Podcasts about Little Italy

In this episode of Gangland Wire, host Gary Jenkins, retired Kansas City Police Intelligence Unit detective, continues his deep dive into organized crime history with prolific Mafia author Jeffrey Sussman. Sussman, the author of eight books on organized crime, joins Jenkins for a wide-ranging conversation that spans the rise, violence, prosecutions, and survival tactics of La Cosa Nostra in America. Drawing from works like Backbeat Gangsters and his latest release Mafia Hits, Misses Wars and Prosecutions, Sussman offers sharp insight into how the Mafia enforced silence, eliminated enemies, and adapted to government pressure. The discussion opens with omertà, the Mafia's infamous code of silence, and how mob warfare enforced loyalty through fear. Sussman recounts notorious hits and mob wars that shaped organized crime, then shifts to landmark prosecutions led by Thomas Dewey, whose relentless pursuit of Murder Incorporated dismantled the mob's most feared execution squad. Jenkins and Sussman examine the disastrous Appalachian Conference, where Vito Genovese overplayed his hand, drawing national attention to the Mafia and setting the stage for informants like Joe Valachi to break decades of secrecy. The episode also explores the Mafia's darkest execution methods, including lupara bianca—murders designed to leave no body and no evidence—along with chilling stories involving Mad Sam DeStefano. The assassination attempt on Joe Colombo, and its ties to Joey Gallo, highlight how ego and publicity often proved fatal in the mob world. The episode concludes with Sussman previewing his upcoming book on the Garment District, blending personal family history with organized crime's grip on American industry. Together, Jenkins and Sussman deliver a sweeping, chronological look at how the Mafia rose, fractured, and endured—leaving a permanent mark on American culture. Get his book Mafia Hits, Misses, Wars, and Prosecutions. ⏱️ Episode Chapters 00:00 – Introduction and Jeffrey Sussman's Mafia work 03:45 – Omertà and enforcing silence 07:30 – Mafia hits and internal wars 12:10 – Thomas Dewey and Murder Incorporated 18:40 – St. Valentine's Day Massacre 23:30 – Formation of the Five Families 28:50 – Italian and Jewish mob alliances 34:20 – Capone, Lansky, and Luciano 39:45 – Appalachian Conference fallout 45:10 – Vito Genovese and Joe Valachi 50:30 – Lupara blanca and body disposal 55:20 – Mad Sam DeStefano's brutality 59:40 – Joe Colombo assassination 1:05:30 – Betrayal and mob survival 1:10:50 – Sussman's upcoming Garment District book   [0:00] Hey, welcome, all you Wiretipers, back here in the studio of Gangland Wire, as you can see. This is Gary Jenkins, retired Kansas City Police Intelligence Unit detective and later sergeant. I have a guest today. He is a prolific author about the mob in the United States. We have several interviews in the archives with Jeffrey Sussman. Welcome, Jeffrey. Thank you, Gary. It’s a pleasure to be with you once again. All right. How many mob books you got? Eight or nine, I think. Eight or nine. I know you’ve covered Tinseltown, the L.A. Families, the crime in L.A., the Chicago. What are some of those? I did Las Vegas, which had a number of the Chicago outfit members in it. I did Big Apple Gangsters. Oh, yeah. My last one was Backbeat Gangsters about the rock music business. Oh, yeah. And then I did also one about boxing and the mob, how the mob controlled boxing. And then my new book is Mafia Hits, Misses Wars and Prosecutions. The update is February 19th. All right. Guys, when I release this, we’re doing this, actually, we’re doing this before Christmas. But when this comes out, while you’ll be able to go to the Amazon link that I’ll have in there, get that book, we’ll have, you’ll see a picture of it as we go along. So you’ll know what the cover looks like. It sounds really interesting, especially about the Mafia Misses. But I’m sure that’s interesting. [1:29] Well, the mob, that’s their way of enforcing their rules. The omerta, somebody talks, they’re going to rub you out, supposedly. And by mob, we’re talking about primarily La Cosa Nostra, Sicilian-based organized crime in the United States. Yeah. The five families particularly have brought this up front. The five families have really perfected this as an art, killing their rivals, killing people that threaten them in any way, killing people that they even had a contract on Tom Dewey, the prosecutor, I believe, at one time. That would be a bomb miss, wouldn’t it? Yeah, actually, what happened with that is Dutch Schultz wanted the commission to take out a contract on Tom Dewey, and they said, no, we can’t do that, because if we do that, it’ll bring down too much heat on us. And so the mob wound up killing Dutch Schultz because he was too much of a threat to them in some ways. But the irony was that if they had killed him, Lucky Luciano never would have been prosecuted. He was prosecuted by Thomas Dewey. Lucky Bookhalter never would have been prosecuted and gone to the electric chair, several others as well. So, by not killing Dewey, they set themselves up to be arrested and get either very long prison terms or go to the electric chair. [2:57] Yeah, Dewey sent, I think it was four members of Murder Incorporated to the electric chair and the head of it, the Lepke book halter. And then he arrested and got a conviction against Lucky Luciano for pimping and pandering, which should have been a fairly short sentence, just a couple of years. But he had him sentenced to 50 years in prison, which is amazing, the pimping. [3:20] So if they had killed Thomas Dewey, they probably would have been better off. But that’s 2020 hindsight. Yeah, hindsight’s always 2020. And a cost-benefit analysis, if you want to apply that, why the cost of killing Tom Dooley might have been much less than the actual benefit was. That’s right. Exactly. And they came to realize that, but it was too late for them. I think they always do a cost-benefit analysis in some manner. How much heat’s going to come down from this? Can we take the heat? Because I know in Kansas City, our mob boss, Nick Savella, was in the penitentiary. He was about to get out, and he sent word out, said I want all unfinished business taken care of by the time I get out. Because when I get out, I do not want all these headlines, because murder generates headlines. And so there was like three murders in rapid succession right after that. [4:13] So they worry about the press and hits, murders generate press. So let’s go back and talk about some particular ones. One of the most famous ones was the St. Valentine’s Day Massacre. Do you cover that? [4:26] Yeah, I start with the assassination of Arnold Rothstein in 1928, and then I go right into the St. Valentine’s Day Massacre. I go into the Castel Marari’s War, the birth of the five families. They had a famous meeting at the Franconia Hotel where the Jewish and Italian gangsters decided to form an alliance rather than fight one another. I went through the trial and conviction of Al Capone, the Bug and Meyer gang. Which evolved into Murder Incorporated, and then how Mayor LaGuardia went after the mob in New York and drove out Frank Costello, who had all the slot machines in New York, drove him down to Louisiana, where Frank Costello paid Huey Long a million dollars to let him operate slot machines all around New Orleans and the rest of Louisiana. And then there was William Dwyer, O’Dwyer, and Burton Turkus, who prosecuted the mob, other members of Murder Incorporated, and then how the federal government was using deportation to get rid of a lot of the mobsters, and how the mafia insinuated itself with entertainers and was controlling entertainers like Frank Sinatra and Dean Martin and Jerry Lewis and others. [5:44] And then the Appalachian Conference, and what an embarrassment that was to Vito Genovese, who wanted to declare himself the boss of bosses. Instead, he became the schmuck of schmucks because the FBI invaded this. And there was a theory that this was really set up, Meyer Lansky, Carl Gambino, and Lucky Luciano, because they didn’t want Vito Genovese to become the boss of bosses because Vito Genovese was responsible for the attempted murder of Frank Costello, and they wanted to get rid of him. After they embarrassed him with Appalachian, And then they set him up for a drug buy. Which is ridiculous because you don’t have the head of a mafia family going out on the street and buying heroin from someone. But that’s what they got him for. And they sent him off to prison for 15 years where he died. But in the realm of unintended consequences, which we just heard some, he goes down to Atlanta and a guy named Joe Valacci is down there. And he thinks that Vito Genovese is given to the fisheye and maybe wants to have him killed. [6:52] If Vito Genovese is not in Atlanta, Joe Valacci does not turn and become the first big important witness against the mob in the United States that couple that with Appalachian. And embarrassment to the FBI and then this Joe Valacci coming out with all these stories explaining what all that meant, the organized crime in the United States, why we may not have the investigation that subsequently came out of all that. It’s crazy, huh? Yeah, exactly. In terms of unintended consequences, because if Vito Genovese hadn’t given the kiss of death, supposedly, to Joe Valacci, you never would have had Joe Valacci’s testimony about how the mob operates. He opened so many doors and told so many secrets. It was a real revelation to the world. [7:42] Now, what about these murders? And I understand they call them a lupara blanca, where the body is never found. Did you talk about any of those or look into that at all? [7:53] We’ve had them in Kansas City, where it’s obviously a mob murder. They even will send a message to the family. We had one where the guy disappeared. Nobody ever found his body. But somebody called the family and said, hey, go up on Gladstone Drive and check this trash can. And then they find the guy’s clothes and his driver’s license, everything in there. Now, did you go into any of those blanks? Yeah, there were a number of mob hits, especially during the murder ink era where they would dispose of the bodies and no one would ever find them. But they would leave clues around for members of the family just so they would know that their father or their son or their brother, whoever was no longer in this world. [8:39] Yeah, that was done quite a bit. And when the Westies, which was an Irish gang that operated on the west side of New York, they believed that if you never found the corpse, you could never convict them of murder. So they used to take their dead bodies out to an island in the East River and chop them into little pieces and then dump them in the river and no one would ever find them. And supposedly they did that with dozens and dozens of bodies. Yeah. Interesting. Yeah, and it is. It’s hard to prosecute without the body. It’s been done, but it’s really hard to do. You’ve got to have a really lot of circumstantial evidence to approve a murder without a body. And when Albert Anastasia and Leffy Foucault, who were running Murder Incorporated, they believed two things. One, that if you didn’t find the body, it would be hard to prosecute. And if you couldn’t show a motive, that would be the other thing that would make it difficult. So there would be absolutely no connection between the person who killed the victim and the victim. There was no connection whatsoever. So it was almost as if it was a stranger. In fact, it was a stranger who would commit the murder and then disappear and make sure that the body also disappeared. So you’d have neither motive nor body. Interesting. Pretty stiff penalty for murder. So I understand why you take some extra. Exactly. [10:08] Yeah, that tried to disassociate yourself from any motive for the body. There’s a guy in Chicago named Mad Sam DeStefano. Oh, sure. Lone shark and particularly egregious person when it came to collecting and was responsible for some murders and tortures. And they claim that he would buddy up to the person he knew he wanted to have killed and give him a watch. So then when the police came back around, he’d say, he was my friend. I gave him a present. I gave him that watch. Look and see. Ask his wife. I gave him a watch. Yeah. And I think it was Anthony Spolatro who was charged by the outfit of getting rid of Sam DiStefano because he was a friend. He had been like a protege of Crazy Sam. And so Sam didn’t suspect him as the person who would come and kill him. Yeah, that’s common clue. They say, look out. When a friend comes around and it seems a little bit funny and they want her particularly nice to you and you know you’re in trouble, anyhow, look out. Because that’s the guy that’s going to get you. Exactly. At least set you up. Maybe they have somebody else come in and pull the trigger, somebody that’ll leave town or whatever, but your friend’s going to set you up, make you comfortable. [11:24] Yeah, I think that’s exactly how it happened. We talked a little bit about the Joe Colombo murder. Did you look at that? Yes. [11:31] Tell us about that, because I’m really interested in that. I’d kind of like to do a larger story, just focusing on that, what really happened there, because that’s a mystery. Did this Jerome Johnson, this black guy, do it? Why would he do it? Nobody ever came out and connected him directly to Joey Gallo, and that’s the claim. So talk about that one. What happened is Joe Colombo formed the Italian Anti-Defamation League because he thought Italians were being blamed for too many things. And Colombo was responsible for having the producers of the movie The Godfather never use the word mafia in the movie, never use La Cosa Nostra in the movie. And he was making a big splash for himself. And this was driving a lot of people in the mafia a little crazy. They’re getting nervous because he was getting so much attention for himself, and it’s not the kind of attention they wanted. And Gambino was particularly upset about this. And Joey Gallo had been in prison, and he had been involved in the war against Profaci earlier on. And when he got out of prison, he felt that the new head of the Profaci family, who was Joe Colombo, should honor him with the amount of time that he spent in prison. And Joe Colombo offered him $1,000. [12:57] And Gallo was incensed by that. He expected $100,000. [13:02] And so he started another war with Colombo. [13:09] This would be good for Carlo Gambino because then he could use Joey Gallo to get rid of someone and his hands wouldn’t appear to be anywhere near this. And when Joey Gallo was in prison, he befriended a lot of black gangsters who were drug dealers and showed them how to succeed in the drug dealing business. And his attitude was that the mafia was very prejudiced against black people, but he thought that was stupid. He thought that we should use black criminals the same way we use any other criminals. And so he befriended a lot of blacks when he was in prison. And no one really knows how exactly he came in contact with Jerome Johnson. But anyway, Jerome Johnson was given the mission of assassinating Joe Colombo at a demonstration where Joe Colombo would be speaking about the Italian American Anti-Defamation League, which had attracted a lot of entertainers. Frank Sinatra was on the board of it. They raised a lot of money. I spoke to some Italian friends of mine at the time, and they said that people from the Italian Anti-Defamation League went around to small Italian-run stores, pizza parlors, shoe repair stores, whatever, and had them closed down for that day so that these people should attend the rally. And the rally was being held, I believe, in Columbus Circle. [14:36] And Jerome Johnson was there, and he had a press pass. So he was permitted to get very close to Joe Colombo because it appeared that he was a reporter or a photographer for a newspaper. And as soon as he got close enough, he pumped a couple of bullets into Joe Colombo’s head. Immediately, three or four gangsters descended on Jerome Johnson and killed him immediately. [15:02] And those three or four people who killed him, they disappeared into the crowd. No one ever found them again. I know. I wish we’d had cell phone footage from that. No one wouldn’t have gotten away if everybody had their cell phones out that day when they would have seen everything that happened. [15:21] Exactly. Columbo existed in a vegetative state. I think it was for about seven years before he finally died. I didn’t realize it was that long. Wow. Yeah, but he was semi-conscious. He couldn’t communicate. He was paralyzed. But the The Colombo family believed that it was Joey Gallo who was responsible for this. Joey Gallo and his new wife had been having a dinner with friends at the Copacabana nightclub in New York. They were joined at their table by Don Rickles, who had been performing that night. Comedian David Steinberg, who had been the best man at Joey Gallo’s wedding to a second wife, was there. And he suggested to them that they left the Copacabana about three o’clock in the morning. And he suggested to them that they all go down to Little Italy, go to Chinatown, and we’ll have a late dinner there. So Rick Olson and Steinberg said, it’s too late for us. You go and enjoy yourself and we’ll see you another time. Joey Gallo, his bodyguard, a Greek guy, I can’t remember his name exactly. Peter Dacopoulos. That’s it. And his wife, and Decapolis’ girlfriend and Joey Gallo’s stepdaughter. They all drove downtown. They couldn’t find anything open in Chinatown, so they drove over to Little Italy, and they went into Umberto’s Clam House. [16:49] And it was very strange, because supposedly a gangster would never do this. Joe Colombo was sitting with his back to the door. [16:58] Usually, your back is to the wall, and you’re facing the door. Oh, Joey Gallo was sitting with his back to the door. Yeah, I meant Joey Gallo. Yeah. Go ahead. And there was kind of a lonely guy sitting at the bar having a drink, and no one paid any attention to him. He was a mob wannabe, and he recognized Joey Gallo, and he went to a mob social club that was a few blocks away that was a hangout for Colombo gangsters. And when he came in and told them that joey gallo was there and the one of the guys there called a capo from the colombo family and told him who they saw and so forth and apparently he instructed them to go and get rid of him and so they took the mob wannabe guy and they got in two cars and they drove down to or around the block whatever it was to umberto’s clam house they went in and they immediately started shooting. And Colombo flipped over the table. I’m sorry, Joey Gallo flipped over the table and had his wife and girlfriend in the step door to get behind the table. And he and Peter were firing back at these guys. [18:07] Peter got shot in the ass and complained about it for many months afterwards, and Joey Gallo ran out onto the street chasing them, and he got shot in the neck, and I think it hit his carotid artery, and he bled to death on the sidewalk. And the guys from the Columbo and the Columbo wannabe guy, they quickly drove up to an apartment on the Upper East Side where the Columbo capo was. And he told them to go to a safe house in Nyack, New York, where they went. And meanwhile, the mob wannabe guy who had fingered Columbo, he’s getting very nervous. He feels that his life isn’t worth too much. He’s in over his head. [18:51] Right. So he sneaks out in the middle of the night and takes a plane to California to live with his sister. And he tries to get into the witness protection program, but they don’t believe him. They don’t believe he has enough evidence to make it worthwhile. No one knows exactly what happened to him afterwards. And the guys who supposedly killed Gallo, nothing really happened to them either. There was a huge funeral for Joey Gallo in Brooklyn. And it was like one of those old mob funerals that you see in a movie with a hundred flower cars and people lining the streets. And I think it was Joey Gallo’s mother who threw herself into the grave on top of the coffin. Oh, really? And Joey Gallo’s. [19:38] He had two brothers, one of whom had died of cancer, and the other one wound up going into another mob family. That was part of the peace deal. I can’t remember if it was the Gambino family or the Genovese family. He went into one of those two families. I think it was Gambino family, that Albert Kidd Twist gallo, I think was his name. And I think it was the Gambino family. He just kept a low profile until he died of natural causes. I think he’s dead now. He never heard from him again, basically. Exactly. [20:06] Interesting. That’s a heck of a story. A lot more stories like that in there, too. I bet. What was your favorite story out of that, or the one that shocked you or you learned something? Maybe something that you learned that you didn’t know or cut through some myth. [20:20] Probably, I’m just looking at my notes here to see what really fascinated me the most. I think the evolution of the Bug and Meyer gang. This guy, Ralph Salerno, who was a fascinating guy who headed the New York Prime Strike Force, Mafia investigators He’s been dead for about I think 10 or 15 years But I spent about Two or three hours Interviewing him A long time ago Didn’t he write a book Didn’t he write a book Called The Crime Confederation Or something like that Yes he did Yeah And it’s excellent So he knew Meyer Lansky He had met Bugsy Siegel Back once In the early 1940s He knew Frank Costello He knew all of these people And it was fascinating To, to hear his stories. And he said that during the time of the Bug and Meyer gang, they were the most vicious gang in New York. And they had a complete menu for crimes that they would commit on your behalf. Burglaries, murders, throwing people out of windows, breaking arms and legs, killing by stabbing, killing by shooting, killing by knifing. And each one had a price. And he said they actually had it printed. It was like a menu and you could check off what you wanted. [21:40] Crazy. And then he said, as they got more and more involved in prohibition, they got out of this and it evolved into Murder Incorporated, which had about 400 members, primarily Jewish and Italian gangsters. And it was run by Albert Anastasia and Lepke Bookhalter. [22:05] And when Thomas Dewey came into power, he wanted very much to convict these guys, but, Murder Incorporated had this fascinating idea that every member of Murder Incorporated would receive a monthly retainer and then it paid a special price for committing murders. And the more ambitious the member was, the more murders he would commit. So there were a couple who were really very ambitious and did a lot of murders. And each one had a specialty. So there was this one guy named Abe Hidtwist Relis, who only killed people with an ice pick in the back of the neck. And then he would leave the body in a car, talking about getting rid of bodies, and he would burn the body and leave it in the car and let other people know who were the relatives that he had been done away with. And then there was a guy named Pittsburgh Phil, who was the most ambitious of them, who supposedly committed about 100 to 150 murders because he just loved getting money for each one that he committed. [23:15] Then there was a guy named Louis Capone, who’s no relation to Al. He worked with a partner named Mendy Weiss, and the two of them went out and killed people together. They thought it was a fun event for them. It was like a boy’s night out. Who we’re going to kill today. Weren’t they two of them that got the electric chair? Yes, they did. And there’s a picture of them on the train up to Singh on their way to the electric chair. And they’re laughing. This is nothing. This is just another fun time for us. And yeah, I think there were four of them who finally went to the electric chair. And then one member of this was a guy named Charlie the Bud Workman, who finally got indicted for the murder of Dutch Schultz. He was the one who carried out the murder of Dutch Schultz for the mob. And he got, I think he was 30 years in prison. But according to his son… [24:13] Who is a PGA golfer, who is well-known in PGA circles as a very good golf competitor, said that the mob took care of his family for the entire time that Workman was in prison because he never spoke about anybody else. He really observed the rules of a murder, and they appreciated him for that. So that whole episode was like a corporation murder, which is why they called it Murder, Inc., that would go out and kill people on orders only from the mafia. They only worked for the mafia. You couldn’t hire them if you weren’t a member of the mafia. And it had to go through a mafia boss for the instructions to come down to them. A soldier couldn’t tell them what to do. Even a capo couldn’t tell them. It had to go up to a boss, the boss had to approve it, and then assign someone to do it. And they all worked out of a candy store in Brooklyn called Midnight Roses because it was open 24 hours a day. And the phone would ring there from giving whoever it was instructions about who was to be killed, where they were to be killed, how they were to do it, and so forth and so on. [25:27] So what was also interesting is even though Bugsy Siegel had left the Bug and Meyer gang, he still loved participating in murder. He liked killing people. And his partner in these murders was a guy named Frankie Carbo, who became a big deal in boxing. He controlled most of the boxing in America up until at the time of Sonny Liston. And his partner in this was a man named Blinky Palermo. [25:59] And according to Ralph Natale, who for a while had been the boss of the Philadelphia crime family, it was Frankie Carbo who was sent by the mob to kill Bugsy Siegel. Because if he was caught or Bugsy Siegel saw him around, he wouldn’t suspect that he was his killer because they were friends and they had operated as partners together. So this goes back to what we were talking about earlier. It’s your friend who comes closest to you and then arranges you to be assassinated. So I found that whole story just fascinating. Interesting. I’ll tell you what. And there’s those and a whole lot more stories in this, isn’t there, Jeff? Yes, there are. I think that the book covers pretty much the mob history, beginning with the founding of the five families, going all the way up through Sammy the Bulgurvano’s testimony against John Gotti and the commission trial, where they decapitated the heads of the five families. Not literally, folks. Not literally. Not literally. We didn’t literally decapitate. Rudy Giuliano, he tried to. He tried to. He tried to. Metaphorically, he decapitated the heads of the five families. Exactly. [27:15] You know, what was interesting, though, is in the 1930s, you had Thomas Dewey. In the 1960s, you had Robert Kennedy, who went after the mob. And then later on, you had Rudy Giuliani going after the mob. And the mob always managed to reorganize itself and figure out a new way of existing. They were very opportunistic and they always managed to find a way to keep going, even if it was very low key, which is what it is now, where they operate in the shadows and they don’t have any John Gottis or Al Capone’s out there getting a lot of attention for themselves. They’re still out there doing things. Yeah. Yeah. They finally learned something about that getting publicity. And most recently, they put together a whole scheme, and this goes way back, of cheating people. Big whales, I call them whales, of rich men that like to gamble and brush up against kind of the dark side and cheat them at cards. They’ve been doing that for years. They just do it under goes to clear black to the Friars Club scam in Los Angeles where Ronnie Roselli and some others had a spotter, would see who had what cards in what’s hands, then would tell another player. And so now there’s just more electronic, but the same game just upgraded to electronics. [28:30] That’s right. What someone I spoke to interviewed said, he said they’re very involved in electronic gambling poker machines and that kind of thing. And a lot of offshore gambling and offshore money laundering. And to some extent, even drug dealing now. And they’re still very involved in New York in the construction business. Oh, really? Yeah. Union business. They’re still in it, huh? And I know in Kansas City, there’s a couple of examples where they put money into a buy here, pay here car dealership into a title loan place because there’s a huge rate of interest on those things. And there’s a lot of scams that go down out of those places, especially the old crap cars and put them together and sell them to poor people for they’ve got $500 in the car and they sell it to them for $2,000. They charge them a 25% interest and then go repo it when the car breaks down, turn around and patch it up and sell it again. So there’s always schemes going on out there to mob will put their money into. Oh, it’s incredible. I knew of one scheme where they would They would sell trucks to people and give them a special route. And so on that route, they could make enough money to pay off the loan on the truck. But then they would take away the route from them. They couldn’t pay off the truck. So they would repossess the truck and sell it to someone else and do it all over again. [29:50] Oh, I know. They got to tell you that. And Joey Messino and the Bananos, they organized the tow main wagons, the lunch truck, the snack wagons. Right, exactly. Organize them. And then they start extorting money, formed an association. And then to get to good spots, then you had to kick money to them. And just to be part of the organization, that was kicking money to them. There’s always something. They always manage to find a place where they can make money. And it’s like whack-a-mole. You can stop them here, you can stop them there, and then they pop up in three other places. [30:24] Really all right jeffrey susman i’m so happy to talk to you again i haven’t talked to you for a while and i hope everything else is everything’s going okay for you in new york city yep i’m working on a new book uh what are you working on now oh my god you are so prolific i look on your amazon page just when i was getting ready to do this trying to think of some of those other titles Oh, my God. I’m working on a book about the Garment Center. Ah, interesting. Only because my family was involved in that business, and they had to deal with the mob in various ways, with trucking companies, unions, and so forth. And since I knew that, and I had a lot of information, a lot of contacts, I thought I would tackle that next. I remember when I had my marketing PR business back in the 1970s. [31:16] I had a client who was in the fitness business, and I had a cousin of my mother’s who was a very famous dress designer at the time, and he had a big showroom on 7th Avenue, which is in the garment center. I went to see him because I wanted to see if I could get a deal for my client to manufacture exercise clothes and brand it with her name. I made a date to have lunch with this cousin of mine, and he said, come up to my showroom. we’ll meet for lunch, And so I got to the showroom, and I called out his name when I walked in. It was empty. And this guy comes running out of the back, and he just has a shirt on, and he has a shoulder holster, .38 caliber gun in it. And he says to me, who the F are you? I said, I’m so-and-so’s cousin. I’m here to have lunch with him. He disappeared into the back. And a couple of minutes later my mother’s cousin comes out and i said who was that what was that about he says i don’t want to talk about it now i’ll tell you all for lunch so we go down to a restaurant around the corner and i asked him again and he says he said he couldn’t have his dresses delivered to any department store unless he made a deal with yeah i forgot if it was the gambinos or the lucasies that he had to take this guy on as a partner otherwise the trucks wouldn’t deliver his garments. And there was nothing he could do about it. It was either that or go out of business. [32:45] I’ll tell you what, they’re voracious. They’re greedy and voracious and don’t care. Just give me those, show me the money. That’s all it is. It’s all about money and any way to get it. And then there’s always a threat of murder behind it. If you don’t cooperate, think of the worst thing that can happen to you. And that’s what’ll happen. Yeah. I’ve had guys over the years tell I’m like, oh, you ought to throw in with one of those ex-mobsters that’s doing podcasts and try to do something with them. I say, I ain’t doing business with them. They play by their rules. I play by society’s rules. And I don’t have time to mess with that. Yeah. And that was a smart thing to do. Because also, when I had this fitness client, I met someone who was… I didn’t know what was connected to the mob, but a mutual friend, this guy said that he wanted to set up fitness centers all around the country for my clients. So I mentioned this to a mutual friend and he said, whatever you don’t go into business with this guy, I said, regret it for the rest of your life. So I advised my client not to do it. [33:49] Yeah. Cause initially before we knew that it sounded like a great opportunity. And then when you investigate, it’s not such a great opportunity. Yeah, really. Speaking of that, we tell stories for hours. I just heard a story. We had a relocated mobster, a guy that testified against Gigante, came here to Kansas City. And he was, of course, under witness protection and he’s got an assumed name. And he befriends a guy that has a fitness center. He has a franchise of Gold’s Gym or something. And he has a fitness center. And he talks this guy into taking him on, investing a little money in it, taking him on as his partner. Within the next couple of years, this mobster, he’s got two of his kids working there and neither one of them are really doing anything, but they’re drawing a salary and the money’s trickling out. And the guy, the local guy, he just walks away from it because this guy’s planned by the mob’s rules. So he just ended up walking away from it, did something else. So it’s do not go into business with these guys. No, never. Never. [34:48] Jeffrey Suspett, it’s a pleasure to have you back on the show. Thank you so much. It’s a pleasure to be with you again, Gary. It’s always a pleasure. Thank you very much.

