Podcast appearances and mentions of simon gleeson

On the 430th episode of Piecing It Together, film critic Courtney Howard joins me to talk about Better Man. If you don't know it by name, this is the Robbie Williams biopic where he's digitally replaced by a CGI Chimp. It's WILD. Puzzle pieces include All That Jazz, Rocketman, Babylon and of course, Planet of the Apes.As always, SPOILER ALERT for Better Man and the movies we discuss!Written by Michael Gracey, Simon Gleeson, Oliver ColeDirected by Michael GraceyStarring Robbie Williams, Steve Pemberton, Kate Mulvany, Alison Steadman, Jake SimmanceParamounthttps://www.bettermanmovie.com/Courtney Howard is a film critic whose work can be seen in Variety, AV Club and moreCheck out her Variety author page at https://variety.com/author/courtney-howard/Find her on Twitter @lulumaybelleMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Begin Again" which you can watch at https://www.youtube.com/watch?v=hkb2VsJlH6sThe song at the end of the episode is "So Predictable" from The Pup Pups' latest album A Boy and His Dog and Three Cats and A Bear.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our TeePublic store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://www.teepublic.com/stores/piecing-it-togetherShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods,

Listen as Mark and Ryan talk about the chimpanzee movie. Whoops, not a Planet of the Apes film, but the new Robbie Williams biopic:Better Man134 Minutes, Rated RWritten by Simon Gleeson, Oliver Cole, Michael GraceyDirected by Michael GraceySynopsis:The meteoric rise, dramatic fall, and remarkable resurgence of British pop superstar Robbie Williams.Once you get past the fact Mark still sounds like a 3 pack a day smoker, you can enjoy these two musically dissimilar guys discuss the story of a middle-aged boy-band reject.Oh, it's good....~~~~~You can read more reviews and opinions on our website: https://VSMoviePodcast.com.Please LIKE, SHARE, and FOLLOW us on:Facebook (@vsmoviepodcast) (https://facebook.com/vsmoviepodcast)X (@vsmoviepodcast) (https://x.com/vsmoviepodcast)Instagram (@visuallystunningmoviepodcast) (https://instagram.com/visuallystunningmoviepodcast)Threads (@visuallystunningmoviepodcast) (https://threads.net/@visuallystunningmoviepodcast)BlueSky (@vsmoviepodcast.bsky.social) (https://bsky.app/profile/vsmoviepodcast.bsky.social)YouTube (@visuallystunningmoviepodcast) (https://youtube.com/visuallystunningmoviepodcast)Don't forget to SUBSCRIBE to our audio wherever you listen to podcasts (https://shows.acast.com/vsmoviepodcast).And please, if you like what we do, consider helping us keep on entertaining you. Find out how on our Contact/Support page (https://VSMoviePodcast.com/Contact-VSMP/). Become a member at https://plus.acast.com/s/vsmoviepodcast. Hosted on Acast. See acast.com/privacy for more information.

Season 6 Episode 15: In this episode, Pete Codella, managing director of business services at the Governor's Office of Economic Opportunity, talks with David Bates, partner at Taylor Wessing, and Simon Gleeson, partner at Blick Rothenberg. The duo discusses their ties to Utah, professional endeavors, and Utah's entrepreneurial opportunities. The conversation delves into their collaboration in professional services, focusing on international expansion. The two describe their complementary roles in providing legal and accounting services, simplifying the process for clients by offering a comprehensive approach.  Bates and Gleeson discuss Utah's business climate, attributing its success to talented people, a supportive entrepreneurial ecosystem, and proactive government support. They also discuss the advantages of starting international ventures in the U.K. due to the common language, legal systems, and ease of doing business, using it as a gateway to broader European markets.

Amy Lehpamer is currently starring in the hit pop musical & Juliet as Anne Hathaway.Amy earned nation-wide critical acclaim playing Maria in The Sound of Music, receiving the 2015 Sydney Theatre Award for best Actress in a Musical, as well as Helpmann and Glug award nominations. She was Helpmann nominated in 2017 for her portrayal of pop and soul icon Dusty Springfield in the Australian hit musical Dusty for The Production Company. Amy played lyricist and hit-maker Cynthia Weil in the Australian premiere cast of Beautiful: The Carole King Musical and was awarded the 2018 Helpmann for Best Supporting Actress in a Musical for the role.From 2018-2020, Amy toured Australia, NZ and China as Rosalie Mullins, the uptight school Principal with a Rock 'n Roll soul in Andrew Lloyd Webber's musical version of School of Rock.  She played Mrs Webb in Queensland Theatre's revival of the pulitzer prize winning classic, Our Town and Mrs Walker in the Australian Premiere of The Who's Tommy for the Victorian Opera. Her skill as a violinist and performer were highlighted in her role of Reza in Once for the Gordon Frost Organisation and Melbourne Theatre Company.  This, and her big haired, starry eyed Sherrie in Rock of Ages saw her receive Helpmann nominations. She has twice played Christine Colgate in the musical adaptation of the hit comedy Dirty Rotten Scoundrels, in her first ever leading role for Melbourne's The Production Company.Other notable roles for Amy include Tracy Lord in High Society for the Hayes Theatre, the iconic Janet Weiss in Rocky Horror for GFO/ATG. Amy created the title role of Margaret Fulton in the new Australian musical Margaret Fulton: Queen of the Dessert (Theatreworks) and was part of the original cast of Eddie Perfect's Shane Warne - The Musical, as well as the 2014 production for Adelaide Cabaret Festival and Hamer Hall, featuring on the cast recording.Additional theatre credits include: The Threepenny Opera (Malthouse and Victorian Opera); The 25th Annual Putnam County Spelling Bee and Songs for a New World (Doorstep Ensemble); Young Phyllis in Follies (The Production Company).Amy is the co-creator and star of the musical comedy webseries Donnatelegrams, produced by the ABC and Screen Australia, and now viewable on YouTube. On screen, Amy also holds credits in prime time television shows: Get Krack!n', Utopia. The Time of Our Lives, Winners and Losers, House Husbands, and the HBO mini-series The Pacific.  She has performed disco classics alongside Kate Ceberano and Paulini with the Adelaide and Queensland Symphony Orchestras. And she's sung The Best of Rodgers and Hammerstein alongside Simon Gleeson with the West Australian Symphony Orchestra.  The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

