Podcast appearances and mentions of everett quinton

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En este episodio conversamos sobre "Natural Born Killers" (Asesinos Por Naturaleza) de Oliver Stone, protagonizada por Woody Harrelson, Juliette Lewis y Robert Downey Jr.

If These Walls Could Talk with Wendy Stuart & Tym MossHosts: WENDY STUART & TYM MOSSSpecial guest: JOE BATTISTAWednesday, December 29th2pm EST LIVE from PANGEA Restaurant, NYCWatch LIVE on YouTube at Wendy Stuart TVJoe Battista (Director/Producer/Actor/Photographer/Graphic Artist/Videographer) is the Artistic Director of the Historic 13th Street Repertory Theater, and a member of Actor's Equity and the Dramatist Guild. Graduate of The American Academy of Dramatic Arts who studied with William Hickey, Stephen Strimpbell, Uta Hagen, Eve Collier, Hugh Whitfield, Jack Melanos, Paul J. Curtis, and Gates Mcfadden. At the age of 21, he was hired as a Director at the Bucks County Playhouse but soon realized that New York theatre was his first love and soon was directing experimental theater off-Broadway. Joe also is a professional photographer and has worked for the Ford, Elite, Zoli, Wilhelmina, and Legends agencies. He just finished a film “Black Magic” an Onur Tukel film shot in NYC. Joe has been involved in over 100 plays and musicals and was the lead guitarist for the bands, Razor Engine and Electric Landlady. Recent NY Theatre: “Milkman's Sister” with Robert Funaro, “Women Behind Bars” starring Amy Stiller, an original play “Before We're Gone”, written by Jerry Small, produced by Bahr Productions, a film production company from Los Angeles, California, “A Life In The Rye” at the Theater for the New City, Production Consultant/Graphics Designer for “Dress of Fire” with Austen Pendleton and Angelica Page; also an experimental project ���Uno Momento”, and has directed for Emmy Award-winning Seth Freeman. Presently “Help A Handicapped God Trot Across The Universe” an original play by playwright Thomas Walters, Birmingham, England. And November 2022 “ Cold Blooded” with Everett Quinton and Jenne Vath. All this and more to come with The Historic 13th Street Repertory Company. Favorite Quote: “Neurotics build castles in the sky, Psychotics live in them”.Who else but hosts Wendy Stuart and Tym Moss could “spill the tea” on their weekly show “If These Walls Could Talk” live from Pangea Restaurant on the Lower Eastside of NYC, with their unique style, of honest, and emotional interviews, sharing the fascinating backstories of celebrities, entertainers, recording artists, writers and artists and bringing their audience along for a fantastic ride.Wendy Stuart is an author, celebrity interviewer, model, filmmaker and hosts “Pandemic Cooking With Wendy,” a popular Youtube comedic cooking show born in the era of Covid-19, and TriVersity Talk, a weekly web series with featured guests discussing their lives, activism and pressing issues in the LGBTQ Community.Tym Moss is a popular NYC singer, actor, and radio/tv host who recently starred in the hit indie film “JUNK” to critical acclaim.

In the ongoing competition of the UK vs US on this podcast, our friends across the pond frequently do a bit better than us on supporting the arts and acknowledging that they are important by financially backing them. But as of this week, get your party hats out, we are catching up! The NYPAL recently opened up applications for their brand spanking new Theatre and Technology Fellowship and we are GOBSMACKED. It's going to pay someone to use their creativity and the Library's resources to do a deep dive anywhere in theatre and tech that the Fellow wants to go. We get to talking about our collaborators that would slay that fellowship, why this bad boy should exist and what it was like the first time Jess tried to watch an archival Broadway recording at NYPAL. It's a story full of intrigue, microfiche and Patti LuPone. Be warned. Other Episode Topics * What's getting us excited right now (Python and Solidity) * Widgets & Object-Oriented Languages * What's coming up: Kate Baldwin next week, Live Digital 101: #GiveBack origin * Everett Quinton and the Ridiculous Theatre Company * Gringotts & Harry Potter * Anarchy Episode Links Curation on Purpose https://www.curationonpurpose.com/ Amplify 2022 Tix bit.ly/tgt-amplify2022 NYPAL Article https://www.broadwayworld.com/article/New-York-Public-Library-for-the-Performing-Arts-Launches-Theatre-and-Technology-Fellowship-20220302 Filmed Live Musicals https://www.filmedlivemusicals.com/ Yaakov Bressler https://towardsdatascience.com/opening-the-stage-door-for-big-data-in-broadway-20ca3e35a274 Broadway Codes https://www.facebook.com/bwaycodes/

