Podcasts about ashgate

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsFull BibliographyAdler, Yonatan. The Archaeology of Purity: Archaeological Evidence for the Observance of Ritual Purity in Ereẓ-Israel from the Hasmonean Period until the End of the Talmudic Era. PhD diss., Bar-Ilan University, 2011.Adler, Yonatan. The Origins of Judaism: An Archaeological-Historical Reappraisal. New Haven: Yale University Press, 2022.Ambrose of Milan. On the Mysteries.Ambrose of Milan. On the Sacraments.Augustine of Hippo. On Baptism, Against the Donatists.Augustine of Hippo. On the Merits and Forgiveness of Sins, and on the Baptism of Infants.Bradshaw, Paul F. The Search for the Origins of Christian Worship: Sources and Methods for the Study of Early Liturgy. 2nd ed. Oxford: Oxford University Press, 2002.Bradshaw, Paul F., Maxwell E. Johnson, and L. Edward Phillips. The Apostolic Tradition: A Commentary. Minneapolis: Fortress Press, 2002.Cyril of Jerusalem. Catechetical Lectures.Davies, J. G. The Architectural Setting of Baptism. London: Barrie and Rockliff, 1962.Dölger, Franz Joseph. The Sun of Justice: The Christian Cult of the Sun and the Baptismal Orientation. Relevant for eastward prayer, solar symbolism, and baptismal orientation.Ferguson, Everett. Baptism in the Early Church: History, Theology, and Liturgy in the First Five Centuries. Grand Rapids: Eerdmans, 2009.Finn, Thomas M. Early Christian Baptism and the Catechumenate: Italy, North Africa, and Egypt. Collegeville: Liturgical Press, 1992.Finn, Thomas M. Early Christian Baptism and the Catechumenate: West and East Syria. Collegeville: Liturgical Press, 1992.Hippolytus. The Apostolic Tradition. Attribution debated, but still important for reconstructing early baptismal practice.Jensen, Robin M. Baptismal Imagery in Early Christianity: Ritual, Visual, and Theological Dimensions. Grand Rapids: Baker Academic, 2012.Johnson, Maxwell E. The Rites of Christian Initiation: Their Evolution and Interpretation. 2nd ed. Collegeville: Liturgical Press, 2007.Josephus. Jewish Antiquities, Book 18.Justin Martyr. First Apology.Kavanagh, Aidan. The Shape of Baptism: The Rite of Christian Initiation. Collegeville: Liturgical Press, 1978.Kazen, Thomas. Studies on John the Baptist, ritual immersion, and purity in early Judaism.Klawans, Jonathan. Impurity and Sin in Ancient Judaism. Oxford: Oxford University Press, 2000.Klawans, Jonathan. Purity, Sacrifice, and the Temple: Symbolism and Supersessionism in the Study of Ancient Judaism. Oxford: Oxford University Press, 2006.Lawrence, Jonathan David. Washing in Water: Trajectories of Ritual Bathing in the Hebrew Bible and Second Temple Literature. Atlanta: Society of Biblical Literature, 2006.Lietzmann, Hans. Mass and Lord's Supper: A Study in the History of the Liturgy. Relevant for early worship, initiation, and Eucharistic entry.Meeks, Wayne A. The First Urban Christians: The Social World of the Apostle Paul. New Haven: Yale University Press, 1983.Regev, Eyal. Studies on Qumran, ritual purity, and Jewish sectarian practice.Riley, Hugh M. Christian Initiation: A Comparative Study of the Interpretation of the Baptismal Liturgy in the Mystagogical Writings of Cyril of Jerusalem, John Chrysostom, Theodore of Mopsuestia, and Ambrose of Milan. Catholic University of America Press, 1974.Schmemann, Alexander. Of Water and the Spirit: A Liturgical Study of Baptism. St. Vladimir's Seminary Press, 1974.Spinks, Bryan D. Early and Medieval Rituals and Theologies of Baptism: From the New Testament to the Council of Trent. Ashgate, 2006.Spinks, Bryan D. Reformation and Modern Rituals and Theologies of Baptism: From Luther to Contemporary Practices. Ashgate, 2006.Tertullian. On Baptism.The Didache.Turner, Victor. The Ritual Process: Structure and Anti-Structure. Useful for liminality and rites of passage, though not baptism-specific.Van Gennep, Arnold. The Rites of Passage. Useful for initiation structure, separation, liminality, and incorporation.Whitaker, E. C. Documents of the Baptismal Liturgy. SPCK, 1970.Yarnold, Edward. The Awe-Inspiring Rites of Initiation: Baptismal Homilies of the Fourth Century. Collegeville: Liturgical Press, 1994.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBIBLIOGRAPHYHidden Rooms, Holy Water, and the DeadWhite, L. Michael. The Social Origins of Christian Architecture, Volume I: Building God's House in the Roman World: Architectural Adaptation Among Pagans, Jews, and Christians. Trinity Press International, 1996. Key use: Essential source for early Christian architectural adaptation, especially the shift from domestic and semi-domestic gathering spaces toward more specialized Christian buildings. White's work is useful for showing that early Christian architecture develops inside a broader Roman social and architectural world, not in isolation.White, L. Michael. The Social Origins of Christian Architecture, Volume II: Texts and Monuments for the Christian Domus Ecclesiae in Its Environment. Trinity Press International, 1997. Key use: Companion volume for the textual and archaeological evidence behind the domus ecclesiae, early meeting spaces, and the built environment of pre-Constantinian Christianity.Yale University Art Gallery. “Christian Building.” Dura-Europos: Excavating Antiquity. Key use: Strong anchor for the Dura-Europos Christian building and its wall paintings. Yale notes that the Christian paintings were uncovered in 1932 and that Clark Hopkins described the murals as preserved from more than three-quarters of a century before Constantine recognized Christianity in 312.Yale News. “House Call: A New Study Rethinks Early Christian Landmark.” 2024. Key use: Useful cautionary source for not oversimplifying Dura-Europos as merely a domestic “house church.” The report highlights recent scholarship reexamining how domestic the Dura Christian building really was and why its architectural classification needs care.Smarthistory. “Dura-Europos.” Key use: Accessible overview of Dura-Europos as a multicultural Roman frontier site, including the adapted Christian building used as a meeting place and baptistery in the first half of the third century.Peppard, Michael. The World's Oldest Church: Bible, Art, and Ritual at Dura-Europos, Syria. Yale University Press, 2016. Key use: Major source for the Dura-Europos Christian building, its baptistery, biblical imagery, ritual use, and the danger of reading the site too simply through later church categories.Snyder, Graydon F. Ante Pacem: Archaeological Evidence of Church Life Before Constantine. Mercer University Press, revised edition, 2003. Key use: Important archaeological source for Christian life before Constantine, especially material evidence for worship, burial, symbols, and everyday Christian practice before public imperial privilege. Mercer University Press identifies the book as focused on archaeological evidence of church life before Constantine.Jensen, Robin M. Baptismal Imagery in Early Christianity: Ritual, Visual, and Theological Dimensions. Baker Academic, 2012. Key use: Core source for baptismal images, ritual meaning, water, initiation, death and rebirth, and the way visual programs frame baptismal practice.Jensen, Robin M. Understanding Early Christian Art. Routledge, 2000. Key use: Early Christian visual culture, catacomb imagery, baptismal scenes, Good Shepherd imagery, Jonah, Daniel, Lazarus, and the visual language of salvation and resurrection.Ferguson, Everett. Baptism in the Early Church: History, Theology, and Liturgy in the First Five Centuries. Eerdmans, 2009. Key use: Major historical and theological source for baptismal practice, initiation, immersion, anointing, catechesis, and the development of baptismal rites.Johnson, Maxwell E. The Rites of Christian Initiation: Their Evolution and Interpretation. Liturgical Press. Key use: Development of initiation rites, catechumenate, baptism, post-baptismal rites, and how Christian initiation becomes structured over time.Spinks, Bryan D. Early and Medieval Rituals and Theologies of Baptism: From the New Testament to the Council of Trent. Ashgate, 2006. Key use: Long-range ritual and theological development of baptism, useful for tracking how early baptismal space later becomes more formalized.Britannica. “Catacomb.” Key use: Baseline definition of catacombs as subterranean cemeteries composed of galleries or passages with recesses for tombs; useful for correcting the popular misconception that catacombs were primarily secret churches rather than burial landscapes.Stevenson, James. The Catacombs: Rediscovered Monuments of Early Christianity. Thames & Hudson, 1978. Key use: Classic overview of Roman catacombs, burial architecture, inscriptions, symbols, and early Christian memory.Rutgers, Leonard V. Subterranean Rome: In Search of the Roots of Christianity in the Catacombs of the Eternal City. Peeters, 2000. Key use: Catacombs as archaeological and social evidence, including burial practice, community identity, and the relationship between Jews, Christians, and Roman funerary culture.Fiocchi Nicolai, Vincenzo, Fabrizio Bisconti, and Danilo Mazzoleni. The Christian Catacombs of Rome: History, Decoration, Inscriptions. Schnell & Steiner, 2002. Key use: Detailed treatment of catacomb history, inscriptions, burial spaces, and visual programs.Brown, Peter. The Cult of the Saints: Its Rise and Function in Latin Christianity. University of Chicago Press, enlarged edition. Key use: Essential source for the holy dead, saint veneration, relics, tombs, pilgrimage, and the way corporeal remains became central to Christian religious life. The University of Chicago Press describes Brown's work as exploring how worship of saints and their corporeal remains became central to religious life in Western Europe.Brown, Peter. The Body and Society: Men, Women, and Sexual Renunciation in Early Christianity. Columbia University Press, 1988. Key use: Christian body theology, asceticism, holiness, discipline, and why the body is so central to late antique Christian imagination.Yasin, Ann Marie. Saints and Church Spaces in the Late Antique Mediterranean: Architecture, Cult, and Community. Cambridge University Press, 2009. Key use: Churches, saints, relics, cult practice, community identity, and how sacred spaces are organized around holy bodies and memory.Grabar, André. Martyrium: Recherches sur le culte des reliques et l'art chrétien antique. Key use: Classic work on martyr shrines, relic cult, and the relationship between architecture, art, and the holy dead.van Gennep, Arnold. The Rites of Passage. Key use: Separation, liminality, and incorporation. Crucial for baptism, catechumenate, thresholds, initiation, and the movement from outsider to insider.Turner, Victor. The Ritual Process: Structure and Anti-Structure. Key use: Liminality, threshold states, ritual transition, and communitas. Useful for baptism, catacomb descent, martyr devotion, and controlled access.Kilde, Jeanne Halgren. Sacred Power, Sacred Space: An Introduction to Christian Architecture and Worship. Oxford University Press, 2008. Key use: Christian buildings as arrangements of power, worship, divine presence, and embodied access. Useful for thresholds, sanctuary divisions, nave, altar, and congregation.Kieckhefer, Richard. Theology in Stone: Church Architecture from Byzantium to Berkeley. Oxford University Press, 2004. Key use: Church architecture as theology made spatial. Useful for altar, pulpit, nave, threshold, symbolic layout, and worship practice.Krautheimer, Richard. Early Christian and Byzantine Architecture. Yale University Press / Pelican History of Art. Key use: Classic architectural history for early Christian and Byzantine buildings, including the shift from pre-Constantinian spaces to basilicas, baptisteries, martyr shrines, and later monumental forms.Mathews, Thomas F. The Clash of Gods: A Reinterpretation of Early Christian Art. Princeton University Press, 1993. Key use: Early Christian imagery, visual conflict, ritual meaning, and the development of Christian art within the Roman world.Elsner, Jaś. Imperial Rome and Christian Triumph: The Art of the Roman Empire AD 100–450. Oxford University Press, 1998. Key use: Roman visual culture, Christian adaptation, imperial imagery, and the shift into Christian public art and architecture.MacMullen, Ramsay. Christianizing the Roman Empire: A.D. 100–400. Yale University Press, 1984. Key use: Social and historical context for Christian expansion before and after Constantine, useful for understanding how Christian space changes as Christianity grows.Mango, Cyril. Byzantine Architecture. Key use: LonAlso want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

