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2 episodes with henry chalfant
2 episodes with henry chalfant
2 episodes with henry chalfant
Max Pearson presents a collection of the week's Witness History episodes.We hear about the era-defining book Subway Art and how Fight the Power became a protest anthem. Artist curator Marianne Vosloo explains how both street art and hip-hop are linked.Plus, two stories from Georgia. Firstly, how Stalin carried out his most severe purge in Georgia in 1937, killing thousands of people, and then how after the breakup of the Soviet Union in 1991, the newly independent state was thrown into a political and economic crisis.Finally, we hear from a former Canadian prime minister, on how her party was left with just two seats after the election in 1993.Contributors: Martha Cooper and Henry Chalfant – authors of Subway Art. Marianne Vosloo - artist curator who works within the field of street art and urban art intervention. Chuck D – Public Enemy frontman. Levan Pesvianidze – Georgian whose grandfather and uncle were both executed. Lamara Vashakidze - a survivor of Georgia's crisis in 1991. Kim Campbell – former Canadian prime minister. Preston Manning – founder and former leader of Reform.(Photo: People queing to buy Subway Art. Credit: Jemal Countess/Getty Images)
In 1984, urban photographers Martha Cooper and Henry Chalfant came together to publish an era-defining book about the early graffiti movement.They had been documenting the work of graffiti arts on the subways system of New York for many years.The colourful book was called Subway Art and it quickly became known as the graffiti bible.Forty years on from its release, Martha and Henry explore its enduring legacy with Matt Pintus.(Photo: Marta Cooper and Henry Chalfant pictured at the 25th anniversary event for Subway Art. Credit: Getty Images)
In this episode of the "The Truth in This Art" podcast, host Rob Lee converses with Cory Lee Stowers, a cultural anthropologist, visual artist, and curator. They tackle Cory's background in graffiti and his role in the DC hip-hop scene. Stowers discusses his creative influences and the significance of preserving artistic legacies. He shares the challenges of leading organizations like Art B.L.O.C. DC and DC Murals, emphasizing the need for sustainable funding and aligned partnerships. This episode explores the evolution of mural art, the use of technology to create interactive murals and the cultural impact of public murals. Cory also touches on the historical debate over African American visual identity at Howard University and the importance of impactful community murals.Episode Highlight:Painted Beginnings (00:01:30): Cory takes us back to his roots, painting a vivid picture of his early life and how he was drawn into the vibrant graffiti and hip-hop culture of Washington DC.Artistic Inspirations (00:04:00): Remembering the past, Stowers shares heartfelt stories about the people and experiences that have sculpted his artistic perspective and continue to influence his creative journey.The Artistic Grind (00:10:00): Rob and Cory engage in a candid discussion about the grit behind the glamour, exploring the obstacles and triumphs that come with bringing ambitious art projects to life.Mural Dreamscape (00:20:00): With an eye on the future, Cory outlines his visionary plans for transforming DC Murals into a social enterprise that not only beautifies but also benefits the community.The Funding Puzzle (00:22:00): The conversation takes a pragmatic turn as Stowers addresses the intricate challenge of weaving together funding and partnerships to support his artistic endeavors.Creative Alchemy (00:20:30): Cory offers a glimpse into his creative sanctum, revealing how he approaches the art-making process and fosters meaningful connections with the community through his work.Murals That Speak (00:30:00): The power of murals to tell the untold stories is brought to the forefront, highlighting their significance in preserving and sharing cultural narratives.Art in the Digital Age (00:35:00): Reflecting on the intersection of art and technology, Cory discusses how modern advancements are revolutionizing the way murals are created.Key Takeaways:1. Graffiti and hip-hop culture have played a significant role in shaping the artistic landscape of urban environments like DC.2. The preservation of artistic legacies is crucial for cultural continuity and understanding the historical context of art forms.3. Sustainable funding and strong partnerships are essential for the success and longevity of arts organizations.4. Public