Podcasts about henslowe

Hello to you listening in Puyallup, Washington!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Wednesdays on Whidbey and your host, Diane Wyzga.Maybe like me your fears, worries, and anxieties can feel overwhelming at times. How could things turn out well? I turn to a favorite scene from the movie, Shakespeare in Love. Philip Henslowe is the promoter behind Shakespeare's newest play. Henslowe is threatened by the play's producer Hugh Fennyman and his thugs because Henslowe owes money to Fennyman. If the play opens as planned Henslowe can pay what's owed; but The Rose Theatre is currently closed because of the plague.  Philip Henslowe: Mr. Fennyman, allow me to explain about the theatre business. The natural condition is one of insurmountable obstacles on the road to imminent disaster.Hugh Fennyman: So what do we do?Philip Henslowe: Nothing. Strangely enough, it all turns out well.Hugh Fennyman: How?Philip Henslowe: I don't know. It's a mystery.Click to watch the scene on YouTubePractical Tip: The next time you're faced with some challenge, take a deep breathe and repeat, “Strangely enough it all turns out well. How? I don't know. It's a mystery.”  You're always invited: “Come for the stories - stay for the magic!” Speaking of magic, would you subscribe and spread the word with a generous 5-star review and comment - it helps us all - and join us next time!Meanwhile, stop by my Quarter Moon Story Arts website to:✓ Check out Services I Offer https://www.quartermoonstoryarts.net/services/,✓ For a no-obligation conversation about your communication challenges, get in touch with me today✓ Stay current with Diane as “Wyzga on Words” on Substack and on LinkedInStories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved. 

Episode 138:Over the course of speaking about English Renaissance Plays and Shakespeare I have had cause to mention the play ‘A Knack to Know a Knave' several times. Most latterly because it is thought to include references to ‘The Taming of the Shrew' and ‘Titus Andronicus' and prior to that, in the season on the Early Renaissance Theatre it had a mention as one of the plays performed at the Rose Playhouse as recorded in Henslowe's Diary. Having been reminded of it while writing about the early Shakespeare plays I thought that it deserved a little time in the spotlight on it's own as it gives us a little snapshot of the plays, and particularly comedies other than Shakespeare and Jonson, that was circulating at the time of the earliest of Shakespeare's plays. So, here is a little interlude of an episode all about ‘A Knack to Know a Knave'.A quick word on ‘Shakespeare's Borrowed Feathers' by Darren Feebury-Jones, which is published in October 2024 and on Henry Porter and his possible involvement with ‘Dr Faustus'.The performances of ‘A Knack to Know a Knave' as reported in Henslowe's DiaryThe mystery of the low takings for repeated performances in a second run of the playThe printed quarto edition of the playA summary of the plotThe (possibly) missing parts of the play, including Kempe's extemporisingHow the fools of Gotham folk tale is worked into the playThe allusions to other plays in the textThe final lines of the playIf you would like to read the text of A Knack to Know a Knave, you can find it on google books here Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 108:The second part of the story of Thomas Dekker and his works'Old Fortunas' - Dekker's first known play‘The Honest Whore', a good example of what was good and bad in Dekker's work.‘The Civil Wars in France' - three parts, an introduction and a bit of a mystery.Dekker's debt to the Lord Chamberlin's Men and rescue by Henslowe.How Henslowe's Diary shows Dekker's incredible work rate.The Play of Sir Thomas Moore - including a word on Shakespeare's contribution.'The Shoemaker's Holiday', Dekker's best surviving workThe Bishop's Ban of 1599 and a theatrical spat.Dekker's account of the failure of 'The Whore of Babylon'.Later works, the Lord Mayor's pageant and prison.Last years and death in poverty.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Episode 106We have the detail about the way a London playhouse functioned thanks, in a large part, to one document. Theatre owner Philip Henslowe kept a record of many aspects of his enterprise at the Rose theatre from 1591 to 1609. A large part of the diary comprises of daily records of the takings at the box office, which plays were performed, if they were new or revivals, and various other details about expenses, costumes and matters related to the running of The Rose. This episode looks at activity at The Rose for two months through the eyes of Henslowe's DiarySupport the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

