and film adaptations.Format: Each episode typically involved Sam Spade recounting his latest case to Effie, who would type it up, using a mix of past-tense narration and present dialogue to immerse listeners in the story.Popularity: The show was popular and received positive reviews during its run.Edgar Award: Scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama in 1947. It's important to note:Dashiell Hammett's name was removed from the show in the late 1940s due to investigations into his political involvement.Howard Duff was later blacklisted, contributing to the show's end. Beyond the radio show, "The Adventures of Sam Spade" can also refer to:A collection of short stories: Dashiell Hammett wrote three short stories featuring Sam Spade: "A Man Called Spade," "Too Many Have Lived," and "They Can Only Hang You Once." These were collected in a book titled "The Adventures of Sam Spade and Other Stories".Sam Spade himself: The character is widely remembered, particularly due to Humphrey Bogart's portrayal in the classic film "The Maltese Falcon". Spade is considered a foundational figure in hard-boiled detective fiction. Sam Spade, detective, Crab Louie Caper, mystery, investigation, San Francisco, noir, crime, storytelling, radio drama

Breaking Walls
BW - EP86: Home For the Holidays—December 1945 On the Air [Rewind]

Breaking Walls

Play Episode Listen Later Jun 1, 2025 178:15


This episode was originally released on 12/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 86, we spotlight what was on the air over the US' major radio networks during December of 1945. Highlights: • The First Peacetime Holiday Season in Five Years Begins • Radio's Three Main Production Hubs • Macabees • Frank Nelson, Lurene Tuttle, and Mandel Kramer • I Can't Stand Jack Benny • Soap Operas and Kid's Shows • NBC Dominates Sunday and Tuesday Nights • Falling Mid-Week Ratings Open the Door for CBS • Victory Bonds and Bing's Strike • Christmas Draws Closer • Fibber, Molly, Red and Christmas Day • Dinah Shore and Groucho return Christmas Gifts • I Still Can't Stand Jack Benny • New Year's Eve • What Comes Next The WallBreakers: thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: patreon.com/TheWallBreakers The reading material used in today's episode was: • On The Air: The Encyclopedia of Old-Time Radio - by John Dunning • Christmas 1945: The Greatest Celebration in American History - by Matthew Litt • Network Radio Ratings, 1932-1953 - by Jim Ramsburg • The Museum of Broadcast Communications Encyclopedia of Radio - by Christopher H. Sterling And several articles from: • The New York Times • Broadcasting Magazine • Radio Daily The Interviews Chuck Schaden was with: Mel Blanc Himan Brown Phil Harris Danny Kaye Barbara Luddy Mercedes McCambridge Shirley Mitchell Frank Nelson Olan Soule Larry Stevens Lurene Tuttle Don Wilson All of Chuck's Interviews can be found at SpeakingofRadio.com Dick Bertel and Ed Corcoran were with: Jackson Beck Edgar Bergen Mel Blanc Staats Cotsworth Howard Duff Jim Jordan Mandel Kramer Jan Miner All of their interviews for WTIC's The Golden Age of Radio can be found at GoldenAge-WTIC.org SPERDVAC was with Harry Bartel Jack Johnstone For more information please go to SPERDVAC.com • Jo Stafford was with Matthew Feinstein for Jo Stafford's “Ballad of the Blues” • Fran Carlon was with Westinghouse for their 1970 50th Anniversary Production • Bing Crosby was interviewed for Same Time, Same Station in 1972. Selected music featured in today's episode was • Kay Starr's The Man With The Bag • Nancy Wilson's What Are You Doing New Year's Eve? • Bing Crosby's White Christmas and I'll Be Home For Christmas The clip of CBS' Cimarron Tavern came courtesy of Jerry Haendiges. Visit his site at OTRsite.com. I've been visiting since 2002. Thank you Jerry. I'd also like to thank Walden Hughes and John and Larry Gassman. Listen to their shows on the Yesterday USA radio network.

Classic Streams: Old Time Retro Radio
Suspense: The Black Path of Fear (Brian Donlevy) (08-31-1944)

Classic Streams: Old Time Retro Radio

Play Episode Listen Later May 27, 2025 24:40


"The Black Path of Fear" is a thrilling radio adaptation of Cornell Woolrich's novel of the same name, broadcast as part of the Suspense series on August 31, 1944, starring Brian Donlevy. Plot Overview:Bill Scott, a chauffeur, and Eve Roman, his gangster boss's wife, flee to Havana, Cuba, in hopes of escaping the wrath of Eddie Roman. However, their escape is short-lived as Eddie pursues them and Eve is murdered shortly after their arrival. Scott is then framed for Eve's murder and must desperately navigate the unfamiliar and perilous streets of Havana to clear his name and find the real killer. Key Details:Starring: Brian Donlevy as Bill Scott.Adaptation: Adapted for radio by Robert Tallman.Production: Produced and directed by William Spier.Cast: Also featured Lurene Tuttle, Hans Conried, Wally Maher, and John McIntire.Themes: Suspense, psychological thrills, and noir elements.Cornell Woolrich: The story is a classic example of Woolrich's suspenseful style, with themes of paranoia, isolation, and doomed love.Later Adaptations: The story was also adapted for television and film, including the 1946 film noir "The Chase".Another Radio Adaptation: Suspense aired a second version of the story on March 7, 1946, starring Cary Grant.suspense, murder, Havana, investigation, drama, noir, storytelling, mystery, crime, emotions

Classic Streams: Old Time Retro Radio
The Adventures of Sam Spade: The Soap Opera Caper (02-09-1951)

