Fright Flick F.M.K.

This week on Fright Flick FMK, we're watching and reacting to Capture — a supernatural horror movie about an orphan who inherits her parents' long-abandoned house and discovers something waiting inside that should have stayed buried. Abby finds an old camcorder along with a collection of videotapes containing pieces of her family's past. Sounds nostalgic. It isn't. As she starts digging through the footage, disturbing family secrets begin coming to light — along with the horrifying truth about the camera itself. Apparently some home movies are better left unwatched. Capture comes from director Bruce Wemple, an indie filmmaker with a long run of horror and sci-fi movies including The Retreat, First Contact, Island Escape, The Hangman, and The North Witch. And there is a cool old-school angle behind this one: the filmmakers tracked down an actual 1995 Sony MiniDV camcorder for the production, leaning into the creepy home-video aesthetic and some early-2000s J-horror influence. That sounds like exactly our kind of bad decision. Fright Flick FMK is a horror movie watch-along and reaction show for fans who like their scary movies with attitude, laughs, real reactions, and zero fake polish. We kick back, get elevated, pour a drink, press play, and talk through the chaos in real time. For Capture, we're digging into the cursed-camera concept, the family mystery, the supernatural scares, the atmosphere, the old-school video aesthetic, and whether this movie actually captures our attention or deserves to have the tape permanently erased. WHERE TO WATCH: As of this upload, Capture is streaming FREE with ads on Tubi in the U.S. It is also available to rent or buy digitally through platforms including Amazon Video, Apple TV Store, and Fandango At Home. Streaming availability can change, so check your preferred service before pressing play. At the end, we rate it with The Only Rating System That Matters: Marry It means the movie is a keeper — the kind of horror flick you can grow old with and keep coming back to. F@#k It means it's a good time when the mood hits — maybe not forever material, but definitely worth another late-night visit. Kill It means the movie gave us a good time, we might tell our friends about it, but we are ghosting it in the morning. So pull up a chair, pour whatever you're pouring, light whatever you're lighting, and join the Fright Flick Family. Sip. Smoke. Scream. Rate. Drop your FMK rating for Capture in the comments:

This week on Fright Flick FMK, we're watching and reacting to Passenger — a supernatural road-trip horror movie where one couple's van-life adventure goes completely off the rails after they stop at the scene of a gruesome highway accident. Because apparently being a good Samaritan in a horror movie comes with a demonic attachment fee. After witnessing the crash, the couple realizes they did not leave the scene alone. A demonic presence known as the Passenger has hitched a ride, and their road trip turns into a nightmare they cannot outrun. So yeah… next time, maybe keep driving. Passenger comes from director André Øvredal, the filmmaker behind Trollhunter, The Autopsy of Jane Doe, Scary Stories to Tell in the Dark, and The Last Voyage of the Demeter. This time, he brings the horror to the open road with van-life paranoia, highway dread, jump scares, supernatural stalking, and that lovely feeling that something is sitting in the back seat even when nobody is supposed to be there. Fright Flick FMK is a horror movie watch-along and reaction show for fans who like their scary movies with attitude, laughs, real reactions, and zero fake polish. We kick back, get elevated, pour a drink, press play, and talk through the chaos in real time. For Passenger, we're digging into the road-trip setup, the demonic hitchhiker, the scares, the performances, the van-life nightmare fuel, and whether this movie actually takes us for a ride or leaves us stranded on the side of the road. WHERE TO WATCH: As of this upload, Passenger is streaming on Paramount+. It is also available to rent or buy digitally through platforms including Amazon Video, Apple TV Store, Fandango At Home, and JustWatch TV. Availability can change, so check your preferred streaming app before pressing play. At the end, we rate it with The Only Rating System That Matters: Marry It means the movie is a keeper — the kind of horror flick you can grow old with and keep coming back to. F@#k It means it's a good time when the mood hits — maybe not forever material, but definitely worth another late-night visit. Kill It means the movie gave us a good time, we might tell our friends about it, but we are ghosting it in the morning. So pull up a chair, pour whatever you're pouring, light whatever you're lighting, and join the Fright Flick Family. Sip. Smoke. Scream. Rate. Drop your FMK rating for Passenger in the comments: Are you giving it Marry It, F@#k It, or Kill It?

