Podcast appearances and mentions of early modern stage

Our F/Favorite Tropes Part 14a: Actresses and the Stage The Lesbian Historic Motif Podcast - Episode 293 with Heather Rose Jones In this episode we talk about: Historic romance tropes on stagePlays that include or suggest f/f desire Contexts for women playing romantic roles opposite women Breeches Roles and f/f desire BibliographyBoehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Bruster, Douglas. 1993. “Female-Female Eroticism and the Early Modern Stage” in Renaissance Drama 24: 1-32. Clark, Robert L. A. & Claire Sponsler. 1997. "Queer Play: The Cultural Work of Crossdressing in Medieval Drama" in New Literary History, 28:219-344. Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Drouin, Jennifer. 2009. “Diana's Band: Safe Spaces, Publics, and Early Modern Lesbianism” in Queer Renaissance Historiography, Vin Nardizzi, Stephen Guy-Bray & Will Stockton, eds. Ashgate, Burlington VT. ISBN 978-0-7546-7608-9 Duggan, Lisa. 1993. “The Trials of Alice Mitchell: Sensationalism, Sexology and the Lesbian Subject in Turn-of-the-Century America” in Queer Studies: An Interdisciplinary Reader, ed. Robert J. Corber and Stephen Valocchi. Oxford: Blackwell. pp.73-87 Gonda, Caroline. 2015. “Writing Lesbian Desires in the Long Eighteenth Century” in The Cambridge Companion to Lesbian Literature, edited by Jodie Medd. Cambridge University Press, Cambridge. ISBN 978-1-107-66343-5 Gough, Melinda J. 2005. “Courtly Comédiantes: Henrietta Maria and Amateur Women's Stage Plays in France and England” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Hallett, Judith P. 1997. “Female Homoeroticism and the Denial of Roman Reality in Latin Literature” in Roman Sexualities, ed. By Judith P. Hallett & Marilyn B. Skinner, Princeton University Press, Princeton. Katritzky, M.A. 2005. “Reading the Actress in Commedia Imagery” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Klein, Ula Lukszo. 2021. Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature. University of Virginia Press, Charlottesville. ISBN 978-0-8139-4551-4 Kranz, Susan E. 1995. The Sexual Identities of Moll Cutpurse in Dekker and Middleton's The Roaring Girl and in London in Renaissance and Reformation 19: 5-20. Krimmer, Elisabeth. 2004. In the Company of Men: Cross-Dressed Women Around 1800. Wayne State University Press, Detroit. ISBN 0-8143-3145-9 Lanser, Susan S. 2014. The Sexuality of History: Modernity and the Sapphic, 1565-1830. University of Chicago Press, Chicago. ISBN 978-0-226-18773-0 Merrill, Lisa. 2000. When Romeo was a Woman: Charlotte Cushman and her Circle of Female Spectators. The University of Michigan Press, Ann Arbor. ISBN 978-0-472-08749-5 Orvis, David L. 2014. “Cross-Dressing, Queerness, and the Early Modern Stage” in The Cambridge History of Gay and Lesbian Literature ed. E.L. McCallum & Mikko Tuhkanen. Cambridge University Press, New York. ISBN 978-1-107-03521-8 Poulsen, Rachel. 2005. “Women Performing Homoerotic Desire in English and Italian Comedy: La Calandria, Gl'Ingannati and TwelfthNight” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Rose, Mary Beth. 1984. “Women in Men's Clothing: Apparel and Social Stability in The Roaring Girl,” in ELR: English Literary Renaissance 14:3 (1984): 367-91 Stokes, James 2005. “Women and Performance: Evidences of Universal Cultural Suffrage in Medieval and Early Modern Lincolnshire” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Straub, Kristina. 1991. “The Guilty Pleasures of Female Theatrical Cross-Dressing and the Autobiography of Charlotte Charke” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Traub, Valerie. 2001. "The Renaissance of Lesbianism in Early Modern England" in GLQ 7:2 245-263. Trumbach, Randolph. 1991. “London's Sapphists : From Three Sexes to Four Genders in the Making of Modern Culture” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Velasco, Sherry. 2000. The Lieutenant Nun: Transgenderism, Lesbian Desire and Catalina de Erauso. University of Texas Press. ISBN 0-292-78746-4 Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Velasco, Sherry. 2014. “How to Spot a Lesbian in the Early Modern Spanish World” in The Cambridge History of Gay and Lesbian Literature ed. E.L. McCallum & Mikko Tuhkanen. Cambridge University Press, New York. ISBN 978-1-107-03521-8 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

