Podcasts about cambridge companion

St. Hildegard of Bingen (1098-1179) was a visionary, teacher, Abbess, composer, theologian, painter, and the first woman in history to be given papal approval to preach in public. Four centuries before the emergence of the “Renaissance Man,” there was Hildegard of Bingen. Usually known mostly for her music (and rightfully so) there is so much more to this medieval mystic. Links To get a sense of what the Cathars were all about, here's the Way of the Fathers episode on gnosticism: https://youtu.be/JYeyevLBF4I?si=rr0eWytzOAuHyPfH Playlist of Hildegard's Music on YouTube: https://www.youtube.com/playlist?list=OLAK5uy_nJez_L5_xEzOeIgUp4rEsPrdri_ZJIG-E Margot Fassler's Cosmos, Liturgy, and the Arts in the Twelfth Century: Hildegard's Illuminated "Scivias"  https://www.pennpress.org/9781512823073/cosmos-liturgy-and-the-arts-in-the-twelfth-century/ Carmen Acevedo Butcher's Hildegard of Bingen: A Spiritual Reader: https://paracletepress.com/products/hildegard-of-bingen-doctor-of-the-church?_pos=1&_sid=82546e597&_ss=r The Cambridge Companion to Hildegard of Bingen: https://www.cambridge.org/us/universitypress/subjects/literature/european-literature/cambridge-companion-hildegard-bingen?format=PB&isbn=9781108457811 SIGN UP for Catholic Culture's Newsletter:  https://www.catholicculture.org/newsletters/ DONATE at:  http://www.catholicculture.org/donate/audio Dr. Papandrea's Homepage:  http://www.jimpapandrea.com Dr. Papandrea's YouTube channel, The Original Church: https://www.youtube.com/@TheOriginalChurch To ask questions, make comments, or interact with Dr. Papandrea, join the conversation in the Original Church Community: https://theoriginalchurch.locals.com/ Theme Music: Gaudeamus (Introit for the Feast of All Saints), sung by Jeff Ostrowski. Courtesy of Corpus Christi Watershed:  https://www.ccwatershed.org/

Link to more info: https://eggshelltherapy.com/podcast-blog/2025/05/29/drrondel/A CONVERSATION ON EXISTENTIAL ANXIETY I am pleased to share with you my recent conversation on a topic that haunts many of us: anxiety. Today, we dive into the connection between philosophy and anxiety with Dr. David Rondel, a philosophy professor and author of "A Danger, Which We Do Not Know: A Philosophical Journey into Anxiety." In his work, Dr. Rondel explores his journey through anxiety. From the wisdom of thinkers like Kierkegaard and William James to the challenges of modern anxieties like eco-anxiety and social media stress, Dr. Rondel shows us how embracing anxiety can lead to personal growth and a greater understanding of ourselves.I would be thrilled for you to join this poignant and perennially relevant discussion! About Dr. RondelDavid Rondel is Associate Professor in the Department of Philosophy at the University of Nevada. He is the author of Pragmatist Egalitarianism (Oxford University Press, 2018), and editor or co-editor of four additional books: Pessimism of the Intellect, Optimism of the Will: The Political Philosophy of Kai Nielsen (University of Calgary Press, 2012), Pragmatism and Justice (Oxford University Press, 2017), The Cambridge Companion to Rorty (Cambridge University Press, 2021), and The Moral Psychology of Anxiety (Lexington, 2024).His website: https://www.davidrondel.com/aboutThe book: https://www.amazon.com/Danger-Which-Not-Know-Philosophical/dp/0197767249Eggshell Therapy and Coaching: eggshelltherapy.com About Imi Lo: www.imiloimilo.comInstagram:https://www.instagram.com/eggshelltherapy_imilo/ Newsletters: https://eepurl.com/bykHRzDisclaimers: https://www.eggshelltherapy.com/disclaimers Trigger Warning: This episode may cover sensitive topics including but not limited to suicide, abuse, violence, severe mental illnesses, relationship challenges, sex, drugs, alcohol addiction, psychedelics, and the use of plant medicines. You are advised to refrain from watching or listening to the YouTube Channel or Podcast if you are likely to be offended or adversely impacted by any of these topics. Disclaimer: The content provided is for informational purposes only. Please do not consider any of the content clinical or professional advice. None of the content can substitute mental health intervention. Opinions and views expressed by the host and the guests are personal views and they reserve the right to change their opinions. We also cannot guarantee that everything mentioned is factual and completely accurate. Any action you take based on the information in this episode is taken at your own risk.

Melvyn Bragg and guests discuss one of the great figures in world literature. The French playwright Molière (1622-1673) began as an actor, aiming to be a tragedian, but he was stronger in comedy, touring with a troupe for 13 years until Louis XIV summoned him to audition at the Louvre and gave him his break. It was in Paris and at Versailles that Molière wrote and performed his best known plays, among them Tartuffe, Le Misanthrope and Le Malade Imaginaire, and in time he was so celebrated that French became known as The Language of Molière.With Noel Peacock Emeritus Marshall Professor in French Language and Literature at the University of GlasgowJan Clarke Professor of French at Durham UniversityAnd Joe Harris Professor of Early Modern French and Comparative Literature at Royal Holloway, University of LondonProducer: Simon TillotsonReading list:David Bradby and Andrew Calder (eds.), The Cambridge Companion to Molière (Cambridge University Press, 2006)Jan Clarke (ed.), Molière in Context (Cambridge University Press, 2022)Georges Forestier, Molière (Gallimard, 2018)Michael Hawcroft, Molière: Reasoning with Fools (Oxford University Press, 2007)John D. Lyons, Women and Irony in Molière's Comedies of Mariage (Oxford University Press, 2023)Robert McBride and Noel Peacock (eds.), Le Nouveau Moliériste (11 vols., University of Glasgow Presw, 1994- )Larry F. Norman, The Public Mirror: Molière and the Social Commerce of Depiction (University of Chicago Press, 1999)Noel Peacock, Molière sous les feux de la rampe (Hermann, 2012)Julia Prest, Controversy in French Drama: Molière's Tartuffe and the Struggle for Influence (Palgrave Macmillan, 2014)Virginia Scott, Molière: A Theatrical Life (Cambridge University Press, 2020)In Our Time is a BBC Studios Audio Production

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el fin del movimiento puritano, de acuerdo capítulo 5, “Later Stuart Puritanism” por John Spurr del libro The Cambridge Companion to Puritanism. Ver aquí: https://www.cambridge.org/gb/universitypress/subjects/religion/church-history/cambridge-companion-puritanism?format=HB&isbn=9780521860888 . Páginas 89-106. El programa de hoy examina la evolución del puritanismo en la Inglaterra posterior a la Restauración de la monarquía de 1660. Traza la transición del puritanismo a la disidencia, destacando los diversos grupos englobados en la disidencia y sus experiencias de persecución y evolución de las alianzas políticas. El programa explora la dinámica interna de la disidencia, incluidos los debates teológicos y las estructuras organizativas, y examina la relación entre la disidencia y diversos grupos sociales y económicos. En última instancia, sostiene que, aunque el puritanismo se adaptó y cambió significativamente después de 1662, sus valores y prácticas fundamentales persistieron en diversas formas dentro del movimiento disidente. Siguenos: - Web: https://teologiaparavivir.com/ - Blog: https://semperreformandaperu.org/ - Facebook: https://www.facebook.com/teologiaparavivir/ - Instagram: https://www.instagram.com/teologiaparavivir/ - Youtube: https://www.instagram.com/teologiaparavivir/

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre la revolución puritana, de acuerdo capítulo 4, “The Puritan Revolution” por John Morrill del libro The Cambridge Companion to Puritanism. Ver aquí: https://www.cambridge.org/gb/universitypress/subjects/religion/church-history/cambridge-companion-puritanism?format=HB&isbn=9780521860888 . Páginas 67-88. El programa de hoy examina la polifacética agitación religiosa y política de la Gran Bretaña de mediados del siglo 17. Morrill cuestiona la simplista etiqueta de «revolución puritana», explorando la compleja interacción de grupos presbiterianos, independientes y de otras sectas que competían por el poder religioso y político. Detalla los intentos de reforma de la Iglesia de Inglaterra, los conflictos subsiguientes y el triunfo final, aunque incompleto, de los ideales puritanos bajo el Protectorado de Oliver Cromwell. El programa destaca los diversos puntos de vista teológicos y la lucha por la libertad religiosa, mostrando en última instancia el complejo legado de triunfo y fragmentación del puritanismo. Se analiza también el papel de las figuras y acontecimientos clave, proporcionando una comprensión matizada de este período transformador. Siguenos: - Web: https://teologiaparavivir.com/ - Blog: https://semperreformandaperu.org/ - Facebook: https://www.facebook.com/teologiaparavivir/ - Instagram: https://www.instagram.com/teologiaparavivir/ - Youtube: https://www.instagram.com/teologiaparavivir/

Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century.  Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century.  Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century.  Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century.  Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century.  Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century.  Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world. Peter C. Kunze is an assistant professor of communication at Tulane University.

Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century.  Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In early 1820 a young farm boy by the name of Joseph Smith believed he had a vision of God the Father and Jesus Christ appearing to him, exhorting him not to join any of the existing churches of his day, for they were all corrupt. Just over 200 years later in 2023 in Wilmore, Kentuck in the main chapel on the campus of Asbury Theological Seminary, something of a revival began. For two weeks, thousands of people from all over the world came to Ashbury to see for themselves what was happening. During these two weeks, people prayed and sang worship songs. Many Christians, however, debated as to whether or not this was a genuine revival or just an emotive outpouring of mostly Gen-Z'ers. And most Evangelical Christians criticize Joseph's Smith's first vision as either legendary, completely fabricated, or theologically aberrant. How can we rightly discern whether or not people's personal experiences are truly from God? This week on the Profile we wrap up our conversation with theologian and literary scholar Dr. Jeffery Barbeau about his new book The Last Romantic - C.S. Lewis, English Literature, and Modern Theology and consider more of Lewis's insights and how they can equip us to think biblically about personal religious experiences.Jeffery Barbeau (Ph.D., Marquette University) is professor of theology at Wheaton College, Editor of The Coleridge Bulletin, and a writer on British Romanticism, religion and literature, and the history of Christian thought. His other works include The Cambridge Companion to British Romanticism and Religion (2021), The Spirit of Methodism: From the Wesleys to a Global Communion (2019), and Religion in Romantic England (2018).Related Links: Go deeper with these related apologetics tools: Watchman Fellowship's Spiritual Abuse Recovery Workbook by David Henke: www.watchman.org/SA Watchman Fellowship Profile on the International Christian Church: by Steve Matthews and Dr. Brady Blevins: www.watchman.org/ICC Watchman Fellowship Profile on the Church of Jesus Christ of Latter-day Saints by Tim Martin: www.watchman.org/Mormonism Watchman Fellowship Profile on Atheism by Dr. Robert M. Bowman, Jr: www.watchman.org/Mormonism Watchman Fellowship Profile on the Islam by James Walker: www.watchman.org/Muslim Additional ResourcesFREE: We are also offering a subscription to our 4-page bimonthly Profiles here: www.watchman.org/FreePROFILE NOTEBOOK: Order the complete collection of Watchman Fellowship Profiles (around 700 pages -- from Astrology to Zen Buddhism) in either printed or PDF formats here: www.watchman.org/NotebookSUPPORT: Help us create more content like this. Make a tax-deductible donation here: www.watchman.org/GiveApologetics Profile is a ministry of Watchman Fellowship For more information, visit www.watchman.org © Watchman Fellowship, Inc.

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre las complejidades del puritanismo a inicios del siglo 17 de acuerdo capítulo 3, “Early Stuart Puritanism” por Tom Webster del libro The Cambridge Companion to Puritanism. Ver aquí: https://www.cambridge.org/gb/universitypress/subjects/religion/church-history/cambridge-companion-puritanism?format=HB&isbn=9780521860888 . Páginas 48-66. El programa de hoy explora las complejidades del puritanismo de los primeros tiempos de Estuardo (1603-1640), cuestionando la noción de un movimiento unificado. Analiza la cambiante relación de los puritanos con la corona, destacando los periodos de optimismo y decepción, y la tensión entre conformidad y subversión. Webster examina las diversas estrategias de los puritanos para la reforma religiosa y social, incluyendo el mecenazgo, la piedad y la cultura impresa, demostrando su adaptabilidad y resistencia ante los cambiantes panoramas político y eclesiástico. Además, investiga el impacto del laudianismo, ilustrando cómo el aumento de la presión condujo tanto a una mayor conformidad como a una respuesta más radicalizada por parte de algunos. Por último, el programa concluye abogando por una comprensión más matizada del puritanismo de principios del siglo 17, haciendo hincapié en su heterogeneidad interna y su fluidez contextual. Siguenos: - Web: https://teologiaparavivir.com/ - Blog: https://semperreformandaperu.org/ - Facebook: https://www.facebook.com/teologiaparavivir/ - Instagram: https://www.instagram.com/teologiaparavivir/ - Youtube: https://www.instagram.com/teologiaparavivir/ 

If you have ever had a deeply moving personal experience with God, you know it can be something that words cannot adequately convey. Perhaps it is deeply emotional, powerful, and moving. The experience solidifies your conviction that what you believe about God is true. You might also believe God "spoke" to you in that moment. But given that there are a multitude of other religions today with devotees who claim to have similar experiences, how can we know that what we have experienced is an authentic movement of the God who is there? This week and next on the Profile, we talk with theologian and literary scholar Dr. Jeffrey Barbeau about his new book The Last Romantic - C.S. Lewis, English Literature, and Modern Theology and how Lewis's thoughts about Romantic poetry might give us some insight about the nature of personal religious experiences and how properly to think about them.Jeffery Barbeau (Ph.D., Marquette University) is professor of theology at Wheaton College, Editor of The Coleridge Bulletin, and a writer on British Romanticism, religion and literature, and the history of Christian thought. His books include monographs, anthologies, and edited books, including The Last Romantic: C. S. Lewis, English Literature, and Modern Theology (2025), The Cambridge Companion to British Romanticism and Religion (2021), The Spirit of Methodism: From the Wesleys to a Global Communion (2019), Religion in Romantic England (2018), and Sara Coleridge: Her Life and Thought (2014).Related Links: Go deeper with these related apologetics tools: Watchman Fellowship's Spiritual Abuse Recovery Workbook by David Henke: www.watchman.org/SA Watchman Fellowship Profile on the International Christian Church: by Steve Matthews and Dr. Brady Blevins: www.watchman.org/ICC Watchman Fellowship Profile on the Church of Jesus Christ of Latter-day Saints by Tim Martin: www.watchman.org/Mormonism Watchman Fellowship Profile on Atheism by Dr. Robert M. Bowman, Jr: www.watchman.org/Mormonism Watchman Fellowship Profile on the Islam by James Walker: www.watchman.org/Muslim Former Latter-day Saint, Isaac Hess, describes Mormonism's "Burning in the Bosom" https://youtu.be/ChULWVM6AF8 Additional ResourcesFREE: We are also offering a subscription to our 4-page bimonthly Profiles here: www.watchman.org/FreePROFILE NOTEBOOK: Order the complete collection of Watchman Fellowship Profiles (around 700 pages -- from Astrology to Zen Buddhism) in either printed or PDF formats here: www.watchman.org/NotebookSUPPORT: Help us create more content like this. Make a tax-deductible donation here: www.watchman.org/GiveApologetics Profile is a ministry of Watchman Fellowship For more information, visit www.watchman.org © Watchman Fellowship, Inc.

We welcome the wonderful Jay Samons to the podcast! Jay is Professor of Classical Studies at Boston University and Chief Academic Advisor and Executive Director of the Institute for Hellenic Culture and the Liberal Arts at The American College of Greece in Athens. Born in Arkansas and educated at Baylor University and Brown University, Samons has taught ancient history and classical languages at Boston University for 31 years, winning many teaching awards including the university's highest honor, the Metcalf Award for Excellence. He has published numerous works on classical Greece, focusing in particular on the relationship between Athenian democracy and imperialism, the issue of national character, the relevance of ancient history for the modern world. His books include Empire of the Owl: Athenian Imperial Finance (2000), What's Wrong with Democracy? From Athenian Practice to American Worship (2004), and Pericles and the Conquest of History (2016), as well as the edited volumes The Cambridge Companion to the Age of Pericles (2007) and Athenian Democracy and Imperialism (1997).Professor Samons has lectured at many institutions including Oxford University, The University of Edinburgh, the University of Pennsylvania, Brown University, Duke University, Pomona College, and the Getty Villa. Among other named lectures, Samons delivered the annual Bancroft Memorial Lecture at the U.S. Naval Academy in 2020. In 2018 Professor Samons was a Visiting Scholar at St John's College, Oxford, where he continued work on a book-length study on the rise of classical Athens.Professor Samons' outreach efforts have included lectures at many elementary and secondary schools, often in support of the Marathon Education Committee, as well as talks and seminars for teachers (including The Examined Life) and collaborations with the Greek Consulate in Boston, especially in conjunction with the Boston University Philhellenes.In various roles at The American College of Greece, Professor Samons has helped to implement the college's strategic plan by creating new institutes and centers of excellence designed to foster research, international collaboration, and economic growth. Most recently he has focused on expanding undergraduate and graduate programming, especially in ways that emphasize Greece's important historical and contemporary role as an intellectual and cultural leader.See more on GreekAF!