19th Annual Galbani Taste of Little Italy Italian FestivalSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do you lead a hotel through a major renovation and emerge stronger than ever? Join David Millili and Steve Carran as they sit down with Alpha Barry, General Manager of the newly renovated Courtyard San Diego Downtown Little Italy. Alpha shares his 25+ year hospitality journey—from front desk to finance leadership to GM—and the transformational renovation that reshaped the hotel into a modern destination in one of San Diego's most vibrant neighborhoods.In This Episode You'll Learn:How Alpha built a career from operations to finance to GMThe massive renovation and brand transformation of the hotelWhat a Noble Investment + Schulte Hospitality supported the visionHow the hotel connects to Little Italy through local partnershipsWatch the FULL EPISODE on YouTube: https://youtu.be/pNcXsExpASQ Links:Alpha on LinkedIn: https://www.linkedin.com/in/alpha-midiaou-barry-42a6b014/ Courtyard by Marriott San Diego Downtown Little Italy: https://www.marriott.com/en-us/hotels/sandy-courtyard-san-diego-downtown-little-italy/overview/For full show notes head to: https://themodernhotelier.com/episode/244Follow on LinkedIn: https://www.linkedin.com/company/the-...Join the conversation on today's episode on The Modern Hotelier LinkedIn pageConnect with Steve and David:Steve: https://www.linkedin.com/in/%F0%9F%8E...David: https://www.linkedin.com/in/david-mil.