A Guide to the Sapphic Regency The Lesbian Historic Motif Podcast - Episode 342 with Heather Rose Jones In this episode we talk about: Demographics and economics affecting f/f couples Legal and religious considerations Friendship and romance Affection and sex The language of lesbianism Models of gender and sexuality Bibliography 18th Century Precursors Bennett, Judith M. & Amy M. Froide eds. 1999. Singlewomen in the European Past 1250-1800. University of Pennsylvania Press, Philadelphia. ISBN 0-8122-1668-7 Bennett, Betty T. 1991. Mary Diana Dods: A Gentleman and a Scholar. Johns Hopkins University Press, Baltimore. ISBN 0-8018-4984-5 Beynon, John C. & Caroline Gonda eds. 2010. Lesbian Dames: Sapphism in the Long Eighteenth Century. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Bodek, Evelyn Gordon. 1976. "Salonières and Bluestockings: Educated Obsolescence and Germinating Feminism" in Feminist Studies vol 3 no. 3/4 185-199. Clark, Anna. 1996. "Anne Lister's construction of lesbian identity", Journal of the History of Sexuality, 7(1), pp. 23-50. Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Dugaw, Dianne. 1989. Warrior Women and Popular Balladry 1650-1850. The University of Chicago Press, Chicago. ISBN 0-226-16916-2 Merrick, Jeffrey & Bryant T. Ragan, Jr. 2001. Homosexuality in Early Modern France: A Documentary Collection. Oxford University Press, New York. ISBN 0-19-510257-6 Norton, Rictor (ed.), Homosexuality in Eighteenth-Century England: A Sourcebook. Updated 7 September 2014 http://rictornorton.co.uk/eighteen/. (Accessed 2014/09/13) Hitchcock, Tim. 1997. English Sexualities, 1700-1800. St. Martin's Press, New York. ISBN 0-312-16573-0 Rizzo, Betty. 1994. Companions without Vows: Relationships among Eighteenth-Century British Women. Athens: University of Georgia Press. ISBN 978-0-8203-3218-5 19th Century Sources Binhammer, Katherine. 1996. “The Sex Panic of the 1790s” in Journal of the History of Sexuality 6, no. 3: 409-34. Jennings, Rebecca. 2007. A Lesbian History of Britain: Love and Sex Between Women Since 1500. Greenwood World Publishing, Oxford. ISBN 978-1-84645-007-5 Lanser, Susan S. 2014. The Sexuality of History: Modernity and the Sapphic, 1565-1830. University of Chicago Press, Chicago. ISBN 978-0-226-18773-0 Lasser, Carol. 1988. "'Let Us Be Sisters Forever': The Sororal Model of Nineteenth-Century Female Friendship" in Signs vol. 14, no. 1 158-181. Moore, Lisa. 1992. "'Something More Tender Still than Friendship': Romantic Friendship in Early-Nineteenth-Century England" in Feminist Studies vol. 18, no. 3 499-520. Norton, Rictor (ed.), Homosexuality in Eighteenth-Century England: A Sourcebook. Updated 7 September 2014 http://rictornorton.co.uk/eighteen/nineteen.htm (Accessed 2014/09/13) Vicinus, Martha. 2004. Intimate Friends: Women Who Loved Women, 1778-1928. University of Chicago Press, Chicago. ISBN 0-226-85564-3 Whitbread, Helena ed.  1992.  I Know My Own Heart:  The Diaries of Anne Lister 1791-1840.  New York University Press, New York.  ISBN 0-8147-9249-9 Whitbread, Helena ed.  1992.  No Priest But Love.  NY Univ Press, New York.  ISBN  0-8147-5077-X A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Misha Glenny and guests discuss the woman who, as a child bride, became mother to the boy who would eventually become the first king in the Tudor dynasty. Lady Margaret Beaufort (c1443-1509) was twelve when she married Edmund Tudor, half his age, and gave birth to their son Henry when she was thirteen and Edmund was already dead from the plague. Margaret Beaufort made it her life's work to protect Henry during the Wars of the Roses, which had begun soon before his birth and, as many more obvious successors to the crown died or were killed in the wars, she pivoted to supporting Henry when he became the strongest contender against Richard III. She was to survive Richard III declaring her a traitor and went on to see Henry become Henry VII, the first Tudor king, and herself become the King's Mother. Outliving her son by a few months, she was then to help her grandson Henry VIII succeed and the Tudor dynasty continue.WithJoanna Laynesmith Visiting Research Fellow at the University of ReadingKatherine Lewis Honorary Professor of Medieval History at the University of Lincoln and Research Associate at the University of YorkAndDavid Grummitt Staff Tutor in History at the Open UniversityProducer: Simon TillotsonReading list:Nathen Amin, The House of Beaufort (Amberley Publishing, 2017)Rachel Delman, 'The Vowesses, the anchoresses, and the aldermen's wives: Lady Margaret Beaufort and the Devout Society of Late Medieval Stamford' (Urban History 49, 2022) David Grummitt, A Short History of the Wars of the Roses (revised edition, Bloomsbury Academic, 2025)Michael Hicks, The Wars of the Roses (Yale University Press, 2010)Lauren Johnson, Margaret Beaufort: Survivor, Rebel, Kingmaker (Bloomsbury Publishing, 2025)Michael K. Jones and Malcolm G. Underwood, The King's Mother: Lady Margaret Beaufort, Countess of Richmond and Derby (Cambridge University Press, 1991)Rebecca Krug, Reading Families: Women's Literate Practice in Late Medieval England (Cornell University Press, 2008), especially the chapter ‘Margaret Beaufort's Literate Practice: Service and Self-Inscription'J.L. Laynesmith, Cecily Duchess of York (Bloomsbury Academic, 2017)Susan Powell, The Household Accounts of Lady Margaret Beaufort, 1443-1509 (The British Academy, 2022)Nicola Tallis, Uncrowned Queen: The Fateful Life of Margaret Beaufort, Tudor Matriarch (Michael O'Mara, 2019) Micheline White (ed.), English Women, Religion, and Textual Production, 1500-1625 (Ashgate, 2016), especially ‘Lady Margaret Beaufort's Translations as Mirrors of Practical Piety' by Brenda M. Hosington In Our Time is a BBC Studios productionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Misha Glenny and guests discuss the woman who, as a child bride, became mother to the boy who would eventually become the first king in the Tudor dynasty. Lady Margaret Beaufort (c1443-1509) was twelve when she married Edmund Tudor, half his age, and gave birth to their son Henry when she was thirteen and Edmund was already dead from the plague. Margaret Beaufort made it her life's work to protect Henry during the Wars of the Roses, which had begun soon before his birth and, as many more obvious successors to the crown died or were killed in the wars, she pivoted to supporting Henry when he became the strongest contender against Richard III. She was to survive Richard III declaring her a traitor and went on to see Henry become Henry VII, the first Tudor king, and herself become the King's Mother. Outliving her son by a few months, she was then to help her grandson Henry VIII succeed and the Tudor dynasty continue.WithJoanna Laynesmith Visiting Research Fellow at the University of ReadingKatherine Lewis Honorary Professor of Medieval History at the University of Lincoln and Research Associate at the University of YorkAndDavid Grummitt Staff Tutor in History at the Open UniversityProducer: Simon TillotsonReading list:Nathen Amin, The House of Beaufort (Amberley Publishing, 2017)Rachel Delman, 'The Vowesses, the anchoresses, and the aldermen's wives: Lady Margaret Beaufort and the Devout Society of Late Medieval Stamford' (Urban History 49, 2022) David Grummitt, A Short History of the Wars of the Roses (revised edition, Bloomsbury Academic, 2025)Michael Hicks, The Wars of the Roses (Yale University Press, 2010)Lauren Johnson, Margaret Beaufort: Survivor, Rebel, Kingmaker (Bloomsbury Publishing, 2025)Michael K. Jones and Malcolm G. Underwood, The King's Mother: Lady Margaret Beaufort, Countess of Richmond and Derby (Cambridge University Press, 1991)Rebecca Krug, Reading Families: Women's Literate Practice in Late Medieval England (Cornell University Press, 2008), especially the chapter ‘Margaret Beaufort's Literate Practice: Service and Self-Inscription'J.L. Laynesmith, Cecily Duchess of York (Bloomsbury Academic, 2017)Susan Powell, The Household Accounts of Lady Margaret Beaufort, 1443-1509 (The British Academy, 2022)Nicola Tallis, Uncrowned Queen: The Fateful Life of Margaret Beaufort, Tudor Matriarch (Michael O'Mara, 2019) Micheline White (ed.), English Women, Religion, and Textual Production, 1500-1625 (Ashgate, 2016), especially ‘Lady Margaret Beaufort's Translations as Mirrors of Practical Piety' by Brenda M. Hosington In Our Time is a BBC Studios productionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Dennis O. Flynn is the Alexander R. Heron Professor of Economics at the University of the Pacific. He has published since 1978 dozens of essays on global monetary history, fifteen of which have been reproduced in World Silver and Monetary History in the Sixteenth and Seventeenth Centuries (Variorum, 1996). He has co-edited Metals and Monies in an Emerging Global Economy (Variorum 1997), Studies in the Economic History of the Pacific Rim (Routledge, 1998), Pacific Centuries: Pacific and Pacific Rim History Since the 16th Century (Routledge, 1999), European Entry into the Pacific: Spain and the Acapulco-Manila Galleons (Variorum, 2001), Studies in Pacific History: Economics, Politics, and Migration (Ashgate, 2002), and Studies in Global Monetary History, 1470–1800 (Ashgate, 2002). He is co-General Editor of a 19-volume series, The Pacific World: Lands, Peoples, and History of the Pacific, 1500–1900 (Variorum/Ashgate, 2001–2004). His collaborative research with Arturo Giráldez has been featured in the New York Times (2 December 2000) and The Economist (25 August 2001). DONATE TODAYA note from Lev:I am a high school teacher of history and economics at a public high school in NYC, and began the podcast to help demystify economics for teachers.  The podcast is now within the top 2% of podcasts worldwide in terms of listeners (per Listen Notes) and individual episodes are frequently listed by The Syllabus (the-syllabus.com) as among the 10 best political economy podcasts of a particular week.  The podcast is reaching thousands of listeners each month.  The podcast seeks to provide a substantive alternative to mainstream economics media; to communicate information and ideas that contribute to equitable and peaceful solutions to political and economic issues; and to improve the teaching of high school and university political economy. Best, Lev

What happens when Italian folk traditions cross the Atlantic? This video explores how Italian witchcraft, especially the healing practice of Segnature, has been reimagined, reinvented, and often misrepresented in the United States. From Leland's Aradia to Wicca-inspired “Stregheria,” we'll look at how Italian-American communities blended folklore, Catholic devotion, and Pagan spirituality to create new forms of practice. But are these the same as the vernacular traditions in Italy, or something entirely different?This video is a recording of the paper I presented at the World Congress of the International Association for the History of Religions, held at Jagiellonian University in Kraków, Poland.Join me as we unpack the myths, the reinventions, and the cultural translations behind Italian witchcraft in America.CONNECT & SUPPORT

Same Crit Different Day is a Dungeons & Dragons 5e actual play podcast set in the homebrew world of Vaeloris. In the city of Drakenholde, the ancient dragon Vorthyrax the Crown Beneath stirs underneath the streets, threatening to return after 5,000 years of imprisonment. As the Seals of Vaeloris begin to weaken, a group of unlikely adventurers must uncover secrets, survive political intrigue, and decide if they'll be the realm's salvation—or its doom."One dragon sealed. One city above it. One party absolutely not ready."

Send us a textIn today's episode, I am chatting with Katy Hays. Katy is a Californian, writer and cake aficionado. She lives in the shadow of the Sierra with her husband and their dog, Queso. In addition to writing, Katy works as an adjunct Art History Professor teaching rural students from Truckee to Tecopa. Her academic writing has been published by Ashgate, an imprint of Routledge. Her fiction explores how far humans are willing to go to believe the unbelievable, strange-but-real worlds, and complex female friendships. We chatted about Katy being an ex-academic having moved to the mountains to write the novel she always wanted to write. She talks about writing her sophomore novel and all that goes into it. Saltwater is not just about rich people behaving badly, Katy loves looking at family dynamics and the length people are willing to go to maintain appearances. If you are a writer, she suggests using a process journal when you get stuck to include the date, number of words written, where you are at in the writing and how you are feeling. Her book flight features thrillers/upmarket suspense fiction that will transport you somewhere. Key Highlights:Katy shares her journey as an ex-academic who moved to the mountains to write the novel she always wanted to write.She discusses the process of writing her sophomore novel and the unique challenges that come with it.Saltwater is not just about rich people behaving badly—it delves into family dynamics and the lengths people go to maintain appearances.Katy offers advice for writers: she suggests keeping a process journal when stuck. This journal should include the date, number of words written, where you are in the writing process, and how you are feeling.Katy's book flight features thrillers and upmarket suspense fiction that will transport you somewhere intriguing.Connect with Katy Hays:InstagramWebsitePurchase SaltwaterBooks and authors mentioned:The Perfect Nanny by Leila SlimaniThe Keep by Jennifer EganThe Plot by Jean Hanff KorelitzScrap by Calla HenkleNightwatching by Tracy SierraRebecca by Daphne du MaurierBook FlightA Beautiful Crime by Christopher Bollen (Venice)Other People's Clothes by Calla Henkle (Berlin)Ready for a monthly literary adventure? We now have the BFF Book Club. Join us each month to explore a new book. After reading, connect with fellow book lovers and meet the author in a live interview! Can't make it live? Don't worry—we'll send you the recording. You can find all our upcoming book club selections HERE. Support the showBe sure to join the Bookish Flights community on social media. Happy listening! Instagram Facebook Website

Lesbians and Sex Work The Lesbian Historic Motif Podcast - Episode 309 with Heather Rose Jones In this episode we talk about: Four motifs that connect women loving women and sex work in historic sources Sources used Bennett, Judith and Shannon McSheffrey. 2014. “Early, Erotic and Alien: Women Dressed as Men in Late Medieval London” in History Workshop Journal. 77 (1): 1-25. Beynon, John C. 2010. “Unaccountable Women” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Blackmore, Josiah. 1999. “The Poets of Sodom” in Queer Iberia: Sexualities, Cultures, and Crossings from the Middle Ages to the Renaissance ed. Josiah Blackmore and Gregory S. Hutcheson. Duke University Press, Durham. ISBN 9780822323495 Boehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Burford, E.J. 1986. Wits, Wenchers and Wantons - London's Low Life: Covent Garden in the Eighteenth Century. Robert Hale, London. ISBN 0-7090-2629-3 Cheek, Pamela. 1998. "The 'Mémoires secrets' and the Actress: Tribadism, Performance, and Property", in Jeremy D. Popkin and Bernadette Fort (eds), The "Mémoires secrets" and the Culture of Publicity in Eighteenth-Century France, Oxford: Voltaire Foundation. Choquette, Leslie. 2001. “'Homosexuals in the City: Representations of Lesbian and Gay Space in Nineteenth-Century Paris” in Merrick, Jeffrey & Michael Sibalis, eds. Homosexuality in French History and Culture. Harrington Park Press, New York. ISBN 1-56023-263-3 Craft-Fairchild, Catherine. 2006. “Sexual and Textual Indeterminacy: Eighteenth-Century English Representations of Sapphism” in Journal of the History of Sexuality 15:3 DeJean, Joan. 1989. Fictions of Sappho, 1546-1937. Chicago: University of Chicago Press. ISBN 0-226-14136-5 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Engelstein, Laura. 1990. "Lesbian Vignettes: A Russian Triptych from the 1890s" in Signs vol. 15, no. 4 813-831. Garber, Marjorie. 1992. Vested Interests: Cross-Dressing and Cultural Anxiety. Routledge, New York. ISBN 0-415-91951-7 Faderman, Lillian. 1981. Surpassing the Love of Men. William Morrow and Company, Inc., New York. ISBN 0-688-00396-6 Gilhuly, Kate. 2015. “Lesbians are Not from Lesbos” in Blondell, Ruby & Kirk Ormand (eds). Ancient Sex: New Essays. The Ohio State University Press, Columbus. ISBN 978-0-8142-1283-7 Habib, Samar. 2007. Female Homosexuality in the Middle East: Histories and Representations. Routledge, New York. ISBN 78-0-415-80603-9 Haley, Shelley P. “Lucian's ‘Leaena and Clonarium': Voyeurism or a Challenge to Assumptions?” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Ingrassia, Catherine. 2003. “Eliza Haywood, Sapphic Desire, and the Practice of Reading” in: Kittredge, Katharine (ed). Lewd & Notorious: Female Transgression in the Eighteenth Century. The University of Michigan Press, Ann Arbor. ISBN 0-472-11090-X Jones, Ann Rosalind & Peter Stallybrass. 1991. “Fetishizing gender: constructing the Hermaphrodite in Renaissance Europe” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Jones, Heather Rose. 2021. “Researching the Origins of Lesbian Myths, Legends, and Symbols” (podcast). https://alpennia.com/blog/lesbian-historic-motif-podcast-episode-201-researching-origins-lesbian-myths-legends-and Katritzky, M.A. 2005. “Reading the Actress in Commedia Imagery” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Klein, Ula Lukszo. 2021. Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature. University of Virginia Press, Charlottesville. ISBN 978-0-8139-4551-4 Kranz, Susan E. 1995. The Sexual Identities of Moll Cutpurse in Dekker and Middleton's The Roaring Girl and in London in Renaissance and Reformation 19: 5-20. Merrick, Jeffrey. 1990. “Sexual Politics and Public Order in Late Eighteenth-Century France: the Mémoires secrets and the Correspondance secrète” in Journal of the History of Sexuality 1, 68-84. Merrick, Jeffrey & Bryant T. Ragan, Jr. 2001. Homosexuality in Early Modern France: A Documentary Collection. Oxford University Press, New York. ISBN 0-19-510257-6 Rizzo, Betty. 1994. Companions without Vows: Relationships among Eighteenth-Century British Women. Athens: University of Georgia Press. ISBN 978-0-8203-3218-5 Sears, Clare. 2015. Arresting Dress: Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco. Durham: Duke University Press. ISBN 978-0-8223-5758-2 Shapiro, Michael. 1994. Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages. Ann Arbor. Van der Meer, Theo. 1991. “Tribades on Trial: Female Same-Sex Offenders in Late Eighteenth-Century Amsterdam” in Journal of the History of Sexuality 1:3 424-445. Vanita, Ruth and Saleem Kidwai, eds. 2000. Same-Sex Love in India: Readings from Literature and History. St. Martin's, New York. ISBN 0-312-22169-X Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