For our final Local Legends episode for Series 4, Martin gathers round the campfire to talk about the folklore of Sussex with Dr Paul Quinn.Paul grew up in Sussex, going on to complete his doctorate at the University of Sussex, working on anti-Catholicism and the Early Modern Stage. He has a wide array of interests, from Doctor Who and popular science fiction to the history of fairy tales, Shakespeare and his contemporaries, and the links between Catholic discrimination and magic. After completing his postdoctoral fellowship at Sussex University's Centre for Early Modern and Medieval Studies, he moved ultimately to the University of Chichester, where he teaches modules including ‘Fairy Tales: From Early Modern to Postmodern' and ‘Theatres of Pleasure and Theatres of Pain.' Moreover, if you visit the Sussex folktale centre website, you can get a sense of the scale of the work he encounters, as editor of the Centre's journal Gramarye. Past issues include all sorts of fascinating scholarly articles covering English subjects like Lady Godiva and Queen Mab to Classical tales such as those of Daedalus and Demeter to lively discussions of a vast array of European folklore, from Little Red Riding Hood and Hansel and Gretel to the Snow Queen, Rumpelstiltskin, and The Miller's Daughter.Suffice to say, Paul is an interesting chap, and as someone who has spent most of his life in Sussex he's very well equipped for this conversation – one which compliments our series finale as released on Monday, answering one of the big questions about Sussex folklore thrown up in that recording.To learn more about Paul and his work at The Chichester Centre for Fairy Tales, Fantasy and Speculative Fiction, visit the centre's website at https://www.sussexfolktalecentre.org/The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In today's episode, we're peeling back the layers of a genre that not only fascinated audiences of the Early Modern period but also left an enduring mark on the works of the Shakespeare himself: Revenge Tragedies. Join us as we journey through time to an era of dramatic tension, dark desires, and vengeful spirits. Revenge tragedies, a genre that flourished in the late 16th and early 17th centuries, paved the way for some of Shakespeare's most iconic plays. In this episode, Kourtney and Elyse will shed light on the defining features, influential playwrights, and societal factors that contributed to the allure of these gripping tales of retribution. Delve with us into a world of poisoned chalices, secret plots, and enigmatic ghosts as we dissect the very essence of a classic revenge tragedy. We'll explore the groundbreaking works of playwrights like Thomas Kyd, whose play The Spanish Tragedy not only set the stage for the genre's popularity but also influenced Shakespeare's own exploration of vengeance on the stage. Step into the shoes of Elizabethan and Jacobean theatergoers, and discover why themes of political intrigue, power struggles, and personal vendettas struck a chord during those tumultuous times. We'll discuss the psychological complexities of characters seeking revenge, as well as the societal undercurrents that resonated with audiences then and continue to captivate audiences today. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone Works referenced: Findlay, Alison. “Re-Marking Revenge in Early Modern Drama.” Revenge and Gender in Classical, Medieval, and Renaissance Literature, edited by Lesel Dawson and Fiona McHardy, Edinburgh University Press, 2018, pp. 58–82. JSTOR, http://www.jstor.org/stable/10.3366/j.ctv7h0vqp.7. Accessed 26 Aug. 2023. “The Maid's Revenge.” Wikipedia, Wikimedia Foundation, 20 Aug. 2023, en.wikipedia.org/wiki/The_Maid%27s_Revenge. “The Maid's Tragedy.” Wikipedia, Wikimedia Foundation, 21 Aug. 2023, en.wikipedia.org/wiki/The_Maid%27s_Tragedy. Preedy, Chloe Kathleen. “‘Women's Weapons': Education and Female Revenge on the Early Modern Stage.” Revenge and Gender in Classical, Medieval, and Renaissance Literature, edited by Lesel Dawson and Fiona McHardy, Edinburgh University Press, 2018, pp. 181–200. JSTOR, http://www.jstor.org/stable/10.3366/j.ctv7h0vqp.14. Accessed 26 Aug. 2023. “Seneca His Ten Tragedies, 1581.” British Library Collection Items, British Library, 2023, www.bl.uk/collection-items/seneca-his-ten-tragedies-1581. “The Spanish Tragedy.” Wikipedia, Wikimedia Foundation, 24 Mar. 2023, en.wikipedia.org/wiki/The_Spanish_Tragedy. Tassi, Marguerite A. “The Avenging Daughter in King Lear.” Revenge and Gender in Classical, Medieval, and Renaissance Literature, edited by Lesel Dawson and Fiona McHardy, Edinburgh University Press, 2018, pp. 111–21. JSTOR, http://www.jstor.org/stable/10.3366/j.ctv7h0vqp.10. Accessed 26 Aug. 2023. “'tis Pity She's a Whore.” Wikipedia, Wikimedia Foundation, 30 May 2023, en.wikipedia.org/wiki/%27Tis_Pity_She%27s_a_Whore. Willis, Deborah. “‘The Gnawing Vulture': Revenge, Trauma Theory, and ‘Titus Andronicus.'” Shakespeare Quarterly, vol. 53, no. 1, 2002, pp. 21–52. JSTOR, http://www.jstor.org/stable/3844038. Accessed 26 Aug. 2023.