Melvyn Bragg and guests discuss Plato's Crito and Phaedo, his accounts of the last days of Socrates in prison in 399 BC as he waited to be executed by drinking hemlock. Both works show Socrates preparing to die in the way he had lived: doing philosophy. In the Crito, Plato shows Socrates arguing that he is duty bound not to escape from prison even though a bribe would open the door, while in the Phaedo his argument is for the immortality of the soul which, at the point of death, might leave uncorrupted from the 'prison' of his body, the one escape that truly mattered to Socrates. His example in his last days has proved an inspiration to thinkers over the centuries and in no small way has helped ensure the strength of his reputation.WithAngie Hobbs Professor of the Public Understanding of Philosophy at the University of SheffieldFiona Leigh Associate Professor in the Department of Philosophy at University College LondonAnd James Warren Professor of Ancient Philosophy at the University of Cambridge and Fellow of Corpus Christi College, CambridgeProducer: Simon TillotsonReading list:David Ebrey, Plato's Phaedo: Forms, Death and the Philosophical Life (Cambridge University Press, 2023)Dorothea Frede, ‘The Final Proof of the Immortality of the Soul in Plato's Phaedo 102a-107a' (Phronesis 23, 1978)W. K. C. Guthrie, A History of Greek Philosophy, vol. 4, Plato: The Man and his Dialogues, Earlier Period (Cambridge University Press, 2008) Verity Harte, ‘Conflicting Values in Plato's Crito' (Archiv. für Geschichte der Philosophie 81, 1999)Angie Hobbs, Why Plato Matters Now (Bloomsbury, forthcoming 2025), especially chapter 5 Rachana Kamtekar (ed.), Plato's Euthyphro, Apology and Crito: Critical Essays (Rowman and Littlefield, 2004)Richard Kraut, Socrates and the State (Princeton University Press, 1984)Melissa Lane, ‘Argument and Agreement in Plato's Crito' (History of Political Thought 19, 1998) Plato (trans. Chris Emlyn-Jones and William Preddy), Euthyphro, Apology, Crito, Phaedo and Phaedrus (Loeb Classical Library, Harvard University Press, 2017)Plato (trans. G. M. A. Grube and John Cooper), The Trial and Death of Socrates: Euthyphro Apology, Crito, Phaedo (Hackett, 2001) Plato (trans. Christopher Rowe), The Last Days of Socrates: Euthyphro, Apology, Crito, Phaedo (Penguin, 2010)Donald R. Robinson (ed.), The Cambridge Companion to Socrates (Cambridge University Press, 2011)David Sedley and Alex Long (eds.), Plato: Meno and Phaedo (Cambridge University Press, 2010)James Warren, ‘Forms of Agreement in Plato's Crito' (Proceedings of the Aristotelian Society, Volume 123, Issue 1, April 2023)Robin Waterfield, Why Socrates Died: Dispelling the Myths (Faber and Faber, 2010)In Our Time is a BBC Studios Audio Production

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el crecimiento del puritanismo de acuerdo capítulo 2, “The Growth of English Puritanism” por John Craig del libro The Cambridge Companion to Puritanism. Ver aquí: https://www.cambridge.org/gb/universitypress/subjects/religion/church-history/cambridge-companion-puritanism?format=HB&isbn=9780521860888 . Páginas 34-47. El programa de hoy examina los orígenes y el desarrollo del puritanismo en la Inglaterra de finales del siglo 16. Desafía los relatos tradicionales al destacar el importante papel de los laicos, en particular los pañeros, y la influencia de los pactos en la formación de la identidad puritana primitiva. El programa traza la evolución del pensamiento y la acción puritanos a través de acontecimientos clave, como la controversia vestiaria y la Admonición al Parlamento, mostrando la interacción entre la disidencia clerical, las maniobras políticas y el apoyo popular a la reforma religiosa. Craig explora también la compleja relación entre los puritanos y la clase dirigente isabelina, demostrando cómo el progreso del movimiento se vio influido tanto por el mecenazgo como por la persecución. Por último, se subraya el impacto duradero de los ideales puritanos incluso frente a la supresión. Siguenos: - Web: https://teologiaparavivir.com/ - Blog: https://semperreformandaperu.org/ - Facebook: https://www.facebook.com/teologiaparavivir/ - Instagram: https://www.instagram.com/teologiaparavivir/ - Youtube: https://www.instagram.com/teologiaparavivir/

This and all episodes at: https://aiandyou.net/ . On the recent wrap-up/predictions panel we had so much fascinating discussion about AI in religion with panelist Beth Singler that I said we should have her back on the show by herself to talk about that, so here she is! Beth is the Assistant Professor in Digital Religions and co-lead of the Media Existential Encounters and Evolving Technology Lab at the University of Zurich, where she leads projects on religion and AI. As an anthropologist, her research addresses the human, religious, cultural, social, and ethical implications of developments in AI and robotics.  She received the 2021 Digital Religion Research Award from the Network for New Media, Religion, and Digital Culture Studies. Her popular science communication work includes a series of award-winning short documentaries on AI. She is co-editor of the Cambridge Companion to Religion and AI, and author of Religion and AI: An Introduction, both published last year.  In part 2, we talk about Roko's Basilisk, which is a concept that changes your life the moment you find out what it is, experiences of AI saying that it's a God, the reverse Garland test (that's based on ex Machina), simulation theories starting with Plato's Cave, more chatbot priests, how Beth does research, and… Battlestar Galactica. All this plus our usual look at today's AI headlines. Transcript and URLs referenced at HumanCusp Blog.        

In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic. Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic. Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic. Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic. Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic. Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here.

In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic. Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic. Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This and all episodes at: https://aiandyou.net/ . On the recent wrap-up/predictions panel we had so much fascinating discussion about AI in religion with panelist Beth Singler that I said we should have her back on the show by herself to talk about that, so here she is! Beth is the Assistant Professor in Digital Religions and co-lead of the Media Existential Encounters and Evolving Technology Lab at the University of Zurich, where she leads projects on religion and AI. As an anthropologist, her research addresses the human, religious, cultural, social, and ethical implications of developments in AI and robotics.  She received the 2021 Digital Religion Research Award from the Network for New Media, Religion, and Digital Culture Studies. Her popular science communication work includes a series of award-winning short documentaries on AI. She is co-editor of the Cambridge Companion to Religion and AI, and author of Religion and AI: An Introduction, both published last year.  In part 1, we talk about why religion and AI is a thing and what its dimensions are, the influence of science fiction, tropes like End Times, AI used in religious roles, and the Singularity. Transcript and URLs referenced at HumanCusp Blog.        

Samantha Ege is both a leading scholar and interpreter of Florence Price. In this interview, she talks about her recent book “South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene”. I was fascinated to learn about this compelling history of Chicago's Black Renaissance with women such as Nora Holt,  Margaret Bonds, and Katherine Dunham.  Dr. Ege shared how the scholarship side of her work informs both her identity as a pianist and also how this research and storytelling cause her to reflect on some of her own challenges. We also talked about some of her other recent recording projects, including the upcoming Avril Coleridge-Taylor piano concerto and chamber music with Castle of our Skins, and she reflected candidly on her personal creative life as a writer, performer and composer. Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript to my website Newsletter sign-up Buy me a coffee? Merchandise store You may be also interested in the following episodes:   Gerry Bryant Daniel Bartholomew-Poyser   Vahn Black Rebeca Omordia Omo Bello DeWitt Fleming Jr.  Destiny Muhammad among so many https://www.leahroseman.com/about Troubled Water by Margaret Bonds from concert in Chicago for Crossing Borders Music Fantasie Negre no. 1 in E minor by Florence Price: from concert in Chicago for Crossing Borders Music https://www.samanthaege.com/ Timestamps:  (00:00) Intro (02:11) book Southside Impresarios, Race women, Florence Price (05:07) racism, Florence Price, John Powell (10:50) Margaret Bonds “Troubled Water” from live performance (link to video in show notes) (15:46) Southside Impresarios, Black Chicago Renaissance, Florence Price (18:08) Wannamaker competition, Florence Price, Margaret Bonds (21:47) Nora Holt, Florence Price (30:43) Samantha's practice diaries, Avril Coleridge-Taylor piano concerto (38:03) other episodes you'll like and ways to support this series (38:56) composing, identity and confidence (41:17)the importance of storytelling, upcoming Chicago concerts, community of Black researchers (44:59) Katherine Dunham, ballet (47:05) Boston Six, Amy Beach, exclusion of Black composers (48:55) excerpt from Fantasie Nègre by Florence Price from live performance (link to video in show notes) (51:52) Chamber music album with Castle of Our Skins, Undine Smith Moore, Bongani Ndodana-Breen (55:08) Cambridge Companion to Florence Price, Rae Linda Brown, Alexandra Kori Hill (57:16) Southside Impresarios (59:56) Samantha's reflections on her career, Doreen Carwithen concerto