Tony Di Cicco turned 90 on October 4, 2025. This is a small tribute to his legacy!The ship Cristoforo Colombo was docked in the bay of Naples, Italy. May 20 was a warm day, the sun beating on the passengers patiently waiting for their turn to the ramp that would take them inside the massive vessel bound for New York City. Antonio Di Cicco was one of the passengers waiting in line for what must have been a journey filled with anxiety and uncertainties.From this verse onward, we'll call him Tony, the American adopted name. This could be another typical story about an Italian immigrant leaving the country in search of a better tomorrow. Still, there is more, and you'll see further why I decided to write about Tony.The Cristoforo Colombo arrived at Pier 42 West eight days later on May 28, 1955. Tony was 20 years old, full of energy, self-assured, and not intimidated. The American dream began in Rhode Island with a mixed bag of low-paying jobs as a construction helper, followed by a job as a jeweler polisher at UNCAS, a company owned and operated by Italians who hired many “freshly arrived” Italians. Uncas headquarters were located at the end of Atwells Avenue, near Valley Street toward Manton Avenue, near the center of Rhode Island's Little Italy, known across the country as Federal Hill. Just like any ethnic group, Italians sought places where the rest of their compatriots lived, almost like redesigning the life they had left behind, but in a new context.Living abroad was already difficult due to integration and language assimilation, not to mention the social and economic disparities they faced every day, and adjusting was not always easy. But, like many resilient Italians, Tony found his waytheir compatriots lived, almost as if redesigning the lives they had left behind, secured a good apartment, and the job at Uncas began to pay well. He earned much more than most of the low-paying group because of the piece-work system that was in place- the more rings you polish, the more you make. His mother eventually joined him, and with his brother Carmelo, the family's reunification was partially completed. His father remained in Italy, working for the local municipality.Tony was born on October 4, 1935, in the town of Sant'Ambrogio in the province of Cassino, southern territory of the Lazio region, near the river Garigliano. Early life took him to Albania, where he spent about 3 years. His father, at the time, was employed with the Italian government and stationed there, and to avoid being distant from his family, he decided to keep everyone together in the city of Durazzo. His father at the time was employed with the Italian government and stationed there, and to avoid the distancing from his family, decided to keep everyone together. The Second World War had just begun, and Albania provided a safe refuge from the bellicose confrontations.One bright morning, Tony walked into Uncas for the daily shift and noticed a sign posted on a blackboard. A food store on Federal Hill was looking to hire young, energetic Italians as stock boys. Later that evening, Tony paid a visit to the store and, after an informal interview, was hired. Gregory Sabatini owned and operated Gregory's Colonial Foods, selling basic Italian imports, cold cuts, cheeses, and dry goods.The store had been on the Hill since 1920, providing ingredients for the packed Italian community and their cooking rituals. In those days, the Hill counted about 40,000 residents, plenty of food stores, butcher shops, ice cream parlors, topped with a daily outdoor market on Balbo Avenue where vendors lined up their wooden carts selling anything from fresh chicken, fresh fish, fruits, and produce. Read the Full Content HereMore Podcast HereProduced by Chef Walters SimVal Media Group, USA

The Phantom Bombers of St. Peter and Paul Church: A Tale of Terror and TriumphThis story explores the thrilling narrative of the Phantom Bomber case in San Francisco, highlighting the police's strategic response. The story unfolds through a series of tense moments during the surveillance operation, culminating in a dramatic confrontation with the bomber. The discussion emphasizes the importance of police performance and community safety.In the heart of San Francisco's Little Italy, the community was gripped by fear as the Phantom Bombers targeted the St. Peter and Paul Church. This gripping narrative unfolds the relentless pursuit by Chief Dan O'Brien and his team to bring an end to the reign of terror. The story captures the tension and determination of both the community and law enforcement as they worked tirelessly to restore peace.The Investigation UnfoldsThe bombings left the community in shock, with five deadly attacks shaking the very foundation of the church. The investigation was a race against time, with detectives stationed at strategic points, ready to catch the bomber in the act. The tension was palpable as officers kept vigil, their nerves frayed by the constant threat of another attack.A Community UnitedDespite the fear, the community stood strong, united in their resolve to see justice served. The narrative highlights the bravery of the detectives and the resilience of the citizens, who refused to let terror dictate their lives. The eventual capture of the bomber was a testament to the power of community and the unwavering dedication of law enforcement.The story of the Phantom Bombers is a reminder of the strength found in unity and the triumph of justice over fear. As the congregation of St. Peter and Paul Church returned to worship without fear, the city of San Francisco celebrated a hard-won peace.Subscribe NowStay updated with more intriguing stories and insights by subscribing. Don't miss out on the latest updates and narratives that captivate and inspire.TakeawaysThe Phantom Bomber terrorized San Francisco for nearly a decade.Police strategy involved extensive surveillance and teamwork.Tension builds during the stakeout as officers await the bomber's return.The climax reveals the dangers faced by the police during the operation.Community safety is a priority for law enforcement.The story highlights the importance of police work in crime prevention.The resolution of the case brings relief to the community.The conversation ends with a call to action for listeners to support local services.Police performance, crime drama, Phantom Bomber, San Francisco, surveillance, emergency services, police work, crime prevention

