Podcasts about Graffiti

Stupid News 3-13-2026 8am …He can't help it. Walmart Parking Lots gets him going … "No, Ma'am, I need your Driver's License …First known Graffiti was in in Ancient Egypt

Where in the world am I? In San Diego, talking about Thessoloniki Greece, Part 1 Welcome to the  Dr. Mary Travelbest Guide podcast. I returned from a 90-day journey around the world, and I'm excited to connect with fellow travelers and share experiences for world peace. Here is an FAQ about plane or train travel, Thessoloniki Greece, Part 1, and also about a health issue you don't want when you travel. Give a listen. I guide you to solo travel experiences to bring out your best. The FAQ is: If you could take a plane or a train, which would it be and why? Answer:  If I have the choice between a plane and a train, Most of the time… I choose the train. Now let's be practical. If the distance is extreme — say, cross-country or intercontinental — the plane wins on efficiency. At this stage of life, I value my energy. Six hours in the air may beat twenty hours of transfers. But when are both realistic options? Train. Here's why. First, the train allows me to arrive gently. There's no stripping down at security, no liquid anxiety, no rushing to a distant gate. I walk onto the train. I keep my water. I keep my dignity. That matters. Second, the scenery. At 50+, we understand that the journey is not separate from the destination. On a train, I see villages, farmland, people waiting on platforms, laundry on balconies. I watch life unfold. A plane gives me clouds. Third, ease of movement. I can stand up. Walk. Stretch. Visit the café car. Talk to someone if I choose — or not. For solo women, that flexibility feels empowering. Fourth, arrival point. Trains typically drop you in the center of town. Planes drop you 40 minutes away, followed by taxis, shuttles, and more logistics. Simplicity wins. Now — here's where I get skeptical of my own bias. If I'm exhausted… If connections are complicated… If safety or night travel becomes a concern…Going from Oslo to Bergen this past summer, we had a 7-hour delay, stranded in Voss due to the heated tracks. That was not unusual, I later learned. Side note: I did enjoy my time in Voss and learned to slow down. If I anticipate a delay like this, I will absolutely take the plane. Comfort and safety override romance. So my answer? If time is short and distance is long,,,,, fly. If time is flexible and distance is reasonable, take the train and let the world move past your window. At this stage of life, we're not just getting somewhere. We're experiencing how we get there. And that is the difference.   60-second confidence challenge Your challenge today  Confidence Challenge in Greece and on trains. If you like today's Confidence Challenge, my book series delves deeper into train travel while walking through the 5 steps to solo travel, from easy to more challenging, with foreign-language communication tips. You can find the series at the link in the description.    See Book A for addressing this concern..  Find it on the website​​ at https://www.5stepstosolotravel.com/ or on Amazon. It's a several-part series. Today's destination is Thessaloniki, Greece Part 1 of 2   Greece: my bucket list trip: Arrival, Ancient Echoes, and Modern Reality Welcome to my planned Step 5 travel — the kind where you don't just visit a place… you live inside it. This week and next week, I'm taking you to Thessaloniki, Greece's second-largest city — layered with Roman ruins, Byzantine churches, Jewish history, and modern-day contradictions.    

In this episode of the Plein Air Easton Podcast, we sit down with acclaimed painter Antwan Ramar for a conversation about the roots of his artistic journey. Antwan shares stories from his early life, reflecting on the moments and influences that first sparked his creativity and led him toward a life in art. We also dive into how he discovered plein air painting, the challenges and rewards of painting outdoors, and the way working directly from nature continues to shape his artistic voice. Along the way, Antwan talks about finding community in the plein air world, developing his style, and the lessons he's learned from painting in the field. It's an honest and inspiring look at the path that led one artist from early curiosity to a thriving career capturing the world in real time.