murals are not just art, they are powerful tools for cultural expression and community engagement.Website and Social Media Links:coryleestowers.comX: @RockCreekLeeInstagram: rockcreekleeLinkedIn: Cory Lee StowersHey everyone, if you were as inspired by Cory Lee Stowers' stories and insights as I was, let's show some love! Head over to his website and follow his journey on social media to keep up with the incredible work he's doing in the art world. And if you enjoyed our deep dive today on "The Truth in This Art," please take a moment to rate and review this episode. Your feedback means the world to us and helps others find these meaningful conversations. Plus, if you're feeling generous and want to support the podcast further, consider joining our Patreon community. Every bit of support helps us continue to bring these important stories to light. Thanks for listening, and let's keep the conversation going! This program is supported (in part) by a grant from the Robert W. Deutsch Foundation. If you have a story about art, culture, or community, share it with us at rob@thetruthinthisart.com for a chance to be featured on 'The Truth In This Art' podcast.Follow The Truth In This Art on Twitter, Threads, IG, and Facebook @truthinthisart Original music by Daniel Alexis Music with additional music from Chipzard.Episode illustration by Alley Kid Art.About "The Truth In This Art""The Truth In This Art," hosted by Rob Lee, is a podcast that explores the essence of creativity and its community impact, amplifying artists' voices and their profound stories.Connect with me:Website | Twitter | Instagram Support the show:Merch from Redbubble | Make a Donation ★ Support this podcast ★
https://wildstylethemovie.com/ (Wild Style website) https://www.imdb.com/title/tt0084904/ (Wild Style on IMDb ) Where to Watch: https://www.crackle.com/watch/6572 (Crackle) | https://www.amazon.com/gp/video/detail/amzn1.dv.gti.70b5f379-7139-2b71-e9fc-9cf4aec9284a (IMDb TV) https://www.thamesandhudsonusa.com/books/spraycan-art-softcover (Spraycan Art) book by Henry Chalfant and James Prigoff https://www.leequinones.com/ (LeeQuinones.com) https://open.spotify.com/album/2e1cehaMUqiMtNp5S4fSUJ (Wild Style soundtrack (25th anniversary edition)) on Spotify Hip Hop Movie Club is produced by your HHMC's: Boogie, JB and DynoWright! Theme music by Boogie. Special thanks to Susan Berger, Towanda Edwards, and Alice Seneres. Hit us up at hiphopmovieclub@gmail.com or on Facebook, Twitter and Instagram @hiphopmovieclub. You can also check us out at hiphopmovieclub.com. The next episode of the Hip Hop Movie Club podcast drops in two weeks. Subscribe today in your favorite podcast app and you won't miss it! Shout out to you listeners. Thanks for listening.
I did not know Jim Prigoff well but was delighted to be able to ask him a few questions during the Urban Creativity Conference in 2020, when he participated in an on-line Q&A session together with Henry Chalfant and Susan Farell. Jim answered candidly and made quite a lively impression in spite of his respectable age. We stayed in touch after the conference via e-mail, discussing the origins and trajectory of style writing and were plannning an audio interview for my podcast. That was, sadly, never to be recorded but he did humbly devote the time and effort to type down some lenghty and super interesting answers to some of the many questions I had. I was planning to try and get it published as an article sometime down the line but learning of Jims recent passing, it feels more appropriate to make it available here, for free and as a tribute to his work. This interview was conducted on the 20:th July 2020. I am very happy that I got the chance to thank the man for producing works as Spraycan Art. A book that left an immense imprint on me, and so many other kids in the 80´ies with over 250 000 sold (racked?) units. It was tremendously inspiring to discuss various graffiti-related topics with a man of such insights and passion for art and culture As a graffiti writer and chronicler: I salute you Mr Prigoff! SGP: To graffiti-aficionados, I would claim you became a household name in conjunction with the release of the book Spraycan Art. By then, in 1987, you were 60 years of age. I would like to know what you did before this. What was your childhood like and what was your relation to art and expressions in the public space before graffiti came along? Jim: My life history was that of a middle- class child growing up in suburban NY. There was every expectation that I would go to college, get a good job, and have a successful business