In this episode of Gangland Wire, Mafia Genealogist Justin Cascio joins Intelligence Unit detective Gary Jenkins to explore one of the most remarkable—and overlooked—figures of the Prohibition era: Pasqualina Albano Siniscalchi, the so-called Bootleg Queen of Springfield, Massachusetts. At the dawn of Prohibition in 1921, Pasqualina was a young widow living in Springfield's South End when she inherited her late husband's powerful bootlegging operation—one of the largest in western Massachusetts. Rather than step aside, she took control. Pasqualina ruled a crew of toughs and bootleggers, oversaw liquor distribution, and launched a relentless campaign of vengeance against rivals who challenged her authority. Newspapers dubbed her The Bootleg Queen, but her fight went far beyond rival gangs. She clashed with lawmakers, battled competing bootleggers, and even faced resistance from within her own family—all while operating in service of a secret society that would never fully accept her because she was a woman. Her story exposes the contradictions of organized crime: loyalty demanded without equality, power wielded without recognition. Cascio draws from years of meticulous research and family histories to bring Pasqualina's story to life, revealing her pivotal role in early Mafia expansion in New England and the hidden influence women could wield behind the scenes. His book, Pasqualina: The True Story of the Bootleg Queen of Springfield, challenges long-held assumptions about gender, power, and the Mafia during Prohibition. If you're interested in Prohibition-era crime, New England Mafia history, or the untold stories of women who shaped organized crime from the shadows, this episode is one you won't want to miss. Learn more about Justin and his work on Mafia Geneology by clicking this sentence. Get Justin’s book, Pasqualina: The Bootleg Queen of Springfield, Massachusetts Listen now on Gangland Wire — available on all major podcast platforms and YouTube. 0:02 Introduction to Mafia Genealogy 1:16 Pasqualina Albano’s Story 2:30 Family Reunion Revelations 4:56 The Impact of Prohibition 7:45 Prejudice and Organized Crime 10:50 Connecting the Genovese Family 12:34 Views from Sicily 13:50 Cultural Differences in Dress 16:37 Encounters with Modern Gangsters 18:36 Gina’s Documentary and Art 23:53 The Romance of the Gangster 27:24 The Nature of Risk 28:46 The Evolution of Organized Crime 33:16 Closing Thoughts and Future Plans Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, all you wiretappers. Good to be back here in the studio of Gangland Wire. I’ve got on tap here a repeat guest. He’s been on before. I had a little technical glitch this morning with the internet, and I had to scurry around and do something different. I totally forgot about what I was going to talk about with Justin, but I knew Justin’s been on there before. I knew he does mafia genealogy, and I knew he knows his stuff, and so he doesn’t really need a lot of help from me. So this is Justin Cascio from the website and some books, some mafia genealogies. Welcome, Justin. Thanks so much, Gary. Great to be here. Really. And you’re from the Springfield, Massachusetts area. And so that’s been some of your emphasis has been on that area. But you’ve done a lot of other mob genealogy, correct? Yes. On my website, on mafiagenealogy.com, I write about a whole lot of different places that the mafia has been in the United States. In fact, coming up, I’m going to be writing about Kansas City. But for the last 25 years or so, I’ve lived in New England. I live about 20 miles away from Springfield, Massachusetts, which if you’ve heard of Anthony Aralata or Bruno or the Shabelli brothers, then you know the Springfield crew of the Genovese crime family. [1:12] And I’ve been following them pretty closely since I’ve lived here. A few years ago, I got into the story of Pasqualina Albano, who was a bootlegger in Springfield during Prohibition. [1:25] That’s what my new book is about. Yeah. Oh, that’s a new book, right? I’m sorry. I didn’t pick up real quick there. And she’s done a documentary recently that hasn’t been seen by very many people. And they really, she was a woman. They do use the A at the end. Those of us that know about romance languages would know as probably a woman, but she’s a woman. And she was running a certain segment of bootlegging back during the 30s and late 20s, exactly when it was, which is really unusual. She must have been a powerful individual. I think that she was a very remarkable person, so I couldn’t find out enough about her. I really needed to understand how it was possible that somebody who the Mafia would never have accepted as a member allowed her to lead this crew for so long, even into the years when it was associated with Vito Genovese and that crime family. Yeah. Don’t you imagine it was, she must have been making money for them. [2:24] She was making money for her family, for sure. Got a few people probably pretty comfortable, yeah. [2:30] So that family, you went to a family reunion recently and learned quite a little bit. You want to tell your experiences about that? Yes. So, Pasqualea Albano, that bootlegger, has a nephew who is now 101 years old. His name is Mario Fiore. And when he turned 100, I was invited to his birthday party. And it was an enormous scene. It was tremendous. In fact, it’s a cliche, but the opening scene of The Godfather, if you imagine that wedding scene, it’s what it looks like. There’s a guy singing live on a PA system. There’s a pizza oven parked over here. There’s kids in the pool. There’s so many people, so much food, and this great big lawn and incredible view. Just an amazing scene to be at. And I met so many different people who were in Mario’s family. I met people who came over from Italy to come celebrate his birthday and talked with them as much as I could. I have no Italian, by the way. So we did the best we could. But I also talked to her American relative. She has all these grand nieces and nephews, and nieces and nephews who are still living, who were at this party and told me stories and drew little family trees for me. And what I was able to get a real good sense of is how the family feels about this legacy. Because not just Pasqualina, who was in organized crime, so many of her relatives were involved as well and continued to be up until the 80s, at least. [4:00] So the name, was it Albano? Was it got on in the modern times? The last name, was it still Albano? Was there another name? There are a few. Let’s see. I want some more modern names. There’s Mario Fiore. So he is one of her nephews. And then there’s Rex Cunningham Jr., who is one of her grandnephews. There’s the Sentinellos. So Jimmy Sentinello, who owns the Mardi Gras, or he did anyway. It’s a nude club, you know, a gentleman’s club, as they say. A gentleman’s club. We use that term loosely. Oh, boy, do we? Another old term that I picked up from the newspapers that I just love and like to bring back is sporting figure. Yeah, even sporting man. They don’t play sports. They’re not athletes. They’re sporting figures. I know. I heard that when I was a kid. Somebody was a sporting man. Yep. [4:57] This has been a family tradition. It’s something that has been passed down through the generations, and it’s something that I talk about in the book. But mostly what I’m focused on in the plot of the story is about Pasqualea’s time during Prohibition when this gang was turning into something bigger, turning into a part of this American mafia. Yeah. Interesting. And so tell us a little bit about how that developed. You had a Genovese family that moved in and she got hooked up with them. How did that develop? Yeah. More end of modern times. Early on, so 1920, beginning of Prohibition, Pasqualea Albana was newly married to this sporting figure, we’ll call him, Carlo Sinascocci. And I’m probably pronouncing that last name as wrong as well. He also came from a family of notable people who were involved in organized crime, getting into scrapes in Little Italy, New York City. There’s a whole separate side story about his cousins and all the things that they were getting into before Carlo even got on the scene. So by the time he arrived in New York City, he had a bit of a reputation preceding him because of these relatives of his. [6:06] And Pascalina was a young woman in Springfield. And the first question I even had writing about her is, how did she meet this guy? He was a Brooklyn saloon keeper. She was the daughter of a grocer in Springfield, three and a half hours away on the train. Like, why do they even know each other? And so trying to piece all that together, how that was reasonable for them to know one another and move in the same circles, and then for him to immediately, when he moved to Springfield, start picking up with vice because it was before Prohibition. So he was involved in gambling and police violence. And you could see some of the beginnings of the corruption already happening where he’s getting police protection before prohibition even begins. And then once it starts, he is the king of Water Street, which was the main drag of Little Italy. He was the guy you went to if you wanted to buy wholesale. [6:57] Justin, I have a question here. I was just discussing this with who’s half Italian, I guess, FBI agent that worked the mob here in Kansas City. We were talking about this, the prejudice that Italian people felt when they first got here, especially. And Bill’s about 90, and so he said his father told him. His father worked at a bank in New York, and he was told that with that last name, he had a different last name than Bill does. And with that last name, he said, you’re owning and go so high in the bank. And so talk a little bit about the prejudice that those early people felt. And that’s what drove people into the dark side, if you will, to make money. You had these bright guys that came over from Sicily looking for opportunity. And then us English and Irish Germans kept them out. [7:45] And so can you talk about that a little bit? Did they talk about any of that or have you looked into any of that? [7:52] I have. And it’s a theme that comes up again and again. Whenever I look at organized crime in any city, I’m seeing things like that ethnic succession of organized crime that you’re alluding to, how the Irish were controlling, say, the machine in Kansas City Hall or what have you. And they had that same kind of control over politics in other cities, too. And the way that they were getting a leg up and finally getting that first protection of their rackets was from outside of their ethnicity. It was Irish politicians protecting Italian criminals. And then eventually the Italians were getting naturalized where they were born here. And so then they move into politics themselves. [8:31] And that is one of the theories about how organized crime develops in American cities. It’s because you’re poor and ethnic and you’re closed out of other opportunities. And so the bright kids get channeled into organized crime where maybe in a better situation, they would have gone to college. Right. And then Prohibition came along, and there was such a huge amount of money that you can make in Prohibition. And it was illegal. That’s why you made money. But there was opportunity there for these young guys. Yes. And you really start to see a lot of new names in the papers after Prohibition begins. You have your established vice criminals who you’re already seeing in the newspapers through the 19-teens. Once Prohibition begins, now they have all these other guys getting into the game because there’s so much money there. And it’s such a big pie. Everybody feels like they can get a slice. [9:21] Yeah, interesting. Carry on. I’ve distracted you, Azai, but you were talking about Pasqualina and her husband. Of course, I’m not even going to try that. When you talk about discrimination against Italians, one of the things that makes my job really hard is trying to find news about a guy with a name like Carlos Siniscalchi. First of all, I’m probably saying it wrong. I think the Italian pronunciation is… So I’m getting all of the consonant clusters wrong, but I do it with my own name too. We’ve Americanized Cassio. That’s not the right name. How do you pronounce it? It’s Cassio. But we’re Cassio. That’s my grandfather said it. So how do I find Carlos Nescalci in the newspaper when every reporter mangles that name? And spells it differently. Yeah. Everybody spells it differently. How am I going to guess how all these different English speaking reporters were going to mess up Carlos’ name? And so I find it every which way. And sometimes I’ve just had to plain stumble over news about him and his relatives. It just happens by chance. I’m looking for general crime, and then I find him specifically. So yeah, it’s a little hard to find the Italians sometimes because their names are unfamiliar and they get written wrong in censuses and in the news. So we lose a little bit of their history that way. And that’s what you might call, I don’t know, a microaggression because they can’t get that name. Yeah, a little bit. Yeah, yeah. You don’t care enough to spell it. I just, I know the thought process, I have to admit. I’ll just spell it anyway. I understand that thought process. [10:51] So you were asking earlier, I don’t know if you want me to continue this, but how the Genovese family were able to get involved in this thing going on in Springfield. Yeah, connected. Because of her second husband. Okay. Pascalina lost her first husband in 1921. He was killed by a fellow bootlegger. He takes over the gang. She conducts a war of vengeance against the guy who kills her husband and his whole family because they’re gangsters. And that takes years. She’s also pursuing her through the courts. And when that all finally gets settled a few years later, she has a quiet little second marriage to a guy that nobody had ever heard of called Antonio Miranda. [11:28] Now, Antonio Miranda is a small time gangster from Little Italy, New York City, and his brother is Mike Miranda, who is very close to Vito Genovese, and he became this conciliator eventually. So that old connections, going back to the days before the Castello-Moraisi War, when it was Lucky Luciano bootlegging with some of his pals, that’s the time frame in which she formed this alliance by marrying Tony Miranda. And that’s when it starts. That’s the relationship’s beginning between Genovese crime family having, before it was even the Genovese crime family, when it was the Luciano family. And so they’ve had that relationship with the Springfield crew ever since. A little bit like old world feudalism in a way, where one member of a royal family marries a member of another royal family. And I know in Kansas City, we’ve got our underboss, his sister, is married to our boss’s nephew. So, bring those two families together, the Lunas and the Savellas together, yes, very well, like noble families. Exactly. Interesting. Absolutely. [12:31] So that’s how they got together. I remembered that, but I’d forgotten it. So, you went to this reunion with people from Sicily there. So, tell us a little bit about that. How? [12:43] How do people in Sicily view the people in the United States? And they didn’t talk about the mafia. I’m sure there’s no doubt that they’re not going to really talk about that unless you got to find somebody that’s really lucky. But kind of care about the sociological impact and the old world and the new world, and the new world people that, you know, established here. Okay, so Pasqualea and his family are from outside of Naples, and they maintain really close ties to their family back in Italy. Like I am the third generation born in America. I don’t speak Italian. Neither does my father. Neither of us has ever been to Italy. We don’t have, we’re not Italians. We’re Americans. Okay. And the Italians will remind you of that if you forget. We’re not Italian. And like spaghetti and meatballs, not Italian. Chicken Parmesan, not Italian. These are things that we invented here out of a sense of, out of homesickness and a sudden influx of middle-class wealth. We were like, let’s have the spaghetti and the meatballs. I had separate courses anymore where the meatballs are, where they’re both a special treat and I’m going to take two treats with chicken and waffles. [13:50] So being around them, they’re formal. You know, I was meeting like Pasquena’s relatives from Mercado San Sivarino, where they’re from in Italy, they own a funeral home. They own the biggest funeral home business in the town, and they also own some other sort of associated businesses, like a florist and things like that. So I would expect a certain sort of decorum and conservatism of tone from somebody who works in the funeral business and from Italy. But they were also among the only people there in suits, because it was a summer day, we’re outside. Most of us were dressed a little less formally. Yeah. Old school, 1950s stuff. He does those old 1950s photographs, and everybody, every man’s wearing a suit. And there were women’s hat on. Also, that ongoing thing where people in Europe just dress better. Yeah, they dress more formal. I see a little bit in New York City. I noticed it when I moved up from the South. In the South, you go to a funeral and flip-flops, okay? It’s very casual because the weather absolutely demands it. I moved that back up North, and I’m like, wow, everybody’s just wearing the same black coat, aren’t we? And you go into New York. People are dressed a little better, even. You go to Europe, and it’s just another level is what I hear. People, they dress better. They’re not like us where we would roll out of bed and put on pajama pants and some crocs and go to the grocery store. They would never do something. Yes. [15:10] I was in a restaurant several years ago, and there’s a guy sitting at a table, and another young guy comes in. And the guy at the table says, dude, you wore your pajama bottoms in the restaurant. [15:22] People need to be sold. And I’ll have to admit, at the time, I hadn’t seen that before. And since then, I see it all the time now. I live in a college town. I see it a lot. Yeah. So i’ll carry on a little more about that reunion there uh okay so how to describe this so much of it was very surreal to me just being in this place like very fancy house the longest driveway i’ve ever seen like more than a mile i finally like when i parked my car because the track you know you can the parked cars are starting i parked and i get out of the car. And I’ve got this big present with me that I’m going to give to Mario. It’s unwieldy. And I’m like, oh man, this is going to be quite a schlep. And I’m wearing my good shoes and everything. And these two young fellas come up on a golf cart and bring me a ride. So I get in the golf cart and we get up to the house and my friend Gina was trying to point people out to me. Oh, he’s somebody that was in my documentary and you got to talk to this guy. And there was a lot of that. you’ve got to talk to this guy and you’ve got to talk to this woman and dragging me around to meet people. And one of the groups of people that I was, that I found myself standing in, [16:35] I’m talking to gangsters this time. Okay. This is not cousins who won a funeral home. These are gangsters. And I’m standing with them and they’re having the absolute filthiest conversation that I’ve heard since high school. [16:48] And, but the difference is boys in high school are just talking. These guys have done all the things they’re talking about. Wow. What a life is. The lives you would have led. Bye. I’m just trying to keep it. Are these American gangsters or are these? Americans. Okay, yeah. Current gangsters, they’re in the Springfield area with Anthony Arilada there. They’ve all hated him, probably. I’m sorry? I said Anthony Arilada when he’s there, and they all hated him. You probably didn’t bring his name up. Yeah, really. There are different factions in Springfield, it feels like to me, still. bill. And I haven’t got them all sorted. There are people who are still very loyal to the old regime and they have their figure, their person that they follow. And sometimes they can live with the rest of them and sometimes the rest of them are a bunch of lowlives and they want everybody to know about it. Yeah. [17:45] I’ve heard that conversation before. Interesting. Now, whose house was this? Somebody made it well in America. Yes. And I think it was one of his nephews. I don’t know exactly whose house it was. I was invited by Gina’s brother. He texted me and invited me to the party. And people just accepted me right in. The close family members who have seen Gina’s documentary, who have heard her talk about Pastelina and the research and meeting me, they think of me as the family a genealogist. And so I have a title in the family and belong there. Oh yeah, it’s here to document us. As you do, because we’re an important family. And so they didn’t really question my presence there at all. And you were able to ask questions from that standpoint too. That’s what was nice. Yeah. [18:37] And a lot of times it was just standing still and listening because there was so much going on, That was enough. Interesting. Now, her documentary, you’ve seen it, so tell us a little bit about it. Folks, it’s not out there streaming yet. She’s trying to get something going, I would assume. [18:58] Explain her just a little bit, too, in her book. Talk about her and her book and her documentary. Yeah. Okay. Gina’s a part of this big family that has got some wealth still and goes back to bootleggers in Prohibition and has gangsters in it, including her brother, Rex Cunningham Jr. So Cunningham is the name you don’t expect to hear in the mafia. Yeah, yeah. Done by Marietta Beckerwood. I don’t know if he was a member or associate, but at any rate, he was a known figure around here. Sportsbook and that kind of thing. Sportsbook, yeah. Yeah. She grew up with a little bit of wealth and privilege, but also feeling a little bit outsider because her family was half Irish. So among the Italians, it was a, you go to the wrong church, you go to the wrong school kind of vibe. And she grew up into more of a countercultural person. Her family is very conservative politically, religiously. I don’t know if you would expect that of a gangster family, but that’s what I’ve noticed is pretty common, actually. No, it’s pretty, that’s the way it is here. Yeah, real conservative, yeah. Yeah. You have to be socially for the whole thing to work. I can get into that, but And they keep going to the same church and school and everything, and you maintain these close ties with the neighborhood and local businesses and so forth. But she really was like, I’m going my own way. And so she became this free spirit as a young woman. And Gina’s, I don’t know how old she is. I want to say in her late 60s, around 70, about there. [20:23] That’s Gina Albano Cunningham. Cunningham. Oh, Gina. Okay, Gina Cunningham. See, I’m getting mixed up with the names. And Cunningham was… Ask Elena Albanos. Her sister married and became a Fiore. Okay. All right. That’s a little bit confusing. People have to go to your website to get this straightened out. Or maybe you have this, a picture, an image of this family tree on your website. In the book, you can find multiple family trees because I’m working with all these different branches. I’ll take a look if I can’t put an image in here for everybody to get this straight. But the modern woman that did the book and the movie, she’s in her 70s now. [21:04] Yeah. Yeah, and she’s a grandniece of Pasqualina, and her brother and her cousins were in organized crime in this room. Okay, all right, all right. Go ahead, go ahead. She’s absolutely immersed in this life, but she did not want any part of it, and so she left. And there are other people in her family that you can point to that did the same thing, like some of Pasqualina’s children just did not want to have anything to do with the family. Well, they left. They went and moved to another state. They stayed in another place. They didn’t come back. And she did the same thing, but she’s not cut ties. She keeps coming back and she has good relationships with her family members, even though she’s not aligned with them politically and so forth. [21:42] And she’s an artist. I’ve seen her work on a couple of different mediums. I don’t want to really try and explain what her art is, but she’s a feminist artist. And she’s also really been pointing the camera at her family quite a bit. And it seems like film might be a newer medium for her. She’s used to do more painting and sculpture and stuff kind of thing. How’d the family take that? A lot of these people, I’ve talked to some relatives here, and one of them come on to talk to me, but I said, your Uncle Vince, he said, yeah, I know. But then he never would get back to me all of a sudden. So a lot of pressure to not say anything about it. Oh, yeah. Sometimes I will get started talking to somebody and then it’ll reach a certain point where they’re like oh no we can’t don’t be recording this don’t put my yeah anything so yeah news to that but gina was like no this is going to be part of my, political art. I’m going to point the camera at my family. I’m going to expose, some of the hypocrisy that I see there, the things I disagree with. [22:41] It’s a short documentary, and I find it very powerful because it’s a family video. One of the first people she’s aiming the camera at is, I think, one of her nieces. Talking to this young woman who is leaning on her car, maybe in her late teens, early 20s, and this young woman is saying, oh, yeah, I would marry a gangster if I had the chance. And I’m just like, do you not know your family? Do you not know the heart? And later on in the video, you get to hear some of the really just like gut wrenching stories of what pain people in her family have brought upon themselves through their involvement in organized crime and all the things that it entails. And this young woman is, I don’t know, she’s acting because she doesn’t even know this other uncle or this other cousin that she’s got that can tell her these stories. Or is it, I don’t know, it doesn’t matter or something. And that to me was shocking. That’s the kind of thing that needs, that’s somebody who needs their mind changed. And I was like, I hope she watches this video she’s in and changes her mind about how she feels about that life and wanting to be a part of it. But that’s what mafia culture creates more of, is people who want to be a part of that. [23:53] There’s a certain romance to it that started out with Robin Hood, if you will. You get a romance of the gangster, the criminal that maybe is good to some people, good to support people, good to their family. And it continues on to this day to John Gotti. He’s the most recent iteration of Robin Hood and Jesse James here in the Midwest. People love Jesse James. When I grew up, everybody, every family had a story about how a couple of guys came by their house back in the 1800s and they gave them a place to stay and a meal. And they left them like a $20 gold piece, which was like $500 or something. And they said, it was Jesse James. I know it was. It’s the romance of the gangster continues. Yes. We all would love to imagine that we’re on the gangster side and that the gangster agrees. Yeah. As long as we don’t have to go to jail or pay that price. Because to me, I’ve got a friend today that he spent about 12 years and he would give all that gangster life back to get that 12 years back for these kids growing up. He’s turned over a new life today. I had lunch with him and his son not too long ago. And it’s just his son has told him, he said, every time I had to walk away from you in the penitentiary and come back home after our visit, he said, I was just crushed. It’s a huge price to pay for that. But there’s still that romance continues. [25:13] That terrible price, I think, is part of what feeds the romance. If there was no risk, there wouldn’t be that allure. Yeah, that’s true. You met that risk and overcame it and went on, came out on top. It’s what they always like to claim that came out on top of it. So I understand that thought process. I take a lot of risk in my life just from the other side. I said, live to fight another day. Yeah, there really are different kinds of risks that you can take. I was writing about a contract killer in Texas, and one of his targets was a guy who was a grain dealer. And I was like, that’s a really weird target for murder, right? Like, why would you kill a grain dealer from rural Texas? And it was because his old partner had an insurance policy out on him and decided to cash in on it. That was Charles Harrison, wasn’t it? Yeah, yeah, exactly. Sad story. Charles Harrison. Yeah. It was like, these were two guys that took very different kinds of risks, right? You got Charles Harrelson, who kills people for money. That’s a certain kind of risk you’re definitely taking. And then there’s the guy who buys grain and then sells it. So he’s taking these risks for his community of farmers. [26:27] And I was like, that’s really wholesome. And that’s, I don’t know, I feel like it’s a really positive example of masculinity. That’s the kind of risk we’re supposed to take for the safety and well-being of our neighbors? Yeah. Even the farmers, they risk everything every year. Smaller farmer, I grew up in those families and a smaller farmer practically risk everything every year, being in on the weather. That’s why I didn’t stay on the farm. And the markets, you don’t know what the markets are going to do. It’s a gamble every year. That Charles Harrelson, that’s Woody Harrelson’s dad who killed the Judds, famous murder down in El Paso. And he had a business. He carried a card that said he was a hitman. It was his story. [27:10] Bold. He was a crazy bold dude. I did a whole three-part series on that whole Jimmy Chagra marijuana business [27:20] down there on the border. and his connection to it and the killing of Judge Wood. So it’s just a business in these guys. Hey, it’s not personal. It’s just business. Yikes. It’s crazy. But Justin, you got anything else you want to tell us about? Anything you’re working on? And remind guys your website and what you can find there. He has some really interesting stuff about the old early days in Chicago. I know that. I referred to some of that several years ago when I was doing something on Chicago. So give guys a little walk through on your website. It’s really interesting. Okay, so John Gotti is one name I don’t think you’re ever going to find on my website. Yeah, good. [27:59] I’m really addicted to origin stories. I like to find out how the Mafia was already present before that point when we say it started. Yeah, in the 20s. But gangsters don’t come out of nowhere. Gangs don’t come out of nowhere. They evolve. They grow. There are forces to create them. And so that’s what I’m interested in. I like to go around. And I spent a lot of my early career writing about one place and its effect on the United States, Corleone, where my family’s from in Sicily. And that was my first book, In Our Blood. And some of my first posts on mafia genealogy are in that thread. They’re about my family and the Corleonesi. But then I started to get into other [28:42] places and wanting to know about their stories and getting into other parts of Italy as well. So if you go to my website, you’re going to find stories like Charles Harrelson and the two guys that he killed before the judge, or in Chicago about the different little Italys that existed before Capone consolidated everything, or Kansas City I’m writing about, Nick Fatsuno and the Passantino brothers. I don’t even know if you know those guys, but I thought their further stories were amazing. [29:09] Passantino had a funeral home today, but the other names I don’t really know back then. I don’t know much about that or those early days. Did they seem to come from the same little town, the same general area? They didn’t, actually. A lot of them were Sicilian, and they come from Palermo province, but not all from the same town. Not from okay. Yeah. Yeah, I wasn’t able to put—there’s not a strong current there in Kansas City like I’ve found in other places where everybody is from one town. Yeah. [29:37] But not so much in Kansas City. A little more varied. Interesting. So that’s what you’ll find on my website. And then Pasqualina is my second book, and you can buy both of my books at Amazon. Got them behind me here, Airblood, Pasqualina. And Pasqualina is about that prohibition era, and if you like to understand where big-nosed Sam Koufari got his start, it’s in there. And the Shabelli brothers show up. It’s about those origins. I was talking to a friend of mine about this name, Skeeball or Skeebelly. Yes. Who had some relationship back in Springfield, and he just really knew Skeeball when he was young. [30:17] Yep, because it was the spelling of his name. I’m not even sure how they pronounced it. I think it’s Skeebelly. Skeebelly. That probably was. Yeah, Skeebelly. I know somebody named Skeebelly, so probably was. That’s like the name of the body shop here in Kansas City, and it’s P-A-C-E. But really it’s Pache. We’ve got to do it right. And that’s probably short for Pache. I don’t know. I wonder if the family pronounces it Pache or Pace. I think business-wise, but then the person who was talking was close to the family and they said, oh no, it’s Pache. So I thought, okay. [30:53] Interesting. The immigrant experience in this country is really always interesting. There’s always conflict and the interest is in the conflict. And as people try to make their way, and stopping with, oh God, it was an author, T.J. did the Westies. You guys know T.J. that did the Westies. And he said, yeah, he said, and he really was articulate about, as we’ve discussed this, that people come here want an opportunity, because they didn’t have any opportunity in the old country, whether it be Naples or southern Italy or Sicily. They came here, they really just wanted opportunity. And then the opportunity, you have to start fighting for opportunity. That’s the nature of the beast in this country. In any kind, any society, you’ve got to fight for opportunity when you’re an outsider and you come in. And so that was the early development. These people just wanting a little slice of this American pie that they’d heard so much about. The streets are paved with gold over here, but found out you’ve got to dig that old man. [31:52] Some people probably came over here thinking they were going to make an honest living and found themselves, by one step and another, involved in organized crime. And then there were other men who came here from Italy for whom the opportunity was to be a criminal here. Richer pickings. Yeah. And they started restaurants and had your typical immigrant, all the immigrant restaurants, all these Chinese, whatever kind of ethnic food is, they start out with an immigrant who then puts his kids and his cousins and his nephews and sisters and grandmas in the back room kitchen, start those restaurants. And people, us people that are already here like that food and they run them, they do a really good job at it. And so that’s a way to get started in grocery stores for their other fellow paisans. And those were the ways that they made it here, at least now, probably the same way in every city where there’s a large Italian population. Got to feed the other Italians. And so an Italian restaurant is natural. Yeah. And also owning your own business is just really smart for a lot of people. If you’re an organized crime, it’s a great way to hide what you’re doing. [32:59] And if you’re trying to get a naturalization status, especially now, being a business owner is really advantageous. Yeah, I bet. I was talking about that on getting a naturalization process that showed that you’re an entrepreneur and you believe in the system and you’re doing well. Yeah, interesting. [33:17] All right, Justin Cascio, and the website is Mafia Genealogy. He’s got a couple books on there in this documentary. I don’t know. Keep us up on that. Maybe if it comes out, I’ll make sure to get it out on something where people know that they can go out and see it. It sounds really interesting. Thanks, YOL. All right. Thanks, Justin. I’ll do that no more. Thank you, Justin. It’s really a pleasure to talk to you again. Always a pleasure being on your show. Thank you. Great. [33:44] Justin, see, I was going to ask you about something. What? Are you going through a publisher? You got a publisher? No, I’m self-published. You’re self-published? Okay. Yeah. See, I self-published several books, and I’m doing probably my last ones, a story of my life, kind of more of a memoir, my struggles and my moral dilemmas and all that during when I worked intelligence. And then I’ll explain all about the big civil mob war we had here during those years. And I don’t know. I started poking around. I thought, well, maybe I’ll try to get a regular publisher. But boy, it’s hard. You’ve got to get an agent. You can’t get attention of an agent because there’s hundreds and thousands of people out there writing books wanting to do all this. So thank God for Amazon. Yeah. I think if you already have your audience. Yeah. And you know who they are and you’re already talking to them. You don’t need to pay somebody else to do that for you. Yeah. Yeah. I’m paying an editor to go over to… That’s different. That’s no other strengths. But to get it sold out there. Out here making videos every day. The good thing about getting a publisher is you can get, and then you got a chance of getting it into Barnes & Noble and into libraries. [34:59] See, libraries. You might into libraries anyway. How’d you do that? How’d you figure that out? The local library has an interest in the book, so they bought it. Yeah, they did. But I’m talking about other libraries. Yeah, they can all buy the book the same way. Yeah, but how do they find the library buy books? [35:18] I think buy them from the publishers normally. And if your book is self-published and they want to carry that book, because, for instance, about local history, then they’ll buy it. Yeah. I’m thinking about how do they get it out in other New York or Chicago or some other city that will be looking for nonfiction books. Publishers. You have to do every step yourself instead of being massive. Yeah. And then like Barnes & Noble and places like that to get it in, that’s hard too. You can do that locally. Those places carry my books on the website. Who does? They’re buying it from Amazon. Oh, okay. Interesting. Oh, really? Yeah. Because that’s the only place you can get it. I think I sell a couple of my, I’ve seen some people from, I think it’s through at Brafta Digital, I think’s the name of it. That’s another thing that this thing went up on that Barnes & Noble did sell a few copies of it. As a matter of fact, now that you mention it. [36:21] But it’s interesting. It’s fun. How are you ever going to get a screenplay sold if you don’t get their attention? [36:30] That’s why most people I talk to, they’re trying to figure out how to get a movie made from their book. Gangsters ask me that question. They’re like, you figure I know the answer to how to get a movie made from YouTube? and I do not have that answer. Nobody knows that. It’s hard work. Yeah, I tell them nobody knows that, the answer. It’s God. A divine being that strikes you, whether it be the Apollo or the God of Abraham, or Jesus or some higher power reaches out and touches you and says, okay, I bless you, and now you’re going to have a movie made and Robert De Niro is going to play your part. Although anymore, they don’t want De Niro to play him because they hate him now, and they want somebody else. Oh, my God. It’s always a pleasure to talk to you, Justin. Likewise, Gary. Thanks so much. If I can do anything for you here in Kansas City, and as you’re going through your thing, if you’ve got any question or anything, I’ve got that one friend, that FBI agent, that he could maybe help you with if you’re looking for a connection or something. He knows quite a little bit. And somebody else was just talking about that, looking into that, those early days. But if you do have any questions or anything that you’re stumbled about here in Kansas City, be sure and give me a call, and I’ll see if I can’t steer you to somebody. I don’t know myself. I don’t really ever look at it. Okay. Okay. Stay safe. Thank you. You too.