In this potluck episode, Wes and Scott answer your questions about popover navigation patterns, the Vibrate API on iOS, whether code quality still matters in the AI era, Wes's evolving Obsidian second-brain setup, where to start with modern full-stack JavaScript, and more! Show Notes 00:00 Welcome to Syntax! 01:02 Using display none with popover and hamburger navigation 03:37 Vercel on iOS and experimenting with the Vibrate API 05:47 Does code quality still matter in the AI age? 11:08 Wes' second brain update and Obsidian workflow QMD 19:57 Brought to you by Sentry.io 20:21 Supporting older browsers and missing out on modern web features 23:32 iPad browsing quirks and dealing with outdated Safari 28:26 What to do when you encounter a badly built or inaccessible website 33:37 Is the Effect TypeScript library worth the learning curve? 37:04 Where to start with modern full-stack JavaScript 43:39 Are column grid frameworks still relevant with modern CSS? Graffiti 49:54 Sick Picks + Shameless Plugs Sick Picks Scott: AVerMedia Video Capture Card Wes: Power Bar Extension Cord Shameless Plugs Phases Podcast Hit us up on Socials! Syntax: X Instagram Tiktok LinkedIn Threads Wes: X Instagram Tiktok LinkedIn Threads Scott: X Instagram Tiktok LinkedIn Threads Randy: X Instagram YouTube Threads

A Note from James:In the Blondie song “Rapture,” which was the number-one song in 1981, Debbie Harry has this famous line: “Fab Five Freddy told me everybody's fly.”So the question is—who is Fab Five Freddy?This guy is one of the central figures in the birth of hip-hop culture. Not just rap music, but the whole ecosystem: graffiti, breakdancing, fashion, DJ culture, art, film—everything that eventually turned into a massive global industry.Hip-hop today represents hundreds of billions of dollars in music, fashion, and entertainment. But in the late '70s and early '80s it was just a small creative movement happening in New York.Fab 5 Freddy helped connect all those worlds. He bridged graffiti artists, musicians, downtown art scenes, and eventually MTV.He also just wrote a book called Everybody's Fly, and it was a huge honor for me to talk with him about the origins of hip-hop and how creativity actually grows.Episode Description:Before hip-hop became a global industry, it was a loose network of DJs, graffiti artists, dancers, and musicians creating something entirely new in New York City.Fab 5 Freddy was at the center of it.In this conversation, he explains how hip-hop emerged from a mix of street culture, art scenes, punk music, and experimentation with records and sound. He discusses the origins of graffiti tagging, the rise of DJs like Grandmaster Flash, and the cultural moment when Blondie's “Rapture” helped bring hip-hop into mainstream awareness.Freddy also shares how the first hip-hop film, Wild Style, helped unify the culture's elements—music, dance, graffiti, and fashion—and introduce them to a wider audience.The conversation then turns to the modern era: AI-generated music, the attention economy of social media, and why artists today may need to slow down and develop their work before exposing it to the world.What You'll Learn:How hip-hop emerged from a mix of music, graffiti, dance, and street cultureWhy early DJs searched old records for breakbeats to create new soundsHow the film Wild Style helped define hip-hop culture for the worldWhy artists today may need to resist posting unfinished work onlineHow creativity evolves when technology disrupts the music industryTimestamped Chapters[00:02:00] The Story Behind the Title Everybody's Fly[00:03:01] A Note from James[00:04:15] Meeting Biz Markie and the Culture of Collecting Hip-Hop History[00:05:35] How Jazz, Blues, and Soul Influenced Early Hip-Hop[00:06:22] DJs Digging Through Records to Find Breakbeats[00:07:40] Grandmaster Flash and the Science of DJing[00:08:41] Why Producers Became Central to Hip-Hop Music[00:09:54] Blondie's “Rapture” and Hip-Hop's Mainstream Breakthrough[00:11:00] The Downtown Art Scene: Basquiat, Keith Haring, and Andy Warhol[00:12:24] The Origins of Graffiti and Tagging Culture[00:13:48] Graffiti as Competition and Artistic Evolution[00:15:12] Punk Rock and Hip-Hop: Parallel Cultural Revolutions[00:17:47] The Idea for the First Hip-Hop Film Wild Style[00:19:02] Bringing Breakdancing, Graffiti, and Rap Together on Film[00:21:50] Lessons Modern Artists Can Learn from Early Hip-Hop[00:22:49] Why Posting Creative Work Too Early Can Hurt It[00:24:00] Social Media, Attention, and the Speed of Culture[00:26:00] Hip-Hop's Global Influence[00:29:00] The Birth of Conscious Rap[00:31:12] Directing KRS-One's “My Philosophy” Video[00:33:00] Finding Great Hip-Hop in the Streaming Era[00:36:00] Battle Rap and Lyrical Skill[00:37:00] Artists Who Still Push the Genre Forward[00:40:11] How Rappers Make Money Today[00:43:00] What Makes an Artist Stand the Test of Time[00:47:00] Sampling, Technology, and the Evolution of Music Production[00:54:00] AI Music and the Future of Creativity[01:02:00] What “Everybody's Fly” Really MeansAdditional Resources:Fab 5 Freddyhttps://en.wikipedia.org/wiki/Fab_Five_FreddyRapturehttps://en.wikipedia.org/wiki/Rapture_(Blondie_song)Wild Stylehttps://en.wikipedia.org/wiki/Wild_StyleGrandmaster Flashhttps://en.wikipedia.org/wiki/Grandmaster_FlashKRS-Onehttps://en.wikipedia.org/wiki/KRS-OneDebbie Harryhttps://en.wikipedia.org/wiki/Debbie_HarrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Graffiti goes back A LONG TIME... Is it all vandalism? Street art? Religious artifact? Historical cultural record? The answer is all of that and more! We survey graffiti from its (possibly) childish origins to modern tagging and our ceaseless human effort to be seen in an unfeeling world. Plus, an delicious MouthGarf Report and another round of I See What You Did There!Sources:https://en.wikipedia.org/wiki/Alexamenos_graffitohttps://www.historicmysteries.com/archaeology/alexamenos-graffito/32229/https://culturacolectiva.com/en/art/first-graffiti-artist-in-history/https://en.wikipedia.org/wiki/Joseph_Kyselakhttps://theartistblock.ink/articles/cornbreadgraffitihttps://en.wikipedia.org/wiki/TAKI_183https://easyspraypaint.com/graffiti-art-info/who-is-the-first-graffiti-artist/Kelly's local fave: https://www.instagram.com/smileboulder/Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Soybean Car

