Podcasts about Graffiti

Graffiti has a long pedigree, whether our starting point is the wall paintings of Lascaux, the carved crudities of Roman toilets or the G.I. inspired Kilroy of World War II's European theater. But Graffiti – notice our use of the capital G – and its focus on individual tags has a more recent provenance and should be regarded as a legitimate art form, with its own canon, its own 'kings,' its own rules of engagement. That's the message Rafael Schacter delivers to interviewer David Edmonds in this Social Science Bites podcast. Schacter, an associate professor in anthropology and material culture at University College London, has a decidedly non-traditional c.v. for an academic. Before entering the ivory tower he was a fixture in the London underground music scene around the turn of the millennium, in part as one half of Ill Logic & Raf, a duo focus on DJong and music production. In the academy he heads the Material Culture section of UCL's Anthropology Department and has penned a series of monographs centering on Graffiti, the most recent being 2024's Monumental Graffiti.  

Bevor Ben Schwarzmaler zur Maschine gegriffen hat, hatte er die Dose in der Hand. Graffiti in Frankfurt, Wände in Kassel, Workshops mit Kids aus Vierteln, die man gerne „sozial schwach" nennt – „Kanalarbeiter" haben sie sich damals selbst genannt, weil es darum ging, Frust in etwas Produktives umzuleiten. Eine Ausbildung zum Mediengestalter hatte er auch, nur war ihm der Job zu unehrlich: einem Teufel eine Maske bauen, damit ihn alle für einen Engel halten – das wollte er nicht. Heute, gut zwölf Jahre und etliche Studios später, macht er Black & Grey Realistik und Lettering, führt zwei Läden im hessischen Nirgendwo und bildet aus, weil er das Lehrersein ehrlich feiert. Seb und er reden über Freehand und Stencil, über KI als Werkzeug statt als Feindbild, über die Frage, wo Inspiration aufhört und Klauen anfängt, über Conventions von der familiären Invite-only-Runde in Dublin bis zum Testosteron-Backofen in Rom – und über die Sorte Kollegen, die die ersten zwei Google-Seiten „kleine Tattoos" ausdruckt und damit Häuser bezahlt.Dabei wird es auch unbequem: übersättigter Markt, zerfressene Preiskultur, Studios, die niemanden anmelden, und ein Publikum, das kein Unikat will, sondern einen Look, den schon jemand anders trägt. Bens Prognose ist trotzdem erstaunlich versöhnlich – der Markt siebt sich aus, übrig bleibt, wer es liebt. Eine Folge über Handwerk, Haltung und die Frage, was von einem Tattoo bleibt, wenn der Hype weg ist.@ben_schwarzmaler⁠⁠⁠[ WERBUNG ]Bei unseren Werbepartnern könnt ihr richtig sparen - darunter bei Neonsfeer, Murostar, Killer Ink, Cheyenne Tattoo Equipment, CoalBlack oder Caos Nero! Alle Infos auf ⁠⁠⁠⁠⁠⁠www.tftn-podcast.com⁠⁠⁠⁠.

We talk about the Battle of the Atlantic and The Crows's Nest because of a new book: Gun Shield Graffiti in the Battle of the Atlantic: Stories and Artwork from Allied and Merchant Navies of WWII. It's now on store shelves after six years of research and assembly.

Authorities are investigating an act of vandalism at a memorial on the National Mall. The AP's Marcela Sanchez tells us what we know so far.

Sidewalk_Graffiti_Causes_Trouble_for_Henry

It was an honor to sit down with the man who planted the seed in me to create the Mouthful of Graffiti Podcast, watered and nourished by the MOGMother, Lisa Cox.Rich Bennett is a legend in the world of radio and podcasting and has done an incredible service for the business owners, creatives and interesting people in Harford County and around the globe. Check out his podcast, 'Conversations With Rich Bennett,' and enjoy our episode together!Thank you, PODFather 2.0.Sponsored by the Harford County Cultural Arts Board.

Es geht um neue SNS, Graffiti in der alten Heimat, den kolonialen Weltraum deutscher Geschmacksrichtung und um Bücher in Asien, vor denen sich der Westen erfolgreich schützt.

For Episode 111 of the Que Bola Podcast, I sit down with Miami spray can artist ATOMIK for a conversation spanning three decades of graffiti, creativity and South Florida culture. ATOMIK takes me back to growing up around Miami graffiti in the 1980s, discovering early influences, receiving formal art training and eventually beginning his own spray-paint journey in the mid-'90s. He explains how his style evolved from technical lettering and traditional graffiti into the orange character that became his signature after the demolition of the Miami Orange Bowl. We also get into the culture behind the art: crews, competition, unwritten rules, risk, arrests, finding spots, traveling internationally and the tension between illegal graffiti and paid commercial work. ATOMIK opens up about money and the difficulty of treating a passion like a business, including the experience of seeing one of his paintings sell for thousands of dollars. We discuss Miami's changing neighborhoods, Wynwood's evolution, social media's effect on graffiti and why hard work still matters in an increasingly digital creative world. Finally, the conversation turns toward legacy, family and the advice ATOMIK would give his younger self after 30 years: think bigger, value your work and stop placing limitations on yourself.

Zerstörte Sitzbänke, beschmierte Wände, überwucherte Gleise - das ist leider Alltag auf kleinen Bahnhöfen. Die Bahn will jetzt dagegen angehen und schickt mobile Handerwerker-Trupps los. Ihr Auftrag: Für Ordnung sorgen.

Neon is one of the most respected graffiti writers from San Francisco. He came up inspired by the masterpieces of the 1980s and started pushing his own new wave style. Neon is a founding member of BA crew, and built bridges between Bay Area locals and writers from around the world. He is responsible for building the original Montana spray paint brand and was its first US distributor. This is a great conversation with dozens of photos from Neon's personal conversation.--Essential Bay Area Rap Playlist: https://fanlink.tv/historyofthebay-playlistJoin the Patreon for exclusive access: https://patreon.com/dregsone--00:00 Growing up in SF07:29 Intro to graff16:13 Cholo writing18:47 First tags25:27 Late 80s graffiti41:09 First pieces57:08 Fights, chases, & racking1:01:18 Painting around the Bay1:09:38 BA Crew1:22:09 Converse commercial1:26:18 Misk & Apex1:37:31 Distributing MTN paint 1:53:57 Splitting with MTN

Graffiti! Ham Clocks! Fish Guts! These are just a few of the topics we'll explore with today's guest, Tim Huddlestone…sorry, Tom Hiddleston, in this special bonus episode as we dig into what the eruption of Mount Vesuvius and the preservation of Pompeii reveal about life as an ancient Roman in the first century C.E. ⚡ Want more? Binge the full show, including new episodes, ad-free at pinna.fm. Use code GREEKINGOUT30 to receive a special discount!