Tammy had to go do a pickup at the airport last week which means she got a sub at her favorite spot in Little Italy, Mona Lisa. It's the one place she always takes friends and family when they come to visit in San Diego. Where is the one place in San Diego you always take people when they visit?

Bradley Jay Fills In On NightSide with Dan Rea MasterChef 10 contestant Kenny Palazzolo has been cooking since he was a kid. He was born and raised in Little Italy in the North End of Boston and grew up in a family with generations of great cooks. Kenny stopped by and taught the basics of cooking classic Italian dishes at home! Get out those pans and start chopping garlic now!See omnystudio.com/listener for privacy information.

Bradley Jay Fills In On NightSide with Dan Rea MasterChef 10 contestant Kenny Palazzolo has been cooking since he was a kid. He was born and raised in Little Italy in the North End of Boston and grew up in a family with generations of great cooks. Kenny stopped by and taught the basics of cooking classic Italian dishes at home! Get out those pans and start chopping garlic now!See omnystudio.com/listener for privacy information.

Marty Ozinga IV is chief executive officer of Ozinga. Founded in 1928, Ozinga is a fifth-generation family enterprise best known for its red and white striped concrete mixer trucks. In 2012, Marty took the reins of running the family business as CEO/president from his father, Marty Ozinga III. Marty is joined by his five brothers and one cousin in the fourth generation of ownership. There are thirty-two family members in the fifth generation.Marty earned a BA in economics and business from Westmont College in Santa Barbara, CA, and an MS in communications from Northwestern University. He has served on numerous not-for-profit boards, including currently serving on the board of the Luke Society. Marty and his wife Amy have six children. They reside in the Little Italy neighborhood of Chicago.Ozinga is a purpose driven business whose purpose is to have a positive impact on individuals, their families, and the community for generations. This purpose is rooted in the Ozinga family mission to first and foremost honor and glorify God and to serve the crown of His creation. In 2019, Ozinga received the Dean's Award from the Illinois Family Business of the Year Awards for excellence social enterprise, supply chain management or emerging markets. Ozinga has 2,000+ employees with operations primarily in Illinois, Indiana, Wisconsin, Michigan and Florida. Thank you for listening to "Can You Hear Me?". If you enjoyed our show, please consider subscribing and leaving a review on your favorite podcast platform.Stay connected with us:Follow us on LinkedIn!Follow our co-host Eileen Rochford on Linkedin!Follow our co-host Rob Johnson on Linkedin!

We’re broadcasting LIVE today from Ballast Point Little Italy at 11 AM! If you’re nearby, swing by, hang out with the crew, and enjoy beer and food specials courtesy of The Godfather himself, Jeff Lozano. We'll also discuss why the Bills may be one of many frauds in the AFC. Rob Manfred sheds insight on the Padres sale. NFL Week 12 preview.Support the show: http://kaplanandcrew.com/See omnystudio.com/listener for privacy information.

We’re broadcasting LIVE today from Ballast Point Little Italy at 11 AM! If you’re nearby, swing by, hang out with the crew, and enjoy beer and food specials courtesy of The Godfather himself, Jeff Lozano. We'll also discuss why the Bills may be one of many frauds in the AFC. Rob Manfred sheds insight on the Padres sale. NFL Week 12 preview.Support the show: http://kaplanandcrew.com/See omnystudio.com/listener for privacy information.

Craig Elsten, Chris Reed, and Raphie Cantor gather on the Sunday after the Padres announced they were up for sale by the Seidler family. CCR discuss more of the fallout, how it could affect this offseason, and then end the episode with a game of "Name That Padre".Be sure to come to the PHT Holiday Trivia Party at Stone Tap Room on Kettner in Little Italy, Sunday 12/7 at 6pm!Want to get this show and tons of others early and ad-free? Plus access to our vaunted PHT Discord server and more? Become a patron at patreon.com/padreshottub

Ruby Chan turns a beloved family recipe into a tribute to her father's memory and their heritage; at age 10, Kenny Palazzolo learns to make pizza in the heart of Little Italy; and Julian Plovnick discovers how meals can hold grief, love, and memory during his mother's battle with cancer. 

New York City Mayor elect Zohran Mamdani has named his top deputies, including former de Blasio official Dean Fuleihan as first deputy mayor and longtime aide Elle Bisgaard Church as chief of staff. Meanwhile, the fate of Little Italy's Elizabeth Street Garden remains uncertain as Mamdani signals plans to revive an affordable housing project there. Plus, WNYC's Arun Venugopal looks at how moments from Mamdani's victory speech, including his choice of a Bollywood anthem, reflect his South Asian heritage and message of unapologetic identity.

There is no beating Virginia's record but can the boys at least take some wins away from her or will she be reppin the belt at The Feast of Little Italy this weekend?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mr. Scorsese is “Marty” to his friends and “Legend” to admirers and imitators.  But he's also still that kid, the "minuscule asthmatic”--as lovingly described by his ex-wife, Isabella Rossellini--who fervently loved both the movies he watched in Times Square as well as the characters that populated the Little Italy of his youth.  The results were "Mean Streets", "Taxi Driver", "Raging Bull", and "Goodfellas".     But as Rebecca Miller (“Personal Velocity”, “Maggie's Plan”, “Arthur Miller: Writer”) compellingly shows, Scorsese's triumph was not inevitable, nor is it simply the inevitable result of personal history yoked to directorial will. For while Scorsese has an anthropologist's eye, his films are not documentaries (except for the documentaries, of course!)  Rather, they are the product of his own prodigious preparation combined with a willingness to trust his actors (notably, DiNero and DiCaprio) to improvise–and, in the end, phenomenal editing shaped by deep learning from the French New Wave as well as his decades-long professional relationship with Thelma Schoonmaker.  While his films are often grounded in fully formed literary works, he makes of them what director Ari Aster calls “total cinema”.  And while the visuals putatively reign, the music often seems to take the lead, almost directing the camera's movements.  And in the end, in complicating the work of what may seem to be one of our most personal filmmakers, Miller suggests that Scorsese's wider purpose is to chronicle “the American project.”    You can watch the 5-part series “Mr. Scorcese” on Apple+   Follow: @rebeccamillerstoryteller on Instagram @topdocspod on Instagram and X/twitter     The Presenting Sponsor of "Top Docs" is Netflix.