Classic Streams: Old Time Retro Radio

Play Episode Listen Later May 25, 2025 28:01


The Adventures of SamSpade: The Soap Opera Caper (02-09-1951)"The Soap Opera Caper" is an episode of The Adventures of Sam Spade radio program, which aired on February 16, 1951. 1. The Story:Sam Spade is hired by a "soap opera queen" (a prominent actress in a soap opera).Her husband is distraught over a mysterious telegram he received from Mexico City.Sam's job is to find the husband and uncover the reason for his distress. 2. Key Elements of the Radio Episode:Starring Steve Dunne: Steve Dunne played Sam Spade in the later years of the show.Lurene Tuttle as Effie: Lurene Tuttle continued her role as Sam's secretary, Effie Perine.Focus on Mystery and Detection: The episode involves Sam investigating a mysterious situation to find answers.Humorous Tone: The Adventures of Sam Spade radio series often took a more lighthearted and humorous approach compared to the original Maltese Falcon novel or movie. 3. Significance and Legacy:Part of the Sam Spade Radio Series: This episode is a part of the long-running radio series based on the popular detective character.Old Time Radio: It represents the popular "old time radio" era and its detective/mystery genre.Adaptation: The series brought the character of Sam Spade to a new audience and medium.

Classic Streams: Old Time Retro Radio
The Adventures of Sam Spade: The Sure Thing Caper (02-09-1951)

Classic Streams: Old Time Retro Radio

Play Episode Listen Later May 18, 2025 26:51


Sam Spade takes on a case involving a gambler who believes he was swindled out of $1500 by a former jockey. The jockey allegedly enticed the gambler and two intimidating associates with a seemingly guaranteed opportunity to make money. Spade's task is to investigate whether the ex-jockey indeed defrauded them.This radio drama episode, originally broadcast on February 9, 1951, originated from Hollywood. The production features Steven Dunne in the lead role of the hard-boiled private investigator Sam Spade. Supporting him are Lurene Tuttle as his loyal and efficient secretary, Effie, and Wally Maher as the character Gentleman Joe.TakeawaysThe inherent goodness of the human soul is often tested.Gambling can lead to unexpected consequences.Friendship and loyalty are central to the narrative.Redemption is possible even after past mistakes.Community support can help heal old wounds.The bond between humans and animals is profound.Deception can come in many forms, even from friends.A noble plan can emerge from a troubled past.The thrill of the race is mirrored in life's unpredictability.Every character has a story that contributes to the whole.detective, gambling, horse racing, deception, mystery, crime, Sam Spade, Gentle Joe, Five Dollar Frankie, adventure

Vintage Classic Radio
Tuesday Night Detectives - The Adventures of Sam Spade (Lawless Caper) & Your Truly Johnny Dollar (Sudden Wealth Matter)

Vintage Classic Radio

Play Episode Listen Later Apr 28, 2025 55:44


After a long hiatus, we present "Tuesday Night Detectives". First, "The Adventures of Sam Spade" in "Lawless Caper". Originally broadcasted on August 29th, 1948. Howard Duff stars as Spade, who investigates a stolen holiday shipment, with Lurene Tuttle as his secretary Effie Perrine, and support from William Conrad and June Havoc.Next up, we have "Yours Truly, Johnny Dollar" featuring "The Sudden Wealth Matter", broadcast on December 13, 1959. Bob Bailey plays Johnny Dollar, an insurance investigator probing a suspicious claim involving sudden riches, alongside Virgina Gregg and Harry Bartell.Join us for a blend of suspense and intrigue in these classic detective tales, where wit and danger meet clever storytelling, here on Vintage Classic Radio.

Breaking Walls
BW - EP80: Forecast—The Most Important Forgotten Series in Radio History (1940 - 1941) [Rewind]

Breaking Walls

Play Episode Listen Later Apr 10, 2025 84:01


This episode was originally released on 6/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ Question? What do starlets Marlene Dietrich, Kay Thompson, Margaret Sullivan, and Loretta Young have in common? How about writers and directors Norman Corwin, Helen Deutsch, and Bill Spier. How about Danny Kaye, Mel Allen, Gerald Mohr, Elliot Lewis, Byron Kane, Lurene Tuttle, Paula Winslowe, Joseph Kearns, and Arthur Q. Bryan? Answer: They guest-starred, grew, or launched their careers on CBS's Forecast! Forecast was a summer replacement series for the Lux Radio Theatre which ran for two seasons in 1940 and 1941. It ushered in an era of show pilots for public viewing and helped give rise to countless actors, writers, and directors, as well as two huge shows: Suspense & Duffy's Tavern. On Breaking Walls Episode 80, we present an in-depth look at Forecast featuring interviews, insights, and episode moments. Highlights: • Why would Forecast have come to the airwaves in the first place? • Hear CBS head William S. Paley's insights on programming • How Alfred Hitchcock helped launch the famed mystery show, Suspense • Bill Spier: Music critic, turned producer and director of mystery • How Elliott Lewis got his start on Forecast • Mel Allen & Duffy's Tavern: Where the Elite Meet To Eat • Norman Corwin's Two pieces for Forecast that helped catapult his career • How radio actor Byron Kane got his first role on Forecast • Jim Backus & the Class of 1941 * Hopalong Cassidy • The Country Lawyer: One of the most experimental radio broadcasts of its time • An all african-american jubilee to close Forecast The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. Featured in today's episode were interviews with: • Bill Spier and Mel Allen for Dick Bertel & Ed Corcoran's WTIC Golden Age of Radio program, who's episodes can be found at GoldenAge-Wtic.org • Elliott Lewis and Byron Kane, for the Society to Preserve and Encourage Radio Drama, Variety, and Comedy, which can be found at SPERDVAC.com • and Jim Backus and Norman Corwin with Chuck Schaden, who's interviews can be streamed for free at SpeakingofRadio.com. Norman Corwin was also interviewed by Michael James Kacey for his DVD The Poet Laureate of Radio: An Interview with Norman Corwin, which you can pick up on Amazon. Selected Music featured in today's Episode was: • My Blue Heaven by Glenn Miller • Begin the Beguine & Stardust by Artie Shaw • Alcolba Azul, by Elliot Goldenthal The Battle Cry for Freedom by Jaqueline Schwab for the Civil War, by Ken Burns Falling played by Michael Silvermann • Catch a Falling Star, by Perry Como