In this bonus episode we get an introduction the the diary of Philip Henslowe, theatre owner and businessman during the end of the Tudor period and beginning of the Stuart period. Elements from the diary will feature on upcoming episodes for podcast supporters on Patreon. To support the podcast go to: www.patreon.com/thoetp www.thehistoryofeuropeantheatre.com This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

In today's episode, we are talking about what might be the most famous theatre in the English-speaking world: The Globe Theatre, and what we know about what it would be like to be an audience member seeing a Shakespeare play at The Globe.  Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com   Works referenced: Alchin, L.K. “Globe Theatre Interior.” Elizabethan Era, Siteseen Ltd., Accessed on 16 May 2012 from http://www.elizabethan-era.org.uk/globe-theatre-interior.htm.  Bryson, Bill. “Ch. 6 Years of Fame 1596-1603.” Shakespeare: The World as Stage, Atlas Books, New York, 2016, pp. 124–127.  “Globe Theatre.” Wikipedia, Wikimedia Foundation, 31 Aug. 2021, Accessed on 25 Aug. 2021, from https://en.wikipedia.org/wiki/Globe_Theatre.  Henslowe, Philip. The diary of Philip Henslowe, from 1591 to 1609. Printed from the original manuscript preserved at Dulwich college. London, Shakespeare Society, 1845. No Sweat Shakespeare. Lord Chamberlain's Men and King's Men Company Member Timeline. Instagram, 29 August 2021, https://www.instagram.com/p/CTKPYXxr7Y6/?utm_medium=copy_link. “Who Were These People? Audiences in Shakespeare's Day.” Seattle Shakespeare Company, Seattle Shakespeare Company, 23 Jan. 2018, Accessed on 27 Aug. 2021 from https://www.seattleshakespeare.org/who-were-these-people/. 

Scholars know that Shakespeare's Twelfth Night was performed at court. But what does that mean?  In today's episode, we're diving into what producing a play at court looked like for Shakespeare and his contemporaries as well as how performing at court influenced characters and themes of plays like Twelfth Night.  Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com   Works referenced: Bergeron, David M. “Court Masques about Stuart London.” Studies in Philology, vol. 113, no. 4, 2016, pp. 822–849. JSTOR, www.jstor.org/stable/44329617. Accessed 18 June 2021. Henslowe, Philip. The diary of Philip Henslowe, from 1591 to 1609. Printed from the original manuscript preserved at Dulwich college. London, Shakespeare Society, 1845. Hirrel, Michael J. “Duration of Performances and Lengths of Plays: How Shall We Beguile the Lazy Time?” Shakespeare Quarterly, vol. 61, no. 2, 2010, pp. 159–182. JSTOR, www.jstor.org/stable/40731154. Accessed 23 May 2021. Lucy Munro. “Actors, Plays and Performances in the Indoor Playhouses, 1625–42: Boy Players, Leading Men and the Caroline Ensemble.” The Yearbook of English Studies, vol. 44, 2014, pp. 51–68. JSTOR, www.jstor.org/stable/10.5699/yearenglstud.44.2014.0051. Accessed 18 June 2021. RANKIN, MARK. “Henry VIII, Shakespeare, and the Jacobean Royal Court.” Studies in English Literature, 1500-1900, vol. 51, no. 2, 2011, pp. 349–366. JSTOR, www.jstor.org/stable/23028079. Accessed 24 May 2021. Streitberger, W. R. “Chambers on the Revels Office and Elizabethan Theater History.” Shakespeare Quarterly, vol. 59, no. 2, 2008, pp. 185–209. JSTOR, www.jstor.org/stable/40210263. Accessed 23 May 2021. “The Royal Household and Its Revels.” Music in Elizabethan Court Politics, by Katherine Butler, NED - New edition ed., Boydell & Brewer, Woodbridge, Suffolk; Rochester, NY, 2015, pp. 76–104. JSTOR, www.jstor.org/stable/10.7722/j.ctt7zst07.10. Accessed 23 May 2021. Vanhoutte, Jacqueline. Age in Love: Shakespeare and the Elizabethan Court, University of Nebraska Press, 2019, pp. 1–32 & 121-158.