New week. New episode. New reason to never trust a marriage-counseling retreat in the woods. This week on Fright Flick FMK, we're watching Smokee — a stoner horror-comedy about cannabis-fueled rituals, old grudges, relationship drama, and a knife-wielding demon bear hunting people who are on the weed. Yes. A demon bear. With a knife. At a marriage retreat. This is exactly why we do this show. We're getting elevated, pouring a drink, pressing play, and finding out if Smokee is indie horror-comedy gold, low-budget creature-feature madness, or the kind of movie that makes us question every life choice that brought us here. At the end, we rate it with The Only Rating System That Matters:

New week. New episode. New reason to never attend a secluded family gathering. This week on Fright Flick FMK, we're watching Evil Dead Burn — the newest Deadite nightmare in the Evil Dead universe. A woman grieving her husband goes to stay with her in-laws, probably hoping for comfort, support, and maybe one normal conversation. Instead? Deadites. Demonic chaos. Family trauma. A reunion from hell. We're getting elevated, pouring a drink, pressing play, and finding out if Evil Dead Burn brings the blood, brutality, and insanity needed to earn its place in the franchise. At the end, we rate it with The Only Rating System That Matters:

New week. New episode. New movie that probably should have come with a warning label. This week on Fright Flick FMK, we're watching Visceral: Between the Ropes of Madness — a Chilean extreme horror film about a failed boxer whose life spirals into depression, madness, violence, and something evil pulling the strings. This is underground horror. This is grimy. This is uncomfortable. This is absolutely not a normal boxing movie. We're getting elevated, pouring a drink, pressing play, and finding out if Visceral is disturbing horror art, brutal chaos, or the kind of movie we respect but never want to visit again. At the end, we rate it with The Only Rating System That Matters:

New week. New episode. New reason to never trust a job posting that pays too well. This week on Fright Flick FMK, we're watching Kenneled — a psychological horror movie about a struggling man who takes a bizarre dog-walking/caretaking gig and gets pulled into an unsettling hidden subculture. Money is tight. The job sounds weird. The client situation sounds worse. And somehow, everybody involved is making choices that feel like they should come with a leash, a waiver, and a therapist. We're getting elevated, pouring a drink, pressing play, and finding out if Kenneled is creepy indie horror, uncomfortable psychological chaos, or just one long reminder to never accept strange rich-people jobs. At the end, we rate it with The Only Rating System That Matters:

This week on Fright Flick FMK, we're watching and reacting to The Fuzzies — a horror-comedy about childhood friends reuniting at an eerie estate and finding out that the beloved puppets from a children's TV show are very much alive… and very much hunting people. So yeah, this is not Sesame Street. Fright Flick FMK is a horror movie watch-along and reaction show for fans who like their scary movies with attitude, laughs, real reactions, and zero fake polish. We kick back, get elevated, pour a drink, press play, and talk through the chaos in real time. For The Fuzzies, we're looking at the puppet horror, the gore, the comedy, the weird children's show backstory, the practical effects, the “what the hell am I watching?” factor, and whether this movie is creepy fun or just a fuzzy little mistake. At the end, we rate it with The Only Rating System That Matters: Marry It means the movie is a keeper — the kind of horror flick you can grow old with and keep coming back to. F@#k It means it's a good time when the mood hits — maybe not forever material, but definitely worth another late-night visit. Kill It means the movie gave us a good time, we might tell our friends about it, but we are ghosting it in the morning. So pull up a chair, pour whatever you're pouring, light whatever you're lighting, and join the Fright Flick Family. Sip. Smoke. Scream. Rate. Drop your FMK rating for The Fuzzies in the comments: Are you gonna Marry It, F@#k It, or Kill It?