Classic Streams: Old Time Retro Radio
Suspense: The Search for Henri LeFevre (Paul Muni, Lurene Tuttle) (07-06 -1944)

Classic Streams: Old Time Retro Radio

Play Episode Listen Later Apr 1, 2025 25:38


"Suspense" was a radio drama series that captivated audiences from 1940 through 1962 during the Golden Age of Radio. Often subtitled "radio's outstanding theater of thrills," this program was a shining example of suspense thriller entertainment. It specialized in delivering heart-pounding stories, typically featuring some of the leading Hollywood actors of its era. With an impressive total of approximately 945 episodes aired over its lengthy run, "Suspense" remains an enduring classic, with over 900 episodes still in existence.

The Great Detectives of Old Time Radio
Sam Spade: The Dry Martini Caper/ Mr. Moto: The Case of the Dry Martini (Twice Told Tale) (EP4640s)

The Great Detectives of Old Time Radio

Play Episode Listen Later Mar 2, 2025 67:14


Today's First Mystery: Sam Spade is hired by a man who is then shot down in front of him with a carbine.Original Release Date: August 1, 1948Starring: Howard Duff as Sam Spade; Lurene Tuttle as Effie; Jack Webb; WIlliam ConradToday's 2nd Mystery: While investigating an international narcotics ring, Mr. Moto finds himself in the center of the murder of the owner of an import-export company who was shot with a carbine.Original Radio Broadcast Date: October 20, 1951Originating from New YorkStarred: James Monks as Mr. I.A. MotoSupport the show monthly at patreon.greatdetectives.netPatreon Supporter of the Day: Bettina, Patreon Supporter since May 2021Support the show on a one-time basis at http://support.greatdetectives.netMail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Mystery Special  - The Great Detectives of Old Time Radio
Sam Spade: The Dry Martini Caper/ Mr. Moto: The Case of the Dry Martini (Twice Told Tale)

Mystery Special - The Great Detectives of Old Time Radio

Play Episode Listen Later Mar 2, 2025 67:14


Today's First Mystery: Sam Spade is hired by a man who is then shot down in front of him with a carbine.Original Release Date: August 1, 1948Starring: Howard Duff as Sam Spade; Lurene Tuttle as Effie; Jack Webb; WIlliam ConradToday's 2nd Mystery: While investigating an international narcotics ring, Mr. Moto finds himself in the center of the murder of the owner of an import-export company who was shot with a carbine.Original Radio Broadcast Date: October 20, 1951Originating from New YorkStarred: James Monks as Mr. I.A. MotoSupport the show monthly at patreon.greatdetectives.netPatreon Supporter of the Day: Bettina, Patreon Supporter since May 2021Support the show on a one-time basis at http://support.greatdetectives.netMail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectives

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 842, Suspense, Suspicion

Brett’s Old Time Radio Show

Play Episode Listen Later Feb 24, 2025 31:24


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 835, Suspense, The Sisters

Brett’s Old Time Radio Show

Play Episode Listen Later Feb 17, 2025 31:49


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

Old Time Radio - OTRNow
Episode 58: The OTRNow Radio Program 2024-022

Old Time Radio - OTRNow

Play Episode Listen Later Feb 10, 2025 180:13


The OTRNow Radio Program 2024-022The Shadow Of Fu Manchu. August 02, 1939. Program #37. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. Escape from the house of Fu by sliding across on a wire. Hanley Stafford, Gale Gordon. The Shadow Of Fu Manchu. August 04, 1939. Program #38. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. "The Fiery Hand.". Hanley Stafford, Gale Gordon. Calling All Cars. March 28, 1934. Program #18. CBS Pacific net (Don Lee net). "The Spinoza Case". Sponsored by: Rio Grande Oil. A pyromaniac has set a fire that has done $147,000 worth of damage. The story is introduced by Chief James Davis of the Los Angeles police department. The Spotlight Revue. December 3, 1948. CBS net. Commercials deleted. The first tune is, "On Notre Dame." The band also plays, "It's Magic." Guest Frank Sinatra sings, "Once In Love With Amy" and, "Prisoner Of Love" (with embellishments by Spike). Spike Jones and The City Slickers, George Rock, Doodles Weaver, Dorothy Shay, Freddie Morgan, Dick Morgan, Frank Sinatra, Dick Joy (announcer).  The Anacin Hollywood Star Theatre. December 18, 1948. NBC net. "Fogbound". Sponsored by: Anacin, BiSoDol Mints. A romance set in San Francisco. A beautiful and wealthy girl from Nob Hill falls for a bitter piano player in a bar. Helena Carter admits that this is her first time before a microphone and before an audience. Helena Carter, Jack Webb, Douglas Fairbanks Jr. (host), Donald Woods, Martha Wilkerson (writer), Stacy Harris, Ken Peters (announcer).  The Adventures Of Philip Marlowe. June 17, 1947. NBC net. "The Red Wind". Sponsored by: Pepsodent. The first show of the series, as a summer replacement for Bob Hope. The same story was re-done a year later with a different cast (see cat. #8612). Forty-one matched pearls with a diamond propeller clasp...a good reason for murder! The show is referred to as "The Pepsodent Show." Van Heflin, Lyn Murray (composer, conductor), Raymond Chandler (creator, writer), Milton Geiger (adaptor), Lurene Tuttle, Wendell Niles (announcer), William Conrad, James Fonda (producer, director), William Johnstone, Harry Bartell.Macabre. December 11, 1961. Program #5. AFRTS-FEN origination. "The Midnight Horseman". A good screamer. A painting of a black knight...with occult powers! The announcer mentions that it's Halloween, indicating a possible rebroadcast at a later date. Al Lepage (announcer). 

