Podcasts about master peter

Listen to one of our most successful episodes ever where we talk to a male ProDom who caters to female clients only. Christian Grey, your time is up! This episode, Anna and Gregor talk to London's most prolific pro Dominant, Master Peter.  Hear about the women who pay for a good spanking, and why sex work catered to female pleasure is so rare (the patriarchy!). Treat yourself to titillating tales from the BDSM underground, as Master Peter reflects on moving away from SSC (Safe, Sane & Consensual) towards RACK (Risk Aware Consensual Kink). Because, really, can BDSM ever be safe? 

Synopsis In the Guiness Book of Music Facts and Feats, the record for "Most Prolific Composer" goes to Georg Philip Telemann, who died on today's date in 1767 at the age of 86. And longevity gave an edge to productivity: Telemann outlived his prolific contemporary, J.S. Bach, by 21 years, and outlived Handel by 12. But even considering the extra years he lived, Telemann's output is staggering. Of Bach's cantatas, some 200 or so survive, but Telemann's number 1400. He also wrote 125 orchestral suites, 125 concertos, 130 trios, 145 pieces for solo keyboard, and about 50 operas. Most composers (if they are lucky), publish one autobiography; Telemann published three, and commented in one of them, "How is it possible for me to remember everything I wrote for violin and winds?" Sometimes, in addition to composing original music, Telemann was also asked to perform it: "A few days before I play a violin concerto," he wrote, "I always locked myself away, fiddle in hand, shirt-sleeves rolled up, with something strong to calm the nerves, and practice." Fortunately, Telemann seemed to find musical inspiration everywhere, including from the pop and folk music of his day. As he put it, "One would scarcely believe what wonderful ideas pipers and fiddlers have when they improvise while dancers pause for breath. An observer could easily gather enough ideas from them in eight days to last a lifetime!" Music Played in Today's Program Georg Philipp Telemann (1681 - 1767) Violin Concerto in A (The Frog) Pavlo Beznosiuk, violin; New London Consort; Philip Pickett, conductor. London 455 621 On This Day Births 1860 - French composer Gustave Charpentier, in Dieuze, Lorraine; 1935 - Austrian composer Kurt Schwertsik, in Vienna; Deaths 1767 - German composer Georg Philipp Telemann, age 86, in Hamburg; 1822 - German composer, critic and popular Romantic author Ernst Theodor Amadeus ("E.T.A.") Hoffmann, age 46, in Berlin; Premieres 1840 - For the 400th anniversary of the Gutenberg Printing Press, Mendelssohn presents his Symphony No. 2, "Lobegesang" (Song of Praise) at the Thomaskirche in Leipzig; 1850 - R. Schumann: opera "Genoveva," in Leipzig at the Stadttheater; 1910 - Stravinsky: ballet, "The Firebird," at the Paris Opera, with Gabriel Pierné conducting; 1923 - de Falla: one-act opera "El retablo de maese Pedro" (Master Peter's Puppet Show), first staged performance in Paris at the home of the Princesse de Polignac; This opera was premiered in a concert performance in Seville on March 23, 1923; 1940 - William Grant Still: choral ballad "And They Lynched Him on a Tree," at New York's Lewisohn Stadium by the Schola Cantorum and Wen Talbert Negro Choir with the New York Philharmonic, Arthur Rodzinksi conducting; 1954 - Leroy Anderson: "Sandpaper Baller" at a Decca recording session in New York City, with the composer conducting; Three different grades of sandpaper rubbed together were used to make the vaudeville-style "soft shoe" dancing sound effects for this classic recording; 1955 - Grofé: "Hudson Valley" Suite, in Washington, D.C., by the National Symphony conducted by André Kostelanetz; 1991 - James MacMillan: "Tuireadh" (Lament) for clarinet and string quartet, by James Campbell and the Allegri Quartet at St. Magnus Cathedral in Kirkwall (Orkney Islands). Links and Resources On Telemann

Background story and short interview with ninjutsu master of almost 40 years of practice in this unconventional Japanese martial art and 3 self defence techniques you can watch on my Fighterpreneur's Life YouTube channel

What are those questions that borders your mind? has it ever crossed your thoughts to wander just as one of the Disciples of our Lord Jesus did; by asking the Master - Peter began to say to Him, “Look, we have left everything and followed You.” if paraphrased (Peter) was simply saying "What is in it for us?". Lead Pastor Crestlife Believers Centre, Pastor David Okpara has a word for you, with answers to your questions. Join us, listen and get blessed. --- Send in a voice message: https://anchor.fm/david-okpara/message