Mid-Atlantic based pop artist, Pat Renny returns for a record-breaking fourth episode. His new album "Up From Here" is direct, vulnerable and confronts an uncomfortable past in the most cathartic way possible. It's 10 full tracks of hooks and pop sensibility. Cover photo by Ian Bell.Crank it! Sponsored by the Harford County Cultural Arts Board.

It's Graffiti on Morning Mayhem....one sentence and one sentence only on the Razorbacks or whateer comes to mind. It's brought to you by Fence Brokers.

The computer whisperer. APA World Championship Finalist. Professional Musician. Robbie Kaminiski is a well-rounded musician and family man, but still finds time to enter 9-Ball tournaments and rock stages with Skitzo Calypso!He stopped by. We shared a mic, an umbrella and a bucket of Thrashers fries in Assateague with Glue Reed!  Or, maybe we didn't share all of those things. It's not important. Reality is whatever you believe it is. Just push play and enjoy!Sponsored by the Harford County Cultural Arts Board.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art.Want to be an Art Hound? Submit here.A world-class music festival in the Brainerd Lakes Hedy Holmberg spends the summers by Bay Lake in the Brainerd Lakes Region. In the past five years, she's been attending the Lakes Area Music Festival, which she calls a hidden gem. The series kicks off Friday and runs through Aug. 23 with a series of concerts. Some of the highlights, Holmberg says, are Friday night's gala opening and a performance of Carmen Aug. 14 and 16, both at the Gichi-ziibi Center for the Arts. She also loves bringing her grandchildren to the family-friendly Sound Garden event at the Northland Arboretum in Baxter, in which musicians perform throughout the gardens; that free event is Saturday, Aug. 1, at 10 a.m. Many of the concerts are also livestreamed. Holmberg says, "It is an absolute hidden gem to have these world-class musicians from all over the world come to Brainerd, Minn., and put on these amazing, high-quality, very professional concerts and other events. It's absolutely astounding to me. “And part of it is when we talk to the musicians, they talk about how much they love to come up here, how welcoming the community is. They stay with people in their lake homes. They develop a relationship with them over the years. I just can't say enough about it." Jazz dance takes center stage Susana di Palma is the founder and advisory artistic director of Zorango Flamenco Dance Theater. She wants dance lovers to know about Rhythmically Speaking's new show, Groovers & Makers, in which four choreographers will premiere new works with their takes on jazz dance. Rhythmically Speaking focuses on jazz, tap and American social dance styles, and di Palma says you'll leave wanting to dance yourself. The show runs Thursday through Saturday at the Southern Theater in Minneapolis. Di Palma is a big fan of artistic director Erinn Liebhard: "Erin's piece will be [about] time, good times and time travels. She is joined by three other choreographers that are all amazing. One is a great angel of a choreographer, Karla Grotting, and she is a master. And then there are two other choreographers: from New York, Maiya Redding, and Alexis Robbins from Connecticut." A graffiti pioneer steps into the gallery Installation artist Eric Rieger, who works under the name Hot Tea, started graffiti writing in 1996 and "immediately gravitated" to the work of George Thompson (aka EWOK). Thompson's exhibit "Zigged When I Should've Zagged" opens Friday and focuses on his studio practice as it has evolved from his graffiti writing. The exhibit includes nine works on paper created since 2020 as well as a print of his 2019 work "Cop Car." The exhibit is presented by Burlesque of North America, which is also launching a limited-edition zine featuring photographs of decades of Thompson's graffiti. The show at the Southside Preservation Society in Minneapolis runs through Aug. 28. Friday's launch from 7-10 p.m. includes a chance to screen-print a t-shirt with one of Thompson's designs. Rieger describes Thompon's style: "I would describe the artwork as almost, like, otherworldly, but also very familiar. It's almost like you're looking at a still life, but from like the year 30,000."

Dans ce nouvel épisode, je reçois Bernard Fontaine, auteur de Découvrir et comprendre le graffiti et de L'Écriture de l'ombre, un essai consacré aux liens étroits entre graffiti et photographie.Ensemble, nous revenons sur le rôle essentiel de l'image dans la construction et la diffusion de cette culture. D'abord utilisée pour conserver la trace d'une œuvre destinée à disparaître, la photographie est progressivement devenue bien plus qu'un simple document : une archive, un outil de transmission, un vecteur d'influence et parfois une œuvre à part entière.Des books aux premiers zines spécialisés, jusqu'à la circulation massive des images sur le net, nous questionnons ce que la photographie montre, mais aussi ce qu'elle transforme ou fait disparaître : le lieu, l'action, le risque et le contexte. Une conversation sur la mémoire du graffiti, l'importance des images, leur pouvoir de fascination et la manière dont elles ont participé à écrire son histoire.Bonne écoute!Si vous aimez ce podcast et souhaitez soutenir son indépendance, rejoignez-nous sur Patreon. Pour seulement 6 € par mois, vous aurez accès aux nouveaux épisodes en avant-première ainsi qu'à des contenus et des actualités exclusives.⁠⁠⁠C' EST ICI ⁠⁠⁠Vous pouvez aussi faire un tour sur notre ⁠⁠⁠shop en ligne⁠⁠⁠, bien rempli.Merci

The Tim Conway Jr Show Hour with Andy Riesmeyer Hour 2 (7.23) Andy is joined live by House Whisperer Dean Sharp, the KFI home designer who’s breaking down current home trends and helping people decide when it’s time to renovate. It’s all about finding your X-factor and expressing yourself through design — that’s when Dean goes to work. Is “The Big Lebowski” the greatest LA-centric movie ever made? Andy and Crozier might just agree on that one. Dean also shares a little tip on how to sound convincingly Russian, while Andy digs into how to stay current with architectural trends and which design elements actually stand the test of time. Meanwhile, LA’s famous “Graffiti Towers” skyscraper is finally getting a long-overdue scrubbing. And the TalkBacks keep rolling in with the eternal debate: is it “Eagles” or “The Eagles”? Drop the definite article and you’ll either make Don Henley happy or sound Russian. See omnystudio.com/listener for privacy information.