+++ A9: Unfall mit Kleintransporter-Dönerspieße auf der Autobahn +++ Gehofen: Brand einer ausgebauten Scheune richtet hohen Schaden an +++ Rothenstein: Unbekannte sprühen 11 Meter großes Graffiti an Gaststätte +++

Jestli si myslíte, že Prahu dokonale znáte, pravděpodobně se mýlíte. Město, které máme zaškatulkované do známých pohlednic i vyhlídek, má ještě jednu tvář. Tišší, syrovější a často přehlíženou. „Považuji za mýlku, že se na okraji měst stahují nějak nebezpeční lidé,“ poukazuje v Hovorech výtvarník a muzikant Tomáš Staněk, který netradiční místa umělecky zmapoval v Periferním průvodci Prahou.Všechny díly podcastu Hovory můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Bright geometric shapes make the graffiti work of Kenyan artist Wise Two really stand out. Michael Kaloki tracks how his bold style is evolving as he travels to Mexico where. he says, street art is more widely accepted than in Nairobi, a city where he tends to paint murals in densely populated districts like Kibera and Jericho. On this trip to Mexico, Wise Two has started using a more varied colour palette and not just the traditional primary colours of Maasai masks he was known for. He is also using gold leaf on smaller canvases and abstract shapes on a tricky commission to paint cylindrical air-conditioning vents, not the usual flat surface which graffiti artists decorate. This episode of The Documentary, comes to you from In the Studio, exploring the processes of the world's most creative people.

durée : 01:48:00 - Comme un samedi - par : Arnaud Laporte - Ludivine Sagnier incarne Emma Bovary au théâtre, mais vue par Christophe Honoré, avec qui elle avait -entre autres- tourné "Chansons d'amour", en 2007, devenu un classique du cinéma musical français ! Street art, collectif Kourtrajmé et défense des enfants : c'est le programme de sa carte blanche. - réalisation : Alexandre Fougeron - invités : Ludivine Sagnier Actrice française; Mai Lan Chapiron Artiste, compositrice, chanteuse et illustratrice française, fondatrice de l'association Mille Miettes; Fafi Street artiste; Wacil Ben Messaoud Comédien

The centre of New Plymouth has been taken over by street artists, musicians, and a whole lot of spray paint this week. The Get Up Festival is back in town for the first time in more than a decade and 26 graffiti artists are transforming the CBD into a living gallery. Taranaki Whanganui reporter Robin Martin went to take a look.