career. My mother took me to Museums and in general I was a visually oriented person. At age 40, I became interested in tracking and documenting murals and community art particularly as it had political reference. I began to see tags appearing and photographed some. As the art form developed and became more sophisticated, I incorporated it into my mural search wanting to give dignity and respect to this new burgeoning form of art expression. SGP: What are your earliest meetings with, or memories of (style writing)graffiti and what did you make of it? Jim: I remember seeing BIO, BRIM, MED, T-KID TAGS in the Bronx and then some of Keith Haring’s characters in the early 80’s. A Samo here and a Sane there. Going to Freedom’s tunnel on the west side. Tracking Lee, Vulcan, Daze, Crash, Blast, Phase 2, Tracy and so many others. SGP: How did you go about approaching it and learning more about it? Jim: In the early eighties I began to meet some of the writers, particularly on the west coast when I moved in 1981. The TMF crew, TDK crew and TWS, writers that I am still in touch with to this day. Also, many of the writers in LA like Slick, Hex, Chaz, Risk etc. As the writing moved from tags to pieces, I recognized the skill involved and became interested in following its development as well as to give respect and dignity to those creating the art. I watched the writers creating their pieces, talked to them about the culture to understand their motivation, creativity, and how it was becoming such an important part of their lives. I remember inviting the TMF crew to my home in SF. to do an in-depth interview with them. SGP: When did you first cross paths with Henry Chalfant and how did you come to work on the book together? Jim: Tony Silver came to see me when he was working on Style Wars, hoping I would have some ideas for fund raising to help finance the film. He mentioned his film partner, Henry Chalfant and suggested I should meet him when I was next in NYC. When I decided to do a book of how the art came above ground from the NY City subway system, began to appear on walls and handball courts and then move across the country, I wrote and invited Henry to join me. His reply was “My brain is Graffitied out. But let’s do it”. SGP: We recently spoke about the process of selecting what works and cities that were featured in the final product (Listen to the snippet published in this post) Could you speak a bit about the response and critique the book received and any tangible proof of its impact on subsequent travels/interactions the coming years? The first trip to Sweden for example. Jim:The book received an instant positive response world-wide. It was voted one of the 50 best books for layout and design in Britain in 1987. There were many newspaper reviews and received commendation in a NY. Public Library list. Henry was already recognized internationally and with the publishing of Spraycan Art, I became very visible and invited to speak in venues around the world. SGP: Did you at any point feel a responsibility in regards to the amount of criminal damage/defacement that the book inspired? And, without rehashing the old "Art or Crime" debate; how big a part of graffiti do you think the illicit nature of it is/contra the artistic aspect? This could be expanded into a discussion of what happens when graffiti is brought on to canvas and the transition into the field of fine art and museums, certainly. Jim: My chosen role in the movement was that of a photo documenter to preserve the images which often disappeared rapidly, to present the art form to as large an audience as was possible and to be its advocate. Also, to help understand its social context within a capitalist society. There is no question I played a contributing part in the larger picture/puzzle. People are welcome to ascribe whatever they want as to my influence because almost all of the feedback has been very positive. Kids I didn’t even know have told me I saved their lives as they left the gang culture and moved to Graff. Many of their friends left behind were R.I.P. Graffiti moving to Museums and fine art is partially a result of writers getting older, gaining attention, needing to support families etc. But that is just one of the many facets in an ever far reaching development. SGP: With the spreading of style writing now having reached most corners of the world. What are your impressions on how it has evolved in respective geographical areas. I.e I see tendencies of simply imitating classic NY Subway Graffiti, with western letters/words and the same old styles and aesthetics in