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 828, Suspense, Will you walk into my parlour

Brett’s Old Time Radio Show

Play Episode Listen Later Feb 10, 2025 15:36


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 821, Susupense, In Fear And Trembling

Brett’s Old Time Radio Show

Play Episode Listen Later Feb 3, 2025 29:48


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 814, Suspense, The Doctor Prescribed Death

Brett’s Old Time Radio Show

Play Episode Listen Later Jan 27, 2025 31:29


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 807, Suspense, The Devil's Saint

Brett’s Old Time Radio Show

Play Episode Listen Later Jan 20, 2025 32:03


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 800, Suspense, One Way Ride To Nowhere

Brett’s Old Time Radio Show

Play Episode Listen Later Jan 13, 2025 31:52


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 793, Suspense, Finishing School

Brett’s Old Time Radio Show

Play Episode Listen Later Jan 6, 2025 31:29


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 786, Suspense, A Thing Of Beauty

Brett’s Old Time Radio Show

Play Episode Listen Later Dec 30, 2024 31:54


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

The Mysterious Old Radio Listening Society

We’re spending Boxing Day with Lurene Tuttle in this Suspense episode, “The Tip”! In this production, she plays a devoted wife being held at gunpoint by a desperate man. This intruder intends to kill her husband as revenge for crimes unknown to her. As the two wait for his intended victim to come home, she […]

Vintage Classic Radio
Friday Night Noir - Suspense (Holiday Story), Lights Out (Lord Marley's Ghost) & Murder at Midnight (Murder is a Lonely Business)

Vintage Classic Radio

Play Episode Listen Later Dec 26, 2024 85:21


Step back in time this Friday with Vintage Classic Radio's “Friday Night Noir,” a special Christmas week celebration featuring three captivating radio shows from the golden age of radio. Tune in to "Suspense" for the chilling episode "Holiday Story," originally aired on December 23, 1948. This episode weaves a thrilling tale of a quaint Christmas in a snowy town that takes a sinister turn when a mysterious stranger arrives, bringing unexpected danger and suspense to the holiday cheer. The stellar cast includes Agnes Moorehead as the resilient protagonist, Ellen Harper, William Conrad as the enigmatic stranger, Joseph Kearns as the cautious Sheriff Bradley, and Lurene Tuttle as the warm-hearted neighbor, Mrs. Jennings. Following "Suspense," the evening continues with "Lights Out" and the eerie episode "Lord Marley's Ghost," which first haunted the airwaves on July 14, 1937. In this ghostly narrative, the spirit of Lord Marley returns to his ancestral home on the eve of its demolition, seeking vengeance and closure. This atmospheric tale is sure to send shivers down your spine, performed by a dedicated cast featuring Boris Karloff as the tormented Lord Marley and Mercedes McCambridge as the skeptical historian, Helen Ashcroft. Concluding the night is "Murder at Midnight" with the episode "Murder is a Lonely Business," broadcasted on December 12, 1946. In this gripping story, a reclusive author finds his quiet seaside retreat turned into a deadly trap when he discovers a body on the beach, leading him into a web of intrigue and suspicion. The episode features Raymond Edward Johnson in the lead role of Charles Manner, with Elspeth Eric as his suspicious neighbor, Mrs. Ellis, and Berry Kroeger as the determined Detective Larson. Don't miss this thrilling trip down memory lane with Vintage Classic Radio's “Friday Night Noir,” where suspense, mystery, and the supernatural come alive through the voices of some of the era's most iconic actors. Tune in this Friday and join us for a night filled with intrigue and nostalgia.

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 779, Suspense, Holiday Story

Brett’s Old Time Radio Show

Play Episode Listen Later Dec 23, 2024 31:05


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

Brett’s Old Time Radio Show
Brett's Old Time Radio Show Episode 772, Suspense, Nothing Up My Sleeve

Brett’s Old Time Radio Show

Play Episode Listen Later Dec 16, 2024 29:17


Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.

Old Time Radio - OTRNow
Episode 61: The OTRNow Radio Program- Thanksgiving Special