Multiple Jewish-owned businesses in Montreal's St. Laurent borough were vandalized with swastikas earlier this week. B'nai Brith Regional Director for Quebec and Atlantic Canada, Paola Samuel joins Trudie Mason (in for Aaron Rand) with her reaction to the incidents. Image: Courtesy Gourmetti

Kann Farbe an einer Hauswand auf ein Stadtviertel medizinisch präventiv wirken? Und wenn die Medizin bildlich gesehen die Menschen vor dem Ertrinken rettet – wer muss dann die Frage stellen, warum sie immer wieder ins Wasser fallen? Was können Stadtplanung, Kunst und Medizin gemeinsam tun, damit Gesundheit dort entsteht, wo Menschen wirklich leben? In dieser Folge von O-Ton Innere Medizin trifft Redakteurin Anouschka Wasner die Direktorin des Instituts für Urban Public Health an der Universitätsmedizin Essen Prof. Susanne Moebus sowie die Graffiti- und Streetart-Künstlerin Claudia Walde alias MadC. Gemeinsam beleuchten sie das Kongressmotto der DGIM 2026 – Paradigmenwechsel - aus unterschiedlichen Perspektiven. Ein Gespräch über Präventionsparadoxe, Farbpsychologie, Akustik im Stadtraum – und darüber, dass Paradigmenwechsel immer auch eine Frage des Mutes zur Kooperation ist. https://www.medical-tribune.de/medizin/innere-medizin/paradigmenwechsel-in-der-medizin-public-urban-health

Please subscribe to Patreon (through a web browser so Apple doesn't take 30%) for all bonus content plus one extra episode per week! Merch: https://topbananausa.com/durag-and-the-deertag/ Dru Montana https://www.instagram.com/dru_montana/ https://x.com/dru_montana47 Na'im Ali https://www.instagram.com/naim__ali/ https://x.com/Naim__Ali Nick Rochefort https://www.instagram.com/nickrochefort/ https://chamonixhouse.com Alex Schultz https://www.instagram.com/benicetomeproductions/ https://www.youtube.com/watch?v=CDPSjXnCZO8 Good Boy Comedy https://www.instagram.com/goodboy_comedy/ https://www.instagram.com/dannydubz/  

El Graffiti y los Tatuajes siempre han sido marginados, en este episodio hablamos de su rebeldía y cómo es necesaria para la cultura Underground Mr. Cookie Wolf: - www.instagram.com/mr.cookiewolf - www.facebook.com/Mr.cookiewolf Queremos leerte, hazte presente en los Comentarios Todas Nuestras Redes: https://linktr.ee/TripasDeGato __________ Checa nuestro Facebook? https://www.facebook.com/TripasDeGatoPodcast https://www.facebook.com/TripasDeGatoClips __________ Checa nuestro canal de Youtube: https://bit.ly/3acW2fx __________ INSTAGRAM: https://www.instagram.com/tripasdegatopodcast Bet: www.instagram.com/betitakawasaki Bomber: www.instagram.com/bomberalvarez/ __________ Únete al GRUPO de FACEBOOK: https://www.facebook.com/groups/175540650692636 __________ BmBr PODCAST: SPOTIFY : https://spoti.fi/3ROcHMK TIK-TOK: www.tiktok.com/@bmbrpodcast   Distribuido por: Genuina Media Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We have a new sponsor... plus we check out some of our fav Graffiti flicks, music and Graff critique as usual too... enjoy!Go follow OCB UK on insta hereGet exclusive content over at our Patreon!https://www.patreon.com/armshousepodOur YouTube channel herebuy stuff - INFAMY hereUse Discount code ARMSHOUSE10 for 10% off!(our Patrons get 30% 0ff!)Find EVERY SONG

The Tim Conway Jr. Show Hour (2.26) Comedian Nate Bargatze is stepping into the host seat with a new competition show centered on the average American, and the crew weighs in on what that could look like. Then it’s a bummer in candy land: Jelly Belly layoffs hit the news, sparking talk about shifting business realities—even for iconic brands. Next comes the great “pajamafication” debate: should people be wearing pajamas on flights? The phones light up as everyone admits what they actually wear in the air (and what they judge silently). Plus, big changes are coming to downtown L.A. as the Graffiti Towers have new owners—so what’s the plan for the buildings and the future of that skyline icon? And to close it out, a trip report turns into a rant: why are Vegas escalators so filthy and constantly broken—and what’s really going on out there? See omnystudio.com/listener for privacy information.