George Orwell is sometimes read as disinterested in (if not outright hostile) to philosophy. Yet a fair reading of Orwell's work reveals an author whose work was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell's written works are of ethical significance, but he also affirmed and defended substantive ethical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality.  In George Orwell: The Ethics of Equality (Oxford UP, 2023), philosopher Peter Brian Barry avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of Orwell's corpus, including his fiction, journalism, essays, book reviews, diaries, and correspondence, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions. While Orwell is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and the philosophical sympathies that led him to embrace them. Barry illuminates Orwell's philosophical sympathies and contributions that have either gone unnoticed or been underappreciated. Philosophers interested in Orwell now have a text that explores many of the philosophical themes in his work and Orwell's readers now have a text that makes the case for regarding him as a worthy philosopher as well as one of the greatest Anglophone writers of the 20th century. Peter Brian Barry is Professor of Philosophy and the Finkbeiner Endowed Professor in Ethics at Saginaw Valley State University. He is the author of Evil and Moral Psychology and The Fiction of Evil as well as several papers in ethics, applied ethics, and social and political philosophy. He has contributed to The Cambridge Companion to Nineteen Eighty-Four, The Oxford Handbook of George Orwell, and George Orwell Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

George Orwell is sometimes read as disinterested in (if not outright hostile) to philosophy. Yet a fair reading of Orwell's work reveals an author whose work was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell's written works are of ethical significance, but he also affirmed and defended substantive ethical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality.  In George Orwell: The Ethics of Equality (Oxford UP, 2023), philosopher Peter Brian Barry avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of Orwell's corpus, including his fiction, journalism, essays, book reviews, diaries, and correspondence, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions. While Orwell is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and the philosophical sympathies that led him to embrace them. Barry illuminates Orwell's philosophical sympathies and contributions that have either gone unnoticed or been underappreciated. Philosophers interested in Orwell now have a text that explores many of the philosophical themes in his work and Orwell's readers now have a text that makes the case for regarding him as a worthy philosopher as well as one of the greatest Anglophone writers of the 20th century. Peter Brian Barry is Professor of Philosophy and the Finkbeiner Endowed Professor in Ethics at Saginaw Valley State University. He is the author of Evil and Moral Psychology and The Fiction of Evil as well as several papers in ethics, applied ethics, and social and political philosophy. He has contributed to The Cambridge Companion to Nineteen Eighty-Four, The Oxford Handbook of George Orwell, and George Orwell Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

George Orwell is sometimes read as disinterested in (if not outright hostile) to philosophy. Yet a fair reading of Orwell's work reveals an author whose work was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell's written works are of ethical significance, but he also affirmed and defended substantive ethical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality.  In George Orwell: The Ethics of Equality (Oxford UP, 2023), philosopher Peter Brian Barry avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of Orwell's corpus, including his fiction, journalism, essays, book reviews, diaries, and correspondence, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions. While Orwell is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and the philosophical sympathies that led him to embrace them. Barry illuminates Orwell's philosophical sympathies and contributions that have either gone unnoticed or been underappreciated. Philosophers interested in Orwell now have a text that explores many of the philosophical themes in his work and Orwell's readers now have a text that makes the case for regarding him as a worthy philosopher as well as one of the greatest Anglophone writers of the 20th century. Peter Brian Barry is Professor of Philosophy and the Finkbeiner Endowed Professor in Ethics at Saginaw Valley State University. He is the author of Evil and Moral Psychology and The Fiction of Evil as well as several papers in ethics, applied ethics, and social and political philosophy. He has contributed to The Cambridge Companion to Nineteen Eighty-Four, The Oxford Handbook of George Orwell, and George Orwell Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

George Orwell is sometimes read as disinterested in (if not outright hostile) to philosophy. Yet a fair reading of Orwell's work reveals an author whose work was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell's written works are of ethical significance, but he also affirmed and defended substantive ethical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality.  In George Orwell: The Ethics of Equality (Oxford UP, 2023), philosopher Peter Brian Barry avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of Orwell's corpus, including his fiction, journalism, essays, book reviews, diaries, and correspondence, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions. While Orwell is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and the philosophical sympathies that led him to embrace them. Barry illuminates Orwell's philosophical sympathies and contributions that have either gone unnoticed or been underappreciated. Philosophers interested in Orwell now have a text that explores many of the philosophical themes in his work and Orwell's readers now have a text that makes the case for regarding him as a worthy philosopher as well as one of the greatest Anglophone writers of the 20th century. Peter Brian Barry is Professor of Philosophy and the Finkbeiner Endowed Professor in Ethics at Saginaw Valley State University. He is the author of Evil and Moral Psychology and The Fiction of Evil as well as several papers in ethics, applied ethics, and social and political philosophy. He has contributed to The Cambridge Companion to Nineteen Eighty-Four, The Oxford Handbook of George Orwell, and George Orwell Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

George Orwell is sometimes read as disinterested in (if not outright hostile) to philosophy. Yet a fair reading of Orwell's work reveals an author whose work was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell's written works are of ethical significance, but he also affirmed and defended substantive ethical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality.  In George Orwell: The Ethics of Equality (Oxford UP, 2023), philosopher Peter Brian Barry avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of Orwell's corpus, including his fiction, journalism, essays, book reviews, diaries, and correspondence, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions. While Orwell is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and the philosophical sympathies that led him to embrace them. Barry illuminates Orwell's philosophical sympathies and contributions that have either gone unnoticed or been underappreciated. Philosophers interested in Orwell now have a text that explores many of the philosophical themes in his work and Orwell's readers now have a text that makes the case for regarding him as a worthy philosopher as well as one of the greatest Anglophone writers of the 20th century. Peter Brian Barry is Professor of Philosophy and the Finkbeiner Endowed Professor in Ethics at Saginaw Valley State University. He is the author of Evil and Moral Psychology and The Fiction of Evil as well as several papers in ethics, applied ethics, and social and political philosophy. He has contributed to The Cambridge Companion to Nineteen Eighty-Four, The Oxford Handbook of George Orwell, and George Orwell Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el movimiento puritano, de acuerdo capítulo 1, "Antipuritanism” por Patrick Collinson del libro The Cambridge Companion to Puritanism. Ver aquí: https://www.cambridge.org/gb/universitypress/subjects/religion/church-history/cambridge-companion-puritanism?format=HB&isbn=9780521860888 . Páginas 19–33. El programa de hoy explora el desarrollo histórico del término «puritano» y la naturaleza polifacética del sentimiento antipuritano en la Inglaterra isabelina y jacobina. Collinson sostiene que el término fue inicialmente una etiqueta peyorativa empleada tanto por opositores católicos como protestantes para describir a una diversa gama de protestantes inconformistas, y que su adopción generalizada como etiqueta definitiva se produjo relativamente tarde. El ensayo examina cómo la literatura satírica, las obras de teatro y la cultura popular de la época contribuyeron a la construcción y difusión de imágenes estereotipadas de los puritanos, tanto positivas como negativas, que a menudo se parecían poco a la realidad de la vida y las creencias puritanas. El autor subraya el poderoso papel del lenguaje y la polémica en la formación de las percepciones y la interacción dinámica entre puritanismo y antipuritanismo. Por último, Collinson subraya que los sentimientos antipuritanos se intensificaron durante periodos en los que el inconformismo puritano estaba en realidad disminuyendo, lo que indica una dimensión cultural y social más profunda del fenómeno. Siguenos: - Web: https://teologiaparavivir.com/ - Blog: https://semperreformandaperu.org/ - Facebook: https://www.facebook.com/teologiaparavivir/ - Instagram: https://www.instagram.com/teologiaparavivir/ - Youtube: https://www.instagram.com/teologiaparavivir/

