Podcasts about Adelaide Cabaret Festival

READ FULL SHOWNOTES ON Chat10Looks3.com Much to Crabb’s irritation, Sales has yet again been to see an action film and won’t shut up about it. Crabb, meanwhile, has been watching light erotica, and has views.You can find tickets to all Chat 10 events here, and tickets to ‘Between the Covers: Helen Garner’s ‘The Children’s Bach’’ with Virginia Gay at Adelaide Cabaret Festival here. Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts. See omnystudio.com/listener for privacy information.

Described as a renegade opera star and cabaret artist, Ali McGregor began her career as a principal soprano with Opera Australia before running away to the circus to become an award winning cabaret performer. Nominated for an ARIA in 2014, she went on to win both a Green Room and Helpmann Award in 2015. She's one of the most in-demand performers on the international festival circuit and is a former artist director of the Adelaide Cabaret Festival, performing at venues from Glastonbury and Carnegie Hall to the Sydney Opera House.She's currently collaborating with the Signum Saxophone Quartet and Musica Viva for Hollywood Songbook, a concert tour exploring the turbulent first half of the 20th Century through the music of emigres such as Kurt Weill and Hanns Eisler, with performances until 17 May.In this interview, Ali traces her journey from performing at Opera Australia to creating innovative, genre-blending shows. She discusses the artistic freedom and creative risks involved in moving from traditional opera to the cabaret scene, and shares insights into her creative process plus her role as an artistic director. The conversation also touches on her efforts to make classical music more accessible and engaging to broader audiences through inventive programming and theatrical flair.

David Hobson is an Australian tenor, composer and performer. He is Australian Royalty in the music space and is one of Australia's best known operatic and recording artists. He has sung many roles for Opera Australia and in both state and international opera companies, including his award-winning performances of Rodolfo (La Boheme) and the title role in Orphee. Other roles include Don Ottavio (Don Giovanni), Ferrando (Cosi fan Tutte), Count Almaviva (The Barber of Saville), Nadir (Pearl Fishers), Lindoro (L'Italiana in Algeri), Frederic (The Pirates of Penzance), The Architect in the world premiere of The Eighth Wonder, Eisenstein (Die Fledermaus), the title role in Candide, Danilo (The Merry Widow) and Aristaeus/Pluto (Orpheus in the Underworld). In the world of music theatre, David has played the role of Caractacus Potts in Chitty Chitty Bang Bang, Buddy in Sondheim's Follies and Nicky Arnstein in Funny Girl. Special engagements include appearing with the San Francisco Opera in the world premiere of Dangerous Liaison, a performance in the Great Hall, Canberra for Her Majesty Queen Elizabeth, Schubert's Winterreise for the Queensland Symphony Orchestra and singing the national anthem at the AFL Grand Final. He has performed his own show at the Sydney Opera House and at the Adelaide Cabaret Festival and toured nationally with Lisa McCune, Marina Prior, Yvonne Kenney and Teddy Tahu Rhodes. He is also well known from his appearances on Carols in the Domain, Carols by Candlelight, Spicks and Specks, It Takes Two, Dancing with the Stars and as a presenter on the Foxtel arts channel, STUDIO. He has recorded numerous albums with many reaching No 1 chart status. David has also won awards including Operatic Performer of the Year, the Sydney Critics Circle Award, The Age Performing Arts Award for Best Performer in Opera and an Australian Record Industry Association (ARIA) Award. In 2023, David performed around Australia in a 60 city concert tour of The 2 of Us, with Marina Prior. David recently toured around Australia with comedian Colin Lane in their show, In Tails. We chat about saying no, collaboration, falling into his work, physicality behind opera, doing comedy with Colin Lane, his voice and looking after it, gratitude, rejection, generosity of spirit, fork in the road moments plus plenty more.   The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check David out on: Instagram: https://www.instagram.com/davidhobbo/ Website: https://www.davidhobson.net.au/ Facebook: https://www.facebook.com/davidhobsontenor/ Youtube: https://www.youtube.com/channel/UCcLFneHVu5PDu46YBlGOecw In Tails with David Hobson and Colin Lane: https://www.davidhobsonandcolinlane.com/ Spotify: https://open.spotify.com/artist/1IjPdzVCaGhebzQzGMlfAv?si=bMPD1SLYRQOKnEU0i-YhHg&nd=1&dlsi=b6fb61e4d69542c3 ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

A live podcast recording at the 2024 Adelaide Cabaret Festival, featuring a stellar line-up of hilarious and talented guests.  Crabb plays up her hometown credibility while Sales makes good on her vow to do a musical number with festival director, Virginia Gay. READ FULL SHOWNOTES ON Chat10Looks3.com Listen now on Spotify, or wherever you get your podcasts. See omnystudio.com/listener for privacy information.

Pull up a chair to your lamp-lit table and enjoy cabaret performances from some of Australia's finest musical talent.Gathered around the piano at the Adelaide Cabaret Festival, we're joined by artistic director Virginia Gay, musical theatre luminaries Swing on This (Luke Kennedy, Matt Lee, Ben Mingay and Bert LaBonté), performer and late-night salon host Victoria Falconer, musical improv troupe Musical Bang Bang and piano man Dr Trevor Jones.We also delve into the history of cabaret with musician and academic Dr Peter Tregear to find out why cabaret performers so often upset the established order.

Listen live on the FIVEAA Player. Follow us on Facebook, Twitter and Instagram.See omnystudio.com/listener for privacy information.

On this episode we chat exclusively to writer, performer and wearer of many hats, Maeve Marsden! Maeve comes on board to talk about the Adelaide Cabaret Festival as well as the return of her show Homage which plays for one night only the 16th June. Maeve and Justin met in the stalls of Belvoir St where Maeve...well, we don't want to give away the story, it's in the episode! Discussion Highlights: - Who is Maeve Marsden? - Adelaide Cabaret Festival 2024 - Homage - Being a Wearer of Many Hats - Surviving in Theatre Tickets for Homage can be booked below Tickets - https://cabaret.adelaidefestivalcentre.com.au/whats-on/maeve-marsden The full program and tickets for the Adelaide Cabaret Festival can be booked below: https://cabaret.adelaidefestivalcentre.com.au/

