Podcast appearances and mentions of giovanni bottesini

Igual que amb la viola, el contrabaix va tenir un ferm defensor: el gran m

Giovanni Bottesini war professioneller Kntrabassist und schrieb vier Konzerte für sein Instrument. Am bekanntesten ist das Zweite - ein Werk, das den Solisten vor einige Herausforderungen stellt. BR-KLASSIK hat mit dem Kontrabassisten Ödön Rácz über dieses Starke Stück gesprochen.

Zoals gewoonlijk heeft Klassiekuur voor u een gevariëerd muziekprogramma klaar, nl. een 6-delig Concerto in F van Haendel, het Ave Maria van Rachmaninoff, een Ochtendgebed van Margaret Rizza, een 3-delig Fagotconcerto in F van Carl Stamitz, een Capriccio di Bravoura van Giovanni Bottesini gearrangeerd voor 4 contrabassen en tenslotte een Treurmars van Henry Purcell en […]

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Vandaag gaan we even stilstaan bij het zintuig ‘voelen'. De zintuigen in je huid kunnen warmte, kou, pijn & druk waarnemen en sturen dit dan met een signaal via de zenuwen naar je hersenen. Sluit je ogen en laat je meevoeren op muziek gespeeld op een piano en een contrabas… 'Rêverie' van Giovanni Bottesini.

Giovanni Bottesini - Fantasia on Bellini's Beatrice di Tenda Joel Quarrington, double bass Andrew Burashko, piano More info about today's track: Naxos 8.557042 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

IN THIS EPISODE To learn more about Longy School of Music at Bard College visit www.longy.edu/cbp Donate to ISBM! https://fundraising.fracturedatlas.org/international-society-of-black-musicians Check out our website: https://www.isblackmusicians.com Royal Opera House Heckler https://www.classicfm.com/artists/royal-opera-house/audience-member-banned-booing-child-singer/ Verdi Heckler https://www.classicfm.com/composers/verdi/extinction-rebellion-requiem-concertgebouw/ Cards Against Classical Music Game https://van-magazine.com/contact-us/cards-against-classical-music/ Black Excellence: Justine Lee Hooper www.justineleehooper.com Piece of the week: Elegy in D major - Giovanni Bottesini https://youtu.be/sJLN43M-RGE

Avui dediquem bona part del programa a una figura imprescindible per a la hist

Neste programa, o maestro João Mauricio Galindo responde perguntas sobre Giovanni Bottesini; missas na música erudita; expressões em latim usadas na música sacra; compositores e a regência; a surdez de Bedřich Smetana.

15th-20th CenturiesIn this episode we hear works by Johannes Prioris, Jean l’Héritier, Thomas Tomkins, Francesco Nicola Fago, Johann Wilhelm Hässler, Giovanni Bottesini, Karl Weigl, and Leo Brouwer.136 Minutes – Weeks of February 07 and February 14, 2022

Programa especial dedicado a recordar algunos de los aniversarios más relevantes de esta temporada. Nos centramos en Astor Piazzolla y Giovanni Bottesini. PIAZZOLLA: Los pájaros perdidos (3.24). Milonga en Ay menor (3.14). A. Nafe (mez.), C. Piazzini (p.), A. Marcucci (p.). Nightclub 1960 (Historia del tango) (5.52). E. Pahud (fl.), C. Rivet (guit.). Retrato de Alfredo Gobbi (5.19). C. Piazzini (p.). BOTTESINI: Fantasía sobre “La Straniera” de Bellini (11.46). S. Sciascia (con.), D.-G. Leonardi (p.). Allegretto Capriccio para contrabajo y cuerda (3.37). M. Giorgi (con.), I Solisti Aquilani. Dir.: V. Antonellini. Escuchar audio

Double bassist Leon Bosch speaks with online editor Davina Shum about the life and works of Giovanni Bottesini, in the year celebrating the bicentenary of his birth. Revered in bass circles as a revolutionary, Bottesini was also a renowned performer, composer and conductor in his day. Leon will be performing works by Bottesini on 7 December at Wigmore Hall, as well as at ‘Bottesini Day' at Trinity Laban Conservatoire of Music and Dance on 17 December. Check out thestrad.com for the latest news and articles on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_ Fantasie Sonnambula  The Virtuoso Double Bass: Giovanni Bottesini, volume 1 Leon Bosch, double bass / Sung Suk Kang, piano Meridian CDE 84544 Photo credit: Juno Snowdon. Art direction: Adam Hypki