Pornographic graffiti in Buffalo To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Christian Arcand, the most trusted anchorman at WEEI, brings you tonight's New England Nightly News.

An LA program is helping wipe away medical debt. A new buyer has stepped in for the graffiti covered skyscrapers in downtown LA. And sand dunes are making a comeback on Santa Monica beaches to prevent erosion. Plus, more from Evening Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

Hello, hello newsies!! Yes, we've taken quite the long Christmas, New Year, errrr, January break! Yes, work, school and life took over a bit (which happens more and more that Leela is a TEENAGER now, can you believe?!). But, we're back in time for the… new Chinese New Year, yay! Or should we say, neeeehaaaay! Because, yes, it's the Year of the Horse for 2026. We'll give you the low-down on what that represents and, as ever, what the zodiac calendar means. 

On FEB 11, Patrick Sesko, Tom Fogarty and Saegin, took the stage on the Mouthful of Graffiti *LIVE* at REB Records podcast. Hear the interviews, performances and stories behind the original songs.Sponsored by the Harford County Cultural Arts Board.

Nous présentons le premier événement en France dédié aux publications de la culture graffiti.GRAFFITI BOOK CLUB Rencontres de l'édition graffitiWeek-end du 7 & 8 mars 2026 — Freestyle La Villette 30 avenue Corentin Cariou, 75019 ParisHoraires Samedi : 11h – 19h Dimanche : 10h – 18hEntrée libreDécouvrez une sélection de 50 éditeurs indépendants français et européens, réunis autour de livres, zines, revues et objets éditoriaux, reflets du dynamisme actuel de l'auto-publication graffiti.Le week-end sera également ponctué de sorties exclusives, de signatures de livres, de rencontres avec des auteurs et créateurs, ainsi que de talks publics et d'autres surprises.Je vous en dis plus dans cet épisode.LIEN PROGRAMME LIEN RESERVATION TALKS

What action is Evanston taking following reports of antisemitic graffiti around the city? How does ranked choice voting affect election results? Where is The Daily's arts and entertainment critic finding “Dillo Speedway” inspiration? The Daily answers these questions and recaps other top stories from the last week.

Public works employees removed homophobic messages in December. They were thanked Monday at the intersection, which is now surrounded by new artwork.

Drew One of On The Run (OTR) Crew joins Write Your Narrative during Art Basel Miami to talk about Los Angeles graffiti, sticker culture, and 40 years of aerosol history. Founded in 1985, OTR is a West Coast graffiti crew rooted in illegal lettering and street culture. In this episode, Drew shares the story behind his iconic yellow running family sticker, the ethics of sticker culture, and the code that has guided graffiti writers since the 1970s.We discuss:• The birth of OTR in Los Angeles• Graffiti vs. street art• Vandalism, adrenaline, and legacy• The global reach of sticker culture• Why “Only toys retire.”From the streets of LA to Art Basel Miami and the Museum of Graffiti, this is a raw conversation about culture, respect, and staying active in a movement that never stops running.

Erie County Executive Mark Poloncarz speaks on the damage to the new Highmark Stadium due to graffiti over the weekend in Orchard Park full 364 Tue, 17 Feb 2026 15:30:00 +0000 8UdQj0WBfsgkcykXTra8c8Y7LwBzj4SZ news,wben,highmark stadium,mark poloncarz,vandalism,orchard park,graffiti WBEN Extras news,wben,highmark stadium,mark poloncarz,vandalism,orchard park,graffiti Erie County Executive Mark Poloncarz speaks on the damage to the new Highmark Stadium due to graffiti over the weekend in Orchard Park Archive of various reports and news events 2024 © 2021 Audacy, Inc. News