This week on Fright Flick FMK, we're watching and reacting to Wormtown — a sci-fi horror body-horror nightmare about a town taken over by flesh-eating, mind-altering worms. One year into the plague, Ashland, Ohio has stopped acting like a normal town and started acting like a parasite-worshipping nightmare. A cult-like mayor is running the show, the infected are spreading their worm gospel, and three uninfected women are trying to survive through scavenging, extreme hygiene, paranoia, and whatever bad decisions are left on the table. So yes, this sounds disgusting. And yes, that is exactly why we're watching it. Fright Flick FMK is a horror movie watch-along and reaction show for fans who like their scary movies with attitude, laughs, real reactions, and zero fake polish. We kick back, get elevated, pour a drink, press play, and talk through the chaos in real time. For Wormtown, we're digging into the body horror, the parasite madness, the cult-town energy, the survival setup, the gross-out moments, and whether this movie crawls under our skin or just makes us want to shower immediately. At the end, we rate it with The Only Rating System That Matters: Marry It means the movie is a keeper — the kind of horror flick you can grow old with and keep coming back to. F@#k It means it's a good time when the mood hits — maybe not forever material, but definitely worth another late-night visit. Kill It means the movie gave us a good time, we might tell our friends about it, but we are ghosting it in the morning. So pull up a chair, pour whatever you're pouring, light whatever you're lighting, and join the Fright Flick Family. Sip. Smoke. Scream. Rate. Drop your FMK rating for Wormtown in the comments: Are you giving it Marry It, F@#k It, or Kill It? #Wormtown #FrightFlickFMK #HorrorReaction

This week on Fright Flick FMK, we're watching and reacting to The Bride! — Maggie Gyllenhaal's Gothic monster-romance reimagining of the Bride of Frankenstein story. A lonely Frankenstein travels to 1930s Chicago looking for someone to love. With the help of a scientist, a murdered young woman is brought back to life as the Bride. From there, things spiral into murder, possession, romance, rebellion, and the kind of beautiful monster chaos that feels made for a late-night Fright Flick FMK watch-along. This may not be your usual masked-killer, body-count horror movie, but it is absolutely playing in the horror sandbox: resurrection, obsession, dead bodies, mad science, doomed love, and people making choices that should have come with a warning label. Fright Flick FMK is a horror movie watch-along and reaction show for fans who like their scary movies with attitude, laughs, real reactions, and zero fake polish. We kick back, get elevated, pour a drink, press play, and talk through the chaos in real time. For The Bride!, we're looking at the monster romance, the Gothic style, the performances, the weirdness, the emotional damage, the “is this horror or just deeply unwell romance?” question, and whether this movie earns a spot with the Fright Flick Family. At the end, we rate it with The Only Rating System That Matters: Marry It means the movie is a keeper — the kind of horror flick you can grow old with and keep coming back to. F@#k It means it's a good time when the mood hits — maybe not forever material, but definitely worth another late-night visit. Kill It means the movie gave us a good time, we might tell our friends about it, but we are ghosting it in the morning. So pull up a chair, pour whatever you're pouring, light whatever you're lighting, and join the Fright Flick Family. Sip. Smoke. Scream. Rate. Drop your FMK rating for The Bride! in the comments: Are you giving it Marry It, F@#k It, or Kill It?

This week on Fright Flick FMK, we're watching and reacting to Backrooms — the liminal-space horror movie from Kane Parsons that turns empty rooms, dead hallways, strange doorways, and fluorescent nightmare energy into a full-blown descent into the unknown.  

This week on Fright Flick FMK, we're watching and reacting to Abruptio — a surreal horror-thriller performed with lifelike puppets, and yes, it looks just as unsettling as that sounds. The movie follows Les Hackel, a guy already having a rough time, who wakes up to find an explosive device implanted in his neck. From there, he is forced into a series of violent, bizarre, and increasingly twisted missions while trying to figure out who is controlling the nightmare around him. And the entire thing is done with puppets. Not cute puppets. Not fun puppets. Not “let's all learn a lesson” puppets. These are creepy, lifelike, dead-eyed nightmare puppets voiced by a wild cast that includes James Marsters, Robert Englund, Jordan Peele, Hana Mae Lee, Christopher McDonald, and Sid Haig. Fright Flick FMK is a horror movie watch-along and reaction show for fans who like their scary movies with attitude, laughs, bad decisions, and zero fake polish. We kick back, get elevated, pour a drink, press play, and talk through the chaos in real time. For Abruptio, we're looking at the puppet madness, the violence, the weirdness, the voice cast, the “what the hell am I watching?” factor, and whether this movie is actually a bold horror oddity or just a fever dream someone put strings on. At the end, we rate it with The Only Rating System That Matters: Marry It means the movie is a keeper — the kind of horror flick you can grow old with and keep coming back to. F@#k It means it's a good time when the mood hits — maybe not forever material, but definitely worth another late-night visit. Kill It means the movie gave us a good time, we might tell our friends about it, but we are ghosting it in the morning. So pull up a chair, pour whatever you're pouring, light whatever you're lighting, and join the Fright Flick Family. Sip. Smoke. Scream. Rate. Drop your FMK rating for Abruptio in the comments: Are you giving it Marry It, F@#k It, or Kill It?