all parts of the world. It has its charm I suppose but can also feel shallow and bleak somehow. Are there any scenes where you think an exciting adaption and furthering of the artform has taken place? Jim: This question is complex and better answered by the artists themselves. There were so many ways that writers chose to develop style. First, many just copied from the books or had mentors who taught them style. But as time went on, writer explored new imagery and style often became regional. SGP: Having dedicated such a large part of your life to chronicling and collecting graffiti. Why has this movement been so important to you, and perhaps any guesses on the attraction and meaning it has had to so many? In short; what is so great about graffiti? Jim: Graffiti documentation has been part of a much larger interest in tracking painted murals, particularly as they related to community issues, political attitudes and their influence in public visual life. For me it was a way to combine an interest in photography with my political values and then to share my point of view with a larger audience. In addition, it was an adventure, a treasure hunt, as well as a challenge and an opportunity to learn about different cultures as well as interacting with youth. SGP: Our paths crossed recently at an international conference on graffiti and other expressions in the public space. What started as kids scribbling has now not only spawned a worldwide art movement (or is it an extreme sport or something else?) but a whole community of scholars, chroniclers and researchers who analyze and try to understand and explain graffiti. I often times, as an amateur researcher get lost in talking and thinking more about graffiti than actually painting, forgetting why I love it so much until I get to a wall and apply aerosol paint on it. What do you think are the pros and cons of the theoretical, philosophical and academic movement around this phenomenon? As one of the debates at the conference were about; Is it even possible and fruitful at all trying to frame and explain graffiti without ever having practised it? ...and on the other side of that coin. Are the many ex-practitioners in the academic word inclined to be biased when indulging in and publishing research on it? Does graffiti need to be confined and understood by outsiders? Jim: Over the many centuries, art took many forms, shapes and context. Scholars studied each period from ever conceivable point of view. So why not Graffiti which is clearly the most important art form developed in the last 40 years? I presume most of the scholarly work over the years was done by people who never painted themselves. Surely, interview the artists to get some clarity, but the answers will be wide ranged based on the individual, yet often have a similar thread. SGP:What are your hopes or expectations on the future of graffiti? In a society with an inclination leaning more towards a fully draconian and surveilled society. Is graffiti doomed to disappear or could it rather a productive factor such as combating graffiti has been historically? Graffiti on trains saw a style renaissance of sorts when the possible times to stand in a yard shrunk remarkably. Giving birth to new styles. Jim: I don’t really have “hopes or expectations” The art form will continue to develop in many different directions. It is like a tree with branches emerging in many directions. Graffiti in one form or another has been a part of society since the beginning of human life. Probably, it will continue in some form in perpetuity. Paz, Jim Photo taken from the book Spraycan Art. Audio taken from the https://www.urbancreativity.org/ 2020 conference.
The Cornerstore spoke with Henry Chalfant about documenting hip-hop as a cultural form, the creation of Style Wars, advocating for hip-hop culture/the youth, and more. Stay connected with The Cornerstore on Twitter, Instagram,and Soundcloud! You can also access and download episodes via Spotify and Apple!