Compositor y director de orquesta francés. Sus maestros, Olivier Messiaen y René Leibowitz, le introducen en la música contemporánea, que él enriquece en su faceta creativa y en la de intérprete. En 1970 funda el IRCAM (Institutde Recherche et Coordination Acoustique/Musique), que dirige hasta 1992._____Has escuchadoNotations IV. Rythmique (1945-1978). Wiener Philharmoniker; Claudio Abbado, director. Deutsche Grammophon (1990)Pli selon pli: portrait de Mallarmé. Don [du poème] (1957-1989). Christine Schäfer, soprano; Ensemble Intercontemporain; Pierre Boulez, director. Deutsche Grammophon (2002)Répons. Introduction (1981-1984). Ensemble Intercontemporain; Pierre Boulez, director. Deutsche Grammophon (1998)Rituel in memoriam Maderna (1975). BBC Symphony Orchestra; Pierre Boulez, director. Sony (1990)_____Selección bibliográficaÁGUILA, Jesús, Le Domaine musical: Pierre Boulez et vingt ans de création contemporaine. Fayard, 1992—,“Entrevista con Pierre Boulez, 1945-2006: ¿Es transmisible la experiencia del serialismo?”. Doce Notas Preliminares, n.º 17 (2006), pp. 10-29*ALBÈRA, Philippe, Pli selon pli de Pierre Boulez: entretien et études. Contrechamps, 2003*BOULEZ, Pierre, Penser la musique aujourd'hui. Gonthier, 1964*—, Hacia una estética musical. Monte Ávila, 1992*—, Puntos de referencia. Gedisa, 2008*—, Escritura del gesto: conversaciones con Cécile Gilly. Gedisa, 2012BOULEZ, Pierre y André Schaeffner, Correspondance: 1954-1970. Fayard, 1998CAMPBELL, Edward, Boulez Music and Philosophy. Cambridge University Press, 2014CAMPBELL, Edward y Peter O'Hagan (eds.), Pierre Boulez Studies. Cambridge University Press, 2016*COULT, Tom, “Pierre Boulez's Sur incises: Refraction, Crystallisation, and the Absent Idea(l)”. Tempo, vol. 67, n.º 264 (2013), pp. 2-21FERNÁNDEZ GUERRA, Jorge, Pierre Boulez. Círculo de Bellas Artes, 1985*GOLDMAN, Jonathan, “Boulez and the Spectralists between Descartes and Rameau: Who Said What about Whom?”. Perspectives of New Music, vol. 48, n.º 2 (2010), pp. 208-232*—, The Musical Language of Pierre Boulez: Writings and Compositions. Cambridge University Press, 2014GRIFFITHS, Paul, Boulez, Oxford Studies of Composers. Oxford University Press, 1978GULDBRANDSEN, Erling E. y Pierre Boulez, “Pierre Boulez in Interview, 1996 (I). Modernism, History, and Tradition”. Tempo, vol. 65, n.º 255 (2011), pp. 9-16*—, “Pierre Boulez in Interview, 1996 (II). Serialism Revisited”. Tempo, vol. 65, n.º 256 (2011), pp. 18-24*—, “Pierre Boulez in Interview, 1996 (III). Mallarmé, Musical Form, and Articulation”. Tempo, vol. 65, n.º 257 (2011), pp. 11-21*—, “Pierre Boulez in Interview, 1996 (IV). Some Broader Topics”. Tempo, vol. 65, n.º 258 (2011), pp. 37-43*JAMEUX, Dominique y Susan Bradshaw, Pierre Boulez. Harvard University Press, 1990KOBLYAKOV, Lev, Pierre Boulez: A World of Harmony. Routledge, 2010LELEU, Jean-Louis y Pascal Decroupet (eds.), Pierre Boulez: techniques d'écriture et enjeux esthétiques. Contrechamps, 2006MEÏMOUN, François, Entretien avec Pierre Boulez. La naissance d'un compositeur. Aedam Musicae, 2010—, La Construction du langage musical de Pierre Boulez: la première sonate pour piano. Aedam Musicae, 2019MERLIN, Christian, Pierre Boulez. Fayard, 2019NATTIEZ, Jean-Jacques, “De las artes plásticas a la música: Pierre Boulez, a la escucha de Paul Klee”. Bajo Palabra: Revista de Filosofía, época 2, n.º 7 (2012), pp. 117-128*O'HAGAN, Peter, “From Sketch to Score: A Facsimile Edition of Boulez's Le Marteau sans Maître”. Music & Letters, vol. 88, n.º 4 (2007), pp. 632-644*—, Pierre Boulez and the Piano: A Study in Style and Technique. Routledge, 2018PEYSER, Joan, To Boulez and Beyond. Scarecrow Press, 2008ROSEN, Charles, “La música para piano de Pierre Boulez”. Quodlibet: Revista de Especialización Musical, n.º 28 (2004), pp. 42-56*SALEM, Joseph Robert, Pierre Boulez: The Formative Years. University Press, 2023SAMUEL, Claude, Pierre Boulez. Éclats 2002. Mémoire du Livre, 2002WALTERS, David, “Artistic Orientations, Aesthetic Concepts, and the Limits of Explanation: An Interview with Pierre Boulez”. En: Contemporary Music: Theoretical and Philosophical Perspectives. Editado por Max Paddison e Irène Deliège. Ashgate, 2010*WILLIAMS, Alastair, “Répons, de Pierre Boulez ¿fantasmagoría o articulación de espacio?”. Quodlibet: Revista de Especialización Musical, n.º 26 (2003), pp. 51-68* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Our F/Favorite Tropes Part 14b: Actresses and the Stage The Lesbian Historic Motif Podcast - Episode 296 with Heather Rose Jones In this episode we talk about: Actresses as sexual outlaws Specific actresses known to have had same-sex romances Bibliography Blanc, Olivier. 2001. “The ‘Italian Taste' in the Time of Louis XVI, 1774-92” in Merrick, Jeffrey & Michael Sibalis, eds. Homosexuality in French History and Culture. Harrington Park Press, New York. ISBN 1-56023-263-3 Cheek, Pamela. 1998. "The 'Mémoires secrets' and the Actress: Tribadism, Performance, and Property", in Jeremy D. Popkin and Bernadette Fort (eds), The "Mémoires secrets" and the Culture of Publicity in Eighteenth-Century France, Oxford: Voltaire Foundation. Choquette, Leslie. 2001. “'Homosexuals in the City: Representations of Lesbian and Gay Space in Nineteenth-Century Paris” in Merrick, Jeffrey & Michael Sibalis, eds. Homosexuality in French History and Culture. Harrington Park Press, New York. ISBN 1-56023-263-3 Craft-Fairchild, Catherine. 2006. “Sexual and Textual Indeterminacy: Eighteenth-Century English Representations of Sapphism” in Journal of the History of Sexuality 15:3 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Donoghue, Emma. 2010. “'Random Shafts of Malice?': The Outings of Anne Damer” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Faderman, Lillian. 1981. Surpassing the Love of Men. William Morrow and Company, Inc., New York. ISBN 0-688-00396-6 Gonda, Caroline. 2010. “The Odd Women: Charlotte Charke, Sarah Scott and the Metamorphoses of Sex” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Katritzky, M.A. 2005. “Reading the Actress in Commedia Imagery” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Manion, Jen. 2020. Female Husbands: A Trans History. Cambridge University Press, Cambridge. ISBN 978-1-108-48380-3 Merrick, Jeffry. 1990. “Sexual Politics and Public Order in Late Eighteenth-Century France: the Mémoires secrets and the Correspondance secrete” in Journal of the History of Sexuality 1, 68-84. Merrill, Lisa. 2000. When Romeo was a Woman: Charlotte Cushman and her Circle of Female Spectators. The University of Michigan Press, Ann Arbor. ISBN 978-0-472-08749-5 Rizzo, Betty. 1994. Companions without Vows: Relationships among Eighteenth-Century British Women. Athens: University of Georgia Press. ISBN 978-0-8203-3218-5 Straub, Kristina. 1991. “The Guilty Pleasures of Female Theatrical Cross-Dressing and the Autobiography of Charlotte Charke” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Todd, Janet & Elizabeeth Spearing ed. 1994. Counterfeit Ladies: The Life and Death of Mary Frith Case of Mary Carleton. William Pickering, London. ISBN 1-85196-087-2 Velasco, Sherry. 2000. The Lieutenant Nun: Transgenderism, Lesbian Desire and Catalina de Erauso. University of Texas Press. ISBN 0-292-78746-4 Vicinus, Martha. 2004. Intimate Friends: Women Who Loved Women, 1778-1928. University of Chicago Press, Chicago. ISBN 0-226-85564-3 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

Una de las características de su obra es la incorporación de sonoridades no codificadas de la voz, como risas, susurros o carraspeos. He aquí su tema: la voz, su naturaleza orgánica, traspuesta y abierta a la sensibilidad de la escucha a través de los incipientes procedimientos electrónicos._____Has escuchadoCorale (1981). Maryvonne Le Dizès, viola; Ensemble InterContemporain; Pierre Boulez, director. Sony Classical (1990)Folk Songs. Black Is the Color (1964). Cathy Berberian, mezzosoprano; Julliard Ensemble; Luciano Berio, director. BMG Classics (1973)Laborintus 2. Première partie (1965) / textos de Edoardo Sanguineti. Ensemble Musique Vivante; Chorale Expérimentale; Luciano Berio, director. Harmonia Mundi (1987)Sinfonia. O King (1968). Göteborg Konserthus; Peter Eötvös, director. Deutsche Grammophon (2005)_____Selección bibliográficaBERIO, Luciano, Un recuerdo al futuro. Acantilado, 2019*BOULEZ, Pierre y Enzo Restagno, Sequenze per Luciano Berio. Ricordi, 2000COHEN-LEVINAS, Danielle (ed.), Omaggio a Luciano Berio. L'Harmattan, 2006*DALMONTE, Rossana y Bálint András Varga (eds.), Luciano Berio: Two Interviews. Marion Boyars, 1985ECO, Umberto, “Eco in ascolto: entrevista de Umberto Eco con Luciano Berio”. Revista de Occidente, n.º 114 (1990), pp. 123-136*FERRARI, Giordano, “El teatro musical como crítica de la sociedad: Passagio de Luciano Berio y Edoardo Sanguineti”. Doce Notas Preliminares, n.º 14 (2004-2005), pp. 120-138FERRARI, Giordano (ed.), Le théâtre musical de Luciano Berio: actes des six journées d'études qui ont eu lieu à Paris et à Venise entre 2010 et 2013. L'Harmattan, 2016FLYNN, George W., “Listening to Berio's Music”. The Musical Quarterly, vol. 61, n.º 3 (1975), pp. 388-421*HALFYARD, Janet K., Berio's Sequenzas: Essays on Performance Composition and Analysis. Ashgate, 2007*HICKS, Michael, “Text, Music, and Meaning in the Third Movement of Luciano Berio's Sinfonia”. Perspectives of New Music, vol. 20, n.º 1-2 (1981), pp. 199-224*JOOS, Maxime, “Luciano Berio: Dramaturgie et Œuvre Ouverte”. Musurgia, vol. 10, n.º 2 (2003), pp. 7-27*MEHINOVIC, Vedran, “Two Late Orchestral Works of Luciano Berio”. Tempo, vol. 69, n.º 273 (2015), pp. 20-29*MULLER, Theo y Luciano Berio, “‘Music Is Not a Solitary Act': Conversation with Luciano Berio”. Tempo, n.º 199 (1997), pp. 16-20*NEIDHÖFER, Christoph, “Inside Luciano Berio's Serialism”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 301-348*OSMOND-SMITH, David, “Berio and the Art of Commentary”. The Musical Times, vol. 116, n.º 1592 (1975), pp. 871-872*—, Berio. Oxford University Press, 1991SZENDY, Peter, “Un roi à l'écoute”. En: L'Opéra éclaté: la dramaturgie musicale entre 1969 et 1984. Editado por Giordano Ferrari. L'Harmattan, 2005 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Proclive al minimalismo repetitivo y la orquesta sinfónica, el norteamericano experimenta con todo tipo de escenarios, desde la ópera y el cine hasta a la poesía. Estudioso de la matemática, la filosofía y la espiritualidad oriental, ha llegado a un público masivo con sus creaciones._____Has escuchadoConcerto for Violin and Orchestra (1987). David Nebel, violín; London Symphony Orchestra; Kristjan Järvi, director. Sony (2020)Cuarteto n.º 3 “Mishima” (1985). Cuarteto Quiroga, cuarteto de cuerda. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 23 de noviembre de 2022Étude for Solo Piano, No. 2 (1995). Anthony Romaniuk, piano. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 3 de mayo de 2023Glassworks. Opening (1981). Víkingur Ólafsson, piano. Deutsche Grammophon (2017)_____Selección bibliográficaEVANS, Tristian, Shared Meanings in the Film Music of Philip Glass: Music, Multimedia and Postminimalism. Ashgate, 2015FANET, Sylvain, Philip Glass: Accords et désaccords. Le Mot et le Reste, 2022FRANDSEN, Paul John, “Philip Glass's Akhnaten”. The Musical Quarterly, vol. 77, n.º 2 (1993), pp. 241-267*GLASS, Philip et al., Music by Philip Glass. Harper & Row, 1987—, Palabras sin música: memorias. Malpaso Ediciones, 2017GLASS, Philip y John Howell, “Interview: Satyagraha and Contemporary Opera”. Performing Arts Journal, vol. 6, n.º 1 (1981), pp. 68-83*GRIMSHAW, Jeremy, “High, ‘Low,' and Plastic Arts: Philip Glass and the Symphony in the Age of Postproduction”. The Musical Quarterly, vol. 86, n.º 3 (2002), pp. 472-507*HASKINS, Rob et al., “Philip Glass and Michael Riesman: Two Interviews”. The Musical Quarterly, vol. 86, n.º 3 (2002), pp. 508-529*KOSTELANETZ, Richard (ed.), Writings of Glass. Essays, Interviews, Criticism. University of California Press, 1999NICKLESON, Patrick, The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute. University of Michigan Press, 2023POTTER, Keith, Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge University Press, 2000*RICHARDSON, John, Singing Archaeology: Philip Glass's Akhnaten. University Press of New England, 1999SWED, Mark, “Philip Glass's Operas”. The Musical Times, vol. 129, n.º 1749 (1988), pp. 577-579WATERS, Robert (Robert Francis), The Stage Works of Philip Glass. Cambridge University Press, 2022 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Our F/Favorite Tropes Part 14a: Actresses and the Stage The Lesbian Historic Motif Podcast - Episode 293 with Heather Rose Jones In this episode we talk about: Historic romance tropes on stagePlays that include or suggest f/f desire Contexts for women playing romantic roles opposite women Breeches Roles and f/f desire BibliographyBoehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Bruster, Douglas. 1993. “Female-Female Eroticism and the Early Modern Stage” in Renaissance Drama 24: 1-32. Clark, Robert L. A. & Claire Sponsler. 1997. "Queer Play: The Cultural Work of Crossdressing in Medieval Drama" in New Literary History, 28:219-344. Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Drouin, Jennifer. 2009. “Diana's Band: Safe Spaces, Publics, and Early Modern Lesbianism” in Queer Renaissance Historiography, Vin Nardizzi, Stephen Guy-Bray & Will Stockton, eds. Ashgate, Burlington VT. ISBN 978-0-7546-7608-9 Duggan, Lisa. 1993. “The Trials of Alice Mitchell: Sensationalism, Sexology and the Lesbian Subject in Turn-of-the-Century America” in Queer Studies: An Interdisciplinary Reader, ed. Robert J. Corber and Stephen Valocchi. Oxford: Blackwell. pp.73-87 Gonda, Caroline. 2015. “Writing Lesbian Desires in the Long Eighteenth Century” in The Cambridge Companion to Lesbian Literature, edited by Jodie Medd. Cambridge University Press, Cambridge. ISBN 978-1-107-66343-5 Gough, Melinda J. 2005. “Courtly Comédiantes: Henrietta Maria and Amateur Women's Stage Plays in France and England” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Hallett, Judith P. 1997. “Female Homoeroticism and the Denial of Roman Reality in Latin Literature” in Roman Sexualities, ed. By Judith P. Hallett & Marilyn B. Skinner, Princeton University Press, Princeton. Katritzky, M.A. 2005. “Reading the Actress in Commedia Imagery” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Klein, Ula Lukszo. 2021. Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature. University of Virginia Press, Charlottesville. ISBN 978-0-8139-4551-4 Kranz, Susan E. 1995. The Sexual Identities of Moll Cutpurse in Dekker and Middleton's The Roaring Girl and in London in Renaissance and Reformation 19: 5-20. Krimmer, Elisabeth. 2004. In the Company of Men: Cross-Dressed Women Around 1800. Wayne State University Press, Detroit. ISBN 0-8143-3145-9 Lanser, Susan S. 2014. The Sexuality of History: Modernity and the Sapphic, 1565-1830. University of Chicago Press, Chicago. ISBN 978-0-226-18773-0 Merrill, Lisa. 2000. When Romeo was a Woman: Charlotte Cushman and her Circle of Female Spectators. The University of Michigan Press, Ann Arbor. ISBN 978-0-472-08749-5 Orvis, David L. 2014. “Cross-Dressing, Queerness, and the Early Modern Stage” in The Cambridge History of Gay and Lesbian Literature ed. E.L. McCallum & Mikko Tuhkanen. Cambridge University Press, New York. ISBN 978-1-107-03521-8 Poulsen, Rachel. 2005. “Women Performing Homoerotic Desire in English and Italian Comedy: La Calandria, Gl'Ingannati and TwelfthNight” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Rose, Mary Beth. 1984. “Women in Men's Clothing: Apparel and Social Stability in The Roaring Girl,” in ELR: English Literary Renaissance 14:3 (1984): 367-91 Stokes, James 2005. “Women and Performance: Evidences of Universal Cultural Suffrage in Medieval and Early Modern Lincolnshire” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Straub, Kristina. 1991. “The Guilty Pleasures of Female Theatrical Cross-Dressing and the Autobiography of Charlotte Charke” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Traub, Valerie. 2001. "The Renaissance of Lesbianism in Early Modern England" in GLQ 7:2 245-263. Trumbach, Randolph. 1991. “London's Sapphists : From Three Sexes to Four Genders in the Making of Modern Culture” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Velasco, Sherry. 2000. The Lieutenant Nun: Transgenderism, Lesbian Desire and Catalina de Erauso. University of Texas Press. ISBN 0-292-78746-4 Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Velasco, Sherry. 2014. “How to Spot a Lesbian in the Early Modern Spanish World” in The Cambridge History of Gay and Lesbian Literature ed. E.L. McCallum & Mikko Tuhkanen. Cambridge University Press, New York. ISBN 978-1-107-03521-8 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