This week on Fright Flick FMK, we're watching and reacting to Obsession, the new horror romance thriller from writer/director Curry Barker. The movie follows a hopeless romantic who uses the mysterious One Wish Willow to win his crush's heart. Sounds sweet, right? Wrong. This is horror, so obviously the wish comes with a dark, twisted price, and love starts looking less like a dream and more like a full-blown nightmare. Fright Flick FMK is a horror movie watch-along and reaction show for fans who like their scary movies with a little attitude, a lot of laughs, and zero fake polish. We kick back, get elevated, pour a drink, press play, and talk through the chaos in real time. For Obsession, we're diving into the creepy relationship horror, the bad decisions, the “be careful what you wish for” madness, and whether this movie actually gets under our skin or just makes us question everyone involved. And at the end, we put it through The Only Rating System That Matters: Marry It means the movie is a keeper — the kind of horror flick you can grow old with and keep coming back to. F@#k It means it's a good time when the mood hits — maybe not forever material, but definitely worth another late-night visit. Kill It means the movie gave us a good time, we might tell our friends about it, but we are ghosting it in the morning. So pull up a chair, pour whatever you're pouring, light whatever you're lighting, and join the Fright Flick Family. Sip. Smoke. Scream. Rate. Drop your FMK rating for Obsession in the comments: Are you giving it Marry It, F@#k It, or Kill It?

This week on Fright Flick FMK, we got elevated, poured a drink, pressed play, and watched Evil Bong — Full Moon Features' stoner horror-comedy about a cursed bong named Eebee that sends people straight into Bong World. Yes. That is the movie. Fright Flick FMK is a horror movie watch-along and reaction show for fans who like their scary movies with attitude, laughs, bad decisions, and zero fake polish. We watch horror movies in real time, react to the chaos, talk through the nonsense, and give our honest take on what worked, what flopped, what made us laugh, and what made us question everyone involved. This episode has everything: a talking evil bong, stoner chaos, Bong World, Tommy Chong, low-budget Full Moon madness, and the kind of movie night that feels like hanging out with your friends after midnight. At the end, we put Evil Bong through the only rating system that matters: FMK. Marry It means the movie is a keeper — the kind of horror flick you can come back to again and again. F@#k It means it is a good time when the mood hits — maybe not forever material, but definitely worth another late-night visit. Kill It means the movie gave us a good time, we might tell our friends about it, but we are ghosting it in the morning. So pull up a chair, pour whatever you're pouring, light whatever you're lighting, and join the Fright Flick Family. Sip. Smoke. Scream. Rate. Drop your FMK rating for Evil Bong in the comments: Would you Marry It, F@#k It, or Kill It? #EvilBong #FrightFlickFMK #HorrorReaction

This week on Fright Flick FMK, we're diving face-first into the dirty basement of underground extreme horror with Maskhead. This is not a clean little popcorn slasher. This is low-budget, nasty, uncomfortable horror from Scott Swan and Fred Vogel that feels like it was dragged out of a cursed VHS box, slapped on the table, and dared everyone in the room to press play. And because we apparently make questionable life choices for entertainment, we watched it. Maskhead brings underground filmmakers, fake auditions, exploitation sleaze, brutal violence, a freak in a mask, and the kind of movie-night energy that makes you look around and ask, “Who the hell picked this?” Spoiler: probably us. On this episode, we react in real time, talk through the chaos, laugh where we probably shouldn't, and break down what worked, what flopped, what made us uncomfortable, and what made us question everyone involved in making this thing. Was Maskhead effective extreme horror? Was it trying to say something? Was it just shock-value trash wearing a mask? Or is this exactly the kind of grimy underground madness horror sickos secretly keep on the shelf? At the end, we put it through The Only Rating System That Matters: FMK.