Dolores flees to the abandoned tunnels under New York City with her purple massage table. Created by Aaron Mark. With performances by Daphne Rubin-Vega, Ilana Levine, Everett Quinton, and Donnell Rawlings. Written and directed by Aaron Mark. Executive producer Mimi O’Donnell. Senior producer Katie Pastore. Producer Daphne Rubin-Vega. Associate producer MR Daniel. Recording and engineering by Armando Serrano. Sound design, foley recording and mix by Daniel Brunelle. Score by Allison Leyton-Brown. The Horror of Dolores Roach is a production of Gimlet Media. Soundtrack out on October 31 https://gimletmedia.com/shows/dolores-roach

Dolores is a hunter, and she’s got a partner to feed now too. Created by Aaron Mark. With performances by Daphne Rubin-Vega, Everett Quinton, Donnell Rawlings. Written and directed by Aaron Mark. Executive producer Mimi O’Donnell. Senior producer Katie Pastore. Producer Daphne Rubin-Vega. Associate producer MR Daniel. Recording and engineering by Armando Serrano. Sound design, foley recording and mix by Daniel Brunelle. Score by Allison Leyton-Brown. The Horror of Dolores Roach is a production of Gimlet Media. Soundtrack out on October 31 https://gimletmedia.com/shows/dolores-roach

In Episode 411 of "Something New" -- a musical theatre podcast that interviews artists and premieres original songs -- award-winning songwriter Joel B. New sat down with Tim Eliot and Lauren Sowa, a real-life couple with an enormous bag of theatrical skills between them. Tim Eliot met Lauren while doing Cymbeline in Maine. He has been featured on Boardwalk Empire, in Christina Kallas’s The Rainbow Experiment and Keith Boynton’s Seven Lovers, and on the webseries The 3Bits, duder, and Pride. A veteran of classical and downtown theater, Tim played MacBeth and Hamlet with Everett Quinton and many Sleep No More alums. He has also directed NYC productions of Much Ado About Nothing, Erdman’s Suicide!?, and Romeo and Juliet. Tim recently finished his second year of study with William Esper and holds an MFA from the ART/MXAT Institute and a BA from Yale. www.timeliot.com Lauren Sowa is thrilled to be taking part in this podcast! Lauren is a graduate of NYU’s Tisch School of the Arts where she received her BFA in Drama. She is a big-time animal lover, and has yet to meet a pretzel she doesn't like. When not acting, you can find her reading a good book, catching up on old films, doing yoga, and watching soccer (Tim’s influence). Recent credits include: Harvey and Private Lives (Walnut Street Theatre), the title character in Jane Austen’s Emma for the Lantern Theater Co. in Philadelphia. Other credits include: Imogen in Cymbeline (Opera House Arts), Othello and Much Ado About Nothing in repertory (The Philadelphia Shakespeare Theatre), Juliet in the North Carolina Shakespeare Festival’s production of Romeo & Juliet, We’re Drunk/This is the End at The Old Vic as part of the TS Eliot US/UK Exchange (Kevin Spacey’s program for emerging theatrical talent), and All’s Well that Ends Well and Hamlet at the Alabama Shakespeare Festival! www.laurensowa.com For the live song portion of the episode, Lauren and Tim premiered "A Duet", music and lyrics by Joel B. New. Tim also performed "Omission" from New's chamber musical, RSVP. Accompanied by Justin Brown on piano (www.justineliottbrown.com). These performance will also be available on SoundCloud and YouTube. "Something New" is available on iTunes, Stitcher, and TuneIn. Joel B. New is the recipient of an American Theatre Wing Jonathan Larson Grant for his music and lyrics. His stage projects include TO HELL AND BACK, MACKENZIE & THE MISSING BOY, AWAKENING (book: Jenny Stafford, music: J. Oconer Navarro), STANDALONE, AGATHA IN THE ATTIC, and RSVP. Joel’s work has been seen and developed at Ars Nova, Lincoln Center, 54 Below, New York Theatre Barn, Prospect Theater Company, Musical Theatre Factory, and the 2015 New York Musical Theatre Festival. He is currently in pre-production for his solo EP Cabot Cove, a collection of songs inspired by book titles referenced to in the TV series Murder, She Wrote, starring Tony Award winner Angela Lansbury. For more info, visit joelbnew.com.

Joe Brancato, director, Off Broadway comedy hit "Drop Dead Perfect" and star Everett Quinton. Also, David Leopold, author of "The Hirschfeld Century: Portrait of an Artist and His Age" and Louise Kerz Hirschfeld on The New York Historical Society exhibit.