The Cornerstore spoke with Henry Chalfant about documenting hip-hop as a cultural form, the creation of Style Wars, advocating for hip-hop culture/the youth, and more. Stay connected with The Cornerstore on Twitter, Instagram,and Soundcloud! You can also access and download episodes via Spotify and Apple! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Es la fotógrafa del grafiti. La mujer que fotografío a los primeros grafiteros de Nueva York cuando nadie más que ella y Henry Chalfant lo hacían. Junto a él publicó “Subway Art”, libro que se convirtió en la Biblia del grafiti para los chavales de todo el mundo. Es Martha Cooper. La primera fotógrafa del National Geographic, la primera fotógrafa del New York Post y también la primera fotógrafa de un nuevo arte: el arte urbano. Fue pionera en la fotografía de grafiti pero también del break dance y el hip hop, y gracias a sus fotos esa cultura se difundió por todo el planeta, como se cuenta en el documental que ha venido a presentar a España, “Martha: A picture story”. La entrevistamos junto a referentes del arte urbano en España: Okuda, el artista que ha pasado de las calles a los museos e incluso ha dejado su arte en una iglesia de un siglo de antigüedad, Rosh333 y Spok. El programa se completa con una nueva entrega del diario sonoro de Rozalén y un capítulo más de Consuma Crudeza, sobre publicidad engañosa y greenwashing. Hablamos con Sara Acosta, editora de Ballena Blanca, sobre esos “lavados verdes” que se dan la marcas para parecer más responsables medioambientalmente, pero que no reflejan su verdadero compromiso con la sostenibilidad desde su modelo de negocio. También abordamos los socialwashes (lavados sociales), pinkwashes (lavados rosas) o el feminiwashes, los lavados feministas... Hay tanto Greenwashing, que Ecologistas en Acción dan los Premios Sombra a la publicidad más engañosa; la ONG Corpwatch creó, hace más de diez años, la Green Wash Academy Awards; y los Public Eye Awards, votados por 60.000 usuarios, reparten anti-galardones a las corporaciones más irresponsables. __ Existimos gracias a las aportaciones de los y las oyentes. Hazte productora o productor de Carne Cruda. Defiende tu altavoz en: en http://carnecruda.es/hazte_productor/
Es la fotógrafa del grafiti. La mujer que fotografío a los primeros grafiteros de Nueva York cuando nadie más que ella y Henry Chalfant lo hacían. Junto a él publicó “Subway Art”, libro que se convirtió en la Biblia del grafiti para los chavales de todo el mundo. Es Martha Cooper. La primera fotógrafa del National Geographic, la primera fotógrafa del New York Post y también la primera fotógrafa de un nuevo arte: el arte urbano. Fue pionera en la fotografía de grafiti pero también del break dance y el hip hop, y gracias a sus fotos esa cultura se difundió por todo el planeta, como se cuenta en el documental que ha venido a presentar a España, “Martha: A picture story”. La entrevistamos junto a referentes del arte urbano en España: Okuda, el artista que ha pasado de las calles a los museos e incluso ha dejado su arte en una iglesia de un siglo de antigüedad, Rosh333 y Spok. El programa se completa con una nueva entrega del diario sonoro de Rozalén y un capítulo más de Consuma Crudeza, sobre publicidad engañosa y greenwashing. Hablamos con Sara Acosta, editora de Ballena Blanca, sobre esos “lavados verdes” que se dan la marcas para parecer más responsables medioambientalmente, pero que no reflejan su verdadero compromiso con la sostenibilidad desde su modelo de negocio. También abordamos los socialwashes (lavados sociales), pinkwashes (lavados rosas) o el feminiwashes, los lavados feministas... Hay tanto Greenwashing, que Ecologistas en Acción dan los Premios Sombra a la publicidad más engañosa; la ONG Corpwatch creó, hace más de diez años, la Green Wash Academy Awards; y los Public Eye Awards, votados por 60.000 usuarios, reparten anti-galardones a las corporaciones más irresponsables. __ Existimos gracias a las aportaciones de los y las oyentes. Hazte productora o productor de Carne Cruda. Defiende tu altavoz en: en http://carnecruda.es/hazte_productor/
Hosts Jian DeLeon and Noah Thomas are joined by Treis Hill and Rob Cristofaro, partners-in-crime at Alife, who are on to celebrate the 20th anniversary of the New York City-based lifestyle, street, and skatewear brand. The quick hits start off with Kith’s co-branded apparel capsule in collaboration with Nobu and their dinner event which took place at the world’s most recognized Japanese restaurant (2:48). While Noah was filling up on sushi as a Nobu regular (shout out to Uncle Woody), Jian was knee-deep in work at the office. Treis notes the merging of food with fashion as the cast expresses their mutual love for authentic restaurant merch (4:30). Somehow, discussion of the Snow Peak x New Balance sneakers brings us back to food again — more specifically, food utensils, including the world’s most luxurious spork (8:06). Talk of Burberry’s Nova Check fleece jacket drop leads to Rob and Treis sharing the lack of high fashion pieces in their closets and Alife’s history of collabs (11:10). Rather, the duo emphasizes the importance of finding relevance in co-branding as seen through their