In Elizabethan England, much of what we know about how theaters were operated comes from the diary of a man who ran dozens of theaters during Shakespeare’s lifetime: Philip Henslowe. Henslowe was enterprising and ambitious, setting up the Bear Garden for bear baiting, and establishing the Rose, the Fortune, and the Hope theaters, among others. Throughout his dealings with numerous playing companies including Shakespeare’s The Lord Chamberlain’s Men, Henslowe kept a diary about who he paid to perform, what productions were done, and even what props and costumes were used. The result is a fascinating tale of bits and pieces that give a real insider's look into the daily operations of what it meant to hire actors, collaborate across playing companies, and even part of how Henslowe was able to achieve a royal office in the court of James I as a theater owner in Shakespeare’s lifetime. Since we do not have a similar diary of Shakespeare’s dealings at The Globe, Henslowe’s records help us see into the world of Shakespeare’s theater to get an idea of what it was like to build dragons, stage the Battle of Shrewsbury, and where exactly the resources came from to pull off the grand feats of performance these theaters have gone down in history as having accomplished.  Our guest this week, Amy Lidster, returns to the podcast for her second visit here at That Shakespeare Life to talk with us about Henslowe and his diaries.

What was the business of theatre like in Shakespeare’s time? We don’t have many records, but one fascinating document has survived: a book of accounts and memoranda (often inaccurately referred to as a diary) from Philip Henslowe, a businessman in 1590s London. Henslowe helped build the Rose Theatre, where a number of plays by Shakespeare, Christopher Marlowe, and their contemporaries received their premieres. Now Dr. David Nicol of Dalhousie University is bringing Henslowe’s day-by-day account of early modern show business into the twenty-first century. Dave’s site, “Henslowe’s Diary … as a Blog!” follows the entries in Henslowe’s book day by day, introducing readers to plays ranging from the familiar to the forgotten, as well as trying to make sense of how financially successful each performance was. Dave joined us to talk about Henslowe’s book, the business of running a theatre in early modern England, and how he decided to turn this valuable document into a blog.

"Life upon the wicked stage Ain't ever what a girl supposes..." - from Show Boat New episode! In episode #11, I explore what life was like on the Elizabethan stage, from its naive origins to the messy, democratic, bawdy theatre world Shakespeare inherited. Join me as I learn about the original hellmouth, why the Puritans were so opposed to the filthy theatre, some fun things to do with a donkey, and how many days it takes to dance your way from London to Norwich...   You can find me on Facebook, Twitter, or by email at podcastshakespeare@gmail.com. You can subscribe to the podcast at iTunes, Stitcher, Soundcloud, or download direct from Libsyn. The Patreon campaign is up and running, with bonus Sonnet episodes! We also have a Spotify playlist, which will be updated as we work through the plays. Key links below. You can also visit the bibliography page here, which is a work in progress. Links mentioned: Malcolm Gladwell, The Tipping Point (2000); Thomas Norton and Thomas Sackville, The Tragedy of Gorboduc (1561-62); Stephen Greenblatt, Will in the World (2004); Reverend John Northbrooke's allegations against the theatre (late 16th century); Bill Bryson, Shakespeare: The World as Stage (2007); Representation of the Globe Theatre, at the website of Saint Ignatius College, Geelong; (New) Globe Theatre, DVD online store; Slings and Arrows (2003-2006) - Season 1 trailer on Youtube; Ned Alleyn (1566 - 1626); Richard Burbage (1567 - 1619); "Exit: Burbage"; Robin Williams in Mork & Mindy (1978 - 1982); Richard Tarleton (15?? - 1588); Will Kempe (15?? - 1603); Kemp's Nine Days Wonder; Morris dancing; Robert Armin (c. 1563 - 1615); Philip Henslowe (c. 1550 - 1616); Henslowe's diary... as a blog!; Shakespeare in Love (1998, d: John Madden). Joseph Fiennes is Shakespeare, Geoffrey Rush is Philip Henslowe, Ben Affleck is Ned Alleyn, Judi Dench is Queen Elizabeth, Martin Clunes is Richard