On the Shelf for August 2024 The Lesbian Historic Motif Podcast - Episode 292 with Heather Rose Jones Your monthly roundup of history, news, and the field of sapphic historical fiction. In this episode we talk about: Your host's travels in August Recent and upcoming publications covered on the blogBrown, Pamela Allen & Peter Parolin (eds). 2005. Women Players in England, 1500-1660: Beyond the All-Male Stage. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Grist, Elizabeth Rosalind. 2001. The Salon and the Stage: Women and Theatre in Seventeenth-century France. Dissertation. Shapiro, Michael. 1994. Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages. Ann Arbor. (Chapter 1: A Brief Social History of Female Cross-Dressing) Tomlinson, Sophie. 2009. Women on Stage in Stuart Drama. Cambridge University Press, Cambridge. ISBN 978-0-521-81111-8 Recent Lesbian/Sapphic Historical FictionMurder by Multiples (Meredith and Alec Thatch Mystery #1) by Rachel Ford Murder by Rote (Meredith and Alec Thatch Mystery #2) by Rachel Ford Shadow of the Moon by T. Lona The Palace of Eros by Caro De Robertis Teleios: Flaw, is Perfect by Asvoria K. Craze by Margaret Vandenburg Not for the Faint of Heart by Lex Croucher Other Titles of InterestAccidental Darlings by Crystal Jeans What I've been consumingA Bluestocking's Guide to Decadence by Jess Everlee The Perils of Lady Catherine De Bourgh by Claudia Gray Unfit to Print by K.J. Charles This month we interview Melissa Addey and talk about:Her several historical fiction series Her sapphic historical romance set in 18th c China Balancing research and invention Sign up for Melissa's readers' group to get a free copy of The Consorts A transcript of this podcast is available here. (Interview transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page) Links to Melissa Addey Online Website: MelissaAddey.com

On continue d'explorer la sexualité à toutes les époques, aujourd'hui: la Renaissance.   Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Philippe Brenot et Laetitia Coryn, Sexe Story. La première histoire de la sexualité en BD, Montréal, Guy Saint-Jean, 2016 Reay Tannahill, Le sexe dans l'histoire, Paris, Marabout, 1982. Maryse Jaspard, Sociologie des comportements sexuels, Paris, Découverte, 2005. Sylvie Steinberg (dir.), Une histoire des sexualités, Paris, PUF, 2018 Robert Muchembled, L'orgasme et l'Occident, Paris, Seuil, 2015. Lo Duca, Histoire de l'érotisme, Paris, Pygmalion, 1979. Yvonne Knibiehler, La sexualité et l'histoire, Paris, Odile Jacob, 2002. Ollie Wells, « Amour, Sexe et Mariage en Grèce Antique », World History Encyclopedia, 25 mars 2021. https://www.worldhistory.org/trans/fr/2-1713/amour-sexe-et-mariage-en-grece-antique/#:~:text=Les%20Grecs%20anciens%20ne%20considéraient,relation%20avec%20un%20autre%20homme. Michel Foucault, Histoire de la sexualité, t. I La Volonté de savoir, Paris, Gallimard Sara F. Matthews-Grieco, « Corps et sexualité dans l'Europe d'Ancien Régime », dans Histoire du corps. 1. De la Renaissance aux Lumières, sous la dir. de G. Vigarello, Paris, Seuil, 2005 Jean-Louis Flandrin, Les Amours paysannes (XVIe-XIXe siècle), Paris, Gallimard / Julliard, 1975. Jean-Louis Flandrin, Familles. Parenté, maison, sexualité dans l'ancienne société, Paris, Hachette, 1976. Jean-Louis Flandrin, Le Sexe et l'Occident. Évolution des attitudes et des comportements, Paris, Seuil, 1981. Michel Delon, Le savoir-vivre libertin, Paris, Fayard, 2004. Sébastien Jahan, Les Renaissances du corps en Occident (1450-1650), Paris, Belin, 2004. Susanna Burghartz, « La sexualité au XVIe siècle entre fascination et obssession », dans Les protestants à l'époque moderne, sous la dir. d'Olivier Christin et Yves Krumenacker, Rennes, PUR, 2017, p. 451-466 https://books.openedition.org/pur/157787?lang=fr Eliane Viennot et Gary Ferguson, « La sexualité à la Renaissance », dans Dictionnaire des sexualités, sous la dir. de Janine Mossuz-Lavau, Paris, Laffont, 2014. https://www.elianeviennot.fr/Articles/Viennot-Ferguson-Sexe16.pdf Benoît Lhoest, L'Amour enfermé : sentiment et sexualité à la Renaissance, Paris, Orban, 1989. Gary Ferguson, Queer (Re)Readings in the French Renaissance : Homosexuality, Gender, Culture, Aldershot, Ashgate, 2008. Jean-Claude Coste, « Les « suppléments » de Jean-Jacques Rousseau », L'en-je lacanien, vol. no 4, no. 1, 2005, pp. 33-45. Robert Grimm, Luther et l'Expérience sexuelle. Sexe, célibat, mariage chez le réformateur, Labor et Fides, 1999. Leah DeVun, The Shape of Sex. Nonbinary Gender from the Genesis to the Renaissance, New York, Columbia University Press, 2021. Autres références disponibles sur demande. #histoire #documentaire #sexualité #renaissance #sexuality

La renovación musical de la segunda mitad del siglo XX se hace visible en la originalidad radical de las partituras donde se escriben sus obras. La notación se asemeja ahora a trabajos científicos o de ingenieros, a dibujos o poemas experimentales, a esquemas o fórmulas matemáticas._____Has escuchadoBerlino (1980-1981) / Terry Fox. Apollo Records (1988)Gamelan Coming & Going (1985) / Philip Corner. Philip Corner y Evan Schwartzmann, piano y voz. Grabado en la Rutgers University, MGSA, New Brunswick (EE. UU.), noviembre de 1985. Ants (2017)Gradients of Detail (2005-2006) / Chiyoko Szlavnics. Ensemble musikFabrik; Peter Rundel, director. Maria de Alvear World Edition (2022)The Seasons: Vermont “Spring” (1980-1982) / Malcom Goldstein. Malcom Goldstein, violín; Robert Black, contrabajo; Mark Steven Brooks, varios instrumentos; Tom Guralnick, oboe y vientos; Joseph Celli, corno inglés; Brian Johnson, percusión; Kenneth Karpowicz, acordeón. XI Records (1998)_____Selección bibliográficaBARRETT, Richard, “Notation as Liberation”. Tempo, vol. 68, n.º 268 (2014), pp. 61-72*BISERNA, Elena, Walking from Scores: An Anthology of Text and Graphic Scores to Be Used while Walking. Les Presses du Réel, 2022*BLACK, Robert, “Contemporary Notation and Performance Practice: Three Difficulties”. Perspectives of New Music, vol. 22, n.º 1-2 (1983), pp. 117-146*BROWN, Earle, “The Notation and Performance of New Music”. The Musical Quarterly, vol. 72, n.º 2 (1986), pp. 180-201*BUJ CORRAL, Marina, “Sinestesias en la notación gráfica: lenguajes visuales para la representación del sonido”. Cuadernos de Música, Artes Visuales y Artes Escénicas, vol. 14, n.º 1 (2019), pp. 45-64*—, “Confluencias artísticas y experimentación: la notación gráfica en España”. En: Poéticas encontradas: convergencias artísticas en la música de los siglos XX y XXI. Editado por Belén Pérez Castillo y Ruth Piquer Sanclemente. Comares, 2023*DAVIES, Stephen, “Notation”. En: The Routledge Companion to Philosophy and Music. Editado por Theodore Gracyk y Andrew Kania. Routledge, 2011*EVARTS, John, “The New Musical Notation: A Graphic Art?”. Leonardo, vol. 1, n.º 4 (1968), pp. 405-412*GARCÍA FERNÁNDEZ, Isaac Diego, “El grafismo musical en la frontera de los lenguajes artísticos”. Sinfonía Virtual: Revista de Música Clásica y Reflexión Musical, n.º 5 (2007), consultada el 21 de junio de 2023: [Web]IGES, José y Manuel Olveira, El giro notacional. Cendeac, 2019*KOJS, Juraj, “Notating Action-Based Music”. Leonardo Music Journal, vol. 21 (2011), pp. 65-72*MESTRES QUADRENY, Josep María, Tot muda de color al so de la flauta. Fundació Joan Brossa i Ajuntament de Barcelona, 2010*PISARO, Michael, “Writing Music”. En: The Ashgate Research Companion to Experimental Music. Editado por James Saunders. Ashgate, 2009*POPE, Stephen Travis, “Music Notations and the Representation of Musical Structure and Knowledge”. Perspectives of New Music, vol. 24, n.º 2 (1986), pp. 156-189*RIVIÈRE, Henar, “José Luis Castillejo y la escritura moderna”. En: José Luis Castillejo y la escritura moderna. Editado por José María Lafuente. Ediciones La Bahía, 2018*SMITH, Sylvia y Stuart Smith, “Visual Music”. Perspectives of New Music, vol. 20, n.º 1-2 (1981), pp. 75-93*STONE, Kurt, “Problems and Methods of Notation”. Perspectives of New Music, vol. 1, n.º 2, (1963), pp. 9-31*VALLE, Andrea, Contemporary Music Notation: Semiotic and Aesthetic Aspects. Logos Verlag Berlin, 2018VILLA ROJO, Jesús, Juegos gráfico-musicales. Editorial Alpuerto, 1982*—, Notación y grafía musical en el siglo XX. Iberautor, 2003*WEIBEL, Peter et al. (eds), From Xenakis's UPIC to Graphic Notation Today. Hatje Cantz, 2020 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

On the Shelf for June 2024 The Lesbian Historic Motif Podcast - Episode 288 with Heather Rose Jones Your monthly roundup of history, news, and the field of sapphic historical fiction. In this episode we talk about: New podcast Period – feminist look at historical dramas Lesbiantiquity Book ShoppingMortimer, Ian. 2012. The Time Traveler's Guide to Elizabethan England. Penguin Books, New York. ISBN 978-0-14-312563-1 Brown, Pamela Allen & Peter Parolin (eds). 2005. Women Players in England, 1500-1660. Ashgate, Burlington. ISBN 978-0-7546-6535-9 Colonna, Pompeo (intro Franco Minonzio, trans Margaret L. King). 2024. In Defense of Women: A Bilingual Edition. Iter Press, New York. ISBN 978-1-64959-113-5 Recent Lesbian/Sapphic Historical FictionUncharted Waters (The Savages of Falcote) by Ally Hastings Three Times Elspeth Harris Rode to Town by Becky Black She Serves the Realm (No Man is her Master #4) by Lee Swanson The Ballad of Jacquotte Delahaye by Briony Cameron A Bluestocking's Guide to Decadence (Lucky Lovers of London #3) by Jess Everlee Her Runaway Bride (Hers: Victorian Lesbian Romance) by Brooke Winters Tides of Captivation: A sapphic pirate tale (Daughters Under the Black Flag #1) by Eden Hopewell What I've been consumingThe Witch King by Martha Wells Travelers Along the Way by Aminah Mae Safi Don't Want You Like a Best Friend by Emma R. Alban A transcript of this podcast is available here. (Interview transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