Dillie Keane is one-third of iconic Cabaret trio Fascinating Aida. She is presently in Australia for the Adelaide Cabaret Festival, where alongside her partners in song, Liza Pulman and Adèle Anderson, Fascinating Aida will present a 40th anniversary show. Since their first performance together in 1983, the trio have racked-up millions of internet followers, performed in the world's most prestigious venues and have been showered with awards and plaudits galore. Proving they're still in their glorious prime, these mistresses of their craft ring in this four-decade milestone with their trademark diamond-sharp satire, lyrical wit and belligerent sass.  The bare bones of Dillie's life are these. Born Portsmouth 1952. Father a GP. Three much older, very nice siblings who have done nothing but grace the name of Keane and distinguish themselves in every way. Family despaired of Dillie ever conforming.  Educated at Portsmouth High School (very happy) and then at successive Convents of the Sacred Heart (first Hove, where she was miserable but learned remedial curtseying and sang all the time, then Woldingham where she was utterly and completely miserable and still sang all the time). “She'll come to no good, that girl!” opined one of the nuns as her parents took her away after she was expelled.  Safely at university, she drank and shagged and partied like a girl released from a convent and became a leading light of the drama society and ended her first year being elected Miss Elegance, hahaha! After three years of this divinely crazed existence, her mortal frame nearly gave out. A spell in hospital exposed her complete unfitness for the life of a musicologist. As her parents took her away – she was too ill to take her Part 2 and couldn't face doing 5 years of a 4 year degree – her Professor suggested that a career in Stage Management might suit.  Finally, she took control of her life. A spell as secretary to the Deputy MD of a leading advertising firm in London gave her financial independence, and she secretly auditioned for LAMDA. The day she got her acceptance letter was the best day of her life. Having flunked out of university, her parents were reluctant to fork out for 3 more years of further education, so she wrote to anyone she could think of who might help. Eventually, the fabled Jim Slater of Slater Walker stepped in with a scholarship and paid her tuition fees. Her defeated parents agreed to give her £100 per term towards living costs, and she was able to accept her place on the course.  Those three years were a thrilling ride. LAMDA was everything she hoped for and more, though trying to keep body and soul together was wonderfully crazy. She had a stall in the Portobello Road every Saturday, where she and a friend sold handmade shopping bags, aprons and second-hand clothes they'd collected from friends and strangers. She temped in the evenings and throughout the holidays, became an artist's model, did bar work, biked everywhere in London and hitched everywhere else. She also played piano in various hotels, nightclubs and restaurants, and looking back she thinks she must have cut an odd figure with her homemade clothes and Cole Porter songs. Two summer months in Sweden playing piano in a Stockholm nightclub hardened her for the life to come.  Acting jobs followed. Then the songs started popping out. And with the acting jobs, new friends who also sang and were willing to sing her songs. And with all that came the gigs and the birth of Fascinating Aïda.  The Adelaide Festival Centre presents FASCINATING AÏDA - THE 40th ANNIVERSARY SHOW! Dunstan Playhouse, Adelaide Festival Centre, Friday June 7th, Saturday June 8th and Sunday June 9th. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Since graduating from WAAPA in 2006, Lucy Maunder has cemented her reputation as one of Australia's musical theatre leading ladies performing in a huge range of roles over the last 17 years.Most recently she appeared as Winifred Banks in the critically acclaimed Cameron Mackintosh/Michael Cassel Group/Disney revival of Mary Poppins. Prior to this Lucy starred in Victorian Opera's production of Kurt Weill's anti-capitalist musical Happy End as Lillian Holiday. The start of 2022 also saw her play the protagonist Alison Bechdel in the acclaimed MTC/STC Australian premiere production of Fun Home (Green Room and Sydney Theatre Award nominations for Best Performer in a Leading Role in a musical). In between seasons of Fun Home, Lucy reprised her role of Mrs Bucket in Charlie and the Chocolate Factory (Crossroads Live) for which she received a Helpmann Award nomination.Following the devastation of the Covid-19 pandemic to the Arts, Lucy was lucky enough to appear in the first main stage commercial musical to return after the shutdown of all theatre as Catherine in Pippin for Crossroads Live. Her other recent career highlights include Cynthia in Beautiful: The Carole King Musical (Michael Cassel Group, Green Room Award nomination), Miss Honey in Matilda: The Musical (Louise Withers/RSC, Helpmann Award nomination), The Spirit of Christmas (QPAC), There's Something About Music (The Little Red Company), Heather Chandler in Heathers (ShowWork Productions), Patty in Tim Finn's Ladies in Black (QTC/MTC), Rizzo in Grease (GFO, Helpmann and Sydney Theatre Award nominations), Cinderella in Into the Woods (Victorian Opera, Helpmann and Green Room Award nominations), Georgia Hendricks in Curtains (The Production Company), Gertrude Lawrence in Noël and Gertie (CDP Theatre Producers, Glug Award for Best Actress in a Musical), Polly Peachum in The Threepenny Opera (STC/Malthouse/Victorian Opera), Janet in The Rocky Horror Show (TML Enterprises), Emma in Jekyll & Hyde (TML Enterprises) and Anne in A Little Night Music (Opera Australia). Lucy also created the role of Lara in the world première of Doctor Zhivago opposite Anthony Warlow (GFO, Helpmann and Sydney Theatre Award nominations).Lucy's film credits include The Eternity Man (Channel 4 UK/ABC) and the lead role in the short film Identical, amongst other commercial and television appearances including the National Anthem at the State of Origin, The Lord Mayor's Christmas Carols (Channel 9) and appearances on The Morning Show (Channel 7) and Today Extra (Channel 9).Lucy's one-woman show Irving Berlin: Songs in the Key of Black toured Australia to rave reviews at venues such as the prestigious Spiegeltent, the Adelaide Cabaret Festival, His Majesty's Theatre Perth and La Salon at Claire's Kitchen. Her album featuring arrangements and musical direction by Daniel Edmonds is available across all streaming platforms.Lucy is over the moon to be starring as Roxie in Chicago, a true bucket list moment.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Amy Lehpamer is currently starring in the hit pop musical & Juliet as Anne Hathaway.Amy earned nation-wide critical acclaim playing Maria in The Sound of Music, receiving the 2015 Sydney Theatre Award for best Actress in a Musical, as well as Helpmann and Glug award nominations. She was Helpmann nominated in 2017 for her portrayal of pop and soul icon Dusty Springfield in the Australian hit musical Dusty for The Production Company. Amy played lyricist and hit-maker Cynthia Weil in the Australian premiere cast of Beautiful: The Carole King Musical and was awarded the 2018 Helpmann for Best Supporting Actress in a Musical for the role.From 2018-2020, Amy toured Australia, NZ and China as Rosalie Mullins, the uptight school Principal with a Rock 'n Roll soul in Andrew Lloyd Webber's musical version of School of Rock.  She played Mrs Webb in Queensland Theatre's revival of the pulitzer prize winning classic, Our Town and Mrs Walker in the Australian Premiere of The Who's Tommy for the Victorian Opera. Her skill as a violinist and performer were highlighted in her role of Reza in Once for the Gordon Frost Organisation and Melbourne Theatre Company.  This, and her big haired, starry eyed Sherrie in Rock of Ages saw her receive Helpmann nominations. She has twice played Christine Colgate in the musical adaptation of the hit comedy Dirty Rotten Scoundrels, in her first ever leading role for Melbourne's The Production Company.Other notable roles for Amy include Tracy Lord in High Society for the Hayes Theatre, the iconic Janet Weiss in Rocky Horror for GFO/ATG. Amy created the title role of Margaret Fulton in the new Australian musical Margaret Fulton: Queen of the Dessert (Theatreworks) and was part of the original cast of Eddie Perfect's Shane Warne - The Musical, as well as the 2014 production for Adelaide Cabaret Festival and Hamer Hall, featuring on the cast recording.Additional theatre credits include: The Threepenny Opera (Malthouse and Victorian Opera); The 25th Annual Putnam County Spelling Bee and Songs for a New World (Doorstep Ensemble); Young Phyllis in Follies (The Production Company).Amy is the co-creator and star of the musical comedy webseries Donnatelegrams, produced by the ABC and Screen Australia, and now viewable on YouTube. On screen, Amy also holds credits in prime time television shows: Get Krack!n', Utopia. The Time of Our Lives, Winners and Losers, House Husbands, and the HBO mini-series The Pacific.  She has performed disco classics alongside Kate Ceberano and Paulini with the Adelaide and Queensland Symphony Orchestras. And she's sung The Best of Rodgers and Hammerstein alongside Simon Gleeson with the West Australian Symphony Orchestra.  The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Michael Lavine is a Broadway Performance Coach and Sheet Music Expert. He has also worked as a musical director, pianist, vocal coach and singer all over the world. He is very much; a Music Man!Michael gives master classes on auditioning in New York, Los Angeles, Australia and Martha's Vineyard. He has worked several times at the Shanghai Theatre Academy. Accompanying many artists, he has worked regularly with Heather MacRae on her show about her father, Gordon and has accompanied Broadway and television star Bryan Batt in New Orleans, at 54 Below, Feinstein's and the Metropolitan Room. He musically directed Bryan's show Batt on a Hot Tin Roof at the Adelaide Cabaret Festival in Australia, touring subsequently to Melbourne and Sydney. Michael regularly plays for the Outer Critics Circle Awards and musically directed the Broadway Cares Teddy Bear Auction for its entire 15-year run. Michael has conducted orchestras in Wichita, Kansas, Traverse City, Michigan, and Beverly, Mass., among other cities. He co-produced and musically directed the American premiere recording of HONK! at the York Theatre. Michael served as musical director for the Comden & Green musical Billion Dollar Baby starring Kristin Chenoweth, Marc Kudisch and Debbie Gravitte and the Burton Lane/Alan Jay Lerner musical Carmelina. He has shared the stage with Mimi Hines and Peter Howard (his mentor) at the Kennedy Center in a Rodgers & Hart revue, This Funny World. Michael is known for owning one of the largest privately held sheet music collections in the world, and is frequently called upon for his extensive knowledge, and is celebrated for preserving and archiving the musical theatre and American songbook.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Virginia Gay (Adelaide Cabaret Festival, Winners and Losers, Thank God You're Here) joins me to discuss dealing with rejection, living with undiagnosed ADHD, and design flaws in hotel rooms.To find out more details about the Adelaide Cabaret Festival head to https://cabaret.adelaidefestivalcentre.com.au/My new stand up show in the MICF, Four Burners, is on sale right now, get tickets at https://www.eventbrite.com.au/e/four-burners-tickets-773538212617Also my old podcast is doing 4 shows in the MICF, Saturdays at 3pm, tickets at https://www.trybooking.com/events/landing/1153699?And if you're in Launceston you can see the World Premiere of Four Burners on April 5, Tickets at https://www.trybooking.com/events/landing/1165300And if you would like to support the podcast join the patreon and get bonus podcast episodes. Head to patreon.com/dykwia Hosted on Acast. See acast.com/privacy for more information.