Burbage, Rupert Everett is Kit Marlowe, and Patrick Barlow plays Will Kempe.; Music: "We Open in Venice" and "Another Op'nin, Another Show" from Cole Porter's Kiss Me Kate: 1999 production with Brent Barrett (Fred / Petruchio), Rachel York (Lili / Kate), Nancy Kathryn Anderson (Lois / Bianca), Michael Berresse (Bill / Lucentio), and Kaye Brown (Hattie); Music in the Time of Shakespeare – Gigue; Thomas Morley: Dances for Broken Consort; Blossom Dearie: Life Upon the Wicked Stage (from Show Boat); Judy Garland: No Business Like Show Business (from Annie Get Your Gun); Jason Alexander: Comedy Tonight (from A Funny Thing Happened on the Way to the Forum, excerpted in Jerome Robbins' Broadway); Original Broadway Cast: The Glamorous Life (from A Little Night Music)

Skype of Cthulhu presents a Call of Cthulhu campaign: Eternal Lies by Will Hindmarch and Jeff Tidball with Jeremy Keller. Music by James Semple.June, 1935Savannah, GAFr. Meinardus interviews Edgar Job, Dr. Udko and Ms. Astor visit Douglas Henslowe, and the remaining Investigators tour the Henslowe estate.Dramatis Persone: Edwin as Margaret Sullivan - Police Detective;Jim as Father Carl Meinardus - Clergy;Matt as Dr. Paul Udko - Alienist;Max as Alfred Elliott - Private Investigator;Randall as the Keeper of Arcane Lore;Sean as Cora King - Dilettante;Steve as Dorothy Astor - Author.Download

We take it for granted that Shakespeare's theater was similar to ours, when in fact, the experience of stepping inside The Globe or other Elizabethan playhouses was quite different for Shakespeare than for us today.  To take us behind the curtain and explore the inside of The Globe theater, Richard Dutton is our guide today, helping explore the sights, sounds, and smells inside a real Elizabethan theater. Richard Dutton is a specialist in the theater of William Shakespeare, having written twenty nine books in all about Shakespeare, Ben Jonson, and other early modern dramatists as well. He joins us today to take a look inside some of the unexpected theater conventions that were normal for Shakespeare, and might be surprising for us today. In this episode, I’ll be asking Richard about : What were the sights and sounds someone experienced upon entering The Globe? Shakespeare's plays reference a prayer to the Queen at the end of a production--why did they pray? Philip Henslowe is cited as having side jobs related to theater. In the business of theater, would all theater owners capitalize on their options for income this way? What about snacks? Did they have popcorn at the theater? ...and more!

Welcome to The Crochet Circle Podcast. Here are the Show Notes from Episode Six - Shore to Shore.   In this episode we continue with our crochet journeys, including helpful hints on blocking; Yay Crochet or Nay Crochet; Yarn Review of Daughter of a Shepherd Hebridean/Zwartbles yarn; Magazine Round-up; a review of two fibre festivals on either side of the pond – Woolfest and Houston Fibre Fest; WIP Wall and FOs, Feeding the Habit, a fab giveaway from Anna Nikipirowicz and finishing with What's Good.   This podcast is sponsored by my online crafting company, Provenance Craft Co. and Lynne Rowe Knitting and Crochet Thanks to everyone who tunes into the podcast whether it is through Stitcher, Podbean, Spotify, iTunes or the YouTube Channel. Your support and engagement are really appreciated and makes running a podcast very special and worthwhile.    If you would like to support the podcast, you can do that through Patreon:   1. Yay Crochet or Nay Crochet (at 2.55 mins) It's a Nay Crochet from Fay due to the lack of crochet content at fibre festivals and in general. When we visited Woolfest, we noticed that most of the stalls were aimed at knitters and even on most of the yarn stalls the samples that were on show were also knitted. This seems at odds with the increasing rise in the popularity of crochet and may be off-putting to new crocheters who perhaps don't realise that you can crochet with any yarn. We know that at Yarndale we'll see a lot more crochet-related vendors and Lynne and I will also be there waving the flag for crochet.   