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Was hat ein mathematisches „Graffiti“ aus dem 19. Jahrhundert an einer Dubliner Brücke mit den flüssigen Bewegungen der Computerspielfigur Lara Croft zu tun? Wir freuen uns über Fragen, Anregungen und Feedback an podcast@spektrum.de. Die Idee für diesen Podcast hat Demian Nahuel Goos am MIP.labor entwickelt, der Ideenwerkstatt für Wissenschaftsjournalismus zu Mathematik, Informatik und Physik an der Freien Universität Berlin, ermöglicht durch die Klaus Tschira Stiftung. (00:00:04) Einleitung (00:03:19) Die Geschichte von William Rowan Hamilton (00:07:12) Hamiltons Entdeckung (00:11:57) Die Quaternionen (00:16:59) Demians und Manons Gedanken zu Hamiltons Quaternionen (00:18:54) Ausblick & Verabschiedung ➡️ Artikel zum Nachlesen: https://detektor.fm/wissen/geschichten-aus-der-mathematik-william-rowan-hamilton

This week, we've got the S1 Chapter 1 Reimagine and Listen-Along dropping, we've got up to Chapter 10 in final edits, and I'm learning a lot about trying to hold true to a goal in the face of insane chaos. All that and more in TABTA, but first, a message to our heroes! —--------------------- Want more 7th Valkyrie? Check out our Patreon to become a Hero of Edara, where you can shape the future of the series, decide on merch drops and incentives, get early access to new episodes, enjoy bonus features and content, and help us hit the major checkpoints on the Path of Heroes!  https://www.patreon.com/7thvalkyrie  

In deze aflevering van De Donkere Kamer praat ik met Rizon Parein: Antwerpse autodidact die startte als graffitikunstenaar met een liefde voor 3D-letterstyles, en die later campagnes maakte voor merken als Nike, Apple en Adidas. Maar zijn echte motor blijkt iets anders: community.We duiken in het ontstaan van Us By Night (eerste editie in 2016): hoe een “braaf” conferentieformat werd omgebouwd tot een nachtelijk creativiteitsfestival waar talks, spel, club-vibes en ontmoetingen bewust door elkaar lopen. Rizon vertelt open over de rauwe realiteit achter festivals - fundraising, stress, partners die wegvallen - én over waarom integriteit voor hem niet onderhandelbaar is.Ook fotografie komt uitgebreid aan bod: zijn honger naar échte mensen, zijn twijfel om zichzelf “fotograaf” te noemen, studio-ambities, en waarom hij AI fascinerend vindt maar het tegelijk uit zijn eigen beeldtaal wil houden. Dit gesprek gaat over maken, risico, identiteit en hoe je iets bouwt dat groter is dan jezelf zonder je ziel te verkopen.Wil je gerichte feedback op jouw fotografie en een helder plan om verder te groeien? Boek dan een Review Sessie: een 1-op-1 feedbackmoment van 90 minuten waarin we jouw beelden, vragen en blokkades concreet aanpakken. Boek hier je sessie.

Scott and Wes break down how they built SynHax, the real-time CSS Battle app powering the upcoming Mad CSS tournament. From SvelteKit and Zero to diffing algorithms, sync conflicts, and a last-minute hackweek glow-up, this one's a deep dive into shipping ambitious web apps fast. Show Notes 00:00 Welcome to Syntax! 00:50 March Mad CSS Tournament. 03:19 Brought to you by Sentry.io. 03:59 What the heck is a CSS Battle? 05:34 The tech stack. 06:30 Svelte Kit. 06:44 Zero Sync. Zero Docs Zero Svelte. 07:32 Drizzle. 07:58 Supabase. 08:23 Graffiti. 10:45 Sync Server. 12:10 Cloudflare Workers. 12:23 Local File System. 13:26 How Zero Works. 13:48 Zero Sync Client. 15:39 API server. 19:34 Dealing with states and conflicts. 24:25 The Hackweek Project. 25:29 The Diffing Algorithm. 35:22 The bugs. Hit us up on Socials! Syntax: X Instagram Tiktok LinkedIn Threads Wes: X Instagram Tiktok LinkedIn Threads Scott: X Instagram Tiktok LinkedIn Threads Randy: X Instagram YouTube Threads