Have you ever wondered how a musical is written? At this year's Adelaide Cabaret Festival, the Tony-nominated composer and lyricist Eddie Perfect hosted an event that brought us into that process. Eddie and another musical theatre composer, Gillian Cosgriff, share their insights and debut brand new songs in our music studio.Also, Richard Mills' forthcoming opera Galileo explores the life of the pioneering Italian astronomer Galileo Galilei. Performed by Victorian Opera, Galileo will have its world premiere at the Palais Theatre in Melbourne. Richard joins us at the piano to share stories from his own life as a composer.

Today, on the Ali Clarke Breakfast Show: Ever heard of the bird of the century? Well you have now - meet the Pūteketeke! We revisit yesterday's book of records, as we found the winner of SA's most disastrous wedding While watching a movie, Ali's daughter Eloise made her feel old by asking if her celebrity crush was dead... E-News: The 37th ARIAS - announcing the winners / Gwyneth Paltrow married a man who was like her father / Travis Kelce released a song Max Burford writes a letter to Santa Ali hosted the Women in Innovation SA conference and awards, and thinks people are going too far with their 'dietary requirements' We interview Virginia Gay, artistic director of the Adelaide Cabaret Festival, and play a little game with her in-studio We head down to the Tynte St. Tavern to open up our Pub Test - Dogs inside pubs/restaurants, does it pass the test? First Date Lies - We are on track to crowning our top first date lie! Kate Langbroek also joins the show and plays a game of 2 Truths and a Lie with Max and Ali  Romantic gestures for your partner, do men struggle with it? Let's discuss.. See omnystudio.com/listener for privacy information.

imon Hall (Yon) is best known for his work in comedy band Tripod. His solo projects include Second Wedding Singer, commissioned by the Adelaide Cabaret Festival and the Green-Room award-winning Mandaddy: Songs of Love and Love. More recently, Yon has also written songs for Dragon Lady starring Fiona Choi, Musical Fictions for the Sydney Writers' Festival and for upcoming video game musical, Stray Gods. As part of Tripod, Yon has performed on stage in the Edinburgh Festival, Montreal Comedy Festival and Melbourne Comedy Festival as well as with the Melbourne Symphony Orchestra. Tripod have made countless TV appearances, including Just for Laughs Montreal, the Melbourne Comedy Festival Gala, (Network Ten and ABCTV), Skithouse (Network Ten) and The Sideshow (ABCTV). Tripod have written songs for Monster Beach (Cartoon Network) and the video game Assassin's Creed: Syndicate (Ubisoft).2023 sees the release of Simon's six-episode podcast series: Minuscule Musical. Minuscule Musical is a show where the hosts have written a short (minuscule) musical where form, structure, and good taste is stretched to its limits and ultimately asks: What is a musical anyway? Each 25-minute episode features Yon (Tripod) and one of his guest collaborators (including Sammy J, Jude Perl, Margot Morales, Karl's Zaid, Andrew Patterson and Gillian Cosgriff) performing for the first time (and then discussing) their tiny show in front of a live audience.Subscribe and follow at minusculemusicalpodcast@gmail.comThe STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Virginia Gay on 'DWTS' difficulties, Adelaide Cabaret Festival & Logie nomination.See omnystudio.com/listener for privacy information.

In this episode, Jacinta and Lachlan interview Elise McCann, co-founder of Hey Lemonade. We ask Elise all the nosey questions we had about Hey Lemonade as an idea and an app - where the idea came from, how Elise and Lucy got it up and running and if they use their own pep talks when things get a little hard. We dig into the CSIRO's report and findings of the efficacy of the app and why it was so important to both Lucy and Elise to have writers and speakers from different walks of life involved in the app.    About our guest Actor, producer and co-founder of the pep talk app, Hey Lemonade, Elise is a Helpmann and Sydney Theatre Award winner. Elise is currently starring in Mamma Mia in the lead role as Donna.  Elise is a graduate of NIDA and studied law at the University of NSW. In 2014 she founded her own production company Oriel Entertainment whereby she has created and produced theatre, musicals and concerts for Sydney Opera House, Sydney Symphony Orchestra, Melbourne Symphony Orchestra, QPAC, Adelaide Cabaret Festival and the ABC. Elise's debut album Dahlesque was released with ABC/Universal in 2017.   Episode partner Are you tired of the same old boring puzzles? Mix things up with Wongo Puzzles! Each puzzle is a custom design, with intricate patterns and whimsical shapes that will keep you engaged for hours. Plus, their eco-friendly materials and commitment to sustainability make Wongo Puzzles a guilt-free way to unwind. Use our link https://zen.ai/differentlybrained or the code DB to save 10% at wongopuzzles.com. The discount will be applied at checkout!   Representations & resources Hey Lemonade website CSIRO Hey Lemonade report Download the Hey Lemonade app You can purchase all of these book titles and more from your local independent bookseller or Booktopia. Please note by purchasing through these Booktopia partner links we are provided a small commission which allows us to continue to provide the podcast at no cost to our audience.    About the podcast Differently Brained shares the opinions of individuals and does not consider your personal circumstances. Differently Brained exists purely for information purposes and should not be relied on as health or medical advice. Because no brain is the same, please consult your healthcare professional for your personal medical needs. The Differently Brained team acknowledge the traditional custodians of the lands on which we record, edit and stream this podcast. We pay our respects to all First Nations peoples and their Elders part, present and emerging. We extend that respect to all First Nations cultures and their ongoing connection to the lands, waterways and communities.