From Ravenna to New York, the visionary entrepreneur reflects on innovation, identity, and the art of sustainable style. Visionary entrepreneur Federico Marchetti shares his remarkable journey from the quiet streets of Ravenna to the vibrant world of New York City. As we chat, he offers a vivid window into the Feast of All Feasts in Little Italy, drawing playful contrasts with his hometown celebrations and humorously imagining a fusion of this street festival with New York Fashion Week. His story captures the search for belonging across cities—rooted in his formative years at Columbia Business School and his entrepreneurial triumphs in Milan, where he first married online technology with high fashion. Federico recounts the challenges and innovations that defined his path at the intersection of fashion and technology. He pioneered Italian e-commerce, overcoming logistical hurdles while bringing Italian elegance into the digital age. His insights reveal a delicate balance between creativity and machine efficiency, as he champions the integration of AI with traditional craftsmanship to promote sustainability and preserve the longevity of luxury fashion. Beyond business success—including the sale of his company for billions—Federico now devotes himself to initiatives that blend purpose with progress. His commitment to what he calls philanthropic industrialism reflects a desire to use innovation for good. Inspired by Giorgio Armani's harmony of creativity and discipline, Federico continues to shape the dialogue between culture, technology, and responsibility. This conversation celebrates fashion, vision, and the enduring pursuit of meaningful creation in a rapidly changing world.    HIS SOCIALS Instargam: @federicomarchetti X: @fmarchetti   WHERE TO GET HIS BOOK  https://www.amazon.com/Geek-Chic-American-Dream-Italian/dp/B0DWLPDC4M

From the smoky streets of Little Italy to the milk-stained benches of a hitman's apartment, Born to Watch takes aim at one of the most unique and controversial action dramas of the '90s with its Leon: The Professional (1994) Review. In this week's episode, Whitey, Damo, and Dan on the Land dive deep into Luc Besson's stylish, unsettling, and surprisingly heartfelt film about an unlikely bond between a hitman and a 12-year-old girl.Would this movie be made today? Probably not. But that's part of its enduring intrigue. The crew revisit the world of Jean Reno's stoic assassin, Gary Oldman's manic DEA agent, and Natalie Portman's breakout performance as Matilda, the orphan who turns vengeance into a calling.As the boys reminisce, they take a nostalgic trip back to 1994, the year that gave us Green Day's Dookie, Nirvana's Unplugged, Pearl Jam's Vitalogy, and The Offspring's Smash. It was also the year they thought they were "arty as hell" watching French cinema in suburban multiplexes. Cue the milk, the braces, and the John Wayne impressions; this episode delivers the perfect blend of pop culture, humour, and heartfelt nostalgia that makes Born to Watch such a cult favourite.Damo questions the fascination with milk-drinking hitmen, Dan lists the defining albums of '94, and Whitey recalls seeing the film in cinemas, not realising it would later feel very different once he had an 11-year-old daughter of his own. Together, they unpack the film's layered characters:Leon (Jean Reno): slow, gentle, and dangerous, with an oddly pure soul.Matilda (Natalie Portman): vulnerable yet vengeful, performing far beyond her age in a debut that stunned the industry.Stansfield (Gary Oldman): a villain so unhinged, it's impossible to look away. His Beethoven-fuelled rampage remains one of the most gloriously overacted performances in movie history.The trio debates whether the film's tone, which sits somewhere between action, arthouse, and morality play, could survive modern scrutiny. There's talk of Luc Besson's eccentric direction, Portman's controlled emotional performance, and the film's moral discomfort that keeps audiences divided decades later.They also share behind-the-scenes gems, such as Portman's parents' restrictions on smoking scenes, her early mastery of on-screen crying, and Luc Besson's knack for finding raw emotion in unlikely places. Damo draws parallels to The Exorcist, Dan applauds Reno's physical subtlety, and Whitey argues that Portman should have received an Oscar nomination if not for Anna Paquin's earlier win for The Piano.The gang laugh their way through some classic Born to Watch segments:The Cry-Meter: Whitey admits to misty eyes (7.5%) during the early tragedy.The Snorb's Report: Featuring Elle Macpherson in Sirens, naturally.The Hit, Sleeper, and Dud: With shoutouts to The River Wild, Wagons East, and Legends of the Fall.By the end, the trio agree that Leon remains both haunting and hypnotic, a masterpiece of tone, performance, and ambiguity. It's a film that feels both dangerous and tender, and is completely unforgettable.JOIN THE CONVERSATION Was Gary Oldman the most unhinged villain of the '90s? Why do all hitmen love milk? Should Natalie Portman have won an Oscar for her debut?Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don't forget to like, subscribe, and leave a five-star review at BornToWatch.com.au.#LeonTheProfessional1994Review #BornToWatch #LucBesson #NataliePortman #GaryOldman #JeanReno #MoviePodcast #90sMovies #FilmReview #CinephileHumour

THE WOLFE IS LOOSE!! Erik Wolfe, that is. I sat down with Stoll & Wolfe distillery co-owner/founder/distiller Erik Wolfe a couple weeks ago when we did an American Whiskey Master Class event there. I wanted to get his thoughts on a number of things, and as usual, I had a whole page of questions to ask.  That's not what happened. I asked my opening question, and Erik took off like a rabbit. We covered -- excuse me, he covered a lot of territory, and honestly, I found it all fascinating, so I just let the recorder roll. It's a bit longer than we usually go, but I'm pretty sure you'll enjoy it. I did take the book to Baltimore shortly after that, and had an event at Sisu, a new little bar with a big personality, run by friends of mine...and maybe yours, because they've become well-known in State College and Philadelphia. I also got a great dinner in Little Italy, at Benny's, advertising "The Best Balls On The Block," and it was no hollow boast.  What I'm Drinking Today is a Stoll & Wolfe whiskey, very limited release, one barrel only of a rye whiskey made with Rosen rye and malted Rosen rye. The result was intriguing, and wonderful. The Smack Dab In The Centre segment is about pizza again; three great spots in Centre County! (More pizza because holy cow! That Original Italian Pizza episode went crazy! You loved the OIP Story!) Next episode? I have an interview with an old friend, a young old friend, who's brewing in Lititz, Pennsylvania, and I take the opportunity to profile that wonderful little town, our first Lancaster County profile. I also deliver some big news about the Seen Through A Glass holiday schedule that I think you're going to like. A lot. Be sure to listen all the way to the end, especially this time!  See you in two weeks! Until then? TELL YOUR FRIENDS ABOUT THE PODCAST! Seen Through A Glass is sponsored by the Happy Valley Adventure Bureau. Come visit Centre County! This episode uses these sounds under the following license: Creative Commons CC BY 4.0 https://creativecommons.org/licenses/by/4.0/ "Champ de tournesol" by Komiku at https://www.chosic.com/free-music/all/ arrow-impact-87260 Sound Effect found on Pixabay (https://pixabay.com) "Glow" by Scott Buckley | www.scottbuckley.com.au Music promoted by https: //www.chosic.com/free-music/all/ All sounds sourced by STAG Music Librarian Nora Bryson, with our thanks.

This government shutdown is ridiculous! Little Italy is coming up! full 1437 Fri, 10 Oct 2025 18:20:00 +0000 g11Lwz8yKfK3NsfivXL5NgKFhIvSCCzu news,a-newscasts,top picks Marty Griffin news,a-newscasts,top picks This government shutdown is ridiculous! Little Italy is coming up! On-demand selections from Marty's show on Newsradio 1020 KDKA , airing weekdays from 10 a.m. to 2 p.m. 2024 © 2021 Audacy, Inc. News News News News news News News News News News False https://player.amperwavepo

Jacob Rocha, General Manager of ArtWalk San Diego, chats about the 3rd Annual Bella Vita Fest that will showcase chalk art, and Italian wine and culture on October 18-19 in Little Italy.  Rocha is joined by artist Cecelia Linayao, who will feature chalk art as performance art.About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 19 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

Communities across the United States successfully fought and prevented destructive highway projects from being built through their neighborhoods from the 1960s to 1970s. These grassroots movements saved historic areas like New York's SoHo, Portland's southeast neighborhoods, New Orleans' French Quarter, and Toronto's Annex district from being demolished for massive expressways.• Jane Jacobs led opposition to the Lower Manhattan Expressway (LOMEX) that would have destroyed SoHo, Little Italy, and parts of Chinatown• Robert Moses' 10-lane elevated highway plan would have displaced 1,900 families and closed 804 businesses• Portland residents organized against the Mount Hood Freeway, using neighborhood maps to visualize the highway's devastating impact• New Orleans prevented the Vieux Carré Expressway that would have cut off the French Quarter from the Mississippi River• Historic preservation, environmental laws (NEPA), and civil rights activism were key legal tools in defeating these projects• Toronto residents, with Jane Jacobs' help, stopped the Spadina Expressway even after construction had begun• Successful opposition in Portland led to highway funds being redirected to build light rail instead• These movements coincided with broader social change including civil rights, environmentalism, and counterculture activism• Visual protest tactics included mock funerals, postcards showing highway impacts, and themed Mardi Gras floatsSupport the show by liking, commenting, and subscribing to our channel. Share with friends and catch us on any podcast platform—be sure to leave a rating and comment!Send us a textSupport the show

Imagine growing up in a small town in Sicily, dreaming of coming to America to open a restaurant, and surpassing all of your dreams? Chef Salvo Lo Castro did just that, where he began his culinary career at a young age in Sicily and now feeds the world from his NYC Soho restaurant, Casasalvo, considered a truly divine experience for the senses. Perhaps it's because Chef Salvo was formerly the lead chef at the Vatican for Popes John Paul II and Benedict XVI, and now, we can eat like kings, royalty, and the spiritual leaders, too, at his magnificent new eatery. I'm honored to welcome Chef Salvo to our show, sharing not only his experiences in the kitchen, but behind the scenes, too. He's cooked for the likes of Vadimir Putin, the Saudi Royal family, Muammar Gaddafi, Tom Cruise, Robert DeNiro and dozens of other world leaders, presidents, and celebrities. In fact, he's quoted as saying that after a meal, some high-profile guests will surprise him in the kitchen and thank him for a meal well served. Imagine! We'll talk about Chef Salvo's start in the culinary world, and how he ended up cooking at the Vatican after working around the world at top hotels and five-star Michelin restaurants. He says he does not get star-struck, because to him, every guest is treated like family. And no doubt, that's been part of his incredible success, along with his hand-crafted pastas and sauces. Chef Salvo says his ingredients are all fresh or from specialty farms with tradition in mind. He says he combines tradition with taste, and creativity with authenticity. Among his favorite dishes? His mother's meatballs, a recipe he cooks up to this day. For Chef Salvo, owning a restaurant in N.Y. is a dream come true. He first opened three espresso bars in the City which he still checks on each morning before riding down to his restaurant in Soho on his Vespa. He spends 18-hours a day there, which he calls home and his patrons invited guests. No doubt part of his success. We're thrilled to welcome Chef Salvo into our home, particularly with Italian History Month upon us. Please find my full interview with him on all video and audio platforms of #LittleItalyPodcast, #LittleItalyOfLAPodcast, and #DeborahKobyltLIVE, and invite your friends, too. I'm your host, #DeborahZaraKobylt, and it's my pleasure to welcome you here. @realchefsalvolocastro @casasalvonyc @casasalvorestaurant #italianfood #italianchef #italianamerican #littleItaly

Imagine growing up in a small town in Sicily, dreaming of coming to America to open a restaurant, and surpassing all of your dreams? Chef Salvo Lo Castro did just that, where he began his culinary career at a young age in Sicily and now feeds the world from his NYC Soho restaurant, Casasalvo, considered a truly divine experience for the senses. Perhaps it's because Chef Salvo was formerly the lead chef at the Vatican for Popes John Paul II and Benedict XVI, and now, we can eat like kings, royalty, and the spiritual leaders, too, at his magnificent new eatery. I'm honored to welcome Chef Salvo to our show, sharing not only his experiences in the kitchen, but behind the scenes, too. He's cooked for the likes of Vadimir Putin, the Saudi Royal family, Muammar Gaddafi, Tom Cruise, Robert DeNiro and dozens of other world leaders, presidents, and celebrities. In fact, he's quoted as saying that after a meal, some high-profile guests will surprise him in the kitchen and thank him for a meal well served. Imagine! We'll talk about Chef Salvo's start in the culinary world, and how he ended up cooking at the Vatican after working around the world at top hotels and five-star Michelin restaurants. He says he does not get star-struck, because to him, every guest is treated like family. And no doubt, that's been part of his incredible success, along with his hand-crafted pastas and sauces. Chef Salvo says his ingredients are all fresh or from specialty farms with tradition in mind. He says he combines tradition with taste, and creativity with authenticity. Among his favorite dishes? His mother's meatballs, a recipe he cooks up to this day. For Chef Salvo, owning a restaurant in N.Y. is a dream come true. He first opened three espresso bars in the City which he still checks on each morning before riding down to his restaurant in Soho on his Vespa. He spends 18-hours a day there, which he calls home and his patrons invited guests. No doubt part of his success. We're thrilled to welcome Chef Salvo into our home, particularly with Italian History Month upon us. Please find my full interview with him on all video and audio platforms of #LittleItalyPodcast, #LittleItalyOfLAPodcast, and #DeborahKobyltLIVE, and invite your friends, too. I'm your host, #DeborahZaraKobylt, and it's my pleasure to welcome you here. @realchefsalvolocastro @casasalvonyc @casasalvorestaurant #italianfood #italianchef #italianamerican #littleItaly

Can the charm of classic Italian American culture withstand the pace of a modern world? Giuseppe Falanga of Brooklyn Bites takes us inside beloved Brooklyn institutions like Ferdinando's and Bari Pork Store—businesses now threatened by the “Great Extinction” of traditional Italian shops. Through personal anecdotes and community stories, Giuseppe reveals the urgency of preserving these cultural landmarks while painting a vivid picture of Brooklyn's changing landscape.   Our journey then extends beyond Brooklyn to Edmonton's Little Italy, reborn as Piazza Italia. Here we discovered rare kitchenware, indulged in authentic treats, and connected instantly with the local Italian community. These experiences sparked the creation of Brooklyn Bites, a social media brand built on passion for culinary storytelling, creative partnership, and the joy of turning personal interests into a thriving endeavor.   Together, we explore the importance of tradition, authenticity, and craftsmanship in Italian American food culture. From nostalgic meals in Brooklyn to culinary adventures abroad, our conversation underscores how storytelling and community support can keep heritage alive. With Giuseppe's infectious energy, we invite listeners to take an active role in sustaining these culinary treasures for future generations.    THEIR SOCIALS Instagram: @brooklynbitess TikTok: @brooklynbitess Facebook: BrooklynBitess X: Brooklynbites Threads: @brooklymbitess   THEIR COOKBOOK: https://found.us/creators/brooklynbitess?code=brooklynbitess&fbclid=PARlRTSAM6Yz1leHRuA2FlbQIxMQABpwE7OjQli2trmtR6389YHTZHAobTacHNxsVbSyOPpJnDrjHomR0DHlKQMcoq_aem_jysG8uf5UhHS02ua7TUUJQ

NBC News medical reporter Dr. Akshay Syal breaks down what inflammation is, how to manage it, and how to keep it away. Also, Al gets an inside look at the Feast of San Gennaro, a Little Italy festival celebrating faith, food, and Italian American culture. Plus, Billy Zane joins to share how he approached playing acting legend Marlon Brando in the new film ‘Waltzing with Brando.' And, style expert Liv Perez highlights the latest fashion trends for fall. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rhode Island is an amazing foodie city and its small size makes it easy to see and sample so much! Author Jamie Coelho is back on the podcast to talk to Brent about her new book "Rhode Island Food Crawls: Touring the Neighborhoods One Bite and Libation at a Time". She tells Brent about how to create the perfect food crawl and gives a ton of great recommendations. Jamie talks about Gabagool, the best topping for Johnny cakes, a Dark and Stormy in Newport, Rhode Island's Little Italy, and Korean food in a pub, plus much, much more! [Ep 354] Show Notes: Destination Eat Drink foodie travel guide ebooks Destination Eat Drink videos Jamie's book Rhode Island Food Crawls Rhode Island Monthly magazine

Von Little Italy bis zum 9/11-Mahnmal – Manhattan zwischen Kulinarik, Kultur und bewegenden Momenten. In dieser Folge nehmen wir dich mit auf einen Streifzug durch Manhattan – von Little Italy über Chinatown bis ins hippe Tribeca. Wir sprechen über kulinarische Eindrücke, architektonische Highlights und die Vielfalt der Stadtviertel. Der emotionale Höhepunkt: unser Besuch am One World Observatory mit dem 9/11-Mahnmal – ein Ort, der gleichermaßen Trauer, Hoffnung und Stärke vermittelt. Zum Abschluss werfen wir einen Blick auf Wahrzeichen wie die Freiheitsstatue und die Brooklyn Bridge und reflektieren, was Manhattan so einzigartig macht. Restaurant Gelso & Grand Restaurant Anejo in Tribeca 9/11 Memorial & Museum ************************************************ Abonniere jetzt den Podcast bei Spotifyund verpasse keine Folge mehr! Mehr findest du auch auf den Social-Media-Kanälen Facebook Youtube Instagram Feinschmeckertouren ************************************************

New York City has endless cuisine options, but possibly the strongest represented category is Italian restaurants. In this episode, we'll cover the 10 best Italian restaurants in NYC, at least according to us.