In this episode of the GRU, we host Simon Gleeson, a consultant at Clifford Chance who specializes in banking and financial markets law and regulation, clearing, settlement and derivatives, to talk about a variety of bank regulation and crisis management topics. The discussion hits on a variety of talking points, including notable recent bank failures, deposit insurance caps and their "moral hazards," stickiness of deposits and long-term loan approaches, potential changes in global standard-setting practices, the presence of social media and the future of crisis management and resolution.

Simon Gleeson of Blick Rothenberg (https://www.blickrothenberg.com) talks about different ways that startups can pay workers in other countries, including professional employer organizations (PEOs), employers of record, and non-domiciled employers. Learn more about why we are one of the best accounting, tax and bookkeeping firms serving VC-backed companies by visiting the Kruze Consulting reviews page (https://kruzeconsulting.com/customer-reviews). Or, read the Kruze blog to see examples of the best VC pitch decks or learn what the average startup CEO salary is. Trust Kruze for great podcasts like this one, and other great content designed to help startup founders grow their businesses, raise capital and more.

This week it's a Christmas special as we feature a couple of performers with their own contributions to the ever growing catalogue of Christmas favourites. Stella catches up with Simon Gleeson, quickly becoming a familiar face at Vision Australia's Carols by Candlelight. You'll hear from him and his rendition of "The Holy City". Then later in the show Sam chats with Connor Wink, a blind multi-instrumentalist and recent top 48 finalist on The Voice Australia. Sam chats with him to look back on his year, and introduce his new Christmas song "Weather Man" which will wrap up the show.Support this Vision Australia Radio program: https://www.visionaustralia.org/donate?src=radio&type=0&_ga=2.182040610.46191917.1644183916-1718358749.1627963141See omnystudio.com/listener for privacy information.

In this episode, Paul Kildea speaks with Australian actor, writer and singer Simon Gleeson. Simon talks about his childhood and how his earliest performances were together on stage with his father in amateur theatre. He also describes meeting Paul Kildea when he was 15 years old and how Paul inspired him to seriously try and make a career in the arts.

The devil took the hindmost with this confusing sorta-sequel to everyone's favorite "opera." Join Alex and Daisha as they strap into this carnival ride of a musical, Andrew Lloyd Webber's "Love Never Dies." The Broadway Babies are up to their usual shenanigans with the additional tasks of detangling this confusing plot, comparing the sequel to "Phantom of the Opera," and giving their final verdict on the 2012 Australian production. Is this musical a dud, or does it need one more new production team in the mix?   Cast recording: Amazon | Spotify | Apple Music Video recording: BroadwayHD | Amazon Songs: "Til I Hear You Sing," performed by Ben Lewis "Beneath a Moonless Sky," by Ben Lewis and Anna O'Byrne "Dear Old Friend," by Anna O'Byrne, Simon Gleeson, Sharon Millerchip and Maria Mercedes "Love Never Dies," by Anna O'Byrne Music by Andrew Lloyd Webber and lyrics by Glenn Slater and Charles Hart Produced by The Really Useful Group Ltd., under exclusive license to Polydor Limited to release. Show Notes: A story of the show for NPR from before it debuted in London.  Could "Love Never Dies" come to Broadway? Because the tour did well? Let's guess! ALW and The Wizard of Oz ... as he talks to the New York Times about why he thinks the show didn't go well and what he planned next in 2012 (aka a puff piece). The show's 'World Tour' website seems pretty dry...but you can get on the waitlist! "Like the Phantom himself, this new show lives in anguish, yearning to reveal itself and be loved."  Oh boy... ALW loves having popular singers do singles of his big songs. Barbra, this ain't. Who is your fave Christine? Sierra and ALW performing the title song!   Podcast cover art: David Taylor Twitter: @bwaybabies Facebook: Facebook.com/broadwaybabiespodcast