This week on Fright Flick FMK, Jay is diving into Find Your Friends, a desert-set thriller where a wild girls' trip takes a dark turn into chaos, bad decisions, tension, and revenge. We're bringing the usual Live Reaction & FMK Rating energy to the podcast side: talking through the setup, the friend group drama, the uneasy party atmosphere, the creepy desert vibe, and whether this movie deserves to be loved, FK'ed, or buried in the sand. Pour something, pack something, and ride with us as we break down the madness and give this one The Only Rating System That Matters. Sip. Smoke. Scream. Rate. Join the Fright Flick Family and let us know your FMK rating:

This week on Fright Flick FMK, we're diving into Iron Lung. A tiny submarine. A convict on a one-way mission. A blood ocean on a desolate moon. And Markiplier behind the whole nightmare. Sounds like a perfectly terrible idea, so naturally, we're pressing play. Join us as we watch, react, talk through the chaos, and decide where Iron Lung lands on the official FMK scale: Marry It. F@#k It. Kill It. Pull up, pour up, light up, and join the Fright Flick Family.

This week on Fright Flick FMK, I'm watching, reacting to, and rating the cult film Bad Boy Bubby. Bubby has spent thirty years trapped in the same small room, tricked and controlled by his mother. But when he finally escapes, he enters a modern world he doesn't understand — deranged, naive, confused, and completely unprepared for the chaos waiting outside. Written and directed by Rolf de Heer, and starring Nicholas Hope, Claire Benito, and Ralph Cotterill, this is the kind of movie that promises cult cinema madness, uncomfortable laughs, dark moments, and a whole lot of “what did I just watch?” I'll be sipping my whiskey

This week on Fright Flick FMK, I'm watching and reacting to Monkey's Magic Merry Go Round, a twisted psychological horror movie about a beloved children's TV show host, missing memories, creepy puppet co-stars, and a colorful world that slowly turns into a nightmare. Directed by Aidan Leary and written by Aidan Leary and C.R. Thompson, this movie takes that innocent kids' show energy and drags it straight into the dark. We've got puppets acting strange, buried trauma bubbling up, and a host who may be losing his grip on reality. The cast includes Michael Gilio, Frank Cesario, Connar Brown Sprenger, Rob Chesler, Jackie Smook, and more. So you already know the deal: I'm pouring the whiskey, lighting up the elevated flower, watching this nightmare unfold, and then rating it the only way Fright Flick FMK knows how: F@#k it, Marry it, or Kill it. Will this creepy puppet horror be a movie I want to grow old with, one I'd only hit up when the mood is right, or one I never want to see crawling back into my life again? Grab your drink, get elevated, and let's find out.

This week on the Fright Flick FMK, we're getting elevated, pouring the whiskey, and heading off to Camp Arawak for one of the wildest cult horror movies of the 80s… the legendary Sleepaway Camp (1983).

This week on Fright Flick FMK, I'm getting elevated and diving into the 2025 Argentine slasher No One Will Hear Your Scream, written and directed by Mariano Cattaneo. Set in Bernal, Buenos Aires during the 1990 World Cup, the film follows a young record store worker named Micaela as a brutal killer uses Argentina's soccer matches as cover for a string of savage murders. As the body count rises, Micaela discovers the murders may be connected to mixtapes she created and sold — pulling her deeper into a nightmare where every match could mean another victim. The film stars Sol Wainer, Byron Barbieri, Román Almaraz, Leonel Romero, and Germán Baudino. Filming took place in and around Bernal and the greater Buenos Aires area, giving the movie a gritty early-90s atmosphere soaked in soccer obsession, mixtape culture, and classic slasher energy. Blending coming-of-age drama with brutal horror and old-school slasher vibes, No One Will Hear Your Scream mixes masked-killer chaos with tension fueled by the entire country being distracted by the World Cup. https://www.imdb.com/name/nm1522692/?ref_=tt_ov_1_1 IMDB PAGE https://www.instagram.com/blackmandala_films/ https://www.instagram.com/bee.creative.mkt  

This week on Fright Flick FMK Podcast Episode 142, Jay and his brother Jon go LIVE for a wild horror movie watch party as we hit play on Good Boy. We poured the whiskey

This week on the Fright Flick FMK Podcast, I'm sitting down with filmmaker J. R. Stokes to talk about his latest movie Beautiful Pam. Also pulling a chair up to the table  is Peter Konsevitch, who plays Beetle in the film

This week on the Fright Flick FMK Podcast… we're getting weird again

This week, we're heading deep into the Australian outback with the brutal horror classic Wolf Creek… and yeah, things get real uncomfortable, real fast.