Melvyn Bragg and guests discuss the Greek biographer Plutarch (c46 AD-c120 AD) and especially his work 'Parallel Lives' which has shaped the way successive generations see the Classical world. Plutarch was clear that he was writing lives, not histories, and he wrote these very focussed accounts in pairs to contrast and compare the characters of famous Greeks and Romans, side by side, along with their virtues and vices. This focus on the inner lives of great men was to fascinate Shakespeare, who drew on Plutarch considerably when writing his Julius Caesar, Coriolanus, Timon of Athens and Antony and Cleopatra. While few followed his approach of setting lives in pairs, Plutarch's work was to influence countless biographers especially from the Enlightenment onwards.WithJudith Mossman Professor Emerita of Classics at Coventry UniversityAndrew Erskine Professor of Ancient History at the University of EdinburghAnd Paul Cartledge AG Leventis Senior Research Fellow of Clare College, University of CambridgeProducer: Simon TillotsonReading list:Mark Beck (ed.), A Companion to Plutarch (Wiley-Blackwell, 2014)Colin Burrow, Shakespeare and Classical Antiquity (Oxford University Press, 2013), especially chapter 6Raphaëla Dubreuil, Theater and Politics in Plutarch's Parallel Lives (Brill, 2023)Tim Duff, Plutarch's Lives: Exploring Virtue and Vice (Oxford University Press, 1999)Noreen Humble (ed.), Plutarch's Lives: Parallelism and Purpose (Classical Press of Wales, 2010)Robert Lamberton, Plutarch (Yale University Press, 2002)Hugh Liebert, Plutarch's Politics: Between City and Empire (Cambridge University Press, 2016)Christopher Pelling, Plutarch and History (Classical Press of Wales, 2002)Plutarch (trans. Robin Waterfield), Greek Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Roman Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Hellenistic Lives (Oxford University Press, 2016)Plutarch (trans. Ian Scott-Kilvert), The Rise and Fall of Athens: Nine Greek Lives (Penguin, 2023) Plutarch (trans. Ian Scott-Kilvert), The Age of Alexander: Nine Greek Lives (Penguin, 2011) Plutarch (trans. Richard Talbert), On Sparta (Penguin, 2005)Plutarch (trans. Christopher Pelling), The Rise of Rome (Penguin, 2013) Plutarch (trans. Christopher Pelling), Rome in Crisis: Nine Lives (Penguin, 2010)Plutarch (trans. Rex Warner), The Fall of the Roman Republic: Six Lives (Penguin, 2006)Plutarch (trans. Thomas North, ed. Judith Mossman), The Lives of the Noble Grecians and Romans (Wordsworth, 1998)Geert Roskam, Plutarch (Cambridge University Press, 2021)D. A. Russell, Plutarch (2nd ed., Bristol Classical Press, 2001)Philip A. Stadter, Plutarch and his Roman Readers (Oxford University Press, 2014)Frances B. Titchener and Alexei V. Zadorojnyi (eds.), The Cambridge Companion to Plutarch (Cambridge University Press, 2023)In Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss the Greek biographer Plutarch (c46 AD-c120 AD) and especially his work 'Parallel Lives' which has shaped the way successive generations see the Classical world. Plutarch was clear that he was writing lives, not histories, and he wrote these very focussed accounts in pairs to contrast and compare the characters of famous Greeks and Romans, side by side, along with their virtues and vices. This focus on the inner lives of great men was to fascinate Shakespeare, who drew on Plutarch considerably when writing his Julius Caesar, Coriolanus, Timon of Athens and Antony and Cleopatra. While few followed his approach of setting lives in pairs, Plutarch's work was to influence countless biographers especially from the Enlightenment onwards.WithJudith Mossman Professor Emerita of Classics at Coventry UniversityAndrew Erskine Professor of Ancient History at the University of EdinburghAnd Paul Cartledge AG Leventis Senior Research Fellow of Clare College, University of CambridgeProducer: Simon TillotsonReading list:Mark Beck (ed.), A Companion to Plutarch (Wiley-Blackwell, 2014)Colin Burrow, Shakespeare and Classical Antiquity (Oxford University Press, 2013), especially chapter 6Raphaëla Dubreuil, Theater and Politics in Plutarch's Parallel Lives (Brill, 2023)Tim Duff, Plutarch's Lives: Exploring Virtue and Vice (Oxford University Press, 1999)Noreen Humble (ed.), Plutarch's Lives: Parallelism and Purpose (Classical Press of Wales, 2010)Robert Lamberton, Plutarch (Yale University Press, 2002)Hugh Liebert, Plutarch's Politics: Between City and Empire (Cambridge University Press, 2016)Christopher Pelling, Plutarch and History (Classical Press of Wales, 2002)Plutarch (trans. Robin Waterfield), Greek Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Roman Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Hellenistic Lives (Oxford University Press, 2016)Plutarch (trans. Ian Scott-Kilvert), The Rise and Fall of Athens: Nine Greek Lives (Penguin, 2023) Plutarch (trans. Ian Scott-Kilvert), The Age of Alexander: Nine Greek Lives (Penguin, 2011) Plutarch (trans. Richard Talbert), On Sparta (Penguin, 2005)Plutarch (trans. Christopher Pelling), The Rise of Rome (Penguin, 2013) Plutarch (trans. Christopher Pelling), Rome in Crisis: Nine Lives (Penguin, 2010)Plutarch (trans. Rex Warner), The Fall of the Roman Republic: Six Lives (Penguin, 2006)Plutarch (trans. Thomas North, ed. Judith Mossman), The Lives of the Noble Grecians and Romans (Wordsworth, 1998)Geert Roskam, Plutarch (Cambridge University Press, 2021)D. A. Russell, Plutarch (2nd ed., Bristol Classical Press, 2001)Philip A. Stadter, Plutarch and his Roman Readers (Oxford University Press, 2014)Frances B. Titchener and Alexei V. Zadorojnyi (eds.), The Cambridge Companion to Plutarch (Cambridge University Press, 2023)In Our Time is a BBC Studios Audio Production

Timestamps to Know · 00:32 – Intro · 03:35 – Encouragements as We Look Forward to 2025 · 07:23 – Why is the Question of Humanity Historically Important? · 12:20 – Why Should Congregants or Laypersons Study the Doctrine of Humanity? · 17:31 – How Did the Change to an Enlightenment Epistemology Effect the Doctrine of Humanity? · 23:10 – A Mirrored Reality That is Lost · 30:00 – How Is This Piece Helpful in How Dr. Van Relates This to Economics? · 34:44 – Man Creating God · 43:03 –Do Other Systematic Theologies Address Our Modern Anthropological Problems? · 45:25 – Denying Politics Denies the Doctrine of Man · 54:15 – How Does the Doctrine of Humanity Help Us Preach the Gospel? ·  1:00:18 - Outro   Resources to Click ·“The Need for Theological Anthropology” – Stephen J. Wellum · “The Extinction of Experience: Christine Rosen on the Impact of Technology on Society” – Uncommon Knowledge · “The Embodied Person: Why I Am My Body, Not Just My Soul” – Gregg Allison · “Going Deeper” – Daniel Strange · “Can You Understand a Kangaroo Without a Bible? Why I Hold to a Revelational Epistemology” – Pierce Taylor Hibbs · “Abortion Statistics 1973-2019” · “Majority of Americans Remain Supportive of Euthanasia” – Jade Wood and Justin McCarthy ·  “Why They Kill Their Newborns” – Steven Pinker · “WEF Mastermind: ‘Human Rights are Fiction, Just Like God' – Frank Bergman · Theme of the Month: The Image of God in Scripture and Society · Give to Support the Work   Books to Read · The Extinction of Experience: Being Human in a Disembodied World – Christine Rosen · The Abolition of Man – C.S. Lewis · “Human Being, Individual and Social” by Kevin J. Vanhoozer in The Cambridge Companion to Christian Doctrine –  ed. Colin E. Gunton · An Essay on Man: The 18th Century Enlightenment Classic – Alexander Pope · The Message in the Bottle -  Walker Percy · The Human Body Shop – Andrew Kimbrell ·  The Wedge of Truth: Splitting the Foundations of Naturalism – Phillip E. Johnson · False Flag: Why Queer Politics Mean the End of America – Joy Pullman · Losing Our Virtue: Why the Church Must Recover Its Moral Vision – David F. Wells ·“Losing Our Religion: The Impact of Secularisation on the Understanding of Sin” in Ruined Sinners to Reclaim – ed. David Gibson · The Intolerance of Tolerance – D.A. Carson · A Critique of Pure Tolerance – Robert Paul Wolff · “Sin's Contemporary Significance,” by D.A. Carson in Fallen: A Theology of Sin – ed. Christopher W. Morgan and Robert A. Peterson · Idols for Destruction: The Conflict of Christian Faith in American Culture – Herbert Schlossberg · How Should We Then Live?: The Rise and Decline of Western Thought and Culture – Franciss A. Schaeffer ·Homo Deus: A Brief History of Tomorrow – Yuval Noah Harari · The Institutes of the Christian Religion – John Calvin · Our Civilizational Moment: The Waning of the West and the War of the Worlds – Os Guinness