Robyn Archer AO FAHA is a singer, writer, artistic director and public advocate for the arts. Winner of the Helpmann Award for Best Cabaret Performer 2013 and named Cabaret Icon at the 2016 Adelaide Cabaret Festival, she currently performs highly acclaimed recitals of French (Que Reste-t'Il) , German (Dancing on the Volcano) and American (The Other Great American Songbook) song, wrote and directed The Sound of Falling Stars (2017/18) and released her album Classic Cabaret Rarities in 2019.  In July 2022 Robyn premiered Robyn Archer: an Australian Songbook with a two-week season for Queensland Theatre. Working with long term accordionist George Butrumlis, actor and guitarist Cameron Goodall and pianist Enio Pozzebon the show was an audience and critical success and will tour in 2023. Robyn is recognised internationally for her expertise in the repertoire of the Weimar Republic (Brecht and his musical collaborators and others from 1920s and 30s Germany) which she has been performing through Australia and worldwide since the 1970s, including at the National Theatre, London in 1977, in Hong Kong, Honolulu, and at the Brecht Festival in Augsburg.  Her many other stage successes include The Seven Deadly Sins which opened the Space in 1974, and one-woman shows A Star is Torn (through Australia and at Wyndham's in London's West End for a year) and Tonight Lola Blau both at the Adelaide Festival Centre. She has written and had produced, plays including Il Magnifico, Poor Joanna (with poet Judith Rodriguez), and Architektin; plays with music including Songs from Sideshow Alley, Café Fledermaus and The Bridge; and devised cabarets featuring her own songs and writing such as The Pack of Women, Scandals and Cut and Thrust.  Robyn has published numerous books from The Robyn Archer Songbook to Mrs Bottle's Burp and Detritus (a collection of her public speeches) as well as writing for the Griffith Review and the Australian Book Review. Among her many awards, including the ABR Laureate, the Dame Elisabeth Murdoch Cultural Leadership Award, the SA Premier's Lifetime Achievement Award, the International Society for Performing Arts' International Achievement Award and an ARIA Award for Best Soundtrack (The Pack of Women), the 2018 Adelaide Festival of Ideas Dedication recognised Robyn for her contribution to the world of ideas and public life. In the same year she also received the JC Williamson Centenary Lifetime Achievement Award. Robyn is an Officer of the Order of Australia, Chevalier de l'Ordre des Arts et des Lettres (France), Officer of the Crown (Belgium), Honorary Fellow of the Australian Academy of the Humanities and has Honorary Doctorates from the Universities of Sydney and Adelaide as well as Flinders, Canberra and Griffith Universities and the University of South Australia.  Robyn Archer - An Australian Songbook - commences a National Tour - kicking off in Melbourne tonight playing …. June 12th & 13th - Victorian Arts CentreAdelaide Cabaret Festival - June 17th and 18thCanberra - July 7th and 8th - Canberra Arts CentreDarwin - August 19th and 20th - Darwin Entertainment CentreSydney - October 18 to 29 - Belvoir TheatreHobart - November 3rd and 4th - Theatre RoyalA journey through Australian music that spans 150 years, from convict lament to Kate Miller Heidke and First Nations songwriters, Robyn explores the unique sound of our country with a repertoire full of passion, politics, landscape and laughter. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

The Adelaide Cabaret Festival 2023 @AdelaideCabaret begins tonight! 2 of the 'Cabaret Collective' are in studio with David and Will ... we welcome David and Lisa Campbell!See omnystudio.com/listener for privacy information.

Have you ever wondered how a musical is written? At this year's Adelaide Cabaret Festival, the composer and lyricist Eddie Perfect is hosting an event that brings us into that process. Eddie joins us with Gillian Cosgriff whose new musical The Fig Tree will have a work-in-progress showing at the festival. Also, in Patricia Cornelius's play Do Not Go Gentle, now on at the Sydney Theatre Company, we are out on the Antarctic ice with Robert Falcon Scott on his fateful expedition of 1912. But in this play Scott and his team are all in their 80s and we soon realise that nothing is what it seems.

Have you ever wondered how a musical is written? At this year's Adelaide Cabaret Festival, the composer and lyricist Eddie Perfect is hosting an event that brings us into that process. Eddie joins us with Gillian Cosgriff whose new musical The Fig Tree will have a work-in-progress showing at the festival.Also, in Patricia Cornelius's play Do Not Go Gentle, now on at the Sydney Theatre Company, we are out on the Antarctic ice with Robert Falcon Scott on his fateful expedition of 1912. But in this play Scott and his team are all in their 80s and we soon realise that nothing is what it seems.

During the pandemic lockdowns in Melbourne, Michelle Brasier wanted to buy a pilates reformer machine and she found a bargain on Facebook Marketplace. The trouble was that the person selling the reformer was less that scrupulous. She has turned what happened next into a show. “Reform” is the story of one woman's unlikely relationship with an online scammer. In it, Michelle stars as herself and her real life partner Tim Lancaster takes on the role of the scammer. Audiences can see them at the Adelaide Cabaret Festival on June 9th and 11th.Get your tickets here:https://cabaret.adelaidefestivalcentre.com.au/whats-on/reform?dateId=09-06-2023&performanceId=ESCE2023769MBSupport this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

David Lewis is looking forward to a series of shows at the Adelaide Cabaret Festival in June this year when he brings the Paris Combo to Adelaide to celebrate in... LEARN MORE The post Paris Combo's Tribute to Belle appeared first on Bent Notes.

With comedy festivals around the country at full sail, Lano and Woodley are having a whale of a time in their new show, Moby Dick. Colin Lane and Frank Woodley join us to reflect on 30 years of their famous partnership.Also, Tina Arena is one of our most successful musical exports. Last year she flexed new creative muscles as the artistic director of the Adelaide Cabaret Festival, and in 2023 she joins a collective of past directors curating this year's festival.

With comedy festivals around the country at full sail, Lano and Woodley are having a whale of a time in their new show, Moby Dick. Colin Lane and Frank Woodley join us to reflect on 30 years of their famous partnership. Also, Tina Arena is one of our most successful musical exports. Last year she flexed new creative muscles as the artistic director of the Adelaide Cabaret Festival, and in 2023 she joins a collective of past directors curating this year's festival.

Remembering the greatness of Barry Humphries, we replay the interview between @penbo and Barry when he was here for the Adelaide Cabaret Festival in 2015.See omnystudio.com/listener for privacy information.