It's a Yay Crochet from Lynne for all the lovely things that people are crocheting up and the inspiration that they give to others. I’ve really been enjoying The Crochet Circle Podcast Ravelry forum – especially seeing all of the lovely finished objects that people are sharing. In particular, it’s also made me realise how adaptable crochet is, even if you’re not hugely experienced with crochet. It seems easier for people to take parts of a pattern and make something else altogether, or tweak patterns to suit their individual taste.   Here's the link to our Ravelry FO's board: http://www.ravelry.com/discuss/the-crochet-circle-podcast/3400722/51-75#71   2. Yarn review (at 9 mins)   Daughter of a Shepherd: 75% Hebridean and 25% Zwartbles DK weight 233m/255 yards per 100g Recommended needles/hook:3.5-4.5mm hook/needles Cool hand wash only and leave flat to dry  Completely UK produced (sourced, scoured and spun in UK)  RRP: £18 for 100g.  Website: www.daughterofashepherd.com Rachel's blog: http://mylifeinknitwear.com/ We had 10g each to test and crochet up.  The characteristics of Hebridean wool are very similar to the Zwartbles that is has been blended with as both are very dark brown/near black in colour, durable and dense.  This yarn is spun at John Arbon Textiles and John says that the longer staple length of the Zwartbles helps with the processing of the Hebridean because it gives the Heb staples something more to align and grip to.        Fay – I tried this with a 3.5mm, 4mm, 4.5mm and 5mm hook and found that the 4.5mm gave the nicest effect, so using a 4.5mm hook I created a tiny little bowl to put my measuring tape in because I am always losing it!  It is hard to see the stitch definition because of the natural yarn colour (which is very dark), but it is good.  I still had a little bit leftover and so made some leaves with the remainder and also made some using some Jacob wool that I had to create a cup holder for when I am out and about (I usually have them in my different handbags so that I don’t need the cardboard sleeve).   The wool is soft and nice to work with and becomes softer when washed and blocked. I would use this again for crochet and could easily take it up against my skin.  It would make a beautiful crocheted shawl with an open lacy structure that really makes the most of the stitch definition.  I would also use it with other natural wools to bring out the depth of colour that it has.  It would be great at the dark end of a gradient project or mixed with a really vibrant blue or burnt orange.   Lynne: I really enjoyed working with this yarn – as soon as I wound it off the skein I could smell the sheep and it made me feel happy to be working with a natural fibre that can be fully traced back to its source.  I love the natural colour of the wool– it’s a very deep brown, almost like treacle, and there are a few light coloured fibres running through. I have really sensitive skin, but for the time that I was using the yarn, I was absolutely fine. I don’t think I could stretch to wearing it directly around my neck (but that’s just me) but I could mix it with something else and just keep the Hebridean/Zwartbles away from the neck edge. I made two things also with my mini skein – a bookmark, which I’ve already been using, and a small mandala that I’ve made a pincushion from. Both have great stitch definition and are firm in structure. I made my pincushion using wool fabric from Eliza Conway (a Yarndale purchase) and I’m delighted with both of my mini-projects.   On Ravelry in Rachel’s group, there are lots of projects on the go with this yarn – often it’s mixed with something else, but it’s a great place to go and visit if you want inspiration.   Link to Rachel's Ravelry group: http://www.ravelry.com/groups/daughter-of-a-shepherd   3. Magazine round-up (at 22.15 mins) Fay's overall favourite: Cowslip Parsley Garland from Simply Crochet issue 47, designed by Emma Mitchell. It's a free pattern download from Emma's blog: www.silverpebble.net Lynne's overall favourite: Lace Shirt from Love to Knit and Crochet issue 4. It's a button-down shirt with a scalloped edge on the cuffs and hem. A clamshell pattern creates a light and airy effect which is perfect for Summer. Simply Crochet – issue 47 Ravelry link: http://www.ravelry.com/patterns/sources/simply-crochet-issue-47 Website Link: http://www.simplycrochetmag.co.uk/2016/07/21/simply-crochet-issue-47/ Fay's favourite: Cow Parsley Garland,  designer Emma Mitchell, pg 98 Lynne's