Thomas Alva Edison crea el cilindro de cera en 1877 en New Jersey. En 1991, el ingeniero Karlheinz Brandenburg concluye la investigación sobre la transferencia de música usando líneas telefónicas que derivará en el mp3. Entre ambos sucesos media la gran historia de la música grabada._____Has escuchadoI Am Sitting in a Room (1969) / Alvin Lucier. Sound on Paper Editions (2021)Early Electronic & Tape Music. Imaginary Landscape No. 5 (1952) / John Cage. Sub Rosa (2014)Extended Play (2008) / Janek Schaefer. Line (2008)Mary Had a Little Lamb (1877) / Thomas Edison. Grabación realizada el 12 de agosto de 1927, con las palabras de Thomas Edison en la Golden Jubilee of the Phonograph Ceremony, West Orange, New Jersey (EE.UU.): [Web]The Disintegration Loops (2003) / William Basinski. Temporary Residence Limited (2012)_____Selección bibliográficaBAYLEY, Amanda (ed.), Recorded Music: Performance, Culture and Technology. Cambridge University Press, 2010* BORIO, Gianmario (ed.), Musical Listening in the Age of Technological Reproduction. Ashgate, 2015*DYSON, Frances, Sounding New Media: Immersion and Embodiment in the Arts and Culture. University of California Press, 2009*FRANKLIN, Marianne, Sampling Politics: Music and the Geocultural. Oxford University Press, 2021*GALINDO, Bruno, Toma de tierra. Libros del KO, 2021—, “Del barroco a la inteligencia artificial (un breviario de música y tecnología)”. Conferencia en el Festival Visiones Sonoras, Morelia (México), octubre de 2022GOLDMAN, Jonathan, Avant-Garde on Record: Musical Responses to Stereos. Cambridge University Press, 2023*GRUBBS, David, Les disques gâchent le paysage: enquête John Cage, les années 1960 et l'enregistrement sonore. Les Presses du Réel, 2015*KATZ, Mark, How Technology Has Changed Music. University of California Press, 2010MACÉ, Pierre-Yves, Musique et document sonore: enquête sur la phonographie documentaire dans les pratiques musicales contemporaines. Les Presses du Réel, 2012*MILNER, Greg, El sonido y la perfección. Lée/me Libros, 2015SARMIENTO, José Antonio, La música del vinilo. Centro de Creación Experimental de la Universidad de Castilla-La Mancha, 2009*STERNE, Jonathan, The Audible Past: Cultural Origins of Sound Reproduction. Duke University Press, 2003* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Dr. Amit Gupta discusses the Indian and Pakistani nuclear weapons programs and their relations with China. The Indian nuclear program was driven by the desire for autonomy and the need to showcase scientific ability. The Pakistanis pursued nuclear weapons as a deterrent against India's conventional advantage. Both countries have developed their nuclear capabilities over the years, with India having a 'no first use' policy and Pakistan adopting a more ambiguous stance. The Indian perspective on China is shaped by a history of border disputes and a desire to counter China's growing military capabilities. India seeks to build an economic partnership with the United States, revamp its defense production, and engage in dialogue with China.Amit Gupta is a Senior Advisor to the Forum of Federations, Ottawa, Canada. He has previously on the faculty of the USAF Air War College. He is the author, co-author or editor of eight books including, Building an Arsenal: The Evolution of Regional Power Force Structures (Praeger), Global Security Watch—India (Praeger), Strategic Stability in Asia, (Ashgate), and Air Forces: Next Generation (Howgate).In the realm of popular culture, he has written in academic journals and magazines on Doctor Who, Diego Maradona, The Defenders, Star Trek, international cricket, and the globalization of Sports.Socials:Follow on Twitter at @NucleCastFollow on LinkedIn: https://linkedin.com/company/nuclecastpodcastSubscribe RSS Feed: https://rss.com/podcasts/nuclecast-podcast/Rate: https://podcasts.apple.com/us/podcast/nuclecast/id1644921278Email comments and topic/guest suggestions to NucleCast@anwadeter.org

Author and professor Eric Heinze joins Tim to talk about freedom of speech and expression at the most fundamental level. He recently wrote a book on free speech, but it's not exactly what you might expect. He explores free speech in a larger more fundamental context than America's First Amendment. He talks about it in the context of universal human rights. Eric tells us about the thinking behind his new book called, “The Most Human Right: Why Free Speech is Everything.” This episode was originally released May 9, 2022. https://traffic.libsyn.com/secure/shapingopinion/337_-_Eric_Heinze_Free_Speech.mp3 One of the benefits of having a podcast is that you get the chance to talk to a diverse set of really smart and interesting people. Sometimes those people write books, and that's the case with our guest today. As mentioned, the book Eric Heinze wrote is about free speech and human rights. Eric is a professor of law and humanities at Queen Mary University of London. In his book, he asks questions like, “What are human rights?” “Are they laid out definitively in the UN's Universal Declaration of Human Rights or the U.S. Bill of Rights?” Or, are they just items on a checklist, like a good standard of living, housing, dignity? That's how Eric frames his new book. But what caught my attention when reading the book is how deep he really goes on this topic. He doesn't flinch when he takes the stance that when global human rights programs fail, it is often the result of people being denied one basic human right – freedom of speech. Links Eric Heinze: Queen Mary University of London “The Most Human Right: Why Free Speech is Everything,” by Eric Heinze (Amazon) About this Episode's Guest Eric Heinze After completing studies in Paris, Berlin, Boston, and Leiden, Eric Heinze worked with the International Commission of Jurists and UN Sub-Commission on Human Rights, in Geneva, and on private litigation before the United Nations Administrative Tribunal in New York. He conducts lectures and interviews internationally in English, French, German, and Dutch, and is a member of the Bars of New York and Massachusetts, and has also advised NGOs on human rights, including Liberty, Amnesty International and the Media Diversity Institute. He has recently served as Project Leader for the four nation EU (HERA) consortium Memory Laws in European and Comparative Perspective (MELA).  His prior awards and fellowships have included a Fulbright Fellowship, a French Government (Chateaubriand) Fellowship, a Deutscher Akademischer Austauschdienst (DAAD) fellowship, a Nuffield Foundation Grant, an Obermann Fellowship (Center for Advanced Studies, University of Iowa), and several Harvard University Fellowships, including a Sheldon grant, an Andres Public Interest grant, and a C. Clyde Ferguson Human Rights Fellowship. Heinze co-founded and currently directs Queen Mary's Centre for Law, Democracy, and Society (CLDS).  His opinion pieces  have appeared in The Washington Post, The Guardian, The Independent, Times Higher Education, Aeon, The Raw Story, openDemocracy, Speakers' Corner Trust, Quillette, The Conversation, Left Foot Forward, Eurozine, and other publications, and he has done television, radio and press interviews for media in Denmark, Brazil, the Netherlands, Norway, South Korea, the UK and the US.  He serves on the Advisory Board of the International Journal of Human Rights, the University of Bologna Law Review and the British Journal of Interdisciplinary Studies. Heinze recently completed The Most Human Right for MIT Press.  His other books include Hate Speech and Democratic Citizenship (Oxford University Press, 2016), The Concept of Injustice (Routledge 2013), The Logic of Constitutional Rights (Ashgate 2005; Routledge 2017); The Logic of Liberal Rights (Ashgate 2003; Routledge 2017); The Logic of Equality (Ashgate 2003; Routledge 2019), Sexual Orientation: A Human Right (Nijhoff 1995),

Dennis O. Flynn is the Alexander R. Heron Professor of Economics at the University of the Pacific. He has published since 1978 dozens of essays on global monetary history, fifteen of which have been reproduced in World Silver and Monetary History in the Sixteenth and Seventeenth Centuries (Variorum, 1996). He has co-edited Metals and Monies in an Emerging Global Economy (Variorum 1997), Studies in the Economic History of the Pacific Rim (Routledge, 1998), Pacific Centuries: Pacific and Pacific Rim History Since the 16th Century (Routledge, 1999), European Entry into the Pacific: Spain and the Acapulco-Manila Galleons (Variorum, 2001), Studies in Pacific History: Economics, Politics, and Migration (Ashgate, 2002), and Studies in Global Monetary History, 1470–1800 (Ashgate, 2002). He is co-General Editor of a 19-volume series, The Pacific World: Lands, Peoples, and History of the Pacific, 1500–1900 (Variorum/Ashgate, 2001–2004). His collaborative research with Arturo Giráldez has been featured in the New York Times (2 December 2000) and The Economist (25 August 2001). DONATE TODAYA note from Lev:I am a high school teacher of history and economics at a public high school in NYC, and began the podcast to help demystify economics for teachers.  The podcast is now within the top 2.5% of podcasts worldwide in terms of listeners (per Listen Notes) and individual episodes are frequently listed by The Syllabus (the-syllabus.com) as among the 10 best political economy podcasts of a particular week.  The podcast is reaching thousands of listeners each month.  The podcast seeks to provide a substantive alternative to mainstream economics media; to communicate information and ideas that contribute to equitable and peaceful solutions to political and economic issues; and to improve the teaching of high school and university political economy. Best, Lev

The Dildo Episode The Lesbian Historic Motif Podcast - Episode 278 with Heather Rose Jones In this episode we talk about: The cultural dynamics of dildo use A history of dildos in western culture The social and legal consequences of dildo use Terminology and materials of construction Sources usedArvas, Abdulhamit. 2014. “From the Pervert, Back to the Beloved: Homosexuality and Ottoman Literary History, 11453-1923” in The Cambridge History of Gay and Lesbian Literature ed. E.L. McCallum & Mikko Tuhkanen. Cambridge University Press, New York. ISBN 978-1-107-03521-8 Auanger, Lisa. “Glimpses through a Window: An Approach to Roman Female Homoeroticism through Art Historical and Literary Evidence” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Benkov, Edith. “The Erased Lesbian: Sodomy and the Legal Tradition in Medieval Europe” in Same Sex Love and Desire Among Women in the Middle Ages. ed. by Francesca Canadé Sautman & Pamela Sheingorn. Palgrave, New York, 2001. Blake, Liza. 2011. “Dildos and Accessories: The Functions of Early Modern Strap-Ons” in Ornamentalism: The Art of Renaissance Accessories. University of Michigan Press. pp. 130-156 Boehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Bon, Ottaviano. 1587. Descrizione del serraglio del Gransignore. Translated by Robert Withers (1625) as The Grand Signiors Serraglio, published in: Hakluytus Posthumus, or Purchas his Pilgrimes edited by Samuel Purchas. Borris, Kenneth (ed). 2004. Same-Sex Desire in the English Renaissance: A Sourcebook of Texts, 1470-1650. Routledge, New York. ISBN 978-1-138-87953-9 Brantôme (Pierre de Bourdeille, seigneur de Brantôme). 1740. Vies des Dames Galantes. Garnier Frères, Libraires-Éditeurs, Paris. Burshatin, Israel. “Elena Alias Eleno: Genders, Sexualities, and ‘Race' in the Mirror of Natural History in Sixteenth-Century Spain” in Ramet, Sabrina Petra (ed). 1996. Gender Reversals and Gender Cultures: Anthropological and Historical Perspectives. Routledge, London. ISBN 0-415-11483-7 Castle, Terry (ed). 2003. The Literature of Lesbianism: A Historical Anthology from Ariosto to Stonewall. Columbia University Press, New York. ISBN 0-231-12510-0 Clark, Anna. 1996. "Anne Lister's construction of lesbian identity", Journal of the History of Sexuality, 7(1), pp. 23-50. Clarke, John R. 1998. Looking at Lovemaking: Constructions of Sexuality in Roman Art 100 B.C.-A.D. 250. University of California Press, Berkeley. ISBN 0-520-20024-1 Crompton, Louis. 1985. “The Myth of Lesbian Impunity: Capital Laws from 1270 to 1791” in Licata, Salvatore J. & Robert P. Petersen (eds). The Gay Past: A Collection of Historical Essays. Harrington Park Press, New York. ISBN 0-918393-11-6 (Also published as Journal of Homosexuality, Vol. 6, numbers 1/2, Fall/Winter 1980.) Donato, Clorinda. 2006. “Public and Private Negotiations of Gender in Eighteenth-Century England and Italy: Lady Mary Wortley Montagu and the Case of Catterina Vizzani” in British Journal for Eighteenth-Century Studies 29. pp.169-189 Donato, Clorinda. 2020. The Life and Legend of Catterina Vizzani: Sexual identity, science and sensationalism in eighteenth-century Italy and England. Voltaire Foundation, Oxford. ISBN 978-1-78962-221-8 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Eriksson, Brigitte. 1985. “A Lesbian Execution in Germany, 1721: The Trial Records” in Licata, Salvatore J. & Robert P. Petersen (eds). The Gay Past: A Collection of Historical Essays. Harrington Park Press, New York. ISBN 0-918393-11-6 (Also published as Journal of Homosexuality, Vol. 6, numbers 1/2, Fall/Winter 1980.) Faderman, Lillian. 1981. Surpassing the Love of Men. William Morrow and Company, Inc., New York. ISBN 0-688-00396-6 Halberstam, Judith (Jack). 1997. Female Masculinity. Duke University Press, Durham. ISBN 978-1-4780-0162-1 Haley, Shelley P. “Lucian's ‘Leaena and Clonarium': Voyeurism or a Challenge to Assumptions?” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Hubbard, Thomas K. 2003. Homosexuality in Greece and Rome: A Sourcebook of Basic Documents. University of California Press, Berkeley. ISBN 978-0-520-23430-7 Karras, Ruth Mazo. 2005. Sexuality in Medieval Europe: Doing Unto Others. Routledge, New York. ISBN 978-0-415-28963-4 Klein, Ula Lukszo. 2021. Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature. University of Virginia Press, Charlottesville. ISBN 978-0-8139-4551-4 Krimmer, Elisabeth. 2004. In the Company of Men: Cross-Dressed Women Around 1800. Wayne State University Press, Detroit. ISBN 0-8143-3145-9 Lansing, Carol. 2005. “Donna con Donna? A 1295 Inquest into Female Sodomy” in Studies in Medieval and Renaissance History: Sexuality and Culture in Medieval and Renaissance Europe, Third Series vol. II: 109-122. Lardinois, André. “Lesbian Sappho and Sappho of Lesbos” in Bremmer, Jan. 1989. From Sappho to de Sade: Moments in the History of Sexuality. London: Routledge. ISBN 0-415-02089-1 Linkinen, Tom. 2015. Same-sex Sexuality in Later Medieval English Culture. Amsterdam University Press, Amsterdam. ISBN 978-90-8964-629-3 Matter, E. Ann. 1989. “My Sister, My Spouse: Woman-Identified Women in Medieval Christianity” in Weaving the Visions: New Patterns in Feminist Spirituality, eds. Judith Plaskow & Carol P. Christ. Harper & Row, San Francisco. Michelsen, Jakob. 1996. “Von Kaufleuten, Waisenknaben und Frauen in Männerkleidern: Sodomie im Hamburg des 18. Jahrhunderts” in Zeitschrift für Sexualforschung 9: 226-27. Mills, Robert. 2015. Seeing Sodomy in the Middle Ages. The University of Chicago Press, Chicago. ISBN 978-0-226-16912-5 O'Driscoll, Sally. 2010. “A Crisis of Femininity: Re-Making Gender in Popular Discourse” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Phillips, Kim M. & Barry Reay. 2011. Sex Before Sexuality: A Premodern History. Polity Press, Cambridge. ISBN 978-0-7456-2522-5 Rabinowitz, Nancy Sorkin. “Excavating Women's Homoeroticism in Ancient Greece: The Evidence from Attic Vase Painting” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Rowson, Everett K. 1991. “The categorization of gender and sexual irregularity in medieval Arabic vice lists” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Schleiner, Winfried. “Cross-Dressing, Gender Errors, and Sexual Taboos in Renaissance Literature” in Ramet, Sabrina Petra (ed). 1996. Gender Reversals and Gender Cultures: Anthropological and Historical Perspectives. Routledge, London. ISBN 0-415-11483-7 Traub, Valerie. 1994. “The (In)Significance of ‘Lesbian' Desire in Early Modern England” in Queering the Renaissance ed. by Jonathan Goldberg. Duke University Press, Durham and London. ISBN 0-8223-1381-2 Traub, Valerie. 2002. The Renaissance of Lesbianism in Early Modern England. Cambridge University Press, Cambridge. ISBN 0-521-44885-9 Van der Meer, Theo. 1991. “Tribades on Trial: Female Same-Sex Offenders in Late Eighteenth-Century Amsterdam” in Journal of the History of Sexuality 1:3 424-445. Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 This topic is discussed in one or more entries of the Lesbian Historic Motif Project here: Dildo A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