For Video Edition, Please Click and Subscribe Here: https://www.youtube.com/watch?v=-HoICdC7LFU&t=50s Today, I'll be wrapping up the week with five artists making a difference. Grab some coffee cake and join us! Celia Berk is an award-winning vocalist whose recordings have attracted listeners around the world. She has made memorable appearances at Carnegie Hall, Jazz At Lincoln Center, Birdland Theater, The Town Hall and the National Arts Club. https://celiaberk.com Dana P. Rowe is an American musical theater composer whose works have been performed internationally with productions in London's West End (Theatre Royal Drury Lane, Prince of Wales, The Donmar Warehouse), Russia, Czech Republic, Japan (including Tokyo's Imperial Garden Theatre), Germany, Australia, New York City, São Paulo, Brazil and Slovenia.   A native New Yorker, Deborah Stone began studying ballet at age eight at the Metropolitan Opera Ballet School. She became smitten by the stage when cast as a supernumerary in Met Opera productions from that time forward into her late teens. While there, she studied with Margaret Craske, Alfredo Corvino, and Antony Tudor. Mark Nadler is an internationally acclaimed singer, pianist, tap-dancer and comedian. He is the recipient of the 2015 Broadway World Editor's Choice Award for Entertainer of the Year. His recent off-Broadway hit, I'm a Stranger Here Myself, has been honored with the 2013 Nightlife Award Mark Nadlerand was nominated for a Drama Desk Award and two Broadway World Awards. The show was presented at The Adelaide Cabaret Festival in Adelaide, Australia, where it was nominated for the prestigious Helpmann Award. 

The @AdelaideCabaret 2023 Program is out today! Julia Zemiro is one of the nine Artistic Directors this year, and she joins David and Will in studio, along with Alex Sinclair, Executive Producer of the Festival!See omnystudio.com/listener for privacy information.

On est en ligne avec David Lewis de Paris Combo et avec Julia Holt, co-directrice artistique du Adelaide Cabaret Festival 2023 pour parler de l'ensemble qui revient à Adélaïde avec son mélange de cabaret gypsy-jazz, de pop française et de rythmes du monde. Paris Combo rendra hommage à sa chanteuse et compositrice Belle du Berry, avec des sélections de leur dernier album studio, Quesaco

It's World Pride 2023 and the queer globe is converging on Sydney Australia to celebrate diversity, inclusion, community and fabulousness! To mark this momentous event the STAGES podcast is saluting the cast of captivating drag divas and personalities who have been featured on the podcast during the past 5 seasons. They are artists who have appeared on national and global stages; thrilling audiences, making a difference, healing community and expressing unique and wondrous talents. We spotlight these episodes so you can savour a second listen - or so you can sample the delights of these entertainers for the very first time. A Diva a day for each day of World Pride! One of Australia's most loved and enduring comedy characters, Bob Downe, is the creation of journalist, comedian, actor and broadcaster Mark Trevorrow. Born in Melbourne, Mark started his working life at 17 as a copyboy with The Sun News-Pictorial, before co-founding cabaret comedy group The Globos, who released two Australian Top 20 hit singles, Tintarella di Luna (1982) and The Beat Goes On (1983). He created Bob Downe in1984 and has toured the world as the Prince of Polyester ever since. Bob's stage shows have played to acclaim at the Edinburgh Fringe, Adelaide Cabaret Festival and the Melbourne International Comedy Festival, with decades of touring across Australia and the UK including P&O Comedy Cruises and performing for the Queen at the Royal Variety Performance. Bob's TV appearances range from Countdown to The Project, from the Mike Walsh Show to Studio 10, and hosting multiple Sydney Mardi Gras broadcasts. As Mark he has been heard regularly on ABC local radio and presented The Way We Were, a ratings winner on ABC TV in 2004. He was also featured regularly on Kath & Kim as ‘Darryl' the menswear salesman. Bob's comedy/chat series, The Bob Downe Show (Foxtel/ TV1), went to air in December 2000. Bob Downe's national theatre tours, Whiter! Brighter!, Cold August Night and iBob have been sellouts everywhere, including the Sydney Opera House and the State Theatre. Mark Trevorrow and Rupert Noffs perform their show, ‘Old Friends' at Claire's Kitchen at Le Salon on Monday February 20th and Tuesday February 21st. Bookings at wwwclaireskitchen.com.au The STAGES podcast is available from Apple podcasts, Spotify and from where you find your favourite podcasts. Tune in daily for a history of drag in Sydney. Tell your friends, share the podcast, relish the stories and embrace your own sense of Pride.

With a celebrated career spanning over 25 years, David is one of Australia's most acclaimed leading men. Based in New York City, David is currently starring as the Duke of Monroth in the North American production of Moulin Rouge! The Musical and is delighted to return to Do You Hear the People Sing? after appearing in the show since its inception in Shanghai, Manila, and Taipei. David gained critical acclaim for his portrayal of Chris in Claude-Michel Schönberg and Alain Boublil's new production of Miss Saigon which earned him Helpmann and Sydney Theatre Award nominations for "the year's most truthful and moving stage portrayals" (Sydney Morning Herald). He received a further Helpmann Award nomination for his performance as Fiyero in Wicked. David was awarded a Green Room Award for Best Actor as well as Helpmann and Sydney Theatre Award nominations for his portrayal of Emmett Forrest in Legally Blonde and was awarded Theatre People's Award for Best Actor for his portrayal of The Baker in Victorian Opera's production of Into The Woods. In 2018, David was nominated for his fourth Helpmann Award and second Green Room Award for his portrayal of Tick in Priscilla Queen of the Desert. Relocating to New York City in 2014, David received a Connecticut Critics Circle Award nomination for Best Actor for his performance of Dan in Next to Normal and starred as Jean Valjean in Les Misérables which co-starred and was directed by Tony Award winner Terrence Mann. He starred as Billy Crocker in Anything Goes, as Father in Ragtime and originated the role of Max Bronfman in the new, reworked production of Rags with Stephen Schwartz. Other Australian performances include; the dual roles of Adam and Noah in the Australian premiere performance of Stephen Schwartz's Children of Eden (Theatre People Award nomination for Best Actor in a Musical); Malcolm in The Full Monty; The Beast in Beauty and the Beast; Greg in The Boy From Oz; Joe Hardy in Damn Yankees; John Brookes in Little Women; Prez in The Pajama Game; Perchik in Fiddler On The Roof alongside Topol; John in Andrew Lippa's John & Jen; Oscar in The Wild Party; Orville Wright in Richard Maltby Jnr and David Shire's new musical Take Flight; and Jimmy Smith in the Australian premiere of Thoroughly Modern Millie. David originated the role of Bud in the Australian premiere production of the two-man comedy, Gutenberg! - The Musical; created the numerous male roles in the Australian premiere of Breast Wishes; and received a GLUG Award for Best Actor in a Musical for his performance in LOVEBiTES. David began his professional career in the original Australian productions of The Boy From Oz and Mamma Mia and was awarded a MO Award for Best New Talent in 1997. In concert, David toured with Michael Ball on his Australian tour; performed with Lea Salonga in Vietnam; performed with Stephen Schwartz in Stephen Schwartz and Friends; with Andrew Lippa in Lippa and Friends. In 2016, David starred alongside Sutton Foster, Aaron Tveit, Betty Buckley, Joanna Ampil and Helen Dallimore in Defying Gravity - the songs of Stephen Schwartz. David has released two solo albums, 'Til The Night Is Gone and At This Stage. He premiered his solo show, ‘Til The Night Is Gone to sold out audiences at the 2010 Adelaide Cabaret Festival and Newcastle's Civic Theatre and returned to the Adelaide Cabaret Festival in 2014 to headline the Australian premiere of Picture Perfect. David's most recent solo show, Time Is a Traveller premiered to a sold out, extended season at the Hayes Theatre and toured nationally to great acclaim, being awarded the Theatre People's Award for Best Male Cabaret in 2014. Do You Hear the People Sing? plays the Hamer Hall, Arts Centre, Melbourne, September 27th and 28th. Then the Concert Hall, Sydney Opera House, September 30th to October 2nd www.davidharrisofficial.com The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favouri

My guest on today's episode of The Catheteria is someone who's been described as the evil love child of Liza Minelli and Jim Carey. The London Times describes him as a new comedy star. Reuben Kaye is what happens when you tell your child they can be anything they want. I recently caught up with Reuben at the Adelaide Cabaret Festival and he gave insight into how hard life on stage really can be as well as the drive needed to stay in the spotlight. An eye opener of an interview.... but also endearing. I think by the end of this you will love Reuben Kaye as much as I do.If you'd like to know more about Reuben or want to get in touch head to https://www.reubenkaye.com/ Hosted on Acast. See acast.com/privacy for more information.