Ananyo Bhattacharya discusses with Ivan six things which he thinks should be better known. Ananyo Bhattacharya is a science writer who has worked at the Economist and Nature. Before journalism, he was a medical researcher at the Burnham Institute in San Diego, California. He holds a degree in physics from the University of Oxford and a PhD in protein crystallography from Imperial College London. His new book is a biography of John von Neumann, The Man from the Future. You can follow him on Twitter. Bubbling under: Giovanni Bottesini's Elegy no. 1 for Double Bass and Piano https://www.youtube.com/watch?v=FN9Kq7OS_-M&list=RDFN9Kq7OS_-M John von Neumann https://www.privatdozent.co/p/the-unparalleled-genius-of-john-von-beb Klara Dan https://eniacinaction.com/ The Apu Trilogy https://www.newyorker.com/culture/richard-brody/the-miraculous-apu-trilogy Hans Fallada https://www.lrb.co.uk/the-paper/v34/n05/philip-oltermann/the-cow-the-shoe-then-you Ursula Le Guin https://www.nybooks.com/articles/2002/09/26/the-queen-of-quinkdom/ Epistemology vs ontology http://www.differencebetween.net/science/health/difference-between-ontology-and-epistemology/ This podcast is powered by ZenCast.fm

In this episode, Akron Symphony bassist Brian Del Bianco talks about his experience recording with effects pedals from EarthQuaker Devices. Brian recorded Mieczyslaw Weinberg's Sonata for Unaccompanied Bass (movement 3), Mahler's Symphony No. 2 (movement 1), Beethoven's Symphony No. 9 (movement 4) and Giovanni Bottesini's Variations on Nel Cor Piu Non Mi Sento (variation 2 excerpt) using the Night Wire, Spatial Delivery and Disaster Transport Senior pedals. You can see Brian's full video on EarthQuaker's YouTube page. The performance was recorded and mixed by Jeff France, and shot and edited by Chris Tran at EarthQuaker Studios in Akron. Learn more about EarthQuaker at their website. This is the third episode in our ASO Goes Electric series with EarthQuaker Devices. Previous episodes featured violinist Sam Petrey and and violinist Kimia Ghaderi. To learn more about all the ways that you can experience the Akron Symphony, visit the ASO at Home page on our website. There you will find musical performances, musician interviews, podcast episodes, and a variety of educational resources.

con Luca Damiani

Aida is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairo's Khedivial Opera House on 24 December 1871; Giovanni Bottesini conducted after Verdi himself withdrew. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, Aida has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p711/Verdi%3A_Aida.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Support us on Patreon https://www.patreon.com/user?u=4186107 staff@classicalmusicdiscoveries.com

Join us in this week's episode as we travel down to the darkest depths of the orchestra with a look at the bass and a virtuoso of the instrument, Bottesini! Like, and share with a friend! Music: https://imslp.org/wiki/Double_Bass_Concerto_No.2_in_B_minor_(Bottesini%2C_Giovanni) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode

Lúcia faz tudo devagar e está sempre atrasada. O que é natural, pois Lúcia é uma lesma! Seu sonho é participar de uma festa inteirinha, do começo ao fim. Um clássico que, para mim, ensina muito sobre amizade, compreensão e solidariedade. Lucia Já Vou Indo De Maria Heloísa Penteado (Ed Ática) Música: Giovanni Bottesini, Concerto No 2 em Si menor para Contrabaixo e Orquestra (University of Chicago Orchestra/ Musopen.org) Kevin McLoeod, "DarxieLand" and "Samba Isobel" (Incompetech.com) --- Send in a voice message: https://anchor.fm/depaiparafilha/message

This "best of" episode features a conversation with the always inspiring Leon Bosch! About Leon Bosch: Leon Bosch has an honoured place among the select group of virtuoso double bass players worldwide. Concerto engagements in many parts of the world with the likes of conductors Pinchas Zukerman, Nicolas Kraemer, Nicolae Moldoveanu and Guido Johannes Rumstadt have been matched by collaborations with a long line of leading chamber music groups - among them the Lindsay, Belcea and Brodsky string quartets, the Academy of St Martin in the Fields Chamber Ensemble, the Moscow Virtuosi and the Zukerman Chamber Players. Partnerships with solo performers have embraced such pianists as Peter Donohoe, Vladimir Ovchinikov, Mikhail Rudy and Maria João Pires. Leon Bosch has a growing discography of concerto and recital recordings. This will shortly include two albums devoted to the music of the great Giovanni Bottesini and two featuring music by British composers. Then will follow everything from a disc of Russian music and another of compositions by Domenico Dragonetti, to the complete works for solo double bass by Dittersdorf, Menotti's concerto and recordings of a string of neglected concertos for the instrument. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson & Sons Violins For more than four decades, Robertson & Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. D'Addario Strings This episode is brought to you by D'Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Subscribe to the podcast to get these interviews delivered to you automatically!