Old Time Radio - OTRNow

Play Episode Listen Later Nov 25, 2024 169:00


The OTRNow Radio Program- Thanksgiving SpecialTarzan. November 29, 1951. Mutual-Don Lee net origination, Commodore syndication. "African Thanksgiving". Commercials added locally. A beautiful French girl starts a battle of wills between Sheik Hazara and Tarzan. CBS rebroadcast date: November 22, 1952. Lamont Johnson, Walter White Jr. (producer), Bud Lesser (writer), Albert Glaser (original music)  The Lucky Strike Program Starring Jack Benny. November 30, 1947. NBC net. Lucky Strike. Phil Harris and The Sportsmen do a clever singing commercial to the tune of, "That's What I Like About The South." Jack dreams that he's being tried for murder for killing a Thanksgiving turkey. Fred Allen (imitated by Ollie O'Toole) appears as a turkey during the trial! A great show!. Artie Auerbach, Basil Ruysdael (commercial spokesman), Dennis Day, Don Wilson, Frank Nelson, Jack Benny, L. A. Speed Riggs (tobacco auctioneer), Mary Livingstone, Mel Blanc (quadruples, one part is a turkey), Phil Harris, Eddie Anderson, The Sportsmen, F. E. Boone (tobacco auctioneer), Bea Benaderet, John Laing (commercial spokesman), Ollie O'Toole, George Balzer (writer), John Tackaberry (writer), Milt Josefsberg (writer), Sam Perrin (writer), Mahlon Merrick (conductor). Doctor Christian. November 22, 1939. CBS net. "Prelude To Thanksgiving". Vaseline. Jean Hersholt, Art Gilmore (announcer), Rosemary De Camp.Speech Winston Churchill 1944-11-23 American Thanksgiving Vic and Sade. November 20, 1941. Red net. Crisco. Nicer Scott has been telling everyone that Rush Gook eats with a baby's knife and fork. Rush is humiliated and angry. Stuff happens! The organ themes, bridges and system cue have been deleted. Paul Rhymer (writer), Art Van Harvey, Bernardine Flynn, Billy Idelson, Ed Herlihy (announcer).Let George Do It. November 20, 1950. Mutual-Don Lee net. "Cause For Thanksgiving". Standard Oil. A Thanksgiving story about a tough ten-year-old boy who refuses to talk. Is it psychic shock?. Bob Bailey, Virginia Gregg, Jackson Gillis (writer), David Victor (writer), Eddie Dunstedter (composer, presenter), Don Clark (director), Bud Hiestand (announcer), Wally Maher, Carl Watson (commercial spokesman), Bob Burchill (commercial spokesman), Alan Reed, Dick Ryan, Tony Barrett, Jeffrey Silver, Steven Chase.Suspense. November 25, 1948. CBS net. "The Screaming Woman". Auto-Lite. A little girl hears a screaming woman who is buried alive. The script was subsequently used on "Suspense" on March 1, 1955 (see cat. #7264). Margaret O'Brien, Ray Bradbury (author), Sylvia Richards (adaptor), Ted de Corsia, John McIntire, Lurene Tuttle, Agnes Moorehead, Anton M. Leader (producer, director), Harlow Wilcox (commercial spokesman), William Johnstone (commercial spokesman), Lucien Moraweck (composer), Lud Gluskin (conductor), Paul Frees (announcer).

Vintage Classic Radio
Tuesday Night Detectives - Halloween Special: The Adventures of Sam Spade (Fairley Bright Caper) & Nick Carter, Master Detective (The Case of the Devil's Left Eye)

Vintage Classic Radio

Play Episode Listen Later Oct 29, 2024 60:21


In this week's "Tuesday Night Detectives" Halloween special on Vintage Classic Radio, we delve into the shadowy world of crime-solving with two thrilling detective stories. First up, join the suave Sam Spade, in "The Adventures of Sam Spade" for the "Fairley Bright Caper", originally aired on October 31st, 1948. In this gripping episode, Sam Spade, portrayed by Howard Duff, navigates the deceitful web woven by the seductive Fairley Bright, played by Lurene Tuttle. Spade is hired to track down a missing millionaire, but the case quickly spirals into a dangerous game of cat and mouse involving betrayal and hidden motives. The episode also features key performances by John McIntire as Lieutenant Dundy and Wally Maher as Spade's loyal but often flustered secretary, Effie Perrine. Following that, we step into the shoes of the legendary detective Nick Carter, in "Nick Carter, Master Detective" with the episode "The Case of the Devil's Left Eye", which first hit the airwaves on January 1st, 1948. Lon Clark stars as Nick Carter, with Helen Choate as his resourceful assistant Patsy Bowen. This chilling mystery begins when a cursed gem known as the Devil's Left Eye is stolen, leaving Carter into a world of superstition and murder. A dramatic confrontation reveals the unexpected truth behind the curse. Supporting performances include John Kane as Scubby Wilson, Carter's friend and occasional sidekick, adding a touch of humour and camaraderie to the suspenseful narrative. Tune in to experience the thrills and chills of Halloween with master detectives in the golden age of radio on Vintage Classic Radio.

Breaking Walls
BW - EP156—005: Halloween 1944—The Whistler's Beloved Fraud

Breaking Walls

Play Episode Listen Later Oct 9, 2024 29:41


Support Breaking Walls at https://www.patreon.com/thewallbreakers Despite its west-coast regional status for most of its days. The Whistler had one of radio's best-known crime-show formats and one of the longest runs. The signature ranks with radio's greatest, playing perfectly into the host's “man of mystery” role. Like the Shadow and the Mysterious Traveler, the Whistler was a voice of fate, baiting the guilty with his smiling malevolence. Originally taking to the air May 16th, 1942 from CBS's KNX studios in Los Angeles, The show opened with echoing footsteps and a lingering whistle, destined to become one of the all-time haunting melodies. The whistle got louder, then louder, finally blending with the orchestra in a high-pitched sting. When the Whistler spoke he said, “I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak.” The unstated theme that ran the distance was “this could happen to you.” The Whistler told stories of the everyday gone haywire, of common men driven to murder and then being tripped up in a cunning double-twist. These were not mysteries: the identity of the killer was never in doubt, from the first hint that the deed must be done until the moment when the killer trapped himself. The stories were told by the Whistler from the killer's viewpoint, the narration done in the unusual second-person, present tense. In the earliest days, producer J. Donald Wilson sometimes had the Whistler engage in open dialogue with the characters, the host playing the conscience, arguing with the murderer and goading him to the inevitable doom. The final act was not played out, but was summarized by the Whistler in an epilogue as, like the Shadow, he laughed and sealed the killer's fate with a few terse lines of plot twist. One of the first changes made by George Allen when he arrived as director in 1944 was to fully dramatize that closing turnabout. This was far more satisfying. The Whistler remained the great omniscient storyteller of the air, for the Shadow had long since become his own hero, and the Mysterious Traveler never packed quite the same punch. The voice was an unforgettable tenor, the message dripping with grim irony. “It all worked out so perfectly, didn't it, Roger,” he would coo, while listeners waited for the shoe to drop. This would come in “the strange ending to tonight's story,” the little epilogue when the finger of fate struck, some fatal flaw of character or deficiency in the master plan that was so obvious that everyone had overlooked it. By October 30th, 1944 Signal Oil was sponsoring the program with the supporting cast being made up of Hollywood's famous character actors, like Cathy and Elliott Lewis, Joseph Keams. Betty Lou Gerson, Wally Maher, John Brown, Hans Conried, Gerald Mohr, Lurene Tuttle, and Jeanette Nolan. Dorothy Roberts, whistled the notes. On that night The Whistler took to the air with “The Beloved Fraud.”