Since starting her career on Young Talent Time, Tina Arena has become one of our most successful musical exports, having sold over 10 million records worldwide. She's now flexing new creative muscles as the artistic director of the Adelaide Cabaret Festival. Also, we meet the students and two high-profile alumni creating new work at The Australian Ballet School and we learn about a new study that suggests job insecurity and other factors may be adversely affecting the mental health and wellbeing of performing artists.

Since starting her career on Young Talent Time, Tina Arena has become one of our most successful musical exports, having sold over 10 million records worldwide. She's now flexing new creative muscles as the artistic director of the Adelaide Cabaret Festival.Also, we meet the students and two high-profile alumni creating new work at The Australian Ballet School and we learn about a new study that suggests job insecurity and other factors may be adversely affecting the mental health and wellbeing of performing artists.

Since starting her career on Young Talent Time, Tina Arena has become one of our most successful musical exports, having sold over 10 million records worldwide. She's now flexing new creative muscles as the artistic director of the Adelaide Cabaret Festival. Also, we meet the students and two high-profile alumni creating new work at The Australian Ballet School and we learn about a new study that suggests job insecurity and other factors may be adversely affecting the mental health and wellbeing of performing artists.

Imogen Kelly is Australia's first lady of striptease not only renowned as Australia's Queen of Burlesque, but also crowned World Queen of Burlesque in 2012. She performs her, show stopping, jaw dropping, award winning acts from the Burlesque Hall of Fame in Las Vegas at this years Adelaide Cabaret Festival.

Philip Quast graduated from the National Institute of Dramatic Art in 1979 and began his career with State Theatre Company of South Australia debuting as Adam in The Mystery Plays of Wakefield. He went on to appear in numerous productions with the company including On The Wallaby, A Hard God, No End of Blame and The Threepenny Opera. His first musical was in the title role of Nimrod Theatre Company's Candide. Philip also began appearing as a presenter on the Australian children's show Play School, a program he would continue to present for 17 years.He shot to prominence in 1987 when he appeared as Javert in the original Australian production of Les Misérables. This performance won him a Sydney Critic Award and in 1989, he travelled to London to play Javert on the West End and eventually in Les Misérables: The Dream Cast at The Royal Albert Hall.Philip's stage success continued as he won the coveted role of Georges Seurat in the original London production of Stephen Sondheim's Sunday in the Park with George at the National Theatre where he also performed in David Hare's Stuff Happens, A Funny Thing Happened On The Way to the Forum, South Pacific and most recently the award winning Follies (which screened live around the world.)He has won three Laurence Olivier Awards for Best Actor in a Musical; Sunday in the Park with George, South Pacific and The Fix.He has appeared with the Sydney Theatre Company in Coriolanus, Sondheim's Into the Woods,The Cherry Orchard, Democracy and the much-lauded production of Waiting For Godot. Most recently with Death of a Salesman.Philip has been a member of the Royal Shakespeare Company's seasons in London and Stratford Upon Avon with The White Devil, Macbeth, Troilus and Cressida and The Secret Garden.His other innumerable roles include Juan Peron in Andrew Lloyd Webber's 2006 production of Evita at the Adelphi Theatre, Judge Turpin in Sweeney Todd at London's Royal Festival Hall, The Lincoln Centre in New York and for The English National Opera. He played Georges in the Menier Chocolate Factory's production of Jerry Herman's La Cage aux Folles in the West End.His many film and television appearances include; Midsomer Murders, Morse, UltraViolet, Brides of Christ, The Damnation of Harvey McCue,Truth, Hacksaw Ridge,The Devil's Double and Picnic At Hanging Rock.Philip can be heard in over 15 cast recordings. He now devotes much of his time to directing, writing and teaching.Philip will be performing at this year's Adelaide Cabaret Festival with Moments In The Woods – Songs & Stories of Sondheim, directed by Mitchell Butel. Moments In The Woods also features Geraldine Turner, Queenie van de Zandt, Josie Lane and Mitchell Butel. The show plays June 23rd at Her Majesty's Theatre, Adelaide.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Philip Quast graduated from the National Institute of Dramatic Art in 1979 and began his career with State Theatre Company of South Australia debuting as Adam in The Mystery Plays of Wakefield. He went on to appear in numerous productions with the company including On The Wallaby, A Hard God, No End of Blame and The Threepenny Opera. His first musical was in the title role of Nimrod Theatre Company's Candide. Philip also began appearing as a presenter on the Australian children's show Play School, a program he would continue to present for 17 years.He shot to prominence in 1987 when he appeared as Javert in the original Australian production of Les Misérables. He travelled to London to play Javert on the West End and eventually in Les Misérables: The Dream Cast at The Royal Albert Hall.Philip's stage success continued as he won the coveted role of Georges Seurat in the original London production of Stephen Sondheim's Sunday in the Park with George at the National Theatre where he also performed in David Hare's Stuff Happens, A Funny Thing Happened On The Way to the Forum, South Pacific and most recently the award winning Follies (which screened live around the world.)He has won three Laurence Olivier Awards for Best Actor in a Musical; Sunday in the Park with George, South Pacific and The Fix.He has appeared with the Sydney Theatre Company in Coriolanus, Sondheim's Into the Woods,The Cherry Orchard, Democracy and the much-lauded production of Waiting For Godot. Most recently with Death of a Salesman.Philip has been a member of the Royal Shakespeare Company's seasons in London and Stratford Upon Avon with The White Devil, Macbeth, Troilus and Cressida and The Secret Garden.His other innumerable roles include Juan Peron in Andrew Lloyd Webber's 2006 production of Evita at the Adelphi Theatre, Judge Turpin in Sweeney Todd at London's Royal Festival Hall, The Lincoln Centre in New York and for The English National Opera. He played Georges in the Menier Chocolate Factory's production of Jerry Herman's La Cage aux Folles in the West End.His many film and television appearances include; Midsomer Murders, Morse, UltraViolet, Brides of Christ, The Damnation of Harvey McCue,Truth, Hacksaw Ridge,The Devil's Double and Picnic At Hanging Rock.Philip can be heard in over 15 cast recordings. He now devotes much of his time to directing, writing and teaching.Philip will be performing at this year's Adelaide Cabaret Festival with Moments In The Woods – Songs & Stories of Sondheim, directed by Mitchell Butel. Moments In The Woods also features Geraldine Turner, Queenie van de Zandt, Josie Lane and Mitchell Butel. The show plays June 23rd at Her Majesty's Theatre, Adelaide.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Post-post-modern diva Meow Meow has hypnotised, inspired, and terrified audiences globally with unique creations and sell-out seasons from New York's Lincoln Centre and Berlin's Bar Jeder Vernunft to London's West End and the Sydney Opera House.As well as being a prolific original music, theatre and dance-theatre creator for such commissioners as Pina Bausch, David Bowie and Mikhail Baryshnikov,Meow Meow specialises in the Weimar repertoire and French chanson. She has played Jenny in Brecht/Weill's Threepenny Opera in Paris and London with the London Philharmonic and Anna 1and 2 in Brecht/Weill's Seven Deadly Sins with Orchestra Victoria, and with United Ensemble at the Konzerthaus Berlin.Meow Meow's original works include Vamp, Beyond Glamour, Feline Intimate, Meow Meow's Little Match Girl, Meow Meow's Little Mermaid, His Master's Choice, Apocalypse Meow, and An Audience with Meow Meow. Concert work includes Meow Meow's Pandemonium with the London Philharmonic, Bergen Philharmonic and Sydney Symphony Orchestras. She recently appeared in Barry Humphries's critically acclaimed Weimar Cabaret season at the Barbican and at the Kennedy Centre in Washington DC.In other works, Meow has played Titania in Emma Rice's A Midsummer Night's Dream at Shakespeare's Globe and appeared on the West End in Kneehigh and Michel Legrand's The Umbrellas of Cherbourg in a role created especially for her - La Maîtresse. She played Pegleg in Tom Waits' musical fable The Black Rider with Victorian Opera and Malthouse Theatre; Édith Piaf in Cocteau's Le Bel Indifferent, for the Greenwich Music Festival and an acclaimed Miss Adelaide in Guys and Dolls with the Royal Philharmonic at Royal Albert Hall.Meow Meow has performed as guest artist with iconic orchestra Pink Martini at the Berlin Philharmonie, Royal Albert Hall, Opera Garnier Monte Carlo, the Hollywood Bowl, and across the concert stages of Europe, Canada, and the United States. Their album Hotel Amour: Meow Meow with Thomas M. Lauderdale includes duets with Rufus Wainwright, Barry Humphries, the Von Trapps and the late Michel Legrand. It was released in 2019 and named one of The Times' top 100 albums of the year.Meow Meow is a favourite performer at Adelaide Cabaret Festival and returns this year performing with the Adelaide Symphony Orchestra. Meow Meow's Pandemonium plays at Her Majesty's Theatre on June 18th.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