New digital currencies will have a profound impact on our concept of money, the financial system and the broader economy, says a top regulatory lawyer. “No matter what you think of bitcoin, it’s an absolutely valid demonstration that it’s possible for something to be money without having anything to do with states or governments,” says Simon Gleeson, a partner at law firm Clifford Chance. Gleeson is one of the world's leading experts in the regulation of financial services and banking. During the podcast, Gleeson discusses: the legal concept of money the difference between money as a unit of account and money as a legal claim against a deposit institution the history of private currencies the impact of new digital currencies on banks and payments the structural changes in the financial system and challenges for policymakers Facebook's Libra project and inefficiencies in global payments oustanding legal challenges for those dealing in older and newer versions of money

In 1983, something was happening in the Western states – the birth of a training course focused entirely on the Musical Theatre. There was no music theatre education in the country, and after starting the West Australian Academy of Performing Arts, Dr Geoff Gibbs made the creation of the course his next goal.For nearly 20 years, Denis Follington was on the staff of this much sought Musical Theatre BA at WAAPA. The course has graduated students including Meow Meow, Eddie Perfect, Lisa McCune, Dean Bryant, Lucy Durack, Rodney Dobson, Carmel Dean and Simon Gleeson. In 1997, he took the helm and steered the course for another 3 years as Head of the department.The course garnered a national reputation for producing graduates who were prepared, focused, knowledgable and dependable. WAAPA graduates walked into the country’s commercial musicals – and proved themselves adept at television and plays too. Impressed with the success of the course at WAAPA, he was lured by Lasalle College of the Arts in Singapore to build a Music Theatre course of their own, attracting students from around the world.STAGES spoke to Denis about the essentials of such an education, the history of the course at WAAPA and his first cast recording of a Broadway show.

Stream podcast episodes on demand from www.bitesz.com (mobile friendly). Oklahoma (The Production Company) Celebrate 20 years of The Production Company in 2018 with three of the best musicals! The season begins with Helpmann Award winners Simon Gleeson and Anna O’Byrne in the Rodgers and Hammerstein masterpiece, Oklahoma! The star-studded cast includes Elise McCann, Bobby Fox, Robyn Nevin, Ben Mingay and Richard Piper. For more details, visit: http://www.theproductioncompany.com.au/ Theatre First RSS feed: https://audioboom.com/channels/4839371.rss Subscribe, rate and review Theatre First at all good podcatcher apps, including Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, audioBoom, CastBox.FM, Podbean etc. If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you. #theatre #stage #reviews #melbourne #australia #oklahoma #tpc #theproductioncompany Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

International banks have used London as a pivot into the European single market, but are likely to lose these so-called "passporting" rights to operate in the EU once Britain is no longer a member. Patrick Jenkins discusses what impact this will have on the City of London with Martin Arnold, the FT's banking editor and Simon Gleeson, a partner at law firm Clifford Chance. Music by Kevin MacLeod. See acast.com/privacy for privacy and opt-out information.

Patrick Jenkins and guests are joined by Simon Gleeson, a partner at law firm Clifford Chance for an extended discussion on the implications of Britain's vote to leave the European Union for foreign and UK banks in the City of London. See acast.com/privacy for privacy and opt-out information.

Musical theatre superstar Simon Gleeson (Les Miserables, Mama Mia) on Powerchesting, National Anthems, and living your dream. See acast.com/privacy for privacy and opt-out information.

Patrick Jenkins is joined by Martin Arnold for the fallout from US stress tests, where CitiGroup failed qualitative elements of the tests, putting CEO Michael Corbat under increased pressure. Six foreign-owned US banks also failed some elements, including Santander, HSBC and RBS. Sam Fleming has news of the Financial Conduct Authority, which has come in for criticism after comments about life insurers saw shares for some firms fall 20 per cent before a hasty clarification settled the markets. Simon Gleeson, a partner at Clifford Chance, joins on the line to add his thoughts on an increasingly hands-on FCA. Finally, Sam and Martin weigh in on personnel movements at UK state-owned banks, with Lloyds chairman Sir Win Bischoff stepping down and Ewen Stevenson taking over as finance chief at RBS See acast.com/privacy for privacy and opt-out information.

Patrick Jenkins is joined by Martin Arnold for the fallout from US stress tests, where CitiGroup failed qualitative elements of the tests, putting CEO Michael Corbat under increased pressure. Six foreign-owned US banks also failed some elements, including Santander, HSBC and RBS. Sam Fleming has news of the Financial Conduct Authority, which has come in for criticism after comments about life insurers saw shares for some firms fall 20 per cent before a hasty clarification settled the markets. Simon Gleeson, a partner at Clifford Chance, joins on the line to add his thoughts on an increasingly hands-on FCA. Finally, Sam and Martin weigh in on personnel movements at UK state-owned banks, with Lloyds chairman Sir Win Bischoff stepping down and Ewen Stevenson taking over as finance chief at RBS See acast.com/privacy for privacy and opt-out information.