We kick things off with Dave’s Hot Chicken and a growing frustration in Orange County, where residents say the smell from the Frank R. Bowerman Landfill is impacting Portola Springs in Irvine. The landfill — one of the largest in California with an estimated 31 million tons of waste — has neighbors demanding answers and relief. Dean Sharp, The House Whisperer, joins the show with design wisdom you won’t hear anywhere else. Growing up near the Scholl Canyon Landfill, Dean breaks down how smart design can overcome almost anything. He shares must-know tips on home orientation and situation, why Juliette balconies add real value, and how layered light sources can completely transform a space. More from Dean as he dives into skylights — including why going frosted might be the smartest move you can make for comfort and resale. And finally, people turning to Trader Joes to save money. Plus, a look at Olympics women’s hockey as excitement builds. See omnystudio.com/listener for privacy information.

We're back for another live show at the Northwestern Pritzker School of Law, hosted by the Northwestern Federalist Society! We discuss the term's two Second Amendment arguments -- first recapping the oral argument in Wolford v. Lopez, featuring Hawaii's law about getting consent to bear arms on private property; and then previewing the oral argument in United States v. Hemani, about the ban on possession of guns by drug users.

How is Jesus gonna be endorsed if we don’t add our own name to the poster?

Es sind viele kleine Vorfälle: Eine Drohne in der Nähe eines Flughafens. Ein Paket, das brennt. Bauschaum im Auspuff. Graffiti an Hauswänden. Dumme Streiche? Zufall? Oder doch Teil eines größeren Musters? Hybrider Krieg ist auch für die, die dagegen ankämpfen, ein immer größer werdendes Problem. Und es ist ernst. Das wissen auch die deutschen Sicherheitsbehörden und die Nachrichtendienste. In dieser Hintergrundfolge schauen wir hinter die Kulissen der hybriden Kriegsführung – und darauf, wie deutsche Sicherheitsbehörden mit diesen neuen Bedrohungen umgehen. Wie gut sind Polizei, Staatsanwaltschaften und Nachrichtendienste wirklich vorbereitet auf Sabotage, Spionage und den Einsatz sogenannter Wegwerf-Agenten? Eva-Maria Lemke spricht mit dem ARD-Geheimdienstexperten Holger Schmidt über alte Spionagebilder und neue Realitäten, über Ermittlungen, die im Kleinen beginnen, und über die Frage, wie diese vielen Nadelstiche gezielt Unsicherheit erzeugen sollen. Und wenn ihr die Geschichte hören wollt, die hinter diesem Gespräch steht, dann hört rein in die dazugehörige Folge: „Russlands Rächer und der Showdown in Frankfurt”. Und noch ein Tipp zum Weiterhören: „15 Minuten. Der tagesschau-Podcast am Morgen”. Damit startet ihr immer gut informiert und trotzdem lächelnd in den Tag. In „15 Minuten” unterhalten sich zwei Hosts locker über das, was an dem Tag an Ereignissen und Politik wichtig ist. „15 Minuten. Der tagesschau-Podcast am Morgen” gibt es in der ARD Audiothek und überall, wo es Podcasts gibt. https://1.ard.de/15Minuten

We are raiding the Guardian long read archives to bring you some classic pieces from years past, with new introductions from the authors. This week, from 2022: For years Tsang Tsou-choi daubed his eccentric demands around Hong Kong, and the authorities raced to cover them up. But as the city's protest movements bloomed, his words mysteriously reappeared Written and read by Louisa Lim. Help support our independent journalism at theguardian.com/longreadpod

Is it a waste of money to keep trying to clean up graffiti in Los Angeles?See omnystudio.com/listener for privacy information.

Led by Too Short, the pioneers of Bay Area hip-hop gathered at the 3rd Annual History of the Bay Day for an epic discussion panel. Representing Oakland, San Francisco, Vallejo, and Hayward, members of the Click, the Dangerous Crew all gathered on one stage, with appearances by Conscious Daughters and Mistah FAB. Davey D (arguably the Bay's first hip-hop journalist), Lord Rab of No Vultures, and History of the Bay host Dregs One co-moderated this historic conversation.Recorded at the 3rd Annual History of the Bay Day at Public Works in San Francisco, Nov. 9, 2025--For promo opportunities on the podcast, e-mail: info@historyofthebay.com--History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Introduction 04:14 Too $hort's first hip-hop memories11:38 B-Legit, D-Shot & The Click16:00 4-Tay & Spice 1 21:34 Differences between the Bay & LA23:44 How Short met 4-Tay24:25 Graffiti & other hip-hop elements27:24 Short & young Spice 130:04 Car culture 35:07 D-boy contracts38:12 Playing in band44:53 Difference between mobb & hyphy 55:20 Soul Beat 57:54 Women rappers59:07 4-Tay's origin story1:04:57 Dangerous Crew1:08:36 Spice 1's origin story 1:15:17 The Click's origin story1:25:$6 Conscious Daughters origin1:32:06 Too Short's origin story 1:50:26 Dregs closing