The walls of the Tower of London are covered with carvings - graffiti left behind by the prisoners who were locked inside. The Tudor monarchs imprisoned hundreds of people, for treason, sedition, or simply their religious faith.   In this episode, Dr Jamie Ingram visits the Beauchamp Tower, which houses some of the most impressive and well known graffiti at the Tower of London. These marks, some of them 500 years old, reveal the poignant stories of the Tower's Tudor Prisoners.  See the Dudley graffito in HD on Google Arts and Culture See the Abel graffito close up on Google Arts and Culture.

durée : 00:10:23 - Les Matins de France Culture - par : Bérengère Bonte - C'est à la Grande Halle de la Villette que s'est installée le 27 mai dernier “Beyond the streets”, une exposition entièrement dédiée aux graffitis et aux contre-cultures. Plus de 100 artistes sont exposés jusqu'au 30 août et parmi eux la photographe spécialiste du hip-hop Sophie Bramly. - équipe : Félicie Faugère, Mathilde Thon-Fourcade, Victoria Géraut-Velmont, Inès Bouffartigue Sebastia, Rodi Eken, Romain Rincon Hernandez, Salomé Erbs - invités : Sophie Bramly Photographe et productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

For 30 years, the Precita Eyes Urban Youth Arts Festival has held down the graffiti community in San Francisco's Mission district. In this panel discussion recorded at the festival's 30th anniversary, we bring together voices who helped shape that history: Susan Cervantes, founder of Precita Eyes Muralists; Omen2, Nate1 and Flame of MPC Crew; Agana of TDK crew; and host Dregs One. Videography by Vivid KZ @avividlife--Essential Bay Area Rap Playlist: https://fanlink.tv/historyofthebay-playlist--Join the Patreon: https://patreon.com/dregsone--0:00 Susan Cervantes6:52 Klame11:43 Agana14:31 Nate116:55 Omen21:34 Community service25:53 Building towards the future

LA County approves a soil cleaning program for Eaton Fire survivors. Why California lawmakers want to protect some health care providers from anti-abortion states. The plan to clean up downtown L-A's "graffiti towers." Plus, more from Evening Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

Guests: Daniel Ives, Jerry Sullivan and Hal Kempfer.See omnystudio.com/listener for privacy information.

Street art and graffiti documenter and author, Dean Sunshine, joined Jacqui Felgate.See omnystudio.com/listener for privacy information.

Jacqui Felgate has received a tip-off on the status of the 'Pam the Bird' graffiti on the Bolte Bridge.See omnystudio.com/listener for privacy information.

A great chat with UK Hip Hop don King Kashmere... We check out some of his songs, old and new... He tells tales of his Graffiti history with ODEA DDS... We play a producer version of the Graff Letter Game... and more! Make sure to check out his NEW ALBUM dropping on July 30th on High Focus Records... Pre-order it HEREPlease contribute towards Themes Gofundme hereGet exclusive content over at our Patreon!https://www.patreon.com/armshousepodOur YouTube channel herebuy stuff - INFAMY hereUse Discount code ARMSHOUSE10 for 10% off!(our Patrons get 30% 0ff!)Find EVERY SONG

Since growing up in the Australian suburbs artist Greg Mount learned to draw at a young age first it was drawing Star Wars, then it was falling in love with Graffiti, and then many other inspirations along the way. Taking the overgrown roads less traveled Greg unearthed what was at his core and now has finally yet it loose upon the white walled galleries of the world. All of it on this episode of My Art Is Real.Collect Greg's new Limited Edition Print: https://myartisreal.com/artists/greg-mount/Greg's Solo Exhibition opens at Outré Gallery (instra: @outregallery) in Melbourne on Friday September 4th.More on Patreon: https://www.patreon.com/myartisreal

You can learn a lot about Ottawa through its street art - from protest movements to the histories of neighbourhoods. But graffiti and murals are often temporary. So a local software developer created a digital map - to archive the art. Robyn Bresnahan bikes the city with him, meeting street artists along the way.

durée : 00:06:50 - par : Bertrand Dicale - Pendant tous les week-ends de cet été, nous écoutons dans cette chronique des chansons qui s'inspirent de l'actualité et de l'air du temps de ces quelques dernières années – aujourd'hui, "Fuck la peine" par Bénabar. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Es ist wieder Zeit für eine Folgenbesprechungen! In diesem Video schauen wir uns die vierte Folge der dritten Staffel von HOUSE OF THE DRAGON an. Wir sezieren die Episode Szene für Szene und stellen uns Fragen wie: Welche böse Magie könnte hinter den Drachen stecken? Was ist das für ein Symbol neben dem Graffiti in Königsmund? Und wie wird die Baby Shower für Heleana aussehen? Viel Spaß und Valar Morghulis! Timestamps: 00:00:00 - Anmoderation 00:00:36 - Fragen 00:04:14 - Vorgeplänkel 00:12:02 - Folgenbesprechung 03:02:27 - Fazit 03:05:31 - SPOILERPART 03:10:31 - Abmoderation

University of Melbourne research fellow Dr Sabina Andron told Tom Elliott there were conflicting opinions about graffiti which made a blanket legal structure difficult to enforce.See omnystudio.com/listener for privacy information.

Eric Clapton had achieved pop success with The Yardbirds but that's not what he wanted. All Eric wanted to do was play the blues. So he left The Yardbirds to join John Mayall & The Bluesbreakers where through many miles and many gigs honed a guitar sound & style that would create a mythology around Clapton like no guitar player before. Their gigs must see happenings as once they were into a groove, the Bluesbreakers could improvise their way into something spectacular. John Mayall wanted to capture that live energy and creativity on an album but their first attempt (with bassist Jack Bruce who would figure into Clapton's story later) was not up to par. So they went to Decca Studios and worked to capture the best bits of their live set. Eric doesn't just take off, he does seem to build throughout the record just as he might during a live show. And John Mayall does take the spotlight as the lead singer, solid piano/organ man and a cool harmonica player. John McVie (who would eventually break from Mayall to form Fleetwood Mac with future drummer Mick Fleetwood) holds down the bass and Hughie Flint keeps it steady on the drums leaving room for Mayall and Clapton to do their thing. Though Mayall contributes some originals, they borrow from blues legends like Freddie King, Little Walter, Memphis Slim and Robert Johnson. On Johnson's Ramblin' on My Mind Clapton offers his first attempt at singing lead, something he was reluctant to do throughout his career but John nudged him. Clapton's playing was groundbreaking at the time and his reputation as a master of the guitar built rapidly. Graffiti popped up around London - Clapton is God. The Wolf & Action Jackson try their best to imagine what it must have been like to hear Eric play live at that time. Because they've never known a world with Eric Clapton and when they got to know him he was 40. Plus, they'd heard all the hot shots that had come after Clapton over the decades. We've always appreciated Clapton's tone and playing but trying to put our minds in a place where hearing anything like this was brand new was the challenge. It may not be as mind blowing as it was 60 years ago but it's still some rock solid blues by a guy at 20 years old who would define the blues (certainly for white folks) for the next half century. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! Email us at ⁠⁠⁠uglyamericanwerewolf@gmail.com⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

_HELP_ME_ESCAPE_FROM_BELARUS_PLEASE_ [Guest Diary] https://isc.sans.edu/diary/_HELP_ME_ESCAPE_FROM_BELARUS_PLEASE_%20%5BGuest%20Diary%5D/33130 Apple Discontinuing Support for Encrypted Mac OS Extended disks in macOS 28 https://support.apple.com/en-us/125615 Google Chrome Update https://chromereleases.googleblog.com/2026/07/stable-channel-update-for-desktop_01162222768.html Microsoft Patches Rogue Planet Vulnerability CVE-2026-50656 https://msrc.microsoft.com/update-guide/en-US/advisory/CVE-2026-50656/ My Upcoming Classes https://www.sans.org/profiles/dr-johannes-ullrich

On this episode of The Steve Dangle Podcast, 00:00 The Hurricanes Cup names 38:15 Hayton's offer sheet is matched 45:00 Leo Carlsson bad blood? 53:45 Darren Raddysh's salary 1:02:00 Leo's contract is officially matched...Bedard? 1:16:00 Alfie in Toronto and Pelley's mistake 1:30:30 Insider vs Agent 1:37:55 Islanders jersey contest 1:46:00 Radio station closures Visit this episode's sponsors: Get an exclusive 15% discount on Saily data plans! Use code DANGLE at checkout. Download Saily app or go to https://saily.com/dangle Watch all episodes of The Steve Dangle Podcast here: https://www.youtube.com/playlist?list=PLLk7FZfwCEidkgWpSiHVkYT7HrIzLPXlY Watch clips of The Steve Dangle podcast here: https://www.youtube.com/playlist?list=PLLk7FZfwCEieOJuIrqWyZPWSIJtVMCbLz Buy SDP merch https://sdpnshop.ca/ Visit https://sdpn.ca/schedule to see when our next live stream airs! Check out https://sdpn.ca/events to see The Steve Dangle Podcast live! Watch hockey with us! Live on YouTube: https://www.youtube.com/playlist?list=PLLk7FZfwCEifCTX0vkKEaGg9otrW4Zl2k Subscribe to the sdpn YouTube Channel: https://www.youtube.com/@sdpn?sub_confirmation=1Join Subscribe to SDP VIP!: YouTube: https://www.youtube.com/channel/UC0a0z05HiddEn7k6OGnDprg/join Apple Podcasts: https://apple.co/thestevedanglepodcast Spotify: https://podcasters.spotify.com/pod/show/sdpvip/subscribe - Follow us on Twitter: @Steve_Dangle, @AdamWylde, & @JesseBlake Follow us on Instagram: @SteveDangle, @AdamWylde, & @Jesse.Blake Join us on Discord: https://discord.com/invite/MtTmw9rrz7 For general inquiries email: info@sdpn.ca Reach out to https://www.sdpn.ca/sales to connect with our sales team and discuss the opportunity to integrate your brand within our content! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I sit down with Spree to talk about her journey into the graffiti world. Even with a later start in the game, she pushed through the noise to build a highly respected name for herself on the streets. Sit back and enjoy as we dive into her early stories, her wildest experiences, and her incredible evolution from the streets into fine art.For Sticker Printing go to LeftCoastSigns.comMyan Social LinksSpreeInstagramSend us Fan MailSupport the show

Eric Clapton had achieved pop success with The Yardbirds but that's not what he wanted. All Eric wanted to do was play the blues. So he left The Yardbirds to join John Mayall & The Bluesbreakers where through many miles and many gigs honed a guitar sound & style that would create a mythology around Clapton like no guitar player before. Their gigs must see happenings as once they were into a groove, the Bluesbreakers could improvise their way into something spectacular. John Mayall wanted to capture that live energy and creativity on an album but their first attempt (with bassist Jack Bruce who would figure into Clapton's story later) was not up to par. So they went to Decca Studios and worked to capture the best bits of their live set. Eric doesn't just take off, he does seem to build throughout the record just as he might during a live show. And John Mayall does take the spotlight as the lead singer, solid piano/organ man and a cool harmonica player. John McVie (who would eventually break from Mayall to form Fleetwood Mac with future drummer Mick Fleetwood) holds down the bass and Hughie Flint keeps it steady on the drums leaving room for Mayall and Clapton to do their thing. Though Mayall contributes some originals, they borrow from blues legends like Freddie King, Little Walter, Memphis Slim and Robert Johnson. On Johnson's Ramblin' on My Mind Clapton offers his first attempt at singing lead, something he was reluctant to do throughout his career but John nudged him. Clapton's playing was groundbreaking at the time and his reputation as a master of the guitar built rapidly. Graffiti popped up around London - Clapton is God. The Wolf & Action Jackson try their best to imagine what it must have been like to hear Eric play live at that time. Because they've never known a world with Eric Clapton and when they got to know him he was 40. Plus, they'd heard all the hot shots that had come after Clapton over the decades. We've always appreciated Clapton's tone and playing but trying to put our minds in a place where hearing anything like this was brand new was the challenge. It may not be as mind blowing as it was 60 years ago but it's still some rock solid blues by a guy at 20 years old who would define the blues (certainly for white folks) for the next half century. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! Email us at ⁠⁠uglyamericanwerewolf@gmail.com⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Als Peter Birk uns zwei Tage vor dem Soft-Opening mit einem großen Anhänger seine und Lolita Pelegrimes Kunstwerke vorbeibrachte, haben wir gleich die Gelegenheit ergriffen und ein Landpartie-Special mit ihm aufgenommen. Vom 4. bis 18. Juli findet im malerischen Angeln zum zweiten Mal die LANDPARTIE-Ausstellung statt. Diesmal mit 6 Künstler*innen: Lolita Pelegrime, Stefanie Rausch, Peter Birk, Rasmus Rinhack, Mario Kleinschmidt und natürlich dem Kurator und Initiator der Landpartie, Alex Diamond. Präsentiert wird die Ausstellung von MEGA Contemporary. Unsere Podcats nehmen wir weiterhin hauptsächlich auf deutsch auf, ausser mit internationalen Gesprächspartner*innen - wie zum Beispiel Peter. Wir freuen uns auf euer Feedback, eure Kritik, eure Wünsche, und natürlich: eure Fragen. Viel Spaß Melvin und Jörg

Episode 374 features Brad Cox of the Mouthful of Graffiti podcast and Skitzo Calypso. Brad is a longtime veteran of the Baltimore music scene and just like me he has been supporting local musicians through his podcast for years. I am excited to have him back on the bill for PTR Fest this year with his full band performing at 7pm on Saturday July 18th at Fish Head Cantina. It is going to be a great time and if you are in the area, we hope you can make it out. In our conversation we talked about everything he is doing in the music scene including Mouthful of Graffiti Live at REB Records in Bel Air which is now a quarterly event featuring local artists and live podcast recordings. We also name dropped a bunch of our friends in the scene including Will Sims and Rachel Novak who are both hosting their own local music podcasts. On this episode I featured Brads track Achamoth Its in the Way by Skitzo Calypso. If you like it you can stream it wherever you like to find music. Thanks for listening and supporting local music. Check out Mouthful of Graffiti Podcast and Skits Calypso for more content.            Please follow, rate, or review the podcast wherever you are streaming if you'd like to help us out.  -- Part-Time Rockstar Productions is available in the DMV for music videos and live filming. 

“Graffiti Bleu” is an artist with an enormous passion for language. His love of language is so strong, he has sought out mastery of words in several different modalities. As an author, as a rapper/poet and now as a screenwriter.  As a musician he has written and performed 5 studio Hip-Hop albums. Culminating in his magnum opus body of work “Champagne Ethos” released in June of 2023. As a spoken word performer he has hosted poetry events, competed in poetry slams and performed domestically and abroad for decades. Most notably performing in Salerno, Italy at the 100 thousand Poets for Change world conference in 2015.  As an author he has written and published 5 novels. Enjoying great success as an Indie Author with his “Poet's Pursuit of Pleasure” romance series.Born and raised in NYC, the influence of hip-hop's golden era is reflected in every creation he makes. The raw unapologetic nature of the city, manifest as a standout characteristic of his stage performances. Graffiti Bleu -Have Mic -Will Travel.Join Graffiti Bleu and I on The Creative Spark as we talk about his journey of using words to spark change, bring self-awareness and to unite people. Words are more important than ever! You don't want to miss any of today's interesting and inspiring chat!----- To learn more about today's guest Grafitti Bleu please visit: Website:  www.gbleu.com Facebook: https://www.facebook.com/graffitibleuInstagram: https://www.instagram.com/graffiti_bleu/Email: info@gbleu.com--------To learn more about host G. Brian Benson:www.gbrianbenson.comDon't forget to sign up for the newsletter and YouTube Channel!

Henry (B3 Beyond)Take a walk with me down Fascination Street as I get to know even more about return guest Henry. Previously known as "B3 Beyond", Henry previously appeared on the show back in December of 2024. Back then he was an anonymous graffiti / street artist. These days he has given up that life of crime, to become a more gallery focused artist. In this episode, we chat about his growing up in The U.K. and what made him switch his outlook and style from the street to the gallery. We cover some of the changes that made him lean in this new direction, and we also discuss some of that previous street art and where those pieces remain today. Now Henry's messaging seems to be focused on bringing attention to kidney disease; a condition that he is all too familiar with. Henry shares what his Kidney condition is, how long he has had it, and what it means for his everyday life. He also shares some startling information about who has it, how many suffer from it, and the staggering amount of folks who may not be aware that they have it. Then we discuss some of the finer points of his new art. He talks about some of the techniques he is working on and studying at university. Again, Henry resides in The U.K. just outside of London, but since we last spoke, he has made a trip across the pond, to The United States. I pepper him with questions about his trip, and where he went, and what he was doing here. Then he explains to me that while it was a refreshing change of scenery, it did inform some of the projects that he is working on. Some of Henry's current works have a decidedly political bent. As listeners of the show will know, we don't talk politics on Fascination Street; but we do deftly discuss his works and the reasons behind them. His art is beautiful, and you can see some of it on his Instagram page and his website. Both of which he shares in this episode. Make sure you check out his work, and if you are so inclined, grab a piece for yourself. I have a couple and they are major focal points on my studio wall.

Mid-Atlantic based vocal talent, David Costello, best known for his groups 'Thirteen Towers,' 'Daydream Destroyer' and, now, 'A Better Ending,' stopped by to talk about music, family, work and how he keeps the wheels spinning and train on the proverbial tracks.He's a hardworking and down-to-earth artist who shines brightly with his new EP. I guess you could say, it's 'Just What [He] Needed.'"A Better Ending" is now available on all streaming platforms!Sponsored by the Harford County Cultural Arts Board.

Long before Instagram, Facebook, or X, people were posting messages on walls. From the side streets of Pompeii to the bathroom stall of a modern gas station, humans have always left their mark - messages etched, carved, inscribed, even spray-painted- political slogans, declarations of love, crude jokes, warnings, as well as secret encoded symbols and messages among persecuted Christians. Graffiti is more than markings on a wall; it is a window into the human soul. Archaeologists study these ancient scratches because they reveal what people valued, feared, worshiped, and hoped for. Beneath the surface, there is always a deeper story being told. The same is true of us. Every word, every action, every conversation leaves a mark on the world around us. We are constantly writing a message with our lives. The question is not whether you're leaving a mark. The question is: what message are you leaving behind? As followers of Jesus, may we carry the marks of Christ in such a way that those who pass by catch a glimpse of Him - outward expression of an inward reality.  Grace in our life is God's story being etched upon us; we are God's graffiti to the world! The transformation He has made in our lives should be read, should be seen, should be noticed - it should cause someone to stop and look. 2 Corinthians 3:2-3: "You yourselves are our letter, written on our hearts, known and read by everyone. You show that you are a letter from Christ, the result of our ministry, written not with ink but with the Spirit of the living God, not on tablets of stone but on tablets of human hearts." Watch the podcast video here: https://youtu.be/TlP2p-o0c8o?si=kh_VmyWfPBeRoLoG    

Fluent Fiction - Hungarian: Graffiti Dreams: Zoltán's Bold Artistic Awakening Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2026-06-14-22-34-01-hu Story Transcript:Hu: A Vajdahunyad vára előtt nyári nap ragyogott.En: The summer sun shone in front of Vajdahunyad vára.Hu: Az emberek nyüzsögtek a szabadtéri művészeti fesztiválon.En: People bustled at the outdoor arts festival.Hu: Színes sátrak mindenfelé, és az illatok keveredtek a frissen sült ételekből.En: Colorful tents were everywhere, and the scents of freshly cooked foods mingled in the air.Hu: Zoltán a fáknál húzódott meg, a saját gondolataiba merülve.En: Zoltán was tucked near the trees, lost in his own thoughts.Hu: Már régóta nagy nyomás nehezedett rá.En: He had been under a lot of pressure for a long time.Hu: Családja mindig azt akarta, hogy biztos, hagyományos állást válasszon.En: His family always wanted him to choose a secure, traditional job.Hu: Ő viszont festő akart lenni.En: However, he wanted to be a painter.Hu: A graffitik különösen érdekelték.En: Graffiti particularly interested him.Hu: Mindig megdobogtatták a szívét, de titkon kellett tartania a család félelme miatt.En: They always made his heart race, but he had to keep it a secret due to his family's fears.Hu: Katalin, a gyerekkori barátja, odasettenkedett mellé.En: Katalin, his childhood friend, sneaked up next to him.Hu: "Zoltán, ezt látnod kell!En: "Zoltán, you have to see this!"Hu: " - kiáltotta vidáman.En: she exclaimed cheerfully.Hu: "Eddigi legjobb alkotásod, a sarki graffiti, a kiállításon van.En: "Your best work yet, the corner graffiti, is at the exhibition.Hu: Gyere, nézzük meg!En: Come on, let's take a look!"Hu: " Zoltán tétovált.En: Zoltán hesitated.Hu: Egyszerű utcai művészet volt, de Katalin hitt benne.En: It was just simple street art, but Katalin believed in him.Hu: A délelőtt közepén Gergő járta a kiállítást.En: In the middle of the morning, Gergő was touring the exhibition.Hu: Bár galériatulajdonos volt, inkognitóban maradt mindenki előtt.En: Although he was a gallery owner, he remained incognito to everyone.Hu: Valami új, friss tehetséget keresett.En: He was looking for something new, a fresh talent.Hu: Amikor meglátta Zoltán művét, megdöbbent.En: When he saw Zoltán's work, he was astonished.Hu: "Ki festette ezt?En: "Who painted this?"Hu: " - kérdezte.En: he asked.Hu: Katalin Zoltánra pillantott.En: Katalin glanced at Zoltán.Hu: Tudta, hogy most vagy soha.En: She knew it was now or never.Hu: "Most kell döntened," súgta Zoltánnak.En: "You have to decide now," she whispered to Zoltán.Hu: Annak idején a család véleményét helyezte előtérbe, de most Katalin vagy Gergő véleménye segíthetett.En: In the past, he prioritized his family's opinions, but now Katalin or Gergő's opinion could help.Hu: Zoltán szíve hevesen vert.En: Zoltán's heart was pounding.Hu: Mégis lépett egy nagyot előre.En: Yet he took a big step forward.Hu: "Én festettem," szólt Zoltán reszkető hangon.En: "I painted it," Zoltán said with a trembling voice.Hu: Gergő elmosolyodott.En: Gergő smiled.Hu: "Csodálatos munka," mondta őszintén.En: "Wonderful work," he said sincerely.Hu: Közben Zoltán családja is megérkezett, épp akkor, hogy lássák a tömeg elismerését.En: Meanwhile, Zoltán's family also arrived, just in time to see the crowd's appreciation.Hu: Zoltán épp egy kis biztatásra és bátorságra volt szüksége.En: Zoltán just needed a little encouragement and courage.Hu: A családja is meglátta az örömöt az arcán.En: His family saw the joy on his face, too.Hu: Lassan, de biztosan kezdték megérteni, miért olyan fontos számára a festészet.En: Slowly but surely, they began to understand why painting was so important to him.Hu: Aznap este Zoltán megfogadta, hogy követi a szívét.En: That evening, Zoltán vowed to follow his heart.Hu: A Vajdahunyad várának árnyékában megváltozott valami benne.En: In the shadow of Vajdahunyad vár, something changed within him.Hu: Most már tudta, hogy az ő útja az övé volt, és azt választotta, hogy az legyen, aki lenni akar.En: He now knew that his path was his own, and he chose to be who he wanted to be.Hu: Az igazi művész.En: A true artist.Hu: A nap lenyugodott, de Zoltán szívében felgyúlt a fény.En: The sun set, but a light ignited in Zoltán's heart. Vocabulary Words:shone: ragyogottbustled: nyüzsögtekmingled: keveredtektucked: húzódottpressure: nyomássecure: biztostraditional: hagyományosparticularly: különösensneaked: odasettenkedettexclaimed: kiáltottacheerfully: vidámanhesitated: tétováltincognito: inkognitóbanastonished: megdöbbentglanced: pillantottpounding: hevesen verttrembling: reszketősincerely: őszinténencouragement: biztatáscourage: bátorságvowed: megfogadtashadow: árnyékignited: felgyúltthoughts: gondolataibabelieved: hittsimple: egyszerűopinion: véleménywonderful: csodálatosjoy: örömappreciation: elismerés

tInternet fomenta la desinformación: Iglesia Católica Al año cada mexicano genera 393 kilos de residuos “Graffiti de la Luciérnaga” en Amecameca Más información en nuestro Podcast#grc