Up Close - Ken Davenport, Broadway producer and writer for The Producer's Perspective, talks about Deaf West's production of "Spring Awakening" coming to Broadway, and a little about the musical two-hander, "Daddy Long Legs" The Best of Company - Hip to Hip - This Queens-Based Shakespeare company brings the bard to parks all over the city. They discuss the technical and logistical challenges of the operation, and discuss achieving gender parity in casting. We speak with Jason Marr and David Mold. Listening Room - Cabaret performer, and Broadway Bullet fave, Jenna Esposito, has released a new album of Italian pop songs, That's Amore: Songs from the Great Italian-American Songbook. We feature two original songs on the album by Ernie Rossi, a shop owner in Little Italy. On the Boards - Everett Quinton in Drop Dead Perfect DROP DEAD PERFECT is the ideal vehicle to showcase the talents of the Everett Quinton. The show’s Off-Broadway run coincides with the 50th anniversary of the founding of the Theatre of the Ridiculous, the wildly creative theatrical genre that led to the establishment of The Ridiculous Theatrical Company. Everett discuss the show, his career performing drag roles, and it's place in the LGBT movement.

While playing both a farmer and his wife in Red Bull Theatre Company's "The Witch of Edmonton", Everett Quinton talks about appearing in Jacobean drama and getting to watch the rest of the company at work when he's not on stage. He also talks about studying theatre at Hunter College after a stint in Thailand during the Vietnam War; meeting Ridiculous Theatrical Company founder Charles Ludlam without really understanding who Ludlam was; becoming Ludlam's life partner and a member of the Ridiculous Company's "outer circle" of artists; becoming an actor under the tutelage of Ludlam; coming into his own as a performer in such pieces as "Galas" and "The Mystery of Irma Vep", confessing he only really came to understand "Vep" 14 years after its debut, when he directed it in revival, even though he'd performed in it 331 times; how Quinton came to be a leading actor and the costume designer for the Ridiculous; the challenge of sustaining the troupe after Ludlam's death from AIDS in 1987, when he assumed the mantle of artistic director; whether he was able to expand his own theatrical horizons after Ludlam's passing; what it meant to become a working actor when the Ridiculous closed in 1997; having the opportunity to do work in regional theatres such as McCarter and The Shakespeare Theatre; and the experience of auditioning to play the Wicked Stepmother in a tour of Rodgers and Hammerstein's "Cinderella" when all of the other finalists were women. Original air date - February 16, 2011.

While playing both a farmer and his wife in Red Bull Theatre Company's "The Witch of Edmonton", Everett Quinton talks about appearing in Jacobean drama and getting to watch the rest of the company at work when he's not on stage. He also talks about studying theatre at Hunter College after a stint in Thailand during the Vietnam War; meeting Ridiculous Theatrical Company founder Charles Ludlam without really understanding who Ludlam was; becoming Ludlam's life partner and a member of the Ridiculous Company's "outer circle" of artists; becoming an actor under the tutelage of Ludlam; coming into his own as a performer in such pieces as "Galas" and "The Mystery of Irma Vep", confessing he only really came to understand "Vep" 14 years after its debut, when he directed it in revival, even though he'd performed in it 331 times; how Quinton came to be a leading actor and the costume designer for the Ridiculous; the challenge of sustaining the troupe after Ludlam's death from AIDS in 1987, when he assumed the mantle of artistic director; whether he was able to expand his own theatrical horizons after Ludlam's passing; what it meant to become a working actor when the Ridiculous closed in 1997; having the opportunity to do work in regional theatres such as McCarter and The Shakespeare Theatre; and the experience of auditioning to play the Wicked Stepmother in a tour of Rodgers and Hammerstein's "Cinderella" when all of the other finalists were women. Original air date - February 16, 2011.

The 1985 Joseph Maharam Foundation Awards for Scenic, Costume, and Lighting Design are awarded to Lawrence Eichler, Charles Ludlam, and Everett Quinton for The Ridiculous Theatrical Company's "The Mystery of Irma Vep"; Mel Carpenter, Angus Moss, and Blu for Ping Chong's Fiji Theatre Company's "NOSFERATU: A Symphony of Darkness"; and Heidi Landesman, Patricia McGourty, and Richard Riddell for Broadway's "Big River". The designers discuss their respective productions in-depth. In addition, Henry Hewes receives an award for Outstanding Service For His Recognition Of Theatre Design.

The 1985 Joseph Maharam Foundation Awards for Scenic, Costume, and Lighting Design are awarded to Lawrence Eichler, Charles Ludlam, and Everett Quinton for The Ridiculous Theatrical Company's The Mystery of Irma Vep; Mel Carpenter, Angus Moss, and Blu for Ping Chong's Fiji Theatre Company's NOSFERATU: A Symphony of Darkness; and Heidi Landesman (Tony winner for her scenic designs of Big River and The Secret Garden), Patricia McGourty, and Richard Riddell (Tony winner) for Broadway's Big River. The designers discuss their respective productions in-depth. In addition, Henry Hewes receives an award for Outstanding Service For His Recognition Of Theatre Design.