This week I did something I've never done before… I got a little elevated

This week on Fright Flick FMK, we're talking about the 2022 Belgian horror film Megalomaniac, written and directed by Karim Ouelhaj. Inspired by the real-life “Butcher of Mons” case, this movie imagines what might have happened to the killer's children… and it is not a feel-good family drama. The story follows siblings Martha and Félix, who grow up isolated and deeply scarred by the legacy of their father, a notorious serial killer who targeted women. Martha works at a garment factory where she's constantly harassed and belittled, while Félix becomes increasingly obsessed with embracing their father's violent past. What starts as simmering trauma slowly mutates into something darker, as Félix begins killing again and pushes Martha toward accepting the same blood-soaked inheritance. And yes, we're going there. The film doesn't shy away from brutality. There are suffocating scenes of workplace abuse, graphic violence, and a grim, inevitable turn where Martha herself finally snaps, stepping fully into the horror she's tried to suppress. By the end, it's less about jump scares and more about whether violence is learned, inherited, or just waiting for the right moment to surface. It's bleak. It's heavy. It's arthouse horror dipped in cold industrial despair. So the real question is: is Megalomaniac something I'd F*ck, Marry, or Kill? Let's get into it.

This week on Fright Flick FMK, we're talking about the 2022 Belgian horror film Megalomaniac, written and directed by Karim Ouelhaj. Inspired by the real-life “Butcher of Mons” case, this movie imagines what might have happened to the killer's children… and it is not a feel-good family drama.The story follows siblings Martha and Félix, who grow up isolated and deeply scarred by the legacy of their father, a notorious serial killer who targeted women. Martha works at a garment factory where she's constantly harassed and belittled, while Félix becomes increasingly obsessed with embracing their father's violent past. What starts as simmering trauma slowly mutates into something darker, as Félix begins killing again and pushes Martha toward accepting the same blood-soaked inheritance.And yes, we're going there. The film doesn't shy away from brutality. There are suffocating scenes of workplace abuse, graphic violence, and a grim, inevitable turn where Martha herself finally snaps, stepping fully into the horror she's tried to suppress. By the end, it's less about jump scares and more about whether violence is learned, inherited, or just waiting for the right moment to surface.It's bleak. It's heavy. It's arthouse horror dipped in cold industrial despair.So the real question is: is Megalomaniac something I'd F*ck, Marry, or Kill?Let's get into it.

This week I'm joined by friend of the show Renee Huff as we dive into the 2019 supernatural horror film Polaroid

This week on Fright Flick FMK, we're diving into the eerie 2013 supernatural horror film Dark Touch, directed by Marina de Van. In this chilling story, a young girl survives a brutal family tragedy, but it quickly becomes clear something far more disturbing is happening around her. As strange and violent events follow, the line between trauma and something supernatural starts to blur… and the results are seriously unsettling. As always on Fright Flick FMK, we decide if this horror flick is one we'd F

Fright Flick FMK is cutting into this week's pick: Scissors (2025), directed by B.J. Hendricks and Rob Mulligan and starring Eric Roberts. A sadistic serial killer known as “Scissors” is hunting the LGBTQ+ community through hookup apps and anonymous encounters, and two exhausted detectives get dragged deeper into a case that gets uglier and more brutal with every body.  