El grueso del trabajo de la compositora de Helsinki formada en Darmstadt y París son obras de cámara con un énfasis en el timbre y el uso de la electrónica a partir de instrumentos tradicionales, sobre todo de la cultura nórdica y oriental._____Has escuchadoIo (1986-1987). Avanti Chamber Orchestra; Jukka-Pekka Saraste, director. Finlandia Records (1989)“L'Amour de loin. Si tu t'appelles Amour”. Sanna Phillips, soprano; Metropolitan Opera Orchestra; Susanna Mälkki, directora. YouTube Vídeo. Publicado por Metropolitan Opera, 8 de diciembre de 2016: [Vídeo]Nymphéa: For String Quartet and Electronics (1987). Meta4 Quartet. Ondine (2013)Verblendungen (1982-1984). Avanti Chamber Orchestra; Jukka-Pekka Saraste, director. Finlandia Records (1989)_____Selección bibliográficaANDERSON, Julian, “Seductive Solitary. Julian Anderson Introduces the Work of Kaija Saariaho”. The Musical Times, vol. 133, n.º 1798 (1992), pp. 616-619*BATTIER, Marc y Gilbert Nouno, “L'électronique dans l'opéra de Kaija Saariaho, L'Amour de loin”. Musurgia, vol. 10, n.º 2 (2003), pp. 51-59*COHEN-LEVINAS, Danielle, “Entretien avec Kaija Saariaho”. Cahiers de l'Ircam, n.º 2(1993), pp. 13-41DÍAZ DE LA FUENTE, Alicia, “El sonido de Kaija Saariaho”. Música: Revista del Real Conservatorio Superior de Música de Madrid, n.º 23 (2016), pp. 153-164*DÍAZ JÉREZ, Salvadora, Nuevas perspectivas sonoras. K. Saariaho y los enfoques de creación contemporáneos. Estudio de tres obras del siglo XXI: L'Amour de loin, Aile du songe y Notes on Light. Tesis doctoral, Universidad de La Laguna, 2016EVERETT, Yayoi Uno, Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun. Indiana University Press, 2015GRABOCZ, Marta, “La musique contemporaine finlandaise: conception gestuelle de la macrostructure / Saariaho et Lindberg”. Cahiers du CIREM, “Musique et Geste”, n.º 26-27 (1993), pp. 155-158HOWELL, Tim et al., Kaija Saariaho: Visions Narratives Dialogues. Ashgate, 2011KERN, Friedrich Heinrich, An Exploration of Compositional Technique in the Operas of Kaija Saariaho and Christian Jost. F. H. Kern, 2021MAO-TAKACS, Clément, Kaija Saariaho. L'ombre du songe. Symétrie, 2013MOISALA, Pirkko, Kaija Saariaho. University of Illinois Press, 2009—, “Reflections on an Ethnomusicological Study of a Contemporary Western Art Music Composer”. Ethnomusicology Forum, vol. 20, n.º 3 (2011), pp. 443-451*NIEMINEN, Risto, Kaija Saariaho. IRCAM-Centre Georges Pompidou, 1994ORDÓÑEZ GARCÍA, Silvia Constanza, L'Amour de loin o el postmoderno Prometeo. La performance intermedial en el acontecer escénico de la ópera de Kaija Saariaho. Tesis doctoral, Universidad de Granada, 2022 [PDF]ROMERO ORTIZ, María Dolores, “El jardín japonés en Six Japanese Gardens de Kaija Saariaho”. Quodlibet: Revista de Especialización Musical, n.º 75 (2021), pp. 272-340*SIVUOJA-GUNARATNAM, Anne, “Rhetoric of Transition in Kaija Saariaho's Music”. En: Musical Signification: Between Rhetoric and Pragmatics. Editado por Gino Stefani, Eero Tarasti y Luca Marconi. CLUEB, 1998—, “Desire and Distance in Kaija Saariaho's Lonh”. Organised Sound, vol. 8, n.º 1 (2003), pp. 71-84* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Es algo parecido a la fotografía, pero aplicada al sonido. No solo incide en la parte de la investigación del patrimonio de sonidos que se extinguen, sino en la búsqueda de sonidos con los que luego se puede hacer una obra derivada: componer._____Has escuchadoOutside the Circle of Fire. Adult Cheetah, Testing by Baobab Tree / Chris Watson. Grabado en Zimbabue en junio de 1994. Touch (2012)Small Sand-Stream on Beach / Toshiba Tsunoda. Emitida en la sala de conciertos de la Fundación Juan March con motivo del Ciclo Música y Arte Sonoro: Los Cuatro Elementos. Tierra, celebrado el 5 de abril de 2014. Room40 (2008)Sounds from Dangerous Places. Oilfield Atmosphere / Peter Cusack. Grabada en el Caspian Oil, Bibi Heybat, Azerbaiyán, en 2004. ReR Megacorp (2012)Spring Bloom in the Marginal Ice Zone / Jana Winderen. Touch (2018)Stile Post/Correu silent (2016) / Xabier Erkizia. Obra encargada con motivo de la exposición Escuchar con los ojos. Arte sonoro en España, 1961-2016. Realizada a partir de grabaciones en el Museu Fundación Juan March, Palma. Fundación Juan March (2019)_____Selección bibliográficaBELGIOJOSO, Ricciarda, Constructing Urban Space with Sounds and Music. Ashgate, 2014*BENSON, Stephen y Will Montgomery (eds.), Writing the Field Recording: Sound, Word, Environment. Edinburgh University Press, 2018BRUYNINCKX, Joeri, Listening in the Field: Recording and the Science of Birdsong. The MIT Press, 2018BUDHADITYA, Chattopadhyay, The Nomadic Listener. Errant Bodies Press, 2020*COMELLES, Edu, “Mapas sonoros, netlabels y culturas emergentes: una aproximación sobre la fonografía y el paisaje sonoro en la era digital”. Arte y Políticas de Identidad, n.º 7 (2012), pp. 187-208COSTA, José Manuel, “La ilusión del paisaje sonoro”. Arte y Parte, n.º 117 (2015), pp. 48-63*CUSACK, Peter, “CD Companion Introduction: Interpreting the Soundscape”. Leonardo Music Journal, vol. 16 (2006), pp. 69-70*DAUBY, Yannick, Paysages sonores partagés. DEA, Université de Poitiers, 2004*FIEBIG, Gerald, “The Sonic Witness: On the Political Potential of Field Recordings in Acoustic Art”. Leonardo Music Journal, vol. 25 (2015), pp. 14-16*FISCHER, Tobias y Lara Cory, Animal Music: Sound and Song in the Natural World. Strange Attractor Press, 2015*GALAND, Alexandre, Field Recording: l'usage sonore du monde en 100 albums. Le Mot et le Reste, 2012*IGES, José, “Paisajes sonoros: una aproximación histórica”. En: La exposición invisible. Editado por Delfim Sardo. MARCO; Centro José Guerrero, 2006*KOHUT, Tom, “Noise Pollution and the Eco-Politics of Sound: Toxicity, Nature, and Culture in the Contemporary Soundscape”. Leonardo Music Journal, vol. 25 (2015), pp. 5-8*KRAUSE, Bernie, La gran orquesta animal: a la busca de los orígenes de las músicas en los espacios salvajes del planeta. Faktoría K, 2021*LANE, Cathy y Angus Carlyle, In the Field: Art of Field Recording. Uniformbooks, 2013LÓPEZ, Xoán-Xil, “La fonografía más allá del fonógrafo”. En: MASE. Historia y presencia del Arte Sonoro en España. Editado por José Iges et al. Bandaàparte Editores, 2015*—, Abellón: o libro negro das zoadeiras. aCentral Folque; Centro Galego de Música Popular, 2019MCKINNON, Dugal, “Dead Silence: Ecological Silencing and Environmentally Engaged Sound Art”. Leonardo Music Journal, vol. 23 (2013), pp. 71-74*MONTGOMERY, Will, “Beyond the Soundscape: Art and Nature in Contemporary Phonography”. En: The Ashgate Research Companion to Experimental Music. Editado por James Saunders. Ashgate, 2009*PALMESE, Cristina, José Luis Carles y Antonio Alcázar, Paisajes sonoros de Cuenca. Universidad de Castilla-La Mancha, 2010*PEZANOSKI-BROWNE, Alison, “The Tragic Art of Eco-Sound”. Leonardo Music Journal, vol. 25 (2015), pp. 9-13*SAMARTZIS, Philip, “The Nature of Sound and the Sound of Nature”. En: Antarctica: Music, Sounds and Cultural Connections. Editado por Bernadette Hince, Rupert Summerson, y Arnan Wiesel. ANU Press, 2015SCHAFER, R. Murray, El paisaje sonoro y la afinación del mundo. Intermedio, 2013*SMOLICKI, Jacek, Soundwalking: Through Time, Space, and Technologies. Routledge, 2023*WRIGHT, Mark Peter, Listening After Nature: Field Recording, Ecology, Critical Practice. Bloomsbury Academic, 2022* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Following the Hamas attack on Israel on October 7, 2023, this is an interview with Dr. Stephen Blank . Here are the 3 segments : 1)Israel attacked, 2) What should Israel do? 3) Endgame Biography of Dr. Stephen Blank Dr. Stephen J. Blank is Senior Fellow at FPRI's Eurasia Program. He has published over 900 articles and monographs on Soviet/Russian, U.S., Asian, and European military and foreign policies, testified frequently before Congress on Russia, China, and Central Asia, consulted for the Central Intelligence Agency, major think tanks and foundations, chaired major international conferences in the U.S. and in Florence; Prague; and London, and has been a commentator on foreign affairs in the media in the U.S. and abroad. He has also advised major corporations on investing in Russia and is a consultant for the Gerson Lehrmann Group. He has published or edited 15 books, most recently Russo-Chinese Energy Relations: Politics in Command (London: Global Markets Briefing, 2006). He has also published Natural Allies? Regional Security in Asia and Prospects for Indo-American Strategic Cooperation (Carlisle, PA: Strategic Studies Institute, U.S. Army War College, 2005). He completed a book entitled Light From the East: Russia's Quest for Great Power Status in Asia published in 2014 by Ashgate. Dr. Blank is also the author of The Sorcerer as Apprentice: Stalin's Commissariat of Nationalities (Greenwood, 1994); and the co-editor of The Soviet Military and the Future (Greenwood, 1992). Contact: eurasia@fpri.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/mediterranean-sustainable/message

In this episode, we interview Professor Kathleen Wilson-Chevalier, the host of the upcoming Kings & Queens 13 conference in May 2024 at The American University of Paris. In this interview, Kathleen tells us all about the inspiration behind the theme "Gift-giving and Communication Networks". We also discuss the conference's commemoration of the 500th anniversary of the death of Queen Claude de France (1499-1524) and why this important but all too often sidelined queen deserves far greater attention. Find out more about the plans for Kings & Queens 13 on the conference webpage--the call for papers is currently open with a deadline of 31 October 2023. Nota bene from our guest:Louise de Savoie was mother of the king, never queen nor queen mother.Louis XII and Anne of Brittany supported Guillaume Briçonnet and Jacques Lefèvre d'Etaples in their reform of Saint-Germain-des-Prés in 1513.Claude's daughter Madeleine de France became queen of Scotland when she was sixteen and died there the year of her marriage (1537). Jacques Lefèvre d'Etaples wrote a Vocabulaire du Psaultier to teach Latin to Madeleine and her brother Charles, which he published in 1529.Claude's last child, Marguerite de France, became duchess of Savoy in 1559. Jean Héritier (Michel de l'Hôpital) credits Renée de France and her niece Marguerite de France with the erection of the tomb of the former chancellor at Champmotteux after his death in 1573.Professor Wilson-Chevalier's Work on Claude de France:“Claude de France and the Spaces of Agency of a Marginalized Queen”, in Women and Power at the French Court, 1483-1563. Ed. Susan Broomhall. Amsterdam: Amsterdam University Press, 2018, pp. 139-172.“From Dissent to Heresy. Queen Claude of France and Her Entourage: Images of Religious Complaint and Evangelical Reform”, in Representing Heresy in Early Modern France. Ed. Lidia Radi and Gabriella Scarlatta Eschrich. Toronto: Centre for Reformation and Renaissance Studies, 2017, pp. 93-129."Claude de France. La vertu de la littérature et l'imaginaire d'une princesse vertueuse”, Valeur des lettres à la Renaissance. Débats et reflécions sur la vertu de la littérature, Paris, Classiques Garnier, 2016, pp. 43-81. "Quelle “trinité royale” ? Reine, roi, régente et sœur de roi : Claude de France, François Ier, Louise de Savoie et Marguerite de Navarre", in La dame de cœur . Le patronage religieux des reines et des princesses XIIIe-XVIIe siècle. Ed. Murielle Gaude-Ferragu and Cécile Vincent-Cassy, Presses Universitaires de Rennes, 2016, pp. 123-136“Claude de France: Justice, Power & the Queen as Advocate for Her People”, in Textual and Visual Representations of Power & Justice in Medieval France. Manuscripts and Early Printed Books. Ed. Rosalind Brown-Grant, Anne D. Hedeman, and Bernard Ribémont. Ashgate, 2015, pp. 241-272.“Claude de France:  In Her Mother's Likeness, A Queen with Symbolic Clout?”, in The Cultural and Political Legacy of Anne de Bretagne. Negotiating Convention in Books and Documents. Ed Cynthia Brown. Cambridge (U.K.): Boydell and Brewer, 2010, pp. 123-144.Edited books:Femmes à la cour de France Charges et fonctions (XVe-XIXe siècle). Ed. with Caroline zum Kolk. Villeneuve d'Ascq : Presses Universitaires du Septentrion, 2018.Patronnes et mécènes en France à la Renaissance. Ed., with the collaboration of Eugénie Pascal. Saint-Étienne : Publications de l'Université de Saint-Étienne (with the participation of The American University of Paris), 2007.Royaume de fémynie : Pouvoirs, contraintes, espaces de liberté des femmes, de la Renaissance à la Fronde. Ed. with Eliane Viennot. Paris : Honoré Champion, 1999.