David Choe is a world-renowned artist, writer, podcaster and TV host. He tells how as a child, he was made to believe he was destined for greatness but also that he was a complete disgrace, leading him to channel his energy—including deep shame—into art that brought him global recognition. He shares about his addictions that put him on a decades-long cycle of extreme highs and lows and that forced him to eventually acknowledge and heal the childhood trauma he was battling inside. David shows up with raw, authentic presence to show us how we can transmute pain and shame into our best creative work and, more importantly, how complete vulnerability, especially about our hardest experiences, is the ultimate tool for forgiveness and self-acceptance. He also tells us the actual story about early Facebook, Pee-wee Herman and Santa Claus. Note: This conversation includes topics and language that may not be suitable for younger audiences. Read the episode show notes at hubermanlab.com. Thank you to our sponsors AG1: https://drinkag1.com/huberman Eight Sleep: https://eightsleep.com/huberman LMNT: https://drinklmnt.com/huberman Function: https://functionhealth.com/huberman Mateina: https://drinkmateina.com/huberman Timestamps 00:00:00 David Choe 00:03:10 Drawing, Black & Colors, Death 00:12:54 Telepathy, South Bay 00:17:52 Sponsors: Eight Sleep & LMNT 00:20:40 Childhood, Podcasts, Mundane Moments & Artist Life 00:28:45 Mother, Beliefs, Religion, Artistic Ability, Childhood 00:33:27 Gambling, Transformation; Immigrant, Disgrace 00:40:10 Street Art, Graffiti, Creativity; Paintings, Payment; Sports 00:52:08 Sponsor: AG1 00:53:30 Santa, Belief; Journal, Vulnerability; Heart Break, Art 01:00:16 Facebook, Graffiti; Theft, Gambling 01:10:57 Adapting, Creativity 01:17:16 Album Cover, Art & Payment 01:23:40 Sponsor: Function 01:25:28 Immigrant & Belonging, Academics, Learning Art, Marvel Comics, Shame 01:35:11 Shame, Gambling Addiction, Stress 01:43:05 Sexual Abuse, Trauma, Shame, Addiction 01:51:52 Early Career, Pornography, Author 02:01:20 Graffiti, Disappointment, Rejection; Early Magazines 02:08:26 Sponsor: Mateina 02:09:27 Pornography, Co-Dependence; Movie Set 02:18:00 Pride & Family, Vice; Pokémon 02:26:44 Podcast, Workaholism, Shame, Reality; Anthony Bourdain, Channing Tatum 02:38:54 Writing, Career Success, Workaholism, Vice, News, Self-Sabotage, Heart Attack 02:52:21 Growth & Pain, Sizzler; David Arquette 02:58:40 Rehab, God, Purpose, Parents & Disappointment, The Choe Show, Pee-Wee Herman 03:05:53 Gratitude, Korean Immigrant, Self-Reflection, Brokenness 03:14:37 Emotion, Saying No, Suicide; Vacation & Workaholism, Art 03:25:23 Legacy; Vacation, Work; Authenticity 03:31:15 Surviving & Thriving, Suicide, Addiction, Play the Tape Out, Fun, Feeling Enough 03:44:43 Hope & Faith, Electronics, Santa Claus 03:51:23 Zero-Cost Support, YouTube, Spotify & Apple Follow, Reviews & Feedback, Sponsors, Protocols Book, Social Media, Neural Network Newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Graffiti – the good kind, done with lots of style and skill – developed when some kids in NYC took up cans of spray paint and started to figure out how to outdo one another. They laid down styles that are so fine they’re still being used by artists today.See omnystudio.com/listener for privacy information.