Almost every student that will enroll in a college Shakespeare course can expect two things. Students will have to engage with the style and themes of texts that were composed over four hundred years old. And students will have to submit a piece of original writing that is well-organized, has a fresh argument, and cites early modern sources correctly. Rarely do these two tracks of the course inform each other. Adhaar Noor Desai's new book, Blotted Lines: Early Modern English Literature and the Poetics of Discomposition (Cornell University Press, 2023) seeks to address this disjunction. As Desai shows, the early modern archive proposed strategies and ideas about writing that students and teachers might profitably learn—and sometimes unlearn. The innovative structure of Blotted Lines has an introduction, a coda, and five chapters that pair a topic from early modern poetics with a key writer: style (George Gascoigne), invention (Philip Sidney), revision (John Davies of Hereford), editing (Anne Southwell) and performance anxiety (William Shakespeare). After each chapter, Desai offers a brief conversational “reflection,” which offer a combination of practical teaching advice for the Shakespeare classroom and more expansive discussions about pedagogy in the twenty-first century university. Desai is Professor of English at Bard College and is one of the co-founders of the Experimental Humanities Collaborative Network, an international project that brings together practitioners working at the intersection of technology, social justice, and creative practice. His scholarship has been published in English Literary Renaissance, Philological Quarterly, Configurations, Publicity and the Early Modern Stage, and Teaching Social Justice through Shakespeare. Blotted Lines is his first monograph. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Almost every student that will enroll in a college Shakespeare course can expect two things. Students will have to engage with the style and themes of texts that were composed over four hundred years old. And students will have to submit a piece of original writing that is well-organized, has a fresh argument, and cites early modern sources correctly. Rarely do these two tracks of the course inform each other. Adhaar Noor Desai's new book, Blotted Lines: Early Modern English Literature and the Poetics of Discomposition (Cornell University Press, 2023) seeks to address this disjunction. As Desai shows, the early modern archive proposed strategies and ideas about writing that students and teachers might profitably learn—and sometimes unlearn. The innovative structure of Blotted Lines has an introduction, a coda, and five chapters that pair a topic from early modern poetics with a key writer: style (George Gascoigne), invention (Philip Sidney), revision (John Davies of Hereford), editing (Anne Southwell) and performance anxiety (William Shakespeare). After each chapter, Desai offers a brief conversational “reflection,” which offer a combination of practical teaching advice for the Shakespeare classroom and more expansive discussions about pedagogy in the twenty-first century university. Desai is Professor of English at Bard College and is one of the co-founders of the Experimental Humanities Collaborative Network, an international project that brings together practitioners working at the intersection of technology, social justice, and creative practice. His scholarship has been published in English Literary Renaissance, Philological Quarterly, Configurations, Publicity and the Early Modern Stage, and Teaching Social Justice through Shakespeare. Blotted Lines is his first monograph. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Almost every student that will enroll in a college Shakespeare course can expect two things. Students will have to engage with the style and themes of texts that were composed over four hundred years old. And students will have to submit a piece of original writing that is well-organized, has a fresh argument, and cites early modern sources correctly. Rarely do these two tracks of the course inform each other. Adhaar Noor Desai's new book, Blotted Lines: Early Modern English Literature and the Poetics of Discomposition (Cornell University Press, 2023) seeks to address this disjunction. As Desai shows, the early modern archive proposed strategies and ideas about writing that students and teachers might profitably learn—and sometimes unlearn. The innovative structure of Blotted Lines has an introduction, a coda, and five chapters that pair a topic from early modern poetics with a key writer: style (George Gascoigne), invention (Philip Sidney), revision (John Davies of Hereford), editing (Anne Southwell) and performance anxiety (William Shakespeare). After each chapter, Desai offers a brief conversational “reflection,” which offer a combination of practical teaching advice for the Shakespeare classroom and more expansive discussions about pedagogy in the twenty-first century university. Desai is Professor of English at Bard College and is one of the co-founders of the Experimental Humanities Collaborative Network, an international project that brings together practitioners working at the intersection of technology, social justice, and creative practice. His scholarship has been published in English Literary Renaissance, Philological Quarterly, Configurations, Publicity and the Early Modern Stage, and Teaching Social Justice through Shakespeare. Blotted Lines is his first monograph. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Almost every student that will enroll in a college Shakespeare course can expect two things. Students will have to engage with the style and themes of texts that were composed over four hundred years old. And students will have to submit a piece of original writing that is well-organized, has a fresh argument, and cites early modern sources correctly. Rarely do these two tracks of the course inform each other. Adhaar Noor Desai's new book, Blotted Lines: Early Modern English Literature and the Poetics of Discomposition (Cornell University Press, 2023) seeks to address this disjunction. As Desai shows, the early modern archive proposed strategies and ideas about writing that students and teachers might profitably learn—and sometimes unlearn. The innovative structure of Blotted Lines has an introduction, a coda, and five chapters that pair a topic from early modern poetics with a key writer: style (George Gascoigne), invention (Philip Sidney), revision (John Davies of Hereford), editing (Anne Southwell) and performance anxiety (William Shakespeare). After each chapter, Desai offers a brief conversational “reflection,” which offer a combination of practical teaching advice for the Shakespeare classroom and more expansive discussions about pedagogy in the twenty-first century university. Desai is Professor of English at Bard College and is one of the co-founders of the Experimental Humanities Collaborative Network, an international project that brings together practitioners working at the intersection of technology, social justice, and creative practice. His scholarship has been published in English Literary Renaissance, Philological Quarterly, Configurations, Publicity and the Early Modern Stage, and Teaching Social Justice through Shakespeare. Blotted Lines is his first monograph. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Almost every student that will enroll in a college Shakespeare course can expect two things. Students will have to engage with the style and themes of texts that were composed over four hundred years old. And students will have to submit a piece of original writing that is well-organized, has a fresh argument, and cites early modern sources correctly. Rarely do these two tracks of the course inform each other. Adhaar Noor Desai's new book, Blotted Lines: Early Modern English Literature and the Poetics of Discomposition (Cornell University Press, 2023) seeks to address this disjunction. As Desai shows, the early modern archive proposed strategies and ideas about writing that students and teachers might profitably learn—and sometimes unlearn. The innovative structure of Blotted Lines has an introduction, a coda, and five chapters that pair a topic from early modern poetics with a key writer: style (George Gascoigne), invention (Philip Sidney), revision (John Davies of Hereford), editing (Anne Southwell) and performance anxiety (William Shakespeare). After each chapter, Desai offers a brief conversational “reflection,” which offer a combination of practical teaching advice for the Shakespeare classroom and more expansive discussions about pedagogy in the twenty-first century university. Desai is Professor of English at Bard College and is one of the co-founders of the Experimental Humanities Collaborative Network, an international project that brings together practitioners working at the intersection of technology, social justice, and creative practice. His scholarship has been published in English Literary Renaissance, Philological Quarterly, Configurations, Publicity and the Early Modern Stage, and Teaching Social Justice through Shakespeare. Blotted Lines is his first monograph. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Almost every student that will enroll in a college Shakespeare course can expect two things. Students will have to engage with the style and themes of texts that were composed over four hundred years old. And students will have to submit a piece of original writing that is well-organized, has a fresh argument, and cites early modern sources correctly. Rarely do these two tracks of the course inform each other. Adhaar Noor Desai's new book, Blotted Lines: Early Modern English Literature and the Poetics of Discomposition (Cornell University Press, 2023) seeks to address this disjunction. As Desai shows, the early modern archive proposed strategies and ideas about writing that students and teachers might profitably learn—and sometimes unlearn. The innovative structure of Blotted Lines has an introduction, a coda, and five chapters that pair a topic from early modern poetics with a key writer: style (George Gascoigne), invention (Philip Sidney), revision (John Davies of Hereford), editing (Anne Southwell) and performance anxiety (William Shakespeare). After each chapter, Desai offers a brief conversational “reflection,” which offer a combination of practical teaching advice for the Shakespeare classroom and more expansive discussions about pedagogy in the twenty-first century university. Desai is Professor of English at Bard College and is one of the co-founders of the Experimental Humanities Collaborative Network, an international project that brings together practitioners working at the intersection of technology, social justice, and creative practice. His scholarship has been published in English Literary Renaissance, Philological Quarterly, Configurations, Publicity and the Early Modern Stage, and Teaching Social Justice through Shakespeare. Blotted Lines is his first monograph. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Almost every student that will enroll in a college Shakespeare course can expect two things. Students will have to engage with the style and themes of texts that were composed over four hundred years old. And students will have to submit a piece of original writing that is well-organized, has a fresh argument, and cites early modern sources correctly. Rarely do these two tracks of the course inform each other. Adhaar Noor Desai's new book, Blotted Lines: Early Modern English Literature and the Poetics of Discomposition (Cornell University Press, 2023) seeks to address this disjunction. As Desai shows, the early modern archive proposed strategies and ideas about writing that students and teachers might profitably learn—and sometimes unlearn. The innovative structure of Blotted Lines has an introduction, a coda, and five chapters that pair a topic from early modern poetics with a key writer: style (George Gascoigne), invention (Philip Sidney), revision (John Davies of Hereford), editing (Anne Southwell) and performance anxiety (William Shakespeare). After each chapter, Desai offers a brief conversational “reflection,” which offer a combination of practical teaching advice for the Shakespeare classroom and more expansive discussions about pedagogy in the twenty-first century university. Desai is Professor of English at Bard College and is one of the co-founders of the Experimental Humanities Collaborative Network, an international project that brings together practitioners working at the intersection of technology, social justice, and creative practice. His scholarship has been published in English Literary Renaissance, Philological Quarterly, Configurations, Publicity and the Early Modern Stage, and Teaching Social Justice through Shakespeare. Blotted Lines is his first monograph. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Thomas Dabbs speaks with Jane Hwang Degenhardt of the U Mass, Amherst about her recent book, Globalizing Fortune on the Early Modern Stage: They also discussed features of Jane's research on religious conversion in the early modern period and her approaches to teaching Shakespeare and early modern drama.00:00:00 - Intro00:01:11 - Globalizing Fortune on the Early Modern Stage00:27:20 - Shakespearean Horizons: The Worlding of Shakespeare00:34:06 - Arthur Kinney00:35:68 - Jane's background, and fortune and chance00:43:48 - Conversion, and fictional Islamic conversation00:49:00 - Jane's teaching, gender and women's studies00:53:30 - Shakespeare and the left, Pericles01:00:04 - Closing remarks

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency?  Jane Hwang Degenhardt's book Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortune's unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theater--like that of English seaborne expansion--was also a history of fortune. The public theater not only shaped popular understandings of fortune's role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency?  Jane Hwang Degenhardt's book Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortune's unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theater--like that of English seaborne expansion--was also a history of fortune. The public theater not only shaped popular understandings of fortune's role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency?  