work with Foot Locker’s Project Greenhouse (16:13). The initiative focuses on sustainable product design and empowering youth culture through collaboration with mentors. Alife’s multifaceted identity, which includes being a museum, extends their storytelling beyond pure products as seen with their recent partnerships with Brooklyn Museum and The Bronx Museum of the Arts. When the latter held an exhibit for street art photographer Henry Chalfant who produced a body of work referred to as the Bible of graffiti (22:53), Alife injected their contemporary DNA into the collaboration by creating a pop-up retail space selling a capsule featuring Chalfant’s work. In light of their 20th anniversary, Alife is collaborating with Lee Jeans who are also celebrating 130 years in the making (26:00). This leads up to the Question of the Week (QOTW): “What’s your favorite Alife collab?” (29:08) with the hosts giving their takes. The cast wraps up the episode by making the rounds in “What’d You Cop?” Rob got his hands on the iPhone 11 Pro while Treis got a pair of red Chuck 70s. Check up on our next QOTW out Monday on Highsnobiety’s Instagram, and make sure to leave us a voicemail on The Dropcast hotline at 833-HIGHSNOB (833-444-4766) for a chance to be featured in a future episode. Relevant links: KITH Cooks Up a Co-Branded Collection With Nobu Snow Peak’s New Balance Sneaker Collab Is for Mountain Adventurers & City Dwellers Nike Gives the Blazer Mid ’77 Vintage a Snakeskin Swoosh Get FW19 Ready, Head-to-Toe, With These Fleece & Shearling Highlights Patta Celebrates 15th Anniversary With NYC Pop-Up & Insane Collabs Rowing Blazers & Barbour Team up for Japanese Exclusive Capsule Foot Locker, Inc. & Greenhouse Collab With VFILES, Alife, Diet Starts Monday, & More for Innovation Incubator Learn more about your ad choices. Visit megaphone.fm/adchoices
Hosts Jian DeLeon and Noah Thomas are joined by Treis Hill and Rob Cristofaro, partners-in-crime at Alife, who are on to celebrate the 20th anniversary of the New York City-based lifestyle, street, and skatewear brand. The quick hits start off with Kith’s co-branded apparel capsule in collaboration with Nobu and their dinner event which took place at the world’s most recognized Japanese restaurant (2:48). While Noah was filling up on sushi as a Nobu regular (shout out to Uncle Woody), Jian was knee-deep in work at the office. Treis notes the merging of food with fashion as the cast expresses their mutual love for authentic restaurant merch (4:30). Somehow, discussion of the Snow Peak x New Balance sneakers brings us back to food again — more specifically, food utensils, including the world’s most luxurious spork (8:06). Talk of Burberry’s Nova Check fleece jacket drop leads to Rob and Treis sharing the lack of high fashion pieces in their closets and Alife’s history of collabs (11:10). Rather, the duo emphasizes the importance of finding relevance in co-branding as seen through their work with Foot Locker’s Project Greenhouse (16:13). The initiative focuses on sustainable product design and empowering youth culture through collaboration with mentors. Alife’s multifaceted identity, which includes being a museum, extends their storytelling beyond pure products as seen with their recent partnerships with Brooklyn Museum and The Bronx Museum of the Arts. When the latter held an exhibit for street art photographer Henry Chalfant who produced a body of work referred to as the Bible of graffiti (22:53), Alife injected their contemporary DNA into the collaboration by creating a pop-up retail space selling a capsule featuring Chalfant’s work. In light of their 20th anniversary, Alife is collaborating with Lee Jeans who are also celebrating 130 years in the making (26:00). This leads up to the Question of the Week (QOTW): “What’s your favorite Alife collab?” (29:08) with the hosts giving their takes. The cast wraps up the episode by making the rounds in “What’d You Cop?” Rob got his hands on the iPhone 11 Pro while Treis got a pair of red Chuck 70s. Check up on our next QOTW out Monday on Highsnobiety’s Instagram, and make sure to leave us a voicemail on The Dropcast hotline at 833-HIGHSNOB (833-444-4766) for a chance to be featured in a future episode. Relevant links: KITH Cooks Up a Co-Branded Collection With Nobu Snow Peak’s New Balance Sneaker Collab Is for Mountain Adventurers & City Dwellers Nike Gives the Blazer Mid ’77 Vintage a Snakeskin Swoosh Get FW19 Ready, Head-to-Toe, With These Fleece & Shearling Highlights Patta Celebrates 15th Anniversary With NYC Pop-Up & Insane Collabs Rowing Blazers & Barbour Team up for Japanese Exclusive Capsule Foot Locker, Inc. & Greenhouse Collab With VFILES, Alife, Diet Starts Monday, & More for Innovation Incubator Learn more about your ad choices. Visit megaphone.fm/adchoices