Eye Poke Podcast 121: RIP Master PeterCette semaine au Eye Poke podcast, Grégory St-Pierre et moi parlons de:- Tommy Morrisson avec son père JF,- Samourai MMA 2 encore,- l'UFC Vegas 54,- Strahinja vs la régie part 15,- l'album de Kendrick Lamar,- la situation de Young Thug, Gunna et YSL,- et encore plus!Get 20% OFF @manscaped + Free Shipping with promo code MMATALK at MANSCAPED.com! #ad #manscapedpod

Synopsis When your instrument is nicknamed “the burping bedpost,” it's hard to get respect in refined circles. So it's understandable that the bassoon section of, say, a major London orchestra might indulge in a bit of day-dreaming in which a gang of hot-rodding motorcycling bassoonists blow into town and take over a concert hall. And guess what? That is EXACTLY the scenario of a piece written for Britain's Philharmonia Orchestra by the American composer Michael Daughtery. “Hell's Angels” is a concerto for bassoon quartet that received its premiere in London on today's date in 1999, with Daughtery commenting: “I find the bassoon to be an instrument with great expressive and timbral possibilities, ranging from low and raucous rumbling to plaintive high intensity.” Daugherty often takes inspiration from icons of American pop culture, so it's not surprising that he should choose “Hell's Angels” for inspiration. After all, he writes: “the bassoon is similar in size and shape to the drag pipes found on Harley Davidson motorcycles … When the noise-curbing mufflers are illegally removed from the drag pipes, they create a deafening roar. I have removed the traditional mufflers on the bassoon repertoire in order to compose [my] concerto for bassoon quartet and orchestra. Music Played in Today's Program Michael Daugherty (b. 1954) — Hell's Angels (Oregon Symphony; James DePreist, cond.) Delos 3291 On This Day Births 1834 - German composer, pianist and organist Julius Ruebke, in Hausneindorf, near Quedlinburg; 1878 - Austrian composer Franz Schrecker, in Monaco; 1895 - French-born American composer, painter and mystical philosopher Dane Rudhyar, in Paris; Premieres 1731 - Bach: "St. Mark Passion" (S. 247, now lost) performed in Leipzig at Vespers on Good Friday; 1748 - Handel: oratorio "Alexander Balus" in London at the Covent Garden Theater; The event possibly included the premiere of Handel's "Concerto a due cori" No. 1 as well (Gregorian date: April 3); 1783 - Mozart: Piano Concerto No. 13 and final version of Symphony No. 35 ("Haffner"), at the Vienna Burgtheater, with composer as piano soloist and conductor; An earlier version of the symphony was performed in Salzburg at private concerts arranged by the wealthy Haffner family in the summer of 1782; 1792 - Haydn: Symphony No. 94 ("Surprise"), conducted by the composer, at the Hanover-Square Concert Rooms in London; 1828 - Beethoven: String Quartet in F, Op. 135 (posthumously, and almost one year to the day after the composer's death on March 26, 1827), in Vienna, by the Schuppanzigh Quartet; 1886 - Tchaikovsky: "Manfred" Symphony (after Byron), in Moscow (Julian date: Mar. 11); 1912 - Gliere: Symphony No. 3 ("Ilya Murometz") in Moscow (Julian date: Mar. 10); 1917 - Bloch: "Trois poèmes juifs" (Three Jewish Poems), in Boston, with the composer conducting; 1923 - de Falla: opera "El retrablo de maese Pedro" (Master Peter's Puppet Show) (concert version), in Seville at the Teatro San Fernando; 1935 - Barber: "Music for a Scene from Shelley," by the New York Philharmonic; 1939 - Bartók: Violin Concerto No. 2, by the Amsterdam Concertgebouw Orchestra, Willem Mengelberg conducting and Zoltán Székely as the soloist; A live recording of this premiere performance has been issued on both LP and CD; 1944 - Cowell: "Hymn and Fuguing Tune" No. 2 for strings, in New York on a WEAF radio broadcast featuring Henri Nosco and his Concert Orchestra; The first concert hall performance took place at Town Hall in New York on October 8, 1944, with the Daniel Saidenburg Little Symphony; 1945 - Copland (and 9 other composers): "Variations on a Theme by Eugene Goosens," by the Cincinnati Symphony; 1946 - Marc Blitzstein: "Airbourne Symphony," in New York City; 1962 - Irving Fine: "Symphony 1962" by the Boston Symphony, Charles Munch conducting; 1969 - Gene Gutchë: "Genghis Khan," by American Symphony Orchestra, Leopold Stokowski conducting; 1999 - James MacMillan: "Cumnock Fair" for piano and strings, at Cumnock Academy by members of the Scottish Chamber Orchestra; Others 1703 - Antonio Vivaldi becomes a Roman Catholic priest at age 25; 1721 - Handel completes the composition of Act 3 of "Muzio Scevola," as part of a "competition" arranged by the directors of the Royal Academy of Music to settle the rivalry between their three house composers (Filippo Amadei composed Act 1, Giovanni Bononcinni Act 2, and Handel Act 3); Handel was deemed the victor in this "contest" (Gregorian date: April 3); 1729 - J.S. Bach visits Coethen to perform funeral music for his former employer, Prince Leopold; 1743 - London premiere of what is billed as "A New Sacred Oratorio" by Handel(Gregorian date: April 3); This was his "Messiah" which had its first performance in Dublin the previous year; Links and Resources On Michael Daugherty

On this episode of the & Figure CEO Podcast, I speak with  Natasha Kothare - Grow Pro Client, and Director of Operations for Master Peter's Academy of Martial Arts (Dayton, NJ). Natasha shares how her academy pivoted during the pandemic through the use of a virtual learning platform. Despite the huge effects the pandemic had in their area, MPAMA is moving into their 11th year in business with a 98% close rate (making their academy part of the 2% of businesses to make it past the 10-year mark). Natasha breaks down the many hats she wears as Director of Operations - overseeing classes/camps/after school, developing and improving systems, streamlining the onboarding process, and empowering the members of the MPAMA team to become 1% better every day. Natasha is a ROCKSTAR, full of powerful insight and I had an absolute blast speaking with her. 

Christian Grey, your time is up! This episode, Anna and Gregor talk to London's most prolific pro Dominant, Master Peter.  Hear about the women who pay for a good spanking, and why sex work catered to female pleasure is so rare (the patriarchy!). Treat yourself to titillating tales from the BDSM underground, as Master Peter reflects on moving away from SSC (Safe, Sane & Consensual) towards RACK (Risk Aware Consensual Kink). Because, really, can BDSM ever be safe? 

Fantasies involving BDSM (bondage, discipline, dominance, submission, sadism, masochism) may be more common than you think. With over 60% of people reporting desires of domination, tying someone up / being tied, or spanking, it is a delicious space for many to experience deep pleasure and fulfilment in their sex lives and relationships. But how do you even start exploring the world of BDSM?! Easy, you just ask a Master. ;) This week I'm talking to Master Peter, a London based BDSM Master, professional Dominant and kink educator. Fun fact, Master Peter unintentionally became a Dominant through Swing Dance. Worth a listen just for this story! We get intimate on the intricacies of being a Pro Dominant including the best toys, what attracts people to BDSM (get ready to learn about the sexual, physical and psychological!), and busting big misconceptions like ‘BDSM is always sexual'. You'll leave with top tips on discovering what you might be into (hello yummy sex menus!), how to confidently explore BDSM in your relationship and knowing more about alien insemination then you ever thought you needed to. Whether you want to explore BDSM in your relationship OR just super curious about life as a Pro Dominant, this episode is not to be missed. Get ready as you're in for a wild ride! To find out more about Master Peter: www.masterpeter.co.uk @masterpeterlondon To find out more about me head to: rosamaxwell.co.uk instagram.com/rosamaxwell/ Mentioned in the podcast: Fetlife aka kinky facebook: www.fetlife.com Fetish.com's kinky training school: www.bdsm-training-school.fetish.com

Apprentice Tianni Chapman rode her first winner for master Peter Gelagotis and her third career ride last week. She joined Michael Felgate to reflect on the experience

Master Olds chats with Peter Sorce of Sorce Martial Arts about improving standards how one can run a successful martial arts business without sacrificing belt integrity. Check out Rising Phoenix Martial Arts at https://risingphoenixtkd.com Learn more about Master Peter Sorce at https://sorcemartialarts.com Music courtesy of https://podcastthemes.com

Chloe is living her best British dream this week with the ladies from Metro.co.uk Podcast Good Sex Bad Sex, discussing everything about what makes them and their podcast tick! Golden one liners this week that will have your holes roaring. Enjoy slut club! P.s - Master Peter call me xoxo

He's back... Bibi and Miranda chat to their old friend Master Peter the male dom!  Stay in touch with the girls on social media: http://www.twitter.com/goodsexbadsexxx http://www.instagram.com/goodsexbadsex