In this episode I'm chatting with Angelina Mastrippolito, a second-generation Italian immigrant about her new book ‘Le Seconde'. The book details her life growing up in the cane fields of North Queensland in an Italian family. The expectations on women, the strength of her mother and what you can achieve if you are brave enough to take the step. This book is resonated with me, as my husband was born in Italy and migrated in 1952 from Italy to Australia with his parents and baby sister at the age of 4.What I loved about our conversation was learning about Angelina's journey and all she has achieved from those early days. It reminded me again of the courage and strength of women and what we can achieve.Meet AngelinaAngelina Mastrippolito grew up amongst the sugarcane fields of Far North Queensland. Her family lived in the small town of Ingham alongside other Italian migrants – it was in fact known as ‘Little Italy.'​After university, she qualified as an actuary. She was the first actuary from Far North Queensland and when she qualified in 1988, she was one of only around 30 female actuaries in Australia. She worked in the finance Industry while looking after her two children and an accommodation business in the Snowy Mountains.​In a career that spanned over 40 years, she was a trusted advisor to large Australian and multinational companies as well holding senior executive positions, including CEO and COO, in a number of superannuation funds. She is currently a director of the Brave Foundation and on the committee of the Sydney and Inner West U3A and Inner West Speakers.She is also a director of ASEAN, an organisation that aims to build a culturally diverse community in Australia in order to promote cross cultural relations and interfaith tolerance.Angelina's love of writing started in her late fifties, though she has been an avid reader all her life. Le Seconde is her first book.Angelina lives in Sydney's Inner West and is the proud mother of two adult children and two very furry but beloved golden retriever dogs. She took up ballroom dancing in her sixties and in her spare time, you will find her perfecting her Argentine Tango.Le Seconde - Inheriting the UnspokenAvailable in paperback or ebook - HERE You can also watch the interview on YoutubeThanks for reading Women Living Well After 50 with Sue Loncaric! Subscribe for free to receive new posts, podcast episodes and Your Weekly Boost free newsletter. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit womenlivingwellafter50.substack.com

Our guest (TF, 30, Straight, Brooklyn/Berlin) is an artist and our first reprise guest. She tells us everything from her artistic journey of what it means to exist and survive as a woman, crashing guest lists, how to read signals, their before sunrise moment, the art of small talk/flirting, using olive oil as a substitute for…, open minded European men, how to create a power dynamic, and more.If you have any feedback- please reach out to us on IG or leave a comment below! We recorded this episode at Sotto Social Club in Little Italy, New York. Sotto Social Club is the best hidden secret under Gelso & Grand in a rustic and elegant private dining space in Little Italy and has a crisp cocktail list, downtown vibe, and can just about be the best venue to throw secret parties (including my own bday party).If you are interested in matching with this week's guest, go to our instagram @drinks.first, our beacons or directly to our matching formAnd check out this episode on our YOUTUBE (pls subscribe lol): Get full access to Drinks First at drinksfirst.substack.com/subscribe

In recent years, volunteer-led groups like Urban Compassion Project have struggled to deal with illegal dumping in Oakland. Despite removing more than half a million pounds of trash this year, piles of garbage continue to plague our streets. How did this problem get so bad and why is it so hard to fix? As usual, I turned to history for answers. Before Waste Management took over in 1986, trash collection was handled by the worker-owned Oakland Scavenger Company, a business founded by Italian immigrants more than a century ago. For this episode, I spoke with several retired third-generation garbage men: Robert Biasotti and the Muzio brothers – Tony, Dino, and Mike. I also unearthed a 1981 interview with Ed Lavagetto, whose father was one of the original Oakland Scavenger partners. These conversations revealed not only a totally different system of trash collection, but a story that illuminates so many changes in American culture. It's a story of poor immigrants grinding their way into the middle class. It's the story of why Temescal, now one of Oakland's trendiest neighborhoods, used to be called Little Italy. It's a story of an old world mentality clashing with new values ushered in by the Civil Rights era… and it's also a story of what's been lost as mega-corporations have risen to dominance. To see photos and links related to this episode, visit: https://eastbayyesterday.com/episodes/we-let-everybody-throw-it-away/ Don't forget to follow the East Bay Yesterday Substack for updates on events, boat tours, exhibits, and other local history news: https://substack.com/@eastbayyesterday Donate to keep this show alive: www.patreon.com/eastbayyesterday

From the bustling streets of New York City's Little Italy, we journey into the heart of Italian American culture—spotlighting Boston's unparalleled feast traditions. Special guest Mark Tosi, president and owner of the iconic Pastene brand, joins us to share the company's enduring legacy and deep ties to communities across North America. Together, we celebrate the vibrant spirit of Boston's feasts while reflecting on the decline of similar traditions elsewhere.   We explore surprising trends in the Italian-American food industry, from the pandemic-era revival of beloved staples like pasta and pastina to the unexpected return of discontinued favorites. Along the way, we unpack the behind-the-scenes realities of supermarket shelf space and SKU management, underscoring why supporting artisanal brands is essential to preserving culinary heritage.   Our conversation also delves into the dynamics of family-owned businesses—the balance between honoring tradition and embracing innovation, the weight of generational responsibility, and the personal stories that keep these enterprises alive. This episode is a celebration of family meals, cultural identity, and the authentic flavors that connect generations and define the Italian-American experience.   PASTENE'S WEBSITE: https://www.pastene.com/   SOCIALS: Insta: @pasteneusa X: @PasteneUSA Facebook: The Pastene Company

Italians have shaped the culture of America throughout this great nation, and particularly here in Los Angeles. Please welcome to our show an expert in this field, Marianna Gatto, Director of the Italian American Museum of Los Angeles & Author, The Italian Americans Of Los Angeles. And let me tell you, this book is incredible and comprehensive. Marianna seems to have uncovered every inch of Italian heritage throughout this great city. Since Italians first came to this region, they have been agriculturalists, pioneers, outlaws and dreamers, and have brought with them tremendous culture, science, culinary expertise, and vibrancy to a variety of neighborhoods in Los Angeles, from the ports in Long Beach and San Pedro up to the northern most sections of Los Angeles. Marianna's comprehensive book talks about the trailblazers, winemakers, the original Italian Hall and Little Italy, Hollywood, and of course the secret History that she has uncovered. It wasn't easy being the first Italians to grace the soil here, but hard work, family, and perseverance carried them through. Today, Italians throughout Los Angeles are honored and respected for their many contributions here, much of it heralded at the #IAMLA Museum that Marianna has dedicated much of her life to running in downtown LA. Please welcome Marianna Gatto to our show today on our LittleItalyPodcast, LittleItaly Of LA Podcast and Deborah Kobylt LIVE. I'm your host, Deborah Zara Kobylt, and it's my honor to welcome you here

Join us as we welcome the esteemed Steve Riggio, former CEO of Barnes & Noble, whose journey into Italian literature unfolds in our latest episode, recorded in the heart of Little Italy at Red Sauce Studio. Drawing on his deep Sicilian roots, Steve shares his passion for translating Italian classics, offering a rare window into the overlooked narratives of Sicilian folklore and history.   We delve into how translating I Beati Paoli became a deeply personal and healing endeavor, reconnecting Steve with his family's story and cultural heritage. Our conversation weaves through Sicily's rich past—from its role as a historical crossroads to the legends of the Beati Paoli, a secretive brotherhood devoted to avenging injustice. We contrast their shadowy moral code with the mafia's brutality, shedding light on the profound differences between folklore and criminal reality.   Along the way, we reflect on Sicily's resilience, cultural pride, and pivotal political transformations, considering how these shape modern perceptions and fuel a renewed interest in the island's legacy through literature and media.   As the episode concludes, we turn to Steve's insights from his tenure at Barnes & Noble, celebrating the entrepreneurial spirit behind its rise. He speaks candidly about challenging stereotypes and upholding Italian American dignity in the face of enduring bias. Together, we underscore the value of real, heartfelt stories over fictionalized mafia tropes—stories that echo the shared experiences of our community.   Tune in for a moving exploration of culture, literature, and identity, woven into the vibrant tapestry of the Italian American experience.        WHERE TO BUY THE BOOK:  https://www.sicilianavengers.com/

Fino agli anni '80 Lygon Street, a Melbourne, rappresentava per molti il “paese che gli italiani avevano lasciato” emigrando in Australia. Oggi abbiamo chiesto ai nostri ascoltatori: "Voi la cercate la vostra "piccola Italia" lontana da casa? E se sì, dove si trova?"

Temperatures are rising, so it might be the perfect time to get yourself something sweet and cold. Host Jacoby Cochran and the City Cast Chicago team pulled up to Mario's Italian Lemonade in Little Italy last summer to try the iconic frozen dessert. From ice cream to snow-cones, they discuss the best (and most overrated) frozen treats in Chicago. Spots mentioned: Fannie May Lickity Split Shawn Michlle's Homemade Ice Cream Richard's Super Premium Ice Cream Two Shades Cafe Amorino The Original Rainbow Cone JoJo's Shake Bar Margie's Candies Jeni's Ice Creams Kilwins Baba's Famous Steak and Lemonade Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this July 23 episode: Babbel — Get up to 60% off at Babbel.com/CITYCAST Framebridge Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

Dans cette saison, plongez dans l'incroyable parcours de Joseph D. Pistone, alias Donnie Brasco. Ancien agent du FBI, il a risqué sa vie en s'infiltrant dans les rangs de la mafia new-yorkaise dans les années 70. Pendant six ans, il a adopté l'identité de Donnie Brasco, un faux malfrat, pour percer les secrets de l'une des organisations criminelles les plus redoutables des États-Unis. Son travail d'infiltration a permis au FBI de mener l'une des plus vastes opérations contre la mafia, entraînant des dizaines d'arrestations et bouleversant à jamais l'organisation criminelle… La tête du “traître” mise à prix  New York, 26 juillet 1981. Dans une petite planque de Little Italy, Sonny Black reçoit une nouvelle qui va bouleverser son monde : Donnie Brasco, son protégé et associé de confiance, n'était pas un voyou comme les autres, mais un agent infiltré du FBI. La trahison frappe au cœur de la famille Bonanno, déclenchant une onde de choc dans les cercles mafieux. Cette révélation marque la fin d'une opération d'infiltration historique, ayant duré six ans, et conduit à l'arrestation de plus de 200 membres de la mafia. Mais elle scelle aussi le destin de Sonny, condamné par sa propre famille… Pour découvrir d'autres récits passionnants, cliquez ci-dessous : ⁠⁠⁠⁠⁠[SPÉCIALE MUSIQUE] Ray Charles, le génie torturé du blues⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠[SPÉCIALE MUSIQUE] Marvin Gaye, le destin tragique du prince de la soul⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠[SPÉCIALE MUSIQUE] Nina Simone, une vie de lutte et de génie musicale⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠[SPÉCIALE MUSIQUE] Fela Kuti, l'afrobeat comme arme politique⁠⁠⁠⁠ Un podcast Bababam Originals Ecriture : Clément Prevaux Voix : Florian Bayoux Production : Bababam Learn more about your ad choices. Visit megaphone.fm/adchoices

What if the rich flavors of Italian American culture could speak the stories of centuries? This episode promises a delicious exploration of Italian American heritage, as John and Pat take you on a captivating journey through the heart of Little Italy in New York City. From the humorous mishaps with Sicilian garduna to the challenges of sourcing authentic ingredients, we unravel the culinary traditions that have shaped our families and continue to influence our kitchens today.   Stepping into the past, we illuminate the vibrant and often overlooked history of Norman Sicily. Discover the legacy of Roger II, whose strategic brilliance transformed Sicily into a prosperous kingdom. We draw parallels between medieval Sicily and England, highlighting the Normans' far-reaching influence and their unique governance, which allowed for a flourishing, culturally rich society. Through fascinating stories and meticulous research, we reveal how these medieval connections still echo through time.   Finally, we delve into the enduring impact of Norman rule in Sicily and the ongoing efforts to preserve this heritage through the innovative Norman Sicily Project. Learn how a dedicated team is digitally reconstructing Norman society to safeguard this rich history for future generations. With insights from interdisciplinary studies and personal stories, we celebrate the resilience of Sicilian culture and the scholarly pursuits that continue to bring its stories to light. Join us in exploring the intricate tapestry of Sicilian identity and its lasting influence across time and continents.   WEBSITE: https://www.normansicily.org/en/resources/learn/group_one/