Breaking Walls
BW - EP154—011: Stars on Suspense in 1944—Listen to Cary Grant in "The Black Curtain," 11/30/44

Breaking Walls

Play Episode Listen Later Aug 12, 2024 32:37


Support Breaking Walls at https://www.patreon.com/thewallbreakers Back on December 2nd, 1943 when Suspense first became sponsored by Roma Wines, the script chosen for the first Roma episode was “The Black Curtain” starring Cary Grant. Of the performance Grant said, “If I ever do any more radio work, I want to do it on Suspense, where I get a good chance to act.” The just-heard Lurene Tuttle felt the same way about acting in radio. On November 30th, 1944 Grant was back on Suspense for a repeat performance of “The Black Curtain.” He requested that Lurene Tuttle join him again as the female lead. “The Black Curtain” is an adaptation of a Cornell Woolrich story about a man who wakes up after a fall on a city sidewalk and realizes he can't remember his name or events of the last three years. He soon learns he's been accused of murder. Somehow he has to prove his innocence, which means finding the real killer. The repeat performance wasn't initially planned. The original script, “To Find Help” starring Frank Sinatra had to be postponed due to a scheduling conflict. Grant happened to be available and it also happened to be the one-year anniversary of Roma's sponsorship. More than eight million people heard this broadcast. The cast features the aforementioned Lurene Tuttle, Wally Maher, Pat McGeehan, Harry Lang, and a young Conrad Binyon, who had previously played an uncredited part in The Howards of Virginia with Grant. Binyon was amazed that Cary Grant remembered him.

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved
“THE WHISTLER” 5-HOUR Multi-Episode Marathon 14 #WeirdDarkness #RetroRadio

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved

Play Episode Listen Later May 22, 2024 305:44


Get the commercial-free version by joining the Darkness Syndicate at - https://weirddarkness.com/syndicate! *** Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!“I am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak!” Haunting stories of fate, dramas of crime, deception, and manipulation building to a sudden and shocking denouement...and, through it all, the sardonic, mocking laughter of — The Whistler!One of radio's most memorable thriller anthologies, The Whistler was a west-coast favorite for over a decade but, despite two attempts to go nationwide, never was able to achieve the same success as a coast to coast feature. But for listeners across the western states served by the Signal Oil Company, the program's eerie theme music opened a weekly window into the very darkest corners of the human soul. It was so popular, in fact, that Columbia Pictures produced eight second-feature films based on the concept, all but one of which starred Richard Dix.The Whistler himself was an omniscient narrator -- the voice of Fate itself, one might suggest, or perhaps of conscience. And his stories revolved around ordinary people, pushed by the pressures of daily life into taking drastic actions. Or perhaps a sudden circumstance, an unexpected twist of life's path, suddenly placed these protagonists on a road leading inexorably to their own destruction. Greed, lust, and perfidy of every kind figure in the plots -- and when Fate inevitably catches up with these unfortunate, driven souls, The Whistler is always ready, at the very end, to see that the knife is properly twisted.Produced by George W. Allen, with hauntingly evocative musical scores by Wilbur Hatch, The Whistler was a prime outlet for the cream of Hollywood's top radio performers - actors such as Wally Maher, Cathy and Elliott Lewis, Gerald Mohr, Lurene Tuttle, and Betty Lou Gerson, who emphasized skill over star power - as well as announcer Bill Forman in the title role, with Marvin Miller voicing the commercials.YOUTUBE CHAPTERS GUIDE...00:00:00.000 = Introduction00:01:54.231 = Two Year Plan (November 25, 1946)00:32:57.784 = Next Year Is Mine (December 23, 1946)01:03:11.928 = Murder On Rourke Island (December 30, 1946)01:33:17.532 = Dear Roger (January 06, 1947)02:03:49.286 = The Choice (January 13, 1947)02:33:57.650 = Eight To Twelve (February 24, 1947)03:04:34.682 = The Blue Legend (March 03, 1947)03:34:43.029 = The Sheriff's Assistant (April 07, 1947)04:05:52.705 = Maid of Honor (April 14, 1947)04:36:21.437 = Windfall (May 05, 1947)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/whistler-marathon-014

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved
“THE WHISTLER” 5-HOUR Multi-Episode Marathon 14 #WeirdDarkness #RetroRadio