Hasekura Rokuemon Tsunenaga was a samurai who led a diplomatic delegation to New Spain, Spain and Rome in the 17th century. But many of the Japanese records about their mission were lost or destroyed after they returned. Research: Carl, Katy. “Aiming for Japan and Getting Heaven Thrown In.” Genealogies of Modernity. 12/2/2020. https://genealogiesofmodernity.org/journal/2020/11/25/scales-of-value-shusaku-endos-the-samurai Christensen, Thomas. “1616: The World in Motion.” Counterpoint. 2012. https://archive.org/details/1616worldinmotio0000chri/ Corradini, Piero. “Some Problems concerning Hasekura Tsunenaga's Embassy to the Pope." From Rethinking Japan Vol. 2. Routledge. 1995. Frederic, Louis. “Japan Encyclopedia.” Translated by Käthe Roth. 2002. https://archive.org/details/japanencyclopedi0000loui/mode/1up Fujikawa, Mayu. “Pope Paul V's global design.” Renaissance Studies, APRIL 2016, Vol. 30, No. 2 (APRIL 2016). Via JSTOR. https://www.jstor.org/stable/10.2307/26618847 Gessel, Van C. “Historical Background.” From The Samurai by Shusaku Endo. Gutierrez, Ed. “Samurai in Spain.” Japan Quarterly, Jan. 1, 2000. Jones, Josh. “The 17th Century Japanese Samurai Who Sailed to Europe, Met the Pope & Became a Roman Citizen.” Open Culture. 11/29/2021. https://www.openculture.com/2021/11/the-17th-century-japanese-samurai-who-sailed-to-europe-met-the-pope-became-a-roman-citizen.html Kamens, Edward. “'The Tale of Genji' and ‘Yashima' Screens in Local and Global Contexts.” Yale University Art Gallery Bulletin , 2007, Japanese Art at Yale (2007). Via JSTOR. https://www.jstor.org/stable/40514681 KCP International. “Hasekura Tsunenaga and his Travels.” KCP International Japanese Language School. 9/6/2017. https://www.kcpinternational.com/2017/09/hasekura-tsunenaga-and-his-travels/ Lee, Christina H. “The Perception of the Japanese in Early Modern Spain: Not Quite ‘The Best People Yet Discovered'.” eHumanista: Volume 11, 2008. Massarella, Derek. “The Japanese Embassy to Europe (1582–1590).” The Japanese Embassy to Europe (1582–1590). February 2013. https://www.hakluyt.com/downloadable_files/Journal/Massarella.pdf Mathes, W. Michael. “A Quarter Century of Trans-Pacific Diplomacy: New Spain and Japan, 1592-1617.” Journal of Asian History , 1990, Vol. 24, No. 1 (1990). Via JSTOR. https://www.jstor.org/stable/41925377 Musillo, Marco. “The Borghese papacy's reception of a samurai delegation and its fresco image at Palazzo del Quirinale, Rome.” From Western visions of the Far East in a transpacific age, 1522-1657. Ashgate, 2012. Pasciuto, Greg. “Hasekura Tsunenaga: The Adventures of a Christian Samurai.” The Collector. 12/7/2022. https://www.thecollector.com/hasekura-tsunenaga-christian-samurai/ Sanabrais, Sofia. “'Spaniards of Asia': The Japanese Presence in Colonial Mexico.” Bulletin of Portuguese Japanese Studies. 2009, 18/19. https://www.redalyc.org/pdf/361/36129851009.pdf Shigemi, Inaga. “Japanese Encounters with Latin America and Iberian Catholicism (1549–1973): Some Thoughts on Language, Imperialism, Identity Formation, and Comparative Research.” The Comparatist, Vol. 32 (MAY 2008). Via JSTOR. https://www.jstor.org/stable/10.2307/26237176 Strusiewicz, Cezary Jan. “The Samurai Who Met the Pope.” Tokyo Weekender. 4/26/2021. https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-samurai-who-met-the-pope/ Theroux, Marcel. “The samurai who charmed the courts of Europe.” The Guardian. 6/7/2020. https://www.theguardian.com/travel/2020/jun/07/hasekura-rokuemon-tsunenaga-japan-samurai-charmed-courts-europe Tucci, Giuseppe. “Japanese Ambassadors as Roman Patricians.” East and West , JULY 1951, Vol. 2, No. 2. Via JSTOR. https://www.jstor.org/stable/29757935 See omnystudio.com/listener for privacy information.

In this episode Dr Caroline Bowden (QMUL) joins us to discuss her project, 'Who Were the Nuns?' and gives advice on incorporating large databases into humanities projects. To learn more about the project, visit: https://wwtn.history.qmul.ac.uk/ Reading list for more about the history of English nuns in exile: The English Convents in Exile, 1600-1800: Communities, Culture and Identity, edited by Caroline Bowden and James Kelly, Farnham, Ashgate, 2013.  English Convents in Catholic Europe, c. 1600-1800, by James E. Kelly, Cambridge, Cambridge University Press, 2020.

En el episodio n.º 38 de TODO COMENZÓ AYER, el podcast divulgativo de la Asociación Española de Historia Económica, entrevistamos a Miguel López Morell a raíz de la publicación de su libro sobre economía y economistas en la Región de Murcia a lo largo del último siglo. Miguel pone en cuestión el mito de que Murcia sea una economía pobre, aunque también reflexiona sobre los motivos por los que no ha completado su convergencia con otras regiones más avanzadas de España. A continuación, hablamos sobre el tejido empresarial de la región, que Miguel nos presenta como un tejido históricamente marcado por la falta de continuidad y por la necesidad de apoyarse en economistas capaces de suplir sus carencias formativas. Terminamos charlando sobre la formación de esos economistas, desde las escuelas de comercio que se crearon en la década de 1920 hasta la actual Facultad de Economía y Empresa de la Universidad de Murcia. Miguel López-Morell es profesor titular de Historia e Instituciones Económicas en la Universidad de Murcia y actualmente, tras una etapa como diputado de la Asamblea de Murcia, es también miembro del consejo de la Asociación Española de Historia Económica. Su investigación sobre la historia empresarial de nuestro país ha sido premiada por la Asociación Europea de Historia Empresarial y la Asociación Europea de Historia Bancaria. Es autor, entre otros, de los libros “La casa Rothschild en España” (publicado por Marcial Pons en 2005 y posteriormente en inglés por Ashgate) y “Rothschild: una historia de poder influencia” (publicado también por Marcial Pons en 2015). Entrevista realizada por Fernando Collantes (www.fernandocollantes.es) es profesor titular de Historia e Instituciones Económicas en la Universidad de Oviedo y dirige TODO COMENZÓ AYER, el podcast divulgativo Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode SummaryErin and Rachel swing to the end of the Disney Renaissance with their discussion of Tarzan (1999). The hosts fault the filmmakers for their choice of racist, misogynistic source material, but applaud the stunning visuals, quotable script, and catchy soundtrack. Episode BibliographyAbbott, J. (1999, June 7). A FRESH TARZAN. Orlando Sentinel. Retrieved February 12, 2023, from https://www.orlandosentinel.com/news/os-xpm-1999-06-08-9906070397-story.htmlAsclepi. (2012, June 26). The Making Of Tarzan. YouTube. Retrieved February 19, 2023, from https://www.youtube.com/watch?v=drOxNNGwop4Bruce W.... - African-American Animators - Past & Present. (n.d.). Facebook. Retrieved February 19, 2023, from https://m.facebook.com/211281015572088/photos/bruce-w-smith-first-african-american-supervising-animator-for-disney-he-supervis/211284832238373/Burroughs, E. R. (1914). Tarzan of the Apes. A.L. Burt & Co.Berglund, J. (1999). Write, right, white, rite: Literacy, imperialism, race, and cannibalism in Edgar Rice Burroughs Tarzan of the Apes. Studies in American Literature, 27(1), 58-64. DOI: 10.1353/saf.1999.0011Bettany, S., & Belk, R.W. (2011). Disney discourses of self and Other: animality, primitivity, modernity, and postmodernity. Consumption Markets & Culture, 14(2), 163-176. DOI: 10.1080/10253866.2011.562017Brode, D. (2006). Multiculturalism and the mouse: Race and sex in Disney entertainment. University of Texas Press. Daly, S. (2000, February 4). Tarzan. Entertainment Weekly. Retrieved February 12, 2023, from https://ew.com/article/2000/02/04/tarzan-6/Davis, A. M. (2007). Good girls and wicked witches: Women in Disney's feature animation. John Libbey & Company.Davis, A. M. (2014). Handsome heroes and vile villains: Men in Disney's feature animation. John Libbey & Company, Limited. Ebert, R. (1999, June 18). Tarzan movie review & film summary (1999). Roger Ebert. Retrieved February 12, 2023, from https://www.rogerebert.com/reviews/tarzan-1999Eller, C. (1999, June 11). Gauging the Heat of Competition as Post-'Menace' Season Begins. Los Angeles Times. Retrieved February 12, 2023, from https://www.latimes.com/archives/la-xpm-1999-jun-11-fi-45276-story.htmlFafowora, O. (2017). Imagining the 'Dark Continent': Disney's Tarzan and defining the African post-colonial subject. Reinvention, 11(1).Fleeman, M. (1999, June 17). Phil Collins goes out on a limb, scores with 'Tarzan' soundrack. The Daily Gazette, C9.Jurca, C. (1996). Tarzan, Lord of the suburbs. Modern Language Quarterly, 57(3), 483. DOI: 10.1215/00267929-57-3-479.Hill, J. (2016, September 22). Would Woody Allen have been a better fit for LeFou in Disney's “Beauty and the Beast” ? HuffPost. Retrieved February 12, 2023, from https://www.huffpost.com/entry/would-woody-allen-have-been-a-better-fit-for-lefou_b_57e4499ae4b09f67131e3f40?timestamp=1474582581075Howe, D. (1999, June 18). 'Tarzan' (G). The Washington Post. Retrieved February 12, 2023, from https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/tarzanhowe.htmLawson, T., & Ridder, K. -. (1999, June 15). `TARZAN' YELL. Chicago Tribune. Retrieved February 12, 2023, from https://www.chicagotribune.com/news/ct-xpm-1999-06-16-9906160335-story.htmlLima, K., & Buck, C. (Directors). (1999). Tarzan [Film]. Walt Disney Pictures. MacEacheran, M. (2014, March 5). Tarzan's bewitching jungle home. BBC. https://www.bbc.com/travel/article/20140220-tarzans-bewitching-jungle-homeMaslin, J. (1999, June 18). 'Tarzan': Monkey Business -- Rewriting the Jungle Book. The New York Times Web Archive. Retrieved February 19, 2023, from https://archive.nytimes.com/www.nytimes.com/library/film/061899tarzan-film-review.htmlMcCarthy, T. (1999, June 7). Tarzan. Variety. Retrieved February 12, 2023, from https://variety.com/1999/film/reviews/tarzan-1117499855/Naughton, J. (1999, May 2). Against All Odds. Los Angeles Times. Retrieved February 12, 2023, from https://www.latimes.com/archives/la-xpm-1999-may-02-ca-33052-story.htmlNess, M. (2016, April 14). The End of the Disney Renaissance: Tarzan. Tor.com. Retrieved February 19, 2023, from https://www.tor.com/2016/04/14/the-end-of-the-disney-renaissance-tarzan/Newsinger, John (1986). Lord Greystoke and darkest Africa: the politics of the Tarzan stories. Race and Class, 28(2), 61–64. DOI: 10.1177/030639688602800204Newsinger, J. (2000). Me Disney, you Tarzan. Race and Class, 42(1), 78. Noyer, J. (2008, March 21). Get Enchanted ! Chapter Six: Director Kevin Lima and exec producer Chris Chase. Animated Views. Retrieved February 19, 2023, from https://animatedviews.com/2008/enchanted-interviews-chapter-six-kevin-lima-and-chris-chase/Schwarzbaum, L. (1999, June 25). Tarzan. Entertainment Weekly. Retrieved February 19, 2023, from https://ew.com/article/1999/06/25/tarzan-5/Strickler, J. (1999, June 13). Tarzan swings by Disney. Star Tribune, F18.Taliaferro, J. (2002). Tarzan forever: The life of Edgar Rice Burroughs, creator of Tarzan. Simon & Schuster. Tarzan (1999 film). (n.d.). Wikipedia. Retrieved February 12, 2023, from https://en.wikipedia.org/wiki/Tarzan_(1999_film)Tarzan of the Apes. (n.d.). Wikipedia. Retrieved January 28, 2023, from https://en.wikipedia.org/wiki/Tarzan_of_the_ApesTuran, K. (1999, June 16). Vine, Woman and Song. Los Angeles Times. Retrieved February 19, 2023, from https://www.latimes.com/archives/la-xpm-1999-jun-16-ca-46893-story.htmlWannamaker, A., & Abate, M. A. (Eds.). (2012). Global Perspectives on Tarzan: From King of the Jungle to International Icon. Routledge.Ward, A.R. (2002). Mouse morality: The rhetoric of Disney animated film. University of Texas Press.Weeks, J. (1999, June 27). Tarzan and the race card: The ape-man's creator might have believed in white superiority, but the new Disney film goes out of its way to avoid the black and white issues. The Baltimore Sun. Retrieved from https://www.baltimoresun.com/news/bs-xpm-1999-06-27-9906280262-story.htmlWhitley, D. (2012). The idea of nature in Disney animation: From Snow White to WALL-E (2nd ed.) . Ashgate.Wilmington, M. (1999, June 17). TECHNO `TARZAN'. Chicago Tribune. Retrieved February 19, 2023, from https://www.chicagotribune.com/news/ct-xpm-1999-06-18-9906180286-story.html

Eric Wilson is a senior lecturer of law at Monash University in Melbourne, Australia. Eric is the editor of a series of works on critical criminology, the first volume of which was published by Pluto Press in 2009 as Government of the Shadows: Parapolitics and Criminal Sovereignty. The second volume in the series, The Dual State: Parapolitics, Carl Schmitt and the National Security State Complex, was published by Ashgate in late 2012. In March 2015 he published his second monograph, “The Spectacle of the False Flag: Parapolitics from JFK to Watergate” which discusses the myriad linkages between covert intelligence and organized crime during the period of the Vietnam War. --- Support this podcast: https://anchor.fm/out-of-the-blank-podcast/support

“Part of Ashgate's ambition is to change the conversation about death and dying… to enable conversations to happen in daylight, in general conversation, about death and dying. We're all going to die, its not something that any of us can avoid… ” Barbara-Anne Walker is the Chief Executive of Ashgate Hospice. Ashgate Hospice is a specialist hospice, providing palliative and end of life care for the community of North Derbyshire. Their vision is for people with a life-limiting illness to be able to live well, and have a good death. And for their families to be supported and comforted through the process. Less than 30% of hospice funding comes from the NHS and yet the hospices provide a vital service within the UK healthcare system. Barbara-Anne and her team at Ashgate Hospice have been prolific in engaging the community, campaigning and raising awareness for hospice funding, both locally as well as on the national stage. Barbara-Anne is emphatic about the need to change the conversation about death and dying. We talk about the organisation's iconic Sparkle Walk event. We also talk about Ashgate Hospice's own podcast, The Life and Death Podcast, which explores frank and honest conversations about death and what ‘dying well' really means. Barbara-Anne shares her thoughts on the importance of visible leadership and her role, as a leader, in creating a learning culture. She also shares some practical learnings gained from working through the pandemic. Recorded May 2022.