Giovanni Bottesini war professioneller Kntrabassist und schrieb vier Konzerte für sein Instrument. Am bekanntesten ist das Zweite - ein Werk, das den Solisten vor einige Herausforderungen stellt. Ulrich Möller-Arnsberg hat mit dem Kontrabassisten Ödön Rácz über dieses Starke Stück gesprochen.

In der zweiten Finalentscheidung des diesjährigen ARD-Wettbewerbs spielten die Kontrabassisten am 9. September im Herkulessaal der Residenz um die begehrten Preise. Begleitet vom Symphonieorchester des Bayerischen Rundfunks unter Constantin Trinks, mussten sich die drei Finalisten mit Solo-Konzerten von Nino Rota und Giovanni Bottesini beweisen. Ulrich Möller-Arnsberg berichtet.

We’re featuring double bassist Leon Bosch performing selections from his latest album on this week’s Contrabass Conversations episode. Titled Virtuoso Double Bass Vol. 2, this album contains a dozen works, both familiar and less familiar, from Giovanni Bottesini. You can purchase this album (as well as Leon’s other albums) from Meridian Records here, and learn more about Leon at leonbosch.co.uk.

Here is a full-length recital showcase featuring a performance from double bassist Phillip Serna.  Visit Phillip online at www.phillipwserna.com Northwestern University School of Music Presents a Doctoral Recital Phillip Woodrow Serna, double bass In Partial Fulfillment of the Requirements for the Degree Doctor of Music in Double Bass Performance Double Bass Student of Michael Hovnanian Viola da Gamba Student of Mary Springfels assisted by: Shirley Trissell, piano Sunday, April 27, 2003, 8:30 p.m. Regenstein Recital Hall 60 Arts Circle Drive Evanston, Illinois Sonata in E-Minor, Op.38 (1862-1865)           Johannes Brahms For Violoncello and Piano                                     (1833-1897)     Allegro non troppo     Allegretto quasi Menuetto             Allegro       SHORT INTERMISSION Sonata No.2 in E-Minor, Op.6                               Adolf Mišek For String Bass and Piano                                     (1875-1955)     I. Con fuoco     II. Andante cantabile     III. Furiant: Allegro energico             IV. Finale: Allegro appassionato       SHORT INTERMISSION Sonata (1956)                                                    František Hertl For String Bass and Piano                                           (b. 1906)     I. Allegro moderato     II. Andantino     III. Rondo: Alla polka, moderato         [ENCORE] Vocalise, Op.34, No.14              Serge Rachmaninoff                                                                               (1873-1943) Program Notes Johannes Brahms' Sonata in E-Minor, Op.38 (1862-1865)     In the summer of 1862, Johannes Brahms composed the first two movements of the Sonata for Piano and Violoncello, Op. 38. He later added the final Allegro in June of 1865. Intended as an "homage to J.S. Bach," Brahms based the principal themes of the outer movements on Contrapuntctus 4 and Contrapunctus 13 from "The Art of Fugue." Indeed, beyond these thematic references, fugal interplay is the prevailing device employed throughout the work. The sonata was first performed in July of 1865, and submitted for publication to both Breitkopf & Härtel and Simrock in September of the same year. Breitkopf & Härtel refused to publish the work. Simrock soon accepted it, however, and it was probably published in early 1866. Brahms' famous description of the work, which accompanied his submission to Simrock, remarks that it is "a violoncello sonata which, as regards both instruments, is certainly not difficult to play.     David Cardon, Discordia Music     Discordia Music, a publishing company run by Professor Michael Hovnanian, publishes the edition used for this performance. Discordia specializes in publishing new works and transcriptions for the double bass, as well as to publish premium quality, well-researched, scholarly editions of music part of the standard double bass solo literature. Adolf Mišek's Sonata No.2 in E-Minor, Op.6     The typesetter, composer, conductor, and double bass player Adolf Mišek was born in Modletin, Czechoslovakia in 1875. At age 15, Mišek attended the Academy of Vienna, later conducting as choirmaster of The Czech Choir ,,Tovaovský" and Slavonic Chorus. Additionally, he conducted The Czech Academic Orchestra in Vienna. From 1890 to1894 Mišek was a student of the famous lecturer, Franz Simandl (1840-1912), who in Mišek's time was associated with the Vienna Conservatory, an institution that Mišek would later be engaged as bass professor. From 1920 to 1934 Mišek returned to his place of birth in Bohemia. He returned to Prague where he built a career as a soloist with the National Theatre. He died in Prague in 1955.     