With episodes nearing 300 in the STAGES archive, it's time to revisit conversations featured in our previous seasons. STAGES spotlights such episodes, in case you missed them the first time ‘round - or so you can simply savour, a second listen. Either way, you'll accessing precious oral histories from the people who were there, on and around our stages.West End and Broadway star Ruthie Henshall was STAGES guest in 2019 during the podcast's second season.Ruthie Henshall made her West End debut in 1987 in Cats, navigating several of the feline family before assuming the pivotal role of Grizabella. The supremely gifted 19 year old would go on to become a five time Olivier Award nominee for a succession of roles in Crazy For You, Chicago, Peggy Sue Got Married and Marguerite; winning for the role of Amalia in the London revival of She Loves Me.Her list of theatre credits is extensive and in an extraordinary accomplishment, audiences have seen her play the three female principal roles in the musical Chicago; originating the role of Roxie in the West End, giving her Velma on Broadway and returning recently to the London production in the role of Matron Mama Morton.When we spoke with Ruthie she was in the middle of an Australian tour leading to a season at the Adelaide Cabaret Festival. Ruthie's tour was produced by Enda Markey.The Adelaide cabaret Festival for 2022 kicks off today and runs until June 25th.Ruthie generously shared her story and provided terrific insight into the rewards and challenges of navigating a career as one of the world's most consummate musical theatre performers.The Stages podcast is available from Apple podcasts, Spotify, Whooshkaa and where you find your favourite podcasts. www.stagespodcast.com.au

Welcome to episode 1 of The Catheteria…where everyone gets a serve!Next week, I head off to open Tina Arena's 2022 Adelaide Cabaret Festival, so I felt it fitting to that my very first guest should be none other than Adelaide born come journalist come international Superstar HANS, or as some of you may not know him, Matt Gilbertson.Strap in for a very funny episode where we talk all things audience hostility, German translation and of course…showbiz! Hosted on Acast. See acast.com/privacy for more information.

One of the country's most iconic voices has tried her hand at some of the world's most famous gospel songs for her latest album, The Gospel According to Marcia Hines. Marcia will be performing the show at The Adelaide Cabaret Festival.

Kenneth Moraleda is an actor/director/writer/producer of Filipino descent. He started training at Australian Theatre for Young People before being accepted into the National Institute of Dramatic Art graduating with a Bachelor of Acting in 1995.As a performer his recent theatre credits include An Enemy of The People with Belvoir Street, and Kasama Kita for 25a, the Global Creatures national tour of Muriel's Wedding The Musical, Talk at the Sydney Theatre Company and Australian Graffiti– a debut play from Disapol Savetsila playing Boi.Other theatre credits include playing Banzai in Disney's The Lion King Musical under the direction of Julie Taymor, the National Theatre Of Great Britain and Global Creatures' production of War Horse, playing Kulygin in Sport for Jove's critically acclaimed Three Sisters by Anton Chekhov, creating the role of Roger Chan in Nick Enright's A Man With Five Children, Hilary Bell's The White Divers of Broome, David Williamson's Cruise Control, the satirical comedy Australia Day by Jonathan Biggins and Yellow Moon-The Ballad of Leila and Lee directed by Susanna Dowling. His Philippine stage debut was with Repertory Philippines in the Pulitzer Prize Winning Play August: Osage County.His directing debut was an immersive theatrical and cinematic music show They Say She's Different written and starring Cecilia Low. After a showing at Ding Dong Lounge in Melbourne, it was picked up by the Adelaide Cabaret Festival and was a highlight of the Melbourne Fringe Festival 2015 for a season at Gasworks receiving rave reviews.He was a leading artist in This Here Land. – an experimental performance part of Liveworks Experimental Arts Festival in October 2017 for Performance Space. He has several writing projects in development including One Hour No Oil co-written with Jordan Shea.Numerous television credits include Schapelle, East West 101, Maximum Choppage, Bondi Banquet, City Life, Water Rats, Wildside, White Collar Blue, City Homicide, Janet King and Bureau of Magical Things.Notable film roles include The Great Raid, Locusts and Arun in the iconic Australia comedy Lucky Miles which has won him the Best Actor Award at the Cinemanila International Film Festival. He was also in Dead Europe and lead the short films, Perfection by Jane Eakin and The Fence by Lucy Gaffy, Banana Boy by Steven Woodburn and Legacy by Josh Mawer.In December 2020, Kenneth co-founded the theatre company KWENTO alongside Jordan Shea and Jana Vass. The company seeks to create new Australian works, that challenge the norms of Australian society.In April they will premiere a new work titled ATE LOVIA by Jordan Shea which will be directed by Kenneth Moreleda.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Background: The City of Adelaide has a diverse and rich music heritage which was internationally recognised in December 2015 when Adelaide was designated a City of Music by the UNESCO Creative Cities Network. Adelaide is the first, and only, designated UNESCO City of Music in Australia, an acknowledgment of the breadth, depth and vibrancy of the city's music culture, its international reach, its history and its aspirations. This recognition highlights Adelaide as a city of excellence for music making, education, community involvement and events. Music is one of humanity's most powerful forms of expression, and creative industries are an important part of our cultural identity as well as our economy. Adelaide boasts a world class Adelaide Symphony Orchestra who deliver a high-class annual program. Adelaide hosts a series of world-class music and arts festivals ranging from internationally acclaimed WOMADelaide and Adelaide Cabaret Festival, to the cosy Umbrella: Winter City Sounds festival. When Music SA conducted their annual Live Music Census in May 2018, they discovered that across metropolitan Adelaide there were 1,227 gigs across 201 venues over the course of the month. This works out to around 300 gigs per week. Fellow UNESCO City of Music Glasgow hosted 150+ live music gigs a week. Home to a diverse range of independent musicians, a developing and entrepreneurial music industry, and prior to the arrival of the Covid-19 pandemic, a plethora of live music venues of varying sizes. The ongoing impact of the COVID-19 pandemic has taken a heavy toll on the music industry, with lockdowns, the cessation of Jobkeeper, support packages that many were ineligible to receive, border closures, ongoing capacity restrictions, mandatory masks, bans on singing & dancing, and cancellation of events and tours all causing artists to lose gigs, and venues and promoters to trade unsustainably. When Stephen Marshall became Premier in 2018 his Liberal Government made significant change to Arts South Australia, including the abolishment of the position of Executive Director of Arts South Australia and removal of a range of organisations to other Departments. Contemporary music was moved to The Department of Industry and Skills Minister David Pisoni. Their first budget delivered major cuts to the arts, despite Marshall being the Minister of the Arts! Prior to the pandemic, The City of Adelaide was committed to keeping Adelaide buzzing with live music, developing a three-year Live Music Action Plan. The second Live Music Action Plan ended in 2020, and a third has not been released. The Music Industry Council for South Australia (MIC), established in response to a recommendation made by Live Music Thinker in Residence, Martin Elbourne, through his REVERB report which outlined the need for a South Australian Contemporary Music Advisory Council, to bring the sector together and in doing so establish a shared vision to work better with Government. The purpose of the MIC is to present a unified vision and voice for the South Australian Music Industry to other groups and stakeholders including local and state Government agencies. Sadly this voice led by Music SA's Kim Roberts (Chair), and supported by government representatives from the Adelaide City Council and the Music Development Office silence has been deafening. "BAND IT ABOUT" theme song written and recorded by Catherine Lambert Michael Bryant. BAND IT ABOUT LINKTREE: https://linktr.ee/banditaboutpodcastseries Contact Paul Sharman: jimsharman7@gmail.com Thanks for Listening! --- Send in a voice message: https://anchor.fm/dianne-spillane/message