Jazz pianist, composer and educator, Simon Purcell came to prominence during the UK jazz boom of the 1980s. After working in East London schools, as a passionate music educator and thinker, Simon has been active in the conservatoire sector since 1985, first as a senior lecturer at GSMD between 1987-2005, Head of Jazz at Trinity Laban Conservatoire of Dance and Music between 2005-2017 and returning to GSMD as International Chair in Improvisation in 2018. He has contributed to the development of jazz education in the UK for many years and in 2006 was awarded Jazz Educator of the Year by the All Party Parliamentary Jazz Appreciation Group. Simon was a member of the Working Group for the Pop and Jazz Platform within the Association of European Conservatoires (2009-2018) and his research into teacher-development in jazz education was published by Ashgate in 2005. His work in jazz education has taken him to Brazil, China, New Zealand and many parts of Europe and current research interests are: teacher-education in jazz, jazz within wider music education and neurologically informed pedagogy. For more information see https://simonpurcell.com/about Luke spoke with Simon in March 2022. Taking face to face in an actual room, they discussed improvisation and how to teach it, comparing perspectives in music therapy and jazz education. How is music experienced? What are the best ways to understand it? And how would you go about teaching improvisation badly?   References Green, B., & Gallwey, W. T. (1987). The inner game of music. Pan Macmillan. Helding, L. (2020). The musician's mind: Teaching, learning, and performance in the age of brain science. Rowman & Littlefield Publishers. McCrary, J. M., Altenmüller, E., Kretschmer, C., & Scholz, D. S. (2022). Association of Music Interventions With Health-Related Quality of Life. JAMA, (3) Paton, R. (2011) Lifemusic: Connecting People to Time. Archive Publishing. Werner, K., & Aebersold, J. (1996). Effortless mastery. New Albany, IN: Jamey Aebersold Jazz.

In the last episode of the first season of the ART Informant, Isabelle Imbert welcomes Patricia Blessing, Assistant Professor of Islamic Art and Architecture. Patricia specialises in the history of architecture in medieval Turkey. She published her first book in 2014, titled Rebuilding Anatolia after the Mongol Conquest: Islamic Architecture in the Lands of Rūm, 1240–1330, and is presenting today her second book, forthcoming in July 2022, Architecture and Material Politics in the Fifteenth-century Ottoman Empire (Cambridge University Press). Through the book, Isabelle and Patricia discuss multisensory architecture, artistic networks, the evolution of Turkish Ottoman architecture and the process of publishing a scientific book. If you've liked this episode and want to support, please consider donating.  Mentioned in the Episode and Further Links  Follow the Art Informant on Instagram and TwitterPatricia Blessing, Architecture and Material Politics in the Fifteenth-century Ottoman Empire, Cambridge University Press, Forthcoming July 2022. Patricia Blessing, Rebuilding Anatolia after the Mongol Conquest: Islamic Architecture in the Lands of Rūm, 1240–1330, Ashgate, 2014.Olga Bush, Reframing the Alhambra, Architecture, Poetry, Textiles and Court Ceremonial, Edinburgh University Press, 2018.Sensory Reflections, Traces of Experience in Medieval Artifacts, in Sense, Matter, and Medium, vol. 1, Fiona Griffiths, Kathryn Starkey (eds.), De Gruyter, 2019.Deborah Howard and Laura Moretti, Sound and Space in Renaissance Venice: Architecture, Music, Acoustics, New Haven and London: Yale University Press, 2009 (unavailable on the publisher's website but can be purchased second hand on other specialised websites). Bissera V. Pentcheva, Hagia Sophia: Sound, Space, and Spirit in Byzantium, University Park, Pennsylvania: Pennsylvania State University Press, 2017.Michael Meinecke, Patterns of Stylistic Changes in Islamic Architecture, Local Traditions Versus Migrating Artists, New York University Press, 1996.Sara Nur Yıldız, “From Cairo to Ayasuluk: Hacı Paşa and the Transmission of Islamic Learning to Western Anatolia in the Late Fourteenth Century,” Journal of Islamic Studies 25, no. 3 (2014): 263–97.Gülru Necipoğlu, The Age of Sinan: Architectural Culture in the Ottoman Empire. Princeton, NJ: Princeton University Press, 2005 (unavailable on the publisher's website but can be purchased second hand on other specialised websites).Gülru Necipoğlu, Architecture, Ceremonial, and Power – The Topkapi Palace in the Fifteenth and Sixteenth Centuries. Cambridge, MA: MIT Press, 1991.

Author and professor Eric Heinze joins Tim to talk about freedom of speech and expression at the most fundamental level. He recently wrote a book on free speech, but it's not exactly what you might expect. He explores free speech in a larger more fundamental context than America's First Amendment. He talks about it in the context of universal human rights. Eric tells us about the thinking behind his new book called, “The Most Human Right: Why Free Speech is Everything.” https://traffic.libsyn.com/secure/shapingopinion/Eric_Heinze_auphonic.mp3 One of the benefits of having a podcast is that you get the chance to talk to a diverse set of really smart and interesting people. Sometimes those people write books, and that's the case with our guest today. As mentioned, the book Eric Heinze wrote is about free speech and human rights. Eric is a professor of law and humanities at Queen Mary University of London. In his book, he asks questions like, “What are human rights?” “Are they laid out definitively in the UN's Universal Declaration of Human Rights or the U.S. Bill of Rights?” Or, are they just items on a checklist, like a good standard of living, housing, dignity? That's how Eric frames his new book. But what caught my attention when reading the book is how deep he really goes on this topic. He doesn't flinch when he takes the stance that when global human rights programs fail, it is often the result of people being denied one basic human right – freedom of speech. Links Eric Heinze: Queen Mary University of London “The Most Human Right: Why Free Speech is Everything," by Eric Heinze (Amazon) About this Episode's Guest Eric Heinze After completing studies in Paris, Berlin, Boston, and Leiden, Eric Heinze worked with the International Commission of Jurists and UN Sub-Commission on Human Rights, in Geneva, and on private litigation before the United Nations Administrative Tribunal in New York. He conducts lectures and interviews internationally in English, French, German, and Dutch, and is a member of the Bars of New York and Massachusetts, and has also advised NGOs on human rights, including Liberty, Amnesty International and the Media Diversity Institute. He has recently served as Project Leader for the four nation EU (HERA) consortium Memory Laws in European and Comparative Perspective (MELA).  His prior awards and fellowships have included a Fulbright Fellowship, a French Government (Chateaubriand) Fellowship, a Deutscher Akademischer Austauschdienst (DAAD) fellowship, a Nuffield Foundation Grant, an Obermann Fellowship (Center for Advanced Studies, University of Iowa), and several Harvard University Fellowships, including a Sheldon grant, an Andres Public Interest grant, and a C. Clyde Ferguson Human Rights Fellowship. Heinze co-founded and currently directs Queen Mary's Centre for Law, Democracy, and Society (CLDS).  His opinion pieces  have appeared in The Washington Post, The Guardian, The Independent, Times Higher Education, Aeon, The Raw Story, openDemocracy, Speakers' Corner Trust, Quillette, The Conversation, Left Foot Forward, Eurozine, and other publications, and he has done television, radio and press interviews for media in Denmark, Brazil, the Netherlands, Norway, South Korea, the UK and the US.  He serves on the Advisory Board of the International Journal of Human Rights, the University of Bologna Law Review and the British Journal of Interdisciplinary Studies. Heinze recently completed The Most Human Right for MIT Press.  His other books include Hate Speech and Democratic Citizenship (Oxford University Press, 2016), The Concept of Injustice (Routledge 2013), The Logic of Constitutional Rights (Ashgate 2005; Routledge 2017); The Logic of Liberal Rights (Ashgate 2003; Routledge 2017); The Logic of Equality (Ashgate 2003; Routledge 2019), Sexual Orientation: A Human Right (Nijhoff 1995), and the collection Of Innocence and Autonomy: Children, Sex and Human Rights (2000).

Women didn't act on London's professional stages until after the Restoration of the English monarchy in 1661. But Dr. Pamela Allen Brown, author of The Diva's Gift to the Shakespearean Stage, believes that the movement towards women in the theater actually began in the 1570s, when Italy's commedia dell'arte troupes first stepped set foot in London. The troupes featured something most English people hadn't seen at that point: the Divina—a woman who played the Innamorata role, one of the two lovers in plays we'd characterize today as romantic comedies. English diplomats had seen the women who played these parts—who would later be called “divas”—but in the 1570s, divas started coming to England. And, Professor Brown says, their presence began to change attitudes about what theater could be, what plays should be about, and—maybe most importantly—about what kinds of people could play female roles. Pamela Allen Brown is interviewed by Barbara Bogaev. Pamela Allen Brown is a Professor of English at the University of Connecticut at Stamford. Her previous books include Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England, published by Cornell University Press in 2003, and Women Players in Early Modern England: Beyond the All-Male Stage, which she co-edited with Peter Parolin. That was published by Ashgate in 2005. Her new book, The Diva's Gift to the Shakespearean Stage, was published by Oxford University Press in 2021. From the Shakespeare Unlimited podcast. Published March 29, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “I Shall See Some Squeaking Cleopatra Boy My Greatness,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California, and Josh Wilcox and Walter Nordquist at Brooklyn Podcasting Studio in Brooklyn, New York.

Professor Rabia Gregory's primary research interest is the history of Christianity in Medieval and Early Modern Europe. She approaches the study of religion through book history, material culture, and theories of gender. Her book, Marrying Jesus in Medieval and Early Modern Northern Europe: Popular Culture and Religious Reform, published by Ashgate, uses previously unpublished cultural artifacts to revise long-standing assumptions about religion, gender, and popular culture. In the book, she demonstrates that by the fourteenth century, worldly, sexually active brides of Christ, both male and female, were no longer aberrations and provide a history of the dispersion of theology about the bride of Christ in the period between the twelfth and seventeenth centuries and explains how this metaphor, initially devised for a religious elite, became integral to the laity's pursuit of salvation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Professor Rabia Gregory's primary research interest is the history of Christianity in Medieval and Early Modern Europe. She approaches the study of religion through book history, material culture, and theories of gender. Her book, Marrying Jesus in Medieval and Early Modern Northern Europe: Popular Culture and Religious Reform, published by Ashgate, uses previously unpublished cultural artifacts to revise long-standing assumptions about religion, gender, and popular culture. In the book, she demonstrates that by the fourteenth century, worldly, sexually active brides of Christ, both male and female, were no longer aberrations and provide a history of the dispersion of theology about the bride of Christ in the period between the twelfth and seventeenth centuries and explains how this metaphor, initially devised for a religious elite, became integral to the laity's pursuit of salvation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Professor Rabia Gregory's primary research interest is the history of Christianity in Medieval and Early Modern Europe. She approaches the study of religion through book history, material culture, and theories of gender. Her book, Marrying Jesus in Medieval and Early Modern Northern Europe: Popular Culture and Religious Reform, published by Ashgate, uses previously unpublished cultural artifacts to revise long-standing assumptions about religion, gender, and popular culture. In the book, she demonstrates that by the fourteenth century, worldly, sexually active brides of Christ, both male and female, were no longer aberrations and provide a history of the dispersion of theology about the bride of Christ in the period between the twelfth and seventeenth centuries and explains how this metaphor, initially devised for a religious elite, became integral to the laity's pursuit of salvation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Rabia Gregory's primary research interest is the history of Christianity in Medieval and Early Modern Europe. She approaches the study of religion through book history, material culture, and theories of gender. Her book, Marrying Jesus in Medieval and Early Modern Northern Europe: Popular Culture and Religious Reform, published by Ashgate, uses previously unpublished cultural artifacts to revise long-standing assumptions about religion, gender, and popular culture. In the book, she demonstrates that by the fourteenth century, worldly, sexually active brides of Christ, both male and female, were no longer aberrations and provide a history of the dispersion of theology about the bride of Christ in the period between the twelfth and seventeenth centuries and explains how this metaphor, initially devised for a religious elite, became integral to the laity's pursuit of salvation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Rabia Gregory's primary research interest is the history of Christianity in Medieval and Early Modern Europe. She approaches the study of religion through book history, material culture, and theories of gender. Her book, Marrying Jesus in Medieval and Early Modern Northern Europe: Popular Culture and Religious Reform, published by Ashgate, uses previously unpublished cultural artifacts to revise long-standing assumptions about religion, gender, and popular culture. In the book, she demonstrates that by the fourteenth century, worldly, sexually active brides of Christ, both male and female, were no longer aberrations and provide a history of the dispersion of theology about the bride of Christ in the period between the twelfth and seventeenth centuries and explains how this metaphor, initially devised for a religious elite, became integral to the laity's pursuit of salvation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Jodi Campbell is Professor of History at Texas Christian University. She has written extensively on Spanish drama, royal history and women's history. Her first book was published by Ashgate in 2006 and is titled Monarchy, Political Culture and Drama in Seventeenth-Century Madrid: Theater of Negotiation. She also co-edited Women in Port: Gendering Communities, Economies, and Social Networks in Atlantic Port Cities, 1500-1800 (Brill, 2012). Dr. Campbell's new book, At the First Table: Food and Social Identity in Early Modern Spain (University of Nebraska Press, 2017) focuses on food as a mechanism for the performance of social identity in early modern Spain. According to Dr. Campbell, early modern Spaniards adhered to strict regulations about food consumption based on their place in the social hierarchy as well as defined categories of gender, age, occupation and religion. The particular foods one ate as well as how they ate them were part of a display of identity and collective belonging. This enticingly-written book fills a need in food scholarship to understand Spanish customs in the broader context of early modern European food culture. Spain followed some of the general European trends for adopting New World foods, such as sugar, but its Jewish and Muslim roots inflected Spain with its own particular food heritage. “A phenomenal book… beautifully written and organized, and meticulously researched with a broad range of primary and secondary sources. There is nothing like it in English.”--Ken Albala, professor of history and the director of the Food Studies Program at the University of the Pacific and the author of Food in Early Modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices