Podcasts about Highsnobiety

My guest this week is Chris Green, owner of Ven.Space. Located in Brooklyn, NY, Ven.Space has quickly become one of the most talked-about stores in recent years and has been featured in notable outlets such as The New York Times and Highsnobiety. The retail experience is designed to be simple, efficient, and focused on the customer experience rather than just the brand. In our discussion, Chris and I explore how Ven.Space got started, delve into his retail philosophies, talk about the importance of in-person shopping, and discuss why he has chosen not to establish an online presence… yet.Follow Ven.Space on Instagram *Sponsored by Bezel - the trusted marketplace for buying and selling your next luxury watch 

Subscribe to Throwing Fits on Substack. Our interview with Noah Johnson is a throwback. Our old pal Noah—the editor-in-chief of Highsnobiety—makes his glorious return to the show for a couple of beers and a catch-up on his new gig and the pitch that got him on board, generalists vs. specifics and rizz vs. aura, EIC more like CEO, watercooler politics, fixing his notoriously sour attitude, nuclear op-ed rage clicks, lessons from working at GQ, if Gen Z should aspire to work in media and if they're qualified, the outpouring of love he got, the paradox of everything being cool now which in turn kinda sucks, what's exciting in menswear and his favorite brands, he thinks he deserves credit for a lot of things to be honest, how to fix social media, trend du jours and -cores, A.PRESSE is putting asses in seats, AI, his media diet is Substack heavy, jumping to the defense of his bestie Evan Kinori getting ripped off by Zara, wearing a burlap sack to date night and much more on Noah Johnson's interview with The Only Podcast That Matters™.

In der zweiten Folge unseres Spezials macht sich Felix wieder auf die Suche nach der echten Liebe im Fußball, die ihn diesmal mitten in der Kleiderschrank zwischen Baumwollhemd und Polyester führt. Denn ganz ehrlich: Was strahlt mehr Fußballromantik aus als ein altes rot-blaues Barcelona-, Zinedine-Zidane-Frankreich-, Manchester-United-Trikot mit Sharp-Logo vorne drauf?! Eben! Zusammen mit Tobi, Redakteur bei 11Freunde und CopaTS, betreibt Felix ganz viel Trikot-Nostalgie, spricht mit Designern und Sammlern und Jugendtrainern. Und beantwortet in einem ganz besonderen Quiz unter anderem die Frage: Wieso spielt sich jedes Mal ein Film im Kopf ab, wenn man an ein Trikot denkt? Du möchtest mehr über unsere Werbepartner erfahren? [**Hier findest du alle Infos & Rabatte!**](https://linktr.ee/luppentv)

Pete Williams wears many hats. Pete Williams previously was the editor-in-chief of Highsnobiety and was previously the founder of Raised by Wolves.  Pete enjoys the great outdoors, traveling, photography, and writing. I can resonate with Pete with his Twitter cover photo of bumper stickers that say Gatorade should be thicker and I heart aging and dying. Please welcome Pete Williams to Wear Many Hats. instagram.com/petewilliams ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/wearmanyhatswmh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/rashadrastam⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rashadrastam.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wearmanyhats.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

For the final episode of the season, journalist Tora Northman and content creator Odunayo Ojo (Fashion Roadman) discuss the impact of TikTok on fashion consumption and the changing landscape of social media. About Tora: A multi-hypehnate in the world of content, Tora is a journalist, content creator and fashion stylist currently working for global platform Highsnobiety as Senior Social Media Manager.About Odunayo:Under the alias Fashion Roadman, Odunayo is a fashion journalist, first established through YouTube in 2018, gaining over 4 million views and going on to work with Vogue, GQ and BoF. Ojo is also the founder of fashion and culture platform The Fashion Archive.About the BFC: Brought to you by the British Fashion Council, a series of conversations with designers and the broader creative community, all of whom play a vital role in the fashion industry's culture and reputation, promoting British creativity on a global scale. Hosted on Acast. See acast.com/privacy for more information.

Willa Bennett, a trailblazing force in media, is the editor-in-chief of Highsnobiety, steering the publication to new heights of innovation and influence. A Forbes 30 Under 30 luminary, her journey began at Seventeen, pioneering its queer vertical before igniting social strategies at GQ, and championing diversity as Condé Nast's global co-chair. The American Society of Magazine Editors recognized her for social media excellence and video programming, and her leadership at Highsnobiety garnered recognition in the Digiday and Muse Awards. Highlighting the importance of authentic narratives in connecting with young audiences, what she sees as contemporary now is pushing the boundaries and shaping the future of media—even if that means tuning out the background noise and tapping into real community.  Episode Highlights: Bennett grew up in LA, balancing two passions: masculine menswear magazines and hyper-feminine ballet practice. Talking about her early passion for vintage finds and retro styles, Bennett says experimenting with styling became another medium for her, “like writing.” She grew up reading publications like Teen Vogue, Seventeen, Nylon, and Dazed—publications she says understood young consumers and which she still keeps a few print copies.  Bennett moved up through various roles in the industry at a time when social media marketing was in its more raw, early stage. Her role at Highsnobiety gives her creative freedom in that it moves with the youth culture and its fast-paced, creative, adaptive, and reactive workplace environment. Bennett is ahead of the curve, balancing personal perspective with editorial consideration and curation. Her team at Highsnobiety pushes a particular and intentional editorial vision, championing designers and talent that they want to carve out a space for.  Some of Bennett's favorite cover stars have been Billie Eilish, Andre 3000, and Pamela Anderson, though she felt strongly about the Dries Van Noten cover.  Bennett has spoken about forming real connections as a priority over solely professional relationships, despite how “transactional” the industry can be.  Under Bennett's eye, Highsnobiety's niche is to move in tandem with the zeitgeist instead of against it, never telling readers what to do or who to wear.  Bennett considers real-life events crucial to foundational community building, saying, “that to me is a way bigger metric of success than like any influencer with 16 million followers posting one slide that everyone's going to skip over anyway.”  She's published poetry collections benefitting The Audre Lorde Project for queer youth.   For Bennett, deleting social media is what's contemporary now, surprisingly.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Vi börjar med att tala väder. Låter som en mjukstart, men det är det ju inte i ett land där sommaren är kalla som sydafrikansk vinter. Fast åska är kul. Susanna har läst Highsnobiety, en tidskrift som egentligen är något annat. Eller mer. Och möjligen något alla mediehus kommer att ta efter. Johan har noterat att Aftonbladet räknat ut att Länsstyrelsen i Stockholm lagt 4758 timmar på att hantera Anna Kinberg Batras anställningsklanteri. Ett innovativt sätt att hålla liv i skandaler: att göra hanteringen av skandalen till en del av skandalen. Är det ovidkommande att den grupp som tog en springnota på 80 000 i Malmö, där nu ett par inblandade är misstänkta för barnäktenskapsbrott, är slovenska romer? Den allmänna meningen i svenska medier är uppenbarligen att det är ovidkommande, eftersom de undviker att berätta den saken. Men vad grundar man det på? Om klankulturer bygger på att det är fritt fram att lura de som står utanför klanen, är väl uppgifter av det här slaget högst väsentliga om man ska förstå vad som skett? Det har skrivits för lite om resande och romers syn på majoritetssamhället, men vi minns ett utmärkt undantag i Thom Lundbergs "För vad sorg och smärta". Sedan blir det förstås Biden och Trump. Nu när Hollywood bett Biden att gå kommer med säkerhet fler liknande önskemål. Peggy Noonan menar att Demokraterna måste våga att ha en ny intern kampanj mellan flera kandidater, för att få fram en ny kandidat som har någon trovärdighet. Att bara ge Kamala Harris kandidaturen kommer inte att flyga. Vi gläder oss åt att ordentliga barmenyer är inne, istället för en skål nötter, och är särskilt glada får att vi fått vår egen bar — Picklebar — här i Borrby. Det är superrestauranten K6 som står för drinkar och barmeny. Men vi längtar lite till baren i De Russie i Rom och till Rom i allmänhet. Charles III har köpt barre på Manhattan, sägs det, under titeln "Kung av Kanada". Linda Jerneck på Expressen får ett uppfostrande käckt mejl från HR-människor och känner att hon genast vill börja knarka. DN:s Annika Ström Melin gör en analys av hur extremhögern ska hanteras, som tyvärr inte stämmer med verkligheten, men är ett ovanligt tydligt exempel på hur det man önskar vore sant, snarare än det som är sant, oftast får styra i de här frågorna. Och vi ska snart se Fly me to the moon på Borrby bio, trots att den fått dåliga recensioner. Become a member at https://plus.acast.com/s/hakeliuspopova. Hosted on Acast. See acast.com/privacy for more information.

THE HOLLYWOOD REPORTER— In early April, what's left of the magazine industry gathered at Terminal 5 to see who would win this year's National Magazine Awards—the ASMEs. Throughout the evening, the usual suspects stepped up to accept their Alexander Calder brass elephants—the ‘Ellies'—on behalf of their teams at The Atlantic, New York, and The New York Times Magazine. Then came the award for General Excellence, Service and Lifestyle—a category that covers every food, fashion, and fitness magazine in the business.And the Ellie went to… content juggernaut Highsnobiety—a sneaker blog-turned-cool kid media amalgam that encompasses a twice-annual $20-per-issue print magazine, plus a flood of social media, a website that is also an e-commerce platform, and a creative agency that does 360-degree marketing and storytelling for brands.Before the crowd could start scratching their graying heads, a Billie Eilish lookalike in a gray Thom Brown skirt-and-pant suit took to the dais. There were plenty of people in that room who had never given Highsnobiety much, if any, thought. But in that moment, this woman, Willa Bennett, Highsnobiety's 30-year-old editor-in-chief, had officially become a force to be reckoned with. Not only that, but Highsnobiety's business model, which bends rules that had long been sacrosanct in magazine journalism, suddenly appeared to have won the seal of approval from the oldest of the old guard.  The post at Highsnobiety was a major leap for Bennett. Just two years ago, she was the social media manager at GQ. Our friends who worked with her there tell us they thought of her as “the industry's little sister”—hungry, passionate, and looking to translate the magic of magazines to a new generation. They said that even though she's disrupting the magazine as we once knew it, at heart Bennett is a “a magazine junkie who really venerates  the old ways.” And now the surprise win has put her in the spotlight of the establishment media, with The New York Times Styles running a portrait of Bennett in her signature suit-and-tie look on its cover. The win inspired a segment on the Slate Culture Gabfest in which the hosts pondered, “What Is a Magazine Now?”Over in Spreadlandia, we thought, Why not turn that question directly to Willa Bennett herself? In the end, this conversation left us feeling more optimistic than usual about the future of media. It also made us feel old as shit. We hope you enjoy it as much as we did.—This episode is a special collboration with our friends at The Spread and is made possible by our friends at Mountain Gazette, Commercial Type, and Lane Press. Print Is Dead (Long Live Print!) is a production of Magazeum LLC & MO.D ©2021–2024

On this week's show, the hosts begin by discussing Challengers, Luca Guadagnino's sexy tennis flick in which Zendaya stars as Tashi Duncan, the muse and lover of two male players, Art (Mike Faist) and Patrick (Josh O'Connor). It's a smart but silly movie, one that paints a beautifully nested portrait of friendship and rivalry, and explores the complexities of desire. Then, the three dissect Baby Reindeer, an incredibly constructed and emotionally intense psychodrama–and a true-ish tale–by creator and star Richard Gadd. The seven-part series is currently dominating Netflix and explores themes including masculinity, sexuality, and abuse. Finally, what is a magazine now? The hosts consider this question, inspired by Jessica Testa's article for The New York Times profiling Highsnobiety, a store-website-production agency-clothing line hybrid that recently won a National Magazine Award for general excellence, the publication's first nomination and win at the “Oscars of the magazine world.”  In the exclusive Slate Plus segment, the panel jumps into a classic spoiler special and discusses the final scene of Challengers.  Email us at culturefest@slate.com.  Outro music: "The Red Light Special" by Matt Large Endorsements: Dana: A piece of Britain everyone can access: Mr Bates vs The Post Office on Hulu.  Julia: Samin Nosrat's recipe for Clam Pasta, which can be found in her book, Salt, Fat, Acid, Heat.  Steve:  “How Penelope Fitzgerald became a late blooming novelist.” By Henry Oliver.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, the hosts begin by discussing Challengers, Luca Guadagnino's sexy tennis flick in which Zendaya stars as Tashi Duncan, the muse and lover of two male players, Art (Mike Faist) and Patrick (Josh O'Connor). It's a smart but silly movie, one that paints a beautifully nested portrait of friendship and rivalry, and explores the complexities of desire. Then, the three dissect Baby Reindeer, an incredibly constructed and emotionally intense psychodrama–and a true-ish tale–by creator and star Richard Gadd. The seven-part series is currently dominating Netflix and explores themes including masculinity, sexuality, and abuse. Finally, what is a magazine now? The hosts consider this question, inspired by Jessica Testa's article for The New York Times profiling Highsnobiety, a store-website-production agency-clothing line hybrid that recently won a National Magazine Award for general excellence, the publication's first nomination and win at the “Oscars of the magazine world.”  In the exclusive Slate Plus segment, the panel jumps into a classic spoiler special and discusses the final scene of Challengers.  Email us at culturefest@slate.com.  Outro music: "The Red Light Special" by Matt Large Endorsements: Dana: A piece of Britain everyone can access: Mr Bates vs The Post Office on Hulu.  Julia: Samin Nosrat's recipe for Clam Pasta, which can be found in her book, Salt, Fat, Acid, Heat.  Steve:  “How Penelope Fitzgerald became a late blooming novelist.” By Henry Oliver.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest co-host Alexandra Pauly, the beauty editor of Highsnobiety, chats with Jenn about retailers that are banning sales of anti-aging skincare to children, a new line of products for butts, and the state of fragrance today. Plus: why toddlers smell like flowers and teens smell like goats; a perfume for horse girls; the best places to shop for beauty in NYC; and the sunscreen-primer-foundation recipe that will keep your face perfected for eight hours straight, even if you have oily skin.Products mentioned in this episode: shopmy.us/collections/471204Episode recap with links (including where to find Charisse): fatmascara.com/blog/ep-526Sponsor links & discount codes: fatmascara.com/sponsorsPrivate Facebook Group: Fat Mascara Raising a WandTikTok & Instagram: @fatmascara, @jenn_edit, @jessicamatlinSubmit a "Raise A Wand" product recommendation and be featured on the show: email info@fatmascara.com or leave a voicemail at 646-481-8182 Become a member at https://plus.acast.com/s/fatmascara. Hosted on Acast. See acast.com/privacy for more information.

Episode 071- An ultra discussion with L Cardenas. On this episode we chat about her early upbringing, early experience as head of footwear at Kith, role as a senior creative at Highsnobiety, and much more.

Es ist ein Blick in die Herzkammer der Luxus-Industrie, der Heartbeat der neuen Generation. Was genau bedeutet new Luxury? Was wollen die Consumer heute? Was ist ihnen wirklich wichtig? Und wie können Brands die Menschen überhaupt noch erreichen und begeistern? Die Antworten gibt Highsnobiety in einer weltweit einzigartigen Studie. Jetzt liegt der neue Luxury Report 2024 vor. Ich habe Founder und CEO David Fischer deshalb in seinem Headquarter in Berlin besucht. Er hat Highsnobiety 2005 gegründet. Erst Streetwear-Blog, mittlerweile ist es ein Fashion-Universe. Agentur, Consultancy, Social Media Plattform mit Popup-Stores, eigenen Design-Drops und Offices von Amsterdam, London, Mailand, New York bis Sidney. David ist jetzt zum zweiten Mal bei TOMorrow. Das Comeback des Highend-Orakels: Sein Blick auf die Branche, die wichtigsten Trends und neuen Rules – jetzt hier in TOMorrow. Wenn Du mitdiskutieren möchtest: Schreib mir in die Kommentare oder hier auf Social Media: http://lnk.to/TOMorrow-Podcast und abonniere den Channel. Jetzt aber: Viel Spaß in der neuen Luxury World! Viel Spaß mit dem King of Cool, David Fischer!

My guest for this episode is Alec Leach. Formerly Style Editor at Highsnobiety, in 2018 Alec left his role to pursue a career in sustainability. In 2022, he published a book called ‘The World is on Fire, But We're Still Buying Shoes', a short, sharp manifesto about how we can fix our shopping habits. The book has now sold over 10,000 copies.In this episode, Alec talks us through 8 items from his wardrobe which tell the story of his journey from a fashion editor inundated with freebies to a sustainability activist with a ruthlessly edited wardrobe of staples. See pictures of Alec's items here, and subscribe to the Threads of Conversation newsletter for more. Get full access to Threads of Conversation at threadsofconversation.substack.com/subscribe

Our editor-at-large Fredrik Ekström sits down with the team behind Highsnobiety about their report The new outdoor.In this episode you will hear from: – David Fischer, Founder, Highsnobiety – Harry Bainbridge, Strategy Director, Highsnobiety We talk about:– The convergence lifestyle and outdoor– The role of cultural pioneers in this development– How Highsnobiety has collaborated with outdoor trade show ISPOHost: Konrad Olsson, Editor-in-chief and Founder, Scandinavian MIND. Hosted on Acast. See acast.com/privacy for more information.

Writer, editor, and creative director Thom Bettridge navigates the realms of storytelling, experience curation, and audience expansion with seasoned expertise. From editorial leader at 032c, Highsnobiety, and Interview to Head of Creative and Content at SSENSE, Bettridge has come a long way since his beginnings as a student of philosophy in New York City. His series of compelling statements showcase an impressive grasp of worldbuilding, adding context to the evolving landscape where editorial content and e-commerce converge. In an industry where magazines and retailers traditionally kept their domains separate, Bettridge's approach to keeping consumers engaged signals a potential future trend for others. His insights reflect a shift toward a more integrated and dynamic relationship between content creation and commercial endeavors. Bettridge has seen—and been behind—much of the changes to the fashion industry as it enters an inundated era obsessed with viral moments. His connectedness to contemporary culture is only rivaled by his closing remarks: that true contemporariness might be found in uncharted, offline territories.  Episode Highlights: After becoming interested in art criticism via philosophy studies, Bettridge started an art space in Medellín, growing attracted to the fast-paced evolution of Colombian culture and society.  On interning and moving up through the ranks in New York: “That was my idea of hell. So I wanted to go somewhere where I could make more of an impact even if it was an uncertain terrain.”  Noting that “the only two things that were still alive and kicking when I finished school were fashion and, like, tabloids,” Bettridge explains how he came to fashion through his love of magazines and editing them.  The solitary nature of writing didn't suit his personality, and Bettridge found he enjoyed editing more, with creative direction being an extension of that kind of collaboration. “360 control over how a story looks and appears”: Creative direction was never a target for Bettridge, who considers it more of a byproduct of writing and editing—what he was already doing—and born of necessity along the way. His first foray into magazine editing was at 032c, where he gained firsthand experience observing creative direction before moving on to Interview.  Considering philosophy as a way of creating and applying systems, Bettridge sees an analogy in being a storyteller adept at making connections.  Coming to SSENSE as the company was nearing its 20th anniversary, Bettridge leaned on the experiences of the people who had been at the company for a long time. Bettridge has a strong understanding of brand DNA, pushing the company further into its “anti-nostalgic, anti-heritage” heritage.  “Mind-share”: Bettridge's creative process aligns naturally with SSENSE's ability to tap into a young, digitally native generation, which communicates via social media. Using a metaphor of a hotel with a great coffee shop, Bettridge expresses the relationship between editorial content and e-commerce, where content regularizes exposure to a company and signals what it's about.  To cater to a younger generation, Bettridge notes that youth culture demands that brands be good storytellers that tap into the current social and political moments.  Old-school print magazines tell stories through image placement (much like Instagram), but in a way, that decisively marks a certain zeitgeist, which Bettridge says somewhat outlasts the neverending inundation of social media. Bettridge remarks on learning that intuitively marked anchors within a magazine or brand's vision create cohesion and that visual storytellers are the individuals most capable of creating brands with palpable foundations or clear identities.  What's contemporary now? The potential for offline culture, a culture that “isn't solipsistic or self-isolated.”

Die wichtigsten Sneaker & Streetwear & Fashion & Lifestyle News und Releases der aktuellen Woche, alle First Looks, Leaks und Gerüchte, und ein Rückblick auf die Highlights der letzten 7 Tage - das bietet OH, NEWS!, der wöchentliche News-Podcast von OH! SNEAKER MEDIA, der Medienplattform für Sneaker, Streetwear, Fashion & Lifestyle Content! Mehr Infos auf: https://linktr.ee/ohschuhenpodcast Diese Woche im Werbeslot: [Lacoste](https://www.lacoste.com/de/)

When the value of a product is eclipsed by the value of its branding, the propaganda becomes the vehicle of self-expression. Social media, the ultimate tool of self-expression, is dominated by personal brands. But a brand doesn't have a “self” — it answers only to sales. In a world where market dynamics dictate the entire human experience, where does this trajectory ultimately lead us? Featuring brands like Liquid Death, MSCHF, and Mattel. BRINK is a creative agency dedicated to reshaping the advertising industry through expanding awareness of our impact on the collective conscience and adopting a more humanist approach. Learn more about our work at brink.com   Website: thisispropaganda.show Email: propaganda@brink.com Instagram: instagram.com/thisispropagandashow YouTube: youtube.com/@thisispropagandashow Slack: bit.ly/propaganda-slack Reddit: reddit.com/r/thisispropaganda   Cohosts: Josh Belhumeur and Malcolm Critcher Producers: Jaclyn Hubersberger and Reed Chandler Story Editor: Matt Decker Additional Audio Engineering: Paul Injeti Original music: Josh Belhumeur   “Big Red Boot.” MSCHF. https://mschf.com/shop/big-red-boot/ “Black Panther (soundtrack).” Wikipedia. https://en.wikipedia.org/wiki/Black_Panther_(soundtrack) Bradley, Bill. 2022. “US Advertising Sales Projected to Pass $300 Billion for First Time Ever in 2022.” Adweek. https://www.adweek.com/convergent-tv/us-advertising-sales-projected-to-pass-300-billion-for-first-time-ever-in-2022/ Ferere, Cassell. 2021. “Brand Blasphemy? What Nike's Move To Sue MSCHF For Lil Nas X ‘Satan Shoes' Tells Us About Pop Culture.” Forbes. https://www.forbes.com/sites/cassellferere/2021/03/30/nikes-move-to-sue-mschf-for-its-lil-nas-x-satan-shoes-tells-us-about-pop-culture/?sh=58f905dc55fc Huddleston Jr., Tom, and Zachary Green. 2022. “Liquid Death CEO Mike Cessario: We chose 'the dumbest possible name' for water.” CNBC. https://www.cnbc.com/2022/11/26/liquid-death-ceo-mike-cessario-we-chose-the-dumbest-possible-name-for-water.html Museum of Broadcast Communications Encyclopedia of Television. 1997. “Colgate Comedy Hour, The.” Television Academy Interviews. https://interviews.televisionacademy.com/shows/colgate-comedy-hour-the Silbert, Jake. 2021. “MSCHF's At All Costs Clothing Line Plays With Prices.” Highsnobiety. https://www.highsnobiety.com/p/mschf-at-all-costs-clothing-line/ Silbert, Jake. 2021. “MSCHF's Guns 2 Swords took The Met Gala, Thanks to Grimes.” Highsnobiety. https://www.highsnobiety.com/p/mschf-guns-2-swords/ Suess, Jeff. 2017. “Our history: P&G put the 'soap' in 'soap opera.'” Cincinnati Enquirer. https://www.cincinnati.com/story/news/2017/10/04/our-history-p-g-put-soap-soap-opera/732149001/ Whitten, Sarah. 2023. “Barbie is highest-grossing domestic film release in 2023.” CNBC. https://www.cnbc.com/2023/08/24/barbie-is-highest-grossing-domestic-film-release-in-2023.html “Your Hit Parade.”  Wikipedia. https://en.wikipedia.org/wiki/Your_Hit_Parade

This and all episodes at: https://aiandyou.net/ .   Making movies about AI with AI is Tabitha Swanson, who comes to tell us how that works - and what it was like exhibiting it at the Venice Film Festival during the writers'/actors' strikes. Tabitha is a Berlin-based multi-disciplinary designer, creative technologist, and filmmaker. Her practice includes 3D, animation, augmented reality, digital fashion, graphic design, and UX/UI. She has worked with brands including Vogue Germany, Nike, Highsnobiety, Reebok, and Origins, and has exhibited at Miami Art Basel, Fotografiska,  Transmediale, and Cadaf Arts among others.  Her part of the White Mirror project saw her doing everything from writing to cinematography with the latest AI tools like Runway Gen-2, ChatGPT, and Stable Diffusion, lowering typical animation costs from $10,000/second to $10,000 per minute. She explains what those tools are good at and where their limitations are, and helps us understand how they will evolve and impact the roles of humans in the movie industry. All this plus our usual look at today's AI headlines. Transcript and URLs referenced at HumanCusp Blog.          

In this episode of 5to9, I had a chat with Justin Bridges, a photographer, holistic financial coach, fractional CMO for tech startups, writer of the Growers newsletter, and a proud plant dad.Justin started his career as a Wall Street analyst at Goldman Sachs, and quickly realized that he disliked the culture and was craving to do something more creative. He then pivoted into fashion, working as a planner and buyer at Jcrew and Saks Fifth while pursuing fashion and lifestyle photography on the side. He then worked for an OG fashion blog, the Sartorialist, as a photographer, which took off his lifestyle fashion career, shooting for brands like Kith, Pyer Moss, GQ, Highsnobiety, and Everlane just to name a few. He is a also top instructor on Skillshare teaching photography and personal finance to over 150 thousand students. In 2021, he joined the team at El Camino Travel, a company that curates conscious, intimate group travel experiences for women as their co-founder and CMO. After leaving El Camino, he now runs a photography studio, is a fractional CMO for tech start-ups, writer of his newsletter Growers, and continues to tinker with many different projects.We talked about his ever-evolving creative career, theories on networking, why you shouldn't pursue your passion, a reframe of imposter syndrome, his policy of constantly trying something new, and more.This is Justin Bridges for 5to9. 

Subscribe to The Stanza, a newsletter for investors & entrepreneurs in the creative industries. Sent every Friday: https://thestanza.beehiiv.com/subscribe Use Gamma AI to create your next presentation, document, or website. https://try.gamma.app/thestanzapodcast Hayley Mack founded Cent LDN while being furloughed during the pandemic, and since then has done partnerships with Elton John and Selfridges, StockX, Nando's, Adidas, Lush Beauty, and so forth. She's been featured in Hypebae, High Snobiety, Forbes, etc - all within three short years. Hayley shares insights into positioning her candle brand for success as well as advice for those building unique brands. Episode Highlights: Early success through brand positioning and high profile partnerships How to use your network to get the right visibility Advice for positioning your brand for great PR Creating an audience-driven brand vs founder-led brand Crossing over into other industries Advice for brand builders Cent LDN: https://centldn.com or @cent.ldn Connect with Hayley: @hayleymackkk Cent LDN in Vogue: https://www.voguebusiness.com/companies/are-candles-the-new-luxury-collectibles Cent LDN in Hypebae: https://hypebae.com/2023/3/cent-ldn-hayley-mack-candles-international-womens-day-interview Follow The Stanza on IG / TikTok: @thestanzamedia

An amazing artist and philanthropist, listento this episode to find out how Jasper Wong grew his art and vision to what it is today!Jasper Wong is an artist, illustrator, and curator. He is a man who wears many hats and best known for his art that is a unique clash of Asian-influenced pop culture on paper. Jasper has exhibited worldwide, in places such as Japan, California, France, London, Mexico, New York, Hong Kong, Chicago, and Australia and he has been selected on multiple occasions by Archive magazine as one of the 200 Best Illustrators worldwide. He has also scored press in publications such as Communication Arts, Society of Illustrators, American Illustration, Taschen's Illustration Now, Hypebeast, Booooooom, Arrested Motion, Hi-Fructose, Acclaim, Complex, Vice, Highsnobiety, VNA, Street Art News and Juxtapoz. He was recently chosen as one of the HB100. A list of Hypebeast's 100 most influential figures in the industry, which included the likes of Kaws, Pharrel, Banksy, Jay Z and Kanye West.Jasper is also the creator and lead director of WORLD WIDE WALLS, formerly known as POW WOW! which is a non-profit organization of contemporary artists committed to community enrichment through the creation of art outreach programs, educational programs and engaging the community in the creation and appreciation of art.

Notes and Links to Sowmya Krishnamurthy's Work        For Episode 208, Pete welcomes Sowmya Krishnamurthy, and the two discuss, among other topics, her early love of hip hop and fashion, and the ways in which the two have always played off one another, her experiences in hip hop journalism and interning with Sean Combs and Bad Boy Records, trends in hip hop fashion and the ways in which they have been in response to racist laws and practice in the past, the power of ambassadors like Jay Z and Aaliyah, hip hop clothing lines, the power of designers from Versace to Virgil Abloh, and the evolution of more inclusive practices and views in the industry.        Sowmya Krishnamurthy is a music journalist and pop culture expert. Her work can be found in publications like Rolling Stone, Billboard, XXL, Playboy, High Snobiety, Complex, New York Magazine, Village Voice and Time. She has interviewed artists from J. Cole and Kendrick Lamar to Ariana Grande, Travis $cott and Alicia Keys. As an on-air host, she has appeared on MTV, MSNBC, VH1, Hot 97, Build Series, E!, BET, CNN, NPR, BBC, and more. Her work has been aired in the United States, Canada, the United Kingdom, France and Israel.  She hosted and programmed SiriusXM's The Look Out radio show. Her first book: Fashion Killa: How Hip-Hop Revolutionized High Fashion comes out October 10, 2023 (Gallery Books/Simon & Schuster). Sowmya began her career at William Morris Endeavor's Agent Training Program, CNN and Bad Boy Records. She is a graduate of the Ross School of Business at the University of Michigan.     Sowmya on Twitter   Buy Fashion Killa   Excerpt from Fashion Killa in Rolling Stone, October 3, 2023: "How Lil' Kim's Left Boob Symbolized a Shift High Fashion" At about 2:00, Sowmya talks about the “surreal” run-up to the October 10 publication date for her book   At about 3:20-3:57, Sowmya gives some seeds for the book's genesis   At about 4:00, Sowmya talks about the book's process and research, including how the pandemic provided time for the book's writing   At about 7:30, Sowmya reflects on how to sum up 50 years of hip hop and the difficulty of doing a chapter outline   At about 9:15, Sowmya talks about her focus on various topics in the books, including representing all regions of the country, international voices, and women   At about 11:00, Sowmya notes the arbitrariness of the 1973 “birthdate” for hip hop, not taking into account African traditions-call-and-response, etc.-and also how hip hop's origin with DJ Herc and Sidney Campbell came partly through fashion   At about 12:45, Sowmya highlights Dapper Dan and the importance of logos and “social signaling,” who gets to wear what, “sumptuary laws,” etc.   At about 15:20, Sowmya recounts the story of how Google Images started after Jennifer Lopez wore her iconic dress   At about 16:50, Pete fanboys over Pharrell, and Sowmya recounts how Jay Z's shift to a more formal clothing style and Pharrell and others bringing in skinny jeans were in some ways revolutionary   At about 20:20, Sowmya reflects on the outsized influence that 90s hip hop had on pop culture    At about 23:10, Sowmya talks about her upbringing in Kalamazoo, Michigan, especially her connections to music and 90s culture and things like Page Six   At about 27:00, Pete quotes from Sowmya's book-she cites a beautifully chaotic scene in the passage-and she expands upon the importance of these type of scenes pre-social media     At about 29:00, Pete wonders about Cam'ron inventing a color, and Sowmya talks about his and Kanye West and others wearing pink as a bold choice   At about 31:30, Pete shouts out some early hip hop purchases, and Sowmya describes her early hip hop influences and purchases    At about 33:50, Sowmya discusses some of her early writing opportunities in the hip hop and pop culture space   At about 34:20, Pete and Sowmya rate the verses from Drake's “Forever”   At about 35:20, Sowmya gives background on how she got a job with Sean Combs and Bad Boy Records   At about 41:30, Sowmya charts a surreal first experience in the Bad Boy offices   At about 45:00, Sowmya discusses the famous “Making the Band” skit from Chappelle Show, being that she worked with Sean Combs, and she shouts out his unceasing work ethic    At about 47:00, Sowmya talks about her work ethic and the era in which she started her work career   At about 48:35, Sowmya shouts out places to buy her book, including Rizzoli Bookstore in NYC, and she talks about the importance of the cover aesthetics    At about 50:50, Sowmya talks about the importance of the book's subject matter and books as “luxury items”   At about 52:15, Sowmya discusses the importance of her book's blurber, Slick Rick, and his importance in hip hop and fashion; additionally, she shouts out other “heartening” blurbs   At about 54:20, Sowmya talks about the title's genesis and she and Pete discuss the book's opening and early hip hop and self-expression    At about 55:40, Sowmya recounts the experience of buying a new CD in the 90s and early 2000s-the “connection” to the music    At about 58:30, Pete cites the book's opening and ending and its “bookend” quality; Sowmya expounds on “the walking billboard” that was the big logos of Hilfiger, etc., as well as the ways in which people do and don't show off wealth   At about 1:03:10, The two discuss the importance of The Source and Vibe as game-changers in representation and how much of hip hop fashion went against racist clothing laws of the past   At about 1:04:15, Sowmya gives some background on “backpack rap” in response to Pete's questions   At about 1:07:10, Pete reflects on interesting anecdotes and interviews    At about 1:08:10, The two discuss the clothing brand battles of the 90s and beyond-Sean John, ENYCE, etc., and Pete laments the loss of a treasured sweater   At about 1:09:00, Pete asks Sowmya to talk about what she sees happening in the future, involving hip hop/pop culture and fashion   At about 1:12:10, The two highlight some amazing photos in the book, including an heretofore obscure photo of Tupac in Milan    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 209 with Julie Carrick Dalton. She is the author of The Last Beekeeper and Waiting for the Night Song, named a Most Anticipated 2021 novel by CNN, Newsweek, USA Today, Parade, and others, and an Amazon Editor's pick for Best Books of the Month. Julie is also a frequent speaker and contributor to multiple magazines about Fiction in the Age of Climate Crisis.    The episode will air on October 17.

Welche Rolle Fußball-Fans, Rapper und die Spice Girls beim Aufstieg des Tracksuit von Sportbekleidung zum Luxus-Item spielen und ob Karl Lagerfeld wirklich Jogginghosen abgelehnt hat - das hört ihr in dieser Folge von "Iconic".    Von Sportbekleidung zum Luxus-Item: der Trainingsanzug hat seit seiner Erfindung Ende der 1960er-Jahre eine tiefgreifende Wandlung durchgemacht. Welche Rolle Franz Beckenbauer, Fußball-Fans, Rapper wie Run DMC und auch die Spice Girls dabei spielen, warum es immer auch eine Klassenfrage ist, wie der Trainingsanzug wirkt und ob Karl Lagerfeld wirklich Jogginghosen abgelehnt hat, darüber haben wir mit dem Tracksuit-Experten Amos Barshad, der Journalistin und Social Media Managerin Ruhi Parmar Amin von Highsnobiety und der Modesoziologin Joanne Turney von der Uni Southampton gesprochen.

Eric Cano is a casting director and model manger based in the NYC area. He is founder and owner Cano Castings & Management, a full-service agency providing the finest in casting and consulting services. He has collaborated with some of the brightest up and coming photographers, fashion designers, stylists and creative minds in the world and boasts a diverse roster of clients. He has worked brands like Adidas, STAMPD, Lively, KITH, Puma, American Eagle, Alpha Industries, Paul Stuart, Nike, and Bombas in addition to publications such as Vogue, GQ, Hypebeast, and HighSnobiety. Eric is a life-long resident of Jersey City, New Jersey. --- Support this podcast: https://podcasters.spotify.com/pod/show/thewrongadvicepod/support

*SPECIAL NYFW REPORT* Highsnobiety Beauty Editor Alexandra Pauly is in the Perfume Room today to recap the biggest beauty and fashion trends from NYFW and discuss what it all means for… PERFUME! From everything from Barbiecore to Girlcore (note: they're different), to mermaid hair and berry lips; with looks from Sandy Liang to Collina Strada, we're sharing all our favorite SS24 runway trends and, but of course, *what they smell like!* FRAGS + DESIGNERS MENTIONED: Christian Dior Bois D'Argent, Fueguia 1833 x Gabriela Hearst New York, Prada Infusion D'Iris, Maison Margiela Untitled, Parfums de Coeur Juice Bar Gummi Bears, Perfumes The A-Z Guide, Frederic Malle Carnal Flower, Sandy Liang, Christian Siriano, Collina Strada, Le Labo Santal 33, Snif Crumb Couture, Jousset Accidents a la Vanille Creme de la Berry, Regimes des Fleurs Crushed Fruit, Eris Parfums Delta of Venus, Malin & Goetz Strawberry, Sourcellerie Apothecary Where the Wild Things Grow, Burberry Her, Anna Sui, Jason Wu, DS & Durga Steamed Rainbow, Diptyque L'Eau Papier, Billie Eilish 2nd, Regimes des Fleur Tears, Electimuss Black Caviar, Snif Ace Ace Baby, DS & Durga Crush Ball, Commodity Paper, D.S. & Durga Deep Dark Vanilla, Nasomatto Sadanaso, ELdO Secretions Magnifiques, Helmut Lang, Khaite, Coach, Baccarat Rouge 540, Glossier You, Phlur Father Figure, Frederic Malle Heaven Can Wait, Byredo Eyes Closed, JHAG Not A Perfume, Le Labo Myrrhe 55, YSL Opium, Tom Ford Myrrhe Mystere, Dries Van Noten: Rock the Myrrh, Fleur de Mal; ERIS Delta of Venus, Regimes des Fleurs Crushed Fruits, Hermes Tutti Twilly, Ann Demeulemeester, Dauphinette, Maison Crivelli: Hibiscus MahaJad, Papyrus Moleculaire; D.S. & Durga Concrete After Lightning, Loewe Beetroot, The Maker Gardener, Maison D'Etto Rotano, Old Spice deodorant, Tom Ford Grey Vetiver, Frederic Malle Uncut Gem, Aveeno Calming Body Wash SHOP THIS EPISODE: https://shopmy.us/collections/253592 FOLLOW ALEX: @paulybyalexforalexandrapauly ~SUPPORT OUR SPONSOR KELLY + JONES~ 15% off ⁠kellyandjones.com⁠ code: ‘PERFUMEROOM' (valid thru 10/31)

It's a new era for fashion month, where designer collections are just one piece of the pie. As brands across price points and specialties aim to compete in the increasingly competitive retail landscape, more are taking advantage of the opportunity and approaching it strategically. They're cutting through the noise with innovative marketing tactics, introducing new commerce plays and leveraging advanced digital capabilities to best showcase their products. In this podcast series, running throughout Fashion Month Spring 2024, Glossy and influential leaders are breaking down the evolution of the experiential event. In this episode, we sit down with Willa Bennett, who joined fashion and media company Highsnobiety as its editor-in-chief in 2022. Highsnobiety had a presence at New York Fashion Week with a three-day “Neu York” pop-up shop and various on-site events. Bennett talks about how the company catered its content, commerce and experiential strategies to this season's fashion week. She also discusses how Highsnobiety covered the event and how that plays into her focused approach to running the publication. This episode was recorded amid bustling NYFW, in Showfields' NoHo location. Related reads: With Highsnobiety scooped up, are other streetwear blogs next? ‘The new definition of luxury': Highsnobiety unpacks how the landscape of high-end fashion has tilted toward accessibility

In this episode, George chats with Scarlett Baker of GQ magazine and discusses her career path to date, from university to where she is now. Scarlett previously edited Man About Town and was Editor-in-Chief of The Next Hour, campaigning to bring watchmaking to younger audiences. Other roles include Highsnobiety, More or Less, Dazed and L'Officiel.

This episode is an interview with the Fabricant's ceo and co-founder Kerry Murphy, dissecting the Fabricant's recent collaboration with Highsnobiety on the ‘Not in Paris' flagship event.‘Not in Paris' is a multimedia hub by Highsnobiety, featuring a series of curated brand collaborations and exclusive content to celebrate the latest in art, fashion, music, design, and tech.For the Not in Paris 2023 edition, The Fabricant created a series of digital fashion collectibles that were exhibited in the store alongside 20 other brand collaborations and exclusive content. “What we really wanted to establish for the Fabricant's presence next to all these physical items, is an interactive experience.” Kerry used this Highsnobiety example to highlight how we no longer go to fashion stores to buy clothes. But rather we are seeking engaging and shareable experiences that allow us to immerse in a brands storytelling and community.The Fabricants digital collectables highlight the new wave of experiential retail that luxury brands are embarking on to ignite more interactivity and elevated experiences in their physical spaces.  Follow me on social media: https://www.instagram.com/whatsfashiontechnology/?hl=enFollow the Fabricant: https://www.instagram.com/the_fab_ric_ant/?hl=enConnect with Kerry on LinkedIn: https://nl.linkedin.com/in/kerrymurphy?original_referer=https%3A%2F%2Fwww.google.com%2FLearn more about ‘Not in Paris':https://www.highsnobiety.com/tag/not-in-paris/https://www.thefabricant.com/collection/highsnobiety-not-in-parisSupport this podcast at — https://redcircle.com/what-even-is-fashion-technology-digital-fashion-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, we sat down with entrepreneur and trend curator, Jeff Carvalho, to get his perspective on how one builds culture and communities and their intersection in Web3. We also explore his journey from pharmacy school to co-founding global fashion media brand, Highsnobiety.This episode is sponsored by Chainalysis.Jeff Carvalho is the co-founder of Highsnobiety, co-founder of Burrata, and host of the “Culture Club” talk show. He shares his perspective on how technology and culture intersect in Web3 and the impact it has on bringing more users to the space. Plus, Avery and Sam discuss a quick recap of the Cannes Lion Festival.Links mentioned from the podcast: Highsnobiety WebsiteBurrata WebsiteCulture Club on TwitterJeff on TwitterFollow us on Twitter: Sam Ewen, Avery Akkineni, CoinDesk, Vayner3From our sponsors:Web3 offers budding opportunities for brands to create more value for their customers, engage fans and build immersive communities. But that doesn't come without its risks. Chainalysis helps Fortune 500 brands better understand and manage the risks in Web3 through proactive assessments on chain monitoring, investigations, training and more so that they can focus on building a roadmap for long-term growth. Learn more about how Chainalysis can help your company grow in Web3 at www.chainalysis.com/genc.-"Gen C" features hosts Sam Ewen and Avery Akkineni, with editing by Jonas Huck. Executive produced by Jared Schwartz and produced by Uyen Truong and Eleanor Pahl. Our theme music is "1882” by omgkirby x Channel Tres with editing by Doc Blust. Artwork by Nicole Marie Rincon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, we sat down with entrepreneur and trend curator, Jeff Carvalho, to get his perspective on how one builds culture and communities and their intersection in Web3. We also explore his journey from pharmacy school to co-founding global fashion media brand, Highsnobiety.This episode is sponsored by Chainalysis.Jeff Carvalho is the co-founder of Highsnobiety, co-founder of Burrata, and host of the “Culture Club” talk show. He shares his perspective on how technology and culture intersect in Web3 and the impact it has on bringing more users to the space. Plus, Avery and Sam discuss a quick recap of the Cannes Lion Festival.Links mentioned from the podcast: Highsnobiety WebsiteBurrata WebsiteCulture Club on TwitterJeff on TwitterFollow us on Twitter: Sam Ewen, Avery Akkineni, CoinDesk, Vayner3From our sponsors:Web3 offers budding opportunities for brands to create more value for their customers, engage fans and build immersive communities. But that doesn't come without its risks. Chainalysis helps Fortune 500 brands better understand and manage the risks in Web3 through proactive assessments on chain monitoring, investigations, training and more so that they can focus on building a roadmap for long-term growth. Learn more about how Chainalysis can help your company grow in Web3 at www.chainalysis.com/genc.-"Gen C" features hosts Sam Ewen and Avery Akkineni, with editing by Jonas Huck. Executive produced by Jared Schwartz and produced by Uyen Truong and Eleanor Pahl. Our theme music is "1882” by omgkirby x Channel Tres with editing by Doc Blust. Artwork by Nicole Marie Rincon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hey fashion friends! Welcome back to another episode of The Haute Guide! Today we're discussing if celebrities can truly be fashion designers as posted by High Snobiety (spoiler alert - I don't think most can) and tips to prepare yourself to land your first job in fashion! (for fashion job examples, I got you covered here) Be sure to follow me everywhere and make sure to subscribe, rate, and give 5 stars! My Links: Website ➭ http://www.akbrownstl.com Facebook ➭ http://www.facebook.com/akbrownstl​​​​​​ Twitter ➭ http://www.twitter.com/akbrownstl​​​​​​ Follow ALL of My Instagrams ➭ http://www.instagram.com/akbrownstl​​ http://www.instagram.com/fwrdsociety http://www.instagram.com/hauteboss.co http://www.instagram.com/pinkmusestudio http://www.instagram.com/thehauteguidepodcast http://www.instagram.com/thefittingroomradio 

While Amanda takes a few weeks off to go to Japan, do a bunch of research and reading, work on outreach for future guests, and just generally get inspired and rested, let's revisit some of the favorite episodes of the Clotheshorse community.Throwaway culture may not seem to affect you personally (spoiler: it actually is), but the rapid cycle of shop/wear a few times/donate is having a massive negative impact on humans, animals, and the planet...it's just happening out of our line of sight. In part one of a three part series, Liz Ricketts of the OR Foundation breaks down the repercussions of our overconsumption on Ghana, its people, and our entire planet.About 15 million secondhand garments from the Global North arrive in Accra, Ghana each week. These bales of "dead white man's clothes" represent a massive industry with incredibly negative economic and environmental impact. Liz will describe a typical day in Kantamanto (the secondhand clothing market). She'll explain why resellers often say a prayer before opening a bale, and what happens to the 40% of these clothes that are simply not sellable. Please follow the OR Foundation on IG @theorispresentExtra Credit Reading"This is not your goldmine. This is our mess," Liz Ricketts, High Snobiety."Dead White Man's Clothes," Liz Ricketts, Atmos.If you want to share your opinion/additional thoughts on the subjects we cover in each episode, feel free to email, whether it's a typed out message or an audio recording:  amanda@clotheshorse.worldCheck out Amanda's other podcast, The Department.Find the transcript at clotheshorsepodcast.comWant to support Amanda's work on Clotheshorse? Learn more at patreon.com/clotheshorsepodcastClotheshorse is brought to you with support from the following sustainable small businesses:Selina Sanders, a social impact brand that specializes in up-cycled clothing, using only reclaimed, vintage or thrifted materials: from tea towels, linens, blankets and quilts.  Sustainably crafted in Los Angeles, each piece is designed to last in one's closet for generations to come.  Maximum Style; Minimal Carbon Footprint.Salt Hats:  purveyors of truly sustainable hats. Hand blocked, sewn and embellished in Detroit, Michigan.Republica Unicornia Yarns: Hand-Dyed Yarn and notions for the color-obsessed. Made with love and some swearing in fabulous Atlanta, Georgia by Head Yarn Wench Kathleen. Get ready for rainbows with a side of Giving A Damn! Republica Unicornia is all about making your own magic using small-batch, responsibly sourced, hand-dyed yarns and thoughtfully made notions. Slow fashion all the way down and discover the joy of creating your very own beautiful hand knit, crocheted, or woven pieces. Find us on Instagram @republica_unicornia_yarns and at www.republicaunicornia.com.Cute Little Ruin is an online shop dedicated to providing quality vintage and secondhand clothing, vinyl, and home items in a wide range of styles and price points.  If it's ethical and legal, we try to find a new home for it!  Vintage style with progressive values.  Find us on Instagram at @CuteLittleRuin.Thumbprint is Detroit's only fair trade marketplace, located in the historic Eastern Market.  Our small business specializes in products handmade by empowered women in South Africa making a living wage creating things they love like hand painted candles and ceramics! We also carry a curated assortment of  sustainable/natural locally made goods. Thumbprint is a great gift destination for both the special people in your life and for yourself! Browse our online store at thumbprintdetroit.com and find us on instagram @thumbprintdetroit.Gentle Vibes:  We are purveyors of polyester and psychedelic relics! We encourage experimentation and play not only in your wardrobe, but in your home, too. We have thousands of killer vintage pieces ready for their next adventure! Picnicwear:  a slow fashion brand, ethically made by hand from vintage and deadstock materials - most notably, vintage towels! Founder, Dani, has worked in the industry as a fashion designer for over 10 years, but started Picnicwear in response to her dissatisfaction with the industry's shortcomings. Picnicwear recently moved to rural North Carolina where all their clothing and accessories are now designed and cut, but the majority of their sewing is done by skilled garment workers in NYC. Their customers take comfort in knowing that all their sewists are paid well above NYC minimum wage. Picnicwear offers minimal waste and maximum authenticity: Future Vintage over future garbage.Shift Clothing, out of beautiful Astoria, Oregon, with a focus on natural fibers, simple hardworking designs, and putting fat people first.  Discover more at shiftwheeler.com​High Energy Vintage is a fun and funky vintage shop located in Somerville, MA, just a few minutes away from downtown Boston. They offer a highly curated selection of bright and colorful clothing and accessories from the 1940s-1990s for people of all genders. Husband-and-wife duo Wiley & Jessamy handpick each piece for quality and style, with a focus on pieces that transcend trends and will find a home in your closet for many years to come! In addition to clothing, the shop also features a large selection of vintage vinyl and old school video games. Find them on instagram @ highenergyvintage, online at highenergyvintage.com, and at markets in and around Boston.St. Evens is an NYC-based vintage shop that is dedicated to bringing you those special pieces you'll reach for again and again. More than just a store, St. Evens is dedicated to sharing the stories and history behind the garments. 10% of all sales are donated to a different charitable organization each month.  New vintage is released every Thursday at wearStEvens.com, with previews of new pieces and more brought to you on Instagram at @wear_st.evens.The Pewter Thimble Is there a little bit of Italy in your soul? Are you an enthusiast of pre-loved decor and accessories? Bring vintage Italian style — and history — into your space with The Pewter Thimble (@thepewterthimble). We source useful and beautiful things, and mend them where needed. We also find gorgeous illustrations, and make them print-worthy. Tarot cards, tea towels and handpicked treasures, available to you from the comfort of your own home. Responsibly sourced from across Rome, lovingly renewed by fairly paid artists and artisans, with something for every budget. Discover more at thepewterthimble.comBlank Cass, or Blanket Coats by Cass, is focused on restoring, renewing, and reviving the history held within vintage and heirloom textiles. By embodying and transferring the love, craft, and energy that is original to each vintage textile into a new garment, I hope we can reteach ourselves to care for and mend what we have and make it last. Blank Cass lives on Instagram @blank_cass and a website will be launched soon at blankcass.com.Gabriela Antonas is a visual artist, an upcycler, and a fashion designer, but Gabriela Antonas is also a feminist micro business with radical ideals. She's the one woman band, trying to help you understand, why slow fashion is what the earth needs. If you find your self in New Orleans, LA, you may buy her ready-to-wear upcycled garments in person at the store “Slow Down” (2855 Magazine St). Slow Down Nola only sells vintage and slow fashion from local designers. Gabriela's garments are guaranteed to be in stock in person, but they also have a website so you may support this women owned and run business from wherever you are! If you are interested in Gabriela making a one of a kind garment for you DM her on Instagram at @slowfashiongabriela to book a consultation.Vagabond Vintage DTLV is a vintage clothing, accessories & decor reselling business based in Downtown Las Vegas. Not only do we sell in Las Vegas, but we are also located throughout resale markets in San Francisco as well as at a curated boutique called Lux and Ivy located in Indianapolis, Indiana. Jessica, the founder & owner of Vagabond Vintage DTLV, recently opened the first IRL location located in the Arts District of Downtown Las Vegas on August 5th. The shop has a strong emphasis on 60s & 70s garments, single stitch tee shirts & dreamy loungewear. Follow them on instagram, @vagabondvintage.dtlv and keep an eye out for their website coming fall of 2022.Country Feedback is a mom & pop record shop in Tarboro, North Carolina. They specialize in used rock, country, and soul and offer affordable vintage clothing and housewares. Do you have used records you want to sell? Country Feedback wants to buy them! Find us on Instagram @countryfeedbackvintageandvinyl or head downeast and visit our brick and mortar. All are welcome at this inclusive and family-friendly record shop in the country!Located in Whistler, Canada, Velvet Underground is a "velvet jungle" full of vintage and second-hand clothes, plants, a vegan cafe and lots of rad products from other small sustainable businesses. Our mission is to create a brand and community dedicated to promoting self-expression, as well as educating and inspiring a more sustainable and conscious lifestyle both for the people and the planet.Find us on Instagram @shop_velvetunderground or online at www.shopvelvetunderground.com

BoF's Imran Amed speaks with Alec Leach about his manifesto on how we can move towards a better relationship with fashion.Background: For nearly five years, author Alec Leach worked as an editor at streetwear website Highsnobiety, where he spent his “career telling people to buy stuff.” Leach saw up close the contribution his content was having on overconsumption and the lack of responsibility brands and consumers took for their own part on the climate crisis, both subjects he tackles in his book, “The World Is on Fire But We're Still Buying Shoes.” “I love working in the industry. I really, really do,” says Leach. “I think we just all need to accept that we're part of this consumerist machine. And once you accept that, then the kind of potential for positive change becomes clearer.” This week on The BoF Podcast, Leach sits down with BoF's founder and editor-in-chief Imran Amed to discuss how the fashion industry and consumers must change. Key Insights:During his time at Highsnobiety, Leach attended several events, including the Global Fashion Summit in Copenhagen, focussed on sustainability in the industry. But for all the discussion of supply chain and new technologies, he felt that there wasn't enough talk about what he saw as the core issue. “No one's really asking why we buy so many things,” he said. “It always comes down to overconsumption.”In Leach's book, he says shopping is part of a consumer's identity because of the role it plays in self expression. “It's important to acknowledge that fashion is intimately connected to our sense of self. That makes shopping a pretty existential experience,” said Amed, quoting Leach's book. According to Leach, the supply chain is a “nonsensical system” that allows brands to take little accountability for their own manufacturing processes. “Brands aren't really that responsible for what happens in their supply chain, and they're not really responsible for what happens to all these clothes when they're no longer wearable,” said Leach. Leach's personal experiences in therapy over the course of years helped him dig deeper while writing his book. “That's where a lot of the more psychological and philosophical elements of the book came out, it was about me being in therapy every day, every week and asking myself some very difficult questions afterwards,” he said.Additional Resources:“The World is On Fire But We're Still Buying Shoes” by Alec Leach: Leach's debut book or manifesto explores society's relationship with overconsumption and how consumers can have a better relationship with fashion. To subscribe to the BoF Podcast, please follow this link. Hosted on Acast. See acast.com/privacy for more information.

Hi pals! Today we give you bite-sized pop culture news in the form of Emma Watson's millennial instagram post, Emma Chamberlain getting dragged for her canned coffee, and Ariana Grande speaks out about her body comments. In this segment, culture writer at the i newspaper, Emily Bootle kindly read out a snippet from her i opinion piece, Emma Watson's woo woo millennial jargon taps into an unhelpful ideology. If you want more of Emily's writing, check out her book of essays, This Is Not Who I Am: Our Authenticity Obsession, published by Ortac Press.Next, the celebrity wedding of the year has taken place and there's a new It Girl in town. Sofia Richie married fellow nepo baby, Elliot Grainge in the South of France spurring on a TikTok whirl full of Chanel dresses and a Good Charlotte performance. We speak about her sudden rise to It Girl and reference a piece for InStyle Australia by Courtney Thompson titled, Inside The Fascinating "Rebrand" Of Sofia Richie. There's a new fashion trend making the rounds and it's quiet luxury, although… it's very loud. We discuss the culture and discourse around quiet luxury and the sociological context behind the elevated basics. We reference Jake Silbert's piece for High Snobiety titled Why Are People Obsessed With Looking Rich & Boring? and Quiet Luxury Is Actually Very Loud by Tiana Randall for the Cut and a Fashion Journal piece titled Colourless, Elitist and Unrealistic: The Problem With Minimalist Capsule Wardrobes by Caroline Zielinski. In recommendation town, Jas loved Aftersun while Maggie sped read through Between Me & You by Joanna Horton. Chat to you next time! Jas & Mags xoxo Hosted on Acast. See acast.com/privacy for more information.

Nanna.B is a Danish-born and until very recently, an LA-based singer, songwriter, and producer with an eclectic sound focused on R&B, Soul, and Electronic music. She has worked with and captivated the likes of Anderson .Paak, Mndsgn, Shafiq Husayn, Soulection, Boiler Room, and our pal Ken Barrientos who first introduced us to her music several years ago. She's been featured on Beats1, The Joe Budden Podcast, Vice, and High Snobiety and has played festival stages from SXSW to Camp Flog Gnaw. Her new album, Don't Come if You Can't Bring No Flowers, is streaming everywhere.Cell Uno intros the show with his signature layered mix style of distorted soul electronica, and Subira offers a springtime mix of tropical afro beats to wrap the show. Mike Styles hosts the journey along the way.

I veckans avsnitt pratar jag med Dia Jovanovic som driver Köpenhamnsbaserade företaget Aeris Cocktail tillsammans med sin pojkvän Nik Neubauer. De tillverkar handgjorda cocktails i högsta kvalité med filosofin - look good, taste even better. Hon arbetar också som skådespelerska vid sidan av företagandet och studerade i tidigare år vid Copenhagen Business School där hon senare arbetade som management konsult.Vi går in på Dias uppväxt i Helsingborg med en ensamstående förälder under 90-talets Sverige, vad hon drömde om som liten och hur hon resonerar kring att läsa vidare och vad som krävs. Dia berättar om hur hon kom in på skådespeleri men också sanningen bakom att driva företag, om utmaningarna men också om hur de har gått tillväga för att synas på modeveckor och tillsammans med varumärken som så som Chimi, All Blues, Tekla och Highsnobiety, bara för att nämna några få.Vi går också in på vad hon hade gjort annorlunda om hon fick ge sitt 20-åriga jag råd och vad som är hennes drivkrafter samt krav på sig själv. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Behind the BOSS, we meet Australian supermodel Jordan Barrett. Having started in the industry at the age of 14, Barrett grew up traveling the world and learning from some of the best. With a clothing line and now an NFT under his belt, we sit down with the young trailblazer to pick his creative brain. Behind the BOSS is a HUGO BOSS and Highsnobiety production, hosted by Raven Smith, executive producer Zoe Rose-Davies, and recorded at The Church Studios. Music is composed by Olga Wojciechowska at String and Tins, supported by Studio Bummens.

Leah Thomas, Founder of Intersectional Environmentalist & Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet   Leah Thomas is a celebrated environmentalist based in Santa Barbara, CA. Coining the term ‘eco-communicator' to describe her style of environmental activism, Leah uses her passion for writing and creativity to explore and advocate for the critical yet often overlooked relationship between social justice and environmentalism. With this intersection in mind, Leah founded and launched Intersectional Environmentalist in 2020, a resource hub and platform that aims to advocate for environmental justice, provide educational resources surrounding intersectional environmentalism, and promote inclusivity and accessibility within environmental education and movements.    Leah, who is also the founder of eco-lifestyle blog @greengirlleah, uses her multiple years of eco-focused educational and work experience to inform her ever-expanding list of projects, as well as her audience of more than 400k followers across channels. A graduate of Chapman University with a B.S. in Environmental Science & Policy and a cluster in Comparative World Religions, Leah has interned twice with the National Park Service and has worked at leading green companies, including eco-friendly soap company Ecos and most recently, Patagonia. A fundamental optimist and opportunity-maker, Leah used her time after being furloughed during the pandemic to create Intersectional Environmentalist.    Leah is the author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet, and her writing has also appeared in a variety of publications, including Vogue, Elle, Marie Claire and Highsnobiety. She has been featured in Harper's Bazaar, W Magazine, Domino, GOOP, and numerous podcasts.    In This Episode: Leah shares her origins story. How Leah found intersectional environmentalism through her connection to the land, farming, and her ancestral roots.  She defines intersectional environmentalism and also speaks about lateral oppression. Leah shares how she's able to share about the intersections of environmentalism and meet people where they are. Leah shares her views on why Indigenous and POC are not included in environmental education and why Leah is excited about the future. The importance of local policy and climate reparations. The importance of finding joy when working in social justice. Full Show Notes: Green Girl Leah Website Green Girl Leah's Instagram Twitter: @Leahtommi Leah's book The Intersectional Environmentalist Intersectional Environmentalist Website Laura Chung Instagram Brittany Simone Anderson's Instagram The Werk Podcast Instagram The Werk Podcast Website YouTube Channel Connect with The Werk:   If you enjoyed the podcast and you feel called, please share it, and tag us! Subscribe, rate, and review the show wherever you get your podcasts. Your rating and review help more people discover it! Follow on Instagram @thewerkpodcast Let us know your favorite guests, lessons, or any topic requests.

In this episode, George is joined by Jonathan Schley, Automotive Editor at High Snobiety as they discuss the TAG Heuer Formula 1 watch.

Jasper Wong is an artist, illustrator, and curator. As an artist, he has exhibited worldwide, in places such as Japan, California, France, London, Mexico, New York, Hong Kong, Chicago, and Australia. He has also scored press in publications such as Communication Arts, Society of Illustrators, American Illustration, Taschen's Illustration Now, Hypebeast, Booooooom, Arrested Motion, Hi-Fructose, Acclaim, Complex, Vice, Highsnobiety, VNA, Street Art News and Juxtapoz. Wong has been chosen as one of the HB100 multiple times. A list of Hypebeast's 100 most influential figures in the industry, which includes the likes of Kaws, Pharrel, Banksy, Jay Z and Kanye West. His clients include Hulu, NBA, Uniqlo, Versace, Microsoft, Bloomingdale's, Neiman Marcus, Toyota, Marvel, and others. Jasper Wong is also the founder of a gallery in Hong Kong called ABOVE SECOND. In its existence, both Monocle magazine and CNN have chosen it as one of the best galleries in the city. He is the creator and lead director of World Wide Walls (formerly POW! WOW!), which is a non-profit organization of contemporary artists committed to community enrichment through the creation of art outreach programs, educational programs and engaging the community in the creation and appreciation of public art. We typically build walls to exclude, however, walls can also represent new zones of possibility, where true collaboration can take root. The festival has done projects in over 20 cities around the globe, such as Honolulu, Taipei, Tokyo, Nepal, Guam, Seoul, Helsingborg, Kathmandu, and others. He is also the co-founder of a creative community center called LANA LANE STUDIOS. He spends his free time teaching art classes at Palama Settlement, which is a community center in an underserved community. He recently co-founded and is the artist of a collection of 8,008 PFP NFTs called FOMO MOFO. Through his work as an artist and curator, Jasper Wong, has devoted his career to fostering new connections through art and reframing the conversations we have about space, both public and private, and how we can use art and NFTs as a tool to craft inclusive new communities. To Learn more about Culturised visit: https://www.culturised.com/ Culturised is a https://www.wikiocast.com/ production. #powwow #mural

We, as marketers, all understand how important it is to get to know our customers. But what discipline are we bringing to that process? Do we understand the many levels of empathy we need to have for them, and how to translate those insights into the customer experience and product or service?Today, Emily Vernon, shares so much wisdom about how to look at our customers' experience. We talk about the cumulative experience and how brands can shift from being reactive to cultural moments to being more proactive. Emily shares the three altitudes of empathy - the layers at which we need to understand our customers in order to create an engaging experience. We discuss how brand experience is shifting from user-centricity to human centricity, and requires leaders to address more complex, emotional needs (yes, even in B2B!). We chat about how empathy should be viewed as a skill, not a trait.  She also shares 5 empathy exercise types so you avoid seeing customer insight gathering as one-dimensional and discover which ones your brand is doing well, versus what you may be missing to get a fuller picture.  Today's episode may change the way you gather customer insights from now on! Key Takeaways:You have to understand your customers as people, not as a broad, generic demographic. In order to connect with the right people, some people won't like you. B2B has evolved over the last 20 years, but it is important to remember that you're selling to humans, who justify emotions with logic, but are still buying with emotion. There is more than one way to look at empathy exercises. It is important to look at empathy from all angles, gather and analyze that information, and then implement with your team and see what sticks. "We bring meaning in terms of how we live, we bring meaning in terms of how we do our job. There's much more of a movement in B2B to start to look at things emotionally." —  Emily Vernon About Emily Vernon, Customer Experience Consultant an, B2B Experience Lead:Emily consults Reckitt around the end-to-end experience for B2B hygiene solutions. For more than ten years, both agency- and client-side, she has enabled brands to better engage their audiences through experience, ranging from products to service rituals, physical environments to digital platforms. She's been honored to have worked with some of the top brands within work, travel, luxury and wellbeing including Lego, IHG, Clinique, Shimano and Converse. Collaborations with these brands and others have been featured in Highsnobiety, Hypebeast, Wallpaper*, Transform and Frame Magazine.Emily's experiences with stand-up comedy, offshore sailing and living abroad have cultivated her belief that we should always question the default.Resources MentionedDecisive: how to Make Better Choices in Life and Work by Chip and Dan HeathThe Empathy Edge podcast with Michelle Wucker: How Risk Empathy Impacts Team PerformanceConnect with Emily VernonWebsite: https://emilyvernon.comLinkedIn: https://www.linkedin.com/in/emilygvernon/Instagram: https://www.instagram.com/emilygv/  Don't forget to download your free guide! Discover The 5 Business Benefits of Empathy: http://red-slice.com/business-benefits-empathy  Connect with Maria: Get the podcast and book: TheEmpathyEdge.comLearn more about Maria's brand strategy work and books: Red-Slice.comHire Maria to speak at your next event: Red-Slice.com/Speaker-Maria-RossTake my LinkedIn Learning Course! Leading with EmpathyLinkedIn: Maria RossInstagram: @redslicemariaTwitter: @redsliceFacebook: Red Slice

We, as marketers, all understand how important it is to get to know our customers. But what discipline are we bringing to that process? Do we understand the many levels of empathy we need to have for them, and how to translate those insights into the customer experience and product or service?Today, Emily Vernon, shares so much wisdom about how to look at our customers' experience. We talk about the cumulative experience and how brands can shift from being reactive to cultural moments to being more proactive. Emily shares the three altitudes of empathy - the layers at which we need to understand our customers in order to create an engaging experience. We discuss how brand experience is shifting from user-centricity to human centricity, and requires leaders to address more complex, emotional needs (yes, even in B2B!). We chat about how empathy should be viewed as a skill, not a trait.  She also shares 5 empathy exercise types so you avoid seeing customer insight gathering as one-dimensional and discover which ones your brand is doing well, versus what you may be missing to get a fuller picture.  Today's episode may change the way you gather customer insights from now on! Key Takeaways:You have to understand your customers as people, not as a broad, generic demographic. In order to connect with the right people, some people won't like you. B2B has evolved over the last 20 years, but it is important to remember that you're selling to humans, who justify emotions with logic, but are still buying with emotion. There is more than one way to look at empathy exercises. It is important to look at empathy from all angles, gather and analyze that information, and then implement with your team and see what sticks. "We bring meaning in terms of how we live, we bring meaning in terms of how we do our job. There's much more of a movement in B2B to start to look at things emotionally." —  Emily Vernon About Emily Vernon, Customer Experience Consultant an, B2B Experience Lead:Emily consults Reckitt around the end-to-end experience for B2B hygiene solutions. For more than ten years, both agency- and client-side, she has enabled brands to better engage their audiences through experience, ranging from products to service rituals, physical environments to digital platforms. She's been honored to have worked with some of the top brands within work, travel, luxury and wellbeing including Lego, IHG, Clinique, Shimano and Converse. Collaborations with these brands and others have been featured in Highsnobiety, Hypebeast, Wallpaper*, Transform and Frame Magazine.Emily's experiences with stand-up comedy, offshore sailing and living abroad have cultivated her belief that we should always question the default.Resources MentionedDecisive: how to Make Better Choices in Life and Work by Chip and Dan HeathThe Empathy Edge podcast with Michelle Wucker: How Risk Empathy Impacts Team PerformanceConnect with Emily VernonWebsite: https://emilyvernon.comLinkedIn: https://www.linkedin.com/in/emilygvernon/Instagram: https://www.instagram.com/emilygv/  Don't forget to download your free guide! Discover The 5 Business Benefits of Empathy: http://red-slice.com/business-benefits-empathy  Connect with Maria: Get the podcast and book: TheEmpathyEdge.comLearn more about Maria's brand strategy work and books: Red-Slice.comHire Maria to speak at your next event: Red-Slice.com/Speaker-Maria-RossTake my LinkedIn Learning Course! Leading with EmpathyLinkedIn: Maria RossInstagram: @redslicemariaTwitter: @redsliceFacebook: Red Slice

T. Kyle and Bradley discuss the shocking announcement of Rihanna as the Super Bowl 2023 halftime show headliner, Bebe Rexha's first No. 1 in the UK with “I'm Good (Blue),” Madonna causing havoc with Tokischa, a UK Minute with the Spice Girls and their endless 25th anniversary celebrations, a Geri impersonator on “Drag Race UK,' ‘Chromatica Ball' aftermath, Mariah Carey taken out of context at Global Citizens Festival (9/11), High Fashion Editorial! featuring Julia Fox for High Snobiety and her karaoke moment, Lil Nas X for Madame Tussaud's and his FaceTime trolling, TIkTok Talk with James Charles' phone number, Hilary Duff recreating her “That's so Gay” PSA, Lady Gaga endorsing Jeffree Star, the Star Yak Ranch Burger, @BritneyForPrez's Lisa Rinna M&M edit, Taylor Swift's lookalike, Super Bowl shutdown and track-by-track countdown, new music from INJI, Bobby Marks, FLO, Anna of the North, SG Lewis and M-22 with Ella Henderson, a 3LW “BS Report,” Britney and Elton John's “Hold Me Closer” video is coming, a Bratz update, and the latest on Beyonce's ‘Renaissance Tour' rumors in 2023. The girls and the boys with a passion for fashion…BRATZ!We have merch! http://merch.legendsonlypodcast.com Listen to bonus episodes & join our Discord: http://patreon.com/legendsonly Hosted on Acast. See acast.com/privacy for more information.

This week's guest on the pod is Alec Leach, former editor of the product hype website Highsnobiety and author of the book "The world is on fire and we@re still buying shoes". We talk about how he got started in Highsnobiety and what the work there involved, how streetwear brands have changed the way brands market their goods and how tough it is to change the way we consume clothes. Oh, and how a luggage brand brashly proclaimed their handbag could save the planet.You can buy Alec@s book on his website at alecleach.comGarmology is researched, booked, hosted, edited, published, paid for and everything else by Nick Johannessen. There is no advertising or sponsorship, but you are welcome to support the podcast at buymeacoffee.com/garmologyNick Johannessen is also the editor of the WellDressedDad blog and WellDressedDad on Instagram. You can email Nick as Garmology (at) WellDressedDad.com.Garmology theme music by Fabian Stordalen.

We had the pleasure of interviewing Tommy Newport over Zoom video.Tommy Newport is known for his irresistible falsetto-steeped indie anthems, garnering a substantial buzz with his 2018 debut, Just To Be Ironic, while he was still a teenager. Following the paramount success of 2019's Tommy Gun EP and 2021's Ultra Mango EP and Liquid EP, Newport continues to develop his euphonious sound. Having received plenty of critical acclaim along the way from the likes of The FADER, Complex, Hypebeast, High Snobiety, Pigeons & Planes, PAPER, Lyrical Lemonade, COLORS & more, Tommy is continuing to prove he's a force to be reckoned with. At only 21 years old, Tommy's already toured extensively across North America & Europe, been championed by legendary tastemakers like Zane Lowe & Giles Peterson, and collaborated with Grammy nominees EARTHGANG. Born Oliver Milmine in Manchester, England, Newport moved to the United States at a young age, eventually settling in Kansas. There, he picked up the guitar and taught himself how to produce music on his computer. Consolidating his style and sound into something rather extraordinary, Newport has created his own funky, psychedelic style of pop with his falsetto vocals riding atop bulging basslines, grooving guitar, melodious keyboards and electronic grooves. Inspired by a mix of early-2000s bands like MGMT, The Killers, and Phoenix, he's received musical placements on shows like Search Party, Ballers, Expecting Amy, an Apple iPad commercial and What/If. Withover streaming numbers hitting the millions, Tommy Newport continues to shine with his unique soundscape and musical capabilities. He's got some big moves lined up in the year ahead and is certainly proving to be one to watch! We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #TommyNewport #TommyGun #UltraMango #Liquid #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

At one point or another, everyone has an encounter with a “cool guy”.  You know who I'm talking about – over the top laughter, outlandish clothing, the center of attention always… yeah, that guy.  Fred Durst was the epitome of the cool guy in the late 90's and early 2000's.  He and his band, Limp Bizkit, were the hottest thing in music for about a 4-year stretch, until the sheen seemed to wear off.  In fairly short order, Durst began to be the butt of jokes, Limp Bizkit went on hiatus, and it all kinda came to an end.  But was the character we all got to know as Fred Durst, really the person Fred Durst?  If he knew how to build a brand, capitalize on everything he could, knowing it wouldn't last forever, would you still think he's a d-bag?  Let's rip into it with a f*n chainsaw in the Limp Bizkit episode of AHC Podcast.       Intro Music Credit: TeknoAXE's Royalty Free Music Psycho Nu Metal Loop Remastered -- Loop 23-A -- Royalty Free Music Metal/Rock https://www.youtube.com/watch?v=_Ljqtnwce9c       Citations: Bezer, T. (2016, October 17). Fred Durst: "there was always a lot of pain in my life". loudersound. Retrieved July 30, 2022, from https://www.loudersound.com/features/fred-durst-the-limping-man Botnar, K. (2020, April 8). Limp Bizkit rocker Fred Durst and his family. here is all you need to know. BHW. Retrieved July 30, 2022, from https://bodyheightweight.com/fred-durst-family/ Devenish, C. (2000). Limp Bizkit. St. Martin's. Fred Durst Biography. OurBiography. (2021, October 30). Retrieved July 30, 2022, from https://www.ourbiography.com/fred-durst/ Kaufman, G. (1999, July 13). Limp Bizkit's Fred Durst arrested for allegedly kicking security guard. MTV. Retrieved July 30, 2022, from https://www.mtv.com/news/515876/limp-bizkits-fred-durst-arrested-for-allegedly-kicking-security-guard/ Kohn, D. (2020, April 24). Eddie Van Halen pulled a gun on Fred Durst in the early 2000s. SPIN. Retrieved July 30, 2022, from https://www.spin.com/2020/04/eddie-van-halen-pulled-a-gun-on-fred-durst-in-the-early-2000s/ Law, S. (2021, June 22). Limp Bizkit: How significant other saw the nu-metal anti-heroes take over the world. Kerrang! Retrieved July 30, 2022, from https://www.kerrang.com/limp-bizkit-how-significant-other-saw-the-nu-metal-anti-heroes-take-over-the-world Limp Bizkit Unlimited Access. (n.d.). Retrieved July 30, 2022, from http://www.musicfanclubs.org/limpbizkit/images.html Mullen, B. (1999, September 22). No. 1 Son. Jacksonville.com: No. 1 son 09/22/99. Retrieved July 30, 2022, from http://jacksonville.com/tu-online/stories/092299/dsr_0922bizk.html Pauly, A. (2022, January 10). Attention: Fred Durst of limp bizkit is alive and well. Highsnobiety. Retrieved July 30, 2022, from https://www.highsnobiety.com/p/robert-fred-durst-dead/ Staff, T. M. Z. (2022, March 8). Fred Durst victim in $3000 theft, cops track down his stuff and suspect. TMZ. Retrieved July 30, 2022, from https://www.tmz.com/2022/03/08/fred-durst-yard-theft-thousands-stolen-arrest-felony/ Thomas, M. (2021, September 5). Limp Bizkit fans don't know Fred Durst committed this serious crime. TheThings. Retrieved July 30, 2022, from https://www.thethings.com/limp-bizkit-fred-durst-assault-dui/ Walker, J. J. (2020, May 21). Fred Durst's 13 weirdest moments. Kerrang! Retrieved July 30, 2022, from https://www.kerrang.com/fred-dursts-13-weirdest-moments Wikimedia Foundation. (2022, July 27). Fred Durst. Wikipedia. Retrieved July 30, 2022, from https://en.wikipedia.org/wiki/Fred_Durst Суконнова, А. (2019, September 13). Fred Durst. en.24smi.org. Retrieved July 30, 2022, from https://en.24smi.org/celebrity/102212-fred-durst.html#tableofcontents1

We had the pleasure of interviewing grandma over Zoom video.Following his April single “I Met God Online,” genre-bending alternative artist grandma releases “Blue Atlanta,” a dreamy ode to darkness and disengagement. grandma also announces his next EP, “Angelhood” today, which is set for a July 15th release.“Blue Atlanta is about the imaginative avenues I created at a time of extreme loss. When I began to hate my environment and my inner world grew dull all I could do was detach. The video is about unfolding and breaking away from the life I created that caused me so much pain. Whether it was friends dying to addiction or suicide I just felt the light went dimmer and dimmer,” says grandma of the track. “I Met God Online,” released last month, chronicles the nonlinear nature of love in the digital age—failed talking stages, psychosexual pining, miscommunication and vibe shifts— intertwined with a fascinating strain of theism. ”I Met God Online” is about people's fascination with internet esotericism,” says grandma. “A meditation on how someone's life and internet presence can amorphously become someone else's religion, obsession, or gospel.”Hailed by Highsnobiety for “crafting music that pushes the notion of genre experimentation and fusion to unimaginably innovative heights,” grandma – a.k.a. multi-instrumentalist/producer Liam Hall – has earned applause for his fascinating amalgam of bedroom hip-hop, raw funk, alternative R&B, and lo-fi pop, showcased on 2019's debut mixtape, Even If We Don't Get It Together. The project – which features such groundbreaking tracks as “Stomp and Grind (Feat. Rico Nasty),” “Downtown Life,” and “Shallow Water,” – was followed in 2020 by an extensive string of chameleonic singles, including “Everybody's On Their Phone,” which was featured on SiriusXM Alt Nation's Advanced Placement and described by PAPER Magazine as a “reassuring and observant new song”, and “Virtually Anything,” an acclaimed collaboration with anti-pop star sophie meiers which earned acclaim from Nuance Magazine as “an extremely enticing track that is a must listen for any alternative/R&B fans.”Known throughout Atlanta's pop and hip-hop scenes for his skills as a singer, songwriter, musician, producer, programmer, arranger, and visual artist, grandma has received a wide range of media attention, with Pigeons & Planes naming him “Best New Artist of the Month” and A1234 declaring, “grandma, I have no doubt, will soon be the soundtrack to many people's adolescence as his genre-defying talent speaks to a whole new generation of music lovers.” The preternaturally talented polymath maintained a steady flow of tracks through 2020, including “Chills,” “Bested,” and “Growing Up Is Strange”.Now grandma is poised to push his distinctive brand of personal pop ever higher, reaching heavenward with a one-of-a-kind sound and vision unlike any other. Expect more music from this new chapter soon.We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #grandma #Angelhood #IMetGodOnline #BlueAtlanta #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

In this episode of the Get Loved Up podcast, Koya talks to celebrated environmentalist Leah Thomas. Leah talks about Intersectional Environmentalism and how we can't separate social justice from true environmentalism. While a little goes a long way when it comes to protecting the planet, Leah also recognizes that unsustainable practices also stem from social realities that need to be changed. Our planet's struggles are also our own and to solve environmental issues would also require solving the problems that hound human species alone. GUEST BIOLeah Thomas is a celebrated environmentalist based in Santa Barbara, CA. Coining the term ‘eco-communicator' to describe her style of environmental activism, Leah uses her passion for writing and creativity to explore and advocate for the critical yet often overlooked relationship between social justice and environmentalism. With this intersection in mind, Leah founded and launched Intersectional Environmentalist in 2020, a resource hub and platform that aims to advocate for environmental justice, provide educational resources surrounding intersectional environmentalism, and promote inclusivity and accessibility within environmental education and movements.Leah, who is also the founder of eco-lifestyle blog @greengirlleah, uses her multiple years of eco-focused educational and work experience to inform her ever-expanding list of projects, as well as her audience of more than 350k followers. A graduate of Chapman University with a B.S. in Environmental Science & Policy and a cluster in Comparative World Religions, Leah has interned twice with the National Park Service and has worked at leading green companies, including eco-friendly soap company Ecos and most recently, Patagonia. A fundamental optimist and opportunity-maker, Leah used her time after being furloughed during the pandemic to create Intersectional Environmentalist. Leah's writing has appeared in a variety of publications, including Vogue, Elle, Marie Claire and Highsnobiety, and she has been featured in Harper's Bazaar, W Magazine, Domino, GOOP, and numerous podcasts.Connect with Leah and follow her work through the links below: Website: https://www.greengirlleah.com/Instagram: https://www.instagram.com/greengirlleah/LinkedIn: https://www.linkedin.com/in/leahpthomas/HIGHLIGHTS04:34 Leah's political awakening 07:42 What 'intersectional' means 23:27 Top 5 questions to dive into to become a better person26:08 Support conscious capitalism as much as you can 30:30 Living the nomad life in LA40:22 How to get started in becoming an environmentalistQUOTES05:35 Leah: "Really early on, I started seeing in my studies that environmental legislation is not enforced equally for all people, especially along racial and economic lines. That's something that always stuck with me for a really long time, just not understanding why there wasn't more representation of all the incredible black folks and our contributions to sustainability. " 06:22 Leah: "We can't separate the liberation of people from environmentalism. And if we do, I don't really want to take part in that type of environmentalism." 22:04 Leah: "I think about my time spent writing the book and it's all kind of a haze. I was just so into it, I was writing it during the pandemic. And I'm the type of person where if I have something to say, I'll say it. And when I don't, I'll be quiet. I'll be quiet for years. But I had something to say, I had it in my heart, and there's something just so freeing about that and then also I know that I can back it up." 26:10 Leah: "If you can, I mean, supporting conscious capitalism, shopping local, trying to reduce harm by getting things that are fair-trade, locally sourced, ethically made. I know sometimes there's a really hefty price tag on that." 41:03 Leah: "Do a little audit. Reward yourself with the things that you are doing. Compassionately guide yourself to do better in the areas that you're not." Please leave a five-star review for the Get Loved Up Podcast. When you leave that review, please take a screenshot and email me at koya@koyawebb.com, and I've got a little gift for you.Your thoughts light up Koya's soul, and it helps continue to bring on great guests.To hear more about Koya Webb and Get Loved Up episodes, please visit her website at https://koyawebb.com/.

On the fourth episode of the podcast, Highsnobiety cofounder Jeff Carvalho (@jeffcarvalho) runs the gamut on topics ranging from Japanese denim to NFTs and Clubhouse. Jeff's blogs on Highsnobiety helped transform the way we see brands and products to this day and he's managed to stay at the forefront as the industry embraces Web3.