Send us Fan MailMorgan Reed and Jamison Donoho of the Rock Band, Graffiti Black joins us to talk about A24 Horror Movies, Psychology, Euphoria and the current Music Scene. Segment 1: Pop Culture - We discuss current Pop Culture in Entertainment, Music and News like HBO's Euphoria and the A24 Movie the Backrooms. 10:36We tried The Watchers by Wayfinder Brewing 02:04 & 40:00Segment 2: Beer Flights - We find out everything on the band, Graffiti Black, Morgan Reed (Bass) and Jamison Donoho (Drums). 49:14We tried Tangerine Radler by Urban Chestnut Brewing  44:44 & 01:16:20Segment 3: Pub Talk - Pyschology talk! 01:23:10We Tried Reeferm Madness by Great Notion Brewing 01:20:34 & 01:32:00Theme song by Lost Like Lions Guest Links and Social Media:Instagram:  GraffitiBlackSpotify:   Graffiti BlackYouTube: Graffiti BlackWRBR the Bear  Morgan ReedOur Merch Store!!Hop Station Craft BarGet Beer, Cocktails, and fab food while enjoying darts, vintage games. Hop Station is hopping!Niles BrewingUnique Beers and Cocktails! They host events and trivia weekly. Located in downtown Niles, Michigan!Perry Vine MeadsThe place to be in the Midwest to get your buzz on with the some of the finest meads ever!Shake Up CocktailsWant a zesty and fresh cocktail with the flavors of the fair? Go no further than Shake Up Cocktails!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

The Hidden Lightness with Jimmy Hinton – The Reflecting Pool, one of the most recognized locations in the country, has also become part of the conversation. Stretching between the Lincoln Memorial and the Washington Monument, the site has long stood as one of the defining images of America itself. Now renewed attention to the area has sparked both praise and criticism...

Jahrelang führte Kai Imhof ein Doppelleben: tagsüber Kai, nachts „Raws" – Sprüher, immer in Sorge vor der Hausdurchsuchung. Was er daraus über Angst, Selbstbild und den Mut zur eigenen Handschrift gelernt hat, ist das Herz dieser Folge. Heute ist Raws etablierter Urban Artist, hat das Buch „Intentions" veröffentlicht, stellt international aus und kollaboriert mit großen Marken – ohne seine Wurzeln in der Graffiti-Szene zu verleugnen. Im Wisdom Wednesday teilt er die fünf Dinge, die er gerne schon mit 20 gewusst hätte. Wir sprechen darüber, warum es befreit, anderen die Macht über dein Selbstbild zu nehmen, was er beim Thema Geld viel zu spät gelernt hat, wie er den „Sellout"-Vorwurf der Szene wegsteckt – und warum er sich heute mehr Mut und Radikalität wünscht. Du erfährst... ...wie Kai Imhof die Balance zwischen künstlerischer Freiheit und Marktnachfrage meistert. ...warum finanzielle Bildung und Mut entscheidend für kreative Karrieren sind. ...wie persönliche Entwicklung und authentische Kunst miteinander verwoben sind. __________________________ ||||| PERSONEN |||||

In one historic corridor graffiti incidents have tripled in the last year Plus Randy talks the election results with Arianna AssenmacherSee omnystudio.com/listener for privacy information.

Evan Buckley stopped by to share a piece of his 'Sol.' He's a rising star in the Mid-Atlantic region, channeling late-60's and 70's blues rock n' roll, in the vein of Cream and Led Zeppelin. Listen until the end to hear his song, "So Fine!"Episode photo by Evan Loveless.Sponsored by the Harford County Cultural Arts Board.