STREAM or DOWNLOAD On this dark Autumn twilight Mista Montana and Menace do this: The Roots crew are with us in the shape of Dice Raw, for a full and frank discussion of their new album UnDun, including an analysis of many of the track features and stories behind the making of one of Hip Hop's most eagerly anticipated albums. Dice Raw takes us back to the creation of Illadelph Halflife, reflects upon the socio-political significance of The Roots' forthcoming work, citing UnDun as a progressive narrative. With his new solo project also set to drop in December, we discuss this release as well as the progress of Black Thought's highly anticipated solo album and a bunch of listener questions in which Dice answers ALL!! Roots fans everywhere unite and listen. Scram Jones returns to the show, proudly sporting his new free street album The Hat Trick. Filled with tales of future quests including details regarding his full Beast Music compilation due next year, an album which he breaks down in terms of the massive list of guest features. We talk Diamond D, studio chemistry, being taken seriously as an emcee, producer and DJ and his many tales of difficult situations regarding artists he has worked with. Will he ever seal off those Ghostface and Sean Price verses? Listen to find out. A reborn Grafh steps on to the show with a new-found focus and wave of creativity to discuss the recently released Rule EP and forthcoming projects including; Pain Killers Reloaded and his next solo studio opus, which he reveals isn't far from completion, explaining that it will be his most "polished" record to date. We also talk last years memorable series of freestyles, video's, Shia Lebeouf, industry politics, freedom and more in a frank and cohesive exploration into what many are labeling as phase 2 in Grafh's artistic evolution. Buzz maker Kid Daytona steps up to the show to discuss his upcoming album The Interlude 2 and its current status, which unlike its predecessor will consist of original production free of any samples, plans of releasing a free EP around Christmas, performing on BET's flagship show 106 & Park and embracing fans as young as 13, memories of being in the studio with Busta Rhymes, Pharell and Q Tip, favourite artists and his on-going quest to collaborate with Q-Tip - plus more in a snap shot thus far of the rising stars journey! Henry Chalfant steps up for a reflection on the 1982 documentary that found beauty in New York City's bad old days, namely Style Wars, delivering an evocative and unforgettable interview rich in content and nostalgia. We discuss the holy grail of Hop-Hop documentaries and its future, of which its producer Mr. Chalfant has plans on releasing a 30 plus hours project of outtakes called Style Wars...the Outtakes. Shot between 1981 and 1982, these outtakes however are at risk and need to be restored before release. Hours of additional footage are in the archive, all of which is damaged and fading, but fortunately is possible to repair through digital technology and YOUR support. By making a pledge of just $1 or more at the Style Wars Kick-Starter website, you as a supporter will in turn receive rewards based on how much you donate. Will you help save the outtakes? Hip Hop stand up! Sacramento mainstay Chuuwee joins us on the show fresh from the success of his recently released, bold but excellent project Watching The Throne. Far from a household name, yet, Chuuwee is an amazing young talent and is surely set to leave some massive imprints in the tapestry of Hip Hop as he strives to live his dreams. In his first ever UK interview, we talk the concept behind Watching The Throne, Illuminati, Alchemist's approval, future plans and much more! Watch this kids next moves, crew! AND THAT'S NOT ALL! On her way to the studio to record, former Three 6 Mafia member Gangsta Boo takes time from her busy schedule to appear on the show to celebrate her achievements so far, including her recent collaboration Throw It Up with Yelawolf and Eminem, being a southern pioneer, her love of alternative music, hopes to work with Coldplay and Linkin Park, her relationship with Kreayshawn, Three Six Mafia and a delivery of THREE acapella verses, including a REAL FREESTYLE especially for the folk of UK! Does she care that so many people in Hip Hop have their mind closed to her music and career?! Yes and now you can hear why. Forever gangsta! Enjoy our stretch! Contact us at conspiracyworldwide@gmail.com BBM: 22129BE3