Jane Hwang Degenhardt's book Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortune's unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theater--like that of English seaborne expansion--was also a history of fortune. The public theater not only shaped popular understandings of fortune's role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency?  Jane Hwang Degenhardt's book Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortune's unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theater--like that of English seaborne expansion--was also a history of fortune. The public theater not only shaped popular understandings of fortune's role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency?  Jane Hwang Degenhardt's book Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortune's unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theater--like that of English seaborne expansion--was also a history of fortune. The public theater not only shaped popular understandings of fortune's role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency?  Jane Hwang Degenhardt's book Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortune's unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theater--like that of English seaborne expansion--was also a history of fortune. The public theater not only shaped popular understandings of fortune's role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency?  Jane Hwang Degenhardt's book Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortune's unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theater--like that of English seaborne expansion--was also a history of fortune. The public theater not only shaped popular understandings of fortune's role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency?  Jane Hwang Degenhardt's book Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortune's unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theater--like that of English seaborne expansion--was also a history of fortune. The public theater not only shaped popular understandings of fortune's role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency?  Jane Hwang Degenhardt's book Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortune's unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theater--like that of English seaborne expansion--was also a history of fortune. The public theater not only shaped popular understandings of fortune's role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amazing special guest Dr. Katherine Walker takes us through Christopher Marlowe's The Tragical History of Doctor Faustus (ca. 1592) in part 3 of our Faust-cycle-series. Check out her book Instinct, Knowledge and Science on the Early Modern Stage out soon!Note: we were being attacked by aliens and ghosts during the recording of this episode and this impacted the audio quality but we carried on heroically nevertheless.Along the way we discuss the lush 1968 Richard Burton / Elizabeth Taylor film version of Dr. Faustus.Reach out to us on Twitter @heads_ten & Dr. Walker @KatieNWalker

Welcome to Twice Blest, a podcast from the Yeshiva University Straus Center for Torah and Western Thought. Hosted by Dr. Shaina Trapedo, Twice Blest brings you conversations with faith leaders, scholars, and writers that bridge the wisdom of Judaic and classical texts so we can live more informed and fulfilling intellectual and spiritual lives on an individual and communal level. Shaina Trapedo is a lecturer in English at Stern College for Women and a Resident Scholar at the Straus Center for Torah and Western Thought of Yeshiva University. She received her PhD in English from UC Irvine, where she specialized in early modern literature and religious studies. Her current book project, From Scripture to Script: The Hebrew Bible on the Early Modern Stage, considers the affordances and risks of hermeneutic engagements in the works of writers including Peele, Greene, Marlowe, Shakespeare, Cary, and Milton. In her teaching and scholarship, she continues to explore the connections between literacy, cultural identity, and social engagement. The Zahava and Moshael Straus Center for Torah and Western Thought trains Yeshiva University students to be Modern Orthodox intellectual leaders who are well versed in both Torah and the Western canon. Through a combination of unique, interdisciplinary courses taught in collaboration with faculty from across YU, communal events, and publications, the Straus Center seeks to cultivate the intellectual, religious, and civic leaders of tomorrow. Learn more about the Straus Center at yu.edu/straus Like the Straus Center on Facebook Follow the Straus Center on Twitter Follow the Straus Center on Instagram Connect with the Straus Center on LinkedIn