"I think in many ways the pattern is the least important part of conducting. It's much more about showing what the music should be doing, not beating four. If it were just a matter of keeping time, we could use a flashing red light. That's not what your job is. Your job is to encourage and show the music physically. I believe very strongly that the conducting gesture is nothing more than your vocal process externalized.”Chester L. Alwes holds degrees in music from Hanover College, Union Theological Seminary School of Sacred Music, and the University of Illinois at Urbana-Champaign. Before joining the University of Illinois faculty in 1982, he taught at the College of Wooster and the University of Rochester/Eastman School of Music. Prior to his retirement in 2011 from the University of Illinois, Dr. Alwes taught graduate courses in choral literature, seminars on the works of J. S Bach and Henry Purcell and graduate and undergraduate conducting. From 1982-2009, he was conductor of the U. of I. Concert Choir, taking over the Women's Glee Club prior to his retirement. In addition, he frequently conducted the University's Oratorio Society, Summer Chorus, and the Illinois Summer Youth Music Senior Chorus.In 1996, he founded the Baroque Artists of Champaign-Urbana (BACH), an ensemble drawn from the University and local community that specialized in music of the 17th and 18th centuries. As a choral conductor, Dr. Alwes was known for his innovative programming, his sensitivity to tone and musical line, and his dedication to the musical growth of his singers. He is the author of A History of Western Choral Music (2 vols., Oxford University Press, 2015-16), Handel's Messiah: the Complete Solo Variants (Roger Dean Music, 2009), the chapter on Choral Music of the Romantic era in the Cambridge Companion to Choral Music, Andre De Quadros, ed. (Cambridge University Press, 2012), articles on choral music and numerous choral compositions and arrangements (70+).To get in touch with Chet, you can find him on Facebook (@calwes) or email him at calwes@illinois.edu.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonSights N Sounds with Allen KigerInterviewing music and racing royalty.Listen on: Apple Podcasts Spotify

Welcome back to a new episode of An Aesthetic Education, as we head towards the end of the year and the end of our second season. Our last two episodes of this season will take us back in time to explore the origins of the English language and literature by diving into the world of Anglo-Saxon, England and the story of Beowulf.Written & Presented by Jeremy RosenAll Rights Reserved Altalena Inc. READING LIST:Peter S. Baker (ed.), The Beowulf Reader (Routledge, 2000)R. E. Bjork and J. D. Niles, A Beowulf Handbook (Liverpool University Press, 1997)R. E. Bjork, R. D. Fulk and J. D. Niles (eds.), Klaeber's Beowulf (University of Toronto Press, 2008)R. D. Fulk (ed.), The Beowulf Manuscript (Harvard University Press, 2010)R. D. Fulk, Interpretations of Beowulf: A Critical Anthology (Indiana University Press, 1991)Malcolm Godden and Michael Lapidge (eds.), The Cambridge Companion to Old English Literature (Cambridge University Press, 2013)E. B. Irving, Rereading Beowulf (University of Pennsylvania Press, 1992)Andy Orchard, A Critical Companion to Beowulf (Boydell and Brewer, 2003)Andy Orchard, Pride and Prodigies: Studies in the Monsters of the Beowulf Manuscript (University of Toronto Press, 2003)J. R. R. Tolkien and C. Tolkien, Beowulf: A Translation and Commentary (Houghton Mifflin, 2014)

Welcome back to a our final episode of our second season An Aesthetic Education. Our last two episodes of this season will take us back in time to explore the origins of the English language and literature by diving into the world of Anglo-Saxon, England and the story of Beowulf.Written & Presented by Jeremy RosenAll Rights Reserved Altalena Inc. READING LIST:Peter S. Baker (ed.), The Beowulf Reader (Routledge, 2000)R. E. Bjork and J. D. Niles, A Beowulf Handbook (Liverpool University Press, 1997)R. E. Bjork, R. D. Fulk and J. D. Niles (eds.), Klaeber's Beowulf (University of Toronto Press, 2008)R. D. Fulk (ed.), The Beowulf Manuscript (Harvard University Press, 2010)R. D. Fulk, Interpretations of Beowulf: A Critical Anthology (Indiana University Press, 1991)Malcolm Godden and Michael Lapidge (eds.), The Cambridge Companion to Old English Literature (Cambridge University Press, 2013)E. B. Irving, Rereading Beowulf (University of Pennsylvania Press, 1992)Andy Orchard, A Critical Companion to Beowulf (Boydell and Brewer, 2003)Andy Orchard, Pride and Prodigies: Studies in the Monsters of the Beowulf Manuscript (University of Toronto Press, 2003)J. R. R. Tolkien and C. Tolkien, Beowulf: A Translation and Commentary (Houghton Mifflin, 2014)Stephen Mitchell, Beowulf (Yale University Press, 2017)

This and all episodes at: https://aiandyou.net/ . In our last episode of 2024, we have our traditional end of year retrospective/prediction episode. We'll be taking a look back over the year just ending and forward to 2025, but we're not going to focus on technology, when GPT-5 is going to drop, etc. The space is already stuffed full of that sort of thing. We're going to look at the time through an anthropological lens, for which I am rejoined by two former guests, anthropologist Beth Singler, who was in episodes 38 and 39, and philosopher John Zerilli, who was in episodes 78 and 79. Beth is Assistant Professor in Digital Religion(s) and co-lead of the Media Existential Encounters and Evolving Technology Lab at the University of Zurich, where she leads projects on religion and AI. Her most recent books are Religion and Artificial Intelligence and The Cambridge Companion to Religion and Artificial Intelligence. John is a Lecturer at the University of Edinburgh, with a PhD in cognitive science and philosophy, and carrying out research at the universities of Oxford and Cambridge. His most recent book, A Citizen's Guide to Artificial Intelligence, was published in 2021. We consider how AI has been reshaping public narratives and attitudes over questions like job replacement, creativity, education, law, and religion. All this plus our usual look at today's AI headlines. Transcript and URLs referenced at HumanCusp Blog.          