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved

Play Episode Listen Later May 15, 2024 306:41


Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com! Get the commercial-free version by joining the Darkness Syndicate at https://weirddarkness.com/syndicate!“I am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak!” Haunting stories of fate, dramas of crime, deception, and manipulation building to a sudden and shocking denouement...and, through it all, the sardonic, mocking laughter of — The Whistler!One of radio's most memorable thriller anthologies, The Whistler was a west-coast favorite for over a decade but, despite two attempts to go nationwide, never was able to achieve the same success as a coast to coast feature. But for listeners across the western states served by the Signal Oil Company, the program's eerie theme music opened a weekly window into the very darkest corners of the human soul. It was so popular, in fact, that Columbia Pictures produced eight second-feature films based on the concept, all but one of which starred Richard Dix.The Whistler himself was an omniscient narrator -- the voice of Fate itself, one might suggest, or perhaps of conscience. And his stories revolved around ordinary people, pushed by the pressures of daily life into taking drastic actions. Or perhaps a sudden circumstance, an unexpected twist of life's path, suddenly placed these protagonists on a road leading inexorably to their own destruction. Greed, lust, and perfidy of every kind figure in the plots -- and when Fate inevitably catches up with these unfortunate, driven souls, The Whistler is always ready, at the very end, to see that the knife is properly twisted.Produced by George W. Allen, with hauntingly evocative musical scores by Wilbur Hatch, The Whistler was a prime outlet for the cream of Hollywood's top radio performers - actors such as Wally Maher, Cathy and Elliott Lewis, Gerald Mohr, Lurene Tuttle, and Betty Lou Gerson, who emphasized skill over star power - as well as announcer Bill Forman in the title role, with Marvin Miller voicing the commercials.YOUTUBE CHAPTERS GUIDE...00:00:00.000 = Introduction00:01:54.231 = Two Year Plan (November 25, 1946)00:32:57.784 = Next Year Is Mine (December 23, 1946)01:03:11.928 = Murder On Rourke Island (December 30, 1946)01:33:17.532 = Dear Roger (January 06, 1947)02:03:49.286 = The Choice (January 13, 1947)02:33:57.650 = Eight To Twelve (February 24, 1947)03:04:34.682 = The Blue Legend (March 03, 1947)03:34:43.029 = The Sheriff's Assistant (April 07, 1947)04:05:52.705 = Maid of Honor (April 14, 1947)04:36:21.437 = Windfall (May 05, 1947)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/whistler-marathon-014

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved
“THE WHISTLER” 5-HOUR Multi-Episode Marathon 13 #WeirdDarkness #RetroRadio

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved

Play Episode Listen Later May 8, 2024 297:29


Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!“I am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak!” Haunting stories of fate, dramas of crime, deception, and manipulation building to a sudden and shocking denouement...and, through it all, the sardonic, mocking laughter of — The Whistler!One of radio's most memorable thriller anthologies, The Whistler was a west-coast favorite for over a decade but, despite two attempts to go nationwide, never was able to achieve the same success as a coast to coast feature. But for listeners across the western states served by the Signal Oil Company, the program's eerie theme music opened a weekly window into the very darkest corners of the human soul. It was so popular, in fact, that Columbia Pictures produced eight second-feature films based on the concept, all but one of which starred Richard Dix.The Whistler himself was an omniscient narrator -- the voice of Fate itself, one might suggest, or perhaps of conscience. And his stories revolved around ordinary people, pushed by the pressures of daily life into taking drastic actions. Or perhaps a sudden circumstance, an unexpected twist of life's path, suddenly placed these protagonists on a road leading inexorably to their own destruction. Greed, lust, and perfidy of every kind figure in the plots -- and when Fate inevitably catches up with these unfortunate, driven souls, The Whistler is always ready, at the very end, to see that the knife is properly twisted.Produced by George W. Allen, with hauntingly evocative musical scores by Wilbur Hatch, The Whistler was a prime outlet for the cream of Hollywood's top radio performers - actors such as Wally Maher, Cathy and Elliott Lewis, Gerald Mohr, Lurene Tuttle, and Betty Lou Gerson, who emphasized skill over star power - as well as announcer Bill Forman in the title role, with Marvin Miller voicing the commercials.00:00:00.000 = INTRODUCTION00:01:54.231 = Quiet Sunday (June 10, 1946)00:31:24.976 = The Affair At Stoney Ridge (June 17, 1946)01:00:53.392 = The Blind Bet (June 24, 1946)01:30:20.208 = Solid Citizen (July 01, 1946)01:59:50.079 = Confession (July 08, 1946)02:29:18.596 = Custom Built Blonde (July 15, 1946)02:58:48.394 = My Love Comes Home (July 29, 1946)03:28:13.472 = Bullet Proof (August 05, 1946)03:57:42.796 = Stolen Murder (August 12, 1946)04:27:08.120 = Delivery Guaranteed (August 19, 1946)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/whistler-marathon-013

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved
“THE WHISTLER” 5-HOUR Multi-Episode Marathon 12 #WeirdDarkness #RetroRadio

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved

Play Episode Listen Later May 1, 2024 297:19


Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!“I am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak!” Haunting stories of fate, dramas of crime, deception, and manipulation building to a sudden and shocking denouement...and, through it all, the sardonic, mocking laughter of — The Whistler!One of radio's most memorable thriller anthologies, The Whistler was a west-coast favorite for over a decade but, despite two attempts to go nationwide, never was able to achieve the same success as a coast to coast feature. But for listeners across the western states served by the Signal Oil Company, the program's eerie theme music opened a weekly window into the very darkest corners of the human soul. It was so popular, in fact, that Columbia Pictures produced eight second-feature films based on the concept, all but one of which starred Richard Dix.The Whistler himself was an omniscient narrator -- the voice of Fate itself, one might suggest, or perhaps of conscience. And his stories revolved around ordinary people, pushed by the pressures of daily life into taking drastic actions. Or perhaps a sudden circumstance, an unexpected twist of life's path, suddenly placed these protagonists on a road leading inexorably to their own destruction. Greed, lust, and perfidy of every kind figure in the plots -- and when Fate inevitably catches up with these unfortunate, driven souls, The Whistler is always ready, at the very end, to see that the knife is properly twisted.Produced by George W. Allen, with hauntingly evocative musical scores by Wilbur Hatch, The Whistler was a prime outlet for the cream of Hollywood's top radio performers - actors such as Wally Maher, Cathy and Elliott Lewis, Gerald Mohr, Lurene Tuttle, and Betty Lou Gerson, who emphasized skill over star power - as well as announcer Bill Forman in the title role, with Marvin Miller voicing the commercials.00:00:00.000 = INTRODUCTION00:01:54.231 = Panic (February 04, 1946)00:31:23.901 = Murder In Haste (February 25, 1946)01:00:53.363 = Decision (March 04, 1946)01:30:21.771 = Boomerang (March 11, 1946)01:59:51.049 = The Trigger Man (March 25, 1946)02:29:20.311 = Three Times A Sinner (April 01, 1946)02:58:47.786 = Terror Stricken (April 08, 1946)03:28:16.398 = Smart Boy (April 15, 1946)03:57:45.278 = The Waterford Case (April 22, 1946)04:26:58.944 = The Judas Face (June 03, 1946)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/whistler-marathon-012