STREAM or DOWNLOAD On this dark Autumn twilight Mista Montana and Menace do this: The Roots crew are with us in the shape of Dice Raw, for a full and frank discussion of their new album UnDun, including an analysis of many of the track features and stories behind the making of one of Hip Hop's most eagerly anticipated albums. Dice Raw takes us back to the creation of Illadelph Halflife, reflects upon the socio-political significance of The Roots' forthcoming work, citing UnDun as a progressive narrative. With his new solo project also set to drop in December, we discuss this release as well as the progress of Black Thought's highly anticipated solo album and a bunch of listener questions in which Dice answers ALL!! Roots fans everywhere unite and listen. Scram Jones returns to the show, proudly sporting his new free street album The Hat Trick. Filled with tales of future quests including details regarding his full Beast Music compilation due next year, an album which he breaks down in terms of the massive list of guest features. We talk Diamond D, studio chemistry, being taken seriously as an emcee, producer and DJ and his many tales of difficult situations regarding artists he has worked with. Will he ever seal off those Ghostface and Sean Price verses? Listen to find out. A reborn Grafh steps on to the show with a new-found focus and wave of creativity to discuss the recently released Rule EP and forthcoming projects including; Pain Killers Reloaded and his next solo studio opus, which he reveals isn't far from completion, explaining that it will be his most "polished" record to date. We also talk last years memorable series of freestyles, video's, Shia Lebeouf, industry politics, freedom and more in a frank and cohesive exploration into what many are labeling as phase 2 in Grafh's artistic evolution. Buzz maker Kid Daytona steps up to the show to discuss his upcoming album The Interlude 2 and its current status, which unlike its predecessor will consist of original production free of any samples, plans of releasing a free EP around Christmas, performing on BET's flagship show 106 & Park and embracing fans as young as 13, memories of being in the studio with Busta Rhymes, Pharell and Q Tip, favourite artists and his on-going quest to collaborate with Q-Tip - plus more in a snap shot thus far of the rising stars journey! Henry Chalfant steps up for a reflection on the 1982 documentary that found beauty in New York City's bad old days, namely Style Wars, delivering an evocative and unforgettable interview rich in content and nostalgia. We discuss the holy grail of Hop-Hop documentaries and its future, of which its producer Mr. Chalfant has plans on releasing a 30 plus hours project of outtakes called Style Wars...the Outtakes. Shot between 1981 and 1982, these outtakes however are at risk and need to be restored before release. Hours of additional footage are in the archive, all of which is damaged and fading, but fortunately is possible to repair through digital technology and YOUR support. By making a pledge of just $1 or more at the Style Wars Kick-Starter website, you as a supporter will in turn receive rewards based on how much you donate. Will you help save the outtakes? Hip Hop stand up! Sacramento mainstay Chuuwee joins us on the show fresh from the success of his recently released, bold but excellent project Watching The Throne. Far from a household name, yet, Chuuwee is an amazing young talent and is surely set to leave some massive imprints in the tapestry of Hip Hop as he strives to live his dreams. In his first ever UK interview, we talk the concept behind Watching The Throne, Illuminati, Alchemist's approval, future plans and much more! Watch this kids next moves, crew! AND THAT'S NOT ALL! On her way to the studio to record, former Three 6 Mafia member Gangsta Boo takes time from her busy schedule to appear on the show to celebrate her achievements so far, including her recent collaboration Throw It Up with Yelawolf and Eminem, being a southern pioneer, her love of alternative music, hopes to work with Coldplay and Linkin Park, her relationship with Kreayshawn, Three Six Mafia and a delivery of THREE acapella verses, including a REAL FREESTYLE especially for the folk of UK! Does she care that so many people in Hip Hop have their mind closed to her music and career?! Yes and now you can hear why. Forever gangsta! Enjoy our stretch! Contact us at conspiracyworldwide@gmail.com BBM: 22129BE3
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