Mišek composed various works in different genres for voice, violin, chamber ensembles, and lastly for the double bass. His works for bass include a Scales Study, Legend op. 3 for Double Bass and Piano, a Capriccio (1899), Concert Polonaise, Sonata No.1 in A Major, Op. 5, Sonata No.2 in e minor, Op. 6, Sonata No.3 in F Major, and a Concert in C-major. František Hertl's Sonata (1956)     Composer and double bassist František Hertl was an active member in Czech music throughout his career. From 1920 to1926, Hertl studied double bass at the Prague Conservatory with Professor Fr. Cerny, also studying composition from 1933 to1936. Hertl was solo double bassist in the Czech Philharmonic Orchestra (1929-1935) and Czechoslovak Radio Orchestra Prague (1935-1950).  Hertl was director as well as performing member of the Czech Nonet from 1936 to 1950 and 1963 to1966 in addition to his duty as conductor of the Radio Orchestra in Brno (1950-1961). As a pedagogue, Hertl was professor at the Prague Conservatory (1951-1961), at the Leoš Janácek Academy of Music Arts in     Brno (1954-1961), and at the Academy of Music in Prague (1953-1973).     Hertl wrote 35 compositions for orchestra including a Czech Suite (1947), Czech Dances (1947), and a Symfonietta for Oboe and Small Orchestra. Hertl composed a Sonata for Violoncello and Piano as well as various choral works. Hertl also composed a Concert Polka (1948) and a Concert for Double Bass (1957) premiered by František Pošta in 1958. He additionally composed a Prelude, Burlesca, Nocturno, and Tarantella (1969). As pedagogical works, Hertl wrote a Double Bass School  (1962) and 20 Studies  (1965) for Double Bass. The Sonata for Double bass and Piano (1956) was first recorded by his pupil Pavel Horak, a member of Brno Philharmonic Orchestra, now in retirement.  Hertl was directing during the recording process.     Information courtesy of Miloslav Jelinek of the Czech Society of Double Bassists Biography A native of Houston Texas, Phillip W. Serna (viola da gamba) is an active and enthusiastic performer of early music, as well as the contemporary, solo, orchestral, and chamber repertoires. Phillip earned his Bachelor of Music in double bass performance with Stephen Tramontozzi at the San Francisco Conservatory of Music in 1998. Phillip later completed his Master of Music at Northwestern University School of Music in 2001 as a Civic Orchestra of Chicago Graduate Fellow. On June 16, 2007, Phillip will receive the Doctor of Music degree from Northwestern University where he studied double bass with international soloist DaXun Zhang and formerly with Chicago Symphony Orchestra member Michael Hovnanian. Phillip studied viola da gamba with Newberry Consort founder Mary Springfels. Since 2003, Phillip has been principal double bass of the Northbrook Symphony Orchestra and has been recently elected to a two-year term on the Board of Directors of the Northbrook Symphony.  In addition, Phillip has performed regularly with other orchestras such as the Bach Chamber Orchestra & Choir, Chicago Symphony Orchestra's Civic Orchestra of Chicago, Elmhurst Symphony Orchestra, Fort Wayne Philharmonic Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, Kankakee Valley Symphony Orchestra, Kenosha Symphony Orchestra, New Philharmonic Orchestra, Quad Cities Symphony Orchestra, Racine Symphony Orchestra, Rockford Symphony Orchestra, Southwest Michigan Symphony Orchestra, Waukesha Symphony Orchestra, Wisconsin Chamber Orchestra as well as the Memphis Symphony Orchestra. In March of 2007, Phillip will perform Giovanni Bottesini's Concerto No.2 in b-minor with the Waubonsie Valley High School Orchestra in Aurora, IL after having already performed Estonian composer Eduard Tubin's stirring Concerto for Double Bass and Orchestra with Northwestern University's Summer Orchestra under the direction of Robert Hasty in July of 2003. Recently joining the board of the Early Music Chicago arts advocacy & performance organization, Phillip regularly performs on viola da gamba and period double bass/ violone with period instrument ensembles and organizations such as the Apollo Chorus of Chicago, Ars Antigua, Chicago Early Music Consort, Period Opera Cosi fan Tutte with Chicago Opera Theater, Classical Arts Orchestra, Comic Intermezzo, Early Music Chicago, the Janus Ensemble, the Newberry Consort, the Evelyn Dunbar Memorial Early Music Festival at Northwestern University, the Oriana Singers, the Second City Musick, and the Spirit of  Gambo - a Chicago Consort of  Viols, as well as the Concert for Compassion Viol Consort & the Forces of Virtue Ensemble and Choir, dedicated to raising money for disaster relief and other charities. In addition to his intense performance schedule, Phillip teaches lessons on double bass, bass guitar, guitar, viola da gamba, and presents master classes and workshops on modern and period double bass. As a passionate advocate of early music, Phillip has championed the viola da gamba with his initiative 'Viols in Our Schools,' bringing solo and chamber music for viols into Chicago area classrooms. Phillip also currently teaches at numerous institutions around the Chicago area. Phillip lives in Plainfield, IL with his best friend and wife, Magdalena.Program