One of Australia's most loved and enduring comedy characters, Bob Downe is the creation of journalist, comedian, actor and broadcaster Mark Trevorrow.Born in Melbourne, Mark started his working life at 17 as a copyboy with The Sun News-Pictorial, before co-founding cabaret comedy group The Globos, who released two Australian Top 20 hit singles, Tintarella di Luna (1982) and The Beat Goes On (1983).He created Bob Downe in 1984 and has toured the world as the Prince of Polyester ever since, becoming one of Australia's most loved and enduring comedy characters.Bob's stage shows have played to acclaim at the Edinburgh Fringe, Adelaide Cabaret Festival and the Melbourne International Comedy Festival, with decades of touring across Australia and the UK including P&O Comedy Cruises and performing for the Queen at the Royal Variety Performance.Bob's TV appearances range from Countdown to The Project, from the Mike Walsh Show to Studio 10, and hosting multiple Sydney Mardi Gras broadcasts. As Mark he has been heard regularly on ABC local radio and presented The Way We Were, a ratings winner on ABC TV in 2004. He was also featured regularly on Kath & Kim as ‘Darryl' the menswear salesman.Bob's comedy/chat series, The Bob Downe Show (Foxtel/ TV1), went to air in December 2000. Bob Downe's national theatre tours, Whiter! Brighter!, Cold August Night and iBob have been sellouts everywhere, including the Sydney Opera House and the State Theatre. Bob is presently touring Viva Bob Vegas. Catch it if you can. It's a joyous celebration of camp, crooners, lounge and laughter. Bob always delivers!So does Mark, in this fervent and fabulous chin-wag for STAGES.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Soda received a very bizarre email request to duet with Anne Wills at the Adelaide Cabaret Festival! Clearly it wasn't meant for him but that didn't stop Soda ringing the publicist to take the duet VERY seriously. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

Episode 17 of The Blank Canvas Podcast with Sarah Walker. Since the age of 14, when her first script was accepted for a Young Playwright’s Conference, Sarah Walker has enjoyed an illustrious writing career. As an author, Sarah has written six young adult novels, including Camphor Laurel (Winner of the Children's Book Council of Australia, Book of the Year 1999), and chilling adult novel The Tin Man. As an actress Sarah starred in Paul Cox’s acclaimed AFI winning film ‘Man of Flowers’. As a playwright she co-wrote with Kate Ceberano ‘Love and the Bottom Line’ a one woman show which Kate performed at the Adelaide Cabaret Festival. Since moving into television, Sarah has become one of Australia’s most in demand screenwriters and script producers. All Saints, Winners & Losers, Wrong Girl, Neighbours, Wonderland, Home & Away, Wentworth and the current AACTA nominated hit The Secrets She Keeps - are few of her credits. Sarah is currently in development with US production companies Iron Ocean/Gotham on a novel adaptation, Echo Lake on an Elle & Dakota Fanning project and a TV series for Charlize Theron’s for her company Denver & Delilah. Like many successful people, Sarah has a fierce work ethic. But what is most apparent is that her words just leap off the page and bring the story and characters to life in such a compelling way. Watch - The Secrets She Keeps: https://10play.com.au/the-secrets-she-keeps/about W: https://theblankcanvaspodcast.com.au/ W: https://leerogers.com.au/ SOCIALS Insta: @theblankcanvaspodcast FB - The Blank Canvas Podcast Twitter: @blankcanvaspod THE BLANK CANVAS TEAM Produced by Lee Rogers & Rien MacDonald. Audio support by Jason Murphy/GASinc Music by Rodrigo Enrique Bustos. See omnystudio.com/listener for privacy information.

Episode 2 of The Blank Canvas Podcast with Kate Ceberano. Fronting pop funk band ‘I’m Talking’, Kate notched up 5 consecutive hit singles and a Platinum debut album. The year was 1986 and Michael Hutchence from INXS won Most Popular Male Artist and Kate won Most Popular Female Artist. Kate has barely drawn breath since, racking up 27 albums over 35 years whilst effortlessly moving around genres. With 3 x ARIA awards and 7 nominations for Best Female Artist, and dozens of other major awards, Kate is Australian entertainment royalty. She has starred in seminal productions of Jesus Christ Superstar and South Pacific, had her own tonight show on the ABC, won Dancing With The Stars, curated the Adelaide Cabaret Festival just to name a few of her milestones. Her latest album, with the prescient title “The Dangerous Age”, was written and recorded virtually, before it became a thing in 2020. This collaboration with Steve Kilbey and Sean Sennett has been one of the most acclaimed albums of the year. W: https://www.kateceberano.com/ W: https://theblankcanvaspodcast.com.au/W: https://leerogers.com.au/ Insta: @theblankcanvaspodcast FB - The Blank Canvas Podcast Twitter: @blankcanvaspod Produced by Rien MacDonald. Audio support by Jason Murphy/GASinc Music by Rodrigo Enrique Bustos.See omnystudio.com/listener for privacy information.