favourite: Freeform Floral Cowl,  designer Jennifer May, page 83 Let’s Get Crafting – issue 83 Ravelry Link: http://www.ravelry.com/patterns/sources/lets-get-crafting-knitting--crochet-83 Website Link: http://www.letsgetcrafting.com/ Fay's favourite: Mouse toys (knitted), designer Sachiyo Ishii,  I have a pregnant friend that woudl love these for her daughter and new baby! Lynne's favourite: Hearts Garland, designer Kath Webber, pg 48  Crochet Now - issue 4 Website link: http://www.crochetnow.co.uk/ Fay's favourite: Flower Bedspread, designer Mrs. Moon, page 36 - this is beautifukl yarn to work with. Lynne's favourite: Candy amigurumi Deer, designer Irene Strange, pg 62    Love to Knit and Crochet - issue 4 Website Link: https://www.theknittingnetwork.co.uk/ Fay's favourite: Silky Vest Top, pg 33 Lynne's favourite: Lace Shirt, pg 34 4. A Crochet Journey - some tips on blocking your garment (at 26.30 mins) Like everything with crochet (and knitting), there are some aspects of blocking that are just a personal preference.  Fay - in the main I wet-block by immersing my finished object in cold water with a small amount of soaking product, gently washing then very gently squeeze out excess water and roll in a towel before pinning out to required dimensions.  You can see from the below photo that this can help to take out any residual (unexhausted dye).     Lynne - in the main, I spritz (or spray) my work to the point that it’s wet but not saturated. I use a plastic spray gun (the type that you can buy for the garden - usually around £1), then I gently press the water into the fibres with my hands. I then pin out carefully, according to the dimensions of the pattern, and leave to dry. Sometimes I repeat this process if I feel it necessary.   Even when a project is already the size you want it to be (pre-blocking), I'd still recommend blocking as it greatly improves your stitch definition and "sets" the stitches. I mainly steam block for cotton (I cover my project with a cotton cloth and hold the iron above and steam  - do not touch the fabric with the iron). I also steam block fair isle items because it really sets the stitches nicely. After steam blocking, I pin out because it’s damp and leave to dry.   What if I’m desperate? Sometimes I may be on a close call with a deadline – it could be 2pm in the afternoon and I’m still working on a project that needs posting that day – by 4.30pm – so I will always steam block just to make sure that the stitches look good for photography. If necessary I will use a hairdryer to dry it off before posting.   A lot of people say don’t block acrylic as it’s not wool and therefore has no stitch memory – but I do block acrylic projects, just because it improves the overall appearance and stitch definition. I would mainly spray block acrylic but have been known to steam block (very carefully) when desperate. There is more risk with steam blocking as you can relax the fibres too much and your work can become very droopy and much bigger than originally made. I always sew my ends in first and then block, whereas Fay doesn't sew in her ends before blocking because she found that if she sewed her ends in first and then blocked, the tail ends sometimes shift and she would have little bits of yarn poking out which then just create more work to neaten them up again.  When pinning out it is essential that you get your measurements right because if you overstretch the yarn then it’s ruined forever – yarn has a memory so once it’s set then it will spring back to that shape after washing. So be really careful when blocking, especially if using an iron. It really is a case of trying the method that suits you best given the yarn and project that you have made, but it is definitely worth it - see below!     5. Woolfest and Houston Fiberfest (at 48.50 mins) As you know we went off to Woolfest at the end of June.  Whilst we were there, Tamara, one of the listeners to the podcast was at a yarn festival in Houston, Texas.  Tamara kindly recorded some audio for us on the festival that she attended and we have some photos too.  Woolfest: Houston Fibrefest: We have started a thread in Ravelry for you to add details on any yarn festivals that you have been to. Kerry listens in Australia and has just added details of the large Wool and Sheep Festival that she has been at in Bendigo, Australia.  