Melvyn Bragg and guests discuss the Italian author of Invisible Cities, If On A Winter's Night A Traveller, Cosmicomics and other celebrated novels, fables and short stories of the 20th Century. Calvino (1923 -1985) had a passionate belief that writing and art could make life better for everyone. Despite his parents being scientists, who dearly wanted him to be a scientist too, and his time fighting with the Partisans in Liguria in WWII during which his parents were held hostage by the Nazis, Calvino turned away from realism in his writing. Ideally, he said, he would have liked to be alive in the Enlightenment. He moved towards the fantastical, drawing on his childhood reading while collecting a huge number of the fables of Italy and translating them from dialect into Italian to enrich the shared culture of his fellow citizens. His fresh perspective on the novel continues to inspire writers and delight readers in Italian and in translations around the world.With Guido Bonsaver Professor of Italian Cultural History at the University of OxfordJennifer Burns Professor of Italian Studies at the University of WarwickAndBeatrice Sica Associate Professor in Italian Studies at UCLProducer: Simon TillotsonReading list: Elio Baldi, The Author in Criticism: Italo Calvino's Authorial Image in Italy, the United States, and the United Kingdom (Fairleigh Dickinson University Press, 2020)Elio Baldi and Cecilia Schwartz, Circulation, Translation and Reception Across Borders: Italo Calvino's Invisible Cities Around the World (Routledge, 2024)Peter Bondanella and Andrea Ciccarelli (eds.), The Cambridge Companion to the Italian Novel (Cambridge University Press, 2003), especially the chapter ‘Italo Calvino and Umberto Eco: Postmodern Masters'James Butler, ‘Infinite Artichoke' (London Review of Books, vol. 45, no. 12, 15 June 2023)Italo Calvino (trans. Martin McLaughlin), The Path to the Spiders' Nests (first published 1947; Penguin Classics, 2009)Italo Calvino (trans. Mikki Taylor), The Baron in the Trees (first published 1957; Vintage Classics, 2021)Italo Calvino, Marcovaldo (first published 1963; Vintage Classics, 2023) Italo Calvino (trans. William Weaver and Ann Goldstein), Difficult Loves and Other Stories (first published 1970; Vintage Classics, 2018)Italo Calvino (trans. William Weaver), Invisible Cities (first published 1972; Vintage Classics, 1997)Italo Calvino (trans. Patrick Creagh), The Uses of Literature (first published 1980; Houghton Mifflin, 1987)Italo Calvino (trans. Geoffrey Brock), Six Memos for the Next Millennium (first published 1988; Penguin Classics, 2016) Italo Calvino (trans. Tim Parks), The Road to San Giovanni (first published 1990; HMH Books, 2014) Italo Calvino (trans. Ann Goldstein), The Written World and the Unwritten World: Essays (Mariner Books Classics, 2023)Kathryn Hume, Calvino's Fictions: Cogito and Cosmos (Clarendon Press, 1992)Martin McLaughlin, Italo Calvino (Edinburgh University Press, 1998)In Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss the poet George Herbert (1593-1633) who, according to the French philosopher Simone Weil, wrote ‘the most beautiful poem in the world'. Herbert gave his poems on his relationship with God to a friend, to be published after his death if they offered comfort to any 'dejected pour soul' but otherwise be burned. They became so popular across the range of Christians in the 17th Century that they were printed several times, somehow uniting those who disliked each other but found a common admiration for Herbert; Charles I read them before his execution, as did his enemies. Herbert also wrote poems prolifically and brilliantly in Latin and these he shared during his lifetime both when he worked as orator at Cambridge University and as a parish priest in Bemerton near Salisbury. He went on to influence poets from Coleridge to Heaney and, in parish churches today, congregations regularly sing his poems set to music as hymns. WithHelen Wilcox Professor Emerita of English Literature at Bangor UniversityVictoria Moul Formerly Professor of Early Modern Latin and English at UCLAndSimon Jackson Director of Music and Director of Studies in English at Peterhouse, University of CambridgeProducer: Simon TillotsonReading list: Amy Charles, A Life of George Herbert (Cornell University Press, 1977)Thomas M. Corns, The Cambridge Companion to English Poetry: Donne to Marvell (Cambridge University Press, 1993) John Drury, Music at Midnight: The Life and Poetry of George Herbert (Penguin, 2014)George Herbert (eds. John Drury and Victoria Moul), The Complete Poetry (Penguin, 2015)George Herbert (ed. Helen Wilcox), The English Poems of George Herbert (Cambridge University Press, 2007)Simon Jackson, George Herbert and Early Modern Musical Culture (Cambridge University Press, 2022)Gary Kuchar, George Herbert and the Mystery of the Word (Palgrave Macmillan, 2017)Cristina Malcolmson, George Herbert: A Literary Life (Palgrave Macmillan, 2004)Victoria Moul, A Literary History of Latin and English Poetry: Bilingual Literary Culture in Early Modern England (Cambridge University Press, 2022)Joseph H. Summers, George Herbert: His Religion and Art (first published by Chatto and Windus, 1954; Center for Medieval and Renaissance Studies, New York, 1981)Helen Vendler, The Poetry of George Herbert (Harvard University Press, 1975)James Boyd White, This Book of Starres: Learning to Read George Herbert (University of Michigan Press, 1995)Helen Wilcox (ed.), George Herbert. 100 Poems (Cambridge University Press, 2021) In Our Time is a BBC Studios Audio production

Melvyn Bragg and guests discuss the Austrian-British economist Friedrich Hayek's The Road to Serfdom (1944) in which Hayek (1899-1992) warned that the way Britain was running its wartime economy would not work in peacetime and could lead to tyranny. His target was centralised planning, arguing this disempowered individuals and wasted their knowledge, while empowering those ill-suited to run an economy. He was concerned about the support for the perceived success of Soviet centralisation, when he saw this and Fascist systems as two sides of the same coin. When Reader's Digest selectively condensed Hayek's book in 1945, and presented it not so much as a warning against tyranny as a proof against socialism, it became phenomenally influential around the world. With Bruce Caldwell Research Professor of Economics at Duke University and Director of the Center for the History of Political EconomyMelissa Lane The Class of 1943 Professor of Politics at Princeton University and the 50th Professor of Rhetoric at Gresham College in LondonAndBen Jackson Professor of Modern History and fellow of University College at the University of OxfordProducer: Simon TillotsonReading list:Angus Burgin, The Great Persuasion: Reinventing Free Markets Since the Depression (Harvard University Press, 2012)Bruce Caldwell, Hayek's Challenge: An Intellectual Biography of F.A. Hayek (University of Chicago Press, 2004)Bruce Caldwell, ‘The Road to Serfdom After 75 Years' (Journal of Economic Literature 58, 2020)Bruce Caldwell and Hansjoerg Klausinger, Hayek: A Life 1899-1950 (University of Chicago Press, 2022)M. Desai, Marx's Revenge: The Resurgence of Capitalism and the Death of Statist Socialism (Verso, 2002)Edward Feser (ed.), The Cambridge Companion to Hayek (Cambridge University Press, 2006)Andrew Gamble, Hayek: The Iron Cage of Liberty (Polity, 1996)Friedrich Hayek, Collectivist Economic Planning (first published 1935; Ludwig von Mises Institute, 2015), especially ‘The Nature and History of the Problem' and ‘The Present State of the Debate' by Friedrich HayekFriedrich Hayek (ed. Bruce Caldwell), The Road to Serfdom: Text and Documents: The Definitive Edition (first published 1944; Routledge, 2008. Also vol. 2 of The Collected Works of F. A. Hayek, University of Chicago Press, 2007)Friedrich Hayek, The Road to Serfdom: Condensed Version (Institute of Economic Affairs, 2005; The Reader's Digest condensation of the book)Friedrich Hayek, ‘The Use of Knowledge in Society' (American Economic Review, vol. 35, 1945; vol. 15 of The Collected Works of F. A. Hayek, University of Chicago Press) Friedrich Hayek, Individualism and Economic Order (first published 1948; University of Chicago Press, 1996), especially the essays ‘Economics and Knowledge' (1937), ‘Individualism: True and False' (1945), and ‘The Use of Knowledge in Society' (1945)Friedrich Hayek, The Constitution of Liberty (first published 1960; Routledge, 2006) Friedrich Hayek, Law. Legislation and Liberty: A new statement of the liberal principles of justice and political economy (first published 1973 in 3 volumes; single vol. edn, Routledge, 2012)Ben Jackson, ‘Freedom, the Common Good and the Rule of Law: Hayek and Lippmann on Economic Planning' (Journal of the History of Ideas 73, 2012)Robert Leeson (ed.), Hayek: A Collaborative Biography Part I (Palgrave, 2013), especially ‘The Genesis and Reception of The Road to Serfdom' by Melissa LaneIn Our Time is a BBC Studios Audio Production