Why are femme Dominatrizes more prevalent and heralded than masc Doms? Is there a stigma against masc Doms, particularly cis-male Doms? We discuss why that is and what you can do about it on our latest episode with Master Peter. From swing dancing to switch hitting, Master Peter got into the business sideways and now he is firing from all cylinders. From his time as dungeon monitor, personal relationships, and his clients both couples and singles alike, you’re going to want to learn what puts Master Peter as the creme de la creme and why he is so often sought out in the London scene. Speaking of scenes, Master Peter’s signature teaching tool is gentle dominance. Learn how partnered dance and partnered play have more in common thank you’d think and how YOU can be a better dominant and a better partner. You can find Master Peter at: masterpeter.co.uk If you're in need of sex, love or relationship advice Email us at isourlovepod@gmail.com ------~ Follow us on social media ~------- The show: @isourlove_____ Lola Jean: @lolajeandotcom Classes & Instruction: lolajean.com Stephen Penta: @thereluctantsexpert This weeks' end of episode song is Miss Kittin "Life Is My Teacher" Our official theme songs were lovingly composed & recorded by our good friends at hyperballadmusic.com

This month, December 2019, Tools They Use is sponsored by TMetric.com (https://tmetric.com/?utm_source=podcast&utm_medium=description&utm_campaign=KeepProductivePodcast) This week's guest Peter Akkies shares his inner working and use of OmniFocus 3 and many more tools in the ecosystem. Next week, we share our interview with TickTIck co-founder, Zhimin Chen. Special Guest: Peter Akkies.

The girls get a lesson in BDSM from Professional Dominant Master Peter. He was very strict! For updates on everything he’s up to, follow Master Peter on Twitter @MasterPeterLdn and go visit masterpeter.co.uk

Watch Between Master and Disciples at www.SupremeMasterTV.com

Watch Between Master and Disciples at www.SupremeMasterTV.com

Watch Between Master and Disciples at www.SupremeMasterTV.com

Manuel de Falla is renowned as the greatest Spanish composer of the early 20th century, whose genius rested in part on his ability to meld diverse stylistic, folk or literary influences into distinctive new musical languages, forging masterworks that would ultimately become cultural emblems of his homeland. Raymond Bisha presents a new release of a 2-work programme that embodies this principle of synthesis: Falla’s heartfelt representation of Gitano or Roma (the preferred term for people commonly referred to as ‘gypsy’) culture in the original 1915 version of El amor brujo (Love, the Magician), and his 1923 puppet opera based on scenes from Miguel de Cervantes’ classic Don Quixote, in El retablo de Maese Pedro (Master Peter’s Puppet Show).

This lecture covers two of the most important episodes of Part II of the Quixote: the descent into Montesinos cave and Master Peter's puppet show. The first one, on the one hand, engages the main literary topics and sources of the novel. Cervantes, by submitting Don Quixote's fantasies to natural law, questions the belief in the authenticity of the romances of chivalry and the reality of what his protagonist sees. The episode also provides a glimpse into the inner workings of Don Quixote's subconscious: his descent is a harsh look onto himself which, while not completely destroying his beliefs, weakens them seriously, and from now on he will act saner. Master Peter's puppet show introduces again Ginés de Pasamonte, the character who represents the figure of the modern author in both parts of the novel. With Ginés now disguised as a master puppeteer, Cervantes criticizes his contemporary playwright Lope de Vega, but most importantly, through the complex trompe-l'oeil that the puppet show constitutes, Cervantes analyzes the act of mimesis.

This lecture covers two of the most important episodes of Part II of the Quixote: the descent into Montesinos cave and Master Peter's puppet show. The first one, on the one hand, engages the main literary topics and sources of the novel. Cervantes, by submitting Don Quixote's fantasies to natural law, questions the belief in the authenticity of the romances of chivalry and the reality of what his protagonist sees. The episode also provides a glimpse into the inner workings of Don Quixote's subconscious: his descent is a harsh look onto himself which, while not completely destroying his beliefs, weakens them seriously, and from now on he will act saner. Master Peter's puppet show introduces again Ginés de Pasamonte, the character who represents the figure of the modern author in both parts of the novel. With Ginés now disguised as a master puppeteer, Cervantes criticizes his contemporary playwright Lope de Vega, but most importantly, through the complex trompe-l'oeil that the puppet show constitutes, Cervantes analyzes the act of mimesis.

The G.E.T. I.T. Together program was developed by Master Peter Hill as a practical guide to promoting body/mind knowledge, physical / psychological / emotional power, and creating inner harmony, while resolving conflict and traversing the various worlds/roles that we move through.

The G.E.T. I.T. Together program was developed by Master Peter Hill as a practical guide to promoting body/mind knowledge, physical / psychological / emotional power, and creating inner harmony, while resolving conflict and traversing the various worlds/roles that we move through.