This week on Fright Flick FMK, we're talking about the brand‑new 2025 horror film Mother of Flies, the latest dark folk‑magic tale from the filmmaking trio John Adams, Zelda Adams, and Toby Poser. Blending witchcraft, desperation, and haunting woodland atmosphere, this film dives deep into the terrifying choices one makes when pushed to the edge.  https://www.wonderwheelproductions.com/    

Join us as we sit down with award-winning indie filmmaker Chris Grega, the creative force behind 88mm Films. From his early days inspired by a friend's legacy to directing acclaimed features like Rhineland, Sound of Nothing, and his latest thriller Red Night at Skye's, Chris shares his journey, creative process, and what it takes to thrive in independent cinema. 88mm Films Website Instagram: Indie Film Sucks Podcast Facebook: Indie Film Sucks Podcast Facebook: 88mm Films  

This week on Fright Flick FMK we dive into 2023's Mar.ia, directed by Gabriel Grieco & Nicanor Loreti. After a horrific accident and a major transformation, a famed adult film star turns avenger—serving brutal payback to the abusers who exploited her. We break down the gore , style , and revenge vibes before we decide: F, M, or K? Listen and then tell us your FMK in the comments!

Deadgirl (2008) is an independent horror film directed by Marcel Sarmiento and Gadi Harel. Two high school friends, Rickie and JT, skip class and explore an abandoned mental hospital. In the basement, they discover a naked woman tied up and seemingly dead—until they realize she's alive but unable to speak. JT becomes obsessed with her, seeing her as an object for his darkest desires, while Rickie struggles with the moral implications. As JT's fixation grows, things spiral into violence, betrayal, and horror, exposing the characters' depravity and the consequences of their choices.  

XXX-Mas (2023) turns holiday cheer into pure terror. When a group of friends gathers for a festive celebration, their night quickly spirals into a blood-soaked nightmare. What starts as naughty fun becomes a deadly game of survival. A blood-thirsty Santa wreaks havoc on the set of an eccentric adult film director's latest production. Grab a drink, light up, and settle in with us as we tear into XXX-Mas (2023), a holiday horror that's anything but merry.

"The storm never ends. The night never breaks. And in Glore Valley, every scream echoes until dawn…" This week, we descend into the shadows of Until Dawn (2025)—directed by David F. Sandberg and written by Gary Dauberman with Blair Butler. The cast is stacked with doomed souls: Ella Rubin, Michael Cimino, Odessa A'zion, Ji-young Yoo, Belmont Cameli, Maia Mitchell, and the ever-haunting Peter Stormare as Dr. Hill. In the remote mining town of Glore Valley, a storm rages without end. A group of friends, drawn back by tragedy, soon discover they are trapped in a relentless time loop—forced to relive the same night of terror again and again. Each cycle brings new horrors: masked killers, wendigos lurking in the woods, and the haunting presence of those who never made it out alive.

Thank you to everyone that supports our crazy show. Now lets go get 500 more.

This week on the Fright Flick FMK Podcast, we're heading into the bloody chaos of the 2024 horror film Red Night at Skye's — directed by Chris Grega and starring horror legend Bill Moseley, along with Brock Roberts, Jackie Kelly, and Joe Hammerstone.

This week on Fright Flick FMK, we crack open Eric Stanze's Scrapbook (2000)—a film that doesn't just horrify, it violates every boundary of comfort. Inside this underground nightmare, a killer keeps a scrapbook of agony, documenting every scream, every humiliation, every broken soul. Spoilers ahead: The scrapbook isn't a diary—it's a graveyard of shattered lives. Survival isn't heroic—it's a descent into something worse than death. By the final page, sanity is shredded, and morality is ash. This isn't horror for the faint of heart. It's psychological vivisection, a raw look at human depravity that will leave you questioning your own limits. https://wickedpixel.com/films/ Wicked Pixel Cinema Facebook

A young girl wakes up imprisoned underground, with amnesia. She must escape, unravel the mystery behind her captivity, and confront her personal struggles. A suspenseful tale of survival, truth, and inner turmoil unfolds.

This week we are joined by a very special guest, Renee Huff, and we're diving into Match (2025), a Tubi Original horror flick that turns swiping right into a fight for survival. Directed by Danishka Esterhazy (Slumber Party Massacre, Level 16), Match follows Paola (played by Humberly González) as she meets a charming online suitor—only to find herself trapped in a house of horrors. https://www.hauntedhousefearfest.com/ Official Renee Huff Site Instagram: Haunted House Fear Fest  

This week on Fright Flick FMK, we unravel the bizarre and haunting Hemet, or The Landlady Don't Drink Tea (2024) ☕