Critics didn't know quite what to make of twentieth-century American novelist and poet Jack Kerouac (1922-1969), but readers had less difficulty. In spite of mixed reviews, On the Road (1957) quickly became a kind of bible for anyone hoping to squeeze more out of life. In this episode, Jacke talks to Steven Belletto, editor of The Cambridge Companion to Jack Kerouac, about the continuing fascination with the Beat Generation and its most famous avatar. Additional listening: 339 Jack Kerouac 619 Novelist Fred Waitzkin Discusses Kerouac 283 Planes, Trains & Automobiles - Top 10 Literary Modes of Transportation (with Mike Palindrome) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.   Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Generations of college students have probably imagined that his first name was Venerable, and his family name Bede. But Bede–that's B-E-D-E–was his only name. He was a native of Northumbria, in the north of what we now think of as England. Apparently never going abroad, his life was spent within a few miles of his monastery, and probably just a few miles from where he was born. Yet this seemingly narrow and circumscribed life was full of intense intellectual activity. Bede authored dozens of works: teaching texts to be used for young boys entering the monastery, as he had done; biblical commentaries; arithmetical works; sermons and homilies; and lives of Northumbrian saints. Yet when he is remembered by historians, it is for his Historia ecclesiastica gentis Anglorum, An Ecclesiastical History of the English People.  With me to discuss Bede as historian is Rory Naismith, Professor of Early Medieval History and Fellow of Corpus Christi College at the University of Cambridge. This is his third appearance on the podcast; he was last on Historically Thinking in Episode 343 discussing whether we should talk about the Anglo-Saxons.   For Further Investigation This is one of our occasional podcasts on important historians. For others, see this one on Polybius, and this on another medieval historian, Princess Anna Komnene The remnants of the monastery of Monkwearmouth-Jarrow The historical site formerly known as "Bede's World": now Jarrow Hall Anglo-Saxon Farm Village and Bede Museum, reopened after a short closure. FYI, in contemporary Britain it's probably true that Jarrow is best known for the "Jarrow Crusade" rather than for Bede A good companion to Bede is, amazingly enough, J. Robert Wright, A Companion to Bede: A Reader's Commentary on The Ecclesiastical History of the English People Rory Naismith also suggests: Bede, Ecclesiastical History of the English People/Historia ecclesiastica gentis Anglorum: "This is available in very many translations, including those of Bertram Colgrave and D. H. Farmer. A scholarly edition, with facing-page Latin and English, is available from Bertram Colgrave and R. A. B. Mynors." J. Campbell, Essays in Anglo-Saxon History (London, 1986), pp. 1–48 G. Hardin Brown, A Companion to Bede (Woodbridge, 2009) P. Hunter-Blair, The World of Bede (Cambridge, 1970) H. Mayr-Harting, The Coming of Christianity to Anglo-Saxon England, 3rd ed. (London, 1991) R. Shaw, The Gregorian Mission to Kent in Bede's Ecclesiastical History: Methodology and Sources (London, 2018) A. Thacker, ‘Bede and History', in The Cambridge Companion to Bede, ed. S. DeGregorio (Cambridge, 2010), pp. 170–89 A. Thacker, ‘Bede's Ideal of Reform', in Ideal and Reality in Frankish and Anglo-Saxon Society: Studies Presented to J. M. Wallace-Hadrill, ed. P. Wormald et al. (Oxford, 1983), pp. 130–53

Check out my linktree to find our new song, socials & more: https://linktr.ee/filipholmSupport Let's Talk Religion on Patreon: https://www.patreon.com/letstalkreligion Or through a one-time donation: https://www.paypal.com/paypalme/letstalkreligion Also check out the Let's Talk Religion Podcast: https://open.spotify.com/show/0ih4sqtWv0wRIhS6HFgerb?si=95b07d83d0254bSources/Recomended Reading:Clark, Gillian (translated by) (2000). "Porphyry: On Abstinence from Killing Animals". Bristol Classical Press.Gerson, Loyd P. (ed.) (2019). "Plotinus: The Enneads". Cambridge University Press.Gerson, Loyd P (2008). "Cambridge Companion to Plotinus". Cambridge University Press.Huffman, Carl A. (ed.) (2017). "A History of Pythagoreanism". Cambridge University Press.Iamblichus "On the Mysteries". Tranlsated by Emma C. Clarke, John M. Dillon & Jackson P. Hershell. Writings from the Graeco-Roman World. Society of Biblical Literature.Kirk, G.S., J.E. Raven & M. Schofield (1983). "The Presocratic Philosophers". Second Edition. Cambridge University Press.Shaw, Gregory (2014). "Theurgy and the Soul: The Neoplatonism of Iamblichus". Angelico Press/Sophia Perennis.Wallis, R.T. (1998). "Neoplatonism". Second Edition. Bristol Classical Paperbacks. Hackett Publishing Company. Hosted on Acast. See acast.com/privacy for more information.

The Beatles - made up of Paul McCartney, John Lennon, Ringo Starr, and George Harrison - were the biggest band the world has ever seen. Recording together for just over seven years, setting unprecedented sales, and revolutionising songwriting, theirs was a stardom that burned brightly, but quickly.  So who were the four ordinary Liverpudlian teenagers before they created a band that would change the music industry forever? How did their music, and fame, affect them? And what caused ‘Beatlemania' to all come crumbling down so soon, and in such dramatic fashion? This is a Short History Of…The Beatles. A Noiser production, written by Olivia Jordan. With thanks to Kenneth Womack, Professor of English and Popular Music at Monmouth University, and author of The Cambridge Companion to The Beatles. Get every episode of Short History Of a week early with Noiser+. You'll also get ad-free listening, bonus material, and early access to shows across the Noiser network. Click the Noiser+ banner to get started. Or, if you're on Spotify or Android, go to noiser.com/subscriptions.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Melvyn Bragg and guests discuss "The History of Tom Jones, A Foundling" (1749) by Henry Fielding (1707-1754), one of the most influential of the early English novels and a favourite of Dickens. Coleridge wrote that it had one of the 'three most perfect plots ever planned'. Fielding had made his name in the theatre with satirical plays that were so painful for their targets in government that, from then until the 1960s, plays required approval before being staged; seeking other ways to make a living, Fielding turned to law and to fiction. 'Tom Jones' is one of the great comic novels, with the tightness of a farce and the ambition of a Greek epic as told by the finest raconteur. While other authors might present Tom as a rake and a libertine, Fielding makes him the hero for his fundamental good nature, so offering a caution not to judge anyone too soon, if ever.With Judith Hawley Professor of 18th Century Literature at Royal Holloway, University of LondonHenry Power Professor of English Literature at the University of ExeterAndCharlotte Roberts Associate Professor of English Literature at University College LondonProducer: Simon TillotsonIn Our Time is a BBC Studios Audio ProductionReading list:Martin C. Battestin with Ruthe R. Battestin, Henry Fielding: A Life (Routledge, 1989)J. M. Beattie, The First English Detectives: The Bow Street Runners and the Policing of London, 1750–1840 (Oxford University Press, 2012) S. Dickie, Cruelty and Laughter: Forgotten Comic Literature and the Unsentimental Eighteenth Century (University of Chicago Press, 2011)J.A. Downie (ed.), The Oxford Handbook of the Eighteenth-Century Novel (Oxford University Press, 2020)Henry Fielding (ed. John Bender and Simon Stern), The History of Tom Jones (Oxford University Press, 2008)Henry Fielding (ed. Tom Keymer), The Journal of a Voyage to Lisbon (Penguin Classics, 1996)Ronald Paulson, The Life of Henry Fielding: A Critical Biography (Wiley Blackwell, 2000)Henry Power, Epic into Novel: Henry Fielding, Scriblerian Satire, and the Consumption of Classical Literature (Oxford University Press, 2015)Claude Rawson, Henry Fielding and the Augustan Ideal under Stress (first published 1972; Routledge, 2021)Claude Rawson (ed.), The Cambridge Companion to Henry Fielding (Cambridge University Press, 2007)

Melvyn Bragg and guests discuss one of the most significant philosophers of the twentieth century, Philippa Foot (1920 - 2010). Her central question was, “Why be moral?” Drawing on Aristotle and Aquinas, Foot spent her life working through her instinct that there was something lacking in the prevailing philosophy of the 1950s and 1960s which held that values could only be subjective. Could there really be no objective response to the horrors of the concentration camps that she had seen on newsreels, no way of saying that such acts were morally wrong? Foot developed an ethics based on virtues, in which humans needed virtues to flourish as surely as plants needed light and water. While working through her ideas she explored applied ethics and the difference between doing something and letting it happen, an idea she illustrated with what became The Trolley Problem.With Anil Gomes Fellow and Tutor in Philosophy at Trinity College, University of OxfordSophie Grace Chappell Professor of Philosophy at the Open UniversityAnd Rachael Wiseman Reader in Philosophy at the University of LiverpoolProducer: Simon Tillotson In Our Time is a BBC Studios Audio ProductionReading list:Philippa Foot, Virtues and Vices (Oxford University Press, 1978)Philippa Foot, Moral Dilemmas (Oxford University Press, 2002)Philippa Foot, Natural Goodness (Oxford University Press, 2001)John Hacker-Wright, Philippa Foot's Moral Thought (Bloomsbury, 2013)Benjamin Lipscomb, The Women Are Up To Something (Oxford University Press, 2021)Clare Mac Cumhaill and Rachael Wiseman, Metaphysical Animals: How Four Women Brought Philosophy Back to Life (Chatto, 2022)Dan Russell (ed.), The Cambridge Companion to Virtue Ethics (Cambridge University Press), especially ‘Virtue Ethics in the Twentieth Century' by Timothy (now Sophie Grace) Chappell