Time for Sports Graffiti! Mason and Ireland hit the phones for bonus Graffiti! The crew pivots back to the Dodgers with Bergman for another ‘Boys in Blue Report!' Ireland shares a story from today's PGA Championship. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Read my new book, The Price of Becoming. www.LearningLeader.com/Becoming The Learning Leader Show with Ryan Hawk This is brought to you by Insight Global. If you need to hire one person, hire a team of people, or transform your business through Talent or Technical Services, Insight Global's team of 30,000 people around the world has the hustle and grit to deliver. My guest: David Epstein is the #1 New York Times bestselling author of Range and The Sports Gene. A former investigative reporter at ProPublica and senior writer at Sports Illustrated. His new book is called Inside the Box: How Constraints Make Us Better. Notes   Be part of "Mindful Monday" -- Text Hawk to 66866 Key Learnings The easier move is to let it go. David found a factual error in Ryan's new/my new book. David was supposed to read it and write a blurb on it - but went further and challenged a factual error. The kind move, what great leaders actually do, is being willing to point things out, even if it could cause a little friction.  There is such a thing as too much autonomy. After Range became mega viral, David optimized for autonomy. He individualized his whole life. He no longer was writing about what others assigned him. A year later, he realized there is a thing as too much autonomy. He missed the structure of a work day, the deadlines, the annoyances of working with other people's schedules. This total freedom ended up feeling terrible. "The great thing about being committed by your own choice is that you can stop wondering how to live and start living."  This quote by Mihaly Csikszentmihalyi hit David when he was on a dating app for book topics, just swiping and swiping. That day he said, "I'm really interested in constraints. I need some myself. I'm writing a book proposal on this." Two weeks later he was 10 times more interested because he decided to dive into it. Cal Newport says "system shutting down" at the end of his workday. It seems silly, but when you have all that freedom, you need something to close the workday so you can recover and be ready for the next day. Your brain is made for preventing you from having to think whenever possible. Cognitive scientist Daniel Willingham says thinking is energetically costly. So when your calendar is too open, all you'll do is what's convenient. Your brain will be lazy. The path of least resistance. The mere urgency effect: when schedule and structure is too open, people do things that seem urgent even if they're unimportant. When you're too unstructured, you end up doing huge volumes of low value stuff just to have checked off doing something. What David's workday looks like now:  Batching work: people at work check their email on average 77 times a day. The way people are usually doing that is they're toggling all the time between email and something else. When you do that, it lowers your productivity and massively increases your stress. David doesn't start his day with his inbox. He'll check it at the end of the workday because emails can take him away from the most important work at the beginning of the day.  Stress + Rest = Growth. The workday ends when David's son gets home. When writing, you have to program in rest, just like you would if you were an athlete in training.  Daniel Kahneman said writing "Thinking Fast and Slow" was the worst few years of his life. David had lunch with Kahneman and praised the book. Kahneman said, "Never again." He said it was so isolating. He was used to working with a partner or multiple partners and colleagues. He felt so isolated that he said he'd never write a book again, or if he did, he would write it with somebody else. And that's what he did. And David could empathize with that.  David made a one-page architectural outline for how "Inside the Box" would look. If it's not on that page, it is not in the book. He wrote as small as possible to try to defeat his own system. The book's 20% shorter than his other two. He thinks it's much tighter writing. He was so much more efficient that he doesn't feel nearly as burned out. After a mega hit book, two things matter: (1) A lot is out of your control, and (2) Identify as a craftsman. David's colleague at Sports Illustrated told him, "If a book about genetics and vampires comes out the same day, you're screwed, and there's nothing you can do about it." He was right. But David very strongly identifies as a writer now, as a craftsman. He's taken fiction writing courses just to learn about craft. With Inside the Box, he did a structural experiment that he found so engaging because he was focused on the craft itself, not just the commercial outcome. "Docendo discimus" - by teaching, we learn. This is a quote from Seneca. If people think they're going to have to teach certain material, they organize it more coherently in their own mind. They start pulling out main ideas and attaching different ideas together. Teaching it is even better, but just making someone think they're going to have to teach it makes them learn in a much more coherent way. Narrative values: the recurring themes that give coherence to a life. David went back and looked at his life and identified: curiosity, open-mindedness, diligence, and resilience. Now that he's started telling his story in that way, it shows up everywhere. But going forward, he also wanted some things in his story that he didn't have. So he identified forgiveness in particular because that has not been a strong suit for him. Ben Helfgott: the only living Olympian to have survived a concentration camp. Almost everybody in his family was killed in the Holocaust. He just preached forgiveness all the time. When David saw what Ben did, these petty grudges he's holding are nothing. You're just poisoning yourself when you hold these grudges. So David decided he wanted forgiveness to become one of his narrative values.  Herbert Simon won the highest award in computer science, psychology, and the Nobel Prize in economics. His quote serves as the epigraph of the book: "It is a myth, widely believed but not less mythical for that, that people are most creative when they're most free." Simon coined the term "satisficing." It's a combination of satisfy and suffice. It means having good enough decision rules. He contrasted that with maximizing. From a mountain of psychological research, it is almost always bad to be a maximizer. Maximizers are less happy with their decisions, less happy with their lives, more prone to regret. There's not much evidence they actually make better decisions most of the time. Simon was a proactive satisficer. He said you need three sets of clothing: one on your back, one in the wash, and the next one ready to wear. He simplified all the decisions in his life so he could save cognitive bandwidth for the really important ones. He famously said, "The perfect is the enemy of the good." Choose when to choose. Choose when to save and when to use your cognitive bandwidth.  Good enough doesn't mean you have low standards. It means you're saving your bandwidth for the most important things. "How you do anything is how you do everything" is completely wrong. This is one of David's least favorite quotes. It's wrong. Herbert Simon did the same mundane thing, the same breakfast every day, the same socks, so he could crush it in his work. He wasn't doing everything the way he was doing his work. The Fredkins Paradox: We spend the most energy on the least important decisions because we agonize when the options are really similar. General Magic: They invented the smartphone in 1990. The iPhone would not exist without them. They had infinite degrees of freedom. They could do anything. When the device came out, it didn't solve a clear customer problem. It had a 200-page manual. They sold 3,000 units in the first six months. Meanwhile, people inside General Magic who bit off much smaller chunks had success. One low-level engineer started Auction Web. His bosses said no, too small. He left and changed the name to eBay. Another created Graffiti. He said "I'm going to solve a clear customer problem. Busy professionals want contacts and calendars on the go." He did just a calendar, contacts, and a memo pad. That was the Palm Pilot. By doing way less. By doing something, not everything. Tony Fadell (the "podfather"): "If you don't have constraints, make up constraints."  Bill Gurley said, "We have a saying in venture: more startups die of indigestion than starvation." When Tony co-founded Nest, he made his team work inside a literal box. He made them prototype the box before they had the product. If it didn't fit in that box, it was not a priority. Reflection Questions What area of your life has too much freedom right now? Where could you add a constraint (a deadline, a ritual, a boundary) that would actually make you more productive or creative? If you had to pick three narrative values that run through your life story, what would they be? Are they the ones you want, or do you need to add an aspirational value like David did with forgiveness? What's one decision you're maximizing (trying to find the perfect choice) when you should be satisficing (good enough and move on)? How much time and energy would you free up if you applied Herbert Simon's approach? More Learning #310 - David Epstein: Why Generalists Will Rule the World #582 - Cal Newport: Obsess Over Quality #660 - James Clear: The 4 Laws to Behavioral Change Podcast Chapters00:00 The Price of Becoming - Ryan's New Book 01:15 Meet David Epstein 02:39 The Fact Checker: What Great Leaders Do 04:27 Dedication Easter Eggs 05:50 The Problem With Too Much Autonomy 10:47 Why You Actually Need Constraints 12:29 Batching Work: The 77 Email Checks Problem 17:20 Lunch with Kahneman: Thinking Fast and Slow Was Miserable  22:18 What To Do After A Viral Book 27:07 Docendo Discimus: By Teaching, We Learn  29:13 Why Leaders Should Regularly Teach 31:09 Desirable Difficulties 31:56 Narrative Values: The Themes That Define Your Life 34:31 Adding Forgiveness As an Aspirational Value 36:13 Chips on Shoulders vs. Proving People Right 39:10 Herbert Simon: The Man Who Won Everything 40:20 Satisficing Over Maximizing 42:40 Choosing When To Choose 44:29 Good Enough Doesn't Mean Low Standards 46:13 Why "How You Do Anything" is Completely Wrong 47:25 General Magic: Do Something, Not Everything 52:49 One Year From Now: What Are You Celebrating? 54:54 EOPC