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved
“THE WHISTLER” Multi-Episode Marathon 11 #WeirdDarkness #RetroRadio

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved

Play Episode Listen Later Apr 25, 2024 297:45


Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!“I am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak!” Haunting stories of fate, dramas of crime, deception, and manipulation building to a sudden and shocking denouement...and, through it all, the sardonic, mocking laughter of — The Whistler!One of radio's most memorable thriller anthologies, The Whistler was a west-coast favorite for over a decade but, despite two attempts to go nationwide, never was able to achieve the same success as a coast to coast feature. But for listeners across the western states served by the Signal Oil Company, the program's eerie theme music opened a weekly window into the very darkest corners of the human soul. It was so popular, in fact, that Columbia Pictures produced eight second-feature films based on the concept, all but one of which starred Richard Dix.The Whistler himself was an omniscient narrator -- the voice of Fate itself, one might suggest, or perhaps of conscience. And his stories revolved around ordinary people, pushed by the pressures of daily life into taking drastic actions. Or perhaps a sudden circumstance, an unexpected twist of life's path, suddenly placed these protagonists on a road leading inexorably to their own destruction. Greed, lust, and perfidy of every kind figure in the plots -- and when Fate inevitably catches up with these unfortunate, driven souls, The Whistler is always ready, at the very end, to see that the knife is properly twisted.Produced by George W. Allen, with hauntingly evocative musical scores by Wilbur Hatch, The Whistler was a prime outlet for the cream of Hollywood's top radio performers - actors such as Wally Maher, Cathy and Elliott Lewis, Gerald Mohr, Lurene Tuttle, and Betty Lou Gerson, who emphasized skill over star power - as well as announcer Bill Forman in the title role, with Marvin Miller voicing the commercials.00:00:00.000 = INTRODUCTION00:01:54.231 = Harvest of Death (November 05, 1945)00:31:21.541 = The Seeing Eye (November 12, 1945)01:00:50.309 = Coincidence (November 19, 1945)01:30:19.234 = The Stray Dream (November 26, 1945)01:59:48.626 = Poison Is Quicker (December 03, 1945)02:29:17.497 = The Cistern (December 10, 1945)02:58:46.265 = Miracle on 49th Street (December 31, 1945)03:28:22.321 = The Thin Line (January 07, 1946)03:57:46.831 = Treasure Hunt (January 21, 1946)04:27:16.015 = The Strange Sisters (January 28, 1946)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/whistler-marathon-011

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved
“THE WHISTLER” Multi-Episode Marathon 10 #WeirdDarkness #RetroRadio

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved

Play Episode Listen Later Apr 18, 2024 297:11


Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!“I am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak!” Haunting stories of fate, dramas of crime, deception, and manipulation building to a sudden and shocking denouement...and, through it all, the sardonic, mocking laughter of — The Whistler!One of radio's most memorable thriller anthologies, The Whistler was a west-coast favorite for over a decade but, despite two attempts to go nationwide, never was able to achieve the same success as a coast to coast feature. But for listeners across the western states served by the Signal Oil Company, the program's eerie theme music opened a weekly window into the very darkest corners of the human soul. It was so popular, in fact, that Columbia Pictures produced eight second-feature films based on the concept, all but one of which starred Richard Dix.The Whistler himself was an omniscient narrator -- the voice of Fate itself, one might suggest, or perhaps of conscience. And his stories revolved around ordinary people, pushed by the pressures of daily life into taking drastic actions. Or perhaps a sudden circumstance, an unexpected twist of life's path, suddenly placed these protagonists on a road leading inexorably to their own destruction. Greed, lust, and perfidy of every kind figure in the plots -- and when Fate inevitably catches up with these unfortunate, driven souls, The Whistler is always ready, at the very end, to see that the knife is properly twisted.Produced by George W. Allen, with hauntingly evocative musical scores by Wilbur Hatch, The Whistler was a prime outlet for the cream of Hollywood's top radio performers - actors such as Wally Maher, Cathy and Elliott Lewis, Gerald Mohr, Lurene Tuttle, and Betty Lou Gerson, who emphasized skill over star power - as well as announcer Bill Forman in the title role, with Marvin Miller voicing the commercials.00:00:00.000 = INTRODUCTION00:01:54.231 = What Makes a Murderer (August 13, 1945)00:30:59.647 = X Marks The Murderer (August 20, 1945)01:00:31.113 = I'll Trade You Murder (August 27, 1945)01:29:54.311 = Ambition Perilous (September 03, 1945)01:59:07.124 = Phone Call From Death (September 10, 1945)02:28:38.420 = Sing a Song of Murder (September 17, 1945)02:58:10.947 = The Man Who Died Twice (September 24, 1945)03:27:47.967 = Death Laughs Last (October 08, 1945)03:57:22.693 = House on Sycamore Road (October 15, 1945)04:26:41.824 = Final Returns (October 29, 1945)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/whistler-marathon-010