Send us a textEver wondered what happens when the final whistle blows on your college athletic career? Quinn Flaspohler takes us on his journey from Oxford, Ohio to Cleveland as he navigates the transition from student-athlete to young professional.Growing up in a family of academics – with his father teaching psychology at Miami University and grandfather teaching statistics at Xavier – Quinn carved his own path playing soccer at DePauw University before pursuing a Master of Finance at Case Western Reserve University. With refreshing candor, he shares how he balanced the demanding schedule of collegiate athletics with rigorous academic pursuits, and the unexpected challenges that emerged when his playing days ended.The conversation delves into life in Cleveland's vibrant Little Italy neighborhood, where Quinn currently resides while coaching soccer, working in a restaurant, and interviewing for corporate positions. His experience working as a Graduate Assistant in university admissions reveals valuable insights about the skills developed through diverse work experiences during the formative post-graduation period.Perhaps most compelling is the discussion about team dynamics and how the lessons from athletics transfer to professional settings. As our host Johnny aptly puts it, "When you're a part of a team, everyone is equally important, and without all those people, there is no team, it's just a bunch of individuals." Quinn's story reminds us that career paths aren't always linear, and sometimes the road less traveled leads to unexpected opportunities.Whether you're a recent graduate, a current student-athlete contemplating your future, or simply interested in how young professionals navigate today's job market, Quinn's journey offers valuable perspective on finding your way forward when the structured world of college athletics comes to an end. Subscribe to hear more conversations with emerging professionals and established leaders sharing Subscribe for exclusive content: https://www.buzzsprout.com/1530455/support Buzzsprout - Let's get your podcast launched!Start for FREEBuddy's Beard CareBuddy's Beard Care provides premium men's grooming products at an affordable price.Sweet Hands SportsElevate your game with Sweet Hands Sports! Our sports gloves are designed for champions,Tactical BrotherhoodThe Tactical Brotherhood is a movement to support America.Dubby EnergyFROM GAMERS TO GYM JUNKIES TO ENTREPRENEURS, OUR PRODUCT IS FOR ANYONE WHO WANTS TO BE BETTER.ShankitgolfOur goal here at Shankitgolf is for everyone to have a great time on and off the golf courseDeemed FitBe a part of our movement to instill confidence motivation and a willingness to keep pushing forwardDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on all social mediaX: @mikebonocomedyInstagram: @mikebonocomedy@tiktok: @mikebono_comedianFacebook: @mikebonocomedy

Come down to Little Italy with The Girls! This week Vanessa is presenting “Caught Up” by Navessa Allen! This sequel to “Lights Out” (Episode 59) follows mafia-bad-boy-sweetie Nico “Junior” Trocci as he reconnects with his high school flame Lauren Marchetti. Lauren isn't the girl he once knew, she's now a beautiful cam girl who also happens to co-own a sex club! Since dating Lauren is off limits IRL (mafia stuff or something), Junior gets close to her the only way he knows - by stalking her on his motorcycle, placing a tracker in her bag, subscribing to her OF and requesting private videos. Eventually the two reconnect and their old feelings are still there, so much so that they put their connection on FULL display for all the club to see. Put on your mask, settle into a private booth and listen now! New Episodes out every Tuesday! Join our Patreon to receive early, ad- free (and bonus!) episodes and more! Patreon.com/ClutchMyPearlsPod Watch the video version of this podcast on our YouTube channel! Follow @ClutchMyPearlsPod on TikTok, Twitter, Instagram and GoodReads! We have MERCH go to ClutchMyPearlsPod.com Do you have a smut recommendation for the girls? Send an email to: ClutchMyPearlsPod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Mamma Mia! Two Canadians are in love but can't be together because their parents own rival Pizza places! How will they ever make it work! Yes, have you ever wondered whether Anakin Skywalker and Julia Roberts niece could make a romance work? Well, Little Italy is the romantic comedy for you. Please send complaints directly to Elizabeth Esten! Hosts: Jesse McAnally & Andrew DeWolf & Liz Esten Podcast Edited By: Nathan P. Keelan Keeper of the Cheese: Juliet Antonio This show is a part of the Broadway Podcast Network Social Media: ⁠⁠⁠⁠⁠Our WEBSITE⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Musicals with Cheese on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Musicals W/ Cheese on Instagram⁠⁠⁠⁠⁠ Email us at ⁠⁠⁠⁠⁠musicaltheatrelives@gmail.com⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Merch!!⁠⁠⁠⁠⁠ Jess Socials ⁠⁠⁠⁠⁠Jesse McAnally ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Jess McAnally on Instagram⁠⁠⁠⁠⁠ Andrew Socials ⁠⁠⁠⁠⁠Andrew DeWolf on Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Andrew DeWolf on Twitter⁠⁠⁠⁠⁠ Liz Socials ⁠⁠⁠⁠⁠Liz Esten on Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Liz Esten on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Use our Affiliate Link⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In St. Osyth, an old jail known as The Cage has a history of accused witches — and something inside it still refuses to leave.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: In the heart of England's St. Osyth village lies The Cage, an unassuming house with a chilling past as a jail for accused witches. When Vanessa Mitchell moved in, she unknowingly stepped into a nightmare of ghostly apparitions and terrifying events that forever altered her life. (The Cage: Britain's Answer To The Amityville Horror) *** Some ghosts just seem worth rooting for, no matter how they died or what they do. (Ghosts To Sympathize With) *** The Genna brothers of Chicago's Little Italy neighborhood were some of the most notorious bootleggers and gangsters in the city… until they weren't. (The End of the Terrible Gennas) *** In 1981, 14-year-old Stacey Ann Arras vanished without a trace inside Yosemite National Park, her disappearance remaining one of the park's most eerie and unsolved mysteries. (The Unsolved Yosemite Disappearance of Stacy Ann Arras) *** Annie Le, a brilliant Yale graduate student, vanished just days before her wedding in 2009. Her disappearance led to a shocking discovery that left everyone questioning who and why. (Annie Le: A Life of Promise, A Death of Mystery) *** Imagine waking up every 30 seconds, completely unaware of where you are or what just happened. This is the life of Clive Wearing, who is unable to construct new memories… at all. (Clive's 30-Second Memory) *** We'll look at how the growing cryptotourism industry offers a unique and interesting angle on exploring hidden corners of the globe, with searches for creatures like Bigfoot and the Loch Ness Monster among your travel choices. (Cryptotourism With Bigfoot and Nessie)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In00:01:36.414 = Show Open00:04:10.680 = The Cage: Britain's Answer to the Amityville Horror00:21:37.334 = Cryptotourism With Bigfoot and Nessie00:31:04.367 = The Unsolved Yosemite Disappearance of Stacy Ann Arras00:40:08.116 = Ghosts To Sympathize With00:54:48.890 = The End of the Terrible Gennas01:07:15.606 = Clive's 30-Second Memory01:13:26.876 = Annie Le: A Life of Promise, A Death of Mystery01:18:59.045 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…BOOK: “Poltergeist! A New Investigation Into Destructive Haunting” by John Fraser: https://amzn.to/3Lueplp“The Cage: Britain's Answer To The Amityville Horror” source: Marcus Lowth, UFO Insight: https://weirddarkness.tiny.us/3cpxwj5n“Crypotourism with Bigfoot and Nessie” source: Ronan O'Connell, National Geographic:https://weirddarkness.tiny.us/mrn42hny“The Unsolved Yosemite Disappearance of Stacy Ann Arras” source: Beth Elias, Unspeakable Crimes:https://weirddarkness.tiny.us/mpkynbus“Annie Le: A Life of Promise, A Death Of Mystery” source: The Scare Chamber: https://weirddarkness.tiny.us/yzvd4phd“Ghosts to Sympathize With” source: Erin McCann, Graveyard Shift: https://weirddarkness.tiny.us/456p8t95“Clive's 30-Second Memory” source: Oddity Central: https://weirddarkness.tiny.us/bdeaj5m3“The End of the Terrible Gennas” by Troy Taylor: https://weirddarkness.tiny.us/2p8yd5cs (used with permission)=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: July 20, 2024EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/thecage/

Frank Parisi grew up in the mean streets of NYC, surviving a childhood in Little Italy around “made men” who didn't use words to settle their arguments… they used baseball bats. Though he made it through his rough childhood alive, he wasn't unscathed… He came out with two things: a high school sweetheart who would become his ride or die forever love (29 years and counting!)... and a nasty drug addiction that would almost take his life.This story of overcoming one thing only to succumb to another seems to be a hallmark of Frank's life. Just when he finally got his life on track, he was hit with another one-two punch: as he achieved (and began to really EMBRACE) sobriety, he started feeling… “unwell.”Like… REALLY unwell.A fleet of doctors couldn't figure it out… in fact, they were milling about in his hospital room in hazmat suits, thinking it may have been… tuberculosis.I know… tuberculosis???Turns out it wasn't tuburculosis… Frank's heart was failing. Fast. And there was only one way to save him: he would need a heart transplant.Needing an organ transplant is a weird thing, because it means that for you to live, you are waiting for someone else… to die.Where Frank's heart would come from would be the most intense part of his story yet… it's almost too wild to believe.Tune in to hear the story of a new heart that led to a new life… and a new spirit of gratitude that lit his flame so brightly, today he spends his life paying it forward… and changing the world.Show Notes:A big thank you to Frank for joining the podcast and sharing your inspiring story. Follow Frank on Instagram @frankparisi2011, and head over to his website to grab his book: https://frank-parisi.com/************Make sure to follow Jamie @jamiehess on Instagram for news & updates, and visit our companion Instagram account @gratitudeology for a sneak peek into the personal moments discussed on the show.************The Gratitudeology Podcast theme music is by HYLLS, performed by Nadia Ali @thenadiaali  Advertising Inquiries: https://redcircle.com/brands

We are back for Part 2! What does it truly mean to be Italian in today's interconnected world? This question guides our exploration into the intricate world of Italian American cultural identity and education. We tackle the stereotypes that often misrepresent Italian Americans and reveal their essential role in promoting "Made in Italy" products. Our discussion highlights the Italian language's power as a cultural glue for younger generations, even as we contrast the preservation of dialects in the United States with their decline in Italy. Drawing parallels with the Irish migration experience, we reflect on the deep-rooted connections that continue to bind Italy and its diaspora. Our journey then shifts focus to the educational challenges faced by the Italian American community. We spotlight the pressing need for financial investment in language and historical education, particularly within universities in the tri-state area. As resources for foreign languages dwindle and funding remains scarce, we stress the importance of overcoming stereotypes by fostering a deeper understanding of Italian history and culture. With a call to unity, we advocate for a collective effort to sustain and promote Italian heritage amidst a rapidly globalizing world. Finally, we venture into the contentious realm of Italian citizenship laws and the opportunities for cultural engagement they present. We dissect the complexities of Italy's current policies and the frustrations they create for Italian Americans seeking citizenship. By exploring roots tourism and its potential to bridge connections with ancestral lands, we emphasize the importance of authentic cultural experiences. Along the journey, personal stories and insights reveal the profound sense of belonging that can emerge when Italian Americans reconnect with their roots. Join us as we navigate these multifaceted issues, aiming to inspire a deeper appreciation for the rich tapestry of Italian identity.

Fabrizio DI Michele, the Consul General of Italy in New York, joins us for an inspiring conversation recorded at the lively Red Sauce Studio in Little Italy. The narrative unfolds as Fabrizio takes us on a journey from his Sicilian and Abruzzese roots to his diplomatic role amidst a global pandemic. With co-hosts John Viola, Patrick O'Boyle, and Dr. Marcella Martin, we uncover not just the personal stories of Fabrizio's heritage and transition but also the broader Italian American tapestry that shapes cultural and diplomatic ties between Italy and America.   Our discussion steers into Italy's unique political and economic landscape, where we explore the nation's role as both a guardian of cultural heritage and an innovator in global industry. Italy's thriving small and medium enterprises, despite the challenge of public debt, stand as a testament to resilience and adaptability. We touch on how Italy balances its dual identity as a cultural icon and a technological hub. These elements illustrate Italy's multifaceted narrative and its ongoing endeavor to project these dimensions onto the world stage, resonating deeply with the Italian mAmerican experience.   We turn our attention to the evolving identity of Italian Americans, exploring how social media and storytelling serve as bridges over cultural divides. Fabrizio shares his initial stereotypes and how his perspective evolved upon engaging with the vibrant Italian American community in America. From the nuances of identity and heritage we examine the rich dialogue between tradition and modernity, both in Italy and among Italian Americans. This episode invites listeners to embrace the complex layers of identity, encouraging a renewed appreciation for the stories that connect us across oceans and generations.     Stick around next week to listen and watch part 2!

*DISCLAIMER: We experienced problems with the audio on this Podcast. We apologize for how it sounds yet we wanted to deliver this beautiful story for an amazing film. We hope you enjoyed the discussion. Ever wondered how a $20 bill could symbolize a life changing moment or how the warmth of Italian family life contrasts with its perceived patriarchal structure? We're diving into all this and more with an incredible panel discussing "Nonnas," a film now on Netflix that beautifully captures Italian American culture. Broadcasting from the vibrant Red Sauce Studio in Little Italy, John and Pat invite you to join a lively discussion featuring Brenda Vaccaro, Stephen Chbosky, Liz Maccie and Jody Scaravella. Together, we'll uncover the heartwarming inspiration behind this cinematic gem. We'll also explore compelling tales of family and heritage, where kitchens are more than just a place for cooking – they're the very heart of the home. Hear from a guest actress whose Sicilian roots led her to Broadway, and the significance of strong matriarchal influences in shaping her career. From Brenda's masterful domestic skills cultivated in Calabria to the exuberant spirit of Italian American identity in Hollywood, we celebrate the strength and magic that women bring to these traditions, offering a universal resonance that transcends cultural boundaries. As we savor stories of shared meals, family names, and the pride of belonging, we'll reflect on the connections found in Italian American communities across the globe. Whether it's the camaraderie at the Italian Club of Dallas or the global culinary traditions brought to life in Enoteca Maria, the episode concludes with the tantalizing anticipation of a potential sequel to "Nonnas." Join us as we embrace and celebrate the joys of Italian heritage, leaving listeners with a catchy reminder that being born Italian can lead to a truly great life. DONATE TO THE FEAST OF OUR LADY OF SACRO MONTE (PAT'S FEAST) https://www.gofundme.com/f/2025-feast-of-our-lady-of-sacro-monte?lid=avktw0sav8sh&utm_source=product&utm_medium=email&utm_campaign=TXN_donation_receipt_adyen_tip&utm_content=internal WHERE TO WATCH NONNAS https://www.netflix.com/title/81936724?source=35   THEIR SOCIALS Brenda Vaccaro Instagram: @officialbrendavaccaro   Stephen Chbosky Instagram: @chboskys X: @StephenChbosky   Liz Macie Facebook: Liz Maccie   Jody Scaravella Instagram: @enoteca_maria   ENOTECA MARIA WEBSITE https://enotecamaria.com/  

Bill rambles about Little Italy, redhead confidence, and a hair transplant at twenty-four. Ava: Download the Ava app today, and when you join using my promo code BURRFREE, you’ll get your first month FREE! This offer is only for MY listeners. OpenPhone: Go to www.OpenPhone.com/BURR and get 20% off your first six months.