Feel free to add details of any yarn festivals that you have been to so that others can see what is available throughout the world.  I have added some standard questions that you can answer if you need something to crib from. Tamara is on the left - thanks for doing the review! Here's Tamara's round-up from Houston Fiber Fest: Link to website: http://www.houstonfiberfest.com/ New companies that Tamara hadn’t come across before: Independence Farmstead Fiber Mill, an artisan mill service for the independent fiber producer: http://www.independencefarmsteadfibers.com/ Windmill Crest Farms near San Antonio: http://www.windmillcrestfarms.com/ There was a gentleman there had an industrial needle felting machine: http://www.feltcrafts.com/ Lucky Ewe Yarn in New Braunfels dye their own yarn which is called Wool Tree Yarn using natural ingredients: http://www.luckyeweyarn.com/ Things that Tamara bought: Brazen Stitchery Harmony Sock in colourway Team Gayle semi-solid in tonal shades of dark green: http://www.brazenstitchery.com/ Lazy cat yarns 2 x 50-gram skeins of Endurance - semi-solid – in shades of gorgeous teal: http://www.lazycatyarn.com/ Western Sky Knits, 2 variegated 100g skeins: http://www.westernskyknits.com/ Hedgehog Fibers is an Irish indie dyer. I was surprised to find Irish yarn in Houston. This festival was their launch at Park Avenue Yarns (a loyal yarn store): http://shop.hedgehogfibres.com/ http://www.parkavenueyarns.com/ Blind date project from In Skein Yarns, one of the local yarn stores. So fun! They were clear plastic bags with a label on the outside describing the project - The craft (I chose crochet), yarn weight, fiber content, the difficulty of pattern and type of project:  https://inskeinyarns.com/ Shawl pin – from the Muddy Knitter: https://squareup.com/store/themuddyknitter Two mini Loomes spelt L-O-O-M-E and you can make pom poms, cords, tassels and weavings: https://www.theloome.com/ A funky necklace from Fiesty Fenn Fibers: https://www.etsy.com/shop/FeistyFennFibers Some tea from Independence Fiber Mill: http://www.independencefarmsteadfibers.com/     Didn’t buy but have ear-marked: Suzoo’s Wool Works: http://www.suzooswoolworks.com/ Inner Loop Dyeworks: https://www.etsy.com/uk/shop/InnerLoopDyeworks – I will definitely buy some more of her yarn – we stock her yarn at the store where I work which is very lucky but tempting at the same time http://www.nimblefingerstx.com Podcaster Suburban Stitcher’s project bags. http://suburbanstitcher.com/ I might buy a mini loom for weaving from Purl and Loop www.purlandloop.com All of Tamara's photos of Houston Fiber Fest can be found here:  https://uk.pinterest.com/craftyescapism/  and you can also view her blog here: http://www.craftyescapism.com/ 6. Finished Objects (at 71.45 mins) Fay - Missed Kingfisher shawl was completed whilst in France with Jenny.    Cowls for the book – testing more colours because I am thinking about doing them as a kit for Yarndale.  Also, the items for the yarn review. One sock firmly in the HO pile!   Lynne: Pincushion and bookmark from Daughter of a Shepherd (so pleased with both); mandala coaster for hubby (at his request) to put his mobile phone on at night; lots of commission projects, including a hot water bottle cover, a pair of fingerless mittens, a teddy, a lampshade cover, a set of crochet frames, a cushion, a pair of slippers, another pincushion and another couple of bookmarks - phew.   7. WIPs (at 79 mins) Fay - Simply Crochet wrap-over, Henslowe shawl, Nut-Hap (Kingfisher colours), Tardis cushion, Shorelines blanket, Baby Bird scarf, blanket for the booklet, John Arbon socks for a study on adding stripes to socks. I'm still at eight but there are so many things that I want to start! Lynne – I'm still at 14, but have started (and finished a few) so they didn't even make onto the list (which is good) and I probably won't be able to make a dent in this until after Yarndale.     8. Feeding the habit (at 91 mins) Fay – I thought I was really good this month and so, I bought some extra Rowan Felted Tweed to be able to do a Kingfisher based Nut-Hap.  I also realised that I needed to get another skein of the Kalinka linen because it would look great with a contrast colour. Then I remembered that I had been to Woolfest... At Woolfest, I bought yarn from John Arbon and Ripples Crafts, some amazing Art Deco buttons and some woven fabric. It was also my Birthday so I am book rich – Fleece and Fiber, Erika Knight’s latest, a book on dyeing yarn, British Sheep Breeds and an old book of my Dad’s.  Very lucky to have so many nice wool related books to go through in the next few months and enhance my reference library with.     Lynne - At Woolfest I bought some John Arbon skeins (I love their mini skeins too),  a couple of squares of handwoven fabric which is really lovely, some buttons for my cowl from Textile Gardens, and Emily Foulds kindly gave me a ball of WYS Signature 4ply from the cocktail range for my knitting book which I can’t wait to use. I have bought lots of yarn for kits and to test colours, but I don’t count work-related purchases as they go through the business.     9. Competition Time - Odeletta Shawl Give-away     This month we have a give-away, kindly sent to us by Anna Nikipirowicz for her Odeletta Shawl Kit which contains everything you need to create your own shawl, including two balls of Rowan Kidsilk Haze, patterns, beads and a crochet hook. Plus a lovely teabag so you can enjoy a nice cuppa whilst you crochet. Thanks Anna!   Anna's website is here: https://moochka.co.uk/ Find all the details for the giveaway here: http://www.ravelry.com/discuss/the-crochet-circle-podcast/topics/3468941     10. What’s Good (at 105 mins)               Fay:  This was meant to be my What's Good but I was so excited about it that I covered it off early!  I just mentioned that my Dad gave me one of his books.  It is a very special book that was my absolute favourite book when I was little. It is the Observer’s book of Farm Animals.  I was born in 1977 and the book came out in 1976 and was given to my Dad by friends when we moved from Wiltshire to Caithness in the North of Scotland in early 1978.  It used to fit in the pocket of my pinafore and I would spend ages pawing through the different breed photos and memorising them.  I even wrote in the front of the book to amend it to say “Fay - it is to Fay” so that I could lay claim to it.  Needless to say, the book is battered and the spine is being held together with masking tape and love. It is delightful to have something in my possession that brings back nice memories and until recently I had completely forgotten about.  It clearly influenced and shaped the person I have become.   So my What's Good became the excitement for going to interview John Arbon down in Devon - it really was good!   Lynne: Really enjoying natural fibres at the moment – you can definitely feel the difference and there are lots of affordable natural yarns out there that are well worth a try. I’ve been using Wendy Ramsdale which is about £3.50 a ball for 50g and the colours are lovely as well as the texture and feel of the yarn. I’ve used if for hats (only takes 1 ball to make a child’s hat) and also for my cushion (6 balls, so less than £24) for the yarn. Also Erika Knight British Blue is £4.20 for a 25g ball – a bit more expensive but well worth it when you can make a nice cowl with just three balls - so that's £13 for a cowl made with British yarn - where every step is traceable. Remember cotton is also a natural fibre and you can buy Rico Cotton Aran for less than £2 for 50g. I’m not saying I don’t use acrylic as I do because some projects have to be really affordable but there are some lovely yarns out there that may cost less than you would expect.   Happy listening and crocheting.   Lynne and Fay x   Instagram: Crochet_Circle_Podcast  Instagram: provenance.craft.co   Instagram: FayDHDesigns YouTube: The Crochet Circle Podcast Crochet Clan on Mighty Network: Invite                

Stitches Midwest, Henslowe by Beth Kling, Crochet Beaded Bind Off, Suspended Bind Off, Butterfly Gardening. The World Pipe Band Championship Games are August 17-18 and can be viewed on live stream here.  Sponsored by Quince & Co and My Longaberger Home Business. Haste ye back!  Thanks for listening.

Most of what modern scholars know about the early modern English theatre comes from the study of the Henslowe and Alleyn manuscripts at Dulwich College. This podcast looks at documents from the archive